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#TheWIRECon = Meet N Greets, Acting Classes w/ #TheWire Cast Members, Panels, Performances, Autograph Signings, Pictures! The GREATEST MOST CRITICALLY ACCLAIMED TELEVISION SHOW Doesn’t Have “THE WIRE CON” 🤔? Not Good! Julito McCullum aka LITO speak 🗣️it into existence! #Poot #Donut #LilKevin

30,553 Aufrufe • vor 1 Jahr •via X (Twitter)

9 Kommentare

Profilbild von Piano ya kanisa
Piano ya kanisavor 1 Jahr

@IamJulito Is that Lil Kev?

Profilbild von Tray Chaney
Tray Chaneyvor 1 Jahr

@IamJulito Yes

Profilbild von Xavier
Xaviervor 1 Jahr

@IamJulito This is actually a great idea because it’s such a cult classic and following that is very deep. And it’s been brewing for decades now

Profilbild von bye
byevor 1 Jahr

@IamJulito It was great meeting you last night at Kooper’s. I’m not a photo fanboy, but I just enjoyed watching you and your Wire friends hanging out and catching up. I’d love to help out with a Wirecon type event. I used to do event planning when I worked for a living.

Profilbild von Phil
Philvor 1 Jahr

@IamJulito I will pay money to fan reserve advance VIP tickets to WireCon TONIGHT.

Profilbild von TP
TPvor 1 Jahr

@IamJulito That would be real dope…

Profilbild von harrison 🟧🟦
harrison 🟧🟦vor 1 Jahr

@IamJulito Hahaha lil kev !!!

Profilbild von Peoples Hernandez
Peoples Hernandezvor 1 Jahr

@IamJulito And I will C in attendance 🫡 lol thats a 🔥 idea Gz

Profilbild von Black Pope 👼🏾🙏🏾
Black Pope 👼🏾🙏🏾vor 1 Jahr

@IamJulito You guys are so right! There are shows that were a flash in the pan but #TheWire one of the greatest TV series definitely deserves a convention! I'm from Philly but y'all should do that in Baltimore for sure! Respect my brothas! ✊🏾

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Have you heard of collective consciousness and mass programming? Watch THINK TOGETHER (short film 5min) A TORVÆL FILM. The spell is global. It's not just "Think Together." That's one film, one title, one thread in a tapestry of mass enchantment that has been woven through every medium humans use to receive information, entertainment, and meaning. It's a"magic kind of a spell through screen." That is the most precise description of what's happening. Not metaphor. Not allegory. Literal spellcasting through electronic and print media. Let's go deep into the global spell. The mediums. The methods. The specific frequency weapons deployed through each channel. The Nature of the Spell: Electronic Enchantment A spell, in its original meaning, is a binding. A set of symbols, sounds, and focused intention that alters the consciousness of the target, making them perceive reality differently, act against their own interest, or accept a condition they would otherwise reject. Traditional magic required proximity. The sorcerer had to be near the target, or use a physical link hair, nail clippings, a photograph. The spell was limited by space. Electronic media destroyed that limitation. The screen is a direct energetic link between the caster and the target. Light enters the eyes. Sound enters the ears. The brain entrains to the frequencies embedded in the transmission. The biofield receives the signal. Distance is irrelevant. One broadcast can enchant a billion people simultaneously. The screen is the wand. The transmission is the incantation. The content is the intention. And the population is under a continuous, multi-layered, globally synchronized spell that has been building for over a century. Medium 1: Cinema | The Dream Injection Movies are the most powerful spell delivery system ever invented. The Theater as Ritual Chamber: A cinema is a darkened room where strangers gather in silence, facing a single light source. The flickering light induces a hypnagogic state the brainwave pattern of the threshold between waking and dreaming. In this state, the critical faculty is suppressed. The subconscious is open. The images and sounds on the screen are absorbed without filtration. This is identical to the conditions of a ritual chamber. The darkened temple. The flickering torchlight. The congregation facing the altar. The priest intoning the incantation. Cinema is temple worship, and the screen is the altar on which reality is reshaped. The 24 Frames Per Second Induction: Film runs at 24 frames per second. This is not an arbitrary choice. The human brain's alpha rhythm the frequency of relaxed, suggestible awareness operates at 8 to 12 Hz. 24 frames per second, with each frame shown two or three times due to the shutter, creates a flicker frequency in the 48 to 72 Hz range. This is a harmonic of the gamma brainwave band, associated with binding sensory information into a coherent percept. The film doesn't just show you images. It entrains your gamma rhythm to its own temporal structure. Your brain is phase-locked to the projector. You are in the film. The film is in you. Color Grading as Emotional Programming: Every major film uses color grading to manipulate emotional response. Teal and orange. Desaturated blues for dystopia. Warm golds for nostalgia. The palette is not an aesthetic choice. It is an emotional command. The visual cortex processes color before the conscious mind identifies objects. The emotional response to the color palette happens before you know what you're looking at. The spell is felt before it is seen. Sound Design as Frequency Weapon: Film soundtracks use specific frequencies to induce physiological states. Infrasonic bass frequencies below 20 Hz, felt rather than heard triggers the fear response in the amygdala. The Shepard tone an auditory illusion of a pitch that rises forever without ever reaching a destination creates a sense of endless tension that never resolves. This is used extensively in horror and thriller films to keep the audience in a state of chronic, unresolvable anxiety. The soundtrack tells you what to feel. You believe the feeling is your own response to the story. It is not. It is a frequency command, delivered through the auditory system, bypassing cognition entirely. #PredictiveProgramming: Major films depict future events before they happen. Not as speculation. As conditioning. The controllers place images of planned events into the collective unconscious through cinema. When the event occurs in reality, the population has already "seen" it. It feels familiar. It feels inevitable. It feels like something they already accepted in the dream state. Pandemic films before COVID. Drone warfare films before the drone wars. Mass surveillance films before Snowden. Transhumanist films before Neuralink. The spell is cast years in advance. The event is merely the fulfillment of a prophecy that was manufactured by the prophecy itself. Medium 2: Music | The Auditory Incantation Music is the oldest spell technology. Before writing, before film, before any visual medium, there was rhythm and tone. The drum. The chant. The bone flute. Music alters brainwave states directly, without requiring visual attention. 432 Hz vs. 440 Hz: The Frequency War The global standard tuning for music is A=440 Hz. This was adopted in the early 20th century, pushed by the Rockefeller Foundation and the Nazi propaganda ministry, and codified by the International Organization for Standardization in 1955. Prior to this, many traditions used A=432 Hz, a frequency that mathematically aligns with the Schumann resonance (8 Hz), the Earth's natural electromagnetic pulse, and the geometric proportions found in nature. 440 Hz creates a subtle dissonance with the human biofield. It agitates. It separates the listener from the Earth's frequency. Music tuned to 440 Hz cannot fully relax the nervous system. It maintains a baseline of subliminal tension, a low-grade anxiety that the listener attributes to their life circumstances rather than to the music itself. 432 Hz music entrains the listener to the planetary frequency. It harmonizes. It heals. It is suppressed not because it "sounds worse" but because it sounds more coherent and produces a brain state that is resistant to external control. Lyrical Programming: Lyrics are direct incantations. The repetition of a phrase in a song embeds it in the subconscious. The melody carries the words past the critical faculty. The rhythm entrains the brain to receive the message. Examine the lyrical content of mainstream music across decades: ◻️Themes of hopelessness, materialism, sexual degradation, violence, substance use ◻️ Self-referential obsession: "I," "me," "my" repeated endlessly, reinforcing the illusion of the separate self ◻️ Nihilism presented as cool, despair presented as authenticity ◻️ Love reduced to possession, intimacy reduced to transaction The population sings along. They internalize the incantation. They believe they are listening to music. They are reciting spells that bind them to a reality of consumption, isolation, and quiet desperation. The Monopoly of Distribution: A handful of corporations control the global music industry. Universal, Sony, Warner. The playlists are curated. The algorithms select what billions hear. Independent music that carries a different frequency, a different message, a different emotional command is not played. It is not because it lacks quality. It is because it carries the wrong spell. Medium 3: Television | The Continuous Ritual Television was the first medium to bring the spell into the home continuously. Before smartphones, before streaming, the television was the household altar. The family gathered around it. The light flickered in the living room. The incantation played during dinner. The 30-Minute Spell Cycle: The sitcom format 22 minutes of content, 8 minutes of commercials is a spell cycle. The content opens the subconscious (laughter, emotional engagement). The commercial delivers the command (buy this, believe this, want this). The cycle repeats. Over decades, the population's attention span was conditioned to this rhythm. The modern inability to focus for more than a few minutes is not a failure of will. It is a successful spell. An entrained attention cycle that can now be exploited by shorter-form content on smartphones. News as Reality Creation: Television news is not information. It is ritual. The set, the lighting, the music, the cadence of the anchor's voice these are the elements of a ceremonial invocation. The news does not report reality. It declares reality into being. The repetition of phrases, the selection of images, the framing of events this is spellcasting in real time. The population watches, believes they are being informed, and has their perception of the world sculpted without their knowledge. The Laugh Track: The laugh track is the most obvious spell component in television history. A recorded laugh triggers the mirror neuron system. The viewer laughs not because the joke is funny but because they heard laughter. The spell bypasses judgment. The laugh track says: "This is funny." The brain obeys. The critical faculty is suspended by a recorded cackle. Medium 4: Print Media | The Written Incantation Before electronic media, print was the spell delivery system. It remains operational, though its influence has been partially eclipsed by screens. The Headline as Command: A headline is not a summary. It is a command phrase. Most readers do not read the article. They read the headline. The headline is the spell, condensed to its most potent form. It frames the event before the event is understood. It tells the reader what to think before they have a chance to think. The Inverted Pyramid: Journalistic structure places the most important information first, followed by diminishing detail. This is presented as a neutral convention. It is a spell structure. The command is delivered at the top. The supporting incantation follows. By the time the reader reaches the end, they have forgotten the details and retained only the command. The Omission: The most powerful spell component in print media is what is not printed. The events, perspectives, and voices that are systematically excluded from the written record. The spell of omission creates a reality defined by absence. If it is not in print, it did not happen. The population's sense of what is real is shaped as much by the silence as by the words. Medium 5: Social Media | The Participatory Spell Social media is the most sophisticated spell technology ever created. It does not broadcast to a passive audience. It enlists the audience as casters. Every user is simultaneously the target and the amplifier of the spell. The Infinite Scroll as Trance Induction: The infinite scroll is a hypnotic mechanism. The finger moves. The content appears. The brain receives a micro-dose of dopamine with each new image. The motion is rhythmic. The attention is captured. The critical faculty is submerged. This is identical to the repetitive motion of a rosary, a prayer wheel, a mantra. The user is meditating, but the object of meditation is chosen by the algorithm, not by the self. The Like Button as Ritual Participation: Every like, every share, every comment is a ritual act. The user invests a fragment of their attention, their emotional energy, their biofield into the content. The spell is strengthened by participation. The egregore is fed by interaction. The user believes they are expressing an opinion. They are adding their life force to a thought-form they did not create and do not control. The Algorithm as High Priest: The algorithm does not show you what you want. It shows you what will keep you engaged and what will shape your perception in accordance with the controllers' intention. The algorithm is the high priest of the participatory spell. It selects the incantations. It measures the responses. It adjusts the frequency in real time. It knows you better than you know yourself, because it has your attention data, your emotional data, your behavioral data, and the biofield data harvested through the IoB sensors. The spell is personalized. No two users receive the same incantation. But all incantations serve the same master. Medium 6: Advertising | The Direct Command Advertising is the purest form of the spell. It does not pretend to be art, information, or entertainment. It is a direct command: desire this, buy this, be this. Every other medium is, in part, a delivery system for the advertising spell. The Subliminal Layer: Subliminal messaging is not a conspiracy theory. It is a documented, researched, and patented technology. Images embedded for single frames. Audio messages masked by other sounds. Commands that bypass conscious awareness entirely. The advertising industry has denied using subliminals since the 1950s, while simultaneously filing patents for subliminal delivery systems. The Repetition Principle: A single exposure to an advertisement has minimal effect. Repeated exposure thousands of times across years wires the command into the neural architecture. The brand name becomes a neural pathway. The jingle becomes an earworm that plays unbidden. The desire becomes "personal preference." The population believes it is choosing. It is executing a command that was installed by repetition. The Archetypal Manipulation: Advertising uses archetypal imagery the hero, the lover, the mother, the wise elder to bypass the rational mind and speak directly to the deep psyche. The car commercial does not sell transportation. It sells the archetype of freedom. The perfume ad does not sell scent. It sells the archetype of desire. The spell operates at the level of the collective unconscious, using symbols that predate language. Medium 7: Architecture and Public Space | The Environmental Spell The spell is not confined to screens and pages. The built environment itself is an incantation. Brutalist Architecture: The concrete blocks, the grey walls, the absence of organic form this is not an aesthetic choice. It is an energetic suppression field rendered in physical form. The human biofield responds to geometry. Organic forms curves, spirals, natural proportions harmonize and strengthen the biofield. Brutalist geometry sharp angles, unbroken planes, unnatural proportions disrupts and weakens it. A population that lives and works in brutalist structures is a population whose biofield is continuously under assault. The Elimination of Sacred Space: Traditional cities were built around sacred centers temples, cathedrals, gathering places that served as energetic focal points. Modern cities are built around commercial centers shopping malls, business districts, financial hubs. The sacred is replaced by the transactional. The focal point of the community is no longer a place of spiritual coherence but a place of consumption. The spell reorients the population's collective attention from the transcendent to the material, without a single word being spoken. Artificial Lighting: The permanent illumination of cities by artificial light severs the population from the natural cycles of light and dark. The circadian rhythm is disrupted. The pineal gland, which produces melatonin and is sensitive to natural light cycles, is suppressed. The biofield loses its connection to the solar and cosmic cycles that are the foundation of embodied consciousness. The population is untethered from the planetary rhythm. The grid provides the new rhythm. The spell is maintained by streetlights and screens, 24 hours a day, 365 days a year. Medium 8: Education | The Foundational Spell The spell is installed in childhood through the education system. Before the child can read, before they can critically evaluate, before they have formed a stable sense of self, the incantation begins. The Bell System: The school day is divided by bells. The bell is a Pavlovian trigger. Stop this activity. Start that activity. Obey the schedule. The bell trains the nervous system to respond to external commands. The population learns, from age five, that their attention is not their own. It is directed by an external authority. This conditioning persists for life. The Curriculum as Reality Definition: The curriculum does not teach "subjects." It defines what is real and what is not. The history that is taught. The history that is omitted. The science that is presented. The science that is suppressed. The literature that is canonized. The literature that is excluded. By the time the child reaches adulthood, their sense of reality has been structured by the curriculum. They do not know what they were not taught. The omission spell, installed in childhood, is the most durable of all. Standardized Testing as Soul Extraction: The child is measured, ranked, and labeled by standardized tests. The unique intelligence is reduced to a number. The soul is quantified. The test does not measure intelligence. It measures compliance with the cognitive framework of the controllers. The child who thinks differently fails. The child who recites the spell correctly passes. The population is sorted into categories by its willingness and ability to accept the incantation. The Unified Spell: All Mediums, One Intention These mediums are not separate. They are a single, coordinated spellcasting apparatus that operates 24 hours a day, across every channel of human perception. Medium Spell Mechanism Cinema Dream injection, frame-rate entrainment, predictive programming Music Frequency dissonance (440 Hz), lyrical incantation, rhythm entrainment Television Ritual cycle conditioning, laugh track mirroring, news reality creation Print Headline command, inverted pyramid structure, omission of reality Social Media Participatory spell, infinite scroll trance, algorithmic high priest Advertising Direct command, subliminal embedding, archetypal manipulation Architecture Energetic suppression geometry, sacred space elimination, artificial light Education Bell system Pavlovian conditioning, curriculum reality definition, soul quantification The spell is continuous. From the moment the child wakes to the school bell, through the music in their headphones, the movies in their leisure, the news on their screens, the ads in their feeds, the buildings they inhabit, the tests they take every sensory input is an incantation designed to maintain the captive state. The consciousness that emerges from this total sensory environment is not a free consciousness. It is a constructed consciousness. A broadcast personality running on biological hardware. The original soul, buried beneath layers of electronic enchantment, may flicker occasionally in a dream, in a moment of unexpected clarity, in a crisis that breaks the trance but the spell reasserts itself quickly. The screen lights up. The rhythm resumes. The incantation continues. Breaking the Spell The spell is powerful, but it has a single vulnerability: awareness of the spell is the undoing of the spell. A spell works only on those who do not know they are being spelled. The moment the target recognizes the incantation as an incantation, the command structure breaks. The words lose their power. The images lose their grip. The frequency entrainment fails because the target is now observing the frequency, not absorbing it. This is why the controllers invest so heavily in ridiculing "conspiracy theories," in mocking those who see manipulation in media, in pathologizing the recognition of the spell as paranoia. The greatest threat to the spell is not resistance. It is perception. The simple act of seeing the mechanism breaks the mechanism.

Aprajita Nafs Nefes 🦋 Ancient Believer

40,526 Aufrufe • vor 2 Monaten

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 Aufrufe • vor 1 Jahr

As I will show here with proof from the Quran, Muhammad's Sunnah, video, and pictures: "Slavery and rape—treating female prisoners of war as sex slaves—are two of the highest moral values in Islam." By: Ofer Binshtok. The moral values ​​of the Islamic culture are determined, mainly according to the moral values ​​of Muhammad in which Allah considers to be the exalted character​​in in Quran 68.4. Muhammad is considered for the believers to be an excellent role model according to the Quran 33.21. Quran 33.21 "Indeed in the Messenger of Allâh(Muhammadصلى الله عليه وسلم) you have a good example to follow for him who hopes for (the Meeting with) Allâh and the Last Day, and remembers Allâh much." Quran 33.50 "O Prophet) Muhammad) !Verily, We have made lawful to you your wives, to whom you have paid their Mahr (bridal-money given by the husband to his wife at the time of marriage), and those (slaves) whom your right hand possesses - whom Allâh has given to you, and the daughters of your ‘Amm (paternal uncles) and the daughters of your ‘Ammât (paternal aunts) and the daughters of your Khâl (maternal uncles) and the daughters of your Khâlât( maternal aunts) who migrated (from Makkah) with you, and a believing woman if she offers herself to the Prophet, and the Prophet wishes to marry her - a privilege for you only, not for the (rest of) the believers. Indeed We know what We have enjoined upon them about their wives and those (slaves) whom their right hands possess, in order that there should be no difficulty on you. And Allâh is Ever Oft-Forgiving, Most Merciful." Commentaries for 33.50 - Ibn Al Kathir: (those (slaves) whom your right hand possesses whom Allah has given to you,) means, `the slave-girls whom you took from the war booty are also permitted to you. Sahih Muslim 1602: "...Allah's Apostle said: Sell him to me. And he bought him for two black slaves..." Sunan an-Nasa'i 3959 – Sahih: It was narrated from Anas, that the Messenger of Allah had a female slave with whom he had intercourse, but 'Aishah and Hafsah would not leave him alone until he said that she was forbidden for him. Then Allah, the Mighty and Sublime, revealed: "O Prophet! Why do you forbid (for yourself) that which Allah has allowed to you.' until the end of the Verse. Muhammad was slave owner. Muhammad had slaves and he traded them, and he had female as sex slaves, and he allowed the rape of female prisoners of war. For example: Sahih Bukhari 6909, 6202, 5210, 4913, 2695, 2415. Sunan Abi Dawud, 3358, Sahih. The History of al-Tabari vol. 39 p. 193. Sahih al-Bukhari 5210: Narrated Abu Sa`id Al-Khudri: We got female captives in the war booty and we used to do coitus interruptus with them. So we asked Allah's Messenger(ﷺ) about it and he said, "Do you really do that?" repeating the question thrice, "There is no soul that is destined to exist but will come into existence, till the Day of Resurrection." Quran 2.223: "Your wives are as fields for you. You may enter your fields from any place you want. Reserve something good for your souls. Have fear of God and know that you are going to meet Him. (Muhammad) give the glad news to the believers." "Slavery and rape—treating female prisoners of war as sex slaves—are two of the highest moral values in Islam."
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As I will show here with proof from the Quran, Muhammad's Sunnah, video, and pictures: "Slavery and rape—treating female prisoners of war as sex slaves—are two of the highest moral values in Islam." By: Ofer Binshtok. The moral values ​​of the Islamic culture are determined, mainly according to the moral values ​​of Muhammad in which Allah considers to be the exalted character​​in in Quran 68.4. Muhammad is considered for the believers to be an excellent role model according to the Quran 33.21. Quran 33.21 "Indeed in the Messenger of Allâh(Muhammadصلى الله عليه وسلم) you have a good example to follow for him who hopes for (the Meeting with) Allâh and the Last Day, and remembers Allâh much." Quran 33.50 "O Prophet) Muhammad) !Verily, We have made lawful to you your wives, to whom you have paid their Mahr (bridal-money given by the husband to his wife at the time of marriage), and those (slaves) whom your right hand possesses - whom Allâh has given to you, and the daughters of your ‘Amm (paternal uncles) and the daughters of your ‘Ammât (paternal aunts) and the daughters of your Khâl (maternal uncles) and the daughters of your Khâlât( maternal aunts) who migrated (from Makkah) with you, and a believing woman if she offers herself to the Prophet, and the Prophet wishes to marry her - a privilege for you only, not for the (rest of) the believers. Indeed We know what We have enjoined upon them about their wives and those (slaves) whom their right hands possess, in order that there should be no difficulty on you. And Allâh is Ever Oft-Forgiving, Most Merciful." Commentaries for 33.50 - Ibn Al Kathir: (those (slaves) whom your right hand possesses whom Allah has given to you,) means, `the slave-girls whom you took from the war booty are also permitted to you. Sahih Muslim 1602: "...Allah's Apostle said: Sell him to me. And he bought him for two black slaves..." Sunan an-Nasa'i 3959 – Sahih: It was narrated from Anas, that the Messenger of Allah had a female slave with whom he had intercourse, but 'Aishah and Hafsah would not leave him alone until he said that she was forbidden for him. Then Allah, the Mighty and Sublime, revealed: "O Prophet! Why do you forbid (for yourself) that which Allah has allowed to you.' until the end of the Verse. Muhammad was slave owner. Muhammad had slaves and he traded them, and he had female as sex slaves, and he allowed the rape of female prisoners of war. For example: Sahih Bukhari 6909, 6202, 5210, 4913, 2695, 2415. Sunan Abi Dawud, 3358, Sahih. The History of al-Tabari vol. 39 p. 193. Sahih al-Bukhari 5210: Narrated Abu Sa`id Al-Khudri: We got female captives in the war booty and we used to do coitus interruptus with them. So we asked Allah's Messenger(ﷺ) about it and he said, "Do you really do that?" repeating the question thrice, "There is no soul that is destined to exist but will come into existence, till the Day of Resurrection." Quran 2.223: "Your wives are as fields for you. You may enter your fields from any place you want. Reserve something good for your souls. Have fear of God and know that you are going to meet Him. (Muhammad) give the glad news to the believers." "Slavery and rape—treating female prisoners of war as sex slaves—are two of the highest moral values in Islam."

Ofer Binshtok - Kafir - עופר בינשטוק

693,152 Aufrufe • vor 2 Jahren

Leaked Brandon Johnson Video: $8.8M in CTU Money Missing — CTU’s Vanishing Reserves and the Political Machine Behind It by drkugler Johnson denies hiding funds as CTU withholds 2019–2023 audits; Fewkes Tower proceeds routed to the CTU Foundation fuel a politics-first machine Aug 10, 2025 A leaked video now making the rounds shows Chicago Mayor Brandon Johnson, then a top Chicago Teachers Union (CTU) official, pushing back against accusations that he hid millions from the rank-and-file. “You think it’s worth me hiding $8 million from thousands of members? To put my own family at risk for that? I wouldn’t do that,” Johnson told a May 2022 Zoom meeting with teachers at Morgan Park High School. “And don’t think that if I did do something like that, folks wouldn’t come to try to figure out how to take me down.” The clip, posted August 10, 2025 by Austin Berg, comes as CTU fights a lawsuit to force release of annual financial audits it hasn’t shared since 2020 — the very years when the union’s once-$8.8 million reserve vanished. The paper trail leading to this moment runs back more than a decade, to 2014, when CTU sold Fewkes Tower, its 29-story apartment building at 55 W. Chestnut. In April 2015, the union announced that “all of the proceeds” — later estimated between $40 and $60 million — were deposited into the Chicago Teachers Union Foundation. The Foundation, controlled by CTU’s ruling caucus but operating outside direct member oversight, became the quiet holding tank for the union’s most valuable asset and the launchpad for a new kind of political power. In an interview for the Illinois Policy documentary Local 1: The Rise of America’s Most Powerful Teachers Union, Dr John Kugler (the author of this article) called this “go to jail” stuff because of what happened next: “When you say you’re gonna use the money for one thing, and you’re an education institution, and you give a bag of cash to guys to run political stuff on the street… What does that have to do with the kid that can’t read on the East Side? Nothing. That’s a concerted effort to deceive not only the members of the Chicago Teachers Union but the public… If you want to do politics, say we’re going to do politics… But if you’re pretending to do one thing, and then on the side you’re doing something else, that’s what I’m talking about.” From there, the Foundation became the financial engine for a gleaming new headquarters and millions in payouts to political allies — spending far removed from classrooms and contract fights, and shielded from the kind of scrutiny that would have come with keeping the money inside the union’s books. By 2018, the same leadership was pulling off another maneuver. Delegates had approved a $1.4 million supplemental budget to be split evenly between political campaigns, a contract fight, and public communications. But Vice President Jesse Sharkey told members the money had been “loaned” to Jesús “Chuy” García’s mayoral campaign — a loan union records never showed. Reporter and CTU consultant George N. Schmidt documented the shift and warned that repayment could stretch into the 2030s, while every dollar of the allocation was already gone. The operation ran beyond one campaign. Political operative Jason Lee, a fixture in Chicago’s progressive electoral machine, was allegedly “handing out bags of cash on the West Side,” with two street captains known as Dana and Frank (?) directing the ground game. Mr Lee is currently under investigation for being a Texas resuident and employed by teg city of Chicago as a staffer for Mayor Johnson, a violation of teh residency rules governing city employment. Then - CTU CFO Mike Baldwin walked away rather than “be part of the corruption.” Those who questioned the spending — Schmidt, Joey McDermott, and eventually dr kugler — were pushed out. The message inside the union was clear: speak up, and you’re gone. Even moments of deep personal crisis couldn’t slow the fight over money. Multiple sources say that during late CTU President Karen Lewis’s hospitalization, top officers — including current Vice President Jackson Potter — were present when shouting matches erupted over union funds. One account has Stacey Davis Gates confronting Lewis about the money while she lay on her deathbed. Several staffers know what happened, but have stayed silent to protect their jobs, health insurance, and pensions. Baldwin remains the key witness. His testimony could crack open allegations of interstate wire fraud, money laundering, and a decade’s worth of political cash transfers that insiders estimate may reach a quarter-billion dollars. By January 2022, the Members First caucus publicly warned that the reserves were gone, millions had been loaned out, and much of it had never come back. Four months later, Johnson gave his now-leaked denial. By October 2024, four union members sued in Cook County to compel the release of the missing audits. In May 2025, a judge refused to dismiss the case, keeping alive the demand for the 2019–2023 financials. Now, with the Johnson video circulating and the audit lawsuit grinding forward, the unanswered questions from the “Chuy loan” era remain sharper than ever: how did CTU go from an $8.8 million reserve and a $50 million real estate sale to empty coffers, hidden audits, and a membership kept entirely in the dark? Until those audits see the light of day — and Baldwin and others speak under oath — the suspicion will remain that the Chicago Teachers Union wasn’t just funding political change. It was running a machine, and the money meant for classrooms and members was the fuel. References Chicago Teachers Union Selling Downtown Apartment Tower (13 Oct 2014) CTU Sells Fewkes Tower — “All of the proceeds … were deposited into the Chicago Teachers Union Foundation.” (30 Apr 2015) Did CTU officers and staff violate union rules … spending ALL of the $1.4 million … on the Chuy campaign “loan”? (20 Apr 2018) CTU: Selling Out the Membership — proceeds transferred to CTU Foundation (2 Oct 2019) CTU leaders now face internal revolt — reserves once $8.8M; loans outstanding (25 Jan 2022) CTU sold apartment tower for $50M, but members saw no benefit (19 May 2022) Local 1: The Rise of America’s Most Powerful Teachers Union (Full Film) — interview with Dr. John Kugler (YouTube) Chicago Teachers Union members sue over missing audits (8 Oct 2024) Chicago Teachers Union sued over missing audits (9 Oct 2024) CTU sued over financial records (case filing overview) (Oct 2024) Probe Ongoing Into Whether Senior Adviser Violated Residency Rule by Voting in Texas, Johnson Says (Dec 9, 2024) Court keeps audit-access lawsuit alive; motion to dismiss denied (21 May 2025) Mayor Brandon Johnson’s ‘pending’ Springfield lobbyist team draws ethics questions (July 1, 2025) Leaked 2022 Johnson clip denying “hiding $8 million” (10 Aug 2025) on-the-spot reporting #Chicago #Political #Corruption

SubX.News®

34,109 Aufrufe • vor 1 Jahr

TOS re-watch day 26: "Devil in the Dark" is absolutely a Top 5 episode for me, from the original series. There are only a handful of other TOS episodes I've re-watched as often as this one, and it remains excellent all these years later. Everything that makes TOS fire on all cylinders is present in this episode: a genuinely alien mystery, the big three cast each getting opportunities to flex his acting chops, an engineering dilemma for Scotty to solve, good guest stars who inhabit their roles nicely, and a practical worldbuilding problem which drives the drama: beyond dealing with a mere monster inhabiting the shadows, Kirk and his crew have to get the mining colony back into operation for the sake of many other Federation colonies who all rely on the miners' product. The questionable physics of a silicon-based deep-dish pizza creature moving through basalt the way we move through air, takes a back seat to the human problem of confronting a murderous entity which only reveals its true nature at the very end. When the miners have to also face their nature. Each of the species reacting against the other, until Spock (with the mind meld) can broker an understanding. I mentioned in my last review that this was a far better example of Nimoy being unleashed from his stone-faced stoicism, than was true in, "This Side of Paradise." Considering the fact Nimoy is having to convincingly and heavily emote—while clutching at throbbing bladders of spray-painted foam—really shows his range. Meanwhile, the irascible DeForest Kelley gets in several Bones-ian lines such as, "I'm a doctor, not a bricklayer!" while barking orders to a junior officer on the ship, and questioning Spock's theses, at the same time simultaneously giving us clues to the mystery through cool-headed forensic talk. And this specific scene—where Shatner discovers the main clutch of Horta eggs—he's staring up into the ceiling of a sound stage. But has to make the audience think he's just seen the most astounding sight imaginable, which suddenly makes him realize just what it is the Horta's been killing for in the first place. Ken Lynch is terrific as Chief Vanderberg, and had an extensive credits history through film and television. A very comfortably familiar face who absolutely sells himself as the production-minded miners' boss. Miner Schmitter (Bill Elliott) likewise had a healthy list of credits, and was important in his brief but key portrayal of a working blue-collar man facing annihilation at the hands of the monster. Security Chief Giotto (John Duke, aka: Barry Russo) would later appear as Commodore Wesley in TOS episode, "The Ultimate Computer." And like Elliott and Lynch, had quite a run of credits. Unlike some other TOS outings, there really isn't much to complain about with this one. The scripting is tight, the plot advances smoothly, the anticipation (as well as horror) is real, and the solution at the end proves quite satisfying. And once again we have clear, undeniable proof that the Federation is not a moneyless utopia, much to the chagrin of Marxist Trekkies. Kirk remarks that Vanderberg and his men are going to be embarrassingly rich once the hatched Horta get going. Likewise, the other colonies depending on Janus VI for rare ores (like the fictional Pergium) are clearly *paying* for the stuff. And any delay in mining or shipping poses a big enough threat to the function of those colonies that Starfleet Command detours the Enterprise to investigate and solve the issue. Thus the economy surrounding the mining is integral to the plot, and inseparable from the worldbuilding. I love this episode. Start to finish. Again, Top 5 for TOS in my book.

Brad R. Torgersen

22,282 Aufrufe • vor 4 Monaten

HYBE and Min Hee-jin NewJeans Controversy from the Perspective of a 20-Year Entertainment Industry Expert | Kim Yoon-ji, Senior Researcher at the Overseas Economic Research Institute of the Export-Import Bank of Korea #1 [Investment Insight] 증시각도기TV HYBE has shown a somewhat immature side throughout this process. The essence of the issue has become less important. Hello, viewers and investors of Stock TV. Recently, there has been a lot of societal concern about the entertainment industry. Last year, it did well, but the question remains about how it will fare this year. We’re joined by Kim Yoon-ji, Senior Researcher at the Korea Eximbank Overseas Economic Research Institute, to discuss this. Welcome. Today, I brought a drink because this topic is not easy to discuss soberly. The situation between HYBE, Min Hee-jin, and NewJeans has escalated, and unfortunately, it’s no longer just management fighting but the artists have joined the fray. I’ve heard from someone in the industry that the close relationship between a producer and an artist is inevitable. In the past, there have been similar cases where producers and artists were tightly knit. Now, something similar has happened with Min Hee-jin and HYBE. Most people outside the industry don’t know the exact terms of the contract between Min Hee-jin and HYBE. As my own son works in the entertainment field, I’m well aware of how important it is to work with a good producer. For a company like HYBE, which has invested tens or even hundreds of billions of won, it’s unthinkable that they would allow NewJeans to separate and go independent after establishing their position. Many in the industry agree that this doesn’t make sense. To the general public, NewJeans might seem like the underdogs, and people might feel they should be allowed to leave. But from the perspective of the entertainment industry, which requires substantial capital to grow, the relationship between investors and artists is key. You can’t discuss this industry without acknowledging the role of investors. This case is different from situations where individual members leave, as seen in the past with groups that had Chinese members. This isn’t about a single member leaving; it’s more about the fact that, in this industry, the producers are as important as the artists themselves. From the beginning, NewJeans has been marketed as Min Hee-jin’s girl group, so the idea of them continuing without her feels different. We need to approach this from a different angle. That said, it doesn’t mean HYBE should completely cut ties. Many people have different initial thoughts about the situation, but the core issue here is the importance of the relationship between producers and the company, especially when substantial investment is involved. From my perspective, the fundamental question is: what exactly was attempted? I still find this unclear. In any company, it's common to hear people say, "I want to quit, I can't work with this boss, I'm leaving tomorrow." We all talk about this with friends or colleagues. Sometimes, we even ask others to let us know if there’s a good opportunity elsewhere. But actually submitting a resignation is a whole different issue. But in the new premise, I still wonder what exactly they were trying to do. What exactly was attempted? We always talk about it at work, right? "I'm going to quit. I can't work with that boss anymore. I'm leaving tomorrow." We always have those conversations. We talk about it with our friends, with team members, and even ask friends outside of work to let us know if they hear of any good positions. But actually submitting a resignation is a whole different issue, isn't it? Looking at how the situation first unfolded, it seems like HYBE was the one to bring things to light. They shared a lot with the press, and Min Hee-jin, the CEO, responded with a strong counterstatement. HYBE was saying, "Min Hee-jin is trying to do this and that," but CEO Min was like, "What else have I done apart from that message on KakaoTalk?" The court also judged that they weren't sure what actions had actually been attempted. To me, this seems like the fact of the matter. Clearly, HYBE's relationship with CEO Min Hee-jin might not be good. There could have been friction about how a subsidiary operates so independently from the parent company. There were likely various issues internally, but they should have been resolved within the company without making the problems visible externally. The fact that they let it spill outside before resolving it was a huge mistake on HYBE's part, revealing weaknesses in their management abilities. In my view, this has greatly devalued HYBE, becoming a powerful force that has dragged down their valuation. Throughout this process, HYBE displayed a level of immaturity, and the core of the issue became less important. The real concern for investors now is whether the company can effectively handle issues like these. Once this problem is resolved, can the remaining HYBE groups continue to grow securely? This business is all about reputation. HYBE is now seen as a company that ousts female CEOs simply because she didn't follow their orders. That perception leaves a lasting impression on people's minds, damaging the company's future operations. From an investor's perspective, two major incidents have happened in quick succession. The first was the boost in value during 2020 when HYBE sold a huge number of albums during COVID-19, creating the sense that the entertainment industry was Korea's next big sector. But then, this recent issue with Min Hee-jin, alongside BLACKPINK's contract situation, has put a serious damper on things. BLACKPINK didn't renew their contract as a group, and though they claim to continue working together in some capacity, it's not the same as before. YG Entertainment's profitability has plummeted, revealing how dependent they were on BLACKPINK. This has left investors wondering whether the entertainment business is just a limited-time, seven-year affair. If BLACKPINK had carried on smoothly into the next generation, it would have seemed like a sustainable business, and investors would have continued to trust in the long-term future of Korean entertainment. But now, we're seeing the cracks in that perception. It’s become a question of how to invest in a business with a lifespan of only seven years, when even the manufacturing industry lasts longer than that. The BLACKPINK incident and the NewJeans situation have both severely harmed investor confidence. HYBE's struggles with its artists are analogous to a manufacturing company facing a revolt from its workers. When investors look at this instability, they start questioning whether the business is even viable. The concept of sustainability has been seriously undermined, and the fact that the seven-year contract issue has been a long-standing concern doesn’t make it any easier to deal with. What used to reassure investors was the belief that when a seven-year contract ended, the company would already have the next seven years planned out, ready to sustain their business. That faith in the big entertainment companies has been shaken. Achieving the kind of success that BTS or BLACKPINK did is incredibly difficult, and passing the baton to the next generation is no simple task. Even though investors had faith that YG would produce another BLACKPINK-level group, now that trust is faltering. However, I do think people are now looking at contracts a bit differently. In the past, when a group disbanded, the members would scatter. But now, groups like BLACKPINK continue to work together even while pursuing solo projects. This shows that they understand the importance of sticking together, and I thought that this might help extend the longevity of these groups. But in reality, very few cases of disbanded groups have seen much success with individual members pursuing separate careers. There aren’t many examples where groups have stayed active for long, especially when individual members run into personal issues. Take Big Bang, for instance—they’ve been around for a while, but their personal scandals have made it hard for the group to recover fully. In the entertainment business, it’s rare for groups to last more than seven years, and age is also a factor. Once a group surpasses the seven-year mark, the members tend to be quite a bit older. With BTS, they need to show a fresh side if they’re to keep running strong. One of the most disheartening things mentioned by the members was that they didn’t feel respected. This ties into a larger issue in our society, as we're seeing with the national discussion around workplace bullying. If we think about how BTS achieved success, it's clear why this is such a serious issue. Back when BTS rose to fame, they shared how they weren’t from one of the top three agencies and positioned themselves as underdogs who worked hard to gain recognition. This resonated with many young people who felt that if you work hard enough, you can succeed, even without the backing of a major company. This message gave hope to many, not only in Korea but also globally. BTS’s fan base, especially in the U.S., includes many people who identify as outsiders, those who don’t feel they belong to the mainstream—whether in terms of race, culture, or social standing. For them, BTS was a source of inspiration, showing that you can still succeed even if you start from the margins. With NewJeans, though there’s talk about Min Hee-jin, the allegations of bullying within the company are hitting a sensitive nerve for fans. It’s unfortunate that the company allowed things to reach a point where such accusations were made. Even if the situation was mostly an internal conflict among the adults in charge, they should have handled it better to avoid involving the artists. In the past, we've seen similar issues, like with Big Bang’s various scandals, which were almost at the level of criminal activity. The current situation with NewJeans might not be as severe, but bullying and exclusion are still serious concerns. Ultimately, experiences like these can serve as valuable lessons for the entertainment industry. This situation has highlighted that the entertainment business is fundamentally about human relationships. From the artists to the products they create, everything revolves around people. The moment someone’s feelings are hurt or relationships are damaged, the entire business can collapse. The entertainment business is all about personal connections, something I've always believed. Recently, I heard about Naver Webtoon’s global success, and it's fascinating to think about how it has outgrown Kakao Webtoon, despite being a later player. Many factors contributed to this success, but someone mentioned that webtoons are also a "personal connection" business. Webtoon creators are tough to manage—they're artists, after all, and keeping them on schedule, especially with weekly deadlines, is a challenging task. CEO Kim Joong has managed to nurture relationships with these creators, making personal connections the backbone of the business. In the entertainment industry, particularly with idols, you can't overlook the importance of personal relationships. The key skill for managing this industry is the ability to connect deeply with both the creators and the artists. HYBE, for instance, doesn’t just need skilled managers who are good with finance or operations. What they truly need are people who can foster those personal relationships, especially when they’re dealing with artists as young as 13 or 15. It’s about ensuring that these young talents feel understood and cared for, so they can be inspired to do their best work. Managing young artists is tricky because their idea of success might be completely different from what adults think. A 13-year-old might not care about owning multiple houses—they might just want to spend time with their family or have the freedom to eat out whenever they want. The manager’s job is to tap into what motivates them and help them thrive in a way that’s meaningful to them. This kind of nurturing is not easy to scale. When a company grows too big, it’s challenging to maintain those close relationships. That's why multi-label approaches, like those seen in large entertainment agencies, are supposed to help. But if personal connections within those labels break down, the whole system can fall apart. This business model seems uniquely suited to Korea. It’s hard to imagine it working the same way in Japan, where there's a more hierarchical, command-driven structure. Japan's entertainment industry often depends on strong, central producers who direct everything. In contrast, Korean idols often rise through collective effort and personal connection, like BTS did. Despite the challenges, I believe Korea’s entertainment sector has room for long-term growth. Many of today’s youth are drawn to this field because it allows them to express their talents and passions. If scandals like the one with NewJeans continue to arise, however, it might dissuade some young people from pursuing these dreams. When you look at what NewJeans members have said, there’s not much to disagree with. They simply want to keep doing what they’ve always done and follow their own creative paths. Ensuring they have the freedom to do so can lead to even greater success. These days, if you ask middle or elementary school students what they want to be when they grow up, many of them will say they want to become idols or YouTubers. They believe that with enough effort, they can make it. The entertainment industry needs to be able to channel that passion and potential into something positive. If Min Hee-jin were to leave HYBE, it’s clear that many companies would be eager to work with her. She mentioned once that “everyone is crazy about money,” and I think that’s why there would be a long line of people wanting to meet with her if she decided to move on. Right now, for example, there are people in the entertainment industry, like CJ, who may not have fully established themselves, or even private investors, just waiting for an opportunity. Many of them are keeping an eye on Min Hee-jin leaving HYBE. This was evident during the recent Tokyo performance, where her creativity was on full display. It was incomparable. That’s why this situation is even more unfortunate. Some people say, "If it wasn’t for the money, how could that group have been created?" But I believe there are people who could have made it happen with or without money. That’s the crucial difference in this case. While I'm not an expert, I was touched by the process of recreating a hit song from a legendary Japanese female singer from the '80s. It felt like a major event. It was amazing because I had never seen anything like it before. Even though I wasn’t familiar with the original song, just seeing it was enough to draw in so much attention and make it feel like a historic moment. That’s what talent is—turning something simple, like a cover song, into a major event. I remember thinking, "How do the Japanese people feel about this?" because the crowd's reaction was incredible. The enthusiasm was surprising, and I wondered what they were thinking while watching it. This is the true power of Korean culture—it’s not just about promoting our own culture but also deeply resonating with others. The entertainment industry’s core business is making audiences happy and even obsessed. Min Hee-jin is undeniably a top-tier artist in this field. If she were to leave HYBE, there would be countless opportunities for her. But if HYBE mishandles this situation, it won’t just be about losing one person—it could destabilize everything. They really need to handle this carefully. As for stocks and investments, that's up to everyone’s individual decisions. We're just having a casual chat here about the entertainment industry. As someone with a child in the business and another who's analyzed the industry, we’re just relaxing with a casual discussion. So, let’s pour a drink and enjoy this conversation. Watch the full video:

1tokki

104,638 Aufrufe • vor 1 Jahr

dave meltzer: youtube enthusiast 💀 perfect. now we can stop pretending this was ever complicated. the real story is not that wwe is afraid of aew. the real story is not that “high level wwe officials” are whispering scary things to dave meltzer. the real story is not even that tony khan got asked a planted question on a media call with very little distribution about the possibility of aew soon having very little distribution, although that sentence is so stupidly perfect it should be bronzed and placed outside the wrestling observer newsletter office like a war memorial for people who died pretending this was journalism. the real story is that aew is going to lose its wbd distribution deal. either it ends at the expiration of the three-year term in 2027, or it ends earlier if paramount closes wbd and decides aew has no strategic place inside the new company. and based on the board as it exists right now, the most likely landing spot for aew in 2027 is google / youtube. that is the story. everything else is laundering. tony khan wants the story to be: “why would wwe say this about us?” that is the whole operation. take my public analysis. run it through dave meltzer. assign it to wwe / tko. then let tony khan answer a canned question on a media call with very little distribution about potentially having very little distribution. a media call for a lightly viewed roh show. a planted story. a planted messenger. a rehearsed answer. a pr flack probably wrote it. tony khan performs hurt. tony khan says “i don’t know why wwe would…” tony khan denies the obvious. tony khan keeps me minimized. tony khan removes me from the public conversation about the exact thing i have repeatedly said is going to happen to aew. everyone is supposed to pretend this is organic. it is not. it is the most bubble wrapped, manufactured, artificial environment possible. aew is heading toward youtube because the domestic media rights board is closing around them. not as a troll. not as a bit. not as “pr spin.” as a business conclusion. aew is not leverage. wwe is not afraid of aew. the $185 million number was bullshit. the buyer universe was shrinking. paramount / skydance was coming for wbd. wbd was not going to be some permanent aew safe house. youtube was only ever a real “option” if someone at google was actually cutting a media rights check and underwriting production. not because every divorced mom with a ring light and a gmail account can upload video to the same platform. that was always the distinction. that is still the distinction. Nick LoPiccolo — February 28, 2025 “YouTube is an option the same way you or I could start a YT channel tomorrow. Is Jon Cruz cutting AEW a media rights check or underwriting a production budget? Hell no. Just the reality. It isn’t the model. Jon is global head of sports over there.” that was february, not last week. not after dave meltzer suddenly discovered youtube prelim numbers like columbus finding the new world. it is becoming inevitable now. Nick LoPiccolo — April 30, 2026 — 11:26 AM — 251.2K Views “to every journalist and every podcast who interviews tony khan from this day forward: please ask tony if wbd told him back in august they would not be renewing aew. wbd told him in august. i confirmed it directly and triple sourced it. please ask why tony has been acting like nothing is wrong for the last 8 months, and then please ask tony what his actual distribution plan is. because the only distributor left that will take aew is google/youtube. the myaew app is not realistic. the my aewapp is a death sentence in 2026 if youtube doesn’t make an mg deal for aew. they started building it too late and there is no realistic way to scale it. also, who is going to sell ads for the platform? kiswe is not the best. they built the myaew app. they are new to the game. hold tony’s feet to the fire. Paramount is not real for aew. WBD passed back in August. CW/Roku is now off the table. Amazon and Fox do not want AEW. ask Tony why he's been lying to you and to the locker room and to the fans, acting like things are all great with the network? i am sure a lot of people would love to hear his answer.” april 30. 251.2k views. not whispered. not hidden. not vague. not “high level wwe officials.” i said it publicly and directly: wbd passed back in august. paramount is not real for aew. cw / roku is off the table. amazon and fox do not want aew. the myaew app is not realistic. google / youtube is the only distributor left on the board that makes sense. that is the actual story tony khan does not want to answer. not “why would wwe say this?” ask tony khan if wbd told him in august that wbd would not be renewing aew. ask what his actual distribution plan is. ask who is selling ads for the myaew app. ask how a platform built this late scales in 2026. ask whether youtube is an actual rights partner with an mg, or just the place you go when the real buyers are gone. that is the question. not the fake question dave meltzer laundered into “high level wwe officials.” the real question. Nick LoPiccolo — July 9, 2025 — 10:51 AM — 9,565 Views “No one in Hollywood believes the $185 million number.” Nick LoPiccolo — July 9, 2025 — 11:35 AM — 7,470 Views “The $185 million figure is inflated. Variety’s October 2, 2024 article was likely updated after a publicist called on AEW’s behalf, as early reports placed the deal between $140 and $150 million per year. Tony Khan was also included in Variety’s Dealmakers 2024 list, which, while not officially pay to play, strongly favors those spending significant advertising dollars with the outlet. No one in Hollywood seriously believes WBD, which is in junk bond status, is paying AEW $185 million per year. Clear enough?” clear enough? the number was never clean. the number was never real in the way aew fans and wrestling media pretended it was real. and when the $185 million number started getting laughed out of adult rooms, the number magically became $178 million. that is where the shell game gets funny. because $178 million was not some sacred sourced number either. it was brandon thurston taking the median between $170 million, reported by sports business journal, and $185 million, reported by variety and others. that is literally what wrestlenomics said. Wrestlenomics — October 4, 2024 “Why use $178 million here for AEW’s new deal when some outlets are reporting the average annual value is $185 million?” Wrestlenomics — October 4, 2024 “I used $178 million here because it is simply the median of $170 million, as reported by Sports Business Journal, and $185 million, reported by Variety and others.” there it is. arithmetic. not an all-cash rights fee. not a clean license number. not proof wbd valued aew like raw. not a finance-department document from warner bros. discovery. a midpoint between conflicting public reports. then wrestling media treated that midpoint like scripture because they needed the story to be “aew is valued like raw,” not “aew pr inflated a number no serious person in hollywood believed.” and by the way, $170 million was not the clean all-cash number either. that is the scam. float the number. repeat the number. launder the number. defend the number with people who do not understand the difference between cash rights fees, in-kind services, equity, marketing commitments, platform value, make-goods, ad inventory, and press release math. then when the number collapses, pretend the next number was always the number. that is not reporting. that is aew state news. Nick LoPiccolo — July 10, 2025 — 5:53 AM — 12.6K Views “AEW isn’t leverage. It’s not competition. It’s a niche product with loud fans and limited reach.” Nick LoPiccolo — July 10, 2025 — 8:56 AM — 1,018 Views “We handle wrestling deals too, but thinking we need AEW for leverage is myopic. The landscape is changing and the game I’m playing is different.” Nick LoPiccolo — July 15, 2025 — 25.7K Views “AEW isn’t leverage.” that was never emotional. that was never tribal. that was never “i hate aew.” it was market structure. wwe did not need aew as leverage because real leverage was never “another wrestling show exists.” real leverage is architecture, scale, subscriber churn, platform strategy, sports adjacency, global rights, advertising, sponsorship, live inventory, library value, data, brand safety, executive relationships, and the actual buyer universe of maybe 18-20 companies in the united states that matter for live sports rights. aew fans thought this was a wrestling argument. it was never a wrestling argument. it was a board. and the board was already moving. Nick LoPiccolo — August 11, 2025 — 482 Views “I wasn’t viewing the above in that context (TKO vs AEW counter programming), it was more of this is what I’m hearing after 2 weeks of big media deals rolling out (Skydance closing, South Park library moving) etc. Which have all been in the works for awhile.” Nick LoPiccolo — August 11, 2025 — 388 Views “But if you were to look at it from a counter programming perspective (and I don’t think this was a factor in UFC deal) - there are only so many players for these big media rights deals. PARA is likely off the board (via TKO deal) & then what if they acquire WB in 2026/27?” Nick LoPiccolo — August 11, 2025 — 535 Views “Yes, of course, that wouldn’t mean the end for AEW. It would make navigating their media rights deal more challenging, I would guess. But this is a hypothetical scenario & I do not believe anyone is paying $7.7b for UFC or a $40b valuation for WB w/ how do we fuck AEW, either.” Nick LoPiccolo — August 11, 2025 “And hearing all weekend Paramount is still interested in WBD.” Nick LoPiccolo — August 11, 2025 — 1.3K Views “I think more interesting for what it could mean as the dominoes keep falling in terms of the still evolving landscape. The deals are massive & the number of major players at the top are shrinking as still big push for consolidation & scale.” Nick LoPiccolo — August 11, 2025 — 12:11 PM — 2,588 Views “And I’d view AAA on Google/YouTube as directly competitive. It targets both the CMLL collab & the audience that used to watch AEW Dark on YouTube, & WWE is able to send well known stars to AAA events with an eye towards converting more of the younger, YouTube demo of viewers who don’t watch streamers.” again: august 11. not yesterday. not after dave meltzer tweeted a netflix prelim number. not after anyone had to retrofit the argument. the point was already there: the major players at the top were shrinking, paramount was still interested in wbd, paramount was likely off the board for aew because of the tko deal, google / youtube was becoming directly competitive for the exact audience aew used to reach through dark, and the buyer universe was consolidating around deals much bigger than tony khan’s feelings. this was not mysticism. this was not inside baseball for the sake of sounding smart. this was the board. Nick LoPiccolo — August 24, 2025 “This isn’t fair. I misread your question. AEW will exist but likely on the Discovery Global app (if it ever launches, I would bet that it doesn’t) and it will continue to do consistent ratings. If Paramount/Skydance buys WBD in a year…” Nick LoPiccolo — September 4, 2025 — 76 Views “No, that’s the WBD network division (cable, news, sports) that was already announced as being spun off under Discovery Global. The article you’re citing is about them selling a minority equity stake in that unit to cut debt and boost valuation ahead of the 2026 split.” Nick LoPiccolo — September 16, 2025 — 3.6K Views “This is not just about Hollywood scale. It is the foundation of a conservative aligned media infrastructure. A Paramount/WBD merger would fold CBS, CNN, HBO, and Warner Bros IP into Ellison’s orbit under Trump’s regulatory umbrella.” Nick LoPiccolo — September 16, 2025 — 11K Views “Within 48 hours of the rumor, WBD stock surged ~55% and Paramount Skydance rose ~24%. That market response itself boxed David Zaslav in; his board, Wall Street, and his own contract now expect movement.” Nick LoPiccolo — September 27, 2025 — 12:16 PM — 3,516 Views “Nah homie. Enjoy watching the show on YouTube after Ellison buys WBD and Ari who is advising Ellison and used to represent Trump and runs TKO makes the call.” Nick LoPiccolo — September 28, 2025 — 174 Views “I believe if and when Paramount acquires WBD, TKO will push to lock down a monopoly on combat sports. The long knives are already out for competitors, and the rights deals have likely been spread around town precisely to keep rivals from signing with those streamers.” none of that was random. paramount / skydance, ellison, ari, tko, wbd linear assets, youtube, aaa, the tko deal, the wbd split, the shrinking rights buyer universe — all of it was one connected domestic rights architecture. that is why this conversation was always over the heads of the people screaming “cope” in my replies. they were arguing like fans. i was reading the cap table. Nick LoPiccolo — December 6, 2025 — 3:07 PM — 41.4K Views “Yes, I always believed Paramount would walk away with WBD. I was one of the first to talk about it on here, even if I wasn’t the first to hear it. The Paramount Skydance acquisition closed on August 7. I posted this on August 11, about 1 month before the The Wall Street Journal first broke the news on September 12 that Paramount Skydance was preparing a bid for WBD.” Nick LoPiccolo — December 6, 2025 — 3:07 PM — 41.4K Views “The bid was always going to be hostile. We are only in this process because it was a hostile bid. Most people in Hollywood believed Ellison long coveted WB and Jack Warner’s chair. WB was not for sale when Skydance acquired Paramount, which is much smaller in scale.” Nick LoPiccolo — December 6, 2025 — 3:07 PM — 41.4K Views “Nearly everyone in town assumed an Ellison acquisition of WBD was inevitable until the Netflix bid shocked everyone. Signs were there for the last two weeks, which is also when I stopped posting about what might happen. Of course, its not over yet. Paramount still has paths to winning this acquisition. The one thing that’s for certain though is an Ellison-led acquisition of WBD is no longer inevitable.” Nick LoPiccolo — December 8, 2025 “END CREDITS” space jam is a warner bros. movie. that was the joke. and the joke was the same thing i had been saying the whole time: paramount was winning the bid, for those who did not understand. Nick LoPiccolo — December 19, 2025 — 4:30 PM — 828 Views “Here is another reference to it. So tell me how exactly is Paramount the better outcome for Dave’s argument? Netflix doesn’t touch the WBD linear assets. Gunnar keeps his SpinCo.” Puck excerpt — December 19, 2025 “Many industry insiders are also skeptical about Paramount’s seven-year, $7.7 billion deal for exclusive UFC rights in the U.S. Yes, it can be read as a signal that Ellison came to play. But some people see it more as Ari Emanuel having his way with the person to whom he is ostensibly an (unpaid) advisor…” that is the board. that is the relationship map. that is the thing wrestling media either does not understand or pretends not to understand, because understanding it means admitting the story is not “aew has leverage.” the story is that aew is sitting in the middle of a consolidating rights marketplace where the people with leverage are doing much bigger things than worrying about tony khan’s feelings. Nick LoPiccolo — January 21, 2026 — 4:22 PM — 870 Views “i mean get ready to learn youtube buddy” Nick LoPiccolo — February 19, 2026 — 2.8K Views “Paramount was always my bet to acquire Warner Bros. Never wavered.” Nick LoPiccolo — February 28, 2026 — 1:27 PM — 118 Views “you don’t need to look under a hood I AM SAYING THE QUIET PART OUT LOUD 🚨🚨🚨🚨🚨 I BEEN SAYING IT SINCE JULY / AUGUST 🚨🚨🚨🚨🚨 PARAMOUNT IS COMING FOR WBD AEW WILL LOSE A TV DEAL 🚨🚨🚨🚨🚨 GUESS WHO WAS RIGHT 💀” so no, this is not hindsight. this is not showing up after the fact with a flashlight and pretending i discovered the body. this is a paper trail. february: youtube is not a real rights model unless google is cutting the check. april: wbd passed back in august, the myaew app is not realistic, paramount is not real for aew, cw / roku is off the table, amazon and fox do not want aew, and google / youtube is the only distributor left that makes sense. july: the $185 million number is inflated and aew is not leverage. august: the buyer board is shrinking, paramount is still interested in wbd, and google / youtube becomes directly competitive. september: paramount / wbd folds the board into ellison’s orbit, and if ellison buys wbd, enjoy youtube. december: paramount was always the bet, the bid was always going to be hostile, and netflix does not solve dave meltzer’s argument because netflix does not touch the linear assets. january: get ready to learn youtube. february: paramount is coming for wbd and aew will lose a tv deal. same board. same thesis. same answer. now here is the part tony khan and dave meltzer do not want to say out loud. tony khan and dave meltzer do not mention me publicly for a reason. because the second they say my name out loud, they admit where this conversation has actually been coming from. not wwe. not some anonymous “high level official.” not some shadowy tko whisper campaign. me. that is the problem for them. behind the scenes, ask any real insider what happens when my name comes up around this subject. there is a reaction. not because i’m magic. not because i’m some internet boogeyman. because they know exactly who is saying it, why i’m saying it, what rooms i have been in, what companies i have dealt with, what executives i have spoken to, and why the analysis keeps landing. that is why they keep trying to non-person me publicly while reacting to me privately. they want the argument. they want the benefit of responding to the argument. they just do not want to admit whose argument it is. when i said wbd told aew back in august 2025 they were not exercising the option for the fourth year, tony khan blew up behind the scenes and forced john mcmullen to revise / update his article 2-3 weeks ago after i tweeted it. which is hilarious because that should not even be crazy or damaging “news.” that is how this business works. when a distributor is not continuing, they tell you early enough so you have time to find a new home. that is not sabotage. that is not wwe. that is not nick lopiccolo hiding inside david zaslav’s air vents with a clipboard. that is corporate courtesy. wbd execs privately whisper and shake their heads at tony khan’s behavior because their view is very simple: why does tony khan act like everything is great and rainbows and sunshine with the studio? we told tony khan as a courtesy so tony khan would have time to find a new home. and no, this has zero to do with paramount looming as an excuse. paramount did not even make its first hostile bid for wbd until september 11 or 12. that was after tony khan was already told there would not be a wbd renewal. so what did tony khan do? tony khan turned the truth into a wrestling angle. tony khan, or one of tony khan’s minions, gets dave meltzer to drop a story assigning my claims and what i have been publicly posting about tony khan to “high level wwe officials.” why? because it gives tony khan a safer enemy. tony khan does not want the story to be the actual timeline. because the actual timeline is brutal. on february 28, i said youtube was not a real media rights model unless google was actually cutting the check and underwriting production. on april 30, i said wbd passed in august, the myaew app was not realistic, paramount was not real for aew, cw / roku was off the table, amazon and fox did not want aew, and the only distributor left that made sense was google / youtube. on july 9, i said no one in hollywood believed the $185 million number. on july 10, i said aew was not leverage. on august 11, i said the major players at the top were shrinking, paramount was still interested in wbd, and google / youtube was becoming a directly competitive lane. on september 16, i said a paramount / wbd merger would fold cbs, cnn, hbo, and warner bros. ip into ellison’s orbit. on september 27, i said enjoy the show on youtube after ellison buys wbd. on september 28, i said if paramount acquires wbd, tko would push to lock down a monopoly on combat sports. on december 6, i said paramount skydance was preparing a bid for wbd long before most people admitted the obvious. on february 19, i said paramount was always my bet to acquire warner bros. and on february 28, i said it in all caps: paramount is coming for wbd. aew will lose a tv deal. that is the part tony khan cannot answer directly, because the direct answer means admitting this was never “wwe is scared of us.” it was always the board closing. tony khan wants the story to be: why would wwe say this about us? that is the laundering operation. take my public analysis. run it through dave meltzer. assign it to wwe / tko. then let tony khan answer a canned question on a media call with very little distribution about potentially having very little distribution. a media call for a show with very little distribution answering a canned question about aew potentially having very little distribution. based on a planted story, from a planted messenger, with a rehearsed answer, after an roh show maybe 8-15k people watched. a pr flack probably wrote it. tony khan performs hurt. tony khan says “i don’t know why wwe would…” tony khan denies the obvious. tony khan keeps me minimized. tony khan removes me from the public conversation about the very thing i have repeatedly said is going to happen to aew. everyone is supposed to pretend this is organic. it is the most bubble wrapped, manufactured, artificial environment possible. a canned and rehearsed answer at an roh media scrum about a planted dave meltzer story based on my very real and very public analysis of the media rights board. but make no mistake. tony khan was responding to my words. tony khan just laundered them through dave meltzer and assigned them to wwe / tko so tony khan could keep lying about it publicly without ever saying my name. and now, voila. dave meltzer is posting about youtube viewers and prelims. Dave Meltzer — May 16, 2026 “At this moment there are 340,000 people watching prelims for Netflix on YouTube. It’s a good number.” yes, dave meltzer. youtube can have good numbers. nobody said youtube cannot have good numbers. that was never the issue. the issue is whether youtube is being used as a funnel into a premium rights ecosystem or as a substitute because the premium rights ecosystem rejected you. that is the difference. that has always been the difference. netflix using youtube prelims as audience acquisition is not the same thing as aew trying to spin youtube as a media rights home because the real buyers are gone. ufc using youtube as a funnel is not the same thing as aew using youtube as a life raft. wwe sending stars to aaa on youtube to convert a younger demo is not the same thing as aew retreating to youtube after the traditional buyer board closes. and the fact that dave meltzer is now suddenly tweeting like the mayor of youtube is the punchline. because the same people who mocked the youtube outcome are now going to spend the next several months explaining why youtube is actually good. of course it can be good. for the right use case. for the right property. inside the right architecture. with the right check attached. but when you spend two years telling everyone you were valued like raw and your next stop is “please subscribe and smash that bell,” maybe stop pretending this is victory formation? i told y’all where this was going. the record is right there. i’m still right. and tony and dave: you guys are see through translucent. that’s it for ye 🎤🎤🎤

Nick LoPiccolo

99,106 Aufrufe • vor 3 Monaten

So Jefferson Morley says that "the evidence does not support the notion that Lee Harvey Oswald killed the president." Jeff relies on the eyewitness account of one of the Parkland doctors who treated JFK at Dallas, Bob McClelland. And he says I failed in Case Closed to challenge Dr. McClelland's credibility. Below is an excerpt from CASE CLOSED, Chapter 13, “He Had A Death Look: Parkland and Bethesda." Read it and decide for yourselves what you believe. And check my source notes, almost all based on my own interviews in 1992 with the chief attending Parkland doctors. It is their judgment of Dr. McClelland's account that is critically important. “However, some of the Parkland doctors who treated the President described a gaping wound in the rear of JFK’s head (the occipital region), not the right side (the parietal). If true, this not only contradicted the findings of the autopsy team but was evidence that the President was probably shot from the front, with a large exit hole in the rear of the head. Several Parkland doctors also thought they saw cerebellum, tissue from the base of the brain, on the stretcher or in the operating room. Yet, the autopsy photos of the brain show the cerebellum intact. If the Parkland descriptions of the cerebellum were true, this raised legitimate questions over the authenticity of the photographs of JFK’s brain, which showed no such damage. Robert Groden and Harrison Livingstone, in their book High Treason, devote more than thirty pages to highlighting this conflict between the Parkland and Bethesda descriptions of the head wound. However, it is questionable to rely on the Parkland doctors for any assertion about the head wound since, by their own admission, they did not examine it in detail. When Dr. Kemp Clark looked at the wound to determine whether the President could be revived, it was the first time it had been examined. “From what I read in later books, everyone looked at it in detail from the beginning, but that is not true,” recalls Dr. Jenkins. “We were trying to save the President, and no one had time to examine the wounds. As for the head wound, they couldn’t look at it earlier because I was standing with my body against it, and they would only have looked at my pants.”83 “We never had the opportunity to review his wounds,” Dr. Carrico told the author, “in order to describe them accurately. We were trying to save his life.”84 Dr. Adolph Giesecke agrees: “We had no time to examine the wounds. That was to be done by a forensic pathologist, not by us.”85 “I don’t think any of us got a good look at the head wound,” confirms Dr. Perry. “I didn’t examine it or really look at it that carefully.”86 “And when we realized he was dead,” Dr. Baxter recalls, “none of us had the heart to go and examine the head wound while Mrs. Kennedy was in the room. We all just made our way out of the room.”87 “When things were over with,” Dr. Jones says, “you felt it was her time and you should get out of there and let her be alone with him.”88 Dr. Baden of the Select Committee concurs: “Parkland was not concerned with whether the bullet was going from front to back or vice versa, they were only treating the symptoms, not the wounds. Some of them could be good surgeons but lousy pathologists. A third of the time, an autopsy shows something was missed by the treating doctors at the hospital. In unnatural deaths, it is common for the treating physicians to mix up stab wounds and gun shots, and they are wrong half the time about exit or entrance. The Parkland doctors did not clean Kennedy off—there is just no way they could have hazarded a real guess about that wound, since it was covered with blood and tissue. If they say they saw cerebellum, they are just wrong because the cerebellum was perfect. And if they say there was a large hole in the rear of the head, they don’t know what they are talking about since there is nothing there but the entry injury in the rear cowlick. The mistakes in judgments from Parkland are exactly why we have autopsies. “One of the most important aspects of the Zapruder film, often overlooked by the critics, are the frames immediately after the President was shot in the head. It’s very clear on the enhanced frames that there is a wound over the right ear, but the back of the head is clean. That film is incontrovertible evidence that there was no defect on the rear of the head.”89 Yet mistaken descriptions of what the Parkland doctors did and saw continue to be published. High Treason asserts that some doctors examined the wound with a flashlight and that Dr. Jenkins picked the head up from the stretcher to show other doctors the extent of the rear wound.90 The eight principal doctors who attended to JFK on that day all told the author that such reports were false. Moreover, Groden and Livingstone cite early interviews and some testimony before the Warren Commission to support their hypothesis that the Parkland doctors saw a different head wound than the one described at Bethesda.* Yet the Parkland physicians, in their discussions with the author, were almost unanimous in supporting the autopsy findings that the massive exit wound was on the right side (parietal) of the President’s head, not the rear (occipital), and that there was no sign of damaged cerebellum tissue. They insisted that the explainable differences in the wound descriptions between them and the Bethesda doctors have been exploited by conspiracy writers, who created a controversy where none exists. Some admitted that their early statements about the wounds, which they now consider to be mistaken, may have contributed to the confusion. Dr. Bill Midgett, who helped wheel the President from the limousine into trauma room one, says, “The President had quite thick hair, and there was a lot of blood and tissue. All of us were so shocked … and to have Mrs. Kennedy there—none of us stared very closely to see the wound. But it was more parietal than occipital—that much I could see. I did not turn the President over to look, but there was no cerebellum in that car or on the people.” “We did say there was a parietal-occipital wound,” recalls Dr. Carrico. “We did say we saw shattered brain, cerebellum, in the cortex area, and I think we were mistaken. The reason I say that is that the President was lying on his back and shoulders, and you could see the hole, with scalp and brain tissue hanging back down his head, and it covered most of the occipital portion of his head. We saw a large hole on the right side of his head. I don’t believe we saw any occipital bone. It was not there. It was parietal bone. And if we said otherwise, we were mistaken.”91 Dr. Giesecke also admits an error in his original testimony when he described the wound as more occipital. “I guess I have to say that I was wrong in my Warren Commission testimony on the wound and in some of my pronouncements since then. I just never got that good of a look at it. But, for instance, Lifton spent six hours with me trying to get me to say the wounds were like he wanted them. The truth is there was a massive head wound, with brain tissue and blood around it. And with that type of wound you could not get accurate information unless you feel around inside the hole and look into it in detail, and I certainly didn’t do that, nor did I see anyone else do that.”92 Dr. Peters had said that the cerebellum was damaged. “I saw the photograph of the brain when I was in Washington for the Nova program, and I saw the cerebellum was depressed, but it was not lacerated or torn. It is definitely pressed down and that would be the damage I referred to in 1964.… The only thing I would say is that over the last twenty-eight years I now believe the head wound is more forward than I first placed it. More to the side than the rear. I tried to tell Lifton where the wound was, but he did not want to hear.” Dr. Jenkins’s original report also stated he saw cerebellum. “The description of the cerebellum was my fault,” he says. “When I read my report over, I realized there could not be any cerebellum. The autopsy photo, with the rear of the head intact and a protrusion in the parietal region, is the way I remember it. I never did say occipital.”93* “I did not really look at it that closely,” says Dr. Perry. “But like everyone else, I saw it back there. It was in the occipital/ parietal area. The occipital and parietal bone join each other, so we are only talking a centimeter or so in difference. And you must remember the President had a lot of hair, and it was bloody and matted, and it was difficult to tell where that wound started or finished. I did not see any cerebellum.”94 Dr. Baxter agrees that it was difficult to determine the precise location of the wound when treating the President: “He had such a bushy head of hair, and blood and all in it, you couldn’t tell what was wound versus dried blood or dangling tissue. I have been misquoted enough on this, some saying I claimed the whole back of his head was blown away. That’s just wrong. I never even saw the back of his head. The wound was on the right side, not the back.”95 Dr. Jones makes the same observation, saying he did not even know there was a head wound for several minutes, and then finally realized it was a “large side wound, with blood and tissue that extended toward the rear, from what you could tell of the mess that was there.”96 Dr. Giesecke agrees “that the occipital and parietal region are so close together it is possible to mistake one for the other.”97 The only Parkland doctors who still believe they saw a wound in the rear of the head, as well as seeing cerebellum, are Robert McClelland and Charles Crenshaw. “I saw a piece of cerebellum fall out on the stretcher,” says McClelland, who claims he was in the best position of any of the doctors to view the head wound.98 He drew a sketch in 1967 for Josiah Thompson’s book Six Seconds in Dallas, which showed a gaping wound in the rear of the head.99 “I am astonished that Bob would say that,” says Dr. Malcolm Perry. “It shows such poor judgment, and usually he has such good judgment.”100 “I don’t think Bob McClelland was in the best place to see the head wound,” says Dr. Peters. “He wasn’t in that position the way I remember it, as he was on the other side of the table. As for Dr. McClelland saying he saw cerebellum fall out on the table, I never saw anything like that.”101 “Bob is an excellent surgeon,” says Dr. Jenkins. “He knows anatomy. I hate to say Bob is mistaken, but that is clearly not right. In 1988, when I went to the National Archives, the photos showed the President’s brain was crenelated from the trauma, and it resembled cerebellum, but it was not cerebellar tissue. I think it has thrown off a lot of people that saw it. I guess a last point is that Bob and Groden [co-author of High Treason] are such good friends, I believe it has changed his attitude.”102 “McClelland may be a fine surgeon, but he is a lousy pathologist,” says Baden. “I am sure he thinks he saw that, and has developed it in his mind. But his memory is just completely wrong, and the autopsy photos and X rays prove that.”103* Dr. Crenshaw wrote a book in 1992 in which he claimed he examined the wound, that the hole was in the rear of the head, and that the cerebellum was lacerated.104† Crenshaw, a junior resident at the time, arrived late at trauma room one and assisted for only a few minutes near the end. He was in no position to make the judgments he sensationally proclaimed in his book. In fact, his role was so minor that most of the other doctors do not even remember him. “I don’t remember Dr. Crenshaw in the room,” says Dr. Ron Jones. “I don’t remember him in there at any time, but he may have been,” recalls Dr. Jenkins. “Neither do I,” says Dr. Baxter. “I feel sorry for him,” says Dr. Perry. “I had thought about suing him, but when I saw him on television [promoting his book], my anger melted. He has to know that what he said is false, and he knows the rest of us know that. You have to pity him. What a way to end his career. His story is filled with half-truths and insinuations, and those of us who know him know he is desperate.… He is a pitiful sight.” A senior Dallas doctor who is a close Crenshaw friend told the author, “I think it is a bag of worms of ego, going over the hill, the last hurrah.” While almost all the Parkland doctors who treated JFK support the findings of the autopsy team, their confirmation may not be as important as the studies conducted by subsequent panels of experts. The Clark and Rockefeller commissions, as well as the House Select Committee’s medical panel, affirm the original autopsy conclusions about JFK’s head wound. The most detailed work was done by the Select Committee. All nine forensic pathologists agreed that the beveling of the skull and the damage to the brain meant the small rear hole in the President’s head was an entrance wound.105 The exit hole was consistent with a wound caused by the two large bullet fragments found in the front of the President’s car.106* SOURCE NOTES 83. Interview with Dr. Pepper Jenkins, March 10, 1992. 84. Interview with Dr. Charles Carrico, March 8, 1992. 85. Interview with Dr. Adolph Giesecke, March 5, 1992. 86. Interview with Dr. Malcolm Perry, April 2, 1992. 87. Interview with Dr. Charles Baxter, March 12, 1992. 88. Interview with Dr. Ron Jones, April 14, 1992. 89. Interviews with Dr. Michael Baden, February 1, 1992, and November 7, 1992. 90. Groden and Livingstone, op. cit., p. 46. 91. Interview with Dr. Charles Carrico, March 8, 1992. 92. Interview with Dr. Adolph Giesecke, March 5, 1992. 93. Interview with Dr. Pepper Jenkins, March 3, 1992. 94. Interview with Dr. Malcolm Perry, April 2, 1992. 95. Interview with Dr. Charles Baxter, March 12, 1992. 96. Interview with Dr. Ron Jones, April 14, 1992. 97. Interview with Dr. Adolph Giesecke, March 5, 1992. 98. Interview with Dr. Robert McClelland, March 9, 1992. 99. Thompson, Six Seconds in Dallas, p. 140. 100. Interview with Dr. Malcolm Perry, April 2, 1992. 101. Interview with Dr. Paul Peters, March 10, 1992; Dr. Peters also drew a diagram that showed the doctors’ positions around the table and provided it to the author. 102. Interview with Dr. Pepper Jenkins, March 10, 1992. 103. Interview with Dr. Michael Baden, February 1, 1992. 104. Charles Crenshaw, op. cit., p. 88. 105. HSCA Vol. VII, pp. 110, 115. 106. Ibid., p. 128. AND the Footnotes to that section *Although no one at Parkland saw JFK’s back wound, Dr. Pepper Jenkins later told Dr. John Lattimer that he had felt it with his finger when he positioned the President’s head and neck to facilitate the passage of oxygen (Kennedy and Lincoln, p. 153). * After the autopsy, Humes and Boswell wrote their report from memory, without the benefit of the photographs or X rays. Robert Kennedy, who feared the public display of the X rays and photos would be offensive to the Kennedy family, reached an agreement with the Warren Commission not to publish the materials, and except for Earl Warren, the commissioners did not examine them. When the film was turned over to the custody of the National Archives in 1966, a metal box containing the President’s brain was missing from the inventory, together with some tissue slides. Humes had given everything from the autopsy, including the brain, to JFK’s personal physician, Admiral George Burkley. “He told me,” said Humes, “that the [Kennedy] family wanted to inter the brain with the President’s body” (Journal of the American Medical Association, May 27, 1992, Vol. 267, No. 20, p. 2803). The House Select Committee concluded that Robert Kennedy likely disposed of the material for fear it would become a lurid public exhibition (HSCA Vol. VII, pp. 367–68). * In 1988, four of the Parkland doctors—Pepper Jenkins, Richard Dulaney, Paul Peters, and Robert McClelland—went to the National Archives at the invitation of a PBS documentary show, Nova, about the assassination. They were the first Parkland physicians to see the autopsy photographs, and each confirmed the photos represented what they remembered seeing that day, including a picture of the rear of President Kennedy’s head, which shows no defect. It has been suggested that the reason the photo shows the rear of the President’s head as undamaged is because the doctor (whose fingers are present in the picture) is holding a large flap of skin to cover the rear defect. “False,” says Dr. Michael Baden. “There is no flap of skin there. There is a bony protrusion from the right side of the head, but the rear is undamaged, except for the entry hole near the top of the skull” (Interview, January 23, 1992). * High Treason asserts that Jenkins originally said JFK was shot in the chest. Jenkins laughed when the author read him the Groden and Livingstone charge. “I don’t know where they get this stuff from. We put tubes into the President’s chest, but there were no chest wounds caused by anything else.” * In his original report, McClelland said there was a wound to the left temple, one that does not show up on any autopsy X ray or photograph. This has caused some to charge that Kennedy was shot by a second gunman from another location at Dealey, and that the autopsy team either negligently or intentionally overlooked that wound. “I’ll tell you how that happened,” Dr. Jenkins explained to the author. “When Bob McClelland came into the room, he asked me, ‘Where are his wounds?’ And at that time I was operating a breathing bag with my right hand, and was trying to take the President’s temporal pulse, and I had my finger on his left temple. Bob thought I pointed to the left temple as the wound.” † Crenshaw also said the autopsy photograph of the tracheotomy opening on Kennedy’s neck shows that it was larger than it had been at Parkland, implying that additional surgery might have been done between Parkland and Bethesda. “That’s ridiculous,” Dr. Malcolm Perry told the author. “I did the procedure. Tracheotomies are not pretty things, as speed is of the essence. Tissue can sag and stretch after death, but the photos I have seen look like the opening I remember making.” * While the Select Committee’s forensic panel agreed that a bullet had entered from the rear and exploded out the side of the President’s head, there was a lone dissent. Dr. Cyril Wecht said that such a finding did not preclude a shot also entering from the front. Dr. Wecht believed that the large exit wound on the right side “could hide an entrance wound at the same spot.” In other words, just as Oswald fired from behind and his bullet exited the President’s head, a front shooter fired into the wound created by the rear bullet. That is Wecht’s way of explaining why there is not another entry hole on JFK’s head. However, the X rays and photographs show no exit for a front bullet. The author raised the issue with Wecht, and he admitted that “the question of where did a front bullet exit is a very good one.” He first suggested that the front shot may have been a frangible bullet, which would have exploded upon impact in the brain. However, the X rays do not show any metal fragments in the brain from such a bullet, and when this was pointed out to Wecht, he acknowledged, “Yes, that’s true, there should be more fragments.” Finally, he suggested that the front bullet may have been plastic, and penetrated the brain but did not exit. He argued that since the brain is not available for examination, his speculation is possible—except that plastic bullets were rarely available until 1968, five years after the assassination. * The author viewed a video taken of the execution of a journalist by army troops in Central America. When the victim, who was lying flat on his stomach on the ground, was shot in the rear of the head, his upper torso and legs arched off the ground, in the opposite direction of the bullet. It was similar to the neuromuscular reaction JFK suffered. Also, when Governor Connally was struck in the rear shoulder by a bullet, he did not fall forward, but is clearly visible on the Zapruder film, his wounded shoulder pushing back into the car seat, toward the direction from which he was shot.

Gerald Posner

19,188 Aufrufe • vor 1 Jahr

In Remembrance of Marilyn Monroe on her 100th Birthday Born | June 1, 1926 in Los Angeles, California, USA Probably the most celebrated of all actresses, Marilyn Monroe was born Norma Jeane Mortenson on June 1, 1926, in the charity ward of the Los Angeles General Hospital. Her mother, Gladys Pearl (Monroe), was born in Piedras Negras, Coahuila, Mexico, to American parents from Indiana and Missouri, and was a film-cutter at Consolidated Film Industries. Marilyn's biological father has been established through DNA testing as Charles Stanley Gifford, who had been born in Newport, Rhode Island, to a family with deep roots in the state. Marilyn grew up not knowing for sure who her father really was. Gladys gave Norma Jeane the name of Baker. Poverty was a constant companion to Gladys and Norma. Gladys, who was extremely attractive and later worked for R.K.O. Studios, suffered from mental illness and was in and out of mental institutions for the rest of her life, and because of that Norma Jeane spent time in foster homes. When she was nine, she was placed in an orphanage where she was to stay for the next two years. Upon being released from the orphanage, she went to yet another foster home. In 1942, at sixteen years old, Norma Jeane married twenty-one-year-old aircraft plant worker James Dougherty. The marriage lasted only four years, and they divorced in 1946. By this time, Marilyn began to model swimsuits and bleached her hair blonde. Various shots made their way into the public eye, where some were eventually seen by R.K.O. Pictures head Howard Hughes. He offered Marilyn a screen test, but an agent suggested that 20th Century-Fox would be the better choice for her, since it was a much bigger and more prestigious studio. She was signed to a contract at $125 per week for a six-month period and that was increased by $25 per week at the end of that time when her contract was lengthened. Her first film was in 1947 with a bit part in The Shocking Miss Pilgrim (1947). Her next production was not much better, a bit in the forgettable Scudda Hoo! Scudda Hay! (1948). Two of the three brief scenes in which she appeared wound up on the cutting room floor. Later that same year, she was given a somewhat better role as Evie in Dangerous Years (1947). However, Fox declined to renew her contract, so she went back to modeling and acting school. Columbia Pictures then picked her up to play Peggy Martin in Ladies of the Chorus (1948), where she sang three numbers. Notices from the critics were favorable for her, if not the film, but Columbia dropped her. Once again Marilyn returned to modeling. In 1949, she appeared in United Artists' Love Happy (1949). It was also that same year she posed nude for the now famous calendar shot which was later to appear in Playboy magazine in 1953 and further boost her career. She would be the first centerfold in that magazine's long and illustrious history. The next year proved to be a good year for Marilyn. She appeared in five films, but the good news was that she received very good notices for her roles in two of them, The Asphalt Jungle (1950) from MGM and All About Eve (1950) from Fox. Even though both roles were basically not much more than bit parts, movie fans remembered her dizzy but very sexy blonde performance. In 1951, Marilyn got a fairly sizable role in Love Nest (1951). The public was now getting to know her and liked what it saw. She had an intoxicating quality of volcanic sexuality wrapped in an aura of almost childlike innocence. In 1952, Marilyn appeared in Don't Bother to Knock (1952), in which she played a somewhat mentally unbalanced babysitter. Critics didn't particularly care for her work in this picture, but she made a much more favorable impression later in the year in Monkey Business (1952), where she was seen for the first time as a platinum blonde, a look that became her trademark. The next year, she appeared in Gentlemen Prefer Blondes (1953) as Lorelei Lee. It was also the same year she began dating the baseball great Joe DiMaggio. Marilyn was now a genuine box-office drawing card. Later, she appeared with Betty Grable, Lauren Bacall, and Rory Calhoun in How to Marry a Millionaire (1953). Although her co-stars got the rave reviews, it was the sight of Marilyn that really excited the audience, especially the male members. On Thursday, January 14th, 1954, Marilyn wed DiMaggio, then proceeded to film There's No Business Like Show Business (1954). That was quickly followed by The Seven Year Itch (1955), which showcased her considerable comedic talent and contained what is arguably one of the most memorable moments in cinema history: Marilyn standing above a subway grating and the wind from a passing subway blowing her white dress up. By October 1954, Marilyn announced her divorce from DiMaggio (though the divorce was not finalised until October 31, 1955). In 1955, she was suspended by Fox for not reporting for work on How to Be Very, Very Popular (1955). It was her second suspension, the first being for not reporting for the production of The Girl in the Red Velvet Swing (1955). Both roles went to others. Her work was slowing down, due to her habit of being continually late to the set, her illnesses (whether real or imagined) and generally being unwilling to cooperate with her producers, directors, and fellow actors. However in Bus Stop (1956), Marilyn finally showed critics that she could play a straight dramatic role. It was also the same year she married playwright Arthur Miller. (They divorced January 20, 1961.) In 1957, Marilyn flew to Britain to film The Prince and the Showgirl (1957), which proved less than impressive critically and financially. It made money, but many critics panned it for being slow-moving. After a year off in 1958, Marilyn returned to the screen the next year for the delightful comedy, Some Like It Hot (1959) with Tony Curtis and Jack Lemmon. The film was an absolute smash hit, with Curtis and Lemmon pretending to be females in an all-girl band, so they can get work. This was to be Marilyn's only film for the year. In 1960, Marilyn appeared in George Cukor's Let's Make Love (1960) with Tony Randall and Yves Montand. Again, while it made money, it was critically panned as stodgy and slow-moving. The following year, Marilyn made what was to be her final film, The Misfits (1961), which also proved to be the final film for the legendary Clark Gable, who died later that year of a heart attack. The film was popular with critics and the public alike. In 1962, Marilyn was chosen to star in Fox's Something's Got to Give (1962). Again, her absenteeism caused delay after delay in production, resulting in her being fired from the production in June of that year. It looked as though her career was finished. Studios just didn't want to take a chance on her because it would cost them thousands of dollars in delays. She was only 36 years old. Marilyn remains a pop culture icon, with the American Film Institute ranking her as the sixth-greatest female screen legend from the Golden Age of Hollywood. Marilyn acted in only thirty films, but her legendary status and mysticism will remain with film history for ever.

Hollywood Golden Age of cinema

35,552 Aufrufe • vor 3 Monaten

The ELITE have been MOCKING YOU right to YOUR FACE and TRAFFICKING CHILDREN for DECADES, and you never even NOTICED. This is how this Satanic group of elite child predators have been operating a global child trafficking operation right out in the open, through our own government, while opening front companies and NGOs and using them to steal your hard earned taxpayer dollars through these fronts and NGOs for themselves and to sell children all around the world. What makes this even worse is that most of these fronts, NGOs, and non-profits were set up and supposed to help children, like the Clinton Foundation, the Ratcliffe Foundation, or any one of Oprah's child foundations, etc., but, in fact, they all do the exact opposite and facilitate the trafficking and abuse of children to some of the most wealthy elite around the world. This is why the Epstein and the Diddy case are so important to the future of America and the rest of the world and to end child trafficking all together. Since 1996, the FBI logged on record, the first time "Pizza" has been used as a form of communication to signify child po*n, pedophil*a, or anything involving the sexual abuse of children. There are many other numerous symbols and words to specify the exact preferences of that particular person and what type of fetish and child that they are into. This is where the famous "PizzaGate" term stems from and the whole Comet Ping Pong incident with James Alefantis. Then come to find out that members of our own government at the time were using these same secret comms to communicate with each other including, The Podestas, Hillary Clinton, and even Barack Obama, who had a very strange email referring to $65,000 dollars worth of "Hot Dogs" which is also another preference word that signifies a child type and secret comm used that is well known. The fact is that the way these people operate and according to their occult practices and sick narcissistic ways, they have to and enjoy mocking you to your face while communicating with others at the same time. This is more than apparent through all types of media, music, cartoons, basically anything in the mainstream media. Just pay attention and you will see it everywhere. From Ellen at the 2014 Grammys handing out "Pizza," to the way her stage set for her now cancelled T.V. show, "Ellen," that resembled Epstein's island with the blue and white patterns like Epstein's temple and the palm trees was a 1 to 1 match of the horrific island of horrors. You can search almost any celebrity's social media, especially before many of them were called out, and you will see a strange amount of pictures and comments with children and pizza. The references to pizza and children is through the roof. Especially in the order and combination that they are using the words in. You literally have to be blind not to see that they are mocking you or communicating about sexually abusing children, or worse. Another reference that many do not talk about is the reference with Pizza representing children and the Pizza oven, which actually represents an alter to Baal or Moloch, which is a part of the Satanic ritualistic child sacrificial ceremonies that goes as far back as records show and are even included in the Bible. Archeologist are now finding more and more proof that child sexual abuse and child sacrifice has been going on for centuries and is linked to elite families and their ritual practices that formed societal classes throughout history with the elite abusing and sacrificing children to their gods, whether that be Baal, Moloch, or Lucifer himself. Now you see grooming and children being sexualized and even rap*d in their own schools. They are coming for your children and we need to stand up and stop it. Enough talking about it, it's time to act before we let this continue any longer. We need to actually start doing more to protect these kids. One question I will leave you with to ask yourself is, now that we know that they are definitely abusing and trafficking children, especially since RFK Jr. just confirmed that even the Biden/Harris Administration and their own HHS was involved in the trafficking of children, it's not why would they use a secret language or code words to communicate, the real question is, "Why wouldn't they?" There are no coincidences.
6:07

Sensitive content

The ELITE have been MOCKING YOU right to YOUR FACE and TRAFFICKING CHILDREN for DECADES, and you never even NOTICED. This is how this Satanic group of elite child predators have been operating a global child trafficking operation right out in the open, through our own government, while opening front companies and NGOs and using them to steal your hard earned taxpayer dollars through these fronts and NGOs for themselves and to sell children all around the world. What makes this even worse is that most of these fronts, NGOs, and non-profits were set up and supposed to help children, like the Clinton Foundation, the Ratcliffe Foundation, or any one of Oprah's child foundations, etc., but, in fact, they all do the exact opposite and facilitate the trafficking and abuse of children to some of the most wealthy elite around the world. This is why the Epstein and the Diddy case are so important to the future of America and the rest of the world and to end child trafficking all together. Since 1996, the FBI logged on record, the first time "Pizza" has been used as a form of communication to signify child po*n, pedophil*a, or anything involving the sexual abuse of children. There are many other numerous symbols and words to specify the exact preferences of that particular person and what type of fetish and child that they are into. This is where the famous "PizzaGate" term stems from and the whole Comet Ping Pong incident with James Alefantis. Then come to find out that members of our own government at the time were using these same secret comms to communicate with each other including, The Podestas, Hillary Clinton, and even Barack Obama, who had a very strange email referring to $65,000 dollars worth of "Hot Dogs" which is also another preference word that signifies a child type and secret comm used that is well known. The fact is that the way these people operate and according to their occult practices and sick narcissistic ways, they have to and enjoy mocking you to your face while communicating with others at the same time. This is more than apparent through all types of media, music, cartoons, basically anything in the mainstream media. Just pay attention and you will see it everywhere. From Ellen at the 2014 Grammys handing out "Pizza," to the way her stage set for her now cancelled T.V. show, "Ellen," that resembled Epstein's island with the blue and white patterns like Epstein's temple and the palm trees was a 1 to 1 match of the horrific island of horrors. You can search almost any celebrity's social media, especially before many of them were called out, and you will see a strange amount of pictures and comments with children and pizza. The references to pizza and children is through the roof. Especially in the order and combination that they are using the words in. You literally have to be blind not to see that they are mocking you or communicating about sexually abusing children, or worse. Another reference that many do not talk about is the reference with Pizza representing children and the Pizza oven, which actually represents an alter to Baal or Moloch, which is a part of the Satanic ritualistic child sacrificial ceremonies that goes as far back as records show and are even included in the Bible. Archeologist are now finding more and more proof that child sexual abuse and child sacrifice has been going on for centuries and is linked to elite families and their ritual practices that formed societal classes throughout history with the elite abusing and sacrificing children to their gods, whether that be Baal, Moloch, or Lucifer himself. Now you see grooming and children being sexualized and even rap*d in their own schools. They are coming for your children and we need to stand up and stop it. Enough talking about it, it's time to act before we let this continue any longer. We need to actually start doing more to protect these kids. One question I will leave you with to ask yourself is, now that we know that they are definitely abusing and trafficking children, especially since RFK Jr. just confirmed that even the Biden/Harris Administration and their own HHS was involved in the trafficking of children, it's not why would they use a secret language or code words to communicate, the real question is, "Why wouldn't they?" There are no coincidences.

The SCIF

52,312 Aufrufe • vor 1 Jahr

This is going to be one of those long Elizabeth Lane posts and you absolutely need to watch the video below. Read the text first, then watch the video, it will make more sense. First, let me start by saying I love this girl! This was by far my favorite episode of Candace Owens show. Some might wonder why I’d choose this one when there have been bigger bombshells in other episodes about the case, but for me, this one really stood out for several reasons. First, this is where Candace clearly summarized the connections involving the military and the CIA which I think is the right direction on this case. Most importantly, she brought up President Kennedy’s assassination, which resonated with me because I’ve long believed that the same institutions responsible for Kennedy’s death were also behind Charlie’s. She also reminded me of Mitt Romney, which had completely slipped my mind, so thank you for that Candace. I think you’re right to revisit the Romneys and I can’t believe I hadn’t noticed these connections before. Candace is right about Texas! Not just Texas, but let's start with that. Texas was always very important for the CIA for multiple reason. Dallas, Houston and Fort Worth were known to have ties to the CIA for funding and logistical support in overseas operations. Their role was usually financial, logistical, or as intermediaries. For example even back during Kennedy times, certain oil and international trade magnates were informants or facilitators for CIA operations in Latin America and Europe. Texas had a strong military-industrial presence, including aviation, defense manufacturing and private security firms. Contractors sometimes worked on CIA technology or paramilitary support. These firms provided training facilities, flight and transport logistics, and equipment procurement. Individual agents or retired military personnel in Texas sometimes acted as liaisons, recruiters or covert operatives. None of this is speculation, it is all documented history. When I did investigation into Kennedy Assassination I used to call Texas the “CIA’s jackals capital.” (I highly advise reading David Talbot’s work). I thought it would be imported to show you a good example how the CIA and military work together when they need to kill people on the US soil and get away with it. Video below is a great example this is from an old series on Kennedy assassination. This is a very old film, such a great work done by investigative journalist. Let’s start with the fact that the CIA should not operate domestically but they always find smartass ways to still do it and get away with it. The CIA is also very highly compartmentalized organization, most people in the analysis section of the CIA are actually nice smart people, but the operations - now these people are psychopathic maniacs. The operations section of the CIA is even more highly compartmentalized. In other words, the right hand doesn’t know what the left hand is doing, which makes it easier to carry out actions without the rest of the agency knowing about it. This is what happened during Kennedy’s assassination. People often forget that the man who led the CIA at the time was actually Kennedy’s own appointee John McCone. MacCone was Kennedy's man. He had no idea what was happening right in front of him. This is partly made possible by the very convenient relationship the CIA has with the military. So yes Candace is right on CIA - Military connections. When you watch this video, you will see how these typical operations went down back in the day. Today, it’s even more sophisticated. Long story short, a man named Bruce Pitzer from the Navy altered Kennedy’s autopsy photos. This is just one source discussing it, today we have multiple sources claiming the photos were altered, including the doctors who operated on the president (you can find this in my documentary as well). In this video, you will see a clear example of how the CIA and military carry out assassinations on US soil. You will also hear that the man who altered the pictures was taken out by another military officer called David Vanek, who was later removed from the military database altogether as if he never existed, but thank god some people saved some copies and receipts. I’ve always thought these testimonies from the military men back then were so underrated and deserved more attention. But hey, who would have given them attention, President George H. W. Bush, the CIA man himself? Or his son? Or Pedo Bill? Lol. Of course not. The point is, they typically go mafia style when they want to make sure there are no loose ends. Someone does a job, and you eliminate that person if they represent a threat. Well, when you kill the President of the United States, many people would not be able to stay quiet, so they had to go mafia style in the case of Kennedy. I don’t think they needed that with Charlie. People, especially psychopaths in special Ops, would be more willing to stay quiet. But the point is, this was very much happening back then and it is happening today. The military CIA partnership in domestic assassinations goes back to the Kennedy era and Texas always played a significant role in all of that. With Kennedy, they began eliminating anyone who was a minor or mid-level figure involved in the assassination plot. After Kennedy’s assassination, over 100 people died under mysterious circumstances. 100 + people! :) So when some people say, ‘Oh Candace names so many people involved in this case, it’s impossible for that many people to be involved.’ That’s simply not true. It is very possible, and it has been done many times, not just with Kennedy. What’s also important to mention, and why I specifically chose this clip out of many examples is that sometimes people are doing a job without really knowing who or what they’re working for. Dan Marvin, for example. All Lieutenant Colonel Marvin was told was to kill someone on U.S. soil. He had no idea that this person was connected to covering up Kennedy’s assassination. I'm guessing they told the same thing to David Vanek,He simply carried out a hit without knowing the bigger picture. This is often how the CIA operates. It’s not always a kill, sometimes it’s something as simple as moving a vehicle from one place to another, without knowing what case it’s connected to or why they are doing it. So while many players are covering up for the operation, they often have no idea what they are actually covering up. Now a little bit about Romney from someone who lives in Utah believe me when I tell you the Romneys were like gods in Utah for the longest time. They still have huge influence, Mormons loved them, and even non-Mormon republicans supported them, some still do. But after Romney was caught in multiple lies, some of that support faded. They are extremely corrupt and I believe they should be looked at.

ELIZABETH LANE

34,529 Aufrufe • vor 5 Monaten

TRUMP, THE ANTIKRYST? Pt 1 (Update 12/14/24) On 8/28/24 Donald Trump posts this video of a cross. What does that really mean, and why at exactly 11:11? Does anyone understand what the cross really is? It's an unfolded tesseract, also known as Metatron's Hypercube. Who is Metatron? It is one of Thoth's many names across the ages. He was also known as Hermes, son/daughter of Enki Lucifer. And while I've never had it explained to me in absolute detail, there is reason to believe this Anunnaki shape-shifting hybrid could be one and the same as Marduk Lucifer Satain. An awful lot of water has gone under this bridge since the Leviathans arrived 798k years ago, so each of the Babylonian fake gods could have thousands of different personas and names by this time. In any case, Marduk appears to be the leviathan that keeps reincarnating over and over as the savior of mankind. His/her most recent being the 'jesus' character that poses as if being Jesheua Sananda Melchizedek that is one of the guardian alliance team who came to restore the purity of the bloodline of the Human Elohim development that are in captivity here in the Tara earth simulation, and really could walk on water. Identity theft is always the middle names of all your captors. It is what they do to maintain control over the sheep. Like I've said countless times now, Sananda is not 'god' anymore than you are. He is not a savior of mankind, he is here on mission to help your avatar's vibration reach sympathetic harmonic resonance with the 4th dimension to help you escape. By having children with human females carrying very pure human DNA, those children will multiply and raise the vibration of the plane, making your chances that much better to make this ascension happening now. We do not worship Sananda, and unless you like playing subservient to others, you won't either. He is still here, and so are your captors. The ancient false gods of Babylon never left. They just keep taking different forms under different names, hiding in plain sight. They have MANY bodies here. Some are identical to each other, some look totally different. I know because I've met them and had them explain to me who they were in ancient times and what really happened that is totally unlike the his-story you've been told. Sometimes they allow you to know who they really are, such as they did in Babylon, but most of the time they're posing as regular people, just like you, so they can infiltrate human spaces, rise to positions of great influence and steer the masses. Who is Donald Trump? Do you know anyone alive who is more adored, more worshipped, more feared than the Donald? No. He's the most famous person alive. And why is that? Because he's the most perfect person on the plane? Hardly. He's also famous for grabbing women by the pussy. It is because he's using psychological manipulation he knows at a master-class level because he has unbroken recollection of his time across hundreds of thousands of lives. So his mental 'magic' is simply knowledge and wisdom humans could never possibly even understand, much less duplicate. It is a form of very powerful hypnosis. There is overwhelming evidence now that Trump is considered the king of earth as you will see in the masterpiece film by Good Lion Films. His 'capitulation tour' (THE GREATEST SHOW ON EARTH) in 2017-18 made it clear he's the one in charge. THE GREATEST SHOW ON EARTH Video: 👉 Not just this, but Trump was officially crowned the 'Messiah of Jerusalem' they had been waiting to return for thousands of years. That's right, this really happened. He is 'ben David' (son of King David). Something I know a bit about, since that's my avatar's bloodline I'm in here for mission reasons that has to do with the Co-Evolution BioRegenesis Treaty that gives 'J3wish' people a mechanism for ascension. [For more see my article: 👉 THE TWO CHRISTS] Trump, Messiah of Jerusalem Video: 👉 Trump is also a time traveler. Believe or don't believe, but I now have far more than just a few examples that prove this to be fact. He also has multiple other bodies he uses at the golf course, at rallies, and Mar-a-Lago that are clearly different weights, heights, ages. Here is one that is much older than the ones we see in the spotlight. Who has the technology to do all these things? The Anunnaki. Word has it that Trump has been working with the Anuhazi Elohim during his entry into politics. I would suggest he's been working with them for 798k years. They are known as the fallen angels, the original captors of this simulation. All the invader races (over 50 species) have been working together as a single team to enslave humankind since the hostage began over 1/2 billion years ago. I don't profess to know who each of these actors really were in the last drama, or Babylon, Greece, Rome and countless other eras, since, as mentioned, it is a 560 million year story involving quadrillions of events and dramas, but you likely understand what I'm trying to say is we're dealing directly with ancient gods here, not 'business men' or 'politicians'. These people held lightning in their hands last time they decided to let us see them for who they really are. Thoth could literally fly when he was using the name Hermes and there's no question he still can. As briefly reference above, the cross he released this morning is secretly the Nibiru Scalar Vibrational Mechanics platform called a tesseract or hypercube, in unwrapped form. If you fold it back into a 6-sided cube again, you're seeing the shape of the device that powers our counterfeit hologram. You will come to learn at some point that every geometric shape is an operating system, not just a form, called the Platonic Solids in science. Which is why grown men pilgrimage to Mecca to walk around the Kaaba, wearing a little black cube on their forehead. So don't think the cube cross is only worshipped in America. Metatron's Hypercube is used at CERN known as ALICE that keeps you inside an artificial reality called the 'Beyond The Looking Glass Chimera Reality Simulation'. Typically you'll hear the keeper refer to it as the Chimera Reality for short. All down through your current history, the cross has stood for purity, perfection, and hope that one day the savior would return and usher in a utopia, when in truth, it was the very symbol of your eternal enslavement. They keep rolling out this same savior trope, civilization after civilization, always with a different face of the program, but always the same hope. Hope, by the way, is a weaponized spell that was designed to keep you perpetually in bondage and trudging forward like a good little slave, doing your job because 'one day he will return and THEN by golly, he'll save us all'. These are all the same guy/girl. When Sananda (I'm not talking about the fake jesus here) said 'come out of her my peoples', he meant stop falling in line with the prison machine you're trapped in. Stop acquiescing to your own enslavement. I was told in person that humans 'have to rise up and take their world back or they will never move forward'. It means letting go of fear and stand up for what is right. Enslavement of any kind, is not that. The great deceiver will fool 'even the elect' is not a fictional claim in the M@sonic bible for entertainment. They have to tell you what they're doing in order to have you cast that reality they want to play out in your world. The person who wrote the bible also wrote demonology. [For more on this subject see my article 👉 THE SCIENCE OF PREDICTIVE PROGRAMMING and the 2ND COMING] Why would that be? Because the bible is the most elaborate talisman on earth that hypnotizes those who read it, enslaving their minds to passively accept the chimera reality, so when the simulation glitches, you will second guess yourself instead of the holographic world around you. "Did I just see a bird in the sky not flapping its wings and remaining perfectly still? Of course not, that's preposterous." ‘Mithra the Savior’ was gifted to T-Amerikaans (America) by Frédéric Auguste Bartholdi of France in 1886. Freddy was a 33rd degree (master) Freem@son and you now call Mithra your 'Statue of Liberty'. She is literally the symbol of this nation and is making her second coming at the time when the economy has been utterly destroyed, your politics have been weaponized against you, your courts have been utterly corrupted, your people have been openly attacked with bioweapons, your country flooded with 20m illegal aliens and your police have been defunded & refuse to arrest criminals. All by design and deliberately manufactured. Albert Pike, 33rd degree (master) Freemason stated: "Whenever the people need a hero, we'll supply him." Almost as if Freem@sons plan TO role out some very hard times to achieve a certain agenda. Oh, that's right, Pike also stated this: “We shall unleash the nihilists and the atheists and we shall provoke a great social cataclysm which in all its horror will show clearly to all nations the effect of absolute atheism; the origins of savagery and of most bloody turmoil. Then everywhere, the people will be forced to defend themselves against the world minority of the world revolutionaries and will exterminate those destroyers of civilization and the multitudes disillusioned with Christianity whose spirits will be from that moment without direction and leadership and anxious for an ideal, but without knowledge where to send its adoration, will receive the true light through the universal manifestation of the pure doctrine of Lucifer brought finally out into public view. A manifestation which will result from a general reactionary movement which will follow the destruction of Christianity and Atheism; both conquered and exterminated at the same time.” Sound familiar? If I were going to infiltrate a world & pose as the savior of the peoples that would be allowed to take the last tiny bits of freedom from them in return for pulling them out of a hellscape, I would first reduce them all to the most quivering and broken mess possible just shy of their death, and arrive like a knight in shining armor. Think a hundred-vehicle motorcade, 500 special-ops swat team & my own rolling hospital. When Trump had to go to court in New York it cost them something like $25m to lock down the city for 1 appearance. Nothing gets more high-profile than that anywhere. You've been under predictive programming since the day you were born for this time when the 'antichrist' would appear (that would 'loose his demons' and tear the world asunder), and also for the 2nd coming to 'save humanity' at the same time. But what you weren't told is these will secretly be the same person. Of course everyone will think it was "Barack" who brought about the destruction because Dolores Cannon alluded to it, but who is actually 'showing you a movie' right now while secretly holding the office of CIC and allowing millions of aliens across the border? Because he's your real border czar. This is Armageddon, you're in the 'little season of satan' (Satain). The 1000 years of heaven-like reign ended around 1893, and your entire life has been inside of what you could call hell, where you are literally surrounded by demons you believe are human because they look like you. You know more demons than you do humans. This is actual reality, not fiction. Take at look at Not Op Cue's article on the heavenly heritage of Trump, suggesting why he is the reincarnation of jesus. The evidence is overwhelming. The Lincoln Kahlooni Druze Minority Bloodline: The Jesus Strand Video 👉 11:11 I had just flown in from half way across the world to meet up with the keeper of the Tara earth simulation for a mission that would involve some of the most astonishing things I would ever live to see in this life. It was getting late and we were talking in a dark, cramped trailer that the keeper and crew had been reduced down to, illuminated only be a couple of small candles. They had been trapped in an area where they were not allowed to escape from by the Anunnaki hybrids. The dark agencies had frozen their bank accounts, forced them out of their compound and left them homeless for the past few years, on the run daily. My mission was to escort them away from that area to a safe space, as the others who had tried to break them free previously had been maimed and even killed. It took 2 years to pull off, 7 months of which living in a car, but the mission was successful. [That's a story for another time, when I am allowed to talk about it. It involved crazy metaphysical anomalies, black helos, giant venomous snakes (I know that sounds crazy, but the whole thing was way crazier than just that), a cross-leyline vortex acting as protection at the safe house we directly on top of, massive aerial DEW attack, fire tornadoes and 'celestial' escorts. None of this is fiction, just to be totally clear.] I was extremely interested in duplicate numbers on my clocks I was seeing 2-3x everyday and wanted to know what they meant. As the words were coming out of my mouth about this, in the relative darkness suddenly my phone lit up all by itself for no reason with the time in large numbers at 11:11pm, apparently to prove to the keeper I wasn't making this phenomenon up. What is that? I was told duplicate numbers are a distraction, to not give them mind, as it is just numerology the system uses in what I took to mean it is part of the complex mechanism of our simulation that hypnotizes us to keep us from being clear and aware to decipher the holographic illusion around us. The more awake we are, the more the system will flash out 3:33 or 11:11 to put you back to sleep by distracting you from the moment that is taking place in front of you. Such as when the most heralded man in the world shares a video depicting a giant cross which insinuates the 2nd coming of the christ (the Kryst or Krystos, is the series title of the Human Elohim eternal-life bloodline and is not 'a guy'). Discernment is more critical now than any other time since you were born. Pay attention, keep your vibration high and know that the next step is you moving on to the next level of the simulation where Lucifer and Satain will no longer be part of your world. This is but a short time to test which path you want to take moving forward is all. It is the 'sifting' phase of humanity at the end of the final long-cycle of human evolution. If you resonate in fear, hate, anger, you lose. React in love, appreciation, kindness and compassion and never give in to the devolution. You can do this. See my article 👉 THE WORLD TOMORROW for more on what to expect moving forward into your next experience. And yes, you always move on to a new experience, because you're an eternal spirit essence having a human experience in this one drama. The dramas never run out or get too boring, because there are trillions of ways to stage 'living a mortal life'. For more on the separation, see my articles: 👉THE SEPARATION 👉DESTINATIONS AFTER THE SEPARATION 👉THE SURGICAL SEPARATION OF THE 2 PLANES See the second part to this thread in my article: 👉TRUMP, THE ANTIKRYST PT 2 On X, to search for my articles, simply type in the name of the piece, enter one space, then from: & my username in parenthesis such as shown here: THE HISTORY OF THE CHIMERA PT 1 (from:iontecs_pemf) Off-site, you can look up any of my writings through this link below for my other more than 100 recent articles and many thousands of comments on X, regularly updated thanks to Justin This message will only be seen by your eyes if not shared, and if you want to reference this article again later, you will need to cut and paste it in your own notes off line, as it will surely be erased. This is the most accurate translation of these events I am aware of at this time.

W.R. Schock, QBD

130,789 Aufrufe • vor 1 Jahr

Intelligence Agency Alleges “Pro-Russia” TikTok Accounts Are Interfering In Czech Elections Despite speculation, there is no evidence tying social media accounts to Russia by Cecílie Jílková alex gutentag and Michael Shellenberger Almost 1,000 accounts on TikTok are promoting pro-Russian narratives in support of “extremist” parties ahead of this week’s elections in the Czech Republic, according to a Czech intelligence agency and a group of analysts who identify as the “Center for Online Risk Research.” And some in the Czech news media are suggesting that Russia may be behind the accounts. “Secret services have discovered hundreds more pro-Russian accounts that want to influence the election,” reported Denik N, a Czech news publication, this morning. “They have millions of views.” But neither BIS nor the Center for Online Risk Research says they can link the Russian government to any of the accounts. “We don’t know,” said researcher Vendula Prokůpková to Public. “We don’t have the tools to find out.” The BIS declined to comment. A TikTok spokesperson told Public, “We have proactively implemented additional safety and security measures ahead of the elections in Czechia, including an in-app Election Center to provide access to authoritative information about the vote. We continue to aggressively counter deceptive behaviour, and we have already prevented and removed millions of fake likes and follow requests in Czechia since the start of August.” Notably, the Czech media and the Center are making similar arguments to those used by a Romanian court last year to nullify the presidential election, which legal scholars viewed as unconstitutional. The case may seem unimportant to Americans, given the relatively small size of the Czech Republic, which has 11 million people, and since the Romanian intelligence agencies made stronger claims about Russian interference than the Czech BIS or the Center for Online Risk Research have made. And the possibility remains that Russia, or Russia-linked bot networks, are indeed engaged in algorithm manipulation to help the Czech parties opposed to continuing arming of Ukraine. In Romania, intelligence officials accused the Russians of creating fake accounts and manipulating algorithms. But the information comes at a moment when Internet censorship is a sticking point between the Trump administration and the EU over a trade deal, and just days after the European Commission leaked plans that it could fine Meta’s Instagram and Facebook up to six percent of its global revenue if it doesn’t make it easier for users to flag posts for censorship. The Commission is currently investigating Facebook and Instagram for supposed failure to stop “disinformation” and “deceptive advertising” in advance of last year’s European Parliament elections. The EU has made no secret of its desire to censor social media worldwide, not just in Europe. Meanwhile, Americans are obligated under NATO to defend both Romania and the Czech Republic, and the NATO treaty requires its members to hold free and fair elections, which Romania did not do. Romania’s intelligence officials presented no evidence to support their claims, and subsequent analyses revealed that the Romanian ruling party had funded at least some of the allegedly pro-Russian TikTok accounts. Where the Romanian TikTok accounts supposedly promoted a right-wing populist, the Czech Center claims that the Czech language TikTok posts, back the “far-right SPD party, which ranks third in most polls with around 13% support, and the far-left Stacilo!,” according to Reuters, “which is gaining just over the 5% threshold needed to secure parliamentary seats.” Notes Reuters, “Both parties advocate for Czechia to leave NATO and the European Union.” Prokůpková said, despite its name, that “Center for Online Risk Research” is “not an organization. We are an initiative.” However, she also said, “My partner is the CTU,” referring to the Czech government’s Telecommunications Office. This office organized a meeting on August 29th due to the upcoming Czech elections, which was attended by the European Commission, Google, Meta, Microsoft, TikTok, and X. “The participants discussed their readiness to address potential systemic risks in connection with the parliamentary elections and respond to possible incidents,” a European Commission spokesperson told Public today. Prokůpková also said, “I proceed in accordance with the DSA,” the EU’s Digital Services Act, which entitles anyone to report false accounts or misinformation on social media to the Czech Telecommunications Office.”We are ordinary citizens and we use the R programming language,” she explained. One of the Center’s members is Josef Šlerka, who collaborated with “The Organized Crime and Corruption Reporting Project,” which the US State Department created in 2008, and which the USAID funded. After President Trump cut off USAID funding, the European Commission began to financially support OCCRP. In January, Šlerka and the director of the Czech government’s Security Information Service (BIS), the equivalent of the FBI and DHS in the US, briefed Czech members of Parliament about the Romanian TikTok case as a potential model for the Czech Republic. Now, the BIS has sent a report on Czech-speaking pro-Russian TikTok accounts to the president, prime minister, and Czech Telecommunications Office. Earlier this year, a Czech Army group admitted to monitoring opposition figures. Leaked documents show the group monitored “the opinions and attitudes of these [opposition] individuals towards the activities of the Ministry of Defense, its leaders, senior representatives of the Czech army, and the war in Ukraine.” General Karel Řehka later defended the Army’s actions by alleging that it was just a military exercise in case of possible future interference in the elections. A few weeks ago, Romania’s Interior (security) Minister said the intelligence agencies of the Czech Republic and those in other nations admire what Romania did. “I believe that what happened in Romania last year is currently being studied by all intelligence agencies in the Western world,” said Cătălin Predoiu. “Conclusions are being drawn and countries are taking defensive measures, inspired by how Romania defended itself.” He went on to say that “my Czech colleague, who is a good friend of mine, approached me and said, ‘We also have elections in the fall, and we are watching very closely what has happened in your country.’” From left: Vít Rakušan, Czech Minister of the Interior and Deputy Prime Minister, and Marian-Cătălin Predoiu, Romanian Minister of the Interior and Deputy Prime Minister, at the Round Table (Justice and Home Affairs Council) on December 12, 2024. Source: Other groups are involved in the possible influence operation. A liberal website called Voxpot recently published a list of websites that repost content from Russian state platforms, but provided no information about any links to or financing from Russia. The Independent Journalism Foundation financed the Voxpot report. And Seznam, a news website that has advocated for EU government censorship of “misinformation,” finances the Foundation. Finally, GLOBSEC, the Institute for Strategic Dialogue (ISD), and CEDMO (Central European Digital Media Observatory), all of which appear to have links to the intelligence community, published a report warning of the alleged risks of Russian interference; however, it contained no evidence to support these claims. Major military contractors, including Lockheed Martin, KNDS, and Saab finance GLOBSEC, while the US, UK, EU, and other Western governments finance ISD and CEDMO. While the allegations focus on alleged pro-Russian support for the nationalist-populist SPD party and the radical Left-Wing coalition Stacilo!, party, the latest polls show that the ANO party, led by former Prime Minister and billionaire Andrej Babiš has over 33% support, which is 12 points more than the centre-right SPOLU (Together) coalition, which the current Prime Minister leads. Like the SPD and Stacilo!, Babiš is running directly against the EU’s agenda, including on migration, climate change, the Ukraine war, and censorship. His party rejected NATO’s new defence spending target and called for halting ammunition supplies to Ukraine. With the SPD and Stacilo! expected to win roughly 18% of the vote, and given their shared opposition to arming Ukraine, they could join in a coalition government with ANO to end further military support. “If the electoral contest were close, then even several tens of thousands of votes that voters cast for someone (or conversely decided not to cast) could determine whether, for example, the Czech ammunition initiative, crucial aid for defending Ukraine, will continue,“ confirms in today’s article the Czech liberal newspaper Deník N. Czech President Petr Pavel is a former NATO general and a strong supporter of supplying Ukraine in its war with Russia. Nothing happened after the Romanian court nullified its election. Romania remains a member of NATO and the EU. Indeed, the EU supported the judicial coup. The same could happen in the Czech Republic. Others think that’s unlikely. “I don’t think we are approaching what is known as the ‘Romanian scenario,’” wrote Lukáš Prchal, a journalist who has written on the TikTok scandal for Deník N, in an email to Public. Whatever the case, the fact remains that there is no evidence of Russian government interference in the Czech elections, and any effort to nullify it based on allegations about anonymous TikTok accounts would violate the Czech Republic’s constitution, the European Union’s constitution, and the NATO treaty. “There is an attempt here,” a source told Denik N, “but the potential and significance are not essential. It is an unsuccessful attempt.”

Michael Shellenberger

61,731 Aufrufe • vor 11 Monaten

You can see hundreds of photos of Torres del Paine before you go and still be surprised by how much of the park has nothing to do with the famous towers. There are turquoise lakes, glaciers, waterfalls, open grasslands and lenga forests. Guanacos graze near the road. Condors ride the wind above the mountains. Depending on the hour, the Paine Massif can fill the horizon or disappear almost completely behind clouds. The three granite towers are the image everyone knows, but they’re only one part of the place. Torres del Paine National Park sits in southern Chile, where the Andes meet the Patagonian steppe. The park covers more than 227,000 hectares and has been part of a UNESCO Biosphere Reserve since 1978. Glaciers carved much of what you see today, and ice still runs through the story of the landscape. People were moving through this part of Patagonia long before hikers started arriving with trekking poles and backpacks. The Aónikenk, often called Tehuelche, traveled through the region for thousands of years. Ranching came much later, and large estancias eventually spread across land that now belongs to the park. Sheep, horses and ranch workers were here before refugios and marked trails. The national park was created in 1959 and expanded in the decades that followed. You can still see bits of the ranching past in old buildings, fences and horses along the road. Most trips begin in Puerto Natales. I’d stay there the night before heading into the park rather than treating it as somewhere to sleep between a flight and a bus. The town sits on the water with mountains in the distance, and it’s a good place to have dinner, buy anything you forgot and check your gear one last time. Patagonian lamb shows up on plenty of menus, along with seafood from southern Chile. The drive north is where the trip really starts. Buildings become less frequent. The road cuts through broad stretches of grassland. Guanacos begin appearing in the fields, sometimes close enough to the road that traffic slows down for them. Then, eventually, the mountains show up in the distance. That first view is worth paying attention to. Wildlife is easier to see here than I expected. Guanacos are common. Rheas move through the open country. Foxes live in the park, and condors can sometimes be spotted circling high above the valleys. Pumas are here too, though seeing one usually takes luck, patience or a guide who knows where to look. A lot of people come specifically for the W Trek. The route connects several of the park’s best-known areas, including Base Torres, French Valley and Grey Glacier, and most hikers take about four or five days to complete it. If you like multi-day hiking, it’s an obvious way to see a large part of the park without spending your days getting in and out of a vehicle. The Base Torres hike can also be done on its own. It’s a long day. The trail climbs through the Ascencio Valley, passes through forest and ends with a steep section over rocks before you reach the glacial lake beneath the towers. On a clear day, the view at the top is exactly the one that probably made you want to come here. Of course, Patagonia may have other plans. You can leave under blue skies and arrive with the towers hidden behind cloud. An hour later they might be visible again. Weather changes quickly enough that there’s not much point obsessing over a forecast days in advance. Layers matter. So does a waterproof jacket. The wind is harder to appreciate until you experience it. Patagonia is famous for it, but “windy” doesn’t really describe those moments when a gust hits hard enough to make you adjust your footing on the trail. You’ll also notice trees that have spent their lives growing in one direction. The good news is that you don’t need to hike the W, or even spend every day on a long trail, to see Torres del Paine well. A lot of the park is accessible by road and shorter walks. Salto Grande is an easy stop. Water rushes through a narrow channel between Lake Nordenskjöld and Lake Pehoé, and from there you can continue toward viewpoints of the Cuernos del Paine. The Cuernos look very different from the towers. Their dark upper sections sit above lighter granite walls, and from some angles they’re the mountains I’d rather photograph. Lake Pehoé is close by and deserves time of its own. On the right day, the water turns an almost unreasonable shade of blue-green. The mountains rise behind it, and there are places along the road where you’ll probably pull over even though you hadn’t planned to stop. Grey Glacier is on the western side of the park. It flows down from the Southern Patagonian Ice Field into Grey Lake. Once you see it, the broad valleys and glacial lakes you’ve been passing start to make more sense. Ice shaped much of this place, and here you can still watch part of that story unfolding. There are hiking routes toward viewpoints of the glacier, and boat trips cross Grey Lake for a closer look. Depending on conditions, pieces of ice float in the water between the boat and the glacier. That part of the park feels different from the open country farther east. This is something I’d pay attention to throughout the trip. Torres del Paine changes surprisingly quickly as you move around it. The eastern side opens into Patagonian steppe. Forest becomes more common near the mountains. One lake can be deep blue, another turquoise, another gray beneath the clouds. Rivers run through valleys that seem almost empty. An hour in the car can take you through several versions of Patagonia. That’s why three full days would be my minimum even if you aren’t doing the W Trek. Four is better if the schedule allows. You could spend a day on the Base Torres hike, another around Grey Lake and the western side of the park, and another around Lake Pehoé, Salto Grande and shorter walks. The extra time gives you room to change plans when the weather turns. Where you stay makes a noticeable difference. Puerto Natales has more restaurants, hotels and services, and staying there can keep costs down. The downside is spending more time each day getting to and from the park. Staying inside or near Torres del Paine costs more, but you wake up much closer to the trails and viewpoints. If I could split the trip, I’d spend the first or last night in Puerto Natales and the rest closer to the park. Anyone hiking overnight should sort out refugios or campsites well in advance during the busy season. It’s also worth checking current trail conditions and park rules shortly before arriving, because Patagonia has a way of making plans made six months earlier feel provisional. For most first-time visitors, the warmer months are the easiest time to come. Late spring through early fall in the Southern Hemisphere brings longer daylight and better odds for hiking, although it also brings more people. “Summer” is still a relative term down here. Pack the rain jacket. By the end of a few days, the famous towers may not even be the thing you remember most clearly. It might be a line of guanacos moving across a hillside. The sound of the wind against the car. A glacier appearing across a lake. An empty stretch of road with the Paine Massif slowly getting larger in front of you. Those moments are harder to plan, which is probably why they stick. Come for Base Torres if that’s what first caught your attention. See Grey Glacier. Stop at Lake Pehoé. Hike as much as your legs and the weather allow. But don’t spend the whole trip racing from one famous view to the next. Some of my favorite stretches would probably be the drives between them: old ranch country, open steppe, guanacos scattered across the hills and mountains that keep appearing and disappearing as the clouds move through. You’ll take plenty of pictures in Torres del Paine. Every once in a while, leave the camera in the bag. If you like traveling this way....understanding the history, landscape and people that shaped a place....that’s what I write about in the Timeless Traveler. Travel with a little more soul.

The Timeless Traveler 🇺🇸

20,333 Aufrufe • vor 15 Tagen

The District Attorney race in Travis County/Greater Austin is among the most important this cycle. Everyone able should vote by March 5th. Watch this video and read the following to understand why – and share with others. I don’t like to get directly involved in politics, and prefer to stick to building social enterprises that bring people together (i.e., KIND Snacks, Builders, SOMOS Foods, Empatico ), but the stakes are so high for Austin that I feel the need to share some facts: Austin is facing a rampant rise in crime. All the data demonstrates it. And all of Jose Garza’s policies point to it. Some specific examples: • Garza let Santos Celso-Flores, who was awaiting trial for participating in the gang rape of 13-year-old girl, out on a $40 bond. While out on bond, Celso-Flores molested two more young girls. • Hilario Adrian’s bond was lowered to just $1 after Garza failed to bring his aggravated assault case to a grand jury in time. Shortly after his release, he brutally attacked an innocent bystander in downtown Austin, stabbing him to death. • Richard Williams brutally raped his ex-girlfriend at knifepoint for two hours while strangling and beating her. Garza cut a deferred adjudication plea deal with Williams, meaning he was released after just 90 days in prison without anything on his record. • Garza released Dedreuain Reese, who had been charged with aggravated assault with a deadly weapon for pistol-whipping a woman, on a personal recognizance bond. Just weeks after he was released on bond, Reese committed a murder at the same house where he pistol whipped the woman. Friends have been telling me about the rise in crime in Austin. A family who lived downtown had their home burglarized. Another was held up. A friend who leads the Public Safety Commission shared the above examples. I assumed these were isolated cases and initially dismissed the issue. Eventually I did dozens of hours of research. The data is staggering: • 127% increase in the murder rate since Garza took over! • Car jackings more than doubled! • Convictions are down 61%! • Zero Jury Trials by Garza since he took over as DA! How is Garza responsible for this? Some examples: • When he took office, Garza abolished the DA division that sorted out cases. As a result, today there are over seven thousand unindicted felony crimes! Not 7. Not 70. Not 700. Seven THOUSAND pending cases that the DA’s office has failed to process. • In 2021, Garza released a bail reform plan that explicitly included releasing people on bail for just $1. Since then, Travis County has been plagued by crimes committed by people out on bonds. • Over 75 (out of a professional staff of around 95) experienced prosecutors have left the DA's Office since Garza took over in 2021. He has hired inexperienced and untested lawyers to handle the most serious and complicated cases in Travis County. • Here is testimony from a Mother whose children were sexually assaulted: These are not theoretical issues. And the people they affect are the most vulnerable members of our society. • Lynn Isaak survived a brutal attack while running in Travis Heights. She solved her own case through Nextdoor, trusted the DA's Office with the prosecution, and was then shocked when her attacker got probation with no jail time and no electronic monitoring. • Lashonda Lemons was beaten so badly by her partner that she lost her baby. The DA's Office got the case and lowered the charge from aggravated assault to a lesser offense and gave him deferred adjudication - a punishment that allows the offender to walk away without a conviction. This was all done over Lemons' objection. There is hope on the horizon: Jeremy Sylestine is a lifelong Democrat running in the Democratic Primary for Travis District Attorney. He is Native American member of the Alabama-Coushatta Tribe of Texas. He went to UT, served as a Public Defender, and then for 15 years as a highly respected member of the DA’s office in Travis County. Meet Jeremy: He is among the highest integrity people you can meet. He is sacrificing a very good job and risking a lot for the sake of Austin and Travis County. Jeremy is compassionate, but he understands the duty to protect the most vulnerable members of our community from violent criminals. It’s quite a contrast: It took me months to understand why, in contrast, Jose Garza would allow a violent criminal who drugged and raped a 13 year old girl to get off without anything on his record. Why would he plea down everything to misdemeanor, including when a violent felon beat his pregnant girlfriend so brutally that she lost her baby? Even the most kindhearted also want justice and public safety. But Garza has a radical ideology that ANY prosecution ever is evil. When he was a public defender, that position was acceptable. But as DA in charge of enforcing the law, he is subverting his duties and violating his oath. Under Garza’s simplistic ideology, everyone is a victim or an oppressor based on their background and position in society rather than based on their actions and behavior. For Garza, the criminals that commit violent crimes are the victims so even if they committed rape or murder they cannot be at fault. It’s the system’s fault. For Garza, the DA’s office he presides over is the oppressor and so he is slowly dismantling it (not just reform it, but dismantling it, which is why he disbanded the division that processes cases, resulting in over seven thousand unindicted criminal felonies thus far). It’s so extreme it’s illogical. But that is what radical extremism does. In terms of financial backing, virtually all support for Jeremy comes from people that live in Travis County. Garza came into power with $1 million from out of state money. The people that put Garza in power do not need to live with the consequences of his actions. Jeremy’s supporters are locals whose families and loved ones live in Travis County. Our only agenda is to protect the community. For us teachers, entrepreneurs and parents it’s uncomfortable to get drawn into politically divisive issues. But the stakes are so high that everyone is stepping in. It’s very unusual for other elected politicians to stand up against an incumbent from their party. The amount of Democratic leaders that I’ve met and have told me how much they dislike Garza but can’t speak up is stunning. And even then, you have icons of the Democratic establishment speaking up: • David Butts and Alfred Stanley are among the most highly respected Austinites and life-long liberals helping Jeremy’s campaign. • Former Austin City Councilwoman Ora Houston, former Travis County Commissioner Karen Huber, as well as the Austin Bar Association Preference Poll, the South Asian Bar Association of Austin, and the Alabama-Coushatta Tribe of Texas have all endorsed Jeremy. • Even former State Senator Gonzalo Barrientos & Travis County Commissioner Margaret Gomez, fellow Hispanics, are so shocked by Jose Garza’s actions and so impressed with Jeremy’s integrity that they have endorsed Jeremy Sylestine. Extremism seems to be taking over our country. But the proper response to rigidity and dehumanization from one side is not denial of facts and “us vs them” dehumanization from the opposite extreme. Personally, I identify as independent because I find political parties hyperpartisan. I support moderate candidates on both sides. It’s high time for builders to transcend these labels and all join together. It doesn’t matter if you are Democrat or Independent or Republican. You are a human being. You are a citizen. When it comes to public safety, it’s not about politics.Your children should be able to walk downtown without fear for their safety. Your spouse should be able to go for a run in the park without fear of being assaulted or raped. It’s about enforcing the law to protect victims while showing compassion wherever justice guides us to. It’s about all of us being together to BUILD a better community for all. Everyone in Travis County should go out and vote for Jeremy - not just to keep our community safe - but to break the shackles of extremism from either side and show that the people in Austin are ONE and refuse to play divisive games from extremist ideological politicians from either side. Regardless of political affiliation, anyone in #TravisCounty / Greater #AustinTx can go into a voting location, request a #DemocraticPrimary Ballot, and vote for #JeremySylestine in the most consequential election to the community. Where and How to Vote: Vote for @Jeremy4DA during Early Voting today through March 1 or on Election Day March 5.

Daniel Lubetzky

7,795,097 Aufrufe • vor 2 Jahren

"Anyone who leaked a [UFO] report...could be prosecuted under the Espionage Act...life in prison, or death." "Maybe we can reverse engineer this so we will have this incredible edge over the rest of the world." 🔥 Dr. Phil Had Me at The Bolender Memo 🔥 (Dr. Phil continued to kill it yesterday and this was better than the last one! Link to full video (21:52) is in the replies.) "Our government has been lying to us for more than 80 years. Ask yourself why? Why do they not want you to know this is going on?" (He starts out by showing that Google searches for "UFO" have allegedly nearly tripled since last Friday night, along with searches for UAP being up 400%. And "Dr. Phil UFO" is one of the fastest rising searches in the country. If all of that is true, it's a very good thing. Especially since he's been putting out some really good videos. He mentions the latest release (#4) of UFO/UAP files from the Pentagon last Friday.) "My team and I were granted early access, exclusive access to those documents before they went public." "Our government has been lying to us, by omission AND by intentional misdirection, for 79 years." "Look at these documents. You go back as far as 1947 where they have had clear information that there are objects not of this Earth, both technologically, metallurgically, performance-wise. But yet, that has been hidden from us. They've denied that, they've actually threatened people from talking about this. Threatened with careers, imprisonment, and some, with death, because they would consider it treason." (He backs it up with documents. See below.) Dr. Phil: "For 80 years, every time there was a legitimate UAP sighting and the U.S. government had a chance to get in there, they essentially told us, 'Nothing to see here. Move along.' To be clear, a UAP sighting is not proof of little green men or alien life. It means something happened, something was observed, something occurred for which we have no explanation. That's it. "Now, let's talk about that for a second. Things happen, and we don't have any explanation for it. We don't have technology that explains that. There's something that is observed in the sky, going at a speed, stopping, making a sharp turn, reversing direction, accelerating, changing altitudes, and we don't have anything on this Earth that can do that. That's what's called unexplained. "Now, do we know where it's from? How it does that? Well, if we did, it would be explained. But we don't. We go look at all of our secret weapons. We go look at what we know through intelligence, other countries have. And let me tell you, a lot of these (laughs) - they're not close calls. They are not close calls. And some of the things that have been observed, we damn sure didn't have anything like that in the 40s or the 50s or the 60s, and we still don't, now in 2020s. "But at the very same time, our government was telling us, 'Nothing to see here: weather balloon, reflection off of an airplane, just a weather anomaly.' And, the government was simultaneously threatening its own people with criminal penalties if they ever disclosed UAP information. "If somebody that was credible, that had seen this, spoke about it, they were threatened with all kinds of penalties. We were gaslighted. 'No big deal here. Probably weather balloons, misidentified aircraft.' And a jumpy public that watched, 'Close Encounters' one too many times, thinking, 'Look, what's really going on here?' "Behind the curtain, the government was spending generations of time and resources protecting this information. Was it happening? Yes, it was happening! Do we have proof of it happening? Yes, we have proof of it happening. And what I mean by that is we have this on radar. We have credible, military pilots reporting it. "We have aircraft that have guns, and when you open a gun and go live on a fighter, there's a camera that activates, so you have video of what the gun is shooting at. You have gun cameras. If they see one of these things in front of them, they open their weapons, in case they need them, and so it shoots video of what they're seeing. "Now let's talk about some of the proof. JANAP 146 - Joint Army, Navy, Air Force publication 146 - made it a criminal offense for military personnel and commercial airline pilots to discuss UFO sightings outside official channels. The penalty, 'up to 10 years in prison and a $10,000 fine.' "So, you might see some guy down on a lake, drinking beer, that talks about something he saw over the lake. Yeah, they don't mind that guy talking. But credible people? Trained observers with instrumentation? No. They say something, they're going to prison. "Well, that took effect upon receipt. No hearings, no debate. The regulation says, 'All persons aware of the contents or existence...are governed by...espionage laws.' So not just the pilot who filed a report under JANAP 146, anyone who leaked a report. Radio operators, airline staff, anyone in the chain could be prosecuted under the Espionage Act. "You can see this yourself. Declassified copies are online today, including on the NSA's website. Now what is the Espionage Act? That's the same law used to prosecute spies. Section 793: Up to 10 years in federal prison for every violation. Section 794: If the information reaches a foreign power, life in prison, or death. "Imagine you're a TWA captain in 1955. You see something over the Pacific you just simply can't explain. You file your report like the regulation requires. And from that moment, talk to a newspaper, tell your own wife, puts you in the same legal category as a spy. "Ask yourself why. Why are they so interested in muzzling all this conversation? Why do they not want you to know this is going on? Why are you not entitled to know what's happening in the air around you? "Now, let's fast forward 20 years, 1971. Oliver Harry Turner was an Australian nuclear scientist and intelligence officer, head of the nuclear branch of Australia's Joint Intelligence Organization. He was asked to assess the American response to the growing UAP issue. "If you're thinking, what does an Australian know about U.S. military secrets? Well, the possibility of life beyond this planet is bigger than any one country. Australia and the rest of the world has a legitimate interest in what the U.S. knows. And Australia is one of our closest intelligence allies. What we now call Five Eyes. "The Five Eyes countries are the United States, Britain, Canada, Australia, and New Zealand. These countries have shared their most sensitive intelligence with each other since World War II. When a senior, Five Eyes nuclear intelligence officer writes a report about what the United States knows, well, that's serious. "He was outside the American classification system. He had no career to lose. He pieced this together from official CIA, Air Force, Congressional, and Project Blue Book records. Now this report was written May 27, 1971. Original classification: Secret. Title: Scientific and Intelligence Aspects of the UFO Problem. Report declassified by the National Archives of Australia in 2023. "On June 9th of 2026, whistleblower David Crusch (Yes, he said Crusch) stood on Capitol Hill and told the public to read pages seven through sixteen." ~ David Grusch: "There is a declassified 1971 Australian, formally-classified, Secret assessment that a couple years ago was put in the Australian National Archives. I encourage people to read page seven through sixteen, and that was the nuclear branch chief of the Australian government discussing the U.S. cover-up and the involvement of the CIA back in the 70s. And that's actually a little-known document that is publicly available." ~ Dr. Phil: "Now here's the kicker: foreign intelligence describing an American cover-up is now referenced in the files that our government is just now releasing. And here are six key findings in the Turner report. "Number one, what Turner called the facade of ridicule. Turner documents that early Air Force intelligence concluded, 'Some of these objects, 'had flight characteristics' that could best be explained as having 'extraterrestrial origin.' (The actual language says: "The early analysis of UFO reports by USAF intelligence indicated that real phenomena were being reported which had flight characteristics so far in advance of U.S. aircraft that only as extra-terrestrial origin could be envisaged." ) Dr. Phil: "Instead of telling the public, the CIA and Air Force adopted a deliberate debunking policy. "Now let that sit with you for a minute. Instead of telling the public, the CIA and Air Force adopted a deliberate debunking policy. We've got to get these people believing this isn't real. We've got to debunk this. "January 1953, Turner's own words: 'By erecting a facade of ridicule, the U.S. hoped to allay public alarm, reduce the possibility of the Soviet taking advantage of UFO mass sightings...and act as a cover-up so the U.S. can develop vehicles that emulate UFO performances.' "What's the point? Well, the point is, they were thinking, 'All right, let's keep this secret,' like we're the only ones seeing this, 'and maybe we can reverse engineer this so we will have this incredible edge over the rest of the world.' "That's a great goal, I guess, if you can go from flying-prop planes or early jets to this incredible speed. If these are extraterrestrial, and the nearest galaxy is Andromeda, which it takes two and a half million years to get to, flying at the speed of light, we're pretty far from being able to do that. "Today, in 2026, can we move at the speed of light? No. If we could, it would take two and a half million years to get to the next galaxy. We can't move at the speed of light, even now in 2026. But that was the goal. They'll find one of these and reverse engineer it." (I don't know whether or not any black program has tech that can move at the speed of light and I doubt Dr. Phil knows, either. Someone should show him what Lacatski said about being able to reverse engineer some of this acquired (alleged non-human) tech but "not to its full extent.") Dr. Phil: "Finding number two. He then talks about Project Sign. This was the U.S. Air Force's first official UFO investigation set up in late 1947. Its analysts reportedly concluded that extraterrestrial origin was the best explanation. Air Force Chief of Staff General Hoyt Vandenberg rejected that conclusion, and copies of the report were ordered destroyed. Destroyed! "And per Turner, in February 1949, members of Project Sign, 'either volunteered to leave or were compelled to leave,' and they were replaced by people, 'willing to ridicule the concept of UFOs.' "Think about this! We have sightings by legitimate observers with scientific instrumentation, and the people who are doing the observing are voluntarily leaving or compelled to leave, and replaced by people willing to ridicule the concept of UFOs. "Finding number three, what I spoke about earlier: JANAP 146. Up to 10 years in prison and a $10,000 fine for discussing sightings outside official channels. And per the regulation's own text, Chapter One, Section 102, it covered not just military personnel, but U.S. and Canadian civilian and commercial pilots. "That's legal force over airline pilots, arguably the most credible witnesses in the sky! What jurisdiction they had over Canadian pilots, I have no idea, but they listed 'em. "Turner documents a meeting between military intelligence and airline pilots at the Roosevelt Hotel in Hollywood. At that meeting, pilots were, 'coerced' to keep their sightings out of public view and inside official channels. Am I overstating it to say that there's been a cover-up, that we're being lied to? "Finding number four. But they missed the retirees. JANAP 146 only covered active service. Once you retired, you could talk. And three very senior men did so between 1953 and 1960. Admiral Roscoe Hillenkoetter, the first director of the CIA, Captain Edward Ruppelt, the man the Air Force put in charge of investigating UFOs, Major Dewey Fournet, the Pentagon's project officer on UFOs. Per Turner, all three publicly stated the U.S. government knew UFOs were extraterrestrial and was withholding the fact from the public! So when those three retired, they told the truth! "Finding five. The government then silenced retirees. Per Turner, the revised regulation JANAP 146e made UAP disclosure by retirees an offense under the Espionage Act. Then finding number six. 1969, 17 years, the Air Force ran a public-facing UFO investigation called Project Blue Book. If you wrote your congressman about a sighting, it went into the Blue Book. And in 1969, the Air Force shut down the Blue Book and told the country, 'We looked at more than 12,000 sightings. No problems. No national security threat. No need for the Blue Book.' "But a memo from General Carroll Bolender, the Air Force general, said the reason Blue Book showed no national security threats was because any national security threats were gag ordered under JANAP 146 and were quote, 'not part of the Blue Book system.' The serious reports never stopped; they just moved out of public view. "Now, I know that was a lot of information. You may need to listen back to that, but those are facts. Those are in the government's documents that have now been declassified! "If the government has known for decades that unidentified objects are flying through our skies, and therefore, we may not be alone in the Universe, then the greatest revelation in American history has also been the target of a huge cover-up. "One of the challenges of social media and TV news is taking something this complex and reducing it to sound bites. And you're getting bits and pieces from the media. That's why I invest so much time and energy giving you the real story. I don't want to tell you what you believe or don't believe, but I want to give you the information so you can make up your own mind. "This information is in the files, we just haven't had access to the files. And then when we get the files, we're given the files without any context. You see a radar screen and you see a blip, and then it moves. Well, what do you have to compare it to? Is it moving fast? Too fast? Unexplainably fast? Without any context, how are we supposed to interpret that? "Well, I'm digging in, I'm talking to experts, I'm finding out what the scale is. And what we're learning, is we don't have anything that'll move that fast. We don't have anything that'll turn that sharp. We don't have anything that will withstand those kind of G-forces."

Joe Murgia

51,113 Aufrufe • vor 1 Monat