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This weekend I found myself completely lost in vibecoding what I've always wanted to build: A Diablo-like, 2.5D isometric fantasy dungeon crawler (I am not known for my originality) I used Cursor as the IDE and alternated between Grok and Claude Sonnet to build out the code and debug...

14,767 Aufrufe • vor 11 Monaten •via X (Twitter)

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Dear Genshin Impact fans, In my nodkrai video I said that Natlan’s music was nice but felt shallow, my mistake in this was not elaborating on why. I said it in passing and didn’t consider the word choice. I’m gathering that people assumed I was referring to the PLACES being represented by the music Which is preposterous because I would never criticize a culture or place, as I’ve always felt that is genshin’s strongest element. I assumed you would know it was obvious I was talking about the musical composition and structure not what that music represented (the people and the places) I’m sorry if you felt that I was spitting in the face of your culture. As a multicultural person myself and soon to be married to a multicultural person as well, I would never ever do that. I am saddened that you may have felt that. That said, subjectively, I felt natlan’s music was nice. But, a bit too easy listening to my taste. Part of the reason I have filmed so many Genshin videos is due to the musical complexity it showcases. Not just in the western soundscape but also in other regions that are represented. You’ll recall I defended this very thing a year ago when the music was representing African culture. At that time I was lambasted on this platform for saying that people of color were not being represented properly in game. I’m perplexed why you would think I’m suggesting the opposite now, even going so far as have people claim I am “racist” which is a bridge too far. In any event, I’m sorry for any hurt feelings. It’s clear to me that if I’m going to say something, I should be clear about what I mean.

MarcoMeatball

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