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This clip features an iconic, timeless comedic sequence from "Blazing Saddles" (1974), highlighting the film's distinct satirical flair and innovative direction that shattered the traditional Hollywood mold of its time.

🎶𝗖𝗹𝗮𝘀𝘀𝗶𝗰𝗮𝗹 𝗠𝗲𝗹𝗼𝗱𝗶𝗲𝘀 ✨

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22,693 次观看 • 2 个月前 •via X (Twitter)

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“Somebody’s gotta go back and get a shit load of dimes!” BLAZING SADDLES (1974) The World Premiere of one of the greatest Hollywood comedies of all time took place in Los Angeles 52yrs ago today for 250 invited guests - ALL ON HORSEBACK.

“Somebody’s gotta go back and get a shit load of dimes!” BLAZING SADDLES (1974) The World Premiere of one of the greatest Hollywood comedies of all time took place in Los Angeles 52yrs ago today for 250 invited guests - ALL ON HORSEBACK.

Michael Warburton

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Young Frankenstein is 50 years old today. This Gene Wilder/Mel Brooks monster comedy is a side-splitting triumph. The fact that both Young Frankenstein and Blazing Saddles were released in 1974 is incredible. In 50 more years this'll still be funny. Here are 3 minutes of pure joy

Young Frankenstein is 50 years old today. This Gene Wilder/Mel Brooks monster comedy is a side-splitting triumph. The fact that both Young Frankenstein and Blazing Saddles were released in 1974 is incredible. In 50 more years this'll still be funny. Here are 3 minutes of pure joy

The Sting

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"Nightcall" was released as a single in April 2010, three years before Kavinsky's debut album OutRun (2013). Co-produced by Guy-Manuel de Homem-Christo of Daft Punk and mixed by SebastiAn, the track features vocals by Lovefoxxx of the Brazilian band CSS. The song gained international recognition after Nicolas Winding Refn used it in the iconic opening sequence of Drive (2011) starring Ryan Gosling, its haunting atmosphere became inseparable from the film's neon-noir aesthetic.

"Nightcall" was released as a single in April 2010, three years before Kavinsky's debut album OutRun (2013). Co-produced by Guy-Manuel de Homem-Christo of Daft Punk and mixed by SebastiAn, the track features vocals by Lovefoxxx of the Brazilian band CSS. The song gained international recognition after Nicolas Winding Refn used it in the iconic opening sequence of Drive (2011) starring Ryan Gosling, its haunting atmosphere became inseparable from the film's neon-noir aesthetic.

Ladytron Fan Account

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"Nightcall" was released as a single in April 2010, three years before Kavinsky's debut album OutRun (2013). Co-produced by Guy-Manuel de Homem-Christo of Daft Punk and mixed by SebastiAn, the track features vocals by Lovefoxxx of the band CSS. The song gained international recognition after Nicolas Winding Refn used it in the iconic opening sequence of Drive (2011) starring Ryan Gosling, its haunting atmosphere became inseparable from the film's neon-noir aesthetic.

"Nightcall" was released as a single in April 2010, three years before Kavinsky's debut album OutRun (2013). Co-produced by Guy-Manuel de Homem-Christo of Daft Punk and mixed by SebastiAn, the track features vocals by Lovefoxxx of the band CSS. The song gained international recognition after Nicolas Winding Refn used it in the iconic opening sequence of Drive (2011) starring Ryan Gosling, its haunting atmosphere became inseparable from the film's neon-noir aesthetic.

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Mel Brooks on how he approached writing the screenplay for 'Blazing Saddles' (1974) & why this movie is 1st, 2nd, 3rd & 4th best comedy of all time: "Interviewer: 'Blazing Saddles' (1974) epitomized what became known as a "Mel Brooks Movie," an irreverent romp that broke all the rules. What led you to this type of wacky satire? Brooks: I just wanted to exorcise both my angels and demons. I said to all the writers, "Look, fellas, don't worry, this movie will never get released. Never. [Warner Bros.] will see it and they'll say, 'Let's bury it.' So let's go nuts. Let's write things that we never would dare write." And we did. There's a few guys doing that now — Tarantino's doing that. He's not being politically correct or in any way correct. Getting Goering and Hitler and Goebbels and all of those guys into a movie house in Paris and setting it on fire ['Inglorious Basterds' (2009)]. [Laughs] I mean, that's so crazy. So I think I just let it all go. I said, "I'm not gonna f—ing worry about what they're going to like or not like. It's what I like and what I don't like." (...) Interviewer: Pound for pound, minute for minute, there are probably more laughs in Saddles than in any other movie ever made. Brooks: I think the AFI number one all-time comedy is 'Some Like It Hot' (1959), which I like. I thought it was really terrific. But it's certainly not half as funny as Blazing Saddles. I mean, it can't compare. When you limit your lists to comedies, Blazing Saddles should be first, second, third, and fourth. And then maybe Young Frankenstein should be fifth. That's the way it should roll. Between me and you — you can print it — that's why I didn't do the AFI Man of the Year thing for a long time." ("'Blazing Saddles' at 40: A conversation with Mel Brooks", Jeff Labrecque, Entertainment Weekly, 2014)

Mel Brooks on how he approached writing the screenplay for 'Blazing Saddles' (1974) & why this movie is 1st, 2nd, 3rd & 4th best comedy of all time: "Interviewer: 'Blazing Saddles' (1974) epitomized what became known as a "Mel Brooks Movie," an irreverent romp that broke all the rules. What led you to this type of wacky satire? Brooks: I just wanted to exorcise both my angels and demons. I said to all the writers, "Look, fellas, don't worry, this movie will never get released. Never. [Warner Bros.] will see it and they'll say, 'Let's bury it.' So let's go nuts. Let's write things that we never would dare write." And we did. There's a few guys doing that now — Tarantino's doing that. He's not being politically correct or in any way correct. Getting Goering and Hitler and Goebbels and all of those guys into a movie house in Paris and setting it on fire ['Inglorious Basterds' (2009)]. [Laughs] I mean, that's so crazy. So I think I just let it all go. I said, "I'm not gonna f—ing worry about what they're going to like or not like. It's what I like and what I don't like." (...) Interviewer: Pound for pound, minute for minute, there are probably more laughs in Saddles than in any other movie ever made. Brooks: I think the AFI number one all-time comedy is 'Some Like It Hot' (1959), which I like. I thought it was really terrific. But it's certainly not half as funny as Blazing Saddles. I mean, it can't compare. When you limit your lists to comedies, Blazing Saddles should be first, second, third, and fourth. And then maybe Young Frankenstein should be fifth. That's the way it should roll. Between me and you — you can print it — that's why I didn't do the AFI Man of the Year thing for a long time." ("'Blazing Saddles' at 40: A conversation with Mel Brooks", Jeff Labrecque, Entertainment Weekly, 2014)

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#Chiranjeevi's Abu - The Return of the Thief of Baghdad — An Ambitious Dream! 🎬 Back in 1999–2000, a massive ₹40 Cr budget was envisioned for an English-language epic starring Megastar Chiranjeevi as the iconic THIEF OF BAGHDAD. Planned across HOLLYWOOD, UK, AUSTRALIA and INDIA, with INTERNATIONAL crews, PanaVision Camera and an AMERICAN DIRECTOR alongside an INDIAN DIRECTOR with extensive UK & US shoots planned. Pushkar was in camera dept and Gayatri was in direction dept. An AMBITIOUS project that was truly AHEAD of its TIME. ©️ SS Music Exclusive.

#Chiranjeevi's Abu - The Return of the Thief of Baghdad — An Ambitious Dream! 🎬 Back in 1999–2000, a massive ₹40 Cr budget was envisioned for an English-language epic starring Megastar Chiranjeevi as the iconic THIEF OF BAGHDAD. Planned across HOLLYWOOD, UK, AUSTRALIA and INDIA, with INTERNATIONAL crews, PanaVision Camera and an AMERICAN DIRECTOR alongside an INDIAN DIRECTOR with extensive UK & US shoots planned. Pushkar was in camera dept and Gayatri was in direction dept. An AMBITIOUS project that was truly AHEAD of its TIME. ©️ SS Music Exclusive.

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Timeless, a new collection of rare and previously unreleased recordings that trace the evolution of Prince’s legendary career. We welcome a first-of-its-kind music project that covers songs from each decade of his beautiful life. Arriving August 28, the set features 10 tracks from 1977–2016, including the newly unveiled single “Stone,” available now. 💜 Listen to “Stone” and pre-order or pre-save Timeless at

Timeless, a new collection of rare and previously unreleased recordings that trace the evolution of Prince’s legendary career. We welcome a first-of-its-kind music project that covers songs from each decade of his beautiful life. Arriving August 28, the set features 10 tracks from 1977–2016, including the newly unveiled single “Stone,” available now. 💜 Listen to “Stone” and pre-order or pre-save Timeless at

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One of the most iconic trance tracks of the early 90s, Dreams perfectly captured the spirit of a scene that was just beginning to explode. With its hypnotic melody, deep atmosphere, and timeless groove, this anthem became a staple in clubs and raves across Europe and beyond.

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Bob Malone is now pushing Flublok—a "vaccine" made using cells from the fall armyworm, a moth species 🤢🤢🤢🤮🤮🤮 "This is truly an innovative technology. It involves the use of insect cells to rapidly manufacture the product." -----------------Partial transcription of clip-------------- "Regarding the Flublok product, this is truly an innovative technology. It involves the use of insect cells to rapidly manufacture the product. This is a cell-based influenza vaccine that represents, really a, great example of innovative biotechnology, in my opinion. This, this technology offers key advantages relative to historic influenza vaccine products, in that egg- and other cell-based products require adaptation of influenza strains and their antigens to the cell culture or egg culture environment. "So you end up with a vaccine product that is, in some cases, potentially clinically significantly different from the actual circulating antigen. Whereas with the Flublok technology, with baculovirus technology in general, they're able to go straight from sequence to manufactured protein in a much shorter time frame without the need for adaptation. This is a key advantage."

Bob Malone is now pushing Flublok—a "vaccine" made using cells from the fall armyworm, a moth species 🤢🤢🤢🤮🤮🤮 "This is truly an innovative technology. It involves the use of insect cells to rapidly manufacture the product." -----------------Partial transcription of clip-------------- "Regarding the Flublok product, this is truly an innovative technology. It involves the use of insect cells to rapidly manufacture the product. This is a cell-based influenza vaccine that represents, really a, great example of innovative biotechnology, in my opinion. This, this technology offers key advantages relative to historic influenza vaccine products, in that egg- and other cell-based products require adaptation of influenza strains and their antigens to the cell culture or egg culture environment. "So you end up with a vaccine product that is, in some cases, potentially clinically significantly different from the actual circulating antigen. Whereas with the Flublok technology, with baculovirus technology in general, they're able to go straight from sequence to manufactured protein in a much shorter time frame without the need for adaptation. This is a key advantage."

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“Did we do that?” Yeah… we did. 😎 The Urkel Dance made its way to Band of the Year, and the crowd already knew what time it was. Iconic moves. Iconic moment. Iconic stage. S/o to Jaleel White for this Iconic Dance! #HumanJukebox #SouthernUniversity #BandOfTheYear

“Did we do that?” Yeah… we did. 😎 The Urkel Dance made its way to Band of the Year, and the crowd already knew what time it was. Iconic moves. Iconic moment. Iconic stage. S/o to Jaleel White for this Iconic Dance! #HumanJukebox #SouthernUniversity #BandOfTheYear

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#Djibouti spoke; "Somali, We Are" This new song from should be seen as an anthem for the Somali people, resonating with the soul of every Somali from coast to coast and every frontier. In fact, it’s more than just song; its rhymes, content, traditional beat, and evolving melody echo the heartbeat of our people. A timeless declaration of unity that binds us all, wherever we are in the Horn of Africa and beyond. You don't need to understand the language to feel the beauty of this song. Soomaali weeyaanee, Soomaali weeyaan dheh!

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The cast of Boots Riley’s ‘I LOVE BOOSTERS’ tells Pop Base how the film balances its comedic tone with its heavier themes: “It’s the integrity of telling the story of people like this, people of color that live in areas that are erased. This is who they are, and you could tell that Boots and us as a cast really love this is where we’ve come from”

The cast of Boots Riley’s ‘I LOVE BOOSTERS’ tells Pop Base how the film balances its comedic tone with its heavier themes: “It’s the integrity of telling the story of people like this, people of color that live in areas that are erased. This is who they are, and you could tell that Boots and us as a cast really love this is where we’ve come from”

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“Passion was one of the most important records for me – an opportunity as a writer to try to do a different sort of job than I usually do. The brief for ‘The Last Temptation Of Christ’ was to create something that had references to that time and that part of the world, but that had its own character and was to be timeless in a way.” - PG. This track ‘Zaar’ was written around a traditional Egyptian rhythm which is performed to fend off evil spirits. The video was directed by Stefan Roloff using images from his film ‘Lunch’.

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