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This conversation is uncomfortable because Tony isn’t really talking about homosexuality as much as he is revealing the rules of the world he comes from. He can be surprisingly accepting when it’s someone outside his immediate circle. But when masculinity, reputation, and his crew’s image get involved, that tolerance...

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OfficialSonia🇺🇲🇺🇲💯

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45,871 次观看 • 23 天前 •via X (Twitter)

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11 条评论

Robert 的头像
Robert21 天前

He’s a Faaaagggg 😆

BonesAkimbo 的头像
BonesAkimbo22 天前

I had him “Pegged” the whole time. lol

Casey Lee 的头像
Casey Lee22 天前

"The guys that work for me are asking for head" Eyooo!

J. Fall 的头像
J. Fall20 天前

I had him pegged the whole time

Mark Monroy 的头像
Mark Monroy22 天前

“ They feel pity for themselves” yet here he is talking shit about them and wondering why they feel like people hate them

Jim Dougherty X account 的头像
Jim Dougherty X account21 天前

Great scene

subculture 的头像
subculture22 天前

Written by ai

Replyguy_CS 的头像
Replyguy_CS21 天前

This is true, but I also think it’s because Vito is one of his best earners before he killed Ralphie, so it’s less about him being gay and more of him being protective of the money he’s getting. Remember, this is season 6 Tony, so by now, he’s a complete POS.

Terrhistopheles 的头像
Terrhistopheles20 天前

He calls him a f@g the way bottoms pretend they’re “toOoOps” when they’re desperate.

Maxaker #ThankYouMiura 的头像
Maxaker #ThankYouMiura17 天前

It should remain behind closed doors. It is a slippery slope of degeneracy.

THE REAL CAMP 🇳🇬 的头像
THE REAL CAMP 🇳🇬22 天前

@grok what’s the movie called

相关视频

James Gandolfini could make a simple conversation feel like you were watching a man fight with himself. That’s what made his performance as Tony Soprano so extraordinary. He could be intimidating one moment, genuinely vulnerable the next, and then suddenly reveal a flash of anger that made you question everything you thought you understood about him. The brilliance was in the little things: the pauses, the facial expressions, the way his voice changed when Tony felt cornered. Gandolfini never needed to explain what Tony was feeling. You could see the battle happening before he said a word. Tony Soprano was a violent, selfish man who could still make you feel sympathy for him. That contradiction was never easy to pull off, but Gandolfini made it look effortless. He didn’t just play Tony Soprano. He made television history.
3:02

James Gandolfini could make a simple conversation feel like you were watching a man fight with himself. That’s what made his performance as Tony Soprano so extraordinary. He could be intimidating one moment, genuinely vulnerable the next, and then suddenly reveal a flash of anger that made you question everything you thought you understood about him. The brilliance was in the little things: the pauses, the facial expressions, the way his voice changed when Tony felt cornered. Gandolfini never needed to explain what Tony was feeling. You could see the battle happening before he said a word. Tony Soprano was a violent, selfish man who could still make you feel sympathy for him. That contradiction was never easy to pull off, but Gandolfini made it look effortless. He didn’t just play Tony Soprano. He made television history.

Excellent

31,923 次观看 • 10 天前

One of the first times The Sopranos tells you exactly what kind of show it is comes when Meadow asks Tony a very simple question: “Are you in the Mafia?” Tony doesn’t answer like a criminal who has been caught. He answers like an offended suburban father. He talks about waste management. Italian-American stereotypes. The insult of his own daughter believing such a thing. “There is no Mafia.” It would almost work if Meadow were still a child. But she has lived in that house her entire life. She has seen the money, the visitors and the way certain conversations suddenly stop when she enters a room. She isn’t asking because she needs information. She is giving Tony a chance to stop insulting her intelligence. “Dad, I’ve lived in the house all my life.” That is the line that punctures the whole performance. Tony thinks he has kept his two lives separate. Meadow quietly tells him that the separation never existed. Eventually, he gives her something: “Part of my income comes from legitimate businesses.” A perfect Tony Soprano confession. Not quite a lie, but nowhere near the truth. He admits just enough to feel honest while keeping everything ugly safely unnamed. And Meadow sees exactly what he is doing. The strange part is that Tony almost seems proud of her. She figured him out. She is smart enough to see through the waste-management story and force him closer to the truth than most people ever get. But closer is as far as Tony can go. He wants the intimacy of being an honest father without surrendering the secrecy that keeps him alive as a gangster. He cannot have both. That conflict is already there in the first season. Tony can hide evidence, intimidate witnesses and lie to investigators. But the FBI needs proof. Meadow doesn’t.
1:50

One of the first times The Sopranos tells you exactly what kind of show it is comes when Meadow asks Tony a very simple question: “Are you in the Mafia?” Tony doesn’t answer like a criminal who has been caught. He answers like an offended suburban father. He talks about waste management. Italian-American stereotypes. The insult of his own daughter believing such a thing. “There is no Mafia.” It would almost work if Meadow were still a child. But she has lived in that house her entire life. She has seen the money, the visitors and the way certain conversations suddenly stop when she enters a room. She isn’t asking because she needs information. She is giving Tony a chance to stop insulting her intelligence. “Dad, I’ve lived in the house all my life.” That is the line that punctures the whole performance. Tony thinks he has kept his two lives separate. Meadow quietly tells him that the separation never existed. Eventually, he gives her something: “Part of my income comes from legitimate businesses.” A perfect Tony Soprano confession. Not quite a lie, but nowhere near the truth. He admits just enough to feel honest while keeping everything ugly safely unnamed. And Meadow sees exactly what he is doing. The strange part is that Tony almost seems proud of her. She figured him out. She is smart enough to see through the waste-management story and force him closer to the truth than most people ever get. But closer is as far as Tony can go. He wants the intimacy of being an honest father without surrendering the secrecy that keeps him alive as a gangster. He cannot have both. That conflict is already there in the first season. Tony can hide evidence, intimidate witnesses and lie to investigators. But the FBI needs proof. Meadow doesn’t.

best of the sopranos

250,360 次观看 • 3 个月前

Tony Soprano can tolerate insults against himself. But the moment someone disrespects Meadow, all bets are off. In The Sopranos, Salvatore “Coco” Cogliano makes a serious mistake when he directs vulgar, inappropriate comments at Meadow Soprano. Coco may be a soldier in the Lupertazzi crime family, but he clearly misjudges the man whose daughter he has chosen to harass. When Tony finds out what happened, he doesn’t call a meeting, negotiate an apology, or wait for permission from New York. He tracks Coco down and unleashes his fury in one of the series’ most brutal confrontations. The violence is shocking, but what makes the scene so significant is what it reveals about Tony. For all his hypocrisy, infidelity, and criminal behavior, Tony draws a powerful line when it comes to his children. Meadow isn’t just his daughter; she represents the respectable family life he desperately wants to protect, even while his own actions undermine that image. But there’s another side to this confrontation. Coco belongs to a rival crime family, meaning Tony’s retaliation is more than a father defending his daughter. It’s also a direct challenge to the fragile balance of power between New Jersey and New York. Tony may believe he’s protecting his family, but his anger could put his entire organization at risk. That’s the contradiction that makes Tony Soprano such a compelling character: he can be a devoted father in one moment and a ruthless, impulsive mob boss in the next. Was Tony justified in retaliating against Coco for disrespecting Meadow or did he let his emotions override the judgment a boss needs to survive? #TheSopranos #TonySoprano
1:04

Tony Soprano can tolerate insults against himself. But the moment someone disrespects Meadow, all bets are off. In The Sopranos, Salvatore “Coco” Cogliano makes a serious mistake when he directs vulgar, inappropriate comments at Meadow Soprano. Coco may be a soldier in the Lupertazzi crime family, but he clearly misjudges the man whose daughter he has chosen to harass. When Tony finds out what happened, he doesn’t call a meeting, negotiate an apology, or wait for permission from New York. He tracks Coco down and unleashes his fury in one of the series’ most brutal confrontations. The violence is shocking, but what makes the scene so significant is what it reveals about Tony. For all his hypocrisy, infidelity, and criminal behavior, Tony draws a powerful line when it comes to his children. Meadow isn’t just his daughter; she represents the respectable family life he desperately wants to protect, even while his own actions undermine that image. But there’s another side to this confrontation. Coco belongs to a rival crime family, meaning Tony’s retaliation is more than a father defending his daughter. It’s also a direct challenge to the fragile balance of power between New Jersey and New York. Tony may believe he’s protecting his family, but his anger could put his entire organization at risk. That’s the contradiction that makes Tony Soprano such a compelling character: he can be a devoted father in one moment and a ruthless, impulsive mob boss in the next. Was Tony justified in retaliating against Coco for disrespecting Meadow or did he let his emotions override the judgment a boss needs to survive? #TheSopranos #TonySoprano

Breezy

107,486 次观看 • 3 天前

Tony’s revenge is brutal because it isn’t really about anger anymore. It’s about control. By this point, Tony has been betrayed, challenged, and embarrassed enough times that retaliation has become almost automatic. But what makes the moment hit is how calmly he moves once he decides someone has crossed the line. Tony doesn’t need to explain himself. In his world, certain actions create consequences, and he has convinced himself that delivering those consequences is simply part of being the boss. That’s the frightening part. The man who once needed a reason to justify violence eventually starts treating revenge like housekeeping.
3:30

Tony’s revenge is brutal because it isn’t really about anger anymore. It’s about control. By this point, Tony has been betrayed, challenged, and embarrassed enough times that retaliation has become almost automatic. But what makes the moment hit is how calmly he moves once he decides someone has crossed the line. Tony doesn’t need to explain himself. In his world, certain actions create consequences, and he has convinced himself that delivering those consequences is simply part of being the boss. That’s the frightening part. The man who once needed a reason to justify violence eventually starts treating revenge like housekeeping.

Excellent

275,723 次观看 • 18 天前

Tony Soprano protects Artie Bucco because Artie is one of the few people in his life he cannot reduce to business. Everyone around Tony eventually becomes useful, dangerous, or disposable. Artie is different. He knew Tony before the money, the violence, and the reputation. Their friendship reminds Tony of a version of himself that existed before fear became his primary language. But Tony’s affection has its own corruption. He calls it protection, yet he repeatedly makes decisions for Artie without respecting his right to make his own mistakes. Even his kindness carries the weight of control. The irony is that Artie envies Tony’s power while possessing something Tony can never buy: a legitimate life built around his own craft. Whenever Artie tries to enter Tony’s world, he nearly destroys himself. Tony can protect Artie from the mob, but he cannot give him Tony’s freedom without taking away the very thing that makes Artie different.
9:15

Tony Soprano protects Artie Bucco because Artie is one of the few people in his life he cannot reduce to business. Everyone around Tony eventually becomes useful, dangerous, or disposable. Artie is different. He knew Tony before the money, the violence, and the reputation. Their friendship reminds Tony of a version of himself that existed before fear became his primary language. But Tony’s affection has its own corruption. He calls it protection, yet he repeatedly makes decisions for Artie without respecting his right to make his own mistakes. Even his kindness carries the weight of control. The irony is that Artie envies Tony’s power while possessing something Tony can never buy: a legitimate life built around his own craft. Whenever Artie tries to enter Tony’s world, he nearly destroys himself. Tony can protect Artie from the mob, but he cannot give him Tony’s freedom without taking away the very thing that makes Artie different.

Chief Goddiz🇺🇲

42,399 次观看 • 11 天前

Tony knows the war with Phil Leotardo has reached the point where talking is no longer going to solve anything. What makes this decision so revealing is how quickly Tony shifts from trying to manage the conflict to ordering a man’s death. The negotiations, the compromises, and the attempts to keep business running have all failed. Now Tony has to think about protecting his crew and ending a threat that has become too dangerous to ignore. But Tony is never acting on strategy alone. Pride, revenge, and the need to prove he still controls his territory are mixed into every decision. He wants the war finished, but he also wants to be the man who decides how it finishes. That’s the contradiction at the heart of Tony’s leadership: he can justify almost any act as necessary for the family, even when his own emotions are helping drive the decision. He calls it business, but the people caught in the middle pay the price for his version of peace. Source:
4:18

Tony knows the war with Phil Leotardo has reached the point where talking is no longer going to solve anything. What makes this decision so revealing is how quickly Tony shifts from trying to manage the conflict to ordering a man’s death. The negotiations, the compromises, and the attempts to keep business running have all failed. Now Tony has to think about protecting his crew and ending a threat that has become too dangerous to ignore. But Tony is never acting on strategy alone. Pride, revenge, and the need to prove he still controls his territory are mixed into every decision. He wants the war finished, but he also wants to be the man who decides how it finishes. That’s the contradiction at the heart of Tony’s leadership: he can justify almost any act as necessary for the family, even when his own emotions are helping drive the decision. He calls it business, but the people caught in the middle pay the price for his version of peace. Source:

OfficialSonia🇺🇲🇺🇲💯

45,207 次观看 • 7 天前

Richie Aprile’s crew headquarters tells you a lot about the kind of man he is before he even opens his mouth. Richie comes back from prison expecting the world to have stayed exactly where he left it. He wants respect, authority, and the kind of loyalty he remembers from the old days. But the crew has moved on, and the people around him have learned to operate without him. That’s what makes Richie so dangerous. He doesn't see his return as an opportunity to rebuild relationships; he sees it as a chance to reclaim what he believes is rightfully his. Every conversation becomes a test of respect, and every disagreement feels like a challenge to his authority. The headquarters might be a place to conduct business, but for Richie, it’s also a stage where he expects everyone to recognize his status. His problem isn't that he wants power. It's that he believes his past automatically entitles him to it. Source:
6:11

Richie Aprile’s crew headquarters tells you a lot about the kind of man he is before he even opens his mouth. Richie comes back from prison expecting the world to have stayed exactly where he left it. He wants respect, authority, and the kind of loyalty he remembers from the old days. But the crew has moved on, and the people around him have learned to operate without him. That’s what makes Richie so dangerous. He doesn't see his return as an opportunity to rebuild relationships; he sees it as a chance to reclaim what he believes is rightfully his. Every conversation becomes a test of respect, and every disagreement feels like a challenge to his authority. The headquarters might be a place to conduct business, but for Richie, it’s also a stage where he expects everyone to recognize his status. His problem isn't that he wants power. It's that he believes his past automatically entitles him to it. Source:

Excellent

35,698 次观看 • 1 天前

The fact that Tony Gilroy even got to write a Vader line feels really special to me and you can tell Tony took it seriously. Tony isn’t a Star Wars fan but he’s a REVERED professional writer and part of that comes from giving audiences incredible moments. Every moment of this scene is absolutely cool as fuck and even people who don’t like Star Wars are going to feel hype about it because it’s also HILARIOUS. Darth Vader is a drama queen. If you really want to get technical about the lore, Anakin stopped emotionally developing at age 22 and it makes Darth Vader hilarious. Every moment of this is what a 22 year old would do if a girl broke his heart. It’s exactly what a badass villain should be — spooky is the most important (which is why there’s SO MUCH spooky imagery and not as much dialogue) but he’s also smart and sometimes even charming. He’s the perfect villain and he needs to be treated with the proper gravitas. Actually — he needs to be treated with MORE gravitas because he’s also a supervillain icon and a true blueprint. As much gravitas as you think he needs, Gilroy gives him just a LITTLE more. Because he’s Darth fucking Vader, baby. This scene alone can make almost anyone enjoy Rogue One because it’s fucking hilarious. Tony Gilroy killed it. 10/10 my second favorite Star Wars moment ever. Incredible respect for an iconic villain.
3:28

The fact that Tony Gilroy even got to write a Vader line feels really special to me and you can tell Tony took it seriously. Tony isn’t a Star Wars fan but he’s a REVERED professional writer and part of that comes from giving audiences incredible moments. Every moment of this scene is absolutely cool as fuck and even people who don’t like Star Wars are going to feel hype about it because it’s also HILARIOUS. Darth Vader is a drama queen. If you really want to get technical about the lore, Anakin stopped emotionally developing at age 22 and it makes Darth Vader hilarious. Every moment of this is what a 22 year old would do if a girl broke his heart. It’s exactly what a badass villain should be — spooky is the most important (which is why there’s SO MUCH spooky imagery and not as much dialogue) but he’s also smart and sometimes even charming. He’s the perfect villain and he needs to be treated with the proper gravitas. Actually — he needs to be treated with MORE gravitas because he’s also a supervillain icon and a true blueprint. As much gravitas as you think he needs, Gilroy gives him just a LITTLE more. Because he’s Darth fucking Vader, baby. This scene alone can make almost anyone enjoy Rogue One because it’s fucking hilarious. Tony Gilroy killed it. 10/10 my second favorite Star Wars moment ever. Incredible respect for an iconic villain.

Tad Ghostal

26,900 次观看 • 5 个月前

Hesh lending Tony $200,000 is a reminder that even a Mafia boss can end up needing someone else’s money. Tony is used to being the person people fear, the one who collects debts and makes sure everyone understands the consequences of not paying. But when he needs cash himself, the dynamic changes. Suddenly, he has to rely on someone whose relationship with him is built on years of trust, business, and mutual respect. What makes Hesh interesting is that he knows Tony well enough not to confuse friendship with a guarantee. He understands the risks, and he knows that lending money to Tony comes with complications that ordinary businesspeople never have to consider. Tony can intimidate almost anyone. But owing money to a friend who knows exactly who you are? That’s a different kind of pressure.
5:09

Hesh lending Tony $200,000 is a reminder that even a Mafia boss can end up needing someone else’s money. Tony is used to being the person people fear, the one who collects debts and makes sure everyone understands the consequences of not paying. But when he needs cash himself, the dynamic changes. Suddenly, he has to rely on someone whose relationship with him is built on years of trust, business, and mutual respect. What makes Hesh interesting is that he knows Tony well enough not to confuse friendship with a guarantee. He understands the risks, and he knows that lending money to Tony comes with complications that ordinary businesspeople never have to consider. Tony can intimidate almost anyone. But owing money to a friend who knows exactly who you are? That’s a different kind of pressure.

OfficialSonia🇺🇲🇺🇲💯

46,775 次观看 • 11 天前

There's this part in the interview where the host asked what they worry about most when it comes to each other, and Gawin's answer was that he doesn't really worry about Joss. His reason was that Joss is the kind of person who, when he says he's going to do something, he always follows through. Not only that, he does it well. He puts everything he has into it until it's done right. And honestly, the more I think about that answer, the sweeter it feels. Because I think it says a lot about how Gawin sees Joss as a person, someone stable, someone dependable, someone who takes care of the people around him. Someone Gawin knows he can lean on when things get difficult, the kind of person whose presence alone makes you feel like everything is going to be okay. Sometimes “I don't worry about him” doesn't mean you care less. Sometimes it means you trust someone so completely that worrying never even crosses your mind. And I don't know... I just find that incredibly endearing.
0:47

There's this part in the interview where the host asked what they worry about most when it comes to each other, and Gawin's answer was that he doesn't really worry about Joss. His reason was that Joss is the kind of person who, when he says he's going to do something, he always follows through. Not only that, he does it well. He puts everything he has into it until it's done right. And honestly, the more I think about that answer, the sweeter it feels. Because I think it says a lot about how Gawin sees Joss as a person, someone stable, someone dependable, someone who takes care of the people around him. Someone Gawin knows he can lean on when things get difficult, the kind of person whose presence alone makes you feel like everything is going to be okay. Sometimes “I don't worry about him” doesn't mean you care less. Sometimes it means you trust someone so completely that worrying never even crosses your mind. And I don't know... I just find that incredibly endearing.

🌛โตไม่โต🌈

20,158 次观看 • 4 个月前

Christopher getting shot is one of those moments where the confidence disappears instantly. He spends so much of the series trying to prove he belongs, trying to be taken seriously, trying to convince Tony and everyone else that he can handle the life. Then one moment of violence reduces all of that to survival. What makes the scene hit is how quickly the power dynamic changes. Christopher can be reckless and intimidating when he has control, but when he’s the one bleeding, there’s no status or reputation to hide behind. And Tony’s reaction makes it even more complicated. There’s genuine concern there, but also the realization that Christopher’s choices keep dragging him into situations Tony may not be able to fix. For Christopher, getting shot isn’t just a physical wound. It’s another reminder that the life he desperately wants to be respected by can destroy him just as easily.
2:03

Christopher getting shot is one of those moments where the confidence disappears instantly. He spends so much of the series trying to prove he belongs, trying to be taken seriously, trying to convince Tony and everyone else that he can handle the life. Then one moment of violence reduces all of that to survival. What makes the scene hit is how quickly the power dynamic changes. Christopher can be reckless and intimidating when he has control, but when he’s the one bleeding, there’s no status or reputation to hide behind. And Tony’s reaction makes it even more complicated. There’s genuine concern there, but also the realization that Christopher’s choices keep dragging him into situations Tony may not be able to fix. For Christopher, getting shot isn’t just a physical wound. It’s another reminder that the life he desperately wants to be respected by can destroy him just as easily.

OfficialSonia🇺🇲🇺🇲💯

56,055 次观看 • 20 天前

James Gandolfini was perfection as Tony Soprano. But he was so much more than just that. Those who knew him say his role in "Enough Said" was the closest to how he was as a person.
2:12

James Gandolfini was perfection as Tony Soprano. But he was so much more than just that. Those who knew him say his role in "Enough Said" was the closest to how he was as a person.

633 Stag Trail Road 🤌

152,301 次观看 • 7 个月前

HE REALLY THOUGHT HE COULD HAVE THIS CONVERSATION WITH HIS STEPFATHER WITHOUT IT GETTING AWKWARD… The second the conversation turns personal, you can feel the entire mood change. One of them is trying to explain himself while the other keeps pressing him, and suddenly this isn’t a casual conversation anymore. What makes the scene so compelling is the uncertainty you’re watching him try to figure out exactly how the other person is going to react. That kind of conversation is terrifying when you genuinely have no idea what the other person is about to say. You can literally feel the tension building with every question.
1:24

HE REALLY THOUGHT HE COULD HAVE THIS CONVERSATION WITH HIS STEPFATHER WITHOUT IT GETTING AWKWARD… The second the conversation turns personal, you can feel the entire mood change. One of them is trying to explain himself while the other keeps pressing him, and suddenly this isn’t a casual conversation anymore. What makes the scene so compelling is the uncertainty you’re watching him try to figure out exactly how the other person is going to react. That kind of conversation is terrifying when you genuinely have no idea what the other person is about to say. You can literally feel the tension building with every question.

peanut butter movies 🌹

62,817 次观看 • 1 个月前

Davey really had many chances to not get sucked in further, as much as Tony is blamed. If he thinks for a second what Richie means here... how many guys he already must have seen with a light envelope. This scene is why you can't feel sorry for Davey and how he ended up. The guy was warned about his gambling by both Tony AND Richie and he still went into damnation with both eyes wide open. When Richie Aprile comes off as the reasonable, sober-minded one, you really are going down the road to ruin. And he did.
1:20

Davey really had many chances to not get sucked in further, as much as Tony is blamed. If he thinks for a second what Richie means here... how many guys he already must have seen with a light envelope. This scene is why you can't feel sorry for Davey and how he ended up. The guy was warned about his gambling by both Tony AND Richie and he still went into damnation with both eyes wide open. When Richie Aprile comes off as the reasonable, sober-minded one, you really are going down the road to ruin. And he did.

best of the sopranos

290,805 次观看 • 2 个月前

🚨Ben Habib makes so much sense here. One of the reasons I like Ben and Advance is when he speaks he never makes the conversation about himself. It’s always about how he can make sure strategically that whatever party on the right wins he can do his part to make sure that party stays true to conservative principles.
2:59

🚨Ben Habib makes so much sense here. One of the reasons I like Ben and Advance is when he speaks he never makes the conversation about himself. It’s always about how he can make sure strategically that whatever party on the right wins he can do his part to make sure that party stays true to conservative principles.

Don Keith

29,992 次观看 • 5 个月前

#LiuXueyi full interview is here! he shared about Lin Jinqi, why he chose to take on #AgainstTheCurrent, why he doesnt chase popularity, why he prefers to live in the present and what kind of person he likes hehehe😆 What kind of person do you like? him: at our age, it's already pretty good if someone chooses you 😌 when confronted with some of the criticisms directed at Jinqi, including breaking off his engagement at the beginning of the story and being accused of being a “scumbag”, he firmly refuses to accept the label. he explains that young Jinqi had many moments when he was forced to say things that did not reflect what he truly felt. Much of his behavior was dictated by the circumstances surrounding the Lin family, leaving him with little room to make his own choices. At that point, simply protecting himself was already difficult enough, so he did not have the luxury of worrying about the survival of another family. He also rejects the suggestion that Jinqi had already been married before Lanxiang and therefore had somehow failed to “keep himself clean.” He calls that accusation unfair and jokes that the audience needs to go back to the script to understand what actually happened. When asked whether Jinqi’s eventual “chasing his wife after messing everything up” was something he brought upon himself, he gives a characteristically straightforward answer: whatever happened along the way, as long as the ending is good, that is what matters. Although Lin Jinqi has plenty of qualities that viewers might describe as “red flags,” Liu Xueyi says that imperfection was precisely what attracted him to the character. “None of us are perfect,” he explains. In his view, it is those imperfections that make a character feel real and allow audiences to identify with him. Rather than portraying someone who already understands everything about relationships and love, Jinqi is someone who has to learn. His journey is therefore not simply about becoming a better person in a conventional sense. It is about learning how to communicate, respect another person's choices, and understand love beyond his own way of thinking. watching Jinqi gradually make that transition and seeing his relationship with Lanxiang change from misunderstanding to comradeship, friendship, and eventually a deeper emotional connection is what makes the role particularly interesting. He also speaks openly about his attitude toward his acting career. He recalls previously saying, “As long as I have work, I’m content. Whether I become popular or not is up to fate.” His attitude has not changed significantly. Rather than worrying about what happened before or what might happen later, he prefers to focus on the present. His priority is to serve the role, complete what the script asks of him, and make sure that at the end of each working day, he has no regrets about the work he has done. He also says that he does not like setting huge goals for himself. Instead of constantly thinking about where he should be in the industry or whether a drama will become a hit, he focuses on doing today's work well. He describes himself as someone who lives very much in the present. “Plans can't keep up with changes,” he says, so he sees little point in overthinking what might happen several days in advance. He jokes that even his plans for that evening had only been decided ten minutes earlier. If something can change that quickly, there is little point in deciding two days beforehand what he will be doing. He says his decision to take Against the Current did not take particularly long, only a few days. But he did take the time to finish reading the script, study the character, and meet with the creative team before making his decision. When the interviewer suggests that he is actually very suitable for variety shows, he immediately jokes, “When did I ever say that?” He explains that because of his personality, he might actually be quite easy for audiences to remember if he appears frequently on variety programs. This is one reason he prefers to maintain a certain degree of distance. However, he clarifies that this does not mean he refuses variety shows or promotional activities altogether. He simply wants to maintain a boundary that feels comfortable to him. His main concern is still his identity as an actor. He wonders whether becoming too recognizable for his personality outside of dramas might eventually affect the way audiences perceive his future characters. For him, everything ultimately has to come back to the role. “My identity as an actor comes first.” He admits that he has improved compared with the past when it comes to publicity and promotional activities, although he still does not consider himself particularly good at them. He sees this as something he is gradually learning. Rather than suddenly forcing himself to become highly active, he is slowly becoming more comfortable with it and believes there is still room for improvement. His Arctic vlog is one example. the trip was not simply a KPI assigned by his team. He actually took the initiative to make the vlog himself. During the trip, while sailing through Arctic waters, he was able to experience what those descriptions actually meant in reality. He also found the polar day fascinating: at one in the morning, when he could not sleep, he could still go outside and enjoy the sunlight. For him, the trip reflects a broader philosophy about life. He says there are many places he wants to visit, but people often keep telling themselves, “Maybe next time,” whenever something gets in the way. If you keep postponing everything, eventually you may end up going nowhere.
12:06

#LiuXueyi full interview is here! he shared about Lin Jinqi, why he chose to take on #AgainstTheCurrent, why he doesnt chase popularity, why he prefers to live in the present and what kind of person he likes hehehe😆 What kind of person do you like? him: at our age, it's already pretty good if someone chooses you 😌 when confronted with some of the criticisms directed at Jinqi, including breaking off his engagement at the beginning of the story and being accused of being a “scumbag”, he firmly refuses to accept the label. he explains that young Jinqi had many moments when he was forced to say things that did not reflect what he truly felt. Much of his behavior was dictated by the circumstances surrounding the Lin family, leaving him with little room to make his own choices. At that point, simply protecting himself was already difficult enough, so he did not have the luxury of worrying about the survival of another family. He also rejects the suggestion that Jinqi had already been married before Lanxiang and therefore had somehow failed to “keep himself clean.” He calls that accusation unfair and jokes that the audience needs to go back to the script to understand what actually happened. When asked whether Jinqi’s eventual “chasing his wife after messing everything up” was something he brought upon himself, he gives a characteristically straightforward answer: whatever happened along the way, as long as the ending is good, that is what matters. Although Lin Jinqi has plenty of qualities that viewers might describe as “red flags,” Liu Xueyi says that imperfection was precisely what attracted him to the character. “None of us are perfect,” he explains. In his view, it is those imperfections that make a character feel real and allow audiences to identify with him. Rather than portraying someone who already understands everything about relationships and love, Jinqi is someone who has to learn. His journey is therefore not simply about becoming a better person in a conventional sense. It is about learning how to communicate, respect another person's choices, and understand love beyond his own way of thinking. watching Jinqi gradually make that transition and seeing his relationship with Lanxiang change from misunderstanding to comradeship, friendship, and eventually a deeper emotional connection is what makes the role particularly interesting. He also speaks openly about his attitude toward his acting career. He recalls previously saying, “As long as I have work, I’m content. Whether I become popular or not is up to fate.” His attitude has not changed significantly. Rather than worrying about what happened before or what might happen later, he prefers to focus on the present. His priority is to serve the role, complete what the script asks of him, and make sure that at the end of each working day, he has no regrets about the work he has done. He also says that he does not like setting huge goals for himself. Instead of constantly thinking about where he should be in the industry or whether a drama will become a hit, he focuses on doing today's work well. He describes himself as someone who lives very much in the present. “Plans can't keep up with changes,” he says, so he sees little point in overthinking what might happen several days in advance. He jokes that even his plans for that evening had only been decided ten minutes earlier. If something can change that quickly, there is little point in deciding two days beforehand what he will be doing. He says his decision to take Against the Current did not take particularly long, only a few days. But he did take the time to finish reading the script, study the character, and meet with the creative team before making his decision. When the interviewer suggests that he is actually very suitable for variety shows, he immediately jokes, “When did I ever say that?” He explains that because of his personality, he might actually be quite easy for audiences to remember if he appears frequently on variety programs. This is one reason he prefers to maintain a certain degree of distance. However, he clarifies that this does not mean he refuses variety shows or promotional activities altogether. He simply wants to maintain a boundary that feels comfortable to him. His main concern is still his identity as an actor. He wonders whether becoming too recognizable for his personality outside of dramas might eventually affect the way audiences perceive his future characters. For him, everything ultimately has to come back to the role. “My identity as an actor comes first.” He admits that he has improved compared with the past when it comes to publicity and promotional activities, although he still does not consider himself particularly good at them. He sees this as something he is gradually learning. Rather than suddenly forcing himself to become highly active, he is slowly becoming more comfortable with it and believes there is still room for improvement. His Arctic vlog is one example. the trip was not simply a KPI assigned by his team. He actually took the initiative to make the vlog himself. During the trip, while sailing through Arctic waters, he was able to experience what those descriptions actually meant in reality. He also found the polar day fascinating: at one in the morning, when he could not sleep, he could still go outside and enjoy the sunlight. For him, the trip reflects a broader philosophy about life. He says there are many places he wants to visit, but people often keep telling themselves, “Maybe next time,” whenever something gets in the way. If you keep postponing everything, eventually you may end up going nowhere.

Kazuha

25,063 次观看 • 1 个月前

Jeff Jarrett weighs in on why Tony Khan has thrived in the wrestling industry: "This is gonna sound real simple, but to me, you can go back and look over history: Who does Tony answer to? He answers to himself. When you can implement your vision and the direction you're going, it's a game-changer. I think that is the single thing that really... I'm proud of Tony. I'm not afraid to say that. I'm very proud of Tony for implementing his vision because the success is showing."
2:01

Jeff Jarrett weighs in on why Tony Khan has thrived in the wrestling industry: "This is gonna sound real simple, but to me, you can go back and look over history: Who does Tony answer to? He answers to himself. When you can implement your vision and the direction you're going, it's a game-changer. I think that is the single thing that really... I'm proud of Tony. I'm not afraid to say that. I'm very proud of Tony for implementing his vision because the success is showing."

Ariel Helwani

41,035 次观看 • 3 个月前

“This is not a fulfilling life”. Some people took that as meaning Scottie doesn’t care or that golf isn’t important to him. It’s the opposite. Scottie cares more about this par putt while up 7 strokes than you have ever cared about anything. So what does he mean? After he wins, he is on to his family and the grind of practice. The journey fulfills him, the win itself is the result and that feeling doesn’t last. It’s easy to see why he keeps dominating. The grind is what he loves.
0:31

“This is not a fulfilling life”. Some people took that as meaning Scottie doesn’t care or that golf isn’t important to him. It’s the opposite. Scottie cares more about this par putt while up 7 strokes than you have ever cared about anything. So what does he mean? After he wins, he is on to his family and the grind of practice. The journey fulfills him, the win itself is the result and that feeling doesn’t last. It’s easy to see why he keeps dominating. The grind is what he loves.

Rick Golfs

862,331 次观看 • 1 年前

One of his best performances on The Sopranos is the scene where he's talking to AJ about how Tony was always there for him in difficult times. All while he's wearing a wire to incriminate Tony. And you feel his remorse emerge more as the scene goes on RIP
2:36

One of his best performances on The Sopranos is the scene where he's talking to AJ about how Tony was always there for him in difficult times. All while he's wearing a wire to incriminate Tony. And you feel his remorse emerge more as the scene goes on RIP

Possum A-ko

623,868 次观看 • 2 个月前

One thing I respect about Rowan Atkinson is that he never let Mr. Bean define his entire career. Listening to him talk about the character years later reminds you that sometimes the role the world loves most isn’t the one an actor wants to be remembered by. It’s a surprisingly thoughtful conversation from The Graham Norton Show. 🎭
3:40

One thing I respect about Rowan Atkinson is that he never let Mr. Bean define his entire career. Listening to him talk about the character years later reminds you that sometimes the role the world loves most isn’t the one an actor wants to be remembered by. It’s a surprisingly thoughtful conversation from The Graham Norton Show. 🎭

🎬 JoelthegreatHQ

62,432 次观看 • 2 个月前