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.Thomas Laffont describes how a meeting with Steven Spielberg eventually taught him how to pitch companies. "Steven said, 'Every great story can be pitched in three sentences, no matter what the story was.'" "In three sentences you got the whole movie. And what I realized is it takes a... show more

TBPN

1,568,324 subscribers

97,022 просмотров • 5 месяцев назад •via X (Twitter)

Образование Наука и технологии

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Комментарии: 10

Фото профиля TBPN

TBPN5 месяцев назад

Tagged the wrong account - our bad! Follow Thomas here @coatue_thomas

Фото профиля Timur Vural

Timur Vural5 месяцев назад

@thomas_coatue Fundamental things are simple to explain, but hard to discover.

Фото профиля Lino Gandola

Lino Gandola5 месяцев назад

@thomas_coatue You @anandvankit

Фото профиля Emory Scott

Emory Scott5 месяцев назад

@thomas_coatue Compression

Фото профиля Mika 🖤

Mika 🖤5 месяцев назад

@thomas_coatue "i can pitch my whole life story in one emoji 🍑"

Фото профиля SLOT.WIN

SLOT.WIN5 месяцев назад

@thomas_coatue facts, timing + perfect hook

Фото профиля Wuki

Wuki5 месяцев назад

@thomas_coatue nails it. simple beats smart every time

Фото профиля Eric Reiner

Eric Reiner5 месяцев назад

@thomas_coatue In good company @DanielSLoeb1

Фото профиля Danny

Danny5 месяцев назад

@thomas_coatue @grok what 3 sentences?

Фото профиля William Morrison

William Morrison5 месяцев назад

@thomas_coatue Add @BSchuler to this list

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Whenever Anne Lamott picks up a new book, she’ll give it three pages. This is what she looks for: 1) The writing: "I'll start to read. And I'll see if these sentences are pleasing to me." The sentences invite you to read the next one, and the next one after that, enough to want to turn the page. "The sentences are pleasing. They're not ostentatious. They're not show-offy." 2) The story: “I want it to be about the drama of humankind. And, you know, I'll pay extra if it's sort of funny.” “Tell me a story, make me care.”

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William Friedkin on the most important part of directing a movie: "It changes at different points in the making of the film. Initially, the most important decision you make is to decide what story you're going to tell. There's no decision more important than that. Because the commercial cinema, in which I work, is a storytelling medium. It's not necessarily a medium for... well, it isn't at all a medium for documentary purposes, for educational purposes, for experimental purposes. It's strictly a medium of entertainment. And the other aspects of it, if there are any, come as a kind of by-product of the audience experiencing the story. So, the most important decision I make as a filmmaker is to decide what story I'm going to do. There's nothing more important than that...ever. Once the story is decided, it then becomes a matter of translating the story into details; it becomes a matter of how I'm going to tell it. And the next most important elements are the casting and the people who are going to work on the film." (William Friedkin's interview with Gerald R. Barrett, 1975) Clip from: Sorcerer (1977) Director: William Friedkin

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DepressedBergman

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Wolfgang Hammer helps founders and CEOs, at both startups and massive fortune 100 companies, use storytelling to better understand what they do, and why it matters. In many ways, this conversation is a manual for how to find that story and communicate it in a way that resonates. Wolfgang (Wolfgang Hammer) is a film producer and executive who helped create House of Cards and ran several major studios. He’s now building a new kind of film studio with support from Mitch Lasky and Marc Andreessen. We talk about how stories work, what great ones have in common, and why understanding your own story can be transformative. Wolfgang explains the three layers every story must have — the external, the emotional, and the philosophical — and how they apply to building companies and leading people. So many CEOs have Wolfgang to thank for changing how they think and talk about their business, and I hope this episode gives you the tools to do the same. Enjoy! Timestamps: 00:00 Intro 02:50 The Three Layers of Story 04:44 Prompts for the Three Layers 05:54 Why Companies Struggle to Tell Their Story 08:11 The 80/20 Rule: Familiar vs. New 10:17 Suspense from Minimal New Information 11:16 Understanding the Customer's Story First 14:07 What CEOs Can Learn From Filmmakers 15:30 The CEO's Job: Master Communicator 17:12 The Definition of an Iconic Character 18:23 All Stories Are About Death 19:20 Two Kinds of Stories: Desire Fulfilled or Anxiety Purged 21:09 Story as an Ultimate Concern 23:31 Deconstructing Great Stories 26:25 The Relentless Role of Status 30:57 The Story So Big It Terrifies You 32:29 Inner Conflict: The Heart vs. Itself 35:06 A Unified Theory of Storytelling 36:09 The Two Core Truths 38:15 Kindest Thing

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Speaking to Sky's Gareth Barlow, Jess Phillips reacts to the news that the sentences are to be reviewed in the case of three teenagers who avoided jail over the rape of two girls Full story: 📺 Sky 501, Virgin 602, Freeview 233 and YouTube

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Sky News

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My fav part about this story is that one of the co-owners left to go to CLOWN SCHOOL🤣 Jokes aside, this story is emblematic of the left: they demand every need -- no matter how ridiculous -- be met, no matter the cost to the provider, whether it be a bar owner, or a taxpayer.

My fav part about this story is that one of the co-owners left to go to CLOWN SCHOOL🤣 Jokes aside, this story is emblematic of the left: they demand every need -- no matter how ridiculous -- be met, no matter the cost to the provider, whether it be a bar owner, or a taxpayer.

Brianna Lyman

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Vashi Nedomansky, ACE

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Jordi Visser doubts the Anthropic IPO will happen at all after the last 72 hours, let alone at $3T "First of all, I think a story that will be developing is, will they actually be doing an IPO, based on what they've done in the last seventy two hours?" "When you have a former employee leave and say the world's gonna end, and then you have his boss come out and endorse the statement, during a quiet period for the company." "The number one risk with these companies is, like any company that can have liability against them, if there's going to be hackings and you come out and sue them, how is that going to be handled? So investors are going to have a lot more questions." "If they do do it, I don't think you're going to get the three trillion dollar valuation they thought, and I think they're going to have to disclose a lot of this stuff. So it may be delayed because of this. I don't know how much of this was orchestrated, I don't know how much was a mistake, but it definitely seems like there's going to have to be some changes in the IPO in terms of the approach."

Jordi Visser doubts the Anthropic IPO will happen at all after the last 72 hours, let alone at $3T "First of all, I think a story that will be developing is, will they actually be doing an IPO, based on what they've done in the last seventy two hours?" "When you have a former employee leave and say the world's gonna end, and then you have his boss come out and endorse the statement, during a quiet period for the company." "The number one risk with these companies is, like any company that can have liability against them, if there's going to be hackings and you come out and sue them, how is that going to be handled? So investors are going to have a lot more questions." "If they do do it, I don't think you're going to get the three trillion dollar valuation they thought, and I think they're going to have to disclose a lot of this stuff. So it may be delayed because of this. I don't know how much of this was orchestrated, I don't know how much was a mistake, but it definitely seems like there's going to have to be some changes in the IPO in terms of the approach."

The Wolf Of All Streets

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Paul Pierce says the NBA should change the three point line to a LED line that just comes and goes “Like you can turn it off, turn it back on in certain times of the game. Like, if you are down ten with three minutes in the 4th. It’s just ridiculous how I have watched games, it would be next three minutes of all threes. Like, 48 minutes a game the three point line should be on only like 30 minutes. Then we going to see who got game, then you going to have to get buckets now. You ain’t just going to be launching. You going to have to get money” (Via No Fouls Given)

Paul Pierce says the NBA should change the three point line to a LED line that just comes and goes “Like you can turn it off, turn it back on in certain times of the game. Like, if you are down ten with three minutes in the 4th. It’s just ridiculous how I have watched games, it would be next three minutes of all threes. Like, 48 minutes a game the three point line should be on only like 30 minutes. Then we going to see who got game, then you going to have to get buckets now. You ain’t just going to be launching. You going to have to get money” (Via No Fouls Given)

NBA Courtside

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Sequoia founder Don Valentine: “The art of storytelling is incredibly important” “The art of storytelling is incredibly important. And many—maybe even most of the entrepreneurs who come to talk to us can’t tell the story. Learning to tell a story is incredibly important because that’s how the money works. The money flows as a function of the stories.” The founder of Sequoia founder explains that the story is how you explain what you want to do, how long it’s going to take, who the competition is, and how much money you need. a16z cofounder Ben Horowitz shared a similar view in a 2014 Forbes interview: “Storytelling is the most underrated skill… Companies that don’t have a clearly articulated story don’t have a clear and well thought-out strategy. The company story is the company strategy.” He continues: “The story must explain at a fundamental level why you exist. Why does the world need your company? Why do we need to be doing what we’re doing and why is it important?… You can have a great product, but a compelling story puts the company into motion. If you don’t have a great story it’s hard to get people motivated to join you, to work on the product, and to get people to invest in the product.” This is the job of the founder and CEO: “The CEO must be the keeper of the story. The CEO is responsible for getting the story right, that it’s up to date, compelling, and can move the hearts of men and women. That’s the fundamental responsibility of the chief executive… The mistake people make is thinking the story is just about marketing. No, the story is the strategy. If you make your story better you make the strategy better.” Video source: Stanford Graduate School of Business (2010)

Sequoia founder Don Valentine: “The art of storytelling is incredibly important” “The art of storytelling is incredibly important. And many—maybe even most of the entrepreneurs who come to talk to us can’t tell the story. Learning to tell a story is incredibly important because that’s how the money works. The money flows as a function of the stories.” The founder of Sequoia founder explains that the story is how you explain what you want to do, how long it’s going to take, who the competition is, and how much money you need. a16z cofounder Ben Horowitz shared a similar view in a 2014 Forbes interview: “Storytelling is the most underrated skill… Companies that don’t have a clearly articulated story don’t have a clear and well thought-out strategy. The company story is the company strategy.” He continues: “The story must explain at a fundamental level why you exist. Why does the world need your company? Why do we need to be doing what we’re doing and why is it important?… You can have a great product, but a compelling story puts the company into motion. If you don’t have a great story it’s hard to get people motivated to join you, to work on the product, and to get people to invest in the product.” This is the job of the founder and CEO: “The CEO must be the keeper of the story. The CEO is responsible for getting the story right, that it’s up to date, compelling, and can move the hearts of men and women. That’s the fundamental responsibility of the chief executive… The mistake people make is thinking the story is just about marketing. No, the story is the strategy. If you make your story better you make the strategy better.” Video source: Stanford Graduate School of Business (2010)

Startup Archive

258,577 просмотров • 1 год назад

Steven Pressfield has spent decades studying the art of storytelling. "The female carries the mystery" has become one of his core principles, and once you see it, you'll see it everywhere. Here's how he explains it: "In Moby Dick, the sea is the female, and the sea carries the mystery. The whale dives down into the sea. In Lawrence of Arabia, the desert is the female and the movie is shot to make the desert absolutely gorgeous. Then there's The Magnificent Seven in Japan by Akira Kurosawa. It's the same story of a village that hires gun-slinger samurai to defend it, and the female in that story are the rice fields that produce the rice that the bandits want. At the very end of Seven Samurai, The final thing, when the samurai have won and the bandits have been killed, is the villagers planting rice. So that's a principle that I will have: The female carries the mystery. I'll ask myself, for any idea that I have, what's the female in this story? Is there a mystery? And why, what is it? What is, what is the mystery? And the mystery is almost always something that cannot be solved. It's like... What is life? What is the sea? What is the ocean? It gets back to God. It gets back to creation. It gets back to life."

Steven Pressfield has spent decades studying the art of storytelling. "The female carries the mystery" has become one of his core principles, and once you see it, you'll see it everywhere. Here's how he explains it: "In Moby Dick, the sea is the female, and the sea carries the mystery. The whale dives down into the sea. In Lawrence of Arabia, the desert is the female and the movie is shot to make the desert absolutely gorgeous. Then there's The Magnificent Seven in Japan by Akira Kurosawa. It's the same story of a village that hires gun-slinger samurai to defend it, and the female in that story are the rice fields that produce the rice that the bandits want. At the very end of Seven Samurai, The final thing, when the samurai have won and the bandits have been killed, is the villagers planting rice. So that's a principle that I will have: The female carries the mystery. I'll ask myself, for any idea that I have, what's the female in this story? Is there a mystery? And why, what is it? What is, what is the mystery? And the mystery is almost always something that cannot be solved. It's like... What is life? What is the sea? What is the ocean? It gets back to God. It gets back to creation. It gets back to life."

David Perell

321,572 просмотров • 2 лет назад

Ben Affleck says you have to abandon everyone around you in order to achieve greatness "when you see Michael Jordan like what does it mean to be great? and how's like touch everybody? and change everybody" "to truly be great at something you have to almost abandon everything...I've seen that in various ways like in that kind of just personal study. I haven't seen anybody who I think like qualifies for that who who didn't also seem to be really suffering" "I find that really fascinating like people who are great at something and the mystery of like what is that like? and what is that do to your life? and how did you get that way?"

Ben Affleck says you have to abandon everyone around you in order to achieve greatness "when you see Michael Jordan like what does it mean to be great? and how's like touch everybody? and change everybody" "to truly be great at something you have to almost abandon everything...I've seen that in various ways like in that kind of just personal study. I haven't seen anybody who I think like qualifies for that who who didn't also seem to be really suffering" "I find that really fascinating like people who are great at something and the mystery of like what is that like? and what is that do to your life? and how did you get that way?"

CreativeDude

286,976 просмотров • 3 месяцев назад

Steven Spielberg says UFO Disclosure will "dislocate society" and cause humans to question religions “If the unknown is known by a very few but not everybody, the inequity of that is what first got me to sit down and start writing the story. The consequences of a real full disclosure is going to have to take into consideration the social dislocation the essentially you know the trauma and all the theological questions that are going to come up.”

Steven Spielberg says UFO Disclosure will "dislocate society" and cause humans to question religions “If the unknown is known by a very few but not everybody, the inequity of that is what first got me to sit down and start writing the story. The consequences of a real full disclosure is going to have to take into consideration the social dislocation the essentially you know the trauma and all the theological questions that are going to come up.”

Red Panda Koala

383,849 просмотров • 4 месяцев назад

Tim Dillon: “All of this stuff, the Flock cameras, all of it is coming. It’s not coming to make you safe, they don’t care if you’re safe. All of it is coming to build a surveillance grid that is like nothing else that has ever existed in history. What is coming is going to be very disruptive and they know that. It has to probably do with the disruptions to the economy with AI, it could be a major war, it could be a climate event. Or it could be all three. They are building this surveillance grid so when it comes they are able to address the disruptions in society this will cause”

Tim Dillon: “All of this stuff, the Flock cameras, all of it is coming. It’s not coming to make you safe, they don’t care if you’re safe. All of it is coming to build a surveillance grid that is like nothing else that has ever existed in history. What is coming is going to be very disruptive and they know that. It has to probably do with the disruptions to the economy with AI, it could be a major war, it could be a climate event. Or it could be all three. They are building this surveillance grid so when it comes they are able to address the disruptions in society this will cause”

Marco Foster

11,059 просмотров • 1 месяц назад

Emily Blunt talks about working with Steven Spielberg in "Disclosure Day": "I got a call from my agent saying Steven Spielberg wanted to meet me for his next movie. And I literally screamed. I met him in his office in Tribeca, and he pitched me a little bit of it. [...]. So, I mean, the big idea of it is that question that has sparked the fires of human imagination for years: Are we alone, or are we not alone? And if we aren't, why are the people in power hiding the truth from us? The movie is like a life-or-death race against time for those who believe the truth belongs to 8 billion people and those who believe that it doesn't and want to keep it secret. I'm sure you are now getting asked a lot about your own personal belief as to whether there are aliens or not. I think it would be arrogant for me to assume that we are alone."

Emily Blunt talks about working with Steven Spielberg in "Disclosure Day": "I got a call from my agent saying Steven Spielberg wanted to meet me for his next movie. And I literally screamed. I met him in his office in Tribeca, and he pitched me a little bit of it. [...]. So, I mean, the big idea of it is that question that has sparked the fires of human imagination for years: Are we alone, or are we not alone? And if we aren't, why are the people in power hiding the truth from us? The movie is like a life-or-death race against time for those who believe the truth belongs to 8 billion people and those who believe that it doesn't and want to keep it secret. I'm sure you are now getting asked a lot about your own personal belief as to whether there are aliens or not. I think it would be arrogant for me to assume that we are alone."

Emily Blunt Files 👽

306,221 просмотров • 4 месяцев назад

Puck's Dylan Byers says AI has become a priority for Hollywood, with every major studio exploring how to integrate it into production. "Every studio, even A24, is thinking, 'How do we incorporate AI into what we are doing?'" "The signal that those creators sent with films like Obsession and others is that [using AI in filmmaking] can be done and it can be successful. Does it mean that every human is going away? No. I think that most folks will find ways to incorporate [AI] in ways that do not significantly degrade the value of the content that they're making." "But I think the sky's the limit. Those examples have shown that this can be done and that there is more opportunity here than the folks who are clutching to Hollywood's past have realized."

Puck's Dylan Byers says AI has become a priority for Hollywood, with every major studio exploring how to integrate it into production. "Every studio, even A24, is thinking, 'How do we incorporate AI into what we are doing?'" "The signal that those creators sent with films like Obsession and others is that [using AI in filmmaking] can be done and it can be successful. Does it mean that every human is going away? No. I think that most folks will find ways to incorporate [AI] in ways that do not significantly degrade the value of the content that they're making." "But I think the sky's the limit. Those examples have shown that this can be done and that there is more opportunity here than the folks who are clutching to Hollywood's past have realized."

TBPN

54,791 просмотров • 2 месяцев назад

Therapist Trey Tucker came on Relatable to talk about anxiety. I asked him, "If you could define anxiety, how would you define it?" Tucker: "Fear of the future. Fear of the unknown. The verse, 'Be still and know that I am God' used to make me so angry. I'm like, God, what do you mean be still? Like, I got a real problem here. I'm in a storm. Why do you want me to just be still? And what I realized is that the word, and I believe it's "Rapha" in the Hebrew, it doesn’t mean just ‘don’t move.’ It means ‘release your grip.’ The idea that I thought that I had control, that was a lie anyway. If I can start to realize like, yes, the circumstances might happen that are negative or I might be in the middle of a battle right now, but if I can loosen my grip and stop white knuckling it, then I can realize that like oh—God is God, not me, and He’s going to take care of me no matter what happens. That really is the solution to anxiety. It’s not changing your circumstances or slapping meds on it.”

Therapist Trey Tucker came on Relatable to talk about anxiety. I asked him, "If you could define anxiety, how would you define it?" Tucker: "Fear of the future. Fear of the unknown. The verse, 'Be still and know that I am God' used to make me so angry. I'm like, God, what do you mean be still? Like, I got a real problem here. I'm in a storm. Why do you want me to just be still? And what I realized is that the word, and I believe it's "Rapha" in the Hebrew, it doesn’t mean just ‘don’t move.’ It means ‘release your grip.’ The idea that I thought that I had control, that was a lie anyway. If I can start to realize like, yes, the circumstances might happen that are negative or I might be in the middle of a battle right now, but if I can loosen my grip and stop white knuckling it, then I can realize that like oh—God is God, not me, and He’s going to take care of me no matter what happens. That really is the solution to anxiety. It’s not changing your circumstances or slapping meds on it.”

Relatable with Allie Beth Stuckey

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