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This Computer Simulation Shows The INCREDIBLE Geometry Produced Through Sound From 100Hz - 4092Hz Notice that the exact same patterns present here are also present throughout ancient spiritual symbology and near the end (4000Hz+) It's like a DMT Experience. THIS IS IMPORTANT 👇

Jay Anderson

333,635 subscribers

130,335 Aufrufe • vor 1 Jahr •via X (Twitter)

Wissenschaft & Technologie Kunst Bildung

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8 Kommentare

Profilbild von greenbudha

greenbudhavor 1 Jahr

This is the “Flatland” two dimensional view, what does it look like in three dimensions?

Profilbild von Jay Anderson

Jay Andersonvor 1 Jahr

Oh, you get UFOs

Profilbild von jkphillyfan

jkphillyfanvor 1 Jahr

More important are the harmonics. Pause at 100hz, 200hz, 300hz, 400hz, etc. and understand the visual relationships you see.

Profilbild von KYLΞ ⚚

KYLΞ ⚚vor 1 Jahr

@voidcaapi This is called cymatics. I elevated cymatics from 2D to 3D and turned it into a music visualizer:

Profilbild von voidsignal

voidsignalvor 1 Jahr

There’s nothing in this that even remotely resembles the visual characteristics of the DMT experience

Profilbild von You_know_me_as

You_know_me_asvor 1 Jahr

Wonder whats going on at 3522 Hz? it basically pauses.

Profilbild von UAP_tech

UAP_techvor 1 Jahr

It’s all generation of standing waves. The patterns will depend on the size of the object being vibrated. Used to good effect in this video:

Profilbild von Guito

Guitovor 1 Jahr

So… what I use in my guitar ? 432 hz or 440 hz?!

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This is crazy… Can someone explain this? 🤔 When you clap near the pyramid, the sound echoes back like a bird call. Is it the geometry? The frequency? Maybe… 432Hz? Whatever it is—this is no accident. Ancient tech or natural resonance? You decide.

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The Chinese have long excelled at extracting metals… Ancient methods for melting copper and forming patterns that resemble spots. The fiery red liquid melts, and the craftsman’s skill creates beautiful colors. Each piece of mottled copper is a fusion of fire and metal — of past and present. This is how copper was extracted in ancient times👇

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The science behind the incredible 'Acoustics' of ancient amphitheaters : Ancient amphitheaters have long been used as venues for large concerts and events, but how did ancient architects achieve such superb acoustics without today's modern audio equipment and acoustical treatment? In last few decades have seen modern acoustic science employ acoustic simulation software and sophisticated computer models of such open amphitheaters, even though these spaces are known solely from archaeological records and hence virtually reconstructed as acoustic models. Often such computer models are complemented by in situ measurements in some well-preserved ancient theaters using more flexible portable equipment. Recent measurements with audience present show that such near-perfect intelligibility is retained beside increased sound absorption by audience, provided that background noise levels are not excessive. Natural phenomena that made acoustics of ancient amphitheaters so remarkable were a result of simple principles like geometry and use of materials and location made an impact. Engineering and architecture used in these sites enabled sound to propagate through large distances, with clarity, as though one was located just next to the speaker. Amplifying acoustic instruments has been of interest for musicians for centuries, leading to different techniques used at smaller venues and more intimate settings. However, there is something unique about atmosphere created when standing inside an amphitheater from reverberation and resonance that can be heard to witnessing energy expand around you - it's an experience that cannot be replicated elsewhere. So how have ancient technical developments paved way for modern audio technology today in amplification, absorption, diffusion and even 3D soundscapes? Sound travels through air as waves and can be amplified or dampened depending on environment. When sound waves hit a hard surface, like a wall or floor, they bounce back and create echoes. This is what causes reverberation and amplification in large open spaces like amphitheaters. Building design played a crucial role in acoustics of ancient amphitheaters. Curved shape of amphitheater created a natural echo chamber that amplified sounds. Seats were also designed at different heights and distances from stage to create a wave of sound that could be heard at every level of auditorium. Additionally, use of marble and other hard materials throughout structure helped to reflect sound waves. While reflection was important for amplifying sound, too much echo could make it difficult to understand speech or music. For this reason, ancient architects used sound-absorbent materials like curtains, carpets and drapes to absorb excess echoes. Orientation of an amphitheater was also crucial to its acoustics. Venues were often built facing east to west so that performers were bathed in natural light during afternoon. This also helped to create an ideal environment for acoustics, as sound waves would travel in same direction as light. Additionally, orientation of stage and seating areas played a role in creating ideal acoustics. While we can appreciate ingenuity of ancient architects, modern technology has allowed us to understand acoustics of ancient amphitheaters in greater detail. Studies have shown that shape of amphitheater was responsible for up to 50% of its acoustics, with rest being attributed to reverberation, reflection and absorption. We can now understand how ancient venues would have sounded in their prime using computer simulations. Natural phenomena that made acoustics of ancient amphitheaters so remarkable were a result of simple principles like geometry and use of certain materials. Engineers of ancient times unknowingly developed best acoustic structures that are still admired today. 🎥 : A 2nd Century AD, Roman Theater in Calama (Numidia), Algeria 🇩🇿. It allows you to whisper from one end to other. 🎥© cameronazi (IG) #archaeohistories

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