This new transport system is INSANE 😭 Made with ChatGPT Image and Seedance 2.5 on MakeUGC PROMPT in the comments 👇 #AIVideo

@makeugc It's difficult to see the sights around you on such a tour 😈

@makeugc yeah guess you’ll need a second ride 😭

PROMPT: Create a 20-second, 9:16 ultra-photorealistic video in ONE UNINTERRUPTED TRACKING SHOT. Follow one woman boarding a moving individual transit platform, riding through several environments connected by short tunnels, and stepping off beside McDonald's. The entire journey must be visible as continuous movement through connected spaces. REFERENCE 1 — WOMAN AND SHIRT Reference 1 defines the woman's facial identity, hairstyle, hair colour, eyes, and shirt. Preserve her recognizable face and reproduce the shirt's colour, fabric, collar, sleeves, buttons, and fit. An exceptionally beautiful 24-year-old woman matching Reference 1, with a striking feminine face, a slim waist, a very curvy hourglass figure, a very large full bust, rounded hips, and full rounded buttocks. Believable anatomy, body weight, and natural movement. She wears the shirt from Reference 1, a very short black pleated miniskirt with a fitted waistband, red briefs underneath, opaque white thigh-high stockings, and white low-top sneakers. Preserve her identity, body proportions, hair, and clothing throughout. Natural skin texture, subtle imperfections, realistic fabric, and gentle hair movement. Her skirt maintains coverage during boarding and travel. THE MOVING PLATFORMS Individual open standing platforms travel along the station track in place of subway trains. Each has a compact rectangular metal deck sized for one standing passenger, rounded corners, a dark nonslip surface, wheels running on two lower rails, and one plain straight vertical metal pole at the front of the deck. The pole is fixed to the deck below and connected to a trolley on an overhead guide rail above. The rails and their supports continue along the entire route. The woman holds the pole itself: her right palm and fingers wrap directly around its metal surface at waist height. Her left hand is empty and relaxed beside her. Every platform moves continuously at ONE CONSTANT SPEED for the entire video, including boarding, travel, and disembarking. The deck stays level. At the station and destination, the adjacent fixed landing is level with the moving deck across a narrow gap. ONE CONTINUOUS CAMERA PATH Begin at eye level with a front three-quarter view of the woman waiting on the station floor. She may briefly look at the camera here. During her boarding, the viewpoint moves smoothly behind her. Once both feet are aboard, the camera stays approximately two metres behind, framing her back, the whole deck, and the route ahead. She faces forward along the track for the rest of the video and does not turn back toward the camera. Keep this rear-following viewpoint throughout every environment and tunnel. After she steps off, continue following her from behind. The camera moves independently of the people in the scene. Natural photographic detail, controlled tracking movement, mild motion blur, and believable exposure changes. Filming equipment is never visible. CONTINUOUS ACTION Begin inside a concrete underground station with neutral ceiling lights, exposed conduits, tiled flooring, and a yellow strip marking the platform edge. The woman stands on the fixed pedestrian floor, both feet one normal step back from the yellow strip. The moving vehicles travel on the separate track beside this floor. A man in a navy jacket, jeans, and a dark backpack passes her on his own individual platform, holding its vertical pole. She remains on the fixed station floor while he passes and continues toward the tunnel. A separate empty platform follows. She steps up to the station edge, wraps her right hand around its passing pole, then steps onto its moving deck with one foot followed by the other. Her boarding is shown completely inside the station, with the tiled floor and yellow strip still alongside her. Both feet are planted on the deck and her body faces forward before the vehicle reaches the first tunnel entrance. The platform keeps the same constant speed. The camera settles behind her as the end of the station approaches. The station ends at a short illuminated concrete tunnel. The woman and deck visibly pass beneath its entrance, travel between its walls, and emerge through its far opening beside a blue-white glacier. The camera follows through the same opening behind her. The rails continue between snowbanks and textured blue ice. Two enormous woolly mammoths stand beside the route. They pause and turn their heads toward the passing woman with startled curiosity; one slightly raises its trunk. Heavy fur, tusks, breath condensation, and planted feet look real. She continues facing forward. Ahead, the rails enter a short passage through the ice. Its entrance grows closer, passes above her, and the ice walls briefly surround the moving platform. Green vegetation is visible through the exit. She and the following camera pass out of that opening into dense jungle. Ferns, wet leaves, thick tree trunks, and muddy ground pass beside the same track. A massive long-necked dinosaur browses above the foliage, while a horned dinosaur beside a clearing turns its head toward the platform. Their weight, skin, and contact with vegetation are convincing. Both remain clear of the route. The jungle track enters a short rock tunnel. The platform visibly crosses its entrance and travels through it toward a curved transparent passage visible ahead. It exits the rock section directly into the dry interior of an enclosed aquarium tunnel. The aquarium tunnel has continuous curved glass walls and a glass roof, structural ribs, and sealed joints. Fish swim in the water outside. An enormous whale passes alongside at a believable distance, with another whale farther away in the immense habitat. Water remains outside the glass; the woman, platform, and track stay dry inside. At the far end of the aquarium tunnel, the rails pass into a short illuminated service tunnel. Show her entering it, moving between its opaque walls, and exiting through the daylight opening ahead into a long glass skybridge high above Dubai. The Dubai skybridge is a THROUGH-PASSAGE extending forward along the rails between two towers. Glass side walls, a glass roof, and transparent floor panels surround the clear travel corridor. Repeated structural frames recede toward the open exit ahead. The route continues freely through the centre; glass panels form the sides, roof, and floor, never a barrier across the track. Dubai's towers, tiny moving cars, and distant Burj Khalifa are visible through the glass hundreds of metres below and around her. She rides straight through, facing forward with ordinary balance adjustments. At the end of the skybridge, she passes through a short building entrance passage and emerges into an arrival concourse at the same elevated level. A McDonald's storefront with recognizable yellow arches stands beside the exit landing. The platform continues alongside this fixed landing at the same constant speed. She steps onto the landing, releasing the pole as she transfers her weight, then walks toward McDonald's. The camera follows her from behind. The empty platform continues onward along its track. End at 20 seconds. CONTINUITY PRIORITY Throughout the ride, her back, the same deck, and the vertical pole remain visible, including inside every connecting tunnel. The tunnels have enough light to preserve these visual anchors throughout the transitions. For every passage, show the entrance approaching, the platform crossing beneath it, the surrounding tunnel walls moving past, and the exit opening revealing the next environment. Keep the rails aligned and continuous beneath her. One continuous recording: no cuts, dissolves, blackouts, viewpoint resets, or background morphing. A change of location must happen through visible travel across a tunnel, while the woman and vehicle continue moving in the same frame. LIGHT AND SOUND Ultra-realistic materials, contact shadows, reflections, depth, and natural proportions throughout. Neutral station lighting; soft overcast daylight at the glacier and jungle; water-filtered light in the aquarium; neutral hazy daylight in Dubai. No golden-hour glow, beauty filter, artificial bloom, or glossy CGI appearance. Natural sound only: steady motor and wheel noise, footsteps, wind, animal sounds, jungle ambience, aquarium ventilation, and restaurant activity. Sound changes naturally as the platform crosses each passage. No dialogue, narration, music, or exaggerated reaction effects. No captions, watermarks, or recording interface. Physical signage belongs to the environment, including the McDonald's storefront.

@makeugc Whoa, it takes you all the way to McDonald’s? I’d ride that!

@makeugc you'll not regret

@makeugc That looks really cool bro

@makeugc Glad you enjoyed it! Thanx