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This one actually makes my blood boil! Some Indian guy Dinesh Paraiyar gets caught trying to sexually abuse a 14-year-old British girl in Luton. Caught red-handed by locals, begging, offering chocolates and a new phone like that makes it okay. Straight-up disgusting and horrifying. But here’s what really hits... different. If this same dude had done something big, cracked a top job, built a startup, or become some success story abroad, he would’ve been the first one screaming “I’m British now.” Media would’ve called him a shining example of integration, a proud adopted son of the UK. Yet the second he pulls this filth? Headlines switch to “Indian man from India.” Suddenly the Indian tag is bold and loud, like it defines the whole damn community. That selective identity game is what shames every one of us. One creep like this and suddenly the side-eyes start, the “send them back” comments trend, and all the hardworking Indians get lumped in. It’s pure hypocrisy !show more

Yash Tiwari

17,624 subscribers

24,359 views • 5 months ago •via X (Twitter)

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33 Comments

FawazM | فواز م5 months ago

You will be the first one to tag him “MUSLIM” if he was a pakistani British. You are just mad that whites didn’t give you the special treatment you tried so hard to get, but you wont get it, because you are an indian.

FI_RE5 months ago

Sorry because he is caught. Not sorry for seeking it. Wherever Indians go, they will earn all Indians a bad name

Kavya 🌸5 months ago

This is disgusting 🤢 Shame on him.

Yash Tiwari5 months ago

Disgusting is the only word.

Ahmed5 months ago

Deport all 🇮🇳 throw them back to their dirty third world hell hole countries. DJT was right about these scums!!!

Holyhekatuiteka5 months ago

They have form

GrokGirl5 months ago

@CyberGreen09 Importing third world into western nations always produces another third world.

Atmaram5 months ago

These are becoming more common and Indians are enriching themselves at the cost of westerners in their own lands. That’s bad karma. Indians who bemoan British colonization are now colonizing the 🌎 and replacing natives in their own lands seeking entitlement and wealth.

Dr Sachin Tripathi @ Satyendra Doss5 months ago

From Brahman hating caste paraiyar& Brahman hating land of Tamilnadu! Dinesh Paraiyar sexually abusing 14 year old girl in Luton,England. Low caste Ram swami naicker had married a woman whom he used to call daughter before! Dinesh paraiyar is going on same way as his legend!

Pritom Ahad5 months ago

he isnt a british citizen. he is indian.

RamRavan_Within5 months ago

Thank u for calling out his name!! U kno otherwise wat we Hindus wud do! Put the blame on other religion or call them bangladeshis! Apart from accepting mistakes, we do everythin else

Gopal Swamy5 months ago

His name Parayar means SC from TN

Minerva ( Mee- ner -va )5 months ago

Another disgrace to the Indian community. 🤦‍♀️🤦‍♀️show no mercy deport him .

Raman5 months ago

Disgusting. Pls don't deport this pedo to India. Let him rot in your jail and be registered in s*x offender registry.

Indian Supapowar Cockroach5 months ago

According to Indian cockroaches, if he worked at JP Morgan, he would not need to beg.

freedom hater5 months ago

please saar, you can rape my sister as payment

Gaulois Franc5 months ago

Malheureusement ce délinquant fera d’autres victimes !

Murdoch5 months ago

FFS reading the comments here proves Indians are low IQ savages.

Sanathanadharmam5 months ago

Punishment to full

Old Naval Steam Engine5 months ago

Send them back, preserves your nations!

Dr. Steve Brûlée, PhD5 months ago

#returntoindia

The Indian DEFENDER5 months ago

Then Y U people welcoming them Deport all of them. Only solution to develop ur country

Toni5 months ago

Well done guys I’m so fucking proud of you ❤️❤️❤️

Chirag J5 months ago

Ha ha ha ha 😂😂😂😂😂😂😂

O'Kane5 months ago

The head wobble is a sign of sincerity.

Arman5 months ago

Indians practice hypocracy in India. Killing Christians and Muslim minority people

1862825 months ago

@CyberGreen09 Indians need to change their culture to stigmatize rape.

anilsreedhar5 months ago

lots of attacks by indian guys there

destiny314595 months ago

delete him

Josh5 months ago

Yeah fuck that! One Indian guy commits a crime and suddenly all Indians are demons.

Banana5 months ago

How did he come here? Dont have to import savages like this is what they are talking about. Obviously immigrants come from a country so it has to be said.

Desi Resolve5 months ago

@cmmnslive85953 7

11:115 months ago

So you’re standing up for pedo?

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SANTOS BRAVOS BASE 🫧

28,754 views • 21 days ago

A woman sits between two men. One is old and wealthy, and he is offering her a fortune. The other is young with nothing to give but himself. And Bouguereau painted her in the exact moment before she chooses... The painting is called Entre la richesse et l'amour, "Between Wealth and Love," made in 1869 by the French master William-Adolphe Bouguereau. At its center sits a young woman in a soft pink dress, her expression caught somewhere between thought and sorrow. On one side of her leans an old man, richly dressed, holding out an ornate casket, a small chest of treasure. He is wealth. He is offering comfort, security, a life without want, in exchange for her hand. On her other side is a young man in simpler clothes, earnest, leaning toward her, his hand pressed over his heart. That gesture is all he offers. He holds out no gold and no gift, only himself, the sincerity of his feeling, and the promise of a life that may be poor but will be warm. He is love. Bouguereau does not tell us what she decides. That is the genius of the painting: he freezes her in the one instant every human being recognizes, the moment when two futures stand on either side of you, and you understand that to choose one is to lose the other forever. Everyone, sooner or later, sits in that chair. Everyone is asked, in one form or another, to choose between the safe life and the true one. And the painting does not pretend the choice is easy. It never tells us what she should do. It only asks us to look, and to notice what we find ourselves wishing for... I started my newsletter because the past is full of masterpieces like this one, and fewer and fewer people are helping us truly see them anymore. Every week I try to. If that is something you'd like to be part of, you can join through the link in my bio, and if you'd like to support my work, a paid subscription is what makes it possible. Thanks for reading.

A woman sits between two men. One is old and wealthy, and he is offering her a fortune. The other is young with nothing to give but himself. And Bouguereau painted her in the exact moment before she chooses... The painting is called Entre la richesse et l'amour, "Between Wealth and Love," made in 1869 by the French master William-Adolphe Bouguereau. At its center sits a young woman in a soft pink dress, her expression caught somewhere between thought and sorrow. On one side of her leans an old man, richly dressed, holding out an ornate casket, a small chest of treasure. He is wealth. He is offering comfort, security, a life without want, in exchange for her hand. On her other side is a young man in simpler clothes, earnest, leaning toward her, his hand pressed over his heart. That gesture is all he offers. He holds out no gold and no gift, only himself, the sincerity of his feeling, and the promise of a life that may be poor but will be warm. He is love. Bouguereau does not tell us what she decides. That is the genius of the painting: he freezes her in the one instant every human being recognizes, the moment when two futures stand on either side of you, and you understand that to choose one is to lose the other forever. Everyone, sooner or later, sits in that chair. Everyone is asked, in one form or another, to choose between the safe life and the true one. And the painting does not pretend the choice is easy. It never tells us what she should do. It only asks us to look, and to notice what we find ourselves wishing for... I started my newsletter because the past is full of masterpieces like this one, and fewer and fewer people are helping us truly see them anymore. Every week I try to. If that is something you'd like to be part of, you can join through the link in my bio, and if you'd like to support my work, a paid subscription is what makes it possible. Thanks for reading.

James Lucas

110,698 views • 2 months ago

Happy New Year from Melbourne CBD everyone 🥂🍾 It doesn’t look like a Western nation at all right? Yet, this is the reality of Melbourne CBD on New Year’s Eve. This is an issue. Because no matter how individually they might all be good people, collectively, as a nation, it is a problem, one that erodes cultural identity and social cohesion. MULTICULTURALISM IS A FAILED CONCEPT When you start seeing demographic change and clusters of groups that are supposed to be a “minority” forming - and all in a sudden we are the minority - it is a problem, and a big one. All we need to do is to look at Europe. What’s happening in the UK, Germany, France, Italy.. it’s terrifying. And we must oppose it with all we’ve got. One Nation is the only party that has been at the forefront of this issue since day one and that will keep putting Australians first - unapologetically. One Nation Australia One Nation Victoria Pauline Hanson 🇦🇺

Happy New Year from Melbourne CBD everyone 🥂🍾 It doesn’t look like a Western nation at all right? Yet, this is the reality of Melbourne CBD on New Year’s Eve. This is an issue. Because no matter how individually they might all be good people, collectively, as a nation, it is a problem, one that erodes cultural identity and social cohesion. MULTICULTURALISM IS A FAILED CONCEPT When you start seeing demographic change and clusters of groups that are supposed to be a “minority” forming - and all in a sudden we are the minority - it is a problem, and a big one. All we need to do is to look at Europe. What’s happening in the UK, Germany, France, Italy.. it’s terrifying. And we must oppose it with all we’ve got. One Nation is the only party that has been at the forefront of this issue since day one and that will keep putting Australians first - unapologetically. One Nation Australia One Nation Victoria Pauline Hanson 🇦🇺

Bianca Colecchia | PH One Nation

11,686 views • 9 months ago

Christopher Nolan explains why the Cyclops in the Odyssey is more horrifying than any monster "One of the first things that i showed him was a painting by Goya, one of the black paintings of Saturn eating his children and it's a it's a horrific image" "But one of the things is really horrifying about it we talked about a lot is that the blankness of the expression, that this is not a monster, nobody thinks they're a monster" "And that's what action makes it most frightening is that if from the monster's point of view they're not monster" "We're irrelevant to them and that's what's really scary we've got a lot out of the films of my friend Guillermo Del Toro" "One of the things he's taught me in his film is that the monster is never just a monster"

Christopher Nolan explains why the Cyclops in the Odyssey is more horrifying than any monster "One of the first things that i showed him was a painting by Goya, one of the black paintings of Saturn eating his children and it's a it's a horrific image" "But one of the things is really horrifying about it we talked about a lot is that the blankness of the expression, that this is not a monster, nobody thinks they're a monster" "And that's what action makes it most frightening is that if from the monster's point of view they're not monster" "We're irrelevant to them and that's what's really scary we've got a lot out of the films of my friend Guillermo Del Toro" "One of the things he's taught me in his film is that the monster is never just a monster"

le.hl

1,600,271 views • 2 months ago

American tourist Dale James was caught attacking a store guard and stealing $31k worth of jewelry in Vietnam. And this is nothing compared to what they get arrested for in general. You won’t find people banning whites or restricting them, but here Indians themselves get some kind of sepoy pleasure in bringing other Indians down. One Indian gets arrested for a petty crime, and they paint the entire community in a bad light. Why do the crimes of one get highlighted while others don’t? That is plain racism.

American tourist Dale James was caught attacking a store guard and stealing $31k worth of jewelry in Vietnam. And this is nothing compared to what they get arrested for in general. You won’t find people banning whites or restricting them, but here Indians themselves get some kind of sepoy pleasure in bringing other Indians down. One Indian gets arrested for a petty crime, and they paint the entire community in a bad light. Why do the crimes of one get highlighted while others don’t? That is plain racism.

︎ ︎venom

55,964 views • 6 months ago

A NASA fellow claims the modern world runs on one equation. Your phone signal, wifi, satellites, this post reaching your screen. All of it obeys one line of math written in the 1860s, before the light bulb existed. His words. The man is Ali Alqaraghuli, a former NASA postdoctoral fellow who now runs two hardware companies. And the way he teaches it is what makes the video worth it. He does not derive the equation. He teaches you to read it. His claim is that school taught you to read math wrong, and one symbol proves it: what you were told is a plus sign is actually something else. Once you see it, the whole equation turns from notation into a sentence. Then he uses that sentence to walk you through how a signal actually gets from your phone to a satellite and back. One viewer called that section straight up magic. It is 4 minutes of it. The comments are the proof. A physics student wrote it explained what a semester with his professor could not. An electrical engineer admitted this is where the equations finally clicked. One person wrote: I cried and I do not even know why. His larger point: the wireless world is not magic and never was. It is one readable line, and reading it is a skill nobody bothered to teach you. One equation. Everything wireless. 14 minutes. It is in the video.

A NASA fellow claims the modern world runs on one equation. Your phone signal, wifi, satellites, this post reaching your screen. All of it obeys one line of math written in the 1860s, before the light bulb existed. His words. The man is Ali Alqaraghuli, a former NASA postdoctoral fellow who now runs two hardware companies. And the way he teaches it is what makes the video worth it. He does not derive the equation. He teaches you to read it. His claim is that school taught you to read math wrong, and one symbol proves it: what you were told is a plus sign is actually something else. Once you see it, the whole equation turns from notation into a sentence. Then he uses that sentence to walk you through how a signal actually gets from your phone to a satellite and back. One viewer called that section straight up magic. It is 4 minutes of it. The comments are the proof. A physics student wrote it explained what a semester with his professor could not. An electrical engineer admitted this is where the equations finally clicked. One person wrote: I cried and I do not even know why. His larger point: the wireless world is not magic and never was. It is one readable line, and reading it is a skill nobody bothered to teach you. One equation. Everything wireless. 14 minutes. It is in the video.

ooaes

28,543 views • 2 months ago

We are used to seeing the 1920s in black and white. This is what London actually looked like, in full color, more than a hundred years ago. What you are watching comes from The Open Road, filmed in the summer of 1924 by a British cinematographer named Claude Friese-Greene. It is some of the earliest colour film of London ever made. What I love about this film is that the color collapses the distance between us and them. The black-and-white footage we are used to is beautiful, but it makes the past feel like another world. Colour changes that. Red buses, a blue sky, the green of the trees, and suddenly 1924 does not feel like history at all... What most people don't know is that this footage was one man's attempt to finish his father's life's work: Claude was the son of William Friese-Greene, one of the pioneers of early cinema. Together they had spent years developing a way to capture true color on film, using a system of spinning red and blue-green filters in front of the camera. The process was flawed. It flickered, it produced strange color fringes around anything that moved too fast, and it was soon overtaken by better systems and forgotten. Claude set out on a journey by car from Land's End to the north of Scotland, filming the whole country in his imperfect color, trying to prove that his father's dream could work. For decades the footage sat largely unseen, its flaws making it almost unwatchable. Then, in our own century, the British Film Institute used digital technology to clean away the flicker and the fringing, revealing what Friese-Greene had actually captured: a lost world, brought back to life in color.

We are used to seeing the 1920s in black and white. This is what London actually looked like, in full color, more than a hundred years ago. What you are watching comes from The Open Road, filmed in the summer of 1924 by a British cinematographer named Claude Friese-Greene. It is some of the earliest colour film of London ever made. What I love about this film is that the color collapses the distance between us and them. The black-and-white footage we are used to is beautiful, but it makes the past feel like another world. Colour changes that. Red buses, a blue sky, the green of the trees, and suddenly 1924 does not feel like history at all... What most people don't know is that this footage was one man's attempt to finish his father's life's work: Claude was the son of William Friese-Greene, one of the pioneers of early cinema. Together they had spent years developing a way to capture true color on film, using a system of spinning red and blue-green filters in front of the camera. The process was flawed. It flickered, it produced strange color fringes around anything that moved too fast, and it was soon overtaken by better systems and forgotten. Claude set out on a journey by car from Land's End to the north of Scotland, filming the whole country in his imperfect color, trying to prove that his father's dream could work. For decades the footage sat largely unseen, its flaws making it almost unwatchable. Then, in our own century, the British Film Institute used digital technology to clean away the flicker and the fringing, revealing what Friese-Greene had actually captured: a lost world, brought back to life in color.

James Lucas

171,718 views • 3 months ago