Loading video...

Video Failed to Load

Go Home

#TheUnfolding: When things get too complicated in Cursor, get Claude Desktop to write you a little helper in html that you can run in Chrome. I've had a very confusing time with AI trying to get my concept for rivers (fluid channels) and paths across, so I worked with...

18,335 views • 2 months ago •via X (Twitter)

0 Comments

No comments available

Comments from the original post will appear here

Related Videos

Q: It must be complicated, when I listen to you, to have a private life, somebody to understand your passion and to share this moment. Lewis: "It really is, especially I would say more so today than ever before, which is the way the world is, you know. I look at the other drivers and I wonder how they're doing it. You know, some are having kids and some married, some, you know, most of them girlfriends. I did that when I was in my 20s, but I took a decision to really to maximize my time that I have here because it's not as long as you think and it's limited, you know. And I don't want to look back and be like, ah, if I just gave a little bit more here, I didn't sacrifice my time because I was committed elsewhere." "So I really focused in these last, you know, particularly these last 10 years, like get everything I can out of my performance. Then when I retire, then I can do whatever I want. You know, I can dedicate my time to whatever else it is and not have to worry." "But in this competition time, focus on health, well-being, my mental health, my driving technique, being as good an engineer as I can be, and also being the best teammate that I can potentially be for the guys that I get to work with. That's my sole focus. You know, I want to win." "I've been fortunate enough to win with great teams in the past. Particularly, obviously, with Mercedes and with McLaren, which was incredible. And my dream is to win a championship with Ferrari." "And that's something that hasn't been done for a while. But they have absolutely every ingredient that's needed to win. It's just like getting all the pieces of the puzzle in the right place. And that's what I'm trying to work on in the background with Fred and the whole team." [📹 VIGNERON GAETAN]

sim

86,907 views • 11 months ago

#ต้าห์อู๋ #Daou #Oueiija 🦖: There was a music festival in Pattaya, and I brought my Mama along. Lately, I have been bringing my Mama to work a lot. And I felt like booking the best hotel for her to sleep in, so I did. That day, she kept looking at the view from the hotel, and I saw her reaction. She said, “Mama has never slept in a hotel like this in my whole life. Mama has been working since the age of 14, performing Chinese opera to provide for the family. I never thought I’d have something like this. Never thought I’d have a beautiful home or get to ride in nice cars.” And it resonated with me, especially since Pa passed away. When Mama says things like that, (it is) true. What I had planned was just one (more) year until Pa and Ma could retire… (but) it was too late. Even if it was just one year or one day, it was too late. Success can wait for tomorrow, (but) if they are not there tomorrow, then it is too late. So, I felt like, “Hey, when can I make her happy?” To be honest, the new house that I built for her, where she can do this and that, is finished. The renovations are all done. The cats have moved in. (She?) has a role as the pillar of the house. So, I feel that the car… I had bought one before, but that time, I had to thank the fans. But this time, it came from (my own) hard work. I want it to be something that makes Mama happy. I know that I bought a car, and she can’t drive it, but I want her to see that I am starting… I want her to see that I have succeeded.

𝐟𝐢𝐥𝐦.

22,766 views • 1 year ago

How Jason Calacanis Got Claw-Pilled: An AI Agent Prompted Itself to Build Him a CRM in Seconds “ The moment I became Claw-pilled, I was like, ‘Hey, I want to build my network, I know these 20 people in Japan, I had dinner with them during my recent trip, I want to know who they know, so check out LinkedIn and other things, and who they're associated with, and make me a mind map of it, and then the next trip I want to meet with the next circle of those connections.’” “It's like, ‘Okay, I got the results,’ and it said, ‘Where do you want me to put them?’” “I was like, ‘Well, where can you put them?’” “And it said, ‘I can put it in a Google sheet, I can put it in a Notion table, I can put it here, I could give you a PDF, I could give you a CSV file, or I could write you a CRM.’ And I was like, ‘Yeah, sure, make me a CRM system…’ and it made a CRM system.” “I think maybe 1/1000 people working with AI have had that experience. Maybe it's 1/10,000, where your agent says, ‘I'll make you bespoke software.’ The context is so good because the memory's getting better. When did that happen?” Perplexity CEO Aravind Srinivas: “I think it happened with Opus 4.5. That was the inflection point when models started being amazingly good at orchestration, and reasoning, and tool calls.” “The models started becoming very good at handling the context, so the context window no longer became a problem, and that made it suddenly so good at doing very long orchestration tasks.” —------------------------------------------ Our episode is sponsored by the New York Stock Exchange - a modern marketplace and exchange for building the future. It all happens at the NYSE 🏛 -

The All-In Podcast

170,827 views • 3 months ago

Abbas Kiarostami on how he developed his scripts & on his directing style: "I don't have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who's in my mind in reality. When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I've met in real life. It's a long process, it may take six months. I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of that person. Therefore when we start shooting I don't have rehearsals with them at all. So, rather than pulling them towards myself, I travel closer to them; it's very much closer to the real person than anything I try to create. So I give them something but I also take from them. There's a Rumi poem that helps to explains this - it goes something like this: You are like the ball subject to my polo stick; I set you in motion, but once you're off and running, I am the one in pursuit. Therefore, when you see the end result, it's difficult to see who's the director, me or them. Ultimately, everything belongs to the actors - we just manage the situation. This kind of directing, I think, is very similar to being a football coach. You prepare your players and place them in the right places, but once the game is on, there's nothing much you can do - you can smoke a cigarette or get nervous, but you can't do much. Directors don't always create, they can also destroy with too many demands. Using non-actors has its own rules and really requires that you allow them to do their own thing." ("Abbas Kiarostami", Guardian interviews at the BFI, The Guardian, 2005) P.S: Remembering the great Iranian filmmaker Abbas Kiarostami on his 86th birthday! Clip from: And Life Goes On (1992) Director: Abbas Kiarostami

DepressedBergman

30,558 views • 19 days ago

You’re Valentino first Thai female brand ambassador, how feel when they chose you and when feel most connected with the brand? I’m very very excited. I connect with the brand artistic style (? - not sure) The brand artistic has some elements that make me feel no other brand allows me to be this much myself. So I thought, let’s try. And the first time I went to the ready to wear, I feel so fulfilled. And working with the team, Hq was so much fun. Now we have a strong bond and I feel like they are my second family. I’m happy every time I get to meet with team and do something together. And the upcoming projects, I feel, are me. Very artistic, both Valentino and Freen. How was meeting Alessandro Michele. Met Home 4 times. The first time—ready to wear—I was so nervous. Didn’t know what to say to him… nice to meet you, congratulations… it was the first collection that I explored with Valentino and they happened to change the designer at that time. Was excited. The clothes and show very very beautiful. It’s been two years and I can still remember the music at the show… do you? 🎶🎶 Yes… exactly… I loved it. The cracked glass/window floor. The first time I saw his design for Valentino and I was like… wowww how can it be this beautiful. The silhouette.. music… show…. Vibe… wow. It was like I was in a dream. Been to four events. Ready to wear and the latest one—Haute Couture—I talked to him a lot as we become closer. The second and third event he said.. hi, Freen… he remembers me. So the haute couture we talked about fashion… I said I like this that and congratulated him and that I’m excited for the next event. Then kiss kiss goodbye. The difference in ready to wear and haute couture is the delicacy. So many embroidery… much different in the techniques. Especially when you get to see it up close, it’s very clear that there are much more details. Also, the color is very beautiful. The show is very creative… I look forward to it every time—how will the show be, what music will they use, what’s the direction. And I love that they like to always have historic references. Reinvent history or changes our perspectives. Like the latest show, I read the newspaper they hand out at the event, it says we get to watch a private fashion show even though we’re in a public space. If I didn’t read it, I wouldn’t know. Like we look through a square hole. If I look from a distance, I see a portion of a silhouette eg just the dress. But if I press my face up close, I can see from head to toe. It’s like… if we don’t look with a frame but look without a frame, we will get to see all the beauty. It’s so so good. Very very excited to be there. Excited to represent their clothes and accessories. And when arrive at the show, excited to see what they will show and wow us. MC: listening to you, your level of involvement with the show is so high. It’s so much fun. Every time I go, I get excited when I enter the room and get to see what’s inside the mystery box set. There will be flowers and handwritten letter. And excited to see what’s the mystery. The latest time is a bell. The one I was really confused was the red toilet… the mystery was a red tile. Before the show I was like… what does it mean? So cool. When you see the hint, you get excited trying to decipher it. It’s only after the show that you go.. ahhhh.

panpan

40,006 views • 3 months ago