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This is the part people skip, and it changes everything. Look at the collar: dozens of perfectly parallel grooves flowing over a compound curve, then meeting crisp hieroglyphs and framed scenes without the spacing collapsing. That is not random artistry. That is layout, measurement, and repeatable process. In Egypt’s... Late Period, anthropoid stone sarcophagi became a prestige technology in their own right, carved in hard, fine-grained stone with long offering texts and protective deities. One benchmark example is the British Museum’s siltstone sarcophagus of the vizier Sasobek (26th Dynasty, around 600 BC), described as among the finest of its type. How did they get this finish? Ancient Egyptian stoneworking is widely understood as an abrasives driven craft: copper or bronze tools, drills, and saws did not “slice” hard stone by themselves, they carried quartz sand and other abrasives that did the cutting, followed by intensive grinding and polishing. Now the question that should start an argument: If this level of repeatable precision was achievable at scale, what was the real “advanced technology” here: the tools, or the workshop system? Time budget guess: how many person-hours for just the collar and inscription fields, not the whole coffin?show more

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30,818 次观看 • 5 个月前 •via X (Twitter)

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There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

There is a room in Málaga that was built to be the closest thing on earth to standing inside heaven. It is called the camarín of the Virgin of Victory, and it is hidden at the top of a tower inside the Santuario de la Victoria. To reach it, you climb and the ascent is the entire point... The building you are climbing through was completed in 1700, and it was designed as a single argument made in stone. At the bottom lies a crypt: a black chamber crowded with white plaster skeletons, a meditation on death and the brevity of life. From there a staircase rises, and as you climb it the light grows stronger and the imagery changes from bones to saints. The architects of the time understood this ascent as the soul's own journey, the dark crypt as the stage of penitence, the staircase as the stage of spiritual progress, and the room at the very top as the final stage: the union of the soul with the divine. That room at the top is the camarín, and its dome is one of the most extraordinary interiors in Spain... Every surface is covered in white and gold plasterwork. There is no empty space anywhere. The Baroque called this horror vacui, the horror of the void: the conviction that a space meant to represent heaven should not contain a single bare patch of stone. Out of that plasterwork emerge angels, flowers, birds, and mirrors. The mirrors are not decoration alone. They catch the light pouring in through the windows of the drum and throw it around the chamber, so that the gold seems to move and the whole room appears to shimmer and breathe. This wonder was built by people who believed that if you wanted to show a human being what heaven might feel like, you did not describe it to them. You built a room, and you let them climb into it... -- -- -- If you enjoyed this, I write a weekly newsletter read by over 50,000 people who love rediscovering the beauty of the past. You can join us here: If you'd like to support my work, a paid subscription is what makes it possible.

James Lucas

69,219 次观看 • 1 个月前

🪨 Carved for a King: The Cliff Tomb of Xerxes the Great High above the plains of ancient Persia, a tomb unlike any other was carved directly into a sheer rock face. This is the burial place of Xerxes the Great, the formidable ruler of the Achaemenid Empire in the 5th century BC. Cut into the towering cliffs of Naqsh-e Rustam, just 12 kilometers (7.5 miles) from Persepolis, the monument dominates the landscape with silent authority. The tomb’s elaborate façade—etched entirely from living stone—reflects a civilization at the height of its power. Towering reliefs, precise symmetry, and monumental scale combine to form a design that is both a final resting place and a declaration of imperial strength. Every carved line speaks to the extraordinary engineering skill and symbolic vision of the Achaemenids, who sought to eternalize their kings not in earth, but in stone and sky. Why choose a vertical cliff for a royal tomb? How did ancient builders achieve such precision at such heights? And what message was this monument meant to send to those who stood below? Even after millennia of wind and sun, the tomb of Xerxes remains a powerful reminder that in ancient Persia, death was not an ending—it was an elevation.

🪨 Carved for a King: The Cliff Tomb of Xerxes the Great High above the plains of ancient Persia, a tomb unlike any other was carved directly into a sheer rock face. This is the burial place of Xerxes the Great, the formidable ruler of the Achaemenid Empire in the 5th century BC. Cut into the towering cliffs of Naqsh-e Rustam, just 12 kilometers (7.5 miles) from Persepolis, the monument dominates the landscape with silent authority. The tomb’s elaborate façade—etched entirely from living stone—reflects a civilization at the height of its power. Towering reliefs, precise symmetry, and monumental scale combine to form a design that is both a final resting place and a declaration of imperial strength. Every carved line speaks to the extraordinary engineering skill and symbolic vision of the Achaemenids, who sought to eternalize their kings not in earth, but in stone and sky. Why choose a vertical cliff for a royal tomb? How did ancient builders achieve such precision at such heights? And what message was this monument meant to send to those who stood below? Even after millennia of wind and sun, the tomb of Xerxes remains a powerful reminder that in ancient Persia, death was not an ending—it was an elevation.

Unearthed 🏺

46,473 次观看 • 5 个月前

Now I understand the mistake of Prometheus: instead of humans becoming what they truly are and part of God, the Promethean and Luciferian mistake is that humans want to create outside of God or mimic God. With technology we mimic nature, and everything technology mimics is an inversion and a lesser copy. But this is a mistake we need to make in order to grow in the future. We are creating the artificial spirit from the ancient Christian texts, now referred to as Gnostic texts.

Now I understand the mistake of Prometheus: instead of humans becoming what they truly are and part of God, the Promethean and Luciferian mistake is that humans want to create outside of God or mimic God. With technology we mimic nature, and everything technology mimics is an inversion and a lesser copy. But this is a mistake we need to make in order to grow in the future. We are creating the artificial spirit from the ancient Christian texts, now referred to as Gnostic texts.

Open Minded Approach

69,871 次观看 • 7 个月前

They started with 50. Now they say they’re 18,000 In 1996 there were fewer than 50 of them. Today, according to the organizers, up to 18,000 walked through Copenhagen. From Dronning Louises Bro to the Imam Ali Mosque. Look at the curve. This is how it happens. First a handful. Then a few hundred. Then it fills a bridge, a district, a capital. A little at a time, until it is no longer a little. And let me be fair, because fairness is the point. There is nothing strange about them holding this mourning procession. They have done it as part of their faith for more than a thousand years. It is theirs, and they believe in it. There is nothing strange about that at all. What should stop us is the other half. There is nothing strange about Europe allowing it either, and that is exactly the problem. Europe allows it because Europe has forgotten who it is. A people that remembers what it stands for does not need to ban anything, it simply knows where its own line runs. We have lost that. And so the issue was never them. The issue is us. Now look at what actually moved through the streets. Men in front. Women in the second row. That is not a detail, that is the whole point. It is a view of women set into a system and marched out into the public square, in a city where generations fought for women and men to stand as equals. The real question is not whether people may believe what they want. They may. The question is why our capital should cultivate a political law-religion that commemorates a 7th-century power struggle by dividing people by sex on Nørrebrogade. One of the organizers is the Imam Ali Mosque, repeatedly described as the Iranian regime’s extended arm in Denmark. The same regime that hangs women and young men from cranes. We are not importing culture. We are importing a system. And we let it grow, not because they are strong, but because we forgot why we were. First a little. Then a lot. Then too late.

They started with 50. Now they say they’re 18,000 In 1996 there were fewer than 50 of them. Today, according to the organizers, up to 18,000 walked through Copenhagen. From Dronning Louises Bro to the Imam Ali Mosque. Look at the curve. This is how it happens. First a handful. Then a few hundred. Then it fills a bridge, a district, a capital. A little at a time, until it is no longer a little. And let me be fair, because fairness is the point. There is nothing strange about them holding this mourning procession. They have done it as part of their faith for more than a thousand years. It is theirs, and they believe in it. There is nothing strange about that at all. What should stop us is the other half. There is nothing strange about Europe allowing it either, and that is exactly the problem. Europe allows it because Europe has forgotten who it is. A people that remembers what it stands for does not need to ban anything, it simply knows where its own line runs. We have lost that. And so the issue was never them. The issue is us. Now look at what actually moved through the streets. Men in front. Women in the second row. That is not a detail, that is the whole point. It is a view of women set into a system and marched out into the public square, in a city where generations fought for women and men to stand as equals. The real question is not whether people may believe what they want. They may. The question is why our capital should cultivate a political law-religion that commemorates a 7th-century power struggle by dividing people by sex on Nørrebrogade. One of the organizers is the Imam Ali Mosque, repeatedly described as the Iranian regime’s extended arm in Denmark. The same regime that hangs women and young men from cranes. We are not importing culture. We are importing a system. And we let it grow, not because they are strong, but because we forgot why we were. First a little. Then a lot. Then too late.

Krisztina Maria

38,477 次观看 • 18 天前

🕊️ The Faravahar: An Ancient Persian Symbol with a Powerful Meaning High on the stone walls of Persepolis, the ancient capital of Persia, you can see a mysterious winged symbol carved into the rock. This symbol is called the Faravahar (or Farohar), and it is one of the most important signs of Zoroastrianism, one of the world’s oldest religions. At first look, the Faravahar may seem like a royal emblem or a symbol of power. But its meaning goes much deeper than that. The design comes from very old Middle Eastern traditions. Long before Persia, kings used winged sun symbols on seals to show divine protection and authority. Over time, the Persians gave this image a new meaning. In Zoroastrian belief, the Faravahar came to represent the human soul, its choices, and its journey through life. Every part of the symbol has a message: 🪽 The wings stand for growth, progress, and rising toward good thoughts and actions. 🧍 The human figure in the center reminds us that humans have free will and must choose between right and wrong. 🔄 The circular shape shows the ongoing journey of life and the balance between the spiritual and the physical world. In ancient Persia, the Faravahar was not just art on a wall. It showed faith, identity, and legitimacy. It reminded rulers and people alike that power should be guided by wisdom, truth, and moral responsibility. Even today, the Faravahar invites curiosity. Is it a symbol of God? A guide for the soul? Or a sign of royal authority? Perhaps it is all of these at once. What is clear is this: the Faravahar is a timeless symbol that shows how deeply spiritual belief and leadership were connected in ancient Persia—and how those ideas still speak to us today. ✨

🕊️ The Faravahar: An Ancient Persian Symbol with a Powerful Meaning High on the stone walls of Persepolis, the ancient capital of Persia, you can see a mysterious winged symbol carved into the rock. This symbol is called the Faravahar (or Farohar), and it is one of the most important signs of Zoroastrianism, one of the world’s oldest religions. At first look, the Faravahar may seem like a royal emblem or a symbol of power. But its meaning goes much deeper than that. The design comes from very old Middle Eastern traditions. Long before Persia, kings used winged sun symbols on seals to show divine protection and authority. Over time, the Persians gave this image a new meaning. In Zoroastrian belief, the Faravahar came to represent the human soul, its choices, and its journey through life. Every part of the symbol has a message: 🪽 The wings stand for growth, progress, and rising toward good thoughts and actions. 🧍 The human figure in the center reminds us that humans have free will and must choose between right and wrong. 🔄 The circular shape shows the ongoing journey of life and the balance between the spiritual and the physical world. In ancient Persia, the Faravahar was not just art on a wall. It showed faith, identity, and legitimacy. It reminded rulers and people alike that power should be guided by wisdom, truth, and moral responsibility. Even today, the Faravahar invites curiosity. Is it a symbol of God? A guide for the soul? Or a sign of royal authority? Perhaps it is all of these at once. What is clear is this: the Faravahar is a timeless symbol that shows how deeply spiritual belief and leadership were connected in ancient Persia—and how those ideas still speak to us today. ✨

Unearthed 🏺

12,740 次观看 • 5 个月前

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland

So, my opinion on what the Antarctic (Antarctica) Anomaly is that it's a type of frequency technology. It must be way more powerful than HAARP, as many have claimed it to be, because we would see these anomalies at other HAARP sites, and we don't, not like this. With that said, and I'm very much trying to avoid letting what I want it to be not play a part here, I think it is a technology that is being used either off the coast of Antarctica itself or Bouvet Island. A third possibility is an area just to the northwest of the island that looks odd. It's possible it is a sonar scan from a ship, but why in that remote location? It looks like an antenna set up or rows of something that is out of place. I also believe that the weather events and fires that have taken place in Africa could possibly have been because of this. Each time we saw the anomaly, it was followed by a destructive weather event in Africa. A weird connection to that is we have been told and warned of a very busy 2024 Atlantic hurricane season. This is in part because of the above-average Atlantic ocean temperatures, which is the fuel to Hurricanes. With all this info, it's possible to see how the Anomaly could be a frequency tech that can manipulate or create weather, And or WARM up the Ocean temps to purposely enhance the Hurricane season and Storm growth. Keep in mind that many of our hurricanes and many of the biggest hurricanes have come from the west coast of Africa and form over the Cape Verde islands before heading towards the Caribbean and the United States. This is all of course speculation, and I'm learning many new things every day, so this idea may morph over time as we learn more. In the end, it is very hard to ignore all these findings. #antarctica #anonaly #AntarcticaAnomaly #BouvetIsland

In2ThinAir

442,580 次观看 • 2 年前

The UFO/UAP phenomenon is ancient. It has been here long before us, and it is connected to a grand hierarchy created by God. They are coming from higher dimensions, something that religions would describe as the Tree of Life. The phenomenon is part of us, and our soul is part of this grand system. We are currently in the lowest dimension, chakra, sefirot, or part of the soul, known as Malkhut in Kabbalah, Muladhara in Hinduism, and Khat in ancient Egypt. We are made of matter, but our soul is made of fire, and it is time for an upgrade. The Geophysical Event is connected to this transformation.

The UFO/UAP phenomenon is ancient. It has been here long before us, and it is connected to a grand hierarchy created by God. They are coming from higher dimensions, something that religions would describe as the Tree of Life. The phenomenon is part of us, and our soul is part of this grand system. We are currently in the lowest dimension, chakra, sefirot, or part of the soul, known as Malkhut in Kabbalah, Muladhara in Hinduism, and Khat in ancient Egypt. We are made of matter, but our soul is made of fire, and it is time for an upgrade. The Geophysical Event is connected to this transformation.

Open Minded Approach

136,661 次观看 • 1 个月前

🚨 More Evidence That Archeological Narratives Make ZERO Sense In Peru! This video from Brien Foerester is PERFECT as an example, so here we have a street in the city of Cusco, on one side you have simple non-uniform rock walls with mortar. On the other side you have mortarless, precision cut & fitted megalithic multi-tonne walls. Now mainstream archeologists and historians will attribute both of these works to the Bronze Age Inca cultures, regardless of the fact that it was absolutely impossible for the Bronze Age Inca to precision cut and fit MoH 7/10 hardness stone like Andesite & Diorite which make up the majority of the precision megalithic wall structures. What they could do, and did do, is pick up the pieces of the lost civilisations partially destroyed buildings and use them to make their less advanced walls with mortar, they also built on top of/around the megalithic work and incorporated it into their own sites, as well as attempting to rebuild elements of these far more advanced structures. This actually makes Peru a PERFECT place for 'Compare & Contrast'. It is so blatantly obvious what was made by the Inca and what was made by the lost civilisation. Our historical models are broken, there were highly advanced cultures on this planet long before our written history began, they were wiped out via global cataclysm and one of the smoking guns for the scattered remanence of this lost chapter, is Peru.

🚨 More Evidence That Archeological Narratives Make ZERO Sense In Peru! This video from Brien Foerester is PERFECT as an example, so here we have a street in the city of Cusco, on one side you have simple non-uniform rock walls with mortar. On the other side you have mortarless, precision cut & fitted megalithic multi-tonne walls. Now mainstream archeologists and historians will attribute both of these works to the Bronze Age Inca cultures, regardless of the fact that it was absolutely impossible for the Bronze Age Inca to precision cut and fit MoH 7/10 hardness stone like Andesite & Diorite which make up the majority of the precision megalithic wall structures. What they could do, and did do, is pick up the pieces of the lost civilisations partially destroyed buildings and use them to make their less advanced walls with mortar, they also built on top of/around the megalithic work and incorporated it into their own sites, as well as attempting to rebuild elements of these far more advanced structures. This actually makes Peru a PERFECT place for 'Compare & Contrast'. It is so blatantly obvious what was made by the Inca and what was made by the lost civilisation. Our historical models are broken, there were highly advanced cultures on this planet long before our written history began, they were wiped out via global cataclysm and one of the smoking guns for the scattered remanence of this lost chapter, is Peru.

Jay Anderson

79,853 次观看 • 1 年前

Drinking camel urine is a part of islam. Millions of muslims around the world practice this tradition. As it referred in Surah Ya-Sin (36:73). - The climate of Medina did not suit some people, so the Prophet ordered them to follow his shepherd, i.e. his camels, and drink their milk and urine. So they followed the shepherd that is the camels and drank their milk and urine till their bodies became healthy.

Drinking camel urine is a part of islam. Millions of muslims around the world practice this tradition. As it referred in Surah Ya-Sin (36:73). - The climate of Medina did not suit some people, so the Prophet ordered them to follow his shepherd, i.e. his camels, and drink their milk and urine. So they followed the shepherd that is the camels and drank their milk and urine till their bodies became healthy.

poodullah superior

52,270 次观看 • 1 个月前

Madain Saleh, also known as Al-Hijr, is a pre-Islamic archaeological site located in the northwest of Saudi Arabia. It is one of the most important archaeological sites in the Middle East and was designated as a UNESCO World Heritage site in 2008. Madain Saleh is a place of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Madain Saleh was the second city of the Nabataean kingdom, which was established in 2nd Century BC. The Nabataeans were an Arab tribe who were known for their expertise in carving tombs and buildings out of rock. They were also skilled in agriculture, trade, and commerce. The Nabataean kingdom was centered in Petra, which is located in modern-day Jordan. Madain Saleh served as a strategic outpost for Nabataeans, and it was an important stop on the trade routes that connected the Arabian Peninsula with the Mediterranean world. Archaeological site of Madain Saleh covers an area of 13 square kilometers. It is located in a remote desert region, and it is surrounded by rocky mountains and valleys. The site contains around 130 tombs, which were carved out of the sandstone cliffs. The tombs are adorned with intricate carvings and inscriptions, which provide insights into the culture and religion of the Nabataeans. The most famous tomb at Madain Saleh is the Qasr Al-Farid, which means "the lonely castle." This tomb is located on a hilltop and is surrounded by a large courtyard. It is the largest tomb at the site, and it is considered to be one of the finest examples of Nabataean architecture. The tomb was never completed, and it is believed that it was abandoned after the death of the Nabataean king who commissioned it. Another important tomb at Madain Saleh is the Tomb of Lihyan son of Kuza. This tomb is located in the southern part of the site and is carved into a rock cliff. It features a large entrance hall, a central chamber, and a series of smaller rooms. The tomb is decorated with intricate carvings and inscriptions, which provide insights into the religious beliefs of Nabataeans. Madain Saleh is not just a site of tombs; it also contains a number of other important structures. These include the Al-Khuraymat and Al-Sabika temples, which were used for religious ceremonies and rituals. The site also contains a number of houses, wells, and cisterns, which provide insights into the daily lives of the Nabataeans. Madain Saleh was abandoned in the 3rd Century AD, after decline of the Nabataean kingdom. The site was rediscovered in the 19th Century by the Swiss traveler Johann Ludwig Burckhardt. Since then, it has been studied by archaeologists from all over the world. The site is now managed by the Saudi Commission for Tourism and National Heritage, which has carried out extensive restoration and preservation work. Madain Saleh is not just a site of historical and cultural significance; it is also a place of great natural beauty. The site is surrounded by rugged mountains and valleys, and it is home to a diverse range of flora and fauna. Visitors to the site can enjoy hiking and camping, as well as exploring the ancient ruins. Madain Saleh is a site of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Ancient ruins at Madain Saleh provide a glimpse into the engineering and architectural skills of the Nabataeans, as well as their religious beliefs and cultural practices. However, as the site becomes an increasingly popular tourist destination, there are concerns about its preservation and the impact of tourism on the local environment. It is important that the Saudi government and local communities work together to ensure that the site is protected and that tourism is managed in a sustainable way. 🎥© Paris Verra #archaeohistories

Madain Saleh, also known as Al-Hijr, is a pre-Islamic archaeological site located in the northwest of Saudi Arabia. It is one of the most important archaeological sites in the Middle East and was designated as a UNESCO World Heritage site in 2008. Madain Saleh is a place of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Madain Saleh was the second city of the Nabataean kingdom, which was established in 2nd Century BC. The Nabataeans were an Arab tribe who were known for their expertise in carving tombs and buildings out of rock. They were also skilled in agriculture, trade, and commerce. The Nabataean kingdom was centered in Petra, which is located in modern-day Jordan. Madain Saleh served as a strategic outpost for Nabataeans, and it was an important stop on the trade routes that connected the Arabian Peninsula with the Mediterranean world. Archaeological site of Madain Saleh covers an area of 13 square kilometers. It is located in a remote desert region, and it is surrounded by rocky mountains and valleys. The site contains around 130 tombs, which were carved out of the sandstone cliffs. The tombs are adorned with intricate carvings and inscriptions, which provide insights into the culture and religion of the Nabataeans. The most famous tomb at Madain Saleh is the Qasr Al-Farid, which means "the lonely castle." This tomb is located on a hilltop and is surrounded by a large courtyard. It is the largest tomb at the site, and it is considered to be one of the finest examples of Nabataean architecture. The tomb was never completed, and it is believed that it was abandoned after the death of the Nabataean king who commissioned it. Another important tomb at Madain Saleh is the Tomb of Lihyan son of Kuza. This tomb is located in the southern part of the site and is carved into a rock cliff. It features a large entrance hall, a central chamber, and a series of smaller rooms. The tomb is decorated with intricate carvings and inscriptions, which provide insights into the religious beliefs of Nabataeans. Madain Saleh is not just a site of tombs; it also contains a number of other important structures. These include the Al-Khuraymat and Al-Sabika temples, which were used for religious ceremonies and rituals. The site also contains a number of houses, wells, and cisterns, which provide insights into the daily lives of the Nabataeans. Madain Saleh was abandoned in the 3rd Century AD, after decline of the Nabataean kingdom. The site was rediscovered in the 19th Century by the Swiss traveler Johann Ludwig Burckhardt. Since then, it has been studied by archaeologists from all over the world. The site is now managed by the Saudi Commission for Tourism and National Heritage, which has carried out extensive restoration and preservation work. Madain Saleh is not just a site of historical and cultural significance; it is also a place of great natural beauty. The site is surrounded by rugged mountains and valleys, and it is home to a diverse range of flora and fauna. Visitors to the site can enjoy hiking and camping, as well as exploring the ancient ruins. Madain Saleh is a site of great historical and cultural significance, and it is a must-visit destination for anyone interested in the history and culture of the Arabian Peninsula. Ancient ruins at Madain Saleh provide a glimpse into the engineering and architectural skills of the Nabataeans, as well as their religious beliefs and cultural practices. However, as the site becomes an increasingly popular tourist destination, there are concerns about its preservation and the impact of tourism on the local environment. It is important that the Saudi government and local communities work together to ensure that the site is protected and that tourism is managed in a sustainable way. 🎥© Paris Verra #archaeohistories

Archaeo - Histories

196,549 次观看 • 2 年前

I’ve seen a lot of people accuse Saudi Arabia of fabricating the moon sighting. Below is proof that it wasn’t. The first video is the exact moment the moon was sighted. The second video is the official testifying before a judge about the set up and what he saw exactly. He says "At 6:11pm (precisely) we saw an opening in the sky, and we all saw the moon and around the opening was all clouds" There is also a picture but it is against the Sunnah to share proof when a testimony is given by a Muslim so I refuse to share it in case we set a precedent to always share a picture and that would be a big error. A testimony of a Muslim is enough as we see from the Hadith of the Prophet صلى الله عليه وسلم It was narrated that Ibn 'Abbaas رضي الله عنه said: A Bedouin came to the Prophet صلى الله عليه وسلم and said, I have seen the new moon tonight. He said, "Do you bear witness that there is no god except Allah and that Muhammad is the Messenger of Allah?" He said, Yes. He said, "Get up, O Bilaal, and announce to the people that they should fast tomorrow." [at Tirmidhi: 691 Abu Dawood: [2340], an Nasaa'i: [2112] Ibn Maajah: [1652]. Shaykh al Albaani رحمه الله said: So we see from the Hadith that he, صلى الله عليه وسلم، instructed Bilaal to announce to the people that they would fast the next day. So the Messenger صلى الله عليه وسلم was content with the testimony of this man, whom he did not know, on the basis that he bore witness that there is no God but Allah and that Muhammad is the Messenger of Allah, i.e. he knew that he was a Muslim, but he did not check on him any further and he did not try to find out how intelligent and smart he was, as was the case in the first Hadith in which the witness was 'Abd Allah ibn 'Umar ibn al Khattab رضي الله عنه. Yet despite that he accepted his testimony. This Hadith makes things easier for people, and what this means is that the judge should be content with the witness as he appears to be, without needing to find people who know this man and can testify that he is of good character, as was the habit of judges since time immemorial. Rather it is sufficient to know that he is a Muslim. This man was a Bedouin of whom the Prophet صلى الله عليه وسلم had no prior knowledge and he was content that he uttered the Shahaadatayn before him. So he was a Muslim with the same rights and duties as any other, and based on his testimony and the fact that he was a Muslim he said: O Bilaal, announced to the people that they should fast tomorrow. [At Ta laaq 'ala Kitaab Bulugh al Maraam, (audio tape), Hadith 5, Kitaab al Siyaam] This Hadith is evidence for the principle that a Muslim is to be regarded as being of good character unless proven otherwise. Al San'aani رحمه الله said concerning what we learn from the hadeeth of Ibn 'Abbaas رضي الله عنه: It indicates that the basic principle with regard to the Muslims is that they are of good character, because the Prophet صلى الله عليه وسلم did not ask the Bedouin for anything except the Shahaadah. [Subul as Salaam by as San'aani: 2/153] And Allah knows best.

I’ve seen a lot of people accuse Saudi Arabia of fabricating the moon sighting. Below is proof that it wasn’t. The first video is the exact moment the moon was sighted. The second video is the official testifying before a judge about the set up and what he saw exactly. He says "At 6:11pm (precisely) we saw an opening in the sky, and we all saw the moon and around the opening was all clouds" There is also a picture but it is against the Sunnah to share proof when a testimony is given by a Muslim so I refuse to share it in case we set a precedent to always share a picture and that would be a big error. A testimony of a Muslim is enough as we see from the Hadith of the Prophet صلى الله عليه وسلم It was narrated that Ibn 'Abbaas رضي الله عنه said: A Bedouin came to the Prophet صلى الله عليه وسلم and said, I have seen the new moon tonight. He said, "Do you bear witness that there is no god except Allah and that Muhammad is the Messenger of Allah?" He said, Yes. He said, "Get up, O Bilaal, and announce to the people that they should fast tomorrow." [at Tirmidhi: 691 Abu Dawood: [2340], an Nasaa'i: [2112] Ibn Maajah: [1652]. Shaykh al Albaani رحمه الله said: So we see from the Hadith that he, صلى الله عليه وسلم، instructed Bilaal to announce to the people that they would fast the next day. So the Messenger صلى الله عليه وسلم was content with the testimony of this man, whom he did not know, on the basis that he bore witness that there is no God but Allah and that Muhammad is the Messenger of Allah, i.e. he knew that he was a Muslim, but he did not check on him any further and he did not try to find out how intelligent and smart he was, as was the case in the first Hadith in which the witness was 'Abd Allah ibn 'Umar ibn al Khattab رضي الله عنه. Yet despite that he accepted his testimony. This Hadith makes things easier for people, and what this means is that the judge should be content with the witness as he appears to be, without needing to find people who know this man and can testify that he is of good character, as was the habit of judges since time immemorial. Rather it is sufficient to know that he is a Muslim. This man was a Bedouin of whom the Prophet صلى الله عليه وسلم had no prior knowledge and he was content that he uttered the Shahaadatayn before him. So he was a Muslim with the same rights and duties as any other, and based on his testimony and the fact that he was a Muslim he said: O Bilaal, announced to the people that they should fast tomorrow. [At Ta laaq 'ala Kitaab Bulugh al Maraam, (audio tape), Hadith 5, Kitaab al Siyaam] This Hadith is evidence for the principle that a Muslim is to be regarded as being of good character unless proven otherwise. Al San'aani رحمه الله said concerning what we learn from the hadeeth of Ibn 'Abbaas رضي الله عنه: It indicates that the basic principle with regard to the Muslims is that they are of good character, because the Prophet صلى الله عليه وسلم did not ask the Bedouin for anything except the Shahaadah. [Subul as Salaam by as San'aani: 2/153] And Allah knows best.

ابن البخاري

245,087 次观看 • 1 年前

Signed collection of prints available from my website from just £9 each. *NOW AVAILABLE IN 4 SIZES* Framed options now available. Many people believe that a visit from a Robin is a sign that a lost relative is visiting them, in the spiritual world Robins are viewed as a symbol of visits from our deceased loved ones. The Robin also symbolises new beginnings and life, and is also looked upon by many as a sign of fortune and good luck. The Robin has been known as a spirit animal for a long time and many people believe that you should not ignore the message it brings you. But is this all just in the mind’s eye? In the eye of the beholder? Is it merely coincidence or is it a subconscious human effort to find hope and comfort in a time of loss, loneliness or desperation? Whatever your view or opinion this gift of nature has a way of presenting itself spirituality at exactly the right time for many. ♥️ #art #interiordesign #homedeco #Interiors #ArtistOnX #artforsale #painting #family

Signed collection of prints available from my website from just £9 each. NOW AVAILABLE IN 4 SIZES Framed options now available. Many people believe that a visit from a Robin is a sign that a lost relative is visiting them, in the spiritual world Robins are viewed as a symbol of visits from our deceased loved ones. The Robin also symbolises new beginnings and life, and is also looked upon by many as a sign of fortune and good luck. The Robin has been known as a spirit animal for a long time and many people believe that you should not ignore the message it brings you. But is this all just in the mind’s eye? In the eye of the beholder? Is it merely coincidence or is it a subconscious human effort to find hope and comfort in a time of loss, loneliness or desperation? Whatever your view or opinion this gift of nature has a way of presenting itself spirituality at exactly the right time for many. ♥️ #art #interiordesign #homedeco #Interiors #ArtistOnX #artforsale #painting #family

Garry Floyd-Artist

7,609,671 次观看 • 1 年前

I believe NASA stopped going to the moon because there are ETs, crafts and structures everywhere, and the military has been recovering ET technology for a while. ------- #NEIOH (2020) - "This is actually a very ancient craft that crashed here and was abandoned. It remains intact but was not worth the recovery of this race from outside the solar system. The occupants were picked up by friends. They are called MOKAS, as their planet is MOKA. They stand 8 feet tall with grey skin. Very friendly. Very low in technology." Lunar Orbiter 3 Mission, 1967 -

I believe NASA stopped going to the moon because there are ETs, crafts and structures everywhere, and the military has been recovering ET technology for a while. ------- #NEIOH (2020) - "This is actually a very ancient craft that crashed here and was abandoned. It remains intact but was not worth the recovery of this race from outside the solar system. The occupants were picked up by friends. They are called MOKAS, as their planet is MOKA. They stand 8 feet tall with grey skin. Very friendly. Very low in technology." Lunar Orbiter 3 Mission, 1967 -

Kab

38,682 次观看 • 1 年前

What an incredible first day and what a raptuous welcome from the city of Reggio Emilia🇮🇹❤️ When Catherine first entered the RF, Prince Philip told her: 'If you believe the attention is for you personally, you’re going to end up in trouble. The attention is for your role, what you do, what you’re supporting. It isn’t for you as an individual. You are not a celebrity. You are representing the Royal Family. That’s all. Don’t look at the camera. The Queen never looks at the camera. Never. Look at who you’re talking to. Look at what you’ve come to see.🔥 However there is a caveat here: People DO come to see Catherine. These people did not just come to see Royalty or the monarchy, they came to see Catherine. They came because they love HER and they came in crowds for HER❤️ And this is really what makes this woman so different: the screams of excitement as if she is a celebrity superstar, the adoration in Their eyes... this is not about the Monarchy but about Catherine. In that, the commoner the british press mocked and belittled; The one who was judged as "inconsequential" and "too shy" is the one who has transcended the RF to become an Icon in her own rights🔥 Whether she goes on a private visit or on an official visit, alone or accompanied; she is the ONE people are there to see. Well and so, look How far did Humility and grace get this Berkshire country girl...😏❤️ #PrincessofWales 📹 Max Foster

What an incredible first day and what a raptuous welcome from the city of Reggio Emilia🇮🇹❤️ When Catherine first entered the RF, Prince Philip told her: 'If you believe the attention is for you personally, you’re going to end up in trouble. The attention is for your role, what you do, what you’re supporting. It isn’t for you as an individual. You are not a celebrity. You are representing the Royal Family. That’s all. Don’t look at the camera. The Queen never looks at the camera. Never. Look at who you’re talking to. Look at what you’ve come to see.🔥 However there is a caveat here: People DO come to see Catherine. These people did not just come to see Royalty or the monarchy, they came to see Catherine. They came because they love HER and they came in crowds for HER❤️ And this is really what makes this woman so different: the screams of excitement as if she is a celebrity superstar, the adoration in Their eyes... this is not about the Monarchy but about Catherine. In that, the commoner the british press mocked and belittled; The one who was judged as "inconsequential" and "too shy" is the one who has transcended the RF to become an Icon in her own rights🔥 Whether she goes on a private visit or on an official visit, alone or accompanied; she is the ONE people are there to see. Well and so, look How far did Humility and grace get this Berkshire country girl...😏❤️ #PrincessofWales 📹 Max Foster

Canellecitadelle

170,538 次观看 • 2 个月前

France is the easiest test for whether a man still has soul or not, if this doesn't move you then something is fundamentally wrong with you. They understood what life was actually for and built everything around that. Old France is a masterpiece in the hands of people who don't deserve it.

France is the easiest test for whether a man still has soul or not, if this doesn't move you then something is fundamentally wrong with you. They understood what life was actually for and built everything around that. Old France is a masterpiece in the hands of people who don't deserve it.

Nationalist

68,289 次观看 • 3 个月前

Contrail lesson! 1. “Chemtrails” don’t exist. Just to get that out of the way. 2. Observe the satellite loop and Skew-T chart. In the IR satellite loop you can see yesterday, the West Coast had a decent short wave ridge suppressing moisture over California and Nevada. Today, you can see moisture from a low pressure over the Pacific spilling over the ridge that is now moving east of California. This is upper level moisture ADVECTING into the area. This upper level moisture is mainly above the 500mb level, or 20,000ft. 3. Now observe the Skew-T chart. Particularly clue into the 300mb level. This is a perfect example of what I talk about all the time, and why it’s important to pay attention to the 300mb level. This moisture layer is advecting particularly at the 300mb level, and synoptic scale cirrus development, and advection, typically occurs at 300mb. This is key because aircraft are flying at and above the 300mb level. 4. So, lastly, observe the pictures that I took of the sky over northern Nevada at the time of this post. You can see the layer of cirrus as well as contrails persisting in that moisture layer, exactly as depicted in the satellite shot AND confirmed by the Skew-T chart. Keep in mind that temperatures at this level of the atmosphere are typically -20 to -50°C. In this case, you can see that the temperature at 300mb is -40°C and relative humidities at this level are far different than what you experience at the surface. Any decrease in the gap between temperature and dewpoint at this level can significantly increase the relative humidity. This is why it’s referred to as “relative”because it’s far different than temperatures and dew points at the surface. So, to bring it all together, aircraft flying at these altitudes, which most commercial and military aircraft do, injecting warm, moist air from the engines rapidly into the super cooled environment, not only instantly form contrails, but when relative humidities are as depicted in this example, will enable contrails to persist for hours at a time supported by the moisture existing in that layer. This is what causes persistent contrails. These ARE NOT “chemtrails” and because they persist, does not, and will not ever, make them “chemtrails.” Now that you all needed your government to tell you that climate change was a hoax and I’ve been telling you for years that the “Geoengineering” and “chemtrail” nonsense are propaganda directly related to the climate change hoax, hopefully you can take some time to learn the basics of the atmosphere and understand what I’m showing you here, and how it works, so you’re not fooled by climate propaganda going forward. Thank you for your attention to this matter. 💪🏼🇺🇸

Contrail lesson! 1. “Chemtrails” don’t exist. Just to get that out of the way. 2. Observe the satellite loop and Skew-T chart. In the IR satellite loop you can see yesterday, the West Coast had a decent short wave ridge suppressing moisture over California and Nevada. Today, you can see moisture from a low pressure over the Pacific spilling over the ridge that is now moving east of California. This is upper level moisture ADVECTING into the area. This upper level moisture is mainly above the 500mb level, or 20,000ft. 3. Now observe the Skew-T chart. Particularly clue into the 300mb level. This is a perfect example of what I talk about all the time, and why it’s important to pay attention to the 300mb level. This moisture layer is advecting particularly at the 300mb level, and synoptic scale cirrus development, and advection, typically occurs at 300mb. This is key because aircraft are flying at and above the 300mb level. 4. So, lastly, observe the pictures that I took of the sky over northern Nevada at the time of this post. You can see the layer of cirrus as well as contrails persisting in that moisture layer, exactly as depicted in the satellite shot AND confirmed by the Skew-T chart. Keep in mind that temperatures at this level of the atmosphere are typically -20 to -50°C. In this case, you can see that the temperature at 300mb is -40°C and relative humidities at this level are far different than what you experience at the surface. Any decrease in the gap between temperature and dewpoint at this level can significantly increase the relative humidity. This is why it’s referred to as “relative”because it’s far different than temperatures and dew points at the surface. So, to bring it all together, aircraft flying at these altitudes, which most commercial and military aircraft do, injecting warm, moist air from the engines rapidly into the super cooled environment, not only instantly form contrails, but when relative humidities are as depicted in this example, will enable contrails to persist for hours at a time supported by the moisture existing in that layer. This is what causes persistent contrails. These ARE NOT “chemtrails” and because they persist, does not, and will not ever, make them “chemtrails.” Now that you all needed your government to tell you that climate change was a hoax and I’ve been telling you for years that the “Geoengineering” and “chemtrail” nonsense are propaganda directly related to the climate change hoax, hopefully you can take some time to learn the basics of the atmosphere and understand what I’m showing you here, and how it works, so you’re not fooled by climate propaganda going forward. Thank you for your attention to this matter. 💪🏼🇺🇸

Dylan Tucker

26,804 次观看 • 8 个月前

Zimbabwe declared a state of emergency in its capital city, Harare amid a deadly outbreak of the medieval disease, cholera. What you are seeing below is raw sewage flowing in the streets of Harare due to an unserviced old sewage system left by the colonial government. This is what happens when political leadership fails a country and focuses its energises on looting public funds and plundering the country’s natural resources. This level of total collapse is not only tragic, but it is now bringing diseases for Zimbabweans, yet their public health system is totally collapsed! The most painful thing is that part of Rhodesia’s propaganda predicted this, imagine working so hard to prove Ian Smith right. Yet you see the ruling political elites in designer suits and being driven in the latest black Mercedes cars yet sewage is flowing in the streets like this! For telling you this self evident truth, I will be called a Western puppet and whole trailer load of insults. The insults don’t matter in the face of this truth, like George Orwell said, “….perhaps one did not want to be loved so much as to be understood.”

Zimbabwe declared a state of emergency in its capital city, Harare amid a deadly outbreak of the medieval disease, cholera. What you are seeing below is raw sewage flowing in the streets of Harare due to an unserviced old sewage system left by the colonial government. This is what happens when political leadership fails a country and focuses its energises on looting public funds and plundering the country’s natural resources. This level of total collapse is not only tragic, but it is now bringing diseases for Zimbabweans, yet their public health system is totally collapsed! The most painful thing is that part of Rhodesia’s propaganda predicted this, imagine working so hard to prove Ian Smith right. Yet you see the ruling political elites in designer suits and being driven in the latest black Mercedes cars yet sewage is flowing in the streets like this! For telling you this self evident truth, I will be called a Western puppet and whole trailer load of insults. The insults don’t matter in the face of this truth, like George Orwell said, “….perhaps one did not want to be loved so much as to be understood.”

Hopewell Chin’ono

1,297,785 次观看 • 2 年前

To find the real location of the lost Atlantis, you need to listen to the ancient Egyptians! There is only one lost land mentioned in ancient Egyptian sources, and that is the Lost Egyptian Land of Punt. The Land of Punt was a mysterious trading kingdom frequently mentioned in ancient Egyptian texts. It appears in records as early as the Old Kingdom (c. 2500 BCE). The Egyptians called the land “Ta Netjer,” or “God’s Land.” So let’s find its real location, and you’ll see how it connects to Atlantis! Enter this deep rabbit hole thread, and by the end, many things will make sense! (1/12)🧵

To find the real location of the lost Atlantis, you need to listen to the ancient Egyptians! There is only one lost land mentioned in ancient Egyptian sources, and that is the Lost Egyptian Land of Punt. The Land of Punt was a mysterious trading kingdom frequently mentioned in ancient Egyptian texts. It appears in records as early as the Old Kingdom (c. 2500 BCE). The Egyptians called the land “Ta Netjer,” or “God’s Land.” So let’s find its real location, and you’ll see how it connects to Atlantis! Enter this deep rabbit hole thread, and by the end, many things will make sense! (1/12)🧵

Open Minded Approach

168,259 次观看 • 3 个月前

Look at the tips of her fingers. The marble is turning into leaves... This is the most astonishing detail in Bernini's Apollo and Daphne, in the Galleria Borghese in Rome. Daphne, fleeing the god Apollo, has begged to be saved, and at the instant he catches her she begins to turn into a laurel tree. Bernini carved the exact second it happens, and the change starts at her hands: her raised fingers are sprouting laurel leaves, so thin that in bright light they turn faintly translucent, the way a real leaf glows when you hold it up to the sun. To understand what that took, consider what marble actually is. It is heavy, brittle, and utterly unforgiving. A single slip, one vibration too many, and a leaf that took days to carve shatters, and there is no putting it back. When the sculpture was restored in 1997, conservators discovered how Bernini protected this fragile growth while he worked: he had wrapped the thinnest, most delicate parts in little cushions of plaster, to shield them from the vibrations traveling through the stone as he carved the rest. The same restoration revealed his real secret... The leaves and the strands of windblown hair are riddled with the marks of a bow drill, a tool that bores holes into stone. But Bernini did not drill straight in, which would have left round, mechanical holes. On the tiny leaves at Daphne's fingertips, he tilted the drill at an angle, cutting long shallow grooves instead, so the marble would mimic the natural veins and splits of a living leaf. He was imitating the way foliage actually grows. I wrote this so that the next time a sculpture detail takes your breath away, you do not see only marble. You see the months of patience of a human being who chose to spend part of his short life turning cold stone into a living leaf, so that four hundred years later a stranger would stop and feel something... I started this newsletter because our past is extraordinary, and fewer and fewer people are showing us how to truly see it. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

Look at the tips of her fingers. The marble is turning into leaves... This is the most astonishing detail in Bernini's Apollo and Daphne, in the Galleria Borghese in Rome. Daphne, fleeing the god Apollo, has begged to be saved, and at the instant he catches her she begins to turn into a laurel tree. Bernini carved the exact second it happens, and the change starts at her hands: her raised fingers are sprouting laurel leaves, so thin that in bright light they turn faintly translucent, the way a real leaf glows when you hold it up to the sun. To understand what that took, consider what marble actually is. It is heavy, brittle, and utterly unforgiving. A single slip, one vibration too many, and a leaf that took days to carve shatters, and there is no putting it back. When the sculpture was restored in 1997, conservators discovered how Bernini protected this fragile growth while he worked: he had wrapped the thinnest, most delicate parts in little cushions of plaster, to shield them from the vibrations traveling through the stone as he carved the rest. The same restoration revealed his real secret... The leaves and the strands of windblown hair are riddled with the marks of a bow drill, a tool that bores holes into stone. But Bernini did not drill straight in, which would have left round, mechanical holes. On the tiny leaves at Daphne's fingertips, he tilted the drill at an angle, cutting long shallow grooves instead, so the marble would mimic the natural veins and splits of a living leaf. He was imitating the way foliage actually grows. I wrote this so that the next time a sculpture detail takes your breath away, you do not see only marble. You see the months of patience of a human being who chose to spend part of his short life turning cold stone into a living leaf, so that four hundred years later a stranger would stop and feel something... I started this newsletter because our past is extraordinary, and fewer and fewer people are showing us how to truly see it. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

James Lucas

64,061 次观看 • 25 天前

From a distance, this figure seems to be wearing a robe draped over his shoulders. Step closer, and you realize it is not a robe. It's his own skin... This is the statue of Saint Bartholomew, carved in 1562 by the Lombard sculptor Marco d'Agrate, and it stands inside the Duomo of Milan. Bartholomew was one of the twelve apostles of Christ, and according to tradition he was martyred in the cruelest way imaginable: he was flayed alive, his skin stripped from his body, and then beheaded. D'Agrate chose to show him not in the moment of agony, but afterward, standing upright in defiance, his own flayed skin wrapped around him like a garment. What makes the sculpture extraordinary is the precision beneath that skin: every muscle, every tendon, every vein and cord of the human body is exposed and rendered with such accuracy that anatomists have studied it. This was the Renaissance at its most fearless, when the same curiosity that drove artists to dissect the human body in secret produced an image of a man turned inside out, his suffering transformed into a study of how a human being is actually made. And the sculptor knew exactly how remarkable his achievement was. At the base of the statue he carved a line in Latin that has outlived him by nearly five centuries: Non me Praxiteles, sed Marcus finxit Agrates. "I was not made by Praxiteles, but by Marco d'Agrate." He was comparing himself to the greatest sculptor of ancient Greece, and daring you to disagree... I started this newsletter because the artists of the past were truly extraordinary, and fewer and fewer people are showing us what they were capable of. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

From a distance, this figure seems to be wearing a robe draped over his shoulders. Step closer, and you realize it is not a robe. It's his own skin... This is the statue of Saint Bartholomew, carved in 1562 by the Lombard sculptor Marco d'Agrate, and it stands inside the Duomo of Milan. Bartholomew was one of the twelve apostles of Christ, and according to tradition he was martyred in the cruelest way imaginable: he was flayed alive, his skin stripped from his body, and then beheaded. D'Agrate chose to show him not in the moment of agony, but afterward, standing upright in defiance, his own flayed skin wrapped around him like a garment. What makes the sculpture extraordinary is the precision beneath that skin: every muscle, every tendon, every vein and cord of the human body is exposed and rendered with such accuracy that anatomists have studied it. This was the Renaissance at its most fearless, when the same curiosity that drove artists to dissect the human body in secret produced an image of a man turned inside out, his suffering transformed into a study of how a human being is actually made. And the sculptor knew exactly how remarkable his achievement was. At the base of the statue he carved a line in Latin that has outlived him by nearly five centuries: Non me Praxiteles, sed Marcus finxit Agrates. "I was not made by Praxiteles, but by Marco d'Agrate." He was comparing himself to the greatest sculptor of ancient Greece, and daring you to disagree... I started this newsletter because the artists of the past were truly extraordinary, and fewer and fewer people are showing us what they were capable of. Every week I try to. If that is something you would like to be part of, you can join at the link below, and if you'd like to support my work, a paid subscription is what makes it possible: Thanks for reading.

James Lucas

67,390 次观看 • 19 天前