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This angle make it so much clearer how close they are because look at all that space and they’re standing dih to dih…known as the “No Space Couple” for a reason…🫠

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92,004 просмотров • 1 месяц назад •via X (Twitter)

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I want to make this clear to you: the area they describe as a “safe zone” is in the west of Gaza, but look closely , there is no space at all, not even on the seashore, as the entire place is packed with tents. Where are people supposed to go? Are we expected to live in the sea? How can they do this? What kind of logic is this, telling us to head west while they know very well that there is no space there?
0:11

I want to make this clear to you: the area they describe as a “safe zone” is in the west of Gaza, but look closely , there is no space at all, not even on the seashore, as the entire place is packed with tents. Where are people supposed to go? Are we expected to live in the sea? How can they do this? What kind of logic is this, telling us to head west while they know very well that there is no space there?

Mahmoud Massri | مَحْمُود 🇵🇸

25,437 просмотров • 11 месяцев назад

i have so much respect for blackpink’s artistry as a group and as individuals. they all have a vision in mind and they’re so clear about what they want and how to achieve it. it’s no surprise they’re the biggest girl group in the world 🤷
0:18

i have so much respect for blackpink’s artistry as a group and as individuals. they all have a vision in mind and they’re so clear about what they want and how to achieve it. it’s no surprise they’re the biggest girl group in the world 🤷

jj⚘

319,371 просмотров • 3 лет назад

this clip is so funny because there was no reason to announce this. producers just wanted to make it known that everyone hates aaryn inside and outside of the house😭
0:18

this clip is so funny because there was no reason to announce this. producers just wanted to make it known that everyone hates aaryn inside and outside of the house😭

michael

82,657 просмотров • 6 месяцев назад

I understand AJ Brown’s frustration overall. This play happened in the 1st quarter. They choose a gimmicky play for Dallas Goedert instead of trusting AJB in this 1v1 to the left with no coverage help.. Look at how much space he would’ve had against that corner.
0:11

I understand AJ Brown’s frustration overall. This play happened in the 1st quarter. They choose a gimmicky play for Dallas Goedert instead of trusting AJB in this 1v1 to the left with no coverage help.. Look at how much space he would’ve had against that corner.

Jeff Mueller, PT, DPT

2,606,416 просмотров • 9 месяцев назад

No Dura. You hosted a space where Igbo hate was preached, you were laughing and when someone tried to tone it down a bit that was your response because you think young Igbos would open a space to denigrate Yorubas. It's so sad tbvh, because i still can't believe it. I can understand fighting for yourself and your tribe but speaking with so much vileness about a people on a space nahh.
0:10

No Dura. You hosted a space where Igbo hate was preached, you were laughing and when someone tried to tone it down a bit that was your response because you think young Igbos would open a space to denigrate Yorubas. It's so sad tbvh, because i still can't believe it. I can understand fighting for yourself and your tribe but speaking with so much vileness about a people on a space nahh.

Ugegbe ✨

219,824 просмотров • 3 месяцев назад

So remember how i was told when i bought these Guinea fowl that they were great for eating ticks but they are really annoying? Dawg…..They are REALLY ANNOYING It will make that noise for minutes at a time for no fucking reason. (They make more sounds that are arguably worse)
0:13

So remember how i was told when i bought these Guinea fowl that they were great for eating ticks but they are really annoying? Dawg…..They are REALLY ANNOYING It will make that noise for minutes at a time for no fucking reason. (They make more sounds that are arguably worse)

PNWGUERRILLA

21,608 просмотров • 5 дней назад

Anyway. Look at this Barrett i own for marketing (that was literally my reason for buying it) So. Look at it. You want to buy a fuk-bin at 3pm pacific now Or you don’t because you are a broke nigga who knows you don’t need another random order but look at that Barrett man. How cool.
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Anyway. Look at this Barrett i own for marketing (that was literally my reason for buying it) So. Look at it. You want to buy a fuk-bin at 3pm pacific now Or you don’t because you are a broke nigga who knows you don’t need another random order but look at that Barrett man. How cool.

PNWGUERRILLA

27,123 просмотров • 4 месяцев назад

Look how much space San Antonio players are giving Shai!! They know if they get near him he’s going to hop into them then flop onto the ground 😭😭 WE are so tired of this trash!! 🗣️🗣️
0:11

Look how much space San Antonio players are giving Shai!! They know if they get near him he’s going to hop into them then flop onto the ground 😭😭 WE are so tired of this trash!! 🗣️🗣️

HeroOfTheDay

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“If you don’t stop it, we are not going to do any trade” “And all of a sudden they said, okay we will stop it.” So the #ceasefire actually happened cuz of trump. Look how that person standing next to him is laughing as if they are mocking us. India was never this weak. 😞
0:19

“If you don’t stop it, we are not going to do any trade” “And all of a sudden they said, okay we will stop it.” So the #ceasefire actually happened cuz of trump. Look how that person standing next to him is laughing as if they are mocking us. India was never this weak. 😞

Jitesh

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These replays are funny because they’re meant to highlight how tough Caitlin’s finishes are, but they also just show how much contact she plays through without getting the call (but can still make them anyway) 🫠
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These replays are funny because they’re meant to highlight how tough Caitlin’s finishes are, but they also just show how much contact she plays through without getting the call (but can still make them anyway) 🫠

allison

201,253 просмотров • 1 месяц назад

Enrique and his players had no idea what Yamal was capable of doing, or else he’d never have that much space to receive the ball, but Yamal’s teammates are even more clueless, so it’s not surprising at all that this team are still a joke in the champions league.
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Enrique and his players had no idea what Yamal was capable of doing, or else he’d never have that much space to receive the ball, but Yamal’s teammates are even more clueless, so it’s not surprising at all that this team are still a joke in the champions league.

BR0TD🕊

92,612 просмотров • 3 месяцев назад

I encourage attackers to drive at the hips of defenders for a few reason; — 1v1 is a duel of footwork (momentum) & angles, the avenue to space is through an angle which can disrupt the opponent’s footwork (momentum) — It offers big-space players a reference to be successful in small spaces — Directly confronting the defender (driving/touching the ball towards their hips [centre]) means you’re moving into their ‘personal space’, which naturally makes humans uncomfortable, increasing the probability for the defender to make an impulsive reaction to your action. • We know Garnacho’s relationship with the ball isn’t watertight, a consequence of his narrow footwork, which reflects in his dribbling & shooting actions —> more specifically, his inability to make many multi-directional touches in his stride + his loose connections with the ball. Because of this he’s more likely to pose threat in bigger spaces, as he’s a willing goal-getter & has fair speed, but struggles to manufacture big enough space for his key actions when the opponents congest space deeper. • What trumps all of this is Garnacho lacking methodology in his dribbling, which would help him maximise his strengths & minamise the affect of his weaknesses. Garnacho drives towards the goal with the intention to cut inside and open an angle on his strong foot, but this angle of approach keeps the defender parallel to the ball (good momentum & maintain footwork) and closer to the space inside that Garnacho wants to take If he had driven at the hips (squared his man up) he could’ve; = pushed the opponent’s momentum onto back foot = reduced the need for sharp COD touches to access the inside angle (his weak point) & maintain his own momentum = kept open bigger space either side of him If you want big space, you have to make it. Targetting the defender’s central point within their personal space can support this.
0:10

I encourage attackers to drive at the hips of defenders for a few reason; — 1v1 is a duel of footwork (momentum) & angles, the avenue to space is through an angle which can disrupt the opponent’s footwork (momentum) — It offers big-space players a reference to be successful in small spaces — Directly confronting the defender (driving/touching the ball towards their hips [centre]) means you’re moving into their ‘personal space’, which naturally makes humans uncomfortable, increasing the probability for the defender to make an impulsive reaction to your action. • We know Garnacho’s relationship with the ball isn’t watertight, a consequence of his narrow footwork, which reflects in his dribbling & shooting actions —> more specifically, his inability to make many multi-directional touches in his stride + his loose connections with the ball. Because of this he’s more likely to pose threat in bigger spaces, as he’s a willing goal-getter & has fair speed, but struggles to manufacture big enough space for his key actions when the opponents congest space deeper. • What trumps all of this is Garnacho lacking methodology in his dribbling, which would help him maximise his strengths & minamise the affect of his weaknesses. Garnacho drives towards the goal with the intention to cut inside and open an angle on his strong foot, but this angle of approach keeps the defender parallel to the ball (good momentum & maintain footwork) and closer to the space inside that Garnacho wants to take If he had driven at the hips (squared his man up) he could’ve; = pushed the opponent’s momentum onto back foot = reduced the need for sharp COD touches to access the inside angle (his weak point) & maintain his own momentum = kept open bigger space either side of him If you want big space, you have to make it. Targetting the defender’s central point within their personal space can support this.

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The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron
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The Sabotaging Practice of Over Supply and Sameness in the NFT Space. The current zeitgeist of the NFT space is that the same artists are doing the same kind of work five times a year, with project after project leaving a trail of disappointment and discontent among collectors and all of us watching in disbelief as huge resources are extracted from the space over work that feels like it could be left as an "artist study." I understand that you can do what you want with your money as collectors, but we are killing the whole space with this incestuous practice. No artist is that prolific to be able to do 5 collections of 100+ pieces each every year and actually deliver innovation and some kind of creative evolution. Of course, they can pretend play that the work has something new, but there is no precedent nor proof that that has ever happened in the speed that it happens in the NFT space. Again, people are free to through away their resources on whatever they want but with this way of doing things, we more and more are going to start seeing the consequences. Oh! There are consequences? Yes. Maybe unintended, but there are. Let's see. Let's start with the loss of belief in the NFT space as somewhere where emerging artists can come and find support for their experiments. Why even bother to bring experiments, innovation, and new ways to think of art on the blockchain if the same people have all the collectors hypnotized with their magical flutes? Why even try to come to a space where taking risks and challenging the status quo (the mission of art!!!) is overlooked? This makes the NFT space a social club and not a space for art. I guess it is fine, but IMO it is a recipe for disaster. New collectors stay away because the art will slowly but surely become stale and un-challenging. Why even bother to come and see what is happening here if you can't, as a collector, see new weird and up-and-coming artists? The amount of noise emitted by the same artists doing the same art over and over, drowns out any new voices. Again. A recipe for disaster. The NFT space is becoming a space of disappointment and doubt. We think that collections going to zero one after the other, over and over, is not damaging? I feel we are kidding ourselves. Disappointment piles up, and again, the people who will hurt are the emerging artists, the new blood, the ones who are willing to risk the most and, in return, put fire in this cold space of sameness. I love this space—don't get me wrong—it has changed my life, and I believe it has a ton of potential, but things need to change for it to become a beacon of light in art. But we need to support new voices. We need to support new ideas. The challenge is huge. I hope to contribute all I can to this change. I hope more and more see how exciting it is to go out and try to discover what else is out there and move this space forward. But again, I understand the leaps of faith needed, but if there is a space that is based on that, it's the NFT space...so there is hope. We will see. 📺by Boldtron

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SO ARE THEY GONNA LIVE TOGETHER OR WHAT, WHY ARE THEY PLANNING?!? 😭😭😭 KaoJane wants to get rich so they can buy a mansion because they are introverts, making it very suitable for them and have enough space for their dogs to run. #KaoJaneJaneKao #เก้าเจนเจนเก้า
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SO ARE THEY GONNA LIVE TOGETHER OR WHAT, WHY ARE THEY PLANNING?!? 😭😭😭 KaoJane wants to get rich so they can buy a mansion because they are introverts, making it very suitable for them and have enough space for their dogs to run. #KaoJaneJaneKao #เก้าเจนเจนเก้า

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During Ustad Noor Bakhsh’s performance in Düsseldorf, women asked for space to be made so that we could dance too because dudes were hogging all the space. We love our music just as much if not more, and we were also more in sync. The power of our folk music. 💕
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During Ustad Noor Bakhsh’s performance in Düsseldorf, women asked for space to be made so that we could dance too because dudes were hogging all the space. We love our music just as much if not more, and we were also more in sync. The power of our folk music. 💕

@zahrasalah0-0.bsky.social

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And this is how close we are to the brink — and why we will never back down! Thank you all for so fiercely standing up for humanity, even when it can mean being an outcast!
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And this is how close we are to the brink — and why we will never back down! Thank you all for so fiercely standing up for humanity, even when it can mean being an outcast!

Ryan Williams

426,959 просмотров • 10 месяцев назад

👧 "Why are they linking arms?" 👧 "They’re always so close, aren’t they?" 👧 "Ah, look at that hand on the shoulder..." 😭😭😭
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👧 "Why are they linking arms?" 👧 "They’re always so close, aren’t they?" 👧 "Ah, look at that hand on the shoulder..." 😭😭😭

kou 🜬

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When you live in Appalachia, everyone knows the rules you must follow. If you hear something, you surely didn’t hear it, ignore it as if you didn’t. Close all blinds at night, never go out alone at night. This man ignored the rules to take out the trash and quickly learned why so many people won’t break those rules. The legends of Appalachia are so wide known for a reason, have you been there, are they true?
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When you live in Appalachia, everyone knows the rules you must follow. If you hear something, you surely didn’t hear it, ignore it as if you didn’t. Close all blinds at night, never go out alone at night. This man ignored the rules to take out the trash and quickly learned why so many people won’t break those rules. The legends of Appalachia are so wide known for a reason, have you been there, are they true?

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