Sensitive content

This media may contain sensitive content.

Загрузка видео...

Не удалось загрузить видео

На главную

Thick ebony SSBBW spreading her massive fat ass wide in white tee! Huge jiggling cheeks pulled apart revealing tight asshole and wet pussy while she twerks. Goon to this view and edge hard! #gooner #SSBBW #EbonyAss #FatAss #goonfuel

BIGSSBBWASS's profile picture

BIGSSBBWASS

8,898 subscribers

10,947 просмотров • 3 месяцев назад •via X (Twitter)

NSFW#gooner#SSBBW#EbonyAss#FatAss#goonfuel
LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

Dis Thick Ass Indian White Girl Throwing Dat Ass As She Tells Me To “ Stroke Dat Dick And Get Dat Nut “ 🍑🍆🥜 Had Me Hard As Hell When She Lifted Up Her Tits And Wanted Me To Cum On Her Tongue And In Her Mouth 🍒👅🫦 Told Her Imma Pound Dat Wet Pussy And Make Her Moan 💦🐱😩
1:30

Dis Thick Ass Indian White Girl Throwing Dat Ass As She Tells Me To “ Stroke Dat Dick And Get Dat Nut “ 🍑🍆🥜 Had Me Hard As Hell When She Lifted Up Her Tits And Wanted Me To Cum On Her Tongue And In Her Mouth 🍒👅🫦 Told Her Imma Pound Dat Wet Pussy And Make Her Moan 💦🐱😩

Munch

32,185 просмотров • 1 месяц назад

Got Her Ass Hypnotized By Da BBC Mouth Drooling And Tongue Out 🍆🫦👅 I Just Know She Wanna Moan While She’s Tries To Suck The Nut Out Of Me And Tit Fuck Me Good 😩🥜🍒 Imma Come Down To Her And Clap Dat Fat Ass And Cum In Dat Wet Pussy From Behind 🍑💦🐱
2:08

Got Her Ass Hypnotized By Da BBC Mouth Drooling And Tongue Out 🍆🫦👅 I Just Know She Wanna Moan While She’s Tries To Suck The Nut Out Of Me And Tit Fuck Me Good 😩🥜🍒 Imma Come Down To Her And Clap Dat Fat Ass And Cum In Dat Wet Pussy From Behind 🍑💦🐱

Munch

32,469 просмотров • 1 месяц назад

Kriti Sanon’s 100 seconds bikini scene in Cocktail 2 is actual theatre destruction 🥵 That tight panty clinging to her juicy round ass, wet glowing skin, smooth back and thick thighs on the big screen had me fapping nonstop. Cummed hard multiple times. Peak goon material 🤤😩
1:43

Sensitive content

Kriti Sanon’s 100 seconds bikini scene in Cocktail 2 is actual theatre destruction 🥵 That tight panty clinging to her juicy round ass, wet glowing skin, smooth back and thick thighs on the big screen had me fapping nonstop. Cummed hard multiple times. Peak goon material 🤤😩

Pervert Fapper

73,957 просмотров • 3 месяцев назад

Alison Hammond showed off her eleven stone weight loss in a leopard print dress on This Morning as Dermot OLeary said she looks like a Bond girl. The fifty one year old lost the weight over five years after discovering she was pre diabetic at her heaviest of twenty eight stone. She reversed the condition through healthier food choices workouts with a personal trainer and Reformer Pilates sessions. Hammond does early morning circuit classes and walks when working while avoiding weight loss jabs. She appeared in the dress with black flats gold bangles and tight curls during the show with co host Dermot OLeary aged fifty three. Dermot gushed that he felt underdressed next to her and compared her appearance to that of a Bond girl. She still denies that she used "fat jabs" and it was all her hard work.
0:33

Alison Hammond showed off her eleven stone weight loss in a leopard print dress on This Morning as Dermot OLeary said she looks like a Bond girl. The fifty one year old lost the weight over five years after discovering she was pre diabetic at her heaviest of twenty eight stone. She reversed the condition through healthier food choices workouts with a personal trainer and Reformer Pilates sessions. Hammond does early morning circuit classes and walks when working while avoiding weight loss jabs. She appeared in the dress with black flats gold bangles and tight curls during the show with co host Dermot OLeary aged fifty three. Dermot gushed that he felt underdressed next to her and compared her appearance to that of a Bond girl. She still denies that she used "fat jabs" and it was all her hard work.

G R I F T Y

163,291 просмотров • 3 месяцев назад

‼️Candace Owens Says Erika Kirk Is CONFIRMED To Be a PSYCHOPATH After Revealing What Tucker Told Her in Maine In tonight’s explosive episode, Candace Owens dropped a major revelation about Erika Kirk after a memory resurfaced from her own trip to Maine last summer. She explained that while doing Tucker Carlson’s show, Tucker mentioned he had just had dinner with Charlie and Erika. According to Candace, Tucker told her that Erika was strongly anti-Israel during that dinner and was going in hard on the topic — even more so than Charlie at the time. This stands in direct contrast to Erika’s pro-Israel speech just days earlier at James Cuddeback’s church, where she gave what Candace called a “call to arms” for Israel while Charlie was under massive pressure from pro-Israel donors pulling out over the Epstein discussions at SASS. Candace called Erika a psychopath, accusing her of completely changing her personality depending on who she’s in front of. She said this proves Erika was not a genuine grieving widow, but someone who was already playing different roles while Charlie was still alive. This timeline just keeps getting darker. FOLLOW Candace Owens, RT and watch her FULL episode linked below.👇 ⚠️My channel is under attack to try to bankrupt me. If you want to support me and help me keep exposing these clowns... Donate here:🔗
20:02

‼️Candace Owens Says Erika Kirk Is CONFIRMED To Be a PSYCHOPATH After Revealing What Tucker Told Her in Maine In tonight’s explosive episode, Candace Owens dropped a major revelation about Erika Kirk after a memory resurfaced from her own trip to Maine last summer. She explained that while doing Tucker Carlson’s show, Tucker mentioned he had just had dinner with Charlie and Erika. According to Candace, Tucker told her that Erika was strongly anti-Israel during that dinner and was going in hard on the topic — even more so than Charlie at the time. This stands in direct contrast to Erika’s pro-Israel speech just days earlier at James Cuddeback’s church, where she gave what Candace called a “call to arms” for Israel while Charlie was under massive pressure from pro-Israel donors pulling out over the Epstein discussions at SASS. Candace called Erika a psychopath, accusing her of completely changing her personality depending on who she’s in front of. She said this proves Erika was not a genuine grieving widow, but someone who was already playing different roles while Charlie was still alive. This timeline just keeps getting darker. FOLLOW Candace Owens, RT and watch her FULL episode linked below.👇 ⚠️My channel is under attack to try to bankrupt me. If you want to support me and help me keep exposing these clowns... Donate here:🔗

Project Constitution

39,271 просмотров • 3 месяцев назад

Former 911 dispatcher takes out her husband who is in law enforcement. ​ Anne M. Valgora called emergency services in Papillion, Nebraska, putting on a frantic performance. She claimed she had just woken up from taking heavy sleep medication to find her husband—55-year-old U.S. Army veteran and emergency dispatcher and reserve police officer Steven Olson—dead in their bedroom from a gunshot wound. ​She immediately tried to direct responding officers toward a home invasion narrative. She even pointed out to detectives that the back door was wide open and the home security alarm was turned off, claiming an intruder must have breached the house while she slept. ​But her performance fell apart under police scrutiny due to these major breakthroughs that broke the case wide open: ​ Steven was were he sleeps on a blanket on the floor under the sheets with a pillow placed over his head, dead from a gunshot wound. But there was no weapon anywhere near the body. Valgora claimed she had no idea where it was. ​ The biggest breakthrough came when detectives secured a search warrant for the home. During their search, they found the murder weapon hidden away in the most unlikely place—inside the household clothes dryer. Valgora’s intruder theory was completely obliterated when detectives pulled Ring doorbell footage from a neighbor’s house. The camera had a clear view of the property and proved with absolute certainty that nobody had entered or exited the home during the entire window of the murder. Why did she do it? Financial control. Steven had recently cut off her monthly allowance, infuriating her. Investigators discovered she had orchestrated the execution-style murder to cash in on a massive life insurance policy. Her greed left her empty-handed. No claim was ever successfully filed, and she never received a single dime.The insurance money was eventually redirected away from her to Steven’s rightful beneficiaries. ​Anne Valgora traded her husband’s life and her own freedom for a payout she never touched. She was convicted of first degree assault and tampering with evidence. She was sentenced to 40 to 50 years in prison.
10:24

Sensitive content

Former 911 dispatcher takes out her husband who is in law enforcement. ​ Anne M. Valgora called emergency services in Papillion, Nebraska, putting on a frantic performance. She claimed she had just woken up from taking heavy sleep medication to find her husband—55-year-old U.S. Army veteran and emergency dispatcher and reserve police officer Steven Olson—dead in their bedroom from a gunshot wound. ​She immediately tried to direct responding officers toward a home invasion narrative. She even pointed out to detectives that the back door was wide open and the home security alarm was turned off, claiming an intruder must have breached the house while she slept. ​But her performance fell apart under police scrutiny due to these major breakthroughs that broke the case wide open: ​ Steven was were he sleeps on a blanket on the floor under the sheets with a pillow placed over his head, dead from a gunshot wound. But there was no weapon anywhere near the body. Valgora claimed she had no idea where it was. ​ The biggest breakthrough came when detectives secured a search warrant for the home. During their search, they found the murder weapon hidden away in the most unlikely place—inside the household clothes dryer. Valgora’s intruder theory was completely obliterated when detectives pulled Ring doorbell footage from a neighbor’s house. The camera had a clear view of the property and proved with absolute certainty that nobody had entered or exited the home during the entire window of the murder. Why did she do it? Financial control. Steven had recently cut off her monthly allowance, infuriating her. Investigators discovered she had orchestrated the execution-style murder to cash in on a massive life insurance policy. Her greed left her empty-handed. No claim was ever successfully filed, and she never received a single dime.The insurance money was eventually redirected away from her to Steven’s rightful beneficiaries. ​Anne Valgora traded her husband’s life and her own freedom for a payout she never touched. She was convicted of first degree assault and tampering with evidence. She was sentenced to 40 to 50 years in prison.

Giggling Ganon

143,651 просмотров • 4 месяцев назад

Made with GPT image 2.5 + seedance 2.5 Prompt: 16:9 widescreen, 30 seconds, Dola Continuous Engine. STYLE LOCK: Inspired by classic late-1960s Irwin Allen television production "Land of the Giants". Authentic 1968 television aesthetic. Practical miniature sets. Optical compositing. Slight matte-line separation between actress and background. Rear-projection feel. Eastmancolor television colors: warm skin, saturated red and yellow, slightly cyan shadows. Soft image sharpness. Mild film grain. Analog broadcast texture. Vintage studio lighting: one hard key from upper left, warm fill from the right, no rim light. Camera: static wide shots and slow television zoom lens only. No handheld. No modern lens flare. CHARACTER LOCK: @[Image 1](image_1) is the only person. She remains identical in every frame: 1960s Korean mini dress with [sleeve and neckline classic 1960s makeup with winged liner and pale pink lips, white heels. Dress, hair, makeup and shoes never change . SETTING LOCK: an enormous 1960s dining table seen from her scale; she is the size of a salt shaker. White tablecloth hanging from the edge to the floor in long vertical folds. On the tabletop from left to right: a tall glass of milk with condensation beads, a giant slice of chocolate layer cake with thick frosting and a single lit birthday candle, a large silver spoon and fork crossed beside it, a bowl of vanilla ice cream with one huge cherry on top, a folded white napkin. Warm wooden tabletop. Pale yellow wall in the background. Props are practical scale with slightly soft edges. 0–4 seconds: Static wide from floor level. The tiny woman climbs the hanging tablecloth, gripping the folds with both hands, one heel finding a fold below her. The cloth sways slightly under her weight. She looks up toward the table edge. 4–7 seconds: Slow zoom in as she pulls herself over the edge, kneels, then stands upright on the tabletop. Her eyes widen and her mouth opens, gaze drawn toward the flickering candle flame on the cake. Her hands stay half raised. 7–11 seconds: Static wide from behind her at her eye level. The dessert spread stretches across the table like a city skyline: the cake slice looms like a frosted mountain, the candle flame taller than she is, the milk glass glowing like a white tower, the spoon lying across the foreground like a bridge. 11–15 seconds: She walks toward the cake, heels tapping the tabletop. Thick ridges of frosting drip down its side. The lit candle flickers above, casting warm moving light across her face. She touches the frosting edge with one hand and looks up along the flame. 15–19 seconds: She climbs onto the cake's bottom layer, sits, scoops a bit of frosting with both hands, smiles, tastes it, licks her fingers, and looks left and right. Medium shot, slow zoom in to her face, candlelight flickering warmly on her skin. 19–23 seconds: She stands and walks farther across the tabletop, stepping around the giant cherry from the ice cream bowl, passing between the spoon and the napkin. Static wide, then a slow pan following her. 23–26 seconds: She stops beside the milk glass, looks up along the tall glass, and laughs with one hand resting on it. Condensation beads glisten and catch the light on her face. 26–28 seconds: A massive shadow sweeps across the tabletop from the right and covers the milk glass and the cake. Her laugh stops. She lowers her hand and turns to face the right side of frame. 28–30 seconds: HOLD. Camera fully static medium-wide shot. She stands facing screen right, feet together, right hand half raised at chest height, left hand at her side. The milk glass directly at her left, the cake slice behind her, the shadow across the whole tabletop. Her face is turned to the right, not yet tilted upward. Nothing moves for two full seconds. Audio Cheerful 1960s adventure television music, playful brass and strings. At 26 seconds the music thins to one held string note that continues to the end, with a faint fading birthday-music-box
0:30

Made with GPT image 2.5 + seedance 2.5 Prompt: 16:9 widescreen, 30 seconds, Dola Continuous Engine. STYLE LOCK: Inspired by classic late-1960s Irwin Allen television production "Land of the Giants". Authentic 1968 television aesthetic. Practical miniature sets. Optical compositing. Slight matte-line separation between actress and background. Rear-projection feel. Eastmancolor television colors: warm skin, saturated red and yellow, slightly cyan shadows. Soft image sharpness. Mild film grain. Analog broadcast texture. Vintage studio lighting: one hard key from upper left, warm fill from the right, no rim light. Camera: static wide shots and slow television zoom lens only. No handheld. No modern lens flare. CHARACTER LOCK: @[Image 1](image_1) is the only person. She remains identical in every frame: 1960s Korean mini dress with [sleeve and neckline classic 1960s makeup with winged liner and pale pink lips, white heels. Dress, hair, makeup and shoes never change . SETTING LOCK: an enormous 1960s dining table seen from her scale; she is the size of a salt shaker. White tablecloth hanging from the edge to the floor in long vertical folds. On the tabletop from left to right: a tall glass of milk with condensation beads, a giant slice of chocolate layer cake with thick frosting and a single lit birthday candle, a large silver spoon and fork crossed beside it, a bowl of vanilla ice cream with one huge cherry on top, a folded white napkin. Warm wooden tabletop. Pale yellow wall in the background. Props are practical scale with slightly soft edges. 0–4 seconds: Static wide from floor level. The tiny woman climbs the hanging tablecloth, gripping the folds with both hands, one heel finding a fold below her. The cloth sways slightly under her weight. She looks up toward the table edge. 4–7 seconds: Slow zoom in as she pulls herself over the edge, kneels, then stands upright on the tabletop. Her eyes widen and her mouth opens, gaze drawn toward the flickering candle flame on the cake. Her hands stay half raised. 7–11 seconds: Static wide from behind her at her eye level. The dessert spread stretches across the table like a city skyline: the cake slice looms like a frosted mountain, the candle flame taller than she is, the milk glass glowing like a white tower, the spoon lying across the foreground like a bridge. 11–15 seconds: She walks toward the cake, heels tapping the tabletop. Thick ridges of frosting drip down its side. The lit candle flickers above, casting warm moving light across her face. She touches the frosting edge with one hand and looks up along the flame. 15–19 seconds: She climbs onto the cake's bottom layer, sits, scoops a bit of frosting with both hands, smiles, tastes it, licks her fingers, and looks left and right. Medium shot, slow zoom in to her face, candlelight flickering warmly on her skin. 19–23 seconds: She stands and walks farther across the tabletop, stepping around the giant cherry from the ice cream bowl, passing between the spoon and the napkin. Static wide, then a slow pan following her. 23–26 seconds: She stops beside the milk glass, looks up along the tall glass, and laughs with one hand resting on it. Condensation beads glisten and catch the light on her face. 26–28 seconds: A massive shadow sweeps across the tabletop from the right and covers the milk glass and the cake. Her laugh stops. She lowers her hand and turns to face the right side of frame. 28–30 seconds: HOLD. Camera fully static medium-wide shot. She stands facing screen right, feet together, right hand half raised at chest height, left hand at her side. The milk glass directly at her left, the cake slice behind her, the shadow across the whole tabletop. Her face is turned to the right, not yet tilted upward. Nothing moves for two full seconds. Audio Cheerful 1960s adventure television music, playful brass and strings. At 26 seconds the music thins to one held string note that continues to the end, with a faint fading birthday-music-box

Oogie

54,108 просмотров • 16 дней назад

Seedance 2.5 is good at looking upstaged🤯 generated on arcads full prompt: Single unbroken handheld take throughout, 30 seconds total. Young Caucasian woman, long wavy platinum-blonde hair, blue eyes, wearing an oversized red and white vintage football jersey, black denim shorts, white crew socks, and white sneakers, sitting pensively on a sofa inside a large bright suburban Parisian house, summer daytime, sunlight through the windows, young adults dancing and laughing around her holding drinks, loud music implied by energetic crowd movement. 0-4s: She rises from the sofa empty-handed, walks toward a kitchen table lined with alcohol bottles and glasses. Handheld camera follows close behind her shoulder, slightly shaky. 4-8s: She pours herself a glass of champagne, sips it. Camera holds behind her, shaky, close distance. 8-13s: She weaves through the dancing, laughing crowd, some standing, some in groups laughing on sofas, toward a large glass bay window. Camera continues following close behind her, no cut. 13-16s: She steps outside into the garden, a big pool comes into view with young adults swimming and laughing inside it. Camera smoothly rotates from following behind her to facing her. She looks toward the pool with amusement, smiles, sets her champagne glass down on a small table beside a lounge chair. 16-20s: She removes her oversized football jersey, places it on the back of the lounge chair, then removes her black denim shorts, places them on the lounge chair, revealing a simple black swimsuit underneath. Camera holds a medium shot facing her, slight handheld sway. 20-24s: She walks toward the pool, camera repositions behind her as she walks, then she breaks into a run. Handheld camera follows close, shaky, matching her pace. 24-27s: She dives into the pool shouting “take care”, landing in the water among other laughing young adults. Camera dives in with her, briefly submerged underwater alongside the swimmers. 27-30s: She resurfaces laughing, joins the laughing adults nearby. Camera is up in the air, revealing a wide aerial view of the house, garden and pool. Bright natural summer daylight, warm sunlit color palette, candid documentary energy, slight handheld lens wobble throughout. Maintain her exact long wavy platinum-blonde hairstyle, blue eyes, oversized red and white vintage football jersey, black denim shorts, white crew socks, and white sneakers until she undresses, then maintain the same simple black swimsuit for the remainder. Background party guests and swimmers generic, unnamed. No text overlays, no flickering, no ghosting, no morphing artifacts, natural skin tones, stable continuous handheld motion, no hard cuts at any point.
0:30

Seedance 2.5 is good at looking upstaged🤯 generated on arcads full prompt: Single unbroken handheld take throughout, 30 seconds total. Young Caucasian woman, long wavy platinum-blonde hair, blue eyes, wearing an oversized red and white vintage football jersey, black denim shorts, white crew socks, and white sneakers, sitting pensively on a sofa inside a large bright suburban Parisian house, summer daytime, sunlight through the windows, young adults dancing and laughing around her holding drinks, loud music implied by energetic crowd movement. 0-4s: She rises from the sofa empty-handed, walks toward a kitchen table lined with alcohol bottles and glasses. Handheld camera follows close behind her shoulder, slightly shaky. 4-8s: She pours herself a glass of champagne, sips it. Camera holds behind her, shaky, close distance. 8-13s: She weaves through the dancing, laughing crowd, some standing, some in groups laughing on sofas, toward a large glass bay window. Camera continues following close behind her, no cut. 13-16s: She steps outside into the garden, a big pool comes into view with young adults swimming and laughing inside it. Camera smoothly rotates from following behind her to facing her. She looks toward the pool with amusement, smiles, sets her champagne glass down on a small table beside a lounge chair. 16-20s: She removes her oversized football jersey, places it on the back of the lounge chair, then removes her black denim shorts, places them on the lounge chair, revealing a simple black swimsuit underneath. Camera holds a medium shot facing her, slight handheld sway. 20-24s: She walks toward the pool, camera repositions behind her as she walks, then she breaks into a run. Handheld camera follows close, shaky, matching her pace. 24-27s: She dives into the pool shouting “take care”, landing in the water among other laughing young adults. Camera dives in with her, briefly submerged underwater alongside the swimmers. 27-30s: She resurfaces laughing, joins the laughing adults nearby. Camera is up in the air, revealing a wide aerial view of the house, garden and pool. Bright natural summer daylight, warm sunlit color palette, candid documentary energy, slight handheld lens wobble throughout. Maintain her exact long wavy platinum-blonde hairstyle, blue eyes, oversized red and white vintage football jersey, black denim shorts, white crew socks, and white sneakers until she undresses, then maintain the same simple black swimsuit for the remainder. Background party guests and swimmers generic, unnamed. No text overlays, no flickering, no ghosting, no morphing artifacts, natural skin tones, stable continuous handheld motion, no hard cuts at any point.

Romain Torres

28,982 просмотров • 1 месяц назад

This one just never gets old. She may come out of the projects but is hot as hell. The moment you lay your eyes on her with those topmodel facial features, gorgeous dark eyes, tight jet-black ponytail and insanely hot white fur jacket, you immediately become hard as fuck. And obviously this street-smart, cool hottie knows how to smoke. Just look how she does a sharp snap inhale, holds the smoke for ten seconds while talking, and then quickly blasts a plume of smoke skywards. Yeah, her lungs have had some serious training. She continues to treat us to a series of massive snap inhales, followed by her tensing those lovely lips to blast out huge, directional exhales. And she's so animated when she talks, but instantly relaxes every time that ciggie goes between her lips. Yeah, this is not for show; this sultry addict really needs her ciggies to calm down her hot body. If anyone has the full video, I'd love to see it. And full disclosure; a few months ago I met up with a girl just like her. And after getting blindingly drunk and smoking a pack each, we absolutely fucked each others brains out. So yeah, these kind of girls really do exist in real life. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #deepinhale #snapinhale #exhale #massiveexhale #tightponytail #modelfeatures #darkeyes #fur #furjacket #furfetish #smokinginfur #cutegirl #coolgirl #hotgirl #sultrygirl #sexygirl
1:11

This one just never gets old. She may come out of the projects but is hot as hell. The moment you lay your eyes on her with those topmodel facial features, gorgeous dark eyes, tight jet-black ponytail and insanely hot white fur jacket, you immediately become hard as fuck. And obviously this street-smart, cool hottie knows how to smoke. Just look how she does a sharp snap inhale, holds the smoke for ten seconds while talking, and then quickly blasts a plume of smoke skywards. Yeah, her lungs have had some serious training. She continues to treat us to a series of massive snap inhales, followed by her tensing those lovely lips to blast out huge, directional exhales. And she's so animated when she talks, but instantly relaxes every time that ciggie goes between her lips. Yeah, this is not for show; this sultry addict really needs her ciggies to calm down her hot body. If anyone has the full video, I'd love to see it. And full disclosure; a few months ago I met up with a girl just like her. And after getting blindingly drunk and smoking a pack each, we absolutely fucked each others brains out. So yeah, these kind of girls really do exist in real life. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #deepinhale #snapinhale #exhale #massiveexhale #tightponytail #modelfeatures #darkeyes #fur #furjacket #furfetish #smokinginfur #cutegirl #coolgirl #hotgirl #sultrygirl #sexygirl

Smoking girl lover

60,987 просмотров • 3 месяцев назад

A British Columbia politician Rohini Arora, whose family is from India and a huge portion of her riding are foreigners, wants people to call themselves "settlers" to virtue signal to the Indigenous; "...many non-Indigenous people, including my self, use the term settler; uninvited guest or for while folks who self describe as colonizer. When we self refer as settlers, it's a singal to Indigenous people that we understand the history of colonization..." 🤦🏼 Pretty much every nation on earth has a history of colonization. Her gov is leading the worst budget and into the worst fiscal position in British Columbia's history while the areas around her falling apart and being 'colonized' by 3rd world mass immigration that she says nothing about but this her essentially trying to find an excuse to call white people colonizers. We have some of dumbest politicians on earth.
0:32

A British Columbia politician Rohini Arora, whose family is from India and a huge portion of her riding are foreigners, wants people to call themselves "settlers" to virtue signal to the Indigenous; "...many non-Indigenous people, including my self, use the term settler; uninvited guest or for while folks who self describe as colonizer. When we self refer as settlers, it's a singal to Indigenous people that we understand the history of colonization..." 🤦🏼 Pretty much every nation on earth has a history of colonization. Her gov is leading the worst budget and into the worst fiscal position in British Columbia's history while the areas around her falling apart and being 'colonized' by 3rd world mass immigration that she says nothing about but this her essentially trying to find an excuse to call white people colonizers. We have some of dumbest politicians on earth.

Kirk Lubimov

177,067 просмотров • 1 год назад

Super cute Amina lights up a ciggie during her live, and shows us just how incredibly hot a teen girl becomes when she takes up a cool smoking habit. This German beauty has Serbian-Greek roots, and looks absolutely amazing in her tight white turtleneck sweater, massive hoop earrings, and with her lovely long, raven hair and gorgeous eyes. She's only fifteen and started smoking when she was twelve. She insist that it was her own decision and that she doesn't ever regret becoming a smoker. She's now so addicted that her parents had to allow her to smoke in her room. And she smokes like a pro, taking deep drags and holding it in to let her lungs soak up all the nicotine pleasure. She doesn't let anything go to waste, smoking her ciggie right down to the filter. And she becomes so relaxed, and when she smokes looks way more mature than her young age. Her two friends in the back also follow her lead; they know that they don't have to hold back when they're visiting Amina. I just love how she passes them her pack of Marlboro Reds immediately after lighting up. In the background you can see the girl behind Amina smoking while eating her pizza, and two hands ash their ciggies in the pizza box. Man, it's so hot when three teen girls are pumping the room full of smoke! They all just need to smoke as soon as they discover how cool it feels when the nicotine rushes through their body. It's impossible to resist becoming addicted to so much fun. Let's face it, every teen girl should be like Amina. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #turtleneck #turtlenecksweater #turtleneckfetish #hoopearring #lightingup #deepinhale #exhale #ashingciggies #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #germangirl #germansmoker
5:31

Super cute Amina lights up a ciggie during her live, and shows us just how incredibly hot a teen girl becomes when she takes up a cool smoking habit. This German beauty has Serbian-Greek roots, and looks absolutely amazing in her tight white turtleneck sweater, massive hoop earrings, and with her lovely long, raven hair and gorgeous eyes. She's only fifteen and started smoking when she was twelve. She insist that it was her own decision and that she doesn't ever regret becoming a smoker. She's now so addicted that her parents had to allow her to smoke in her room. And she smokes like a pro, taking deep drags and holding it in to let her lungs soak up all the nicotine pleasure. She doesn't let anything go to waste, smoking her ciggie right down to the filter. And she becomes so relaxed, and when she smokes looks way more mature than her young age. Her two friends in the back also follow her lead; they know that they don't have to hold back when they're visiting Amina. I just love how she passes them her pack of Marlboro Reds immediately after lighting up. In the background you can see the girl behind Amina smoking while eating her pizza, and two hands ash their ciggies in the pizza box. Man, it's so hot when three teen girls are pumping the room full of smoke! They all just need to smoke as soon as they discover how cool it feels when the nicotine rushes through their body. It's impossible to resist becoming addicted to so much fun. Let's face it, every teen girl should be like Amina. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #turtleneck #turtlenecksweater #turtleneckfetish #hoopearring #lightingup #deepinhale #exhale #ashingciggies #teensmoking #teensmoker #smokingteen #coolgirl #hotgirl #sexygirl #germangirl #germansmoker

Smoking girl lover

27,359 просмотров • 1 год назад

Oh man, this teen hottie's clearly in the mood! She's doing a live feed sitting in her gamer chair, and a ciggie immediately goes between her sexy lips for a massive double pump inhale and a huge exhale, blowing a thick cloud of smoke straight at us. And just look at her rocking away. "Sex, drugs, alcohol; you can have me to them all" instantly makes it clear what's rocking her boat. She immediately takes another deep inhale while her eyes become hazy from that intense nicotine rush, followed by yet another massive double exhale. And look at that stare. She's completely jacked up to eleven; it really seems that those drugs aren't just in the song. No wonder that she needs a smoke to relax; you can only imagine how much forbidden fun she's already hoovered up into that sexy body. Which guy can resist enjoying himself with this incredible party girl? She's quite simply a dream come true. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #livesmoking #deepinhale #openmouthexhale #hazyeyes #partygirl #partysmoker #teensmoking #teensmoker #smokingteen #cutegirl #coolgirl #hotgirl #sexygirl
0:20

Sensitive content

Oh man, this teen hottie's clearly in the mood! She's doing a live feed sitting in her gamer chair, and a ciggie immediately goes between her sexy lips for a massive double pump inhale and a huge exhale, blowing a thick cloud of smoke straight at us. And just look at her rocking away. "Sex, drugs, alcohol; you can have me to them all" instantly makes it clear what's rocking her boat. She immediately takes another deep inhale while her eyes become hazy from that intense nicotine rush, followed by yet another massive double exhale. And look at that stare. She's completely jacked up to eleven; it really seems that those drugs aren't just in the song. No wonder that she needs a smoke to relax; you can only imagine how much forbidden fun she's already hoovered up into that sexy body. Which guy can resist enjoying himself with this incredible party girl? She's quite simply a dream come true. #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #livesmoking #deepinhale #openmouthexhale #hazyeyes #partygirl #partysmoker #teensmoking #teensmoker #smokingteen #cutegirl #coolgirl #hotgirl #sexygirl

Smoking girl lover

35,217 просмотров • 5 месяцев назад

This hot Turkish-German Milf smokes a ciggie during her live while she's outside in her gloriously massive fur-lined puffer jacket. Just look at that ciggie going between her huge pumped-up lips while she's putting the lighter back in her pack of Marlboro Reds. And that smokie stays between her puffers for half a minute as she pulls up her top and puts everything right. Oh boy, this addicted hottie really needs her fix so badly; she pumps at least three drags into her black lungs while dangling that ciggie. And watch her do a lovely nose exhale as her ciggie dangles between her lips. She proceed with six more inhales, getting more relaxed every time. Is there anything hotter than watching that filter being sealed air-tight between that trout pout? These enhanced lips were just made to smoke. I think we all know this kind of girl. She looks so high-maintenance with her gorgeous jacket, lip injections, fake eyebrows and platinum perm. But she's also so hot. And she needs attention. Yeah, she's a single mum; there's no ring on there. Could you resist her? Just imagine the feeling when these lips smoke you after sucking on that ciggie. #smokingblonde #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #lightingup #deepinhale #danglingciggie #noseexhale #exhale #furpufferjacket #furpufferfetish #smokinginfur #livesmoking #puffeduplips #lipinjections #troutpout #massivelips #fakeeyebrows #milf #smokingmilf #coolgirl #hotgirl #sexygirl #turkishgermangirl #turkishgermansmoker
2:04

Sensitive content

This hot Turkish-German Milf smokes a ciggie during her live while she's outside in her gloriously massive fur-lined puffer jacket. Just look at that ciggie going between her huge pumped-up lips while she's putting the lighter back in her pack of Marlboro Reds. And that smokie stays between her puffers for half a minute as she pulls up her top and puts everything right. Oh boy, this addicted hottie really needs her fix so badly; she pumps at least three drags into her black lungs while dangling that ciggie. And watch her do a lovely nose exhale as her ciggie dangles between her lips. She proceed with six more inhales, getting more relaxed every time. Is there anything hotter than watching that filter being sealed air-tight between that trout pout? These enhanced lips were just made to smoke. I think we all know this kind of girl. She looks so high-maintenance with her gorgeous jacket, lip injections, fake eyebrows and platinum perm. But she's also so hot. And she needs attention. Yeah, she's a single mum; there's no ring on there. Could you resist her? Just imagine the feeling when these lips smoke you after sucking on that ciggie. #smokingblonde #smoking #smokingfetish #sexysmoker #sexysmoking #cigarette #girlsmoke #smokingwoman #smokinggirl #smokingbabe #smokingbeauty #cig #chainsmoker #heavysmoker #girlswhosmokecigarette #chainsmoking #girlswhosmoke #smokingmodel #smokinghot #smoker #smokergirl #cigarette #addicted #smokingaddiction #lightingup #deepinhale #danglingciggie #noseexhale #exhale #furpufferjacket #furpufferfetish #smokinginfur #livesmoking #puffeduplips #lipinjections #troutpout #massivelips #fakeeyebrows #milf #smokingmilf #coolgirl #hotgirl #sexygirl #turkishgermangirl #turkishgermansmoker

Smoking girl lover

87,461 просмотров • 4 месяцев назад

RUN BEFORE THE FLOOD TAKES EVERYTHING One Woman. One Cow. One Chance to Escape. Made with seedance 2.5 on NadouPro Prompt: Create a photorealistic, high-budget cinematic action scene in a crowded traditional Asian wet market during heavy rain and severe flooding. A young Asian woman with long wet dark hair, wearing a pink waterproof rain suit and black rubber boots, runs through flooded market aisles while a massive wave of water rushes behind her. Show seafood and vegetable stalls, floating crates, overturned objects, panicked crowds, rushing dirty water, reflections, splashes and realistic wet details. Use fast handheld tracking, close-ups, low-angle water shots, side tracking and wide shots, with realistic physics, motion blur and dynamic camera shake. She jumps over obstacles and runs across raised market surfaces. Near the end, she reaches a raised area where a frightened cow is trapped by the flood. She looks at it and urgently says: “Come on, girl! Move!” She guides the cow toward safety. Keep her face, hairstyle and pink outfit consistent. Dark rainy atmosphere, cool blue-gray tones mixed with warm fluorescent lights, cinematic depth of field, volumetric lighting, realistic skin, water and reflections, subtle film grain, 4K anamorphic Hollywood action style. Add large white brush-stroke typography “RUN” briefly across the center. No cartoon look, CGI appearance, distorted anatomy, extra fingers, duplicated people or face changes.
0:30

RUN BEFORE THE FLOOD TAKES EVERYTHING One Woman. One Cow. One Chance to Escape. Made with seedance 2.5 on NadouPro Prompt: Create a photorealistic, high-budget cinematic action scene in a crowded traditional Asian wet market during heavy rain and severe flooding. A young Asian woman with long wet dark hair, wearing a pink waterproof rain suit and black rubber boots, runs through flooded market aisles while a massive wave of water rushes behind her. Show seafood and vegetable stalls, floating crates, overturned objects, panicked crowds, rushing dirty water, reflections, splashes and realistic wet details. Use fast handheld tracking, close-ups, low-angle water shots, side tracking and wide shots, with realistic physics, motion blur and dynamic camera shake. She jumps over obstacles and runs across raised market surfaces. Near the end, she reaches a raised area where a frightened cow is trapped by the flood. She looks at it and urgently says: “Come on, girl! Move!” She guides the cow toward safety. Keep her face, hairstyle and pink outfit consistent. Dark rainy atmosphere, cool blue-gray tones mixed with warm fluorescent lights, cinematic depth of field, volumetric lighting, realistic skin, water and reflections, subtle film grain, 4K anamorphic Hollywood action style. Add large white brush-stroke typography “RUN” briefly across the center. No cartoon look, CGI appearance, distorted anatomy, extra fingers, duplicated people or face changes.

Noor

17,446 просмотров • 1 месяц назад

This woman and her tandem instructor leap off the high cliff in Moab and the massive parachute opens above them as they glide over the red rock canyon. She smiles big and holds on tight while the instructor steers them smoothly through the air with the huge landscape dropping away below. You watch someone trust a stranger completely and fly high over one of the most beautiful places on earth. Do you think it is an incredible adventure everyone should try at least once or do you say the risk of something going wrong up there is too high to justify for fun? Would you jump off that cliff or stay safely on the ground?
2:14

This woman and her tandem instructor leap off the high cliff in Moab and the massive parachute opens above them as they glide over the red rock canyon. She smiles big and holds on tight while the instructor steers them smoothly through the air with the huge landscape dropping away below. You watch someone trust a stranger completely and fly high over one of the most beautiful places on earth. Do you think it is an incredible adventure everyone should try at least once or do you say the risk of something going wrong up there is too high to justify for fun? Would you jump off that cliff or stay safely on the ground?

Ryan Cey

62,654 просмотров • 5 месяцев назад

Some people still think AI does't look real - This video just ended the argument Made with Seedance 2.5 1080p on maxfusion Full prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. [23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. [27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.
0:30

Some people still think AI does't look real - This video just ended the argument Made with Seedance 2.5 1080p on maxfusion Full prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters: The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting: A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. [0.0s–4.0s] — Wide tracking shot, eye level, camera moving backward. The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. [4.0s–6.0s] — Medium shot, eye level, backward track + quick left pan. The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. [6.0s–8.0s] — Medium-wide, camera tilts down-left to follow, whip motion. She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. [8.0s–10.0s] — High-angle wide, looking down at the water, slight jolt. From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. [10.0s–13.0s] — High-angle medium, looking down, small handheld drift. She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. [13.0s–16.0s] — Handheld tilt up and back down, slight zoom. The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. [16.0s–20.0s] — High-angle medium, tilting to follow her up. She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. [20.0s–23.0s] — Low/close medium at the quay edge, static handheld. She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. [23.0s–27.0s] — Medium shot, eye level, loose handheld reframe. Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. [27.0s–30.0s] — Medium shot, eye level, camera settles. Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio: Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style: Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.

Stav Zilbershtein

421,476 просмотров • 1 месяц назад

Wan 3.0 vs Seedance 2.5 - same viral video There is only one ruler and it's clear who prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. Shot list 0.0s–4.0s — Wide tracking shot, eye level, camera moving backward The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. 4.0s–6.0s — Medium shot, eye level, backward track + quick left pan The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. 6.0s–8.0s — Medium-wide, camera tilts down-left to follow, whip motion She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. 8.0s–10.0s — High-angle wide, looking down at the water, slight jolt From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. 10.0s–13.0s — High-angle medium, looking down, small handheld drift She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. 13.0s–16.0s — Handheld tilt up and back down, slight zoom The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. 16.0s–20.0s — High-angle medium, tilting to follow her up She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. 20.0s–23.0s — Low/close medium at the quay edge, static handheld She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. 23.0s–27.0s — Medium shot, eye level, loose handheld reframe Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. 27.0s–30.0s — Medium shot, eye level, camera settles Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.
0:30

Wan 3.0 vs Seedance 2.5 - same viral video There is only one ruler and it's clear who prompt: Raw vertical phone video (UGC), handheld throughout, filmed by a friend who walks with the group, casual sway, natural night lighting, wide-angle lens, deep focus. Characters The hero is a young woman with long dark hair in a deep-purple one-shoulder dress with a small shoulder bag. Her three friends: one in a dark brown dress, a blonde in a black wrap dress, a blonde in a white mini dress — party dresses and sandals. Laughing, spontaneous night-out energy. Setting A luxury marina at night — a stone quay along a narrow water slip flanked on both sides by large moored luxury yachts, big white hulls rising on either side, masts and rigging above, fenders on the hulls. Warm orange street lamps, palm trees, distant city lights. The yachts glow with blue-turquoise underwater LED lights spilling into the water; a yellow mooring line runs to the stone. Shot list 0.0s–4.0s — Wide tracking shot, eye level, camera moving backward The camera walks backward ahead of the four women as they stroll toward it down the marina promenade, framed head-to-toe, laughing and chatting in French; warm lamplight and palm trees behind, slight handheld bob. 4.0s–6.0s — Medium shot, eye level, backward track + quick left pan The woman in the purple dress surges ahead of the group toward the lens, one arm raised, hair flying; the camera, on their left, keeps tracking back and pans to hold her. 6.0s–8.0s — Medium-wide, camera tilts down-left to follow, whip motion She reaches the quay edge between the moored luxury yachts and launches headfirst over the edge; the handheld camera whips left and tilts down to chase her off the stone. 8.0s–10.0s — High-angle wide, looking down at the water, slight jolt From up on the quay the camera looks down as she plunges headfirst into the blue-turquoise water in the slip between the big yacht hulls — a big splash, the underwater lights glowing around the impact; the handheld frame jolts slightly with the motion. 10.0s–13.0s — High-angle medium, looking down, small handheld drift She surfaces in the teal water, gasping and laughing up at the camera, hair slicked back, treading water. 13.0s–16.0s — Handheld tilt up and back down, slight zoom The camera lifts off the water and tilts up to a person leaning on the deck railing of one of the moored luxury yachts, watching her in the water, then tilts back down and zooms slightly in on her still treading and laughing. 16.0s–20.0s — High-angle medium, tilting to follow her up She swims to the stone quay wall, reaches up and grabs a thick dark mooring pole, and hauls herself out; the camera tilts upward with her as she rises from the water, legs braced on the stone. 20.0s–23.0s — Low/close medium at the quay edge, static handheld She climbs onto the stone lip, rolls onto her side, soaked dress clinging, then pushes up to her feet; the camera holds close, catching the water running off her. 23.0s–27.0s — Medium shot, eye level, loose handheld reframe Back on the promenade, dripping wet, she flips her long wet hair forward and wrings it out, laughing, as her friends and passing pedestrians move behind her. 27.0s–30.0s — Medium shot, eye level, camera settles Still dripping, she straightens up and strikes a confident, playful pose for the camera — hand on hip, tossing her wet hair back with a big smile — her friends laughing around her; the camera holds on the pose to end. Audio Live sync sound — friends laughing and shouting excitedly in French, a scream at the leap, a big water splash, water sloshing against the yacht hulls, wet footsteps on stone, ambient night marina sounds. No music. Style Raw amateur vertical phone footage, natural night lighting, warm street lamps mixing with the turquoise underwater yacht glow, authentic handheld motion.

Stav Zilbershtein

190,671 просмотров • 1 месяц назад

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.
0:30

Made this cinematic sequence using Seedance 2.5 The realism, camera movements, water physics, explosions, and intense atmosphere are on another level. AI video generation is getting seriously cinematic. Prompt ⤵️ Create a 30-second ultra-realistic cinematic disaster sequence with a dark, intense, Hollywood-blockbuster atmosphere. Main character: A young woman with short, messy dark hair, wearing a soaked white T-shirt and light-colored shorts. Keep her appearance consistent throughout the entire video. Her face should remain realistic and expressive, showing fear, shock, exhaustion, and determination. Scene 1 — 0–5 seconds: Open with an extreme close-up of the woman running toward the camera through a dark industrial shipping yard at night. Heavy rain is falling, her hair and clothes are completely wet, and she is breathing heavily. Behind her, bright industrial lights glow through thick smoke and mist. The camera moves backward smoothly while maintaining focus on her face. Add realistic rain droplets on the camera lens, dramatic backlighting, atmospheric fog, and handheld cinematic movement. Scene 2 — 5–10 seconds: Cut to a wider shot as she runs through the flooded container yard. Large shipping containers surround her, emergency lights flash in the distance, and explosions/fire erupt behind her. She looks over her shoulder in panic while continuing to run. Water splashes dramatically around her legs with every step. Use realistic fire, smoke, debris, rain, and volumetric lighting. Scene 3 — 10–15 seconds: She suddenly loses her balance and falls into the flooded ground. Show the impact in slow motion for a moment, with water splashing around her. She quickly pushes herself back up while terrified people run in the background. A massive wave of smoke, debris, and water moves through the shipping yard behind them. Use a low-angle camera close to the ground for a powerful disaster-movie perspective. Scene 4 — 15–21 seconds: She gets back on her feet and starts sprinting toward safety. The camera tracks alongside her at high speed. Containers shake, debris flies through the air, vehicles and objects are pushed around by the powerful force behind her. Keep her face and body consistent. Alternate between close-ups of her frightened expression and wide shots showing the enormous scale of destruction. Scene 5 — 21–25 seconds: She reaches a large modern building filled with terrified people. The camera follows her inside as everyone rushes toward safety. People are falling, crawling, and helping each other while water and debris can be seen outside through the entrance. The lighting changes from cold blue-gray exterior lighting to dramatic warm interior lighting. Scene 6 — 25–30 seconds: Suddenly transition to a massive luxury yacht in the middle of a violent ocean. Huge dark waves surround the vessel under a stormy sky. The camera starts behind the yacht and slowly reveals an enormous shark-like sea creature emerging from the ocean directly behind it, creating a terrifying final reveal. The creature rises through the waves with water cascading from its body. End with a gigantic wave crashing toward the yacht. Visual style: photorealistic Hollywood disaster film, cinematic color grading, realistic skin texture, physically accurate water and rain, volumetric fog, dramatic practical lighting, realistic fire and smoke, detailed environments, natural motion blur, shallow depth of field, dynamic camera movement, high contrast, atmospheric storm clouds, extremely detailed CGI, 4K cinematic quality. Camera: mixture of handheld close-ups, smooth tracking shots, wide establishing shots, low-angle disaster shots, slow-motion impact moments, and dramatic aerial/wide shots. Sound design: heavy rainfall, thunder, distant explosions, sirens, screaming crowds, footsteps splashing through water, crashing metal, deep cinematic bass, roaring waves, and an intense rising orchestral score that builds toward the final creature reveal.

Noor 🌸

23,748 просмотров • 1 месяц назад

SEEDANCE 2.5 | 30 SEC | 1080P | 16:9 | ULTRA-REALISTIC LIVE-ACTION Create a photorealistic Japanese-style outdoor water-game challenge featuring the same adult Korean woman in her early 20s throughout. She has natural skin texture, dark hair in a neat high ponytail, natural makeup, small silver earrings, a lavender athletic jacket, white fitted sports top, black high-waisted leggings, and white training shoes. Keep identity, proportions, wardrobe, hairstyle, and accessories perfectly consistent. SETTING: Bright summer water-game arena with a narrow orange safety platform over a shallow blue pool. A thick purple foam wall moves horizontally on a straight mechanical track. Spectators remain safely behind barriers. The wall has one fixed full-body opening matching this exact silhouette: right arm raised diagonally overhead, left arm bent across chest, torso slightly rotated, right knee lifted forward, left leg supporting. TIMELINE - 00–04s: Wide shot. She notices the approaching wall and studies the opening, then looks at her body to understand the pose. - 04–08s: Medium full-body shot. She sequentially raises her right arm, bends her left arm, rotates her torso, then lifts her right knee. Natural transitions—no instant snapping. - 08–12s: Front wide shot. She carefully adjusts her planted foot, knee, shoulders, and arms to align with the opening. Brief confident smile. - 12–16s: Three-quarter shot. She holds the exact pose as the wall approaches, making only a tiny natural balance correction. - 16–20s: Side shot. The wall reaches her. Her knee is slightly misaligned and her shoulder contacts the padded edge. She realizes she is too late. - 20–24s: The constant-speed wall shifts her balance backward. She lowers her leg, reaches back, her wet shoe slips slightly, and she naturally falls backward into the pool. No jumping. - 24–27s: Water-level wide shot. Natural body entry and realistic splash; droplets scatter and fall back. The wall continues along its track independently. - 27–30s: Close water-level shot. She resurfaces from the same location, wet hair naturally on her face, wipes away water, laughs, points at the wall with a playful “Seriously?” expression. Audience laughs and applauds. End naturally. PHYSICS & QUALITY: Anatomically correct body mechanics. No stretching, deformation, clipping, teleportation, duplicated people, extra limbs, or passing through solid foam. Preserve continuous spatial relationships and constant wall speed. CAMERA/AUDIO: Authentic live-event cameras, subtle handheld movement, autofocus adjustments, realistic exposure and motion blur. Natural mechanical-track sounds, footsteps, breathing, crowd reactions, platform movement, splash, laughter. No music, subtitles, logos, text, watermark, CGI effects, impossible camera movement, freeze frames, black screens, or fade-outs. FINAL LOOK: Photorealistic, physically believable, entertaining viral live-event footage—not AI-generated-looking video.
0:30

SEEDANCE 2.5 | 30 SEC | 1080P | 16:9 | ULTRA-REALISTIC LIVE-ACTION Create a photorealistic Japanese-style outdoor water-game challenge featuring the same adult Korean woman in her early 20s throughout. She has natural skin texture, dark hair in a neat high ponytail, natural makeup, small silver earrings, a lavender athletic jacket, white fitted sports top, black high-waisted leggings, and white training shoes. Keep identity, proportions, wardrobe, hairstyle, and accessories perfectly consistent. SETTING: Bright summer water-game arena with a narrow orange safety platform over a shallow blue pool. A thick purple foam wall moves horizontally on a straight mechanical track. Spectators remain safely behind barriers. The wall has one fixed full-body opening matching this exact silhouette: right arm raised diagonally overhead, left arm bent across chest, torso slightly rotated, right knee lifted forward, left leg supporting. TIMELINE - 00–04s: Wide shot. She notices the approaching wall and studies the opening, then looks at her body to understand the pose. - 04–08s: Medium full-body shot. She sequentially raises her right arm, bends her left arm, rotates her torso, then lifts her right knee. Natural transitions—no instant snapping. - 08–12s: Front wide shot. She carefully adjusts her planted foot, knee, shoulders, and arms to align with the opening. Brief confident smile. - 12–16s: Three-quarter shot. She holds the exact pose as the wall approaches, making only a tiny natural balance correction. - 16–20s: Side shot. The wall reaches her. Her knee is slightly misaligned and her shoulder contacts the padded edge. She realizes she is too late. - 20–24s: The constant-speed wall shifts her balance backward. She lowers her leg, reaches back, her wet shoe slips slightly, and she naturally falls backward into the pool. No jumping. - 24–27s: Water-level wide shot. Natural body entry and realistic splash; droplets scatter and fall back. The wall continues along its track independently. - 27–30s: Close water-level shot. She resurfaces from the same location, wet hair naturally on her face, wipes away water, laughs, points at the wall with a playful “Seriously?” expression. Audience laughs and applauds. End naturally. PHYSICS & QUALITY: Anatomically correct body mechanics. No stretching, deformation, clipping, teleportation, duplicated people, extra limbs, or passing through solid foam. Preserve continuous spatial relationships and constant wall speed. CAMERA/AUDIO: Authentic live-event cameras, subtle handheld movement, autofocus adjustments, realistic exposure and motion blur. Natural mechanical-track sounds, footsteps, breathing, crowd reactions, platform movement, splash, laughter. No music, subtitles, logos, text, watermark, CGI effects, impossible camera movement, freeze frames, black screens, or fade-outs. FINAL LOOK: Photorealistic, physically believable, entertaining viral live-event footage—not AI-generated-looking video.

Anissa

10,793 просмотров • 1 месяц назад