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Thick daddy explodes raw, convulsing release & heavy afterglow… 🥵 💦 Full video live on desiPalette #OliveSardar #DesiBear #DesiPalette #daddy #AiGen
12,009 просмотров • 4 месяцев назад •via X (Twitter)
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The “clean” music video for Daddy Dick is on YouTube now 😏😈💦 Starring Daddy Leo, SebBearVA BlackBearXXX wants 2 COLLAB & Cub Larkin Sponsored by Cockeye Kink BEAR Magazine & Durty Bear Clothing Filmed, edited, and directed by CATALIN Watch it here👉
Bryce Quartz
78,712 просмотров • 2 лет назад
![#Mohbad is trending because today makes it One yesr since Ilerioluwa Oladimeji Aloba's death. A year later his family is still seeking Justice. [Full Story, Events by Time & Date] Sam Larry x Naira Marley x Wunmi x Primeboy. Yesterday, his parents asked Nigerians to not be extra with the remembrance, as it is not a celebration. But some core fans still hit the streets to demand Justice in their own way. And many are throwing in digital tributes to the young star. According to Lagos police, Mohbad died after having a fight with his childhood friend, Primeboy and declared him wanted. But according to him , he wasn't with Mohbad because he and his wife Wunmi were having a misunderstanding. Later rumors suggested he was hit with a deadly charm by Primeboy at an ikorodu show, also, he died of ear infection and later it was alleged that his doctor (nurse) killed him. So fans pushed for an autopsy to properly determine the cause of Imole's death. As the story developed, his former label boss Naira Marley was accused of bullying him after he refused to continue with him, which allegedly forced Mohbad into depression. Later, Sam Larry was fingered as the chief whip, who did the physical bullying that led Mohbad into depression. Then, video of SL bullying Mohbad during a music shoot with Zlatan went viral further nailing SL to the allegations. Yet, NM didn't react to Ileri's passing until fans pressured him, then he reacted about 24hrs later. With a "💔". Barely 48hrs into his death, Mohbad was burried at Ikorodu, squeezed into an undersized casket, which forced his neck to break. Davido donated 2Million to assist in the burial. On the burial, CuteAbiola, OGB and a few people who tried to go to for the funeral were ambushed by hungry ikorodu touts, which they live streamed, convicing other stars to avoid the event. Bella Smhurda was equally absent, which fans didn't take likely. Later, Gistlover alleged that Mohbad was betrayed by Zinoleesky, because Mohbad refused to move dru/gs for NM, left their cult, so they tried to cancel him in the industry. Allegedly. Again, this time Abu Abel was alleged as a member of the dru/g syndicate. As the death and bullying of Mohbad was a hot topic, a document dating back to 27th June, showed where Mohbad wrote a petition to the police complaining about threat of his life from SamLarry Elegushi, Elele, Obele and Others, where he stated that SL jumped him with 15boys carrying weapons, assaulted him and destroyed equipments of over 8million. Yet, SL wasn't invited, allegedly. On the 14th of September 2023, Sam Larry deleted his Instagram page due to the heavy backlash from fans. On September 13th, Elegushi Royal family were forced to release a statement that Sam Larry is in no way affiliated to their family. On 15th of September Ben Hundeyin of Lagos police said they will exhume the body to begin investigation and autopsy. On same 15th, The Air Lords (Alora) published a statement distancing themselves from SL and NM with their established role in Mohbad's death. Recall, it was alleged that Mohbad refused to join them in the cult but favored Eyé, instead. Later that day. SL made a video stating that he loves Mohbad and denied both the club and set harrassment videos. Oh 19th, Daddy Mohbad shared his own side and understanding of the saga. Claimed that his son had been living on the edge for a long time. Later more videos leaked by Gistlover showed where Mohbad was saying that they overdosed him with drugs and called NDLEA on him, and they still poisoned him. That if anything should happen to him, SL should be held. Out of nowhere, on the 17th Madam Kemi Olunloyo accused Bella Shmurda of klling Mohbad. Poco Lee, Ebuka, Rema all shared their condolences on 17th, 5 days later. Salo teased that he had secrets that will put SL & NM behind bars for a long time. Both were later arrested, granted bail in November. After Spending 44 & 50 days in detention, respectively. Cont 1/2](https://image.24vids.com/tw-1834249405458739688/amplify_video_thumb/1834249069847269376/img/Cy1HbEcAH16wdvhe.jpg)
![Some people still think AI does't look real - This video just ended the argument Made with Seedance 2.5 1080p on maxfusion Full prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. [23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. [27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.](https://image.24vids.com/tw-2089299068514148655/amplify_video_thumb/2089298453318832128/img/4Lhii1hbWHygYAJ3.jpg)
![Seedance V2.5 I love drama more than action clips because you can tell more stories and explore people emotion. I will update the Skill and add Seedance V2.5 when I feel I got hold of all the tricks. Japanese live action TV drama style, photoreal. A young couple in their mid 20s explodes into a vicious fight in their cramped Tokyo apartment at night. Acting-first: raw emotion, believable blocking, micro expressions. Simple locked camera. [CHARACTERS] YUI (female lead): 25-year-old East Asian woman, tired modern-city face; warm natural skin tone with real pores, faint dark circles; reddened teary eyes, furrowed brows, nostrils flaring with fast breathing, bitten lower lip, jaw tight; eyes full of resentment, fury and despair, locked on him; dark-brown mid-length hair in a messy claw clip, loose sweaty strands stuck to her cheeks and neck; oversized worn beige knit cardigan over a faded white cotton tee, real home wrinkles and slight pilling; thin frame, shoulders trembling with anger and crying, the aura of someone finally exploding after long suppression. KENTA (male lead): 27-year-old East Asian man, unkempt gamer face; pale indoor skin tone with real pores and light stubble on the jaw; narrow unfocused eyes, puffy lids, black blue-light glasses, mouth slightly open, expressionless; eyes cold, dismissive, looking at her like a stranger, impatient and completely unable to empathize; greasy messy black hair, fringe falling over his eyes; baggy pilled dark-grey hoodie with a loose stretched collar and a faint stain; slouched, sunk deep into the sofa, the aura of selfish obliviousness. [SETTING] Night, cramped Tokyo one-room apartment, cluttered: unwashed dishes and empty cans on the low table, delivery boxes and laundry piled in the background. Dim light: one warm floor lamp near the sofa vs cold blue TV glow. [TIMELINE dialogue must be spoken in pure Japanese, no English audio] 0s-5s: Medium locked shot. Yui enters carrying heavy plastic shopping bags, stops dead seeing Kenta sprawled gaming; her chest heaves. Kenta's eyes glued to the screen, fingers mashing the controller. YUI (exploding, sharp screaming voice): 「ちょっとケンタ！またゲーム？！なんでいつも私ばかり？！」 KENTA (without looking, utterly dismissive): 「んー、今いいとこ。静かにして。」 6s-15s: Close shot, slight handheld drift. Yui steps in front of the sofa, blocking the TV with her body; both hands clutch the plastic bags, knuckles white; tears burst out. Kenta annoyed, tilts his head to see around her, shrinks deeper into the sofa, eyes still trying to reach the screen. YUI (screaming through sobs, whole body shaking): 「ご飯も買い物も掃除も全部私！あんたはゲームばっかり！ちょっとは手伝おうと思わないわけ？！ねえ？！なんで私ばっかり？！」 KENTA (interrupted mid-game, impatient shrug): 「だってさ、お前が楽しそうにやってたじゃん。やる気出なかったし。」 16s-25s: Close-up. Yui's face shifts from fury to disbelieving heartbreak; her grip gives out, the bags drop to the floor with a dull thud; she covers her mouth, tears flood, shoulders convulse. Kenta stays slouched, only a slight frown. YUI (fully broken, hoarse, sobbing uncontrollably): 「楽しくなんかない！毎日毎日、もうつらいよ！なんでわかってくんないの！」 KENTA (cold, staring at her like she's a nuisance): 「…は？泣いてんの？めんどくさ。」 26s-30s: Wide locked shot. Yui turns and walks to the kitchen, thin trembling back. Kenta finally pauses the game but does NOT get up; he scratches his greasy hair, yawns. The physical and emotional distance between them maxed out; hold. [GLOBAL] No subtitles, no BGM, only live location sound: ragged breathing, cracking sobs, cloth rustle, bag thud, controller clicks. Film-grade realistic lighting, warm vs cold contrast. Real natural micro-expressions, no exaggerated oily AI acting, no face morphing, no extra fingers, no random on-screen text.](https://image.24vids.com/tw-2084795673141272770/amplify_video_thumb/2084795361328050176/img/G9rhoWWgexrikvdf.jpg)
 in every shot. Preserve her exact face, natural facial geometry, dark eyes, skin tone, expression, extremely long straight wavy blonde hair, thick blunt bangs, and royal-blue backward baseball cap with small decorative details but no readable text. She is 178 cm tall, XS size, very slim elongated runway-model proportions. Her outfit never changes: oversized white-to-light-grey graphic cotton T-shirt with a deep plunging neckline that that accentuates her large cleavage., faint doodle motifs but no readable lettering, dusty rose-pink wide cargo trousers with dimensional pockets and heavy folds, black belt with silver hardware, colorful keychain charms, layered bead necklaces, and red low-top sneakers with white soles. ARCHERY GEAR: She carries a long dark laminated-wood recurve bow with a leather-wrapped grip, visible taut string, realistic curved limbs and subtle wear. A dark-brown leather quiver crosses diagonally over her back, holding six to eight arrows with natural wood shafts and cream-white feather fletching. She wears matching brown leather archery gloves with stitched palms, reinforced knuckles and wrist straps, plus a fitted leather forearm bracer on the bow arm and a slim finger tab or draw glove. The archery equipment is integrated into her street-fashion styling, not a historical costume. LOCATION: A dense urban shopping district and pedestrian plaza at blue hour, wet asphalt reflecting storefront light, concrete towers, glass façades, crosswalk signals, street lamps, overhead transit lines, narrow side streets, urban haze, and a large original unbranded mascot plush statue installed in the center of the plaza. The mascot is enormous, approximately three stories tall, with a soft cream-and-pastel plush body, oversized rounded head, expressive embroidered eyes, visible seams, padded limbs and tactile fabric. No copyrighted character, logo or readable text. STORY — 12 SHOTS, ONE CONTINUOUS EVENT: 1. 0–1.5s, LOW WIDE. Camera whips right past two foreground pedestrians and a street barrier. She bursts through the wet plaza at a low run, bow held low, red sneakers splashing lightly, dusty rose cargo fabric and extremely long hair streaming behind her. 2. 1.5–3s, EXTREME CLOSE, LOCKED. A commuter’s eyes appear above a scarf behind a transparent umbrella. The eyes snap toward the plaza as nearby city lights reflect across the wet plastic. 3. 3–4.5s, CLOSE, FAST PUSH-IN. Two pedestrians and their leashed pets in the distance suddenly turn toward the giant mascot statue. A small dog raises its ears while a cat inside a carrier shifts and looks outward. 4. 4.5–6s, TRACKING MEDIUM. Camera runs beside her through the moving crowd at shoulder height. People step aside, coats and shopping bags sway, her long black hair, oversized T-shirt and cargo trousers carry real momentum as she reaches toward the quiver. 5. 6–7.5s, LOW ANGLE CLOSE. Her red sneaker plants on the wet pavement. She straightens hard and raises the dark recurve bow into frame. The giant mascot statue is visible far behind her between buildings. 6. 7.5–9s, MEDIUM FROM HER LEFT. Camera orbits behind her as she draws an arrow from the quiver, nocks it and pulls the string to full draw. The bow limbs flex visibly; pedestrians freeze at a safe distance, watching. 7. 9–10.5s, MACRO, LOCKED, razor-shallow focus. Her leather-gloved fingers grip the string, stitched glove texture, finger tab and arrow shaft sharply resolved. Her eye, blue cap and city lights remain soft behind. The string creeps back the last centimetre. The crowd noise drops for one hard beat. 8. 10.5–12s, WIDE FROM BEHIND AND ABOVE THE ARROW, LOCKED. She releases. The string snaps and blurs. The arrow tears forward between streetlights and glass buildings toward the giant mascot statue. 9. 12–14s, MEDIUM CLOSE TRACKING THE ARROW. The arrow breaks apart in mid-air: its front half dissolves into millions of bright rose-pink glitter particles streaming behind it, each particle catching the city light separately while the feathered tail remains intact. The arrow has no point. 10. 14–16s, WIDE LOW ANGLE. The glitter stream strikes the plush mascot’s chest and races through its seams as a bright rose-pink wave. Plush fibers ripple outward from the impact point. Pink reflections pulse across the wet pavement and nearby windows. 11. 16–18s, WIDE LOW ANGLE, FAST PULLBACK. The enormous mascot plush statue activates and rises into a fully living presence. Its padded head lifts, embroidered eyes illuminate softly, oversized arms move, seams flex, and rose-pink glowing fabric appliqués spread across its plush surface from the impact point. It remains clearly soft, textile-based and physically heavy, not a CGI monster. 12. 18–20s, FINALE, WIDE FROM BEHIND. Camera rises behind her as she lowers the bow and lets her weight settle naturally onto one hip. She looks up at the awakened mascot with a small confident smile. Pedestrians gather and react, some stepping backward, others pointing or raising phones. Dogs tug lightly at their leashes, a small pet in a carrier shifts, and the giant mascot waves slowly above the plaza. Glitter continues to fall through the city light. Vary the framing aggressively: extreme close-up, macro, close, medium, tracking, low wide and overhead. Never repeat the same shot type twice consecutively. Shots 2, 7 and 8 are locked; all others use clear camera movement. Every action must be instantly readable. LOOK: Photorealistic live-action large-format colour film with a refined three-strip Technicolor response. Concrete, glass, asphalt and distant architecture remain cool blue-grey and slightly desaturated. Saturated colours are the royal-blue cap, dusty rose cargo trousers, red sneakers, colorful keychain charms, rose-pink glitter, and the cream-and-pastel mascot plush. Fine photochemical grain, subtle halation on streetlights and glitter, realistic wet reflections, tactile cotton, nylon, leather, metal and plush fibers. Photographed reality, never drawn. LIGHTING: Blue-hour city light mixed with warm street lamps and storefront spill at approximately 4200K. Cooler sky fill at 4:1. Streetlights rim her long black hair, cap, bow and quiver. Thin urban mist and steam rise from vents and wet pavement. The glitter emits separate rose-pink specular points and casts soft pink reflections onto the mascot, asphalt, glass and her face. CAUSE AND EFFECT: Pedestrians and pets notice the strange event before the transformation, so their final reactions read as consequences. The glitter must visibly travel in sequence: arrow releases, arrow breaks apart, particles stream through the city, glitter strikes the mascot chest, light travels through the seams, the plush statue activates, then the crowd and pets react. Never cut directly to an already-animated mascot. PHYSICS: Real mass, real air and believable momentum. Bow limbs flex, string snaps, arrow flight has directional force, glitter behaves as millions of separate solid particles carried by fast air, and plush fabric compresses, ripples and rebounds with weight. Cargo fabric, T-shirt, hair, quiver strap and keychains respond to acceleration. Wet pavement reflects movement without becoming a mirror. The giant mascot moves slowly because of its padded mass. No slow motion; all shots run at real-time speed. AUDIO: Wet footsteps, light splashes, distant traffic, pedestrian chatter, shopping bags and coats moving, dog tags and leash tension, a faint pet sound, bowstring creak, sharp release snap, arrow hiss, crystalline glitter shimmer, plush fabric shifting, soft mechanical-like seam tension, crowd gasps and footsteps. No music. ON-SCREEN TEXT: None. No readable text, subtitles, numbers, captions, UI, logos, brand marks or watermark anywhere. OUTPUT: 20 seconds, horizontal 16:9, 4K, continuous cinematic live-action realism. #DomoAi #DomoAiCPP](https://image.24vids.com/tw-2089578815219785888/amplify_video_thumb/2089577363642400768/img/kSbDTT0Pmlsmv2qC.jpg)
