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This guy built a visual scanner that reads 468 points on his face and 42 points on his hands from a regular webcam and turns them into a cloud of thousands of particles right between his palms. Inside, MediaPipe and TouchDesigner are linked: the first captures hands and face...

38,242 görüntüleme • 3 ay önce •via X (Twitter)

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This Chinese guy built a Second Brain in Obsidian and every morning gets 3 trading ideas that brought him $180,000 in 6 months. Inside he runs a pipeline of 6 workflows on N8N that automatically pulls every read article, listened podcast, and voice note into a shared Obsidian vault, and a neural network analyst every morning at 6:00 finds connections between the fresh and the old and puts the 3 strongest trading ideas for the day into the inbox. No analytics desk, no Bloomberg terminal, no Telegram chats with traders. Just a Mac Mini by the wall, an iPhone in the pocket, and 1 local Obsidian vault. And traditional quant funds keep entire teams of 8 people on salary for the same flow of insights, while his expenses are only subscriptions to Readwise, Whisper API, and N8N hosting. 6 pipelines process about 200 sources a day and close the monthly API bill at about $120. The Mac Mini itself stores the entire vault and keeps the neural network analyst running 24/7, and from the iPhone the owner drops any idea he hears on the go into a Telegram bot, and it lands in the vault inbox in just 30 seconds. The starting instruction that sits in the VAULT.md file at the root of his vault looks like this: "you are the AI analyst of a solo trader. you read his vault every morning at 6:00, find connections between fresh and old notes, and deliver 3 trading ideas he can verify in the hour before the market opens. pipelines: // Reader (pulls every article and highlight from Readwise, Twitter bookmarks, and Kindle into /notes) // Listener (transcribes podcasts through Airr and voice notes through Whisper, puts them in /notes) // Catcher (accepts any message from the Telegram bot and writes it to /inbox with a timestamp) // Connector (every night reads across the entire vault and updates the connection graph between 4,000 notes) // Briefer (at 6:00 AM writes a brief: 3 trading ideas for today plus the emerging thesis of the week, puts it in /inbox) // Mobile (lives in the iPhone, answers any question about the vault by voice, and confirms alerts while the owner is on the go). you wake the owner with a push notification only when a fresh note contradicts his active thesis or when 1 of the 3 morning ideas has a confidence score above 90%." This instruction immediately sets the role for the system and the limits of its autonomy. It knows it is supposed to connect new with old on its own. It knows it is supposed to prepare 3 trading ideas every morning on its own. It knows it connects the live trader only when a thesis is contradicted or an ultra-confident idea appears. → Reader pulls about 80 articles and highlights a day from Readwise, Twitter, and Kindle → Listener transcribes 4 to 6 podcasts a week through Airr and Whisper → Catcher intercepts all voice and text ideas through the Telegram bot, averaging 15 to 20 a day → Connector updates the connection graph between 4,000 notes every night, adding 25 to 30 new edges → Briefer puts a fresh brief with 3 trading ideas and the emerging thesis into the inbox at exactly 6:00 → Mobile answers any question about the vault by voice and confirms alerts right from the iPhone And only when a new note contradicts his active thesis or 1 of the ideas breaks 90% confidence does the orchestrator raise the owner with a push notification. And when the trader at that moment is driving to the gym or eating breakfast, the Mobile agent in his iPhone answers any quick question about the vault by voice: what he wrote about this ticker last week, which 3 sources support the idea of long NVDA, and what counter-thesis already sits in his notes. The trader makes the decision and sends the order before New York opens. The fresh brief from last Monday looks like this: "reader: 78 materials added over the weekend, 11 of them about semiconductors, 4 about energy, 3 about biotech. passing to connector." "connector: 27 new connections found between fresh materials and the vault, the strongest one is that the Goldman report from Wednesday matches the NVDA thesis you wrote 3 weeks ago." "briefer: 3 trading ideas for today: long NVDA (confidence 0.84), short Tesla at the close of the quarterly report (0.71), watch URI (0.62). emerging thesis of the week: the market is underpricing capex on data centers." "alert: your fresh note about long-term risk in semis contradicts the NVDA thesis. sending for review." In his work setup there is no cloud server, no team of analysts, and not even a Bloomberg subscription. At home sits a Mac Mini with a local Obsidian vault, on top run 6 N8N pipelines and a neural network analyst, and the same vault mirrors to a secure terminal on the iPhone. Out of everything I have seen this year, this is the cleanest solo trading setup on a second brain: $120 a month on the API, about $30,000 a month into the account, and between them 6 pipelines, 4,000 connected notes, and 1 iPhone in the pocket.

Blaze

926,828 görüntüleme • 3 ay önce

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,389 görüntüleme • 2 ay önce

wait what?? Seedance 2.0 went crazy with this prompt 🦾 This is real early 2000s home video footage shot on a VHS camcorder at a crowded public swimming pool. The video has the typical grain, color, and soft quality of consumer video from that era. The camera is very shaky and handheld, filming from the side of the pool. On the diving board there is a very fat man wearing a homemade jetpack made out of what looks like metal tubes and bottles strapped to his back. A group of people around the pool are cheering and laughing, hyping him up. The guy runs and jumps off the diving board, then activates the jetpack mid-air. He manages to fly a few meters forward over the pool, but the jetpack starts struggling under his weight. He slowly loses height and ends up crashing into the water with a big splash. Right after he falls in, another fat guy with a mullet haircut jumps into the pool holding a can of beer. He swims over to the guy with the jetpack, who is still half-floating with the device on, and hands him the beer. The jetpack guy takes it and starts drinking while still in the water. Everyone around the pool goes crazy cheering and laughing at the whole scene. The camera movement is extremely shaky and reactive the entire time, with constant motion, motion blur during the jump and the crash, and the typical imperfections of someone filming with an old camcorder in a crowded place. There are several fast, unplanned cuts as the person filming tries to follow the chaos. Natural sound only: people cheering and laughing, the sound of the jetpack, the big splash when he crashes, and general pool ambience recorded with the camcorder microphone. The result must feel like authentic raw early 2000s home video of someone casually filming an absolutely ridiculous moment at a public swimming pool. Now is your turn! Tweak it and share it 🫡

TechHalla

34,084 görüntüleme • 27 gün önce

Elon Musk gave the entire entertainment industry its expiration date, and he is the one building the thing that kills it. Musk: “My guess is that we see the first compelling half hour, pure AI show next year.” Next year. A complete show generated entirely by AI. No writers. No actors. No cameras. No sets. No crew. No studio. Just a prompt and enough compute to render a reality that never physically existed. And shows are the easy part. Musk: “I say probably we’re maybe three years away from AI does the whole video game.” A show plays the same way every time. A game has to generate a living world that reacts to every decision in real time across every single frame. That is a fundamentally harder class of problem. And Musk put three years on it. Right now a single AAA title takes seven years and half a billion dollars across thousands of engineers and artists just to ship it. Musk is describing a world where one person types a paragraph and gets something comparable. The entire value proposition of a multi-billion dollar industry lives inside that gap. And it closes in thirty-six months. But the prediction is not the story. The person making it is. This is not an analyst speculating from the sidelines. This is the man building the largest AI compute clusters on the planet. The man who built xAI from zero in under two years. The man stacking hundreds of thousands of GPUs into facilities designed to do exactly what he is describing. When Musk says three years, he is not guessing about what someone else might eventually ship. He is reading you a delivery date off his own roadmap. Every media company on Earth is valued on a single assumption. That quality content is expensive and difficult to produce at scale. That one assumption is the structural foundation underneath every studio, every network, and every publisher in existence. Musk is dismantling it with raw compute. The studios still parading thousand-person production teams are not demonstrating strength. They are advertising the exact cost structure that one person with a prompt and a GPU allocation is about to make irrelevant. And it does not stop at entertainment. If AI can generate an interactive world that responds to human input in real time, it can generate anything. Advertising. Architecture. Training simulations. Product design. Every industry built on humans manually constructing visual experiences frame by frame is sitting on the same countdown Musk just read out loud. Now zoom out. Because this is not just an industry story. For the entire history of human civilization, the distance between imagining a world and actually creating one required thousands of people, millions of hours, and billions of dollars. That distance built Hollywood. That distance built the gaming industry. That distance made content scarce and studios powerful. Musk is collapsing that distance to zero. When the gap between imagining something and it existing disappears, every business model built on the difficulty of creation disappears with it. That is not disruption. That is a full inversion of how human beings create. Musk did not make a casual prediction on that podcast. He told you what he is building. He told you the timeline. And he told you which industries do not survive it. The entertainment industry is still debating whether this future is real. Musk is not part of that debate. He is building. And he just told you the delivery date.

Dustin

22,390 görüntüleme • 25 gün önce