Sensitive content

This media may contain sensitive content.

Video wird geladen...

Video konnte nicht geladen werden

Beim Laden dieses Videos ist ein Problem aufgetreten. Dies könnte an einem vorübergehenden Netzwerkproblem liegen oder das Video ist möglicherweise nicht verfügbar.

This SLAMMING Compilation is mind blowing 🤤🤘🏻💉💦☣️ #slamming #slam #pozslut #hailsatan #slampig #slampozslut #pozaddiction #pnp

David ☣️ 🤘🏻

58,895 subscribers

873,774 Aufrufe • vor 2 Jahren •via X (Twitter)

NSFW #slamming #slam #pozslut #hailsatan #slampig #slampozslut #pozaddiction #pnp

Anya Rossi• Live Now

Private livecam show

0 Kommentare

Keine Kommentare verfügbar

Kommentare vom Original-Post werden hier angezeigt

Ähnliche Videos

You would think he's running for prime minister the way he's gesturing with such adamance. Fist slamming down on the podium and it's all on the topic of bubble tea Mind you this is supposed to be a film award acceptance speech for Blackberry

You would think he's running for prime minister the way he's gesturing with such adamance. Fist slamming down on the podium and it's all on the topic of bubble tea Mind you this is supposed to be a film award acceptance speech for Blackberry

milo

51,988 Aufrufe • vor 4 Monaten

inFAMOUS (my own copy) on RPCS3 is absolutely blowing my mind... Higher framerates and full 4K 🤤 I wasn’t ready for this. PS2 / PS3 emulators are about to take over my life 🥹

inFAMOUS (my own copy) on RPCS3 is absolutely blowing my mind... Higher framerates and full 4K 🤤 I wasn’t ready for this. PS2 / PS3 emulators are about to take over my life 🥹

𝑨𝒔𝒉𝒆𝒏 𝑶𝒏𝒆

409,493 Aufrufe • vor 6 Monaten

🚨MAJOR BREAKING: After a federal judge dropped former FBI Director James Comey’s case, he just released a video SLAMMING Trump: “The president of the United States cannot use the Department of Justice to target his political enemies.” The judge ruled the prosecutor’s appointment was unlawful, blowing up the case. This wasn’t justice - it was political retribution. When the rule of law bends to vengeance, democracy is at stake.

🚨MAJOR BREAKING: After a federal judge dropped former FBI Director James Comey’s case, he just released a video SLAMMING Trump: “The president of the United States cannot use the Department of Justice to target his political enemies.” The judge ruled the prosecutor’s appointment was unlawful, blowing up the case. This wasn’t justice - it was political retribution. When the rule of law bends to vengeance, democracy is at stake.

CALL TO ACTIVISM

176,854 Aufrufe • vor 8 Monaten

🚨 HOLY SHIT CHARLES HOSKINSON JUST LOST HIS DAMN MIND OVER THE CLARITY ACT!! He’s SLAMMING the table, laughing like a madman, and ABSOLUTELY ROASTING Brad Garlinghouse to his face while the whole crypto world watches in shock! “THIS IS A HORRIFIC TRASH BILL, A DEATH TRAP FOR EVERYONE EXCEPT RIPPLE!” #Cardano chads… we are SO back. $XRP bros in shambles. Who else is here for this absolute CHAOS?! 👀 Drop a 🔥 if you’re riding with Charles or a 💀 if Garlinghouse just got cooked. #ClarityAct #Cardano #XRP #CryptoDrama #HoskinsonVsGarlinghouse

🚨 HOLY SHIT CHARLES HOSKINSON JUST LOST HIS DAMN MIND OVER THE CLARITY ACT!! He’s SLAMMING the table, laughing like a madman, and ABSOLUTELY ROASTING Brad Garlinghouse to his face while the whole crypto world watches in shock! “THIS IS A HORRIFIC TRASH BILL, A DEATH TRAP FOR EVERYONE EXCEPT RIPPLE!” #Cardano chads… we are SO back. $XRP bros in shambles. Who else is here for this absolute CHAOS?! 👀 Drop a 🔥 if you’re riding with Charles or a 💀 if Garlinghouse just got cooked. #ClarityAct #Cardano #XRP #CryptoDrama #HoskinsonVsGarlinghouse

Leader Alpha

311,111 Aufrufe • vor 4 Monaten

This is called Clear Air Turbulence, or CAT. No clouds, but the air is still bumpy because of: -Jet streams up high.. these fast rivers of wind (over 100-200 knots) slamming into slower air, creating invisible wind shear. -Mountain waves... wind blowing over mountains sends turbulence way up into the clear sky, even far away. -Gravity waves and air mass changes.. temperature shifts and different air layers causing hidden bumps. Wouldn't it be great if planes had better tech to actually see these waves ahead, like advanced LIDAR systems they're testing? The plane handles it fine , but keep your seatbelt on.

This is called Clear Air Turbulence, or CAT. No clouds, but the air is still bumpy because of: -Jet streams up high.. these fast rivers of wind (over 100-200 knots) slamming into slower air, creating invisible wind shear. -Mountain waves... wind blowing over mountains sends turbulence way up into the clear sky, even far away. -Gravity waves and air mass changes.. temperature shifts and different air layers causing hidden bumps. Wouldn't it be great if planes had better tech to actually see these waves ahead, like advanced LIDAR systems they're testing? The plane handles it fine , but keep your seatbelt on.

Fahad Naim

149,519 Aufrufe • vor 2 Monaten

WATER IS MIND-BLOWING. It remembers. With more memory capacity than the most advanced supercomputer ever built. The 3 jars of rice experiment featured at the start of this video is so mind-bendingly profound, I’m almost lost for words 🤯 And here’s the craziest part: you can try this experiment at home and see for yourself. It works. EVERY. SINGLE. TIME. Just check YouTube – people keep repeating it with identical, astonishing results. Water isn’t just a liquid; it transforms at the whim of human thoughts and emotions. And there’s nothing more impactful on all life—human, plant, animal—than this. 👇💯💦

WATER IS MIND-BLOWING. It remembers. With more memory capacity than the most advanced supercomputer ever built. The 3 jars of rice experiment featured at the start of this video is so mind-bendingly profound, I’m almost lost for words 🤯 And here’s the craziest part: you can try this experiment at home and see for yourself. It works. EVERY. SINGLE. TIME. Just check YouTube – people keep repeating it with identical, astonishing results. Water isn’t just a liquid; it transforms at the whim of human thoughts and emotions. And there’s nothing more impactful on all life—human, plant, animal—than this. 👇💯💦

FLAT OUT TRUTH

604,265 Aufrufe • vor 1 Jahr

EXCLUSIVE Colorado Teacher REFUSED to allow a 7th grader to present her pro-life slam poetry submission because it’s “offensive” and might make kids feel “unsafe.” Some examples of accepted topics in the class are slamming the 2nd amendment, mocking Jesus, and lgbtq rights. Staff admitted that the poem met all the requirements however couldn’t be read out loud because it’s “politically charged.” The teacher also initially tried kicking this 13-year-old girl out of class during the poem presentations but allowed her to stay after pushback. We spoke with the mother and daughter who shared their story and with us and why being pro-life is so personal to them. This happened at Drake Middle School in Jeffco Public Schools.

EXCLUSIVE Colorado Teacher REFUSED to allow a 7th grader to present her pro-life slam poetry submission because it’s “offensive” and might make kids feel “unsafe.” Some examples of accepted topics in the class are slamming the 2nd amendment, mocking Jesus, and lgbtq rights. Staff admitted that the poem met all the requirements however couldn’t be read out loud because it’s “politically charged.” The teacher also initially tried kicking this 13-year-old girl out of class during the poem presentations but allowed her to stay after pushback. We spoke with the mother and daughter who shared their story and with us and why being pro-life is so personal to them. This happened at Drake Middle School in Jeffco Public Schools.

Libs of TikTok

3,772,314 Aufrufe • vor 2 Monaten

I’ve received too many messages to ignore the obvious… It sounds like the Park Fire is totally f*cked. #cafire #cawx #wildfire #parkfire Numerous resources self demobed today after the fire jumped a 16 blade wide dozer push, that’s the footage below. I’ve been told another dozer burned up today, and the operator received burns to the face and neck. Multiple crew members got singed while trying to catch spots and hold the line. They were talking about suppression repair yesterday, and today they are worried about the fire pushing into Mineral. At least they have prepped around that community extensively. I’ve been told Heavy equipment is scattered and overhead doesn’t know what they got, and head fire is slamming dozer line that folks were told not to burn off. That’s very odd to not fire off dozer line when you expect head fire to slam into it. This fire started in the worst way… I’d hate to see it end in the worst way as well. Yes, this is a massive fire that is difficult to manage, totally understandable. But the flood of messages in my inbox tells me the Swiss Cheese model is starting to line up.

I’ve received too many messages to ignore the obvious… It sounds like the Park Fire is totally f*cked. #cafire #cawx #wildfire #parkfire Numerous resources self demobed today after the fire jumped a 16 blade wide dozer push, that’s the footage below. I’ve been told another dozer burned up today, and the operator received burns to the face and neck. Multiple crew members got singed while trying to catch spots and hold the line. They were talking about suppression repair yesterday, and today they are worried about the fire pushing into Mineral. At least they have prepped around that community extensively. I’ve been told Heavy equipment is scattered and overhead doesn’t know what they got, and head fire is slamming dozer line that folks were told not to burn off. That’s very odd to not fire off dozer line when you expect head fire to slam into it. This fire started in the worst way… I’d hate to see it end in the worst way as well. Yes, this is a massive fire that is difficult to manage, totally understandable. But the flood of messages in my inbox tells me the Swiss Cheese model is starting to line up.

The Hotshot Wake Up

442,449 Aufrufe • vor 2 Jahren

Let's talk about this lift, but let's do so in a way to move the strength and conditioning profession forward. There is too much weight on the bar. The athlete cannot do that much weight without the spotter pulling them up off the ground. We know these things to be true. Does this mean split squat should not have a 1RM? Or should not be 1RM (or rep tested)? No it does not. Split Squat should. It should just be assessed properly with no pulling up out of the bottom (just like a back squat should not, or spotters hands on a bench press). Love to see the safety with other spotters on each side, would just like to see less slamming knee on ground and needing to be pulled up out of the bottom. TL;DR - 1RM or rep max your split squat/reverse lunge, just make sure you don't let athletes slam their knee on the ground and make sure you don't pull the athlete up out of the bottom.

Let's talk about this lift, but let's do so in a way to move the strength and conditioning profession forward. There is too much weight on the bar. The athlete cannot do that much weight without the spotter pulling them up off the ground. We know these things to be true. Does this mean split squat should not have a 1RM? Or should not be 1RM (or rep tested)? No it does not. Split Squat should. It should just be assessed properly with no pulling up out of the bottom (just like a back squat should not, or spotters hands on a bench press). Love to see the safety with other spotters on each side, would just like to see less slamming knee on ground and needing to be pulled up out of the bottom. TL;DR - 1RM or rep max your split squat/reverse lunge, just make sure you don't let athletes slam their knee on the ground and make sure you don't pull the athlete up out of the bottom.

StrengthCoachNetwork

40,361 Aufrufe • vor 8 Monaten

🚨 BREAKING: New video footage shows ICE agents violently assaulting and arresting a U.S. citizen… 20-year-old Mubashir…and it is even more horrifying. The video shows agents slamming Mubashir into metal poles as they wrestle him into handcuffs. He’s not fighting. He’s not resisting. He’s pleading, telling them again and again that he is a U.S. citizen and that he has his ID on him. They ignore him. Moments later, a group of people rush into the stairwell blowing whistles in protest. As they stand there, you hear Mubashir scream in pain: “My hand!” The agents then drag him outside toward their vehicle. You can hear Mubashir tell them again that he has his ID. Instead of checking, the agents assault him a second time. They throw him to the ground, shove his face into the snow, and then forcing him into their car without ever verifying who he is. They didn’t check his ID until after they’d already transported him miles away, to a detention facility, where they tried scanning his fingerprints and face into their system, and only then decided to look at the ID he’d been begging them to check from the start. And when they realized they had brutalized an American citizen? They released him with no medical attention, no apology, and no transportation back to where they took him from. This isn’t “immigration enforcement.” This is lawless violence, committed by federal agents who act as if citizens have no rights and cameras don’t exist. And this is exactly why people need to film, why states like Illinois are passing laws allowing residents to sue ICE agents directly… and why the public must keep demanding accountability until abuses like this are impossible to ignore and impossible to get away with.

🚨 BREAKING: New video footage shows ICE agents violently assaulting and arresting a U.S. citizen… 20-year-old Mubashir…and it is even more horrifying. The video shows agents slamming Mubashir into metal poles as they wrestle him into handcuffs. He’s not fighting. He’s not resisting. He’s pleading, telling them again and again that he is a U.S. citizen and that he has his ID on him. They ignore him. Moments later, a group of people rush into the stairwell blowing whistles in protest. As they stand there, you hear Mubashir scream in pain: “My hand!” The agents then drag him outside toward their vehicle. You can hear Mubashir tell them again that he has his ID. Instead of checking, the agents assault him a second time. They throw him to the ground, shove his face into the snow, and then forcing him into their car without ever verifying who he is. They didn’t check his ID until after they’d already transported him miles away, to a detention facility, where they tried scanning his fingerprints and face into their system, and only then decided to look at the ID he’d been begging them to check from the start. And when they realized they had brutalized an American citizen? They released him with no medical attention, no apology, and no transportation back to where they took him from. This isn’t “immigration enforcement.” This is lawless violence, committed by federal agents who act as if citizens have no rights and cameras don’t exist. And this is exactly why people need to film, why states like Illinois are passing laws allowing residents to sue ICE agents directly… and why the public must keep demanding accountability until abuses like this are impossible to ignore and impossible to get away with.

Jesus Freakin Congress

573,467 Aufrufe • vor 8 Monaten

This week, Joe Rogan and Paul Rosolie (two of my favs) had a convo slamming NFTs and crypto. You should listen. Here's why: As someone who coauthored a best selling book about the business applications of NFTs, I understand their skepticism. In fact, I hear this POV from businesses and people outside of the Web3 ecosystem somewhat frequently. There's a knowledge gap when it comes to crypto, NFTs, and the blockchain in general. People who love early stage technology need to hear conversations like this so we can respond with empathy and eduction. Much of the world thinks NFTs are overpriced pictures you can "right click and save," without understanding the applications of credentials, ticketing, gaming assets, loyalty programs, the ability to combat deep fakes, connected clothing, proof of ownership/authenticity for physical products, and more. There were times when credit cards, video games, online banking, cell phones, and even the internet itself, were considered niche products without scalability. New technology is almost always met with skepticism and resistance, and here's the thing we need to be intellectually honest and admit... ...much of the criticism is fair. There WAS an early gold rush and speculative bubble for NFTs. There IS a tech and cost barrier associated with Web3. There WERE and ARE scammers who take advantage of people in crypto. Just as there was, and still, with email, cell phones, and other iterations of technology. But, as someone who was relatively early to Web1 (coding websites in middle school in the mid 90's) and Web2 (Facebook in 2004), there's no doubt in my mind Web3 is the next phase of the internet. Digital ownership matters, and the more education we can get to the right people, the closer we can get to having them understand what this technology can truly do for the world.

This week, Joe Rogan and Paul Rosolie (two of my favs) had a convo slamming NFTs and crypto. You should listen. Here's why: As someone who coauthored a best selling book about the business applications of NFTs, I understand their skepticism. In fact, I hear this POV from businesses and people outside of the Web3 ecosystem somewhat frequently. There's a knowledge gap when it comes to crypto, NFTs, and the blockchain in general. People who love early stage technology need to hear conversations like this so we can respond with empathy and eduction. Much of the world thinks NFTs are overpriced pictures you can "right click and save," without understanding the applications of credentials, ticketing, gaming assets, loyalty programs, the ability to combat deep fakes, connected clothing, proof of ownership/authenticity for physical products, and more. There were times when credit cards, video games, online banking, cell phones, and even the internet itself, were considered niche products without scalability. New technology is almost always met with skepticism and resistance, and here's the thing we need to be intellectually honest and admit... ...much of the criticism is fair. There WAS an early gold rush and speculative bubble for NFTs. There IS a tech and cost barrier associated with Web3. There WERE and ARE scammers who take advantage of people in crypto. Just as there was, and still, with email, cell phones, and other iterations of technology. But, as someone who was relatively early to Web1 (coding websites in middle school in the mid 90's) and Web2 (Facebook in 2004), there's no doubt in my mind Web3 is the next phase of the internet. Digital ownership matters, and the more education we can get to the right people, the closer we can get to having them understand what this technology can truly do for the world.

Steve 🤙

50,123 Aufrufe • vor 1 Jahr

Today is Story Saturday - Building 7 "Raw Footage" This Building 7 video compilation of the coverage on September 11, by Vince DeMentri with a special focus on Building 7. Raw behind the scenes and what was broadcast on air. NOTICE: - You can hear vehicles exploding in the background (how does buildings disintegrating, cause vehicles to spontaneously combust, blocks away). - You hear a weird buzzing, some sort of static interference in the audio. - You see his report on the blown up vehicles, limited fires in the building. He DOES NOT report on massive explosions going off in the building. By late afternoon, Building 7 goes down SILENTLY. Thus proving to you Building 7 WAS NOT a conventional controlled demolition. One fact that you won't hear from Richard Gage and architects for an engineered truth, is the anomaly with the seismic reading recorded for the 230 000 ton Building 7. There was no P or S wave, as one would expect for 230 000 tons slamming to the ground! Only surface waves were recorded, as if the weight was lifted off the ground. The seismic reading for Building 7 IS THE SMOKING GUN of Building 7. The controlled demo narrative for Building 7 is a distraction, same goes for the fire induced collapse. There is a REASON why Richard Gage and architects for an engineered truth NEVER play videos of Building 7 with sound. Because there was NO EXPLOSIONS during the fall, pointing to a conventional controlled demolition. They are deceiving you and have for nearly 20 years! DeMentri won several awards for his reporting for WCBS and WCAU, including seven Emmys for investigative reporting, and a national Edward R. Murrow Award for his reporting on the September 11, 2001

Today is Story Saturday - Building 7 "Raw Footage" This Building 7 video compilation of the coverage on September 11, by Vince DeMentri with a special focus on Building 7. Raw behind the scenes and what was broadcast on air. NOTICE: - You can hear vehicles exploding in the background (how does buildings disintegrating, cause vehicles to spontaneously combust, blocks away). - You hear a weird buzzing, some sort of static interference in the audio. - You see his report on the blown up vehicles, limited fires in the building. He DOES NOT report on massive explosions going off in the building. By late afternoon, Building 7 goes down SILENTLY. Thus proving to you Building 7 WAS NOT a conventional controlled demolition. One fact that you won't hear from Richard Gage and architects for an engineered truth, is the anomaly with the seismic reading recorded for the 230 000 ton Building 7. There was no P or S wave, as one would expect for 230 000 tons slamming to the ground! Only surface waves were recorded, as if the weight was lifted off the ground. The seismic reading for Building 7 IS THE SMOKING GUN of Building 7. The controlled demo narrative for Building 7 is a distraction, same goes for the fire induced collapse. There is a REASON why Richard Gage and architects for an engineered truth NEVER play videos of Building 7 with sound. Because there was NO EXPLOSIONS during the fall, pointing to a conventional controlled demolition. They are deceiving you and have for nearly 20 years! DeMentri won several awards for his reporting for WCBS and WCAU, including seven Emmys for investigative reporting, and a national Edward R. Murrow Award for his reporting on the September 11, 2001

9/11 Revisited

21,397 Aufrufe • vor 1 Jahr

🇺🇸🇪🇺 GLOBALISTS HIT PANIC BUTTON: TRUMP NUKES NATO, AND SAYS EU IS AT WAR AGAINST DEMOCRACY Trump unleashed his 2025 National Security Strategy, a 33-page middle finger to globalist wet dreams, laser-focused on slamming the brakes on endless wars and flipping the bird to freeloading allies. Core pillars? Buckle up: - Peace Through Strength (deter China and Russia without dumb interventions), - Economic Boom (tariffs to rocket the U.S. from $30T to $40T GDP by 2030s), - Border Fortress (Monroe Doctrine 2.0 crushes cartels and migrants), - Energy Domination (drill baby drill for cheap gas and jobs), - Tech Supremacy (steal back IP from Beijing thieves). Biggest gut-punches? Ditch the Middle East babysitting, let 'em invest in AI while the U.S. pivots to backyard brawls. "Mutually advantageous" trade reset with China? Yeah, right, it's code for reciprocity or get wrecked. Trump's crew torches Europe as a "horror show" of "unstable minority governments trampling democracy," calling out their Ukraine pipe dreams and demanding NATO ponies up 5% GDP on defense or kiss the alliance goodbye. CSIS, that bipartisan swamp creature, is losing its mind: "This declares WAR on European politics, leaders, and the EU, NATO's DOOMED!" Hypocrites much? They've bled Americans dry for decades; now Trump's shifting burdens. Dems wail "isolationism!" while Elon's cheering the industrial rebirth. This ain't your grandpa's NSS, it's a chainsaw to the uniparty, vowing no more "permanent domination" fantasies. Venezuela? He's eyeing a Maduro smackdown. Taiwan? Allies, step up or sit down. Takeaway? Trump's betting big on home-field wins: prosperity over policing, realism over rainbows. Europe's quaking, and Beijing's sweating. Source: The White House, CSIS, Al Jazeera

🇺🇸🇪🇺 GLOBALISTS HIT PANIC BUTTON: TRUMP NUKES NATO, AND SAYS EU IS AT WAR AGAINST DEMOCRACY Trump unleashed his 2025 National Security Strategy, a 33-page middle finger to globalist wet dreams, laser-focused on slamming the brakes on endless wars and flipping the bird to freeloading allies. Core pillars? Buckle up: - Peace Through Strength (deter China and Russia without dumb interventions), - Economic Boom (tariffs to rocket the U.S. from $30T to $40T GDP by 2030s), - Border Fortress (Monroe Doctrine 2.0 crushes cartels and migrants), - Energy Domination (drill baby drill for cheap gas and jobs), - Tech Supremacy (steal back IP from Beijing thieves). Biggest gut-punches? Ditch the Middle East babysitting, let 'em invest in AI while the U.S. pivots to backyard brawls. "Mutually advantageous" trade reset with China? Yeah, right, it's code for reciprocity or get wrecked. Trump's crew torches Europe as a "horror show" of "unstable minority governments trampling democracy," calling out their Ukraine pipe dreams and demanding NATO ponies up 5% GDP on defense or kiss the alliance goodbye. CSIS, that bipartisan swamp creature, is losing its mind: "This declares WAR on European politics, leaders, and the EU, NATO's DOOMED!" Hypocrites much? They've bled Americans dry for decades; now Trump's shifting burdens. Dems wail "isolationism!" while Elon's cheering the industrial rebirth. This ain't your grandpa's NSS, it's a chainsaw to the uniparty, vowing no more "permanent domination" fantasies. Venezuela? He's eyeing a Maduro smackdown. Taiwan? Allies, step up or sit down. Takeaway? Trump's betting big on home-field wins: prosperity over policing, realism over rainbows. Europe's quaking, and Beijing's sweating. Source: The White House, CSIS, Al Jazeera

Mario Nawfal

51,695 Aufrufe • vor 8 Monaten

Globalist stooge Maria Corina Machado is now openly campaigning for a SECOND regime change operation in Venezuela because the first isn't enough. So, what's really going on here? I believe Trump executed a 'fake' Regime Change Op in order to intercept the real one Globalists have been planning for a decade, and attempting, in various stages. By 'taking out' Nicholas Maduro (by extracting him, staging photo ops with him and basically getting mad about how Maduro does the Trump dance even better than Trump does the Trump dance, according to actual retarded media reports,) Trump has essentially siphoned the energy from the enemy's color revolution and rug-pulled its final stage. Keep in mind, Maduro's administration still controls Venezuela, at Trump's behest and on his authority. This will not do for the National Endowment for Democracy or the ghost of USAID, both of which have donated millions to Machado's campaigns en route to her winning a Nobel Peace Prize that was denied to President Trump, which is just about the cleanest reverse indicator you're ever likely to get in the Info War. By swapping Maduro out with his second-in-command, Trump is baiting the enemy into attempting to drum up support for a SECOND color revolution in as many weeks, because they didn't get the one they wanted the first time around. Russia is considering following the same playbook in Ukraine. And China may in Taiwan, because Trump has granted them the Narrative Shielding to do so, while depriving the Globalists of that very thing by slamming the door shut on Machado's legitimacy while shattering the carefully-cultivated illusion of her public mandate. In other words, Trump (and yes, Maduro) steered Venezuela into the path of the torpedo before it could arm itself. And very, very few in the so-called Truth Community have figured this out. Pro tip: when you find yourself cheering for the same things as characters who represent the NED, USAID, WEF and NATO ... you just might have gotten rugged.

Globalist stooge Maria Corina Machado is now openly campaigning for a SECOND regime change operation in Venezuela because the first isn't enough. So, what's really going on here? I believe Trump executed a 'fake' Regime Change Op in order to intercept the real one Globalists have been planning for a decade, and attempting, in various stages. By 'taking out' Nicholas Maduro (by extracting him, staging photo ops with him and basically getting mad about how Maduro does the Trump dance even better than Trump does the Trump dance, according to actual retarded media reports,) Trump has essentially siphoned the energy from the enemy's color revolution and rug-pulled its final stage. Keep in mind, Maduro's administration still controls Venezuela, at Trump's behest and on his authority. This will not do for the National Endowment for Democracy or the ghost of USAID, both of which have donated millions to Machado's campaigns en route to her winning a Nobel Peace Prize that was denied to President Trump, which is just about the cleanest reverse indicator you're ever likely to get in the Info War. By swapping Maduro out with his second-in-command, Trump is baiting the enemy into attempting to drum up support for a SECOND color revolution in as many weeks, because they didn't get the one they wanted the first time around. Russia is considering following the same playbook in Ukraine. And China may in Taiwan, because Trump has granted them the Narrative Shielding to do so, while depriving the Globalists of that very thing by slamming the door shut on Machado's legitimacy while shattering the carefully-cultivated illusion of her public mandate. In other words, Trump (and yes, Maduro) steered Venezuela into the path of the torpedo before it could arm itself. And very, very few in the so-called Truth Community have figured this out. Pro tip: when you find yourself cheering for the same things as characters who represent the NED, USAID, WEF and NATO ... you just might have gotten rugged.

BurningBright

83,970 Aufrufe • vor 7 Monaten

🚨 TYRANNICAL AND DISGRACEFUL scenes in Newcastle city centre today, Saturday 13th June. Hundreds gathered to peacefully protest against asylum hotels, but Northumbria Police showed up acting like state-sponsored thugs, turning their violence and aggression directly onto local people and young lads who were simply standing up for their community and our country. The police went full heavy-handed enforcer mode, slamming a young lad into a wall, punching him in the head, kicking others, and carrying out unlawful arrests with zero justification. Multiple innocent protesters were dragged away for no reason at all while these uniform-wearing tyrants escalated the situation right in front of shocked onlookers. This wasn’t public safety; it was outright state aggression and brutality against ordinary people exercising their basic right to protest. This is yet another glaring, undeniable example of corrupt two-tier policing in Britain today. Peaceful protesters voicing legitimate concerns about mass immigration and asylum hotels are met with state violence, brute force, and unprovoked arrests, while far-left counter-protesters were actively allowed to attack an elderly woman with absolutely zero intervention from the police. It’s blatant, it’s completely corrupt, and it’s exactly what is fuelling the anger across the country. Northumbria Police chose to shield the radical left while actively cracking down hard on local citizens. They have proven exactly who they serve, and it certainly isn't the British public. I’ve never seen such a sickening display on the streets of our city. Young lads just voicing legitimate concerns about mass immigration, hotel accommodations for asylum seekers, and the impact on local communities were manhandled, assaulted, and silenced by the very people who claim to protect us. While the real issues facing our communities get ignored, peaceful voices are met with police boots and fists. I have multiple videos showing the absolute truth of what happened the heavy-handed tactics, the wall slam, the punches to the head, the attacks on the elderly woman, and the tyrannical behavior of Northumbria Police. This belongs in an authoritarian regime, not a free Britain. Our streets and our people deserve better than this kind of oppressive, state-enforced behaviour. Where is the accountability for these uniform-wearing thugs? We need to demand answers and expose Northumbria Police now! The public won’t stand for this heavy-handed oppression or weaponized two-tier policing anymore. Share this far and wide, and watch the videos for the unfiltered truth. 👇 Enough is enough. Justice for those arrested without cause. Stand up against police tyranny! 💯 #NewcastleProtest #NorthumbriaPolice #PoliceTyranny #TwoTierPolicing #AsylumHotels #FreeTheProtestors #StandUpForNewcastle #EnoughIsEnough

🚨 TYRANNICAL AND DISGRACEFUL scenes in Newcastle city centre today, Saturday 13th June. Hundreds gathered to peacefully protest against asylum hotels, but Northumbria Police showed up acting like state-sponsored thugs, turning their violence and aggression directly onto local people and young lads who were simply standing up for their community and our country. The police went full heavy-handed enforcer mode, slamming a young lad into a wall, punching him in the head, kicking others, and carrying out unlawful arrests with zero justification. Multiple innocent protesters were dragged away for no reason at all while these uniform-wearing tyrants escalated the situation right in front of shocked onlookers. This wasn’t public safety; it was outright state aggression and brutality against ordinary people exercising their basic right to protest. This is yet another glaring, undeniable example of corrupt two-tier policing in Britain today. Peaceful protesters voicing legitimate concerns about mass immigration and asylum hotels are met with state violence, brute force, and unprovoked arrests, while far-left counter-protesters were actively allowed to attack an elderly woman with absolutely zero intervention from the police. It’s blatant, it’s completely corrupt, and it’s exactly what is fuelling the anger across the country. Northumbria Police chose to shield the radical left while actively cracking down hard on local citizens. They have proven exactly who they serve, and it certainly isn't the British public. I’ve never seen such a sickening display on the streets of our city. Young lads just voicing legitimate concerns about mass immigration, hotel accommodations for asylum seekers, and the impact on local communities were manhandled, assaulted, and silenced by the very people who claim to protect us. While the real issues facing our communities get ignored, peaceful voices are met with police boots and fists. I have multiple videos showing the absolute truth of what happened the heavy-handed tactics, the wall slam, the punches to the head, the attacks on the elderly woman, and the tyrannical behavior of Northumbria Police. This belongs in an authoritarian regime, not a free Britain. Our streets and our people deserve better than this kind of oppressive, state-enforced behaviour. Where is the accountability for these uniform-wearing thugs? We need to demand answers and expose Northumbria Police now! The public won’t stand for this heavy-handed oppression or weaponized two-tier policing anymore. Share this far and wide, and watch the videos for the unfiltered truth. 👇 Enough is enough. Justice for those arrested without cause. Stand up against police tyranny! 💯 #NewcastleProtest #NorthumbriaPolice #PoliceTyranny #TwoTierPolicing #AsylumHotels #FreeTheProtestors #StandUpForNewcastle #EnoughIsEnough

Brendan 🇬🇧

61,186 Aufrufe • vor 2 Monaten

Big Japanese Youtuber, Cabbage games, has made a song slamming Assassin's Creed Shadows, and it's blowing up with 102k views and 11k likes in 5 hours. It's actually a catchy song, and I included a short clip here. Lyrics and voice by Cabbage, music by AI. (full youtube link in reply). UBI defenders keep saying the Japanese are fine with AC Shadows and that everyone complaining in Japanese is actually a Western faker. This narrative is falling apart daily. Lyrics: Isn't that Yasuke? Yasuke is a samurai protagonist, even if he is an assassin. Asakuri who had no real people, It is the first time it will be staged in Japan. We are UBI Sunshine? But what should I do? Japan has a deep history, Difficult historical research. The dear child came in here. According to them, future games will include black people are essential. That's why I thought I'd change history in the style of a gunfight formation Samuraiul Nobunaga Akechi. Yasuke happened to be there. That's all we got Everybody lights up, Good luck with your historical research, People who go out of their way to learn about Japan, Shadows made behind the scenes, If released, it would be inundated with criticism. What should I do, Yasuke? Make him gay and meet Nobunaga and Hori. Yasuke's pride in Japan. Tatami mats are square, rice is harvested in the spring, and incense is burned at altars. All samurai stand without respect. We, UBI, will be immortal forever. Even though it's Asakuri, the samurai protagonist is still amazing. Hire an expert who knows Japanese history. As a result of searching various literatures, books and novels. Yasuke isn't that great, is he? So we filled in the blanks with our history. But what should I do? is a difficult Concept art. Mr. Elon Musk came in here, According to him, diversity loves art. No, no, Shadows is the best Asakuri ever (that's rhetorical) I'm sorry Elon( from the CEO ubi )shut up , but also Elon hides like. China is doing something wrong here. Chinese subtitles even though it's for Japan. AI a generat concept art. Yes, yes, we who burn are already unknown. If released, it would be inundated with criticism. What should I do, Yasuke? Sorry that ubi has Yasuke. Don't lick me, Elon .shut up , you hide like, Make no mistake here. Chinese subtitles even though it's for Japan. When it was released, it was inundated with criticism. What should I do, Yasuke? Make him gay and meet Nobunaga and Hori. Yasuke's pride in Japan. The harvest is square, rice is harvested in the spring, incense is burned at the altars. All samurai stand without honor. We, UBI, will never die.

Big Japanese Youtuber, Cabbage games, has made a song slamming Assassin's Creed Shadows, and it's blowing up with 102k views and 11k likes in 5 hours. It's actually a catchy song, and I included a short clip here. Lyrics and voice by Cabbage, music by AI. (full youtube link in reply). UBI defenders keep saying the Japanese are fine with AC Shadows and that everyone complaining in Japanese is actually a Western faker. This narrative is falling apart daily. Lyrics: Isn't that Yasuke? Yasuke is a samurai protagonist, even if he is an assassin. Asakuri who had no real people, It is the first time it will be staged in Japan. We are UBI Sunshine? But what should I do? Japan has a deep history, Difficult historical research. The dear child came in here. According to them, future games will include black people are essential. That's why I thought I'd change history in the style of a gunfight formation Samuraiul Nobunaga Akechi. Yasuke happened to be there. That's all we got Everybody lights up, Good luck with your historical research, People who go out of their way to learn about Japan, Shadows made behind the scenes, If released, it would be inundated with criticism. What should I do, Yasuke? Make him gay and meet Nobunaga and Hori. Yasuke's pride in Japan. Tatami mats are square, rice is harvested in the spring, and incense is burned at altars. All samurai stand without respect. We, UBI, will be immortal forever. Even though it's Asakuri, the samurai protagonist is still amazing. Hire an expert who knows Japanese history. As a result of searching various literatures, books and novels. Yasuke isn't that great, is he? So we filled in the blanks with our history. But what should I do? is a difficult Concept art. Mr. Elon Musk came in here, According to him, diversity loves art. No, no, Shadows is the best Asakuri ever (that's rhetorical) I'm sorry Elon( from the CEO ubi )shut up , but also Elon hides like. China is doing something wrong here. Chinese subtitles even though it's for Japan. AI a generat concept art. Yes, yes, we who burn are already unknown. If released, it would be inundated with criticism. What should I do, Yasuke? Sorry that ubi has Yasuke. Don't lick me, Elon .shut up , you hide like, Make no mistake here. Chinese subtitles even though it's for Japan. When it was released, it was inundated with criticism. What should I do, Yasuke? Make him gay and meet Nobunaga and Hori. Yasuke's pride in Japan. The harvest is square, rice is harvested in the spring, incense is burned at the altars. All samurai stand without honor. We, UBI, will never die.

Grummz

149,923 Aufrufe • vor 2 Jahren

ＢＬＡＺＥＯＦＦＵＲＹ I slam down on the little shrimp with the full, earth-shaking tonnage of my colossal bulk. His puny frame flattens like a stomped roach beneath me, and a vicious snap cuts the air as his lungs cough up a sad, broken yelp. It’s fuckin’ wild how his skinny, fragile build sets my blood ablaze—like a brittle twig trembling beneath my hulking, boulder-like chest, begging to be crushed. My pecs squash him flat, mashing his mug into the mat with skull-shattering might. I smack my cock against the twin curves of his ass and grind it awake along their sculpted swell. My hips pound his dainty backside, even as he squirms, tensing and trying to buck me off. His pathetic fuckin’ resistance melts like butter under my sheer dominance—nothing but a sorry little twitch-fest. My junk roars to life faster than a souped-up dragster. I’m a goddamn bulldozer rolling over this fuckin’ worthless speck. I jerk up a couple inches and smash back down hard. A nasty crack rips from his guts under my brutal hammering, but all he’s got left is a faint gasp as the air ditches him. I drag myself slow, pulverizing him into the mat with every fiber of my strength, and growl in his ear: “Wrestle, runt!” I hoist my bulk up a hair, and the wimp starts thrashing under me. He knows I get off on his flailing fight—I crave those desperate, doomed swings. His mousy muscles got no shot at budging me, but even half-dead, he’s hell-bent on lighting my fuse. His tiny bum rubs my dick like mad, sparking like a match on rough timber. My member’s pulsing, primed to pay him back. Wielding my titanic bulk like a sledgehammer, I unleash a savage pounding on him. My gut slams him down with crushing weight. Every hit’s meaner than the last, sinking him deeper into the mat. His wriggling quits cold, his body caving to my relentless beatdown. The hardest blows grind his bones to dust, but he’s silent now—just ragged breaths forced out by my strikes. Conscious? Who gives a shit. After a dozen ruthless smacks, I flop onto him. His frail frame is scorching from the thrashing I dished out. My gargantuan mass locks him in place—no squirming, no breathing, nada. He’s mine to break, and my sheer heft could snuff him out for good. But I ain’t done—my cock’s howling for more. I peel off him. The shrimp wheezes, clawing for air, fumbling his wrecked shell. I give him a sec to pull it together—the grand finale’s coming. He knows a stiff corpse won’t rev my engine. I hiss in his ear: “Flip over!” Battered to hell, he still spins onto his back like a whipped little shit. He wouldn’t dream of crossing me—fear and heat tangle in his eyes as my monstrous shadow looms. I reward his obedience by slamming down full-force. His chest plate cracks, ribs splinter. My meat smacks his steel-hard cock with a loud thwack. The twisted little freak loves it. I’ve flattened him helpless again, and my shaft drinks in his agony. I grind it against his dick, mashing his lean torso with my thick, beefy bulk. His ribcage buckles as I lean in hard. His feebleness and frailty stoke my sadistic blaze. “Wrestle!” I snarl, easing up an inch to let him fan my flames. He tries to fight back—he knows every twitch stokes my fire. He’s desperate to keep me happy; he’s seen what happens to uppity punks who don’t. He don’t want that smoke. His beat-up, aching husk battles to please me. He’s so goddamn insignificant—my junk’s a live grenade. The big finish is close. I start ramming him for real with my cock, fuckin’ banging him into oblivion. My loins grind into his core with full throttle. Our tools collide, sizzling like live wires. My titan’s bulk pounds and smashes the runt under my brutal girth, raging harder each blow. His flopping fades fast, my crushing hits paralyzing him. He’s got no choice but to bow to my beastly fury. His shell cracks under my onslaught—too flimsy to take it. Bones groan and give, sinking with my blows. He’s gotta be out cold, but his stiffy’s trembling, ready to blow. I dive at him with unhinged rage, ready to tear him apart. His delicate rig shatters for good, bones snapping like brittle straw. My cock erupts like a damn volcano, and his tags along. Our gear’s drenched, dripping with heat. I unload again with feral power, roaring deep from my gut, and collapse, winded, on his smashed-up wreck. Our juices meld through the fabric like molten lava rivers. I sprawl over him, catching my breath. He’s pitifully small and breakable, the little shit. The shrimp’s out, his pretty face calm—miles from the fuckin’ hell he just ate. He nailed his role and served me right. I growl low, a sated beast’s rumble: “Good boy, you little fuck.”

ＢＬＡＺＥＯＦＦＵＲＹ I slam down on the little shrimp with the full, earth-shaking tonnage of my colossal bulk. His puny frame flattens like a stomped roach beneath me, and a vicious snap cuts the air as his lungs cough up a sad, broken yelp. It’s fuckin’ wild how his skinny, fragile build sets my blood ablaze—like a brittle twig trembling beneath my hulking, boulder-like chest, begging to be crushed. My pecs squash him flat, mashing his mug into the mat with skull-shattering might. I smack my cock against the twin curves of his ass and grind it awake along their sculpted swell. My hips pound his dainty backside, even as he squirms, tensing and trying to buck me off. His pathetic fuckin’ resistance melts like butter under my sheer dominance—nothing but a sorry little twitch-fest. My junk roars to life faster than a souped-up dragster. I’m a goddamn bulldozer rolling over this fuckin’ worthless speck. I jerk up a couple inches and smash back down hard. A nasty crack rips from his guts under my brutal hammering, but all he’s got left is a faint gasp as the air ditches him. I drag myself slow, pulverizing him into the mat with every fiber of my strength, and growl in his ear: “Wrestle, runt!” I hoist my bulk up a hair, and the wimp starts thrashing under me. He knows I get off on his flailing fight—I crave those desperate, doomed swings. His mousy muscles got no shot at budging me, but even half-dead, he’s hell-bent on lighting my fuse. His tiny bum rubs my dick like mad, sparking like a match on rough timber. My member’s pulsing, primed to pay him back. Wielding my titanic bulk like a sledgehammer, I unleash a savage pounding on him. My gut slams him down with crushing weight. Every hit’s meaner than the last, sinking him deeper into the mat. His wriggling quits cold, his body caving to my relentless beatdown. The hardest blows grind his bones to dust, but he’s silent now—just ragged breaths forced out by my strikes. Conscious? Who gives a shit. After a dozen ruthless smacks, I flop onto him. His frail frame is scorching from the thrashing I dished out. My gargantuan mass locks him in place—no squirming, no breathing, nada. He’s mine to break, and my sheer heft could snuff him out for good. But I ain’t done—my cock’s howling for more. I peel off him. The shrimp wheezes, clawing for air, fumbling his wrecked shell. I give him a sec to pull it together—the grand finale’s coming. He knows a stiff corpse won’t rev my engine. I hiss in his ear: “Flip over!” Battered to hell, he still spins onto his back like a whipped little shit. He wouldn’t dream of crossing me—fear and heat tangle in his eyes as my monstrous shadow looms. I reward his obedience by slamming down full-force. His chest plate cracks, ribs splinter. My meat smacks his steel-hard cock with a loud thwack. The twisted little freak loves it. I’ve flattened him helpless again, and my shaft drinks in his agony. I grind it against his dick, mashing his lean torso with my thick, beefy bulk. His ribcage buckles as I lean in hard. His feebleness and frailty stoke my sadistic blaze. “Wrestle!” I snarl, easing up an inch to let him fan my flames. He tries to fight back—he knows every twitch stokes my fire. He’s desperate to keep me happy; he’s seen what happens to uppity punks who don’t. He don’t want that smoke. His beat-up, aching husk battles to please me. He’s so goddamn insignificant—my junk’s a live grenade. The big finish is close. I start ramming him for real with my cock, fuckin’ banging him into oblivion. My loins grind into his core with full throttle. Our tools collide, sizzling like live wires. My titan’s bulk pounds and smashes the runt under my brutal girth, raging harder each blow. His flopping fades fast, my crushing hits paralyzing him. He’s got no choice but to bow to my beastly fury. His shell cracks under my onslaught—too flimsy to take it. Bones groan and give, sinking with my blows. He’s gotta be out cold, but his stiffy’s trembling, ready to blow. I dive at him with unhinged rage, ready to tear him apart. His delicate rig shatters for good, bones snapping like brittle straw. My cock erupts like a damn volcano, and his tags along. Our gear’s drenched, dripping with heat. I unload again with feral power, roaring deep from my gut, and collapse, winded, on his smashed-up wreck. Our juices meld through the fabric like molten lava rivers. I sprawl over him, catching my breath. He’s pitifully small and breakable, the little shit. The shrimp’s out, his pretty face calm—miles from the fuckin’ hell he just ate. He nailed his role and served me right. I growl low, a sated beast’s rumble: “Good boy, you little fuck.”

No Limits Wrestling 🔞 brutal gay fetish fiction

11,051 Aufrufe • vor 1 Jahr

What would you do if this mirror pulled you underwater? Nano Banana 2 + Seedance 2.5 on TapNow prompt SCENE CONTEXT A girl Image flees something unseen through a glowing forest, trips, falls — and finds an antique mirror that yanks her through into an underwater city. There, mid-float before the great shell palace, she turns her head — a flash of POV shows a colossal mouth opening onto her — and back in the wide frame the whale is already closing its jaw and gliding calmly away. 24 seconds, full realism. ACTIVE REFERENCES — STRICT ROLE HIERARCHY Image HER EXACT FACE — sole source of her identity and features, 100% match, zero drift: a 20-year-old , 163 cm, slim and lightly built. Soft rounded oval face; warm light-beige skin with a golden undertone and real photographic texture — visible pores, small freckles and tiny beauty marks across the cheeks and nose bridge; dark blue almond eyes with a shallow partially hidden upper-lid crease and soft under-eye fullness; thick dark straight brows with individual hairs brushed upward; a small neat nose with narrow straight bridge and softly rounded tip; full lips with a defined cupid's bow, the lower lip fuller, natural rosy tone; softly rounded jaw tapering to a small chin; small silver hoop earrings. Ignore this reference's hair, clothing, car interior and lighting. Face identity comes from this reference in every single frame. Image : CHARACTER SHEET — controls everything: long voluminous wavy blonde hair past the shoulders; neat elven ears with slender pointed tips; a white billowy medieval linen shirt deep plunging scoop neckline that reveals significant cleavage., with puffed sleeves; a brown leather underbust corset; fitted sage-green trousers; tall brown leather boots; brown leather gloves; a forest-green wool hooded cloak clasped at the collar. Does NOT control the face. Image FOREST LOCATION — a misty magical forest: narrow dirt path, giant glowing red mushrooms casting warm orange light, pink flowers, mossy trunks, drifting fog. 100% matches the reference. Image : UNDERWATER CITY LOCATION — the plaza: a colossal ribbed nautilus-shell palace with glowing golden seams, pearl shell houses with warm windows, god rays from above, jellyfish and drifting sea life. 100% matches the reference. FORMAT MODE One continuous shot from 0:00 to 0:19, then TWO HARD CUTS in the finale: a fast POV insert and a return to the previous framing. No fades, no dissolves. Full realism. HER BACKWARD GLANCE — HOW IT MUST LOOK, STRICT Whenever she checks behind her, she does NOT turn toward the camera and does NOT look into the lens. She rotates her head roughly 45° to ONE SIDE and her EYES GO THE SAME WAY her head goes — looking off toward that side of frame, into the fog, then snapping forward again. BANS: no over-the-shoulder look at the lens, no eye contact with the camera, no 180° head turn. SHOT 1 — 0:00–0:01.5 — HER FEET, LOW AND CANTED LOW, near ground level, canted hard — Dutch tilt ~20–25° — framing her BOOTS and lower legs sprinting along the path: soil bursting, cloak hem cracking, mushroom stalks brushing aside, path streaking in motion blur. Handheld, jolting with her rhythm; the pursuer heard far behind in the fog. SHOT 2 — 0:01.5–0:03 — HER FACE, FRIGHTENED Unbroken move: the frame rises and pushes in to her FACE — a tight running close-up travelling with her, still canted, hair whipping. Raw fear: wide eyes, brows drawn, mouth gasping, dirt on her cheek. Twice she performs the 45° glance as specified, eyes going the same way as her head, searching the fog off to that side; then forward again. SHOT 3 — 0:03–0:05 — THE TRIP, WIDE Unbroken: the frame swings out to a WIDE shot of the path — full figure, mushrooms towering, fog closing the depth. Mid-glance her leading boot CATCHES a root — the foot stops dead, momentum throws her forward, and she goes down hard in full view: knees, then hands and shoulder into the dirt, dust and leaf litter bursting up, cloak flying over her. She lands sprawled, chest heaving. SHOT 4 — 0:05–0:09 — THE MIRROR SHE ALMOST IGNORES Unbroken: the camera drifts in from the front, then around to her side, settling into profile with her and the mirror in frame. Fear first, curiosity second: sprawled, she checks behind with the 45° head-and-eyes turn; the crashing is closer. She scrambles up, barely looking ahead — then registers an ornate antique MIRROR against a mossy trunk, filled with cold blue glow unlike the warm mushroom light. Brushing dirt off her sleeve with ONE hand, her eyes stay on the glass. THE MIRROR DOES NOT REFLECT: her reflection NEVER appears, no mirror image of her, no reflection of the forest — the glass is a window filled with its own inner light: fog thinning into deep watery blue, faint caustics, vague luminous silhouettes far in the depth, no sharp image. The blue washes her face. ACTING TASK — HER CHOICE (the work happens in her eyes): glass → a 45° glance into the fog behind → glass again; she registers that nothing of HER answers her movement in it; no time to solve it. She extends ONE FINGER toward the surface. (Safety: gaze always engaged; natural blink cadence.) SHOT 5 — 0:09–0:11 — THE YANK: UNDER A SECOND Her fingertip nears the glass. The light FLARES — the surface SNAPS outward like a whip and SEIZES her hand. INSTANT: she is RIPPED off her feet, jerked forward along her outstretched arm, body whipping horizontal in a single frame, head-first through the glass, boots torn off the ground last, cloak cracking behind her. No build-up, no float — limp as a ragdoll, the mirror doing ALL of it, vector purely FORWARD through the glass plane. Camera: caught off guard WITH her — it WHIPS sideways-and-forward, slings around behind her flying body and punches through the rippling surface on her heels; water and bubbles SLAM across the lens, forest colors ripped into deep blue. NOT her POV. SHOT 6 — 0:11–0:16 — ARRIVAL IN THE PLAZA Same shot, no cut — camera behind her. THE FIRST UNDERWATER FRAME IS THE ARRIVAL FRAME: the portal exits DIRECTLY INTO the plaza of >>; the colossal nautilus palace is ALREADY in frame, its ribbed pearl wall with glowing golden seams filling the background, sharp and close; shell houses with warm windows border both sides. NO TRAVEL, no approach — the water BRAKES her within a meter or two. HER BODY: horizontal, HEAD-FIRST, back toward the surface, fully passive — arms loose, LEGS STILL AND MOTIONLESS, no kicking, no strokes; thrown cargo, not a swimmer. UNDERWATER PHYSICS, HIGHEST PRIORITY: hair streaming backward in rippling seaweed-like strands, cloak dragging in a heavy water-loaded wave; on stopping, hair and cloak drift forward past her shoulders by inertia. She pivots from horizontal to upright — feet swinging down, legs hanging relaxed — settling into weightless float facing the palace wall. HER HAIR AT REST, STRICT: no parting, no combed order — a loose free-floating mass fanning outward and upward from her whole head, strands crossing over her crown in constant slow chaotic motion, never symmetrical, never still. The cloak billows wide, breathing with the water. SHE CANNOT BREATHE UNDERWATER: cheeks slightly puffed, lips pressed, holding her breath. Bubbles rise from her mouth in small silver clusters climbing upward past her face. ACTING TASK: to ORIENT beneath something impossibly huge — her attention pulls UPWARD: head climbing the glowing houses, up the palace wall, chin lifting, trying to find where the spiral ends. Jellyfish pulse between the houses. SHOT 7 — 0:16–0:19 — SETTLE INTO THE MEDIUM PROFILE FRAME Same shot, no cut. The camera drifts smoothly from behind her around to her side and settles into the framing that holds for the rest of the film: FRAMING LOCK — MEDIUM PROFILE: she is seen from her LEFT SIDE in a medium shot, CHEST-UP ONLY — never full-body, never small in frame; her head and shoulders occupy the lower-left third, elven ear tip clear, hair a floating dark halo, white puffed sleeve and green cloak reading in the frame's bottom, one gloved hand extended forward. Behind and above her, filling the whole background, the giant glowing spiral nautilus palace; pearl shell houses along the lower edge; god rays raking down from the surface; a jellyfish drifting at frame-left; her bubbles rising past her face. She hangs weightless with the faintest sway. SHOT 8 — 0:19–0:21 — SHE TURNS HER HEAD (SAME FRAME) No cut, camera locked in the FRAMING LOCK. She turns her head sharply to look off toward frame-LEFT — a fast, alarmed head turn, eyes going the same direction, brows snapping up, a startled burst of bubbles ripping from her mouth. Her shoulder tenses; nothing else of her moves. She is still only chest-up in frame; the whale is NOT visible yet. HARD CUT. SHOT 9 — 0:21–0:22.5 — POV: THE MOUTH OPENS ON US FIRST-PERSON POV FROM HER EYES — fast and brutal: filling the entire frame, the colossal whale's head rushes in from the left, and the vast baleen MOUTH OPENS WIDE — grooved pale throat pleats stretching, a dark glowing cavern spreading until it swallows the frame edge to edge; water and bubbles ripping past the lens; the scale absolute, the opening several times larger than a human body. Quick — a second and a half, no lingering. The frame goes to the mouth's darkness. HARD CUT. SHOT 10 — 0:22.5–0:24 — BACK TO THE SAME FRAME: THE WHALE MOVES ON Return to the EXACT FRAMING LOCK of Shot 7–8 — same camera position, same background: the glowing spiral palace, the shell houses, the god rays. The girl is no longer there; only her last scattered bubbles rising where she floated. The colossal whale is already in frame with its JAW CLOSED, gliding calmly from LEFT to RIGHT across the plaza — placid, unhurried, indifferent, as if it simply fed on the way past. Its enormous flank sweeps close past the lens: dark iridescent mother-of-pearl skin shifting purple-green-blue like oil on water, scattered glowing teal rings and dotted bioluminescent lines, a tall webbed translucent dorsal fin with visible veining, pectoral and tail fins extending into long flowing translucent ribbon-streamers rippling like silk. TRUE WHALE LOCOMOTION: all thrust from the TAIL — deep lateral sweeps bending the rear third of the body, an S-wave of muscle rolling down the flanks head-to-tail on every beat, mass shifting under the skin, head steady on course, ribbon-fins streaming back like wings. Living muscle, never a rigid sculpture on rails. Its wake rocks the jellyfish and scatters her bubbles. It exits frame-RIGHT. Final beat: the empty plaza, the palace glowing, bubbles dispersing, water settling. END. Exactly ONE creature in the finale, the same individual in the POV and in the return frame — no second creature, no duplicate. No grabbing, no chewing, no thrashing, no blood, no gore — the horror is entirely scale. PHYSICS Forest: real running biomechanics, the head-turns costing her balance, the trip stopping the foot dead while momentum carries her over, a genuine three-point fall, real bodyweight in the scramble up. The yank: whip-crack acceleration, body limp, purely forward. Underwater: everything obeys water — drag on limbs and fabric, slow rebound, no dry-hair or dry-cloth behavior in any frame; the whale moves with true mass and inertia, its bow wave visibly displacing water, bubbles and jellyfish; the jaw opens and closes with weight, not like a trap. LIGHTING Forest: warm orange mushroom glow against cool misty air; the mirror's cold blue the only competing source. Underwater: cool blue depth light with god rays, warm golden light from the shell houses and the palace's glowing seams; caustic ripples crawling over her skin, the white sleeve and the whale's flank; the open mouth in the POV reading as a deep shadowed cavern with faint light only on the throat pleats. Natural exposure, no stylization. MATERIALS Real skin with pores and freckles; individual hair strands, dry and flying in the forest, water-loaded and undulating below; real linen weave, leather grain, heavy wool cloak with true water weight; real soil, moss and mushroom flesh; pearl shell with subsurface glow; the whale's iridescent hide with subsurface shift, skin folds and grooved throat pleats, translucent fin membranes. No plastic skin, no CG sheen. AUDIO — SFX ONLY, NO MUSIC 0:00–0:05: pounding footsteps, ragged breathing, cloak snapping, DISTANT crashing branches and a low guttural monster call rolling through the fog; the trip — scuff, body impact, gasp. 0:05–0:09: panicked breathing, scrambling in dirt, forest ambience, a rising crystalline hum near the glass. 0:09–0:11: a sharp liquid CRACK, one violent water-rush WHOOSH, bubbles slamming the lens; forest sound cutting off dead. 0:11–0:19: muffled underwater ambience, soft bubble streams, distant whale-like calls, faint clicks, a deep resonant hum from the palace. 0:19–0:22.5: a startled bubble burst; a deep swelling RUMBLE from the left; in the POV a roaring water-rush and the wet groan of the opening jaw. 0:22.5–0:24: one soft heavy WHOMP settling, then calm rhythmic tail SWISH, the flank's water-rush passing the lens, fading right into churning wake and settling ambience. No score, no melody anywhere. POSITIVE CONSTRAINTS Continuous shot 0:00–0:19; then exactly TWO HARD CUTS: into the POV insert and back out to the identical framing. No other cuts anywhere. FRAMING LOCK: from 0:16 to the end (except the POV insert) the camera holds the same medium profile framing — she is CHEST-UP, seen from her left side, lower-left of frame, with the glowing spiral palace filling the background. She is never shown full-body in this section, never small in frame, and the camera never moves. The finale order is exact: she turns her head left (chest-up, whale not visible) → HARD CUT to her POV of the mouth opening wide, fast → HARD CUT back to the same framing where the jaw is already closed and the whale glides calmly left to right and exits. Her glances in the forest: ~45° head turns with eyes going the same direction; never toward the lens. The forest pursuer is NEVER shown — distant sound only. The mirror NEVER reflects her or the forest — a lit window, not a reflective surface. Underwater she never swims — legs still and motionless throughout; the palace fills the background from the first underwater frame, no travel. Her hair underwater is a chaotic free-floating mass — never parted, never neat, never still. Face 100% >> every frame, zero drift; hair, elven ears, wardrobe 100% >>; forest 100% >>; plaza and palace 100% >>. No grabbing, chewing, blood or gore; exactly ONE creature; she is not visible after the POV cut, only her bubbles. Full realism — no animated look, no illustration, no CG gloss, no plastic surfaces. Clean image: no grain, no vignette. She is the only person. No text, no logos, no watermarks. OPTICS STRONG anamorphic lens character: horizontal squeeze and compression, oval elliptical bokeh, horizontally stretched highlights, curved barrel edge distortion, chromatic aberration toward the edges. NO lens flares, NO light streaks, NO floating bokeh circles. Shot 1: canted 20–25°, low on boots. Shot 2: focus locked on her face. Shot 3: wide, deep focus. Shots 4–5: her face and the mirror's glow. Shots 6–8: her in medium profile against the palace, caustics softening the depth. Shot 9 (POV): ultra-wide immersive perspective, the mouth filling the frame. Shot 10: the flank sharp as it sweeps past the lens.

Sharon Riley

28,464 Aufrufe • vor 1 Tag