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Threadguy explains why he left the US Open after 20 minutes because a coin started pumping "We bought these retardedly expensive tickets, we're sitting really close at the US Open watching Alcaraz, and we've been there maybe 15 minutes. Tennis is supposed to be silent, you're not supposed to...

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Kai

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39,644 görüntüleme • 19 gün önce •via X (Twitter)

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eon profil fotoğrafı
eon19 gün önce

Absolute retards.

mike profil fotoğrafı
mike19 gün önce

3 losers

Redacted Aeon profil fotoğrafı
Redacted Aeon19 gün önce

Things that never happened

storm profil fotoğrafı
storm19 gün önce

So what's the point of making that money then if you're just going to waste it like you did here.

Kai profil fotoğrafı
Kai19 gün önce

FT @notthreadguy @counterpartytv @rasmr_eth

Benzer Videolar

Threadguy reveals he and Rasmr left the US Open just 30 minutes into the match after Vlad Tenev followed MEME “We bought stupidly expensive tickets. We're sitting really close. We've been there for 15 minutes and then all of a sudden Rasmr’s like ‘Oh my God!’” “I look over and it's like Rasmr on Dexscreener... He goes, ‘Oh my God!’ While it's silent. The only thing you can hear is like Alcaraz moaning when he hits the ball” “I look over at Rasmr, it’s MEME and it's just candling. Everyone's looking at us” “Rasmr’s like, ‘Yo, hello? Hello? What happened?’ He's on the phone. I'm like, ‘Rasmr,’ he's like, ‘Oh my God, Vlad followed!’” “So we're all sitting here and we're all shaking. I'm like, ‘What do we do? What do we do?’” “Finally the point ends or whatever and I'm like shush. Rasmr’s on the phone talking to Elliott. It's silent in this place. I'm like, ‘Guys, shush.’ Everyone's looking at us” “Also, we're sitting way too close. Like, I feel like if you're in the back you can be a little rowdy but not when Alcaraz can make eye contact” “I'm like, ‘We gotta get up, right?’ Because everybody's like balls deep in this coin and so we run out. You're not even supposed to leave. If you get up people get mad at you for getting up” “The first set isn't even over. We’re like 30 minutes into this game and I'm like, ‘Guys, what do we do?’ And they're like, ‘We have to leave’” “I'm like, ‘No, we can't leave. We spent so much money in these tickets. We cannot leave…’ They’re like, ‘We're leaving’” “So we basically just sprinted out of the US Open and went home”
2:16

Threadguy reveals he and Rasmr left the US Open just 30 minutes into the match after Vlad Tenev followed MEME “We bought stupidly expensive tickets. We're sitting really close. We've been there for 15 minutes and then all of a sudden Rasmr’s like ‘Oh my God!’” “I look over and it's like Rasmr on Dexscreener... He goes, ‘Oh my God!’ While it's silent. The only thing you can hear is like Alcaraz moaning when he hits the ball” “I look over at Rasmr, it’s MEME and it's just candling. Everyone's looking at us” “Rasmr’s like, ‘Yo, hello? Hello? What happened?’ He's on the phone. I'm like, ‘Rasmr,’ he's like, ‘Oh my God, Vlad followed!’” “So we're all sitting here and we're all shaking. I'm like, ‘What do we do? What do we do?’” “Finally the point ends or whatever and I'm like shush. Rasmr’s on the phone talking to Elliott. It's silent in this place. I'm like, ‘Guys, shush.’ Everyone's looking at us” “Also, we're sitting way too close. Like, I feel like if you're in the back you can be a little rowdy but not when Alcaraz can make eye contact” “I'm like, ‘We gotta get up, right?’ Because everybody's like balls deep in this coin and so we run out. You're not even supposed to leave. If you get up people get mad at you for getting up” “The first set isn't even over. We’re like 30 minutes into this game and I'm like, ‘Guys, what do we do?’ And they're like, ‘We have to leave’” “I'm like, ‘No, we can't leave. We spent so much money in these tickets. We cannot leave…’ They’re like, ‘We're leaving’” “So we basically just sprinted out of the US Open and went home”

Jack

116,825 görüntüleme • 20 gün önce

Luca Netz shares the story of when he spent 20 ETH minting Mutant Apes while with Tory Lanez and Hasbro executives at Factory Town "Hasbro wanted to buy Gel Blaster, so we were sitting there in Factory Town, we iron out deal terms and then Tory comes to me and he's like how much ETH do you have on you right now? I said probably like 20 ETH" "He told me to spend it all on Mutant Apes, they had just started minting, so we're with basically like 4 of the 7 Hasbro executives, we're in Factory Town, basically on the verge of closing this deal and we're just minting Apes. We probably spent $1,000,000 between us all and these Hasbro guys are looking at us just wondering what we were doing" "I had minted so many Mutant Apes, that's when I really made a LOT of money"
1:30

Luca Netz shares the story of when he spent 20 ETH minting Mutant Apes while with Tory Lanez and Hasbro executives at Factory Town "Hasbro wanted to buy Gel Blaster, so we were sitting there in Factory Town, we iron out deal terms and then Tory comes to me and he's like how much ETH do you have on you right now? I said probably like 20 ETH" "He told me to spend it all on Mutant Apes, they had just started minting, so we're with basically like 4 of the 7 Hasbro executives, we're in Factory Town, basically on the verge of closing this deal and we're just minting Apes. We probably spent $1,000,000 between us all and these Hasbro guys are looking at us just wondering what we were doing" "I had minted so many Mutant Apes, that's when I really made a LOT of money"

Jack

46,443 görüntüleme • 7 ay önce

yunjin’s ending ment/speech in san jose tonight for the pureflow tour, talking about how surreal it is to be able to hold concerts like these 🥹🤍 “thank you so much for coming to spend time with us tonight. it is honestly so surreal to me every time i do a show and see all the seats like filled up with you guys. i think it's, i think it's so crazy that, you know, we, we live as le sserafim, and we don't get to see each other, see you guys as often, but, in the moments like this, it's like so big to me because, wow, we're really filling arenas like this, guys. it's so crazy because sometimes we're so busy with our lives and everything is so chaotic that we forget. we forget that like, this is, this is our real lives, and we really have so many people supporting and loving us like this. so in moments like tonight, it really, i'm truly moved that we have you. and i don't know, maybe it's because we're in silicon valley that i'm like thinking about, like, you know, the internet and the fast pace of, you know, the digital world that we live in today. but i think, really, it's so important for us to remember to take our time with things, and really sit in the moment and stay present with one another because the internet isn't real, and this is real. so we love you and want to tell you that we see you, we feel you, we hear you. and we will, we will miss you when, um, the show is over tonight, but we will definitely be back, and we definitely hope that you guys will come to spend time with us again. will you guys come again? so this is crazy to hear, like, wow, that is insane that we have like a whole arena like saying that to us, that's insane. thank you guys so much, we love you, so much, you know, we'll be back.” #PUREFLOW_IN_SAN_JOSE #LE_SSERAFIM #PUREFLOW
2:16

yunjin’s ending ment/speech in san jose tonight for the pureflow tour, talking about how surreal it is to be able to hold concerts like these 🥹🤍 “thank you so much for coming to spend time with us tonight. it is honestly so surreal to me every time i do a show and see all the seats like filled up with you guys. i think it's, i think it's so crazy that, you know, we, we live as le sserafim, and we don't get to see each other, see you guys as often, but, in the moments like this, it's like so big to me because, wow, we're really filling arenas like this, guys. it's so crazy because sometimes we're so busy with our lives and everything is so chaotic that we forget. we forget that like, this is, this is our real lives, and we really have so many people supporting and loving us like this. so in moments like tonight, it really, i'm truly moved that we have you. and i don't know, maybe it's because we're in silicon valley that i'm like thinking about, like, you know, the internet and the fast pace of, you know, the digital world that we live in today. but i think, really, it's so important for us to remember to take our time with things, and really sit in the moment and stay present with one another because the internet isn't real, and this is real. so we love you and want to tell you that we see you, we feel you, we hear you. and we will, we will miss you when, um, the show is over tonight, but we will definitely be back, and we definitely hope that you guys will come to spend time with us again. will you guys come again? so this is crazy to hear, like, wow, that is insane that we have like a whole arena like saying that to us, that's insane. thank you guys so much, we love you, so much, you know, we'll be back.” #PUREFLOW_IN_SAN_JOSE #LE_SSERAFIM #PUREFLOW

nat ☆彡

20,545 görüntüleme • 4 gün önce

James McAvoy says he starred in X-Men first class because he had no money in the bank “My first child came, and I neither myself nor my wife at the time worked for about six months to a year. We just stayed at home and looked after him. And I, we weren't like, we weren't penniless. We didn't have any debt, but we had pretty much nothing in the bank… X-Men came in. I went, "Where's it filming?" They went, "Pinewood, it's 40 minutes from my front door." I was like, "Awesome." And I was also like, "X-Men, great!" I loved the cartoon when I was a kid. That'd be brilliant. I loved the movies that came out in 2000 and Bryan's original movies were brilliant. But I was like, this is a three-picture deal, they're paying well, it's 40 minutes from my front door, I'm a fan of the original material, I get to be young Jean-Luc Xavier. And I was like, this is a no-brainer. So my agent called me, she was like, "What do you think?" And I was like, "It's a work of genius, we're doing it!”
2:53

James McAvoy says he starred in X-Men first class because he had no money in the bank “My first child came, and I neither myself nor my wife at the time worked for about six months to a year. We just stayed at home and looked after him. And I, we weren't like, we weren't penniless. We didn't have any debt, but we had pretty much nothing in the bank… X-Men came in. I went, "Where's it filming?" They went, "Pinewood, it's 40 minutes from my front door." I was like, "Awesome." And I was also like, "X-Men, great!" I loved the cartoon when I was a kid. That'd be brilliant. I loved the movies that came out in 2000 and Bryan's original movies were brilliant. But I was like, this is a three-picture deal, they're paying well, it's 40 minutes from my front door, I'm a fan of the original material, I get to be young Jean-Luc Xavier. And I was like, this is a no-brainer. So my agent called me, she was like, "What do you think?" And I was like, "It's a work of genius, we're doing it!”

Emmy🧡

924,539 görüntüleme • 24 gün önce

"despite having some interviews, or perfomances with a missing member, what's important that at the end of the day we'll still be 6 as katseye moving forward, and through all of this. and when we have these things we have a lot of commitment to the fans to show up, and so it's really important for all 6 of us to give something back to the fans no matter what it is, just to keep showing up for them, and always acknowledging the fact that we'll have somebody missing, but doesn't change the fact that we're still 6 as katseye, it's FOREVER gonna be that way, and so every time we see somebody say like "oh they're 5 they're gonna kick this person out" or like there's like beef, like no, like what daniela said we're prioritizing our health, and if we need recovery we're gonna take that time because all 6 of us are in this for the long run"
0:44

"despite having some interviews, or perfomances with a missing member, what's important that at the end of the day we'll still be 6 as katseye moving forward, and through all of this. and when we have these things we have a lot of commitment to the fans to show up, and so it's really important for all 6 of us to give something back to the fans no matter what it is, just to keep showing up for them, and always acknowledging the fact that we'll have somebody missing, but doesn't change the fact that we're still 6 as katseye, it's FOREVER gonna be that way, and so every time we see somebody say like "oh they're 5 they're gonna kick this person out" or like there's like beef, like no, like what daniela said we're prioritizing our health, and if we need recovery we're gonna take that time because all 6 of us are in this for the long run"

daily sophia

37,049 görüntüleme • 7 ay önce

Tommy Lee on why Mötley Crüe broke up "a couple of times" before ending it for good: "I left in 2000, so it's been a couple of times. And then in 2016, we decided, you know what? Let's go out on a high note here and let it rip and not run this thing into the ground. And then all of a sudden we're playing county fairs and not-so-rad gigs." "Rather than burn it out, we're like, let's just cut it, and in 2016, we kind of officially did." "I don't know, we just didn't want to be one of those bands. We were like, we don't deserve to fade out here. Like we deserve to take this thing out at the top and then bail. The last thing we wanted to ever do was be another one of those bands that got back together."
2:17

Tommy Lee on why Mötley Crüe broke up "a couple of times" before ending it for good: "I left in 2000, so it's been a couple of times. And then in 2016, we decided, you know what? Let's go out on a high note here and let it rip and not run this thing into the ground. And then all of a sudden we're playing county fairs and not-so-rad gigs." "Rather than burn it out, we're like, let's just cut it, and in 2016, we kind of officially did." "I don't know, we just didn't want to be one of those bands. We were like, we don't deserve to fade out here. Like we deserve to take this thing out at the top and then bail. The last thing we wanted to ever do was be another one of those bands that got back together."

Tig

105,235 görüntüleme • 2 ay önce

Mark Cuban says his AmEx Black Card got declined buying a $140,000 bottle of champagne after the Mavericks won the NBA Finals “Jason Terry took over and was like, ‘Okay, we're getting these buses. We're all going to LIV.’ I'm like, ‘Cool. Let's go.’ And everybody had family and everything. We just went there and tore it up” “Then one of the owners or whoever, came up to me and they're like, ‘Hey, we got this $140,000 bottle of champagne’, and Dirk is right there. He goes, ‘Yes’” “I'm like, ‘Okay, whatever.’ I'm feeling no pain. I get out my Black and I give him the card. And then Dirk 10 minutes later is like, ‘Where is it?’” “Then I get a tap on the shoulder. They're like, ‘Mr. Cuban, hey, come here.’ And so I got to go to the back of the office. My card got declined. You know how when you get a new card, you got to sign it, call in. I hadn't done that yet” “I get on the phone, call AmEx, and they're like, ‘I'm sorry, sir.’ I'm like, ‘Did you watch TV today. Did you watch the basketball Finals today. Can I talk to your manager?’ And they finally approved it. The pictures are great of us. Just huge bottle”
1:01

Mark Cuban says his AmEx Black Card got declined buying a $140,000 bottle of champagne after the Mavericks won the NBA Finals “Jason Terry took over and was like, ‘Okay, we're getting these buses. We're all going to LIV.’ I'm like, ‘Cool. Let's go.’ And everybody had family and everything. We just went there and tore it up” “Then one of the owners or whoever, came up to me and they're like, ‘Hey, we got this $140,000 bottle of champagne’, and Dirk is right there. He goes, ‘Yes’” “I'm like, ‘Okay, whatever.’ I'm feeling no pain. I get out my Black and I give him the card. And then Dirk 10 minutes later is like, ‘Where is it?’” “Then I get a tap on the shoulder. They're like, ‘Mr. Cuban, hey, come here.’ And so I got to go to the back of the office. My card got declined. You know how when you get a new card, you got to sign it, call in. I hadn't done that yet” “I get on the phone, call AmEx, and they're like, ‘I'm sorry, sir.’ I'm like, ‘Did you watch TV today. Did you watch the basketball Finals today. Can I talk to your manager?’ And they finally approved it. The pictures are great of us. Just huge bottle”

dank

1,210,063 görüntüleme • 2 ay önce

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'
3:56

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

23,149 görüntüleme • 8 ay önce

So many Americans have to be feeling this same way “Why is no one talking about how serious the cost of living actually is? — My husband is working three jobs right now. We buy absolutely nothing, nothing that we don't need, and we actually go without a lot of things that we actually do need. I feel like if you're able to do anything that's not just surviving, then you got it good. I feel so sad that I didn't appreciate the times where we were able to actually have fun at this point. So much has changed in the past few years. Like, what? I just really, really want to know. How's everyone surviving? Is everyone working, like, 24/7? Because that's what my husband does, and I'm just home with my little kids all the time. It's kind of, like, depressing that we're never together as a family. So I don't know. I hope one day we can be, but it sucks.”
1:19

So many Americans have to be feeling this same way “Why is no one talking about how serious the cost of living actually is? — My husband is working three jobs right now. We buy absolutely nothing, nothing that we don't need, and we actually go without a lot of things that we actually do need. I feel like if you're able to do anything that's not just surviving, then you got it good. I feel so sad that I didn't appreciate the times where we were able to actually have fun at this point. So much has changed in the past few years. Like, what? I just really, really want to know. How's everyone surviving? Is everyone working, like, 24/7? Because that's what my husband does, and I'm just home with my little kids all the time. It's kind of, like, depressing that we're never together as a family. So I don't know. I hope one day we can be, but it sucks.”

Wall Street Apes

916,273 görüntüleme • 1 yıl önce

Threadguy explains why calling any crypto trade "consensus" right now is the dumbest thing he's ever heard "Everyone's talking about how Hyperliquid is too consensus, Zcash is too consensus, I'm gonna take profits... Bro, literally everybody is dead. The only people left, if you are still here and trade crypto, if you have any money in your portfolio, you're by default a sharp." "It's like we're sitting on the river watching 99% of the population's dead bodies float by. The pandemic just wiped everybody out. And we're like yeah washing your hands is too consensus. Bro there's like 30 people left. We're at the morgue discussing what tokens are consensus. Everybody's dead." "Imagine sitting through a year of down only price action in crypto and then HYPE is up 30% and you're like I'm out. I'm done. That's it. I got my 20%. Bro what are we playing it for 20%? Everybody's dead and floating down the river and you're the last 10 people that don't have Ebola and you're like seeking shelter and wearing an N95 mask is consensus. No, you're the last one alive. It's consensus among the geniuses."
1:36

Threadguy explains why calling any crypto trade "consensus" right now is the dumbest thing he's ever heard "Everyone's talking about how Hyperliquid is too consensus, Zcash is too consensus, I'm gonna take profits... Bro, literally everybody is dead. The only people left, if you are still here and trade crypto, if you have any money in your portfolio, you're by default a sharp." "It's like we're sitting on the river watching 99% of the population's dead bodies float by. The pandemic just wiped everybody out. And we're like yeah washing your hands is too consensus. Bro there's like 30 people left. We're at the morgue discussing what tokens are consensus. Everybody's dead." "Imagine sitting through a year of down only price action in crypto and then HYPE is up 30% and you're like I'm out. I'm done. That's it. I got my 20%. Bro what are we playing it for 20%? Everybody's dead and floating down the river and you're the last 10 people that don't have Ebola and you're like seeking shelter and wearing an N95 mask is consensus. No, you're the last one alive. It's consensus among the geniuses."

Kai

146,160 görüntüleme • 4 ay önce

Tyreek Hill says what makes Patrick Mahomes a great leader is he isn’t afraid to call out the entire offense and the star players on the details in front of everyone “Pat a different dude, and I'm going to tell you how he’s a different dude. I can't remember what year it was, but we was on a bad streak. All his supporting cast was playing bad. Me, Kelce, D-Rob, Sammy, we all was playing bad. This dude called the whole offense up. He called the whole offense up. This was like on a Tuesday, I believe. He called us all up. He cussed all of us the out.” “Me and Pat, we go back and forth, but that was a moment right there where he stood on business. And it was like, bro, I really respect this because he really just called out all his weapons individually.” “Pointed us out, looked us in the eyes and said, ‘Bro, Reek, you think you so fucking fast, but you can’t catch the damn ball. And you want to be the best receiver in the game?’ He was letting me have it. Then he went to Kelce. Then he went to D-Rob. Then he went to Sammy. Like, he went to all of us, calling us all out. And in that moment right there, I was like, yo, it’s go time now. That put so much, I don’t know what it put in my fuel, in my heart, bro.” “That next game, that's when we began to get things rolling. Because you never want to get called out by the leader of your team like that. You don't. You don’t. It's like, bro, I’m not going to let nobody down in this circle right here no more. And we started killing after that.” “And that’s one thing that our quarterback, he going to add, you know what I'm saying, too. Because with Pat, we all had a relationship with Pat. We all hang out. We all do stuff outside of football.” “Because we all trying to win. That's the best, we all trying to win, man. Being able to have them tough conversations is needed, I feel like, bro, because that got us better. When Pat did it, it made me want to kick his ass, but it made me want to get better, man.”
2:30

Tyreek Hill says what makes Patrick Mahomes a great leader is he isn’t afraid to call out the entire offense and the star players on the details in front of everyone “Pat a different dude, and I'm going to tell you how he’s a different dude. I can't remember what year it was, but we was on a bad streak. All his supporting cast was playing bad. Me, Kelce, D-Rob, Sammy, we all was playing bad. This dude called the whole offense up. He called the whole offense up. This was like on a Tuesday, I believe. He called us all up. He cussed all of us the out.” “Me and Pat, we go back and forth, but that was a moment right there where he stood on business. And it was like, bro, I really respect this because he really just called out all his weapons individually.” “Pointed us out, looked us in the eyes and said, ‘Bro, Reek, you think you so fucking fast, but you can’t catch the damn ball. And you want to be the best receiver in the game?’ He was letting me have it. Then he went to Kelce. Then he went to D-Rob. Then he went to Sammy. Like, he went to all of us, calling us all out. And in that moment right there, I was like, yo, it’s go time now. That put so much, I don’t know what it put in my fuel, in my heart, bro.” “That next game, that's when we began to get things rolling. Because you never want to get called out by the leader of your team like that. You don't. You don’t. It's like, bro, I’m not going to let nobody down in this circle right here no more. And we started killing after that.” “And that’s one thing that our quarterback, he going to add, you know what I'm saying, too. Because with Pat, we all had a relationship with Pat. We all hang out. We all do stuff outside of football.” “Because we all trying to win. That's the best, we all trying to win, man. Being able to have them tough conversations is needed, I feel like, bro, because that got us better. When Pat did it, it made me want to kick his ass, but it made me want to get better, man.”

Josh Chambers

644,074 görüntüleme • 6 gün önce

🐈‍⬛ first of all as all the members said, we're really confident of our new album. i wanted to have the highest point of our career in this moment and i believe that this album's going to do that job for us. after then, i think we'll keep going on all the world tours. we just started this is our like second or third area here in the us and latin america. we have a long way to go, a lot of things to do and the only thing i can say is EVERYTHING IS GOING TO BE AMAZING
0:44

🐈‍⬛ first of all as all the members said, we're really confident of our new album. i wanted to have the highest point of our career in this moment and i believe that this album's going to do that job for us. after then, i think we'll keep going on all the world tours. we just started this is our like second or third area here in the us and latin america. we have a long way to go, a lot of things to do and the only thing i can say is EVERYTHING IS GOING TO BE AMAZING

🦊♡🐰ྀི | fan acc

32,341 görüntüleme • 2 ay önce

Daniss Jenkins: "I think Orlando did a really good job of preparing us for this moment...they came out and they hit us in the mouth first and they showed us what the playoffs is about. So once we got that up under our belt we just rolling from there. We back to playing Pistons basketball for 48 minutes like we supposed to"
0:24

Daniss Jenkins: "I think Orlando did a really good job of preparing us for this moment...they came out and they hit us in the mouth first and they showed us what the playoffs is about. So once we got that up under our belt we just rolling from there. We back to playing Pistons basketball for 48 minutes like we supposed to"

Oh No He Didn't

169,306 görüntüleme • 4 ay önce

Epstein Survivor Dani Bensky on Blanche Meeting: It wasn't substantive. It was not productive. It just felt like, okay, well, we have we have a half hour air to grievances. Great. I met with survivors. It's like, that's not what we're asking for. We're asking for investigations. We have been like, it's so exhausting to keep saying the same things. Like America doesn't want to hear the same things over and over again. We just want action and we're not getting any action. And it's just after a day where you feel like maybe there's a small glimmer of hope. And now we've ticked the box and we're moving on.
0:32

Epstein Survivor Dani Bensky on Blanche Meeting: It wasn't substantive. It was not productive. It just felt like, okay, well, we have we have a half hour air to grievances. Great. I met with survivors. It's like, that's not what we're asking for. We're asking for investigations. We have been like, it's so exhausting to keep saying the same things. Like America doesn't want to hear the same things over and over again. We just want action and we're not getting any action. And it's just after a day where you feel like maybe there's a small glimmer of hope. And now we've ticked the box and we're moving on.

Acyn

52,396 görüntüleme • 2 ay önce

Q: Is the race car better maybe than the qualifying car? Can you fight for the win? "Yeah really great car. I think we have a really great car. I think, you know, we're still Mercedes engines up ahead of us. And I think we've done a good job to be as close as we are to them. But they're ultimately gaining several tenths still on the straight. And that is what it is. And so we have to just do the best we can." "We're hoping for some tracks that don't maybe rely too much on power. Hopefully, maybe in the future.But I'm really grateful to the guys back at the factory. Because they did bring an upgrade here. They are really pushing. It's just, this is just the situation we're in." F1 2026 | Monza
0:35

Q: Is the race car better maybe than the qualifying car? Can you fight for the win? "Yeah really great car. I think we have a really great car. I think, you know, we're still Mercedes engines up ahead of us. And I think we've done a good job to be as close as we are to them. But they're ultimately gaining several tenths still on the straight. And that is what it is. And so we have to just do the best we can." "We're hoping for some tracks that don't maybe rely too much on power. Hopefully, maybe in the future.But I'm really grateful to the guys back at the factory. Because they did bring an upgrade here. They are really pushing. It's just, this is just the situation we're in." F1 2026 | Monza

sim

17,516 görüntüleme • 23 gün önce

.Tyrese Haliburton talks about his pre-draft workout with the Warriors 💔 "And I'll tell you about my Golden State workout, that was the best workout of my life, the best workout of my life. I know everybody says that about their workouts, like 'Ah, that's the best workout of my life.' No, no, no, it was the best workout of my life. I didn't miss because I went in I was like 'This is perfect' because I know I could play in that system and Steph wants to play off ball. That allows me to have the rock and then I could find him. I'm like 'Oh, this could be OD.' So I'm like 'I got to have a good workout.' I swear I didn't miss and then Steve [Kerr] stepped into my workout and was like 'He needs to do conditioning shooting, we need to see it full court' and then I didn't miss again and I was like 'They're drafting me at 2' and then in the interview they were like 'We know you fit us perfect. We know you fit us perfect, but we don't know if we could draft you at 2."
0:53

.Tyrese Haliburton talks about his pre-draft workout with the Warriors 💔 "And I'll tell you about my Golden State workout, that was the best workout of my life, the best workout of my life. I know everybody says that about their workouts, like 'Ah, that's the best workout of my life.' No, no, no, it was the best workout of my life. I didn't miss because I went in I was like 'This is perfect' because I know I could play in that system and Steph wants to play off ball. That allows me to have the rock and then I could find him. I'm like 'Oh, this could be OD.' So I'm like 'I got to have a good workout.' I swear I didn't miss and then Steve [Kerr] stepped into my workout and was like 'He needs to do conditioning shooting, we need to see it full court' and then I didn't miss again and I was like 'They're drafting me at 2' and then in the interview they were like 'We know you fit us perfect. We know you fit us perfect, but we don't know if we could draft you at 2."

Chef

703,764 görüntüleme • 1 ay önce

Incredible last few minutes of the Rick Rubin / Adam Neumann interview. I got chills listening to this. --- Adam: We'll connected to this week's portion. We all have something that we're slaves to. We all have an addiction to anger, to ego, to power, whatever it is, idol worship that we have. We all have an Egypt. We all need to leave that Egypt, come out of it. When we come out of that Egypt, we all face a Red Sea. When we see that Red Sea, we all need to have the courage to walk into it so far that we drown. Only when we're willing to drown will the Red Sea be split and we'll go to our next level. We then go to our next level. We see the Red Sea split. Suddenly we're like, oh, everything is okay. And we forget. The moment we forget, we step into the desert. We all have to walk through our version of desert. That desert is between us, us, and God. No one else. The only decision we get to have is how long we're going to journey through that desert. Are we going to journey for 14 days like the children of Israel were supposed to? Or are we going to journey for 40 years because we're not learning our lesson? Our choice is not, are we going to get into the desert or not? It's how long will we be in. And once we go out of that desert, we all have our version of the promised land. And if we have the courage to look inside, see our own correction, our own limitation, look at it clearly now and say, I see you, and I'm going to get over it. I'm going to learn. I'm going to grow. I'm going to understand that life is not about falling down. It's about how I'm going to get up. I'm going to fall 1,000 times so I can get up 1,001 times. And in that last time when I get up and I'm actually ready to go to my next level, I'm going to wish for you, for me, and for everybody who are listening — please, may we have the courage to go to our next level because we know that the promised land is waiting right after it. And may we not be afraid when the whole world is saying this or that about us. Who cares? It's about what you think, what your wife thinks, what your kids think, and what the universe thinks. Rick: Amen. Adam: Amen. Thank you. Thank you, Hashem. Thank you.
3:45

Incredible last few minutes of the Rick Rubin / Adam Neumann interview. I got chills listening to this. --- Adam: We'll connected to this week's portion. We all have something that we're slaves to. We all have an addiction to anger, to ego, to power, whatever it is, idol worship that we have. We all have an Egypt. We all need to leave that Egypt, come out of it. When we come out of that Egypt, we all face a Red Sea. When we see that Red Sea, we all need to have the courage to walk into it so far that we drown. Only when we're willing to drown will the Red Sea be split and we'll go to our next level. We then go to our next level. We see the Red Sea split. Suddenly we're like, oh, everything is okay. And we forget. The moment we forget, we step into the desert. We all have to walk through our version of desert. That desert is between us, us, and God. No one else. The only decision we get to have is how long we're going to journey through that desert. Are we going to journey for 14 days like the children of Israel were supposed to? Or are we going to journey for 40 years because we're not learning our lesson? Our choice is not, are we going to get into the desert or not? It's how long will we be in. And once we go out of that desert, we all have our version of the promised land. And if we have the courage to look inside, see our own correction, our own limitation, look at it clearly now and say, I see you, and I'm going to get over it. I'm going to learn. I'm going to grow. I'm going to understand that life is not about falling down. It's about how I'm going to get up. I'm going to fall 1,000 times so I can get up 1,001 times. And in that last time when I get up and I'm actually ready to go to my next level, I'm going to wish for you, for me, and for everybody who are listening — please, may we have the courage to go to our next level because we know that the promised land is waiting right after it. And may we not be afraid when the whole world is saying this or that about us. Who cares? It's about what you think, what your wife thinks, what your kids think, and what the universe thinks. Rick: Amen. Adam: Amen. Thank you. Thank you, Hashem. Thank you.

Jared Zoneraich

154,889 görüntüleme • 6 ay önce