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three berry icecream felicity fall from 'rain drops' EP 2006 ; twee pop / bossa nova

tweecafé

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10,929 Aufrufe • vor 3 Monaten •via X (Twitter)

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(🚨) NEW: Here's three minutes of the first pop song about "Alligator Auschwitz," Trump's concentration camp in Florida. SWAMPLANDIA—the LP this track is from—drops Sunday at the links below. 🟢 Spotify (stream): 🔴 Apple (buy):

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Seth Abramson

23,475 Aufrufe • vor 1 Jahr

Eagle Slow-Mo in the Rain Looks Like The Matrix A little bit of rain, some light misty fog and a couple hundred of my closest winged friends scouting out the all you can eat Hake buffet. The perfect combination for me and my camera. I’ve said this many times but there is something magical about filming and photographing wildlife in the rain. Sure, it’s cold and I end up looking like wet laundry, but it’s worth every soggy second. At one point in this video, the eagle and the rain drops fall from the sky at the same exact speed. I forgot Sony added “Matrix” mode to the new flagship camera. Who needs an umbrella? Not this bird. And apparently not me, either, but I’m starting to think cameras and lenses should come with mini umbrellas that can be deployed at the touch of a button.

Eagle Slow-Mo in the Rain Looks Like The Matrix A little bit of rain, some light misty fog and a couple hundred of my closest winged friends scouting out the all you can eat Hake buffet. The perfect combination for me and my camera. I’ve said this many times but there is something magical about filming and photographing wildlife in the rain. Sure, it’s cold and I end up looking like wet laundry, but it’s worth every soggy second. At one point in this video, the eagle and the rain drops fall from the sky at the same exact speed. I forgot Sony added “Matrix” mode to the new flagship camera. Who needs an umbrella? Not this bird. And apparently not me, either, but I’m starting to think cameras and lenses should come with mini umbrellas that can be deployed at the touch of a button.

Mark Smith Photography

14,675 Aufrufe • vor 11 Monaten

🚨 S&P 500 CRASHES EVERY TIME THIS LINE IS CROSSED 🚨 Look at the bottom indicator on this chart It tracks US inflation. And it has one consistent pattern Every time it crossed 4% - the S&P 500 crashed It happened in 2001, 2008 and 2022. Drops ranged from -27% to -57% Right now inflation sits at 3.8% and is accelerating Before the Iran war started in February it was at 2.4% Three months later it's already at 3.8%. Top economists are forecasting 6% by end of quarter The Fed can't cut rates with inflation rising. Which means borrowing stays expensive. Which means earnings fall. Which means the market follows The line is not a prediction. It's a track record. Get ready! NOTIFS ON!

🚨 S&P 500 CRASHES EVERY TIME THIS LINE IS CROSSED 🚨 Look at the bottom indicator on this chart It tracks US inflation. And it has one consistent pattern Every time it crossed 4% - the S&P 500 crashed It happened in 2001, 2008 and 2022. Drops ranged from -27% to -57% Right now inflation sits at 3.8% and is accelerating Before the Iran war started in February it was at 2.4% Three months later it's already at 3.8%. Top economists are forecasting 6% by end of quarter The Fed can't cut rates with inflation rising. Which means borrowing stays expensive. Which means earnings fall. Which means the market follows The line is not a prediction. It's a track record. Get ready! NOTIFS ON!

NoName

47,377 Aufrufe • vor 2 Monaten

🦂 Akademiks goes OFF on J. Cole’s upcoming album Ak was live debating the impact of a new J. Cole album and he made one thing clear: 👉 Cole better NOT be talking tough or dissing anyone. 🎯 Ak’s Main Take •After dropping a Kendrick diss, deleting it, and publicly apologizing, Ak says Cole lost all credibility in rap battles. •If Cole comes back saying “I’m still the best” or sneak dissing anyone, Ak says it’s unacceptable. “You can’t diss, delete, apologize… then act like Muhammad Ali.” 📉 “Fall From Grace” •Ak says Cole “fell from grace” the moment he bowed out. •Calls The Fall Off title ironic because to him, Cole already fell off in terms of competitive rap energy. •Says Cole went from “I’m him” to backtracking under pressure. 🧠 What Ak Thinks Cole SHOULD Rap About •❌ No disses •❌ No “best rapper alive” talk •✅ Mental health •✅ Introspection •✅ Vibes / lyrical rap “Rap about rain, daisies, sunshine… but don’t claim the throne.” 🥊 Rap Skill vs Conviction •Ak admits Cole is still a great rapper technically. •But says rap battles require conviction, not just bars. •Comparing Cole to Bronny James: talented, but doesn’t have “that dog.” 🏆 Top 3 Debate •Ak says Cole is no longer Top 3 after Drake & Kendrick. •Claims Future has more standing right now because he doesn’t fold. •Says legacy wise, this moment hurt Cole permanently. ⚠️ Final Verdict •If Cole drops heat without dissing, Ak will listen. •If Cole sneak disses or talks tough? 👉 “I’m turning it off.” 🗣️ “You can’t talk tough after your chain got snatched. Go get it back first.”

🦂 Akademiks goes OFF on J. Cole’s upcoming album Ak was live debating the impact of a new J. Cole album and he made one thing clear: 👉 Cole better NOT be talking tough or dissing anyone. 🎯 Ak’s Main Take •After dropping a Kendrick diss, deleting it, and publicly apologizing, Ak says Cole lost all credibility in rap battles. •If Cole comes back saying “I’m still the best” or sneak dissing anyone, Ak says it’s unacceptable. “You can’t diss, delete, apologize… then act like Muhammad Ali.” 📉 “Fall From Grace” •Ak says Cole “fell from grace” the moment he bowed out. •Calls The Fall Off title ironic because to him, Cole already fell off in terms of competitive rap energy. •Says Cole went from “I’m him” to backtracking under pressure. 🧠 What Ak Thinks Cole SHOULD Rap About •❌ No disses •❌ No “best rapper alive” talk •✅ Mental health •✅ Introspection •✅ Vibes / lyrical rap “Rap about rain, daisies, sunshine… but don’t claim the throne.” 🥊 Rap Skill vs Conviction •Ak admits Cole is still a great rapper technically. •But says rap battles require conviction, not just bars. •Comparing Cole to Bronny James: talented, but doesn’t have “that dog.” 🏆 Top 3 Debate •Ak says Cole is no longer Top 3 after Drake & Kendrick. •Claims Future has more standing right now because he doesn’t fold. •Says legacy wise, this moment hurt Cole permanently. ⚠️ Final Verdict •If Cole drops heat without dissing, Ak will listen. •If Cole sneak disses or talks tough? 👉 “I’m turning it off.” 🗣️ “You can’t talk tough after your chain got snatched. Go get it back first.”

Cousin Tino ™️

17,646 Aufrufe • vor 6 Monaten

🚨 THIS NUMBER SHOULD NOT EXIST The U.S. housing market is now at the most unaffordable level in history. Worse than the legendary 2006 housing bubble: The median U.S. home now costs $436,000. Five years ago? $270,000. That’s a 61.5% price increase. Wages over the same period? +29%. To qualify for a mortgage on a median-priced home today, Americans need a minimum of $127,000 in household income. The median household earns about $80,000. That means 75% of homes on the market are unaffordable for the average American family. 3 out of 4. Mortgage rates are the second punch. They went from 2.7% to 6.3% in just five years. Even if prices hadn’t moved, monthly payments would’ve nearly doubled. And here’s the part nobody wants to say out loud: On January 29th, Trump told his Cabinet he does not want housing prices to fall. He wants them higher. That’s great if you already own. It’s brutal if you’re trying to buy your first home. 99% of U.S. counties are less affordable than their historical norms. The country is short roughly 7.1 million homes. And construction is slowing. Existing home sales in 2025 are tracking around 4.1 million. That’s near the lowest level in three decades. Homeownership has fallen to 65%, down from 69% in 2004. This is the largest affordability crisis in modern U.S. housing history. Prices went up. Rates went up. Wages did not. And politicians do not want prices to fall. The average American family is not waiting for a better entry. That is the trap. They are locked out of the market. Reminder: I’ve called all the market tops and bottoms for the last 15 years, including the Bitcoin bottom at $16,000 and the top at $126,000. The next call will be even more important. When I exit the markets completely, I’ll post it here publicly like I always do. Turn notifications on. If you’re not following yet, you’ll understand why that was a mistake later.

🚨 THIS NUMBER SHOULD NOT EXIST The U.S. housing market is now at the most unaffordable level in history. Worse than the legendary 2006 housing bubble: The median U.S. home now costs $436,000. Five years ago? $270,000. That’s a 61.5% price increase. Wages over the same period? +29%. To qualify for a mortgage on a median-priced home today, Americans need a minimum of $127,000 in household income. The median household earns about $80,000. That means 75% of homes on the market are unaffordable for the average American family. 3 out of 4. Mortgage rates are the second punch. They went from 2.7% to 6.3% in just five years. Even if prices hadn’t moved, monthly payments would’ve nearly doubled. And here’s the part nobody wants to say out loud: On January 29th, Trump told his Cabinet he does not want housing prices to fall. He wants them higher. That’s great if you already own. It’s brutal if you’re trying to buy your first home. 99% of U.S. counties are less affordable than their historical norms. The country is short roughly 7.1 million homes. And construction is slowing. Existing home sales in 2025 are tracking around 4.1 million. That’s near the lowest level in three decades. Homeownership has fallen to 65%, down from 69% in 2004. This is the largest affordability crisis in modern U.S. housing history. Prices went up. Rates went up. Wages did not. And politicians do not want prices to fall. The average American family is not waiting for a better entry. That is the trap. They are locked out of the market. Reminder: I’ve called all the market tops and bottoms for the last 15 years, including the Bitcoin bottom at $16,000 and the top at $126,000. The next call will be even more important. When I exit the markets completely, I’ll post it here publicly like I always do. Turn notifications on. If you’re not following yet, you’ll understand why that was a mistake later.

Alex Mason 👁△

76,397 Aufrufe • vor 1 Monat

A 22 YEAR OLD IS RUNNING A CHILDREN'S TELEVISION NETWORK FROM HER BEDROOM. SHE PRODUCES A NEW 3D ANIMATED EPISODE EVERY SINGLE MORNING. SHE HAS NO ANIMATORS AND SHE DOES NOT DRAW. Kids' nursery rhyme channels routinely pull 2 million views per video. YouTube pays between $1,000 and $5,000 per million views. Before this year, getting a piece of that market required a 3D animation studio, voice actors, and a month of rendering. She does it in under five minutes. The whole pipeline fits on an iPad. She opens Picsart Flow and selects Sora 2. She pastes one master prompt. A vibrant, bright 3D animated kids show. Soft playful world. Glossy textures. Upbeat bouncy music. Characters that pop into frame and react naturally. She clicks generate. Two minutes later, the file is ready. 4K resolution. Perfectly lit 3D characters, smiling letters and colorful water drops, bouncing and lip-syncing to a synthesized song. The camera moves like a real director filmed it. She uploads it to YouTube. The next morning, she does it again. The kids watching don't know it was generated by a machine. The parents who just want five minutes of quiet don't care. The YouTube algorithm treats it like a Pixar short. A real animation studio spends $50,000 and two months to produce three minutes of content. She spends zero dollars and goes to make coffee. While the rest of the internet argues about whether AI video is ethical, she is quietly pulling market share from massive media companies with a single prompt. Most people will watch her tutorial and complain. A few will open a new tab.

A 22 YEAR OLD IS RUNNING A CHILDREN'S TELEVISION NETWORK FROM HER BEDROOM. SHE PRODUCES A NEW 3D ANIMATED EPISODE EVERY SINGLE MORNING. SHE HAS NO ANIMATORS AND SHE DOES NOT DRAW. Kids' nursery rhyme channels routinely pull 2 million views per video. YouTube pays between $1,000 and $5,000 per million views. Before this year, getting a piece of that market required a 3D animation studio, voice actors, and a month of rendering. She does it in under five minutes. The whole pipeline fits on an iPad. She opens Picsart Flow and selects Sora 2. She pastes one master prompt. A vibrant, bright 3D animated kids show. Soft playful world. Glossy textures. Upbeat bouncy music. Characters that pop into frame and react naturally. She clicks generate. Two minutes later, the file is ready. 4K resolution. Perfectly lit 3D characters, smiling letters and colorful water drops, bouncing and lip-syncing to a synthesized song. The camera moves like a real director filmed it. She uploads it to YouTube. The next morning, she does it again. The kids watching don't know it was generated by a machine. The parents who just want five minutes of quiet don't care. The YouTube algorithm treats it like a Pixar short. A real animation studio spends $50,000 and two months to produce three minutes of content. She spends zero dollars and goes to make coffee. While the rest of the internet argues about whether AI video is ethical, she is quietly pulling market share from massive media companies with a single prompt. Most people will watch her tutorial and complain. A few will open a new tab.

ZER

467,194 Aufrufe • vor 23 Tagen

Stan Druckenmiller just explained the one rule that separates great investors from everyone else. "If the reason I bought a stock is no longer the case, I don't care what I paid for it." No anchoring to your cost basis. No waiting to break even. Clean slate. He bought at $60. It drops to $50. Most investors sit paralyzed waiting to get back to where they started. Druckenmiller has zero emotion about it and sells immediately. "I just don't care what I paid for a stock. It's absolutely irrelevant to my investment process going forward." This is actually what support and resistance on a chart is measuring. Resistance at $60 means a crowd of people bought at $60, watched it fall, and have been waiting three or four years just to break even. While they waited, they missed everything that was going up the whole time. Anchoring to your cost basis is one of the most expensive habits in investing. But Druckenmiller pairs this with something most people struggle to do at the same time: concentration. "Not being afraid of concentration is a big reason for my success." He plays across five buckets: equities, bonds, currencies, commodities, and credit. When one market has no clear edge, he finds one that does and sizes up there instead. Bear market in equities? The real action moves to bonds and currencies. He just follows it. Unemotional about losses. Concentrated when he has conviction. Flexible across markets. That combination is what kept him from ever having a down year. Our analysts use the same discipline sizing into high conviction positions across sectors. They were early to $AMD, $MU, $BE and $CRDO before their big run ups. You can follow their exact portfolios for $1 at Milk Road PRO. (link in bio)

Stan Druckenmiller just explained the one rule that separates great investors from everyone else. "If the reason I bought a stock is no longer the case, I don't care what I paid for it." No anchoring to your cost basis. No waiting to break even. Clean slate. He bought at $60. It drops to $50. Most investors sit paralyzed waiting to get back to where they started. Druckenmiller has zero emotion about it and sells immediately. "I just don't care what I paid for a stock. It's absolutely irrelevant to my investment process going forward." This is actually what support and resistance on a chart is measuring. Resistance at $60 means a crowd of people bought at $60, watched it fall, and have been waiting three or four years just to break even. While they waited, they missed everything that was going up the whole time. Anchoring to your cost basis is one of the most expensive habits in investing. But Druckenmiller pairs this with something most people struggle to do at the same time: concentration. "Not being afraid of concentration is a big reason for my success." He plays across five buckets: equities, bonds, currencies, commodities, and credit. When one market has no clear edge, he finds one that does and sizes up there instead. Bear market in equities? The real action moves to bonds and currencies. He just follows it. Unemotional about losses. Concentrated when he has conviction. Flexible across markets. That combination is what kept him from ever having a down year. Our analysts use the same discipline sizing into high conviction positions across sectors. They were early to $AMD, $MU, $BE and $CRDO before their big run ups. You can follow their exact portfolios for $1 at Milk Road PRO. (link in bio)

Milk Road Macro

170,012 Aufrufe • vor 2 Monaten

Stan Druckenmiller: "If the reason I bought a stock is no longer the case, I don't care what I paid for it." He bought at $60. It drops to $50. Most investors sit paralyzed waiting to get back to where they started. Druckenmiller has zero emotion about it and sells immediately. "I just don't care what I paid for a stock. It's absolutely irrelevant to my investment process going forward." This is actually what support and resistance on a chart is measuring. Resistance at $60 means a crowd of people bought at $60, watched it fall, and have been waiting three or four years just to break even. While they waited, they missed everything that was going up the whole time. Anchoring to your cost basis is one of the most expensive habits in investing. But Druckenmiller pairs this with something most people struggle to do at the same time: concentration. "Not being afraid of concentration is a big reason for my success." He plays across five buckets: equities, bonds, currencies, commodities, and credit. When one market has no clear edge, he finds one that does and sizes up there instead. That combination is what kept him from ever having a down year. Our analysts use the same thesis with investing. Even though $MU & $NBIS are down 30%, the fundamentals still haven't changed. Our analysts continue to buy the dip because the thesis is still intact. You can follow their exact portfolios for $1 at Milk Road PRO. (link in bio)

Stan Druckenmiller: "If the reason I bought a stock is no longer the case, I don't care what I paid for it." He bought at $60. It drops to $50. Most investors sit paralyzed waiting to get back to where they started. Druckenmiller has zero emotion about it and sells immediately. "I just don't care what I paid for a stock. It's absolutely irrelevant to my investment process going forward." This is actually what support and resistance on a chart is measuring. Resistance at $60 means a crowd of people bought at $60, watched it fall, and have been waiting three or four years just to break even. While they waited, they missed everything that was going up the whole time. Anchoring to your cost basis is one of the most expensive habits in investing. But Druckenmiller pairs this with something most people struggle to do at the same time: concentration. "Not being afraid of concentration is a big reason for my success." He plays across five buckets: equities, bonds, currencies, commodities, and credit. When one market has no clear edge, he finds one that does and sizes up there instead. That combination is what kept him from ever having a down year. Our analysts use the same thesis with investing. Even though $MU & $NBIS are down 30%, the fundamentals still haven't changed. Our analysts continue to buy the dip because the thesis is still intact. You can follow their exact portfolios for $1 at Milk Road PRO. (link in bio)

Milk Road Stocks

59,181 Aufrufe • vor 12 Tagen

Come see Akure, as they drive through the city. Akure is the capital of Ondo state, southwestern Nigeria. It lies in the southern part of the forested Yoruba Hills and at the intersection of roads from Ondo, Ilesha, Ado-Ekiti, and Owo. Akure is an agricultural trade centre for cassava, corn (maize), bananas, rice, palm oil and kernels, okra, rubber, coffee, and pumpkins. Although cocoa is by far the most important local commercial crop, cotton, teak, and palm produce are also cultivated for export. The town’s industries include electronics manufacturing, soft drink bottling, weaving, and pottery making. Akure is the site of the Federal University of Technology, Akure (founded in 1981), and the Federal College of Agriculture (1957). Ondo, state, western Nigeria. It was created out of former Ondo province of former Western state in 1976. It is bounded by the states of Kwara and Kogi on the north, Edo on the east, Delta on the southeast, and Osun and Ogun on the west and by the Bight of Benin of the Atlantic Ocean on the south. Ondo state includes mangrove-swamp forest near the Bight of Benin, tropical rain forest in the centre part, and wooded savanna on the gentle slopes of the Yoruba Hills in the north. Agriculture is the mainstay of the economy, and the chief products are cotton and tobacco from the north, cacao from the central part, and rubber and timber (teak and hardwoods) from the south and east; palm oil and kernels are cultivated for export throughout the state. Ondo is Nigeria’s chief cocoa-producing state. Other crops include rice, yams, corn (maize), coffee, taro, cassava (manioc), vegetables, and fruits. Traditional industries include pottery making, cloth weaving, tailoring, carpentry, and blacksmithing. Mineral deposits include kaolin, pyrites, iron ore, petroleum, and coal. There is a textile mill located at Ado-Ekiti and a palm-oil processing plant at Okitipupa. The state, primarily inhabited by the Yoruba, a people with a tradition of living in towns, has a high proportion of urban dwellers. Akure, the state capital, is rapidly developing into a commercial and industrial centre and is the site of a federal university of technology. The Ikogosi hot spring and the historic Idanre Hills are places of interest. The main highway from Benin City to Lagos crosses the southern part of the state. Area 5,639 square miles (14,606 square km). Pop. (2006) 3,441,024. Yorubaland is blessed and the best place in Africa.

Come see Akure, as they drive through the city. Akure is the capital of Ondo state, southwestern Nigeria. It lies in the southern part of the forested Yoruba Hills and at the intersection of roads from Ondo, Ilesha, Ado-Ekiti, and Owo. Akure is an agricultural trade centre for cassava, corn (maize), bananas, rice, palm oil and kernels, okra, rubber, coffee, and pumpkins. Although cocoa is by far the most important local commercial crop, cotton, teak, and palm produce are also cultivated for export. The town’s industries include electronics manufacturing, soft drink bottling, weaving, and pottery making. Akure is the site of the Federal University of Technology, Akure (founded in 1981), and the Federal College of Agriculture (1957). Ondo, state, western Nigeria. It was created out of former Ondo province of former Western state in 1976. It is bounded by the states of Kwara and Kogi on the north, Edo on the east, Delta on the southeast, and Osun and Ogun on the west and by the Bight of Benin of the Atlantic Ocean on the south. Ondo state includes mangrove-swamp forest near the Bight of Benin, tropical rain forest in the centre part, and wooded savanna on the gentle slopes of the Yoruba Hills in the north. Agriculture is the mainstay of the economy, and the chief products are cotton and tobacco from the north, cacao from the central part, and rubber and timber (teak and hardwoods) from the south and east; palm oil and kernels are cultivated for export throughout the state. Ondo is Nigeria’s chief cocoa-producing state. Other crops include rice, yams, corn (maize), coffee, taro, cassava (manioc), vegetables, and fruits. Traditional industries include pottery making, cloth weaving, tailoring, carpentry, and blacksmithing. Mineral deposits include kaolin, pyrites, iron ore, petroleum, and coal. There is a textile mill located at Ado-Ekiti and a palm-oil processing plant at Okitipupa. The state, primarily inhabited by the Yoruba, a people with a tradition of living in towns, has a high proportion of urban dwellers. Akure, the state capital, is rapidly developing into a commercial and industrial centre and is the site of a federal university of technology. The Ikogosi hot spring and the historic Idanre Hills are places of interest. The main highway from Benin City to Lagos crosses the southern part of the state. Area 5,639 square miles (14,606 square km). Pop. (2006) 3,441,024. Yorubaland is blessed and the best place in Africa.

Yoruba Mystic TV

60,256 Aufrufe • vor 5 Monaten

[KPIX CBS NEWS BAY AREA] 260521 Stanford Stadium interview 👩I discovered them in 2021 and honestly they really pulled me out of a rough patch in my life. And that’s true for a lot of ARMYs, I’m not some unique special case. 👩‍🏫Sabrina says she was hooked the moment she saw the K-pop band in a commercial. 👩I first discovered them, and it was kind of silly. It was just a random YouTube video for a Samsung phone with all the guys singing and dancing to Butter, one of their English songs And I’m like, ‘Oh, this is a catchy beat. Oh wow, they can dance. This is kind of cool. Who are they?’ So I just Googled ‘Butter song’ and of course BTS popped up. And then I just went down the rabbit hole.” 👩‍🏫Sabrina may still be in that hole as she plans to follow BTS on their tour stops in the West. 👩I’m going to day1. I’m only doing one show here in Stanford because I’m blowing all my money in Vegas. I’m going to all four shows in Vegas. 👩‍🏫This is BTS’s return to live performances after the members completed their mandatory military service. More than 150,000 people are expected to visit the area for the three-concert run, generating millions of dollars for the local economy. #JIN #방탄소년단진 방탄소년단 Samsung Electronics CBS interviewed a fan who was wearing Run Seokjin ep tour merchandise.🐹🏃‍♂️ And hooked moment from Samsung commercial!

[KPIX CBS NEWS BAY AREA] 260521 Stanford Stadium interview 👩I discovered them in 2021 and honestly they really pulled me out of a rough patch in my life. And that’s true for a lot of ARMYs, I’m not some unique special case. 👩‍🏫Sabrina says she was hooked the moment she saw the K-pop band in a commercial. 👩I first discovered them, and it was kind of silly. It was just a random YouTube video for a Samsung phone with all the guys singing and dancing to Butter, one of their English songs And I’m like, ‘Oh, this is a catchy beat. Oh wow, they can dance. This is kind of cool. Who are they?’ So I just Googled ‘Butter song’ and of course BTS popped up. And then I just went down the rabbit hole.” 👩‍🏫Sabrina may still be in that hole as she plans to follow BTS on their tour stops in the West. 👩I’m going to day1. I’m only doing one show here in Stanford because I’m blowing all my money in Vegas. I’m going to all four shows in Vegas. 👩‍🏫This is BTS’s return to live performances after the members completed their mandatory military service. More than 150,000 people are expected to visit the area for the three-concert run, generating millions of dollars for the local economy. #JIN #방탄소년단진 방탄소년단 Samsung Electronics CBS interviewed a fan who was wearing Run Seokjin ep tour merchandise.🐹🏃‍♂️ And hooked moment from Samsung commercial!

star_jin

16,851 Aufrufe • vor 2 Monaten

"[FOIA'd April 2021 emails show] Israeli Ministry of Health and a major pediatricians' organization had been warning the White House that teenagers were having their hearts damaged from the injection...[and] all these top [WH] officials freaking out about how to cover it up." DailyClout CEO, author, and professor Dr. Naomi Wolf (Dr. Naomi Wolf. 8 NYT Bestsellers. DPhil, Poetry.) describes on a recently posted episode of HIS GLORY (HIS GLORY) how FOIA'd emails from April 2021 show that the Biden White House knew that the COVID injections were causing myocarditis in young people. The unearthed emails not only reveal that "top officials"—including former NIAID head Tony Fauci and former CDC head Rochelle Walensky—knew that the COVID injections were causing myocarditis in young people but also that they were "freaking out about how to cover it up." After the Biden White House had knowledge of the damaging effect of the injections (myocarditis is inflammation of the heart muscle and can lead to heart failure or sudden cardiac death), Wolf notes that it "proceed[ed] with a major PR campaign, including teen pop stars and teen influencers, to persuade parents to inject their teenage kids and persuade college students to get the injection." ----------------Partial transcription of clip-------------- "Dave there, there one of our lawyers, FOIA'd, Freedom of Information Act all the mentions of myocarditis in the White House, the Biden White House and what we got, I think from a whistleblower because they released quite a lot that probably didn't have to release was truly shocking. It was evidence. Internal emails from 15 White House staffers, again Biden staffers, including a form that surfaced the discussion to POTUS. "So Biden himself may have known, or Mrs. Biden, whoever was running the country in Biden's stead. Also Dr. Walensky, Dr. Fauci, the head of HHS, the head of the FDA, they were all on, you know, communicating in these emails and what the substance was, was the Israeli Ministry of Health and a major pediatricians' organization had been warning the White House that teenagers were having their hearts damaged from the injection. And that wasn't safe for kids and young, young men. "And instead of stopping everything, this was April of 2021. These emails show all these top officials freaking out about how to cover it up. And then the Conclusion is a 17 page script which is completely redacted. Senator Johnson now is trying to unredact those 17 pages, but that script is a script that they used, you may remember, for the all summer and fall to lie about myocarditis, to say it was rare and mild and transient, which it isn't. And to do, you know, proceed with a major PR campaign including teen pop stars and teen influencers, to persuade parents to inject their teenage kids and you know, persuade college students to, to get the injection. "So it's criminal. I mean, one of my own loved ones, you know, was mandated by an Ivy League school like three times to get this injection after the White House knew that it was going to damage the hearts of young men particularly. So it's beyond criminal. Why did they."

"[FOIA'd April 2021 emails show] Israeli Ministry of Health and a major pediatricians' organization had been warning the White House that teenagers were having their hearts damaged from the injection...[and] all these top [WH] officials freaking out about how to cover it up." DailyClout CEO, author, and professor Dr. Naomi Wolf (Dr. Naomi Wolf. 8 NYT Bestsellers. DPhil, Poetry.) describes on a recently posted episode of HIS GLORY (HIS GLORY) how FOIA'd emails from April 2021 show that the Biden White House knew that the COVID injections were causing myocarditis in young people. The unearthed emails not only reveal that "top officials"—including former NIAID head Tony Fauci and former CDC head Rochelle Walensky—knew that the COVID injections were causing myocarditis in young people but also that they were "freaking out about how to cover it up." After the Biden White House had knowledge of the damaging effect of the injections (myocarditis is inflammation of the heart muscle and can lead to heart failure or sudden cardiac death), Wolf notes that it "proceed[ed] with a major PR campaign, including teen pop stars and teen influencers, to persuade parents to inject their teenage kids and persuade college students to get the injection." ----------------Partial transcription of clip-------------- "Dave there, there one of our lawyers, FOIA'd, Freedom of Information Act all the mentions of myocarditis in the White House, the Biden White House and what we got, I think from a whistleblower because they released quite a lot that probably didn't have to release was truly shocking. It was evidence. Internal emails from 15 White House staffers, again Biden staffers, including a form that surfaced the discussion to POTUS. "So Biden himself may have known, or Mrs. Biden, whoever was running the country in Biden's stead. Also Dr. Walensky, Dr. Fauci, the head of HHS, the head of the FDA, they were all on, you know, communicating in these emails and what the substance was, was the Israeli Ministry of Health and a major pediatricians' organization had been warning the White House that teenagers were having their hearts damaged from the injection. And that wasn't safe for kids and young, young men. "And instead of stopping everything, this was April of 2021. These emails show all these top officials freaking out about how to cover it up. And then the Conclusion is a 17 page script which is completely redacted. Senator Johnson now is trying to unredact those 17 pages, but that script is a script that they used, you may remember, for the all summer and fall to lie about myocarditis, to say it was rare and mild and transient, which it isn't. And to do, you know, proceed with a major PR campaign including teen pop stars and teen influencers, to persuade parents to inject their teenage kids and you know, persuade college students to, to get the injection. "So it's criminal. I mean, one of my own loved ones, you know, was mandated by an Ivy League school like three times to get this injection after the White House knew that it was going to damage the hearts of young men particularly. So it's beyond criminal. Why did they."

Sense Receptor

24,795 Aufrufe • vor 1 Jahr

A tiny little scene in Season 1, Episode 6 of The Expanse shows Uncle Mateo, a Belter, popping open his helmet for a few seconds to yank out a sparking sensor wire that had come loose inside his helmet. He takes a big breath first to better oxygenate his bloodstream, then begins exhaling steadily as he opens the helmet. He pulls the wire, seals it, and repressurizes - and he's fine. It always got me thinking how over-the-top Hollywood usually makes exposure to vacuum in movies. But this scene actually gets the science right. (Note: In real spacesuits you can't open a helmet like this - the pressurized bubble stays sealed. But the physics of what would happen if you could is still fascinating.) You MUST exhale steadily, and here's why: The reason is Boyle's Law. When external pressure drops to zero, the air trapped in your lungs wants to expand dramatically. Even at only 4.3 psi inside the suit, that creates a huge unbalanced pressure pushing outward against the delicate alveoli. On Earth a big breath is safe because pressure is equal on both sides. In vacuum it's not - the alveoli can tear, sending air bubbles into your blood (an arterial gas embolism that can hit your brain or heart). Game over. Even if you somehow held it, you couldn't use the oxygen anyway. In vacuum the pressure gradient reverses and your lungs start stripping oxygen out of your blood. So you take that big breath to load up your bloodstream with extra oxygen, then you begin a steady exhale as you open the helmet, and… - 0–2 seconds: What little bit of air is left rushes out of your lungs. - 3–5 seconds: Your saliva starts fizzing and boiling on your tongue - that weird, carbonated, Pop-Rocks feeling. If you stay exposed without resealing: In 10–15 seconds you black out from lack of oxygen. Once you pass out, your face and body start swelling from water vapor forming in the tissues. Not the dramatic explosion of bad sci-fi - more like severe bloating, and it reverses almost completely once you repressurize. But you could last unconscious for up to approximately three minutes. Should someone reach you, seal your helmet, and repressurize, you'd have a surprisingly good chance at recovering. Uncle Mateo was fine. His exposure was very brief. He exhaled, and as a Belter, he'd probably become used to that mild Pop-Rocks feeling. NASA proved all of this with real tests in the 1960s - Jim LeBlanc's near-vacuum accident plus animal chamber studies. It's not movie nonsense. It's physics.

A tiny little scene in Season 1, Episode 6 of The Expanse shows Uncle Mateo, a Belter, popping open his helmet for a few seconds to yank out a sparking sensor wire that had come loose inside his helmet. He takes a big breath first to better oxygenate his bloodstream, then begins exhaling steadily as he opens the helmet. He pulls the wire, seals it, and repressurizes - and he's fine. It always got me thinking how over-the-top Hollywood usually makes exposure to vacuum in movies. But this scene actually gets the science right. (Note: In real spacesuits you can't open a helmet like this - the pressurized bubble stays sealed. But the physics of what would happen if you could is still fascinating.) You MUST exhale steadily, and here's why: The reason is Boyle's Law. When external pressure drops to zero, the air trapped in your lungs wants to expand dramatically. Even at only 4.3 psi inside the suit, that creates a huge unbalanced pressure pushing outward against the delicate alveoli. On Earth a big breath is safe because pressure is equal on both sides. In vacuum it's not - the alveoli can tear, sending air bubbles into your blood (an arterial gas embolism that can hit your brain or heart). Game over. Even if you somehow held it, you couldn't use the oxygen anyway. In vacuum the pressure gradient reverses and your lungs start stripping oxygen out of your blood. So you take that big breath to load up your bloodstream with extra oxygen, then you begin a steady exhale as you open the helmet, and… - 0–2 seconds: What little bit of air is left rushes out of your lungs. - 3–5 seconds: Your saliva starts fizzing and boiling on your tongue - that weird, carbonated, Pop-Rocks feeling. If you stay exposed without resealing: In 10–15 seconds you black out from lack of oxygen. Once you pass out, your face and body start swelling from water vapor forming in the tissues. Not the dramatic explosion of bad sci-fi - more like severe bloating, and it reverses almost completely once you repressurize. But you could last unconscious for up to approximately three minutes. Should someone reach you, seal your helmet, and repressurize, you'd have a surprisingly good chance at recovering. Uncle Mateo was fine. His exposure was very brief. He exhaled, and as a Belter, he'd probably become used to that mild Pop-Rocks feeling. NASA proved all of this with real tests in the 1960s - Jim LeBlanc's near-vacuum accident plus animal chamber studies. It's not movie nonsense. It's physics.

Alex Boge

214,042 Aufrufe • vor 2 Monaten

🚨 DEEP STATE CRISIS ACTOR EXPOSED? Meet Skylar Baird, the "Eyewitness" Who’s Drowning in Red Flags After Charlie Kirk’s Public Execution! Ladies and gentlemen, if the Charlie Kirk assassination at UVU doesn’t scream "inside job" from the rooftops of Langley and Tel Aviv, then I don’t know what does. We’ve got the FBI strong-arming witnesses to DELETE their footage—claiming it’ll give them "PTSD"? Please. That’s code for "bury the evidence." But one patriot, Ryan Simmons, backed up his drive, and what does it catch? This slimy operator, Skylar Baird, glued to Charlie’s security like a bad rash—front row, helicopter-dropping Coast Guard vet turned "digital content creator" with a whopping SEVEN Facebook posts (five AFTER the hit). Coincidence? In D.C.? Never. This guy’s been on a media blitz, crocodile tears and all, interviewed SEVEN TIMES by the MSM, regurgitating the same scripted sob story: "I was 10-15 feet away... it was chaos!" But peel back the layers, and it’s a Mossad fever dream. Just watched a TWO-HOUR deep dive on Nissy💮's YouTube—Baird drops BOMBSHELLS that should have the swamp in panic mode: 🔴Premonition Much? On a three-way call with friends before the event: "I hope there’s not a shooting... I hope there’s not a shooting." Psychic? Or just briefed on the script? 🔴Crisis Actor 101: Admits he faked his way into the "media area" at the TPUSA event—dressed "professional," whipped out a camera, and "kinda acted the part" to schmooze up close. No credentials? No problem when you’re playing fed dress-up! 🔴Family Ties to the Plot? Casually drops he’s related to Phil Lyman (yeah, THAT Lyman—Utah GOP power player who was backstage). Stepdad’s ex from 30 years ago? Sure, Jan. And he’s a devout Mormon... with a ponytail that "conspiracy theorists" (aka truth-seekers) clock as CIA camo. Because nothing says "LDS elder" like a man-bun. 🔴Israel Love Affair Gone Weird: Gets a mystery call from an ISRAELI RADIO STATION post-hit. Professes his undying love for the homeland... then they straight-up ASK if he thinks ISRAEL killed Charlie Kirk! Ghosted after? Phone starts glitching like it’s got a Mossad bug? He name-drops "Mossad" HALF A DOZEN TIMES in the interview—like he’s auditioning for the next Bond villain. 🔴Trajectory Tell? Agrees with the smart money: Shot came from Charlie’s RIGHT (high up, south-to-north), exit wound on the left neck, blood spurts confirming it. Bullet? Buried under fresh tile work. No FBI chat? Shocker—they’re too busy scrubbing Google Trends showing spikes for "Skylar Baird" from TEL AVIV, HAIFA, and D.C. BEFORE September 10th. (Trends "erased" it now—classic.) 🔴Fake Tears, Real Guilt? Even HIS OWN 13-YEAR-OLD SON doesn’t buy it: "Dad, it’s kinda weird you were THAT close... and snagged floor seats at the memorial." Kid’s got better instincts than the FBI! Baird whines media "edited out" his "real sobbing"—leaving us with those dead-eyed, dry "tears" that scream green screen. 🔴And how’d he waltz into the memorial? Chatted up a "media" gal, piggybacked through detectors, sweet-talked a donor badge from TPUSA staff. "Extra ticket"? For the guy who "escorted" decoy shooter Old Man George (the "I shot him!" patsy) right to the cop? Oh, and remember George Zinn—the dep state operative yelling "Shoot me!" to distract from the real op? Baird’s right there, "helping" nab the fall guy. Then he’s cheek-to-jowl with Trump —because why not? "Do cool shit," he shrugs. Yeah, like dropping from helos in 2018, then ghosting into "content creation" just in time for the hit. America, this isn’t "grieving witness"—In my opinion he’s a fed plant. Russian spies build decades-long covers; why not Mossad/CIA hybrids? Google searches scrubbed, archived pages vanished, phone hacks—Baird’s the human breadcrumb trail to the real shooters. He even admits: "If I were Mossad, you wouldn’t believe me either way." Exactly. WAKE UP! Charlie Kirk was silenced because he was too close to the truth—election theft, border invasion, deep state rot. Demand the footage. Subpoena Baird. Indict the co-conspirators. I only cut the most daming clips but i highly suggest you go watch the FULL iInterview yourself on Nissy💮;s On Youtube (FOLLOW HER), and make your own decision. I'll drop the link in the comments below.

🚨 DEEP STATE CRISIS ACTOR EXPOSED? Meet Skylar Baird, the "Eyewitness" Who’s Drowning in Red Flags After Charlie Kirk’s Public Execution! Ladies and gentlemen, if the Charlie Kirk assassination at UVU doesn’t scream "inside job" from the rooftops of Langley and Tel Aviv, then I don’t know what does. We’ve got the FBI strong-arming witnesses to DELETE their footage—claiming it’ll give them "PTSD"? Please. That’s code for "bury the evidence." But one patriot, Ryan Simmons, backed up his drive, and what does it catch? This slimy operator, Skylar Baird, glued to Charlie’s security like a bad rash—front row, helicopter-dropping Coast Guard vet turned "digital content creator" with a whopping SEVEN Facebook posts (five AFTER the hit). Coincidence? In D.C.? Never. This guy’s been on a media blitz, crocodile tears and all, interviewed SEVEN TIMES by the MSM, regurgitating the same scripted sob story: "I was 10-15 feet away... it was chaos!" But peel back the layers, and it’s a Mossad fever dream. Just watched a TWO-HOUR deep dive on Nissy💮's YouTube—Baird drops BOMBSHELLS that should have the swamp in panic mode: 🔴Premonition Much? On a three-way call with friends before the event: "I hope there’s not a shooting... I hope there’s not a shooting." Psychic? Or just briefed on the script? 🔴Crisis Actor 101: Admits he faked his way into the "media area" at the TPUSA event—dressed "professional," whipped out a camera, and "kinda acted the part" to schmooze up close. No credentials? No problem when you’re playing fed dress-up! 🔴Family Ties to the Plot? Casually drops he’s related to Phil Lyman (yeah, THAT Lyman—Utah GOP power player who was backstage). Stepdad’s ex from 30 years ago? Sure, Jan. And he’s a devout Mormon... with a ponytail that "conspiracy theorists" (aka truth-seekers) clock as CIA camo. Because nothing says "LDS elder" like a man-bun. 🔴Israel Love Affair Gone Weird: Gets a mystery call from an ISRAELI RADIO STATION post-hit. Professes his undying love for the homeland... then they straight-up ASK if he thinks ISRAEL killed Charlie Kirk! Ghosted after? Phone starts glitching like it’s got a Mossad bug? He name-drops "Mossad" HALF A DOZEN TIMES in the interview—like he’s auditioning for the next Bond villain. 🔴Trajectory Tell? Agrees with the smart money: Shot came from Charlie’s RIGHT (high up, south-to-north), exit wound on the left neck, blood spurts confirming it. Bullet? Buried under fresh tile work. No FBI chat? Shocker—they’re too busy scrubbing Google Trends showing spikes for "Skylar Baird" from TEL AVIV, HAIFA, and D.C. BEFORE September 10th. (Trends "erased" it now—classic.) 🔴Fake Tears, Real Guilt? Even HIS OWN 13-YEAR-OLD SON doesn’t buy it: "Dad, it’s kinda weird you were THAT close... and snagged floor seats at the memorial." Kid’s got better instincts than the FBI! Baird whines media "edited out" his "real sobbing"—leaving us with those dead-eyed, dry "tears" that scream green screen. 🔴And how’d he waltz into the memorial? Chatted up a "media" gal, piggybacked through detectors, sweet-talked a donor badge from TPUSA staff. "Extra ticket"? For the guy who "escorted" decoy shooter Old Man George (the "I shot him!" patsy) right to the cop? Oh, and remember George Zinn—the dep state operative yelling "Shoot me!" to distract from the real op? Baird’s right there, "helping" nab the fall guy. Then he’s cheek-to-jowl with Trump —because why not? "Do cool shit," he shrugs. Yeah, like dropping from helos in 2018, then ghosting into "content creation" just in time for the hit. America, this isn’t "grieving witness"—In my opinion he’s a fed plant. Russian spies build decades-long covers; why not Mossad/CIA hybrids? Google searches scrubbed, archived pages vanished, phone hacks—Baird’s the human breadcrumb trail to the real shooters. He even admits: "If I were Mossad, you wouldn’t believe me either way." Exactly. WAKE UP! Charlie Kirk was silenced because he was too close to the truth—election theft, border invasion, deep state rot. Demand the footage. Subpoena Baird. Indict the co-conspirators. I only cut the most daming clips but i highly suggest you go watch the FULL iInterview yourself on Nissy💮;s On Youtube (FOLLOW HER), and make your own decision. I'll drop the link in the comments below.

Project Constitution

665,695 Aufrufe • vor 8 Monaten

$☄️ Of all of my space rocks, this Bjurböle is quite special, as it was recovered from the seabed, with great effort, in 1899. It is the only complete recovery of a meteorite at sea. Meteorites hit the Earth randomly, and thus ~70% of them hit the oceans and disappear forever. This claim was a reasonable assumption, since 71% of the Earth is covered by ocean, and it was recently verified by analysis of the world’s infrasound sensors used to monitor the nuclear Comprehensive Test Ban Treaty. The sensors recorded meteorite impacts by land and by sea, as seen in the B612 video here. Here’s is how this unique space rock recovery happened: on March 12, 1899, at 9:30pm, a bright fireball screamed over my homeland of Estonia on final approach, making a thunderous noise like artillery fire for what seemed like minutes and smashed into the Baltic Sea. Helsinki’s major newspaper Päiväleht asked for witness details and drawings to help locate the fall. As a result of Finnish citizenry’s efforts, the trajectory of the fireball was triangulated, and its impact point was determined to be in the Baltic Sea about 50 kilometers from Helsinki. Because the Baltic Sea was still frozen over in March, there was evidence of the point of impact — a three-meter hole in the surface ice. Then the recovery effort: they tried to find it by poking around with sticks, but the meteorite was 25’ down on the bedrock. So, they built a waterproof well out of wooden beams and dropped it through the hole in the ice. The well was pumped to empty out the water and mud. This did not succeed completely, but in the end a diver was able to find the fractured meteorite and pull it out. It was then displayed the following year at the World’s Fair in Paris in the Finnish pavilion. Bjurböle is a distinctive LL4 meteorite. It is unusually friable and its fine-grained creamy matrix is packed with chondrules — spherical silicate-rich droplets of fiery rain that aggregated from the dust and ice of our early solar system, before the planets formed. It also sports the catalog stamp of the Finnish Museum of Natural History (and was obtained by a meteorite trade).$

☄️ Of all of my space rocks, this Bjurböle is quite special, as it was recovered from the seabed, with great effort, in 1899. It is the only complete recovery of a meteorite at sea. Meteorites hit the Earth randomly, and thus ~70% of them hit the oceans and disappear forever. This claim was a reasonable assumption, since 71% of the Earth is covered by ocean, and it was recently verified by analysis of the world’s infrasound sensors used to monitor the nuclear Comprehensive Test Ban Treaty. The sensors recorded meteorite impacts by land and by sea, as seen in the B612 video here. Here’s is how this unique space rock recovery happened: on March 12, 1899, at 9:30pm, a bright fireball screamed over my homeland of Estonia on final approach, making a thunderous noise like artillery fire for what seemed like minutes and smashed into the Baltic Sea. Helsinki’s major newspaper Päiväleht asked for witness details and drawings to help locate the fall. As a result of Finnish citizenry’s efforts, the trajectory of the fireball was triangulated, and its impact point was determined to be in the Baltic Sea about 50 kilometers from Helsinki. Because the Baltic Sea was still frozen over in March, there was evidence of the point of impact — a three-meter hole in the surface ice. Then the recovery effort: they tried to find it by poking around with sticks, but the meteorite was 25’ down on the bedrock. So, they built a waterproof well out of wooden beams and dropped it through the hole in the ice. The well was pumped to empty out the water and mud. This did not succeed completely, but in the end a diver was able to find the fractured meteorite and pull it out. It was then displayed the following year at the World’s Fair in Paris in the Finnish pavilion. Bjurböle is a distinctive LL4 meteorite. It is unusually friable and its fine-grained creamy matrix is packed with chondrules — spherical silicate-rich droplets of fiery rain that aggregated from the dust and ice of our early solar system, before the planets formed. It also sports the catalog stamp of the Finnish Museum of Natural History (and was obtained by a meteorite trade).

Steve Jurvetson

20,793 Aufrufe • vor 6 Monaten

Nobody's talking about the Claude trick that fixes every Seedance 2.0 video mistake. A cinematic action scene, an animated sequence, a product ad, and a dialogue scene are completely different types of content. Different camera language, different pacing, different reference logic. Most people try to force all of it through one universal prompt. The fix turns out to be simpler than expected: Claude Skills. It's not some secret hack. It's a file of instructions you load into Claude for one specific type of task. Once it's loaded, Claude stops acting like a general assistant and starts thinking like an expert in that one niche — with its own set of rules for that scene type. Here's what that looks like in practice: ▪ Cinematic skill — generates real camera language: dolly moves, crane shots, rack focus, shot discipline across multiple cuts. Test: a medieval battle between two armies, 15 seconds, dark fantasy. Result — three shots with the shot logic of an actual film, not just "epic battle" typed as text. ▪ Animation skill — locks in style and physics before a single shot is built. One test: a rain-soaked shonen fight in the style of Tokyo Revengers. Another: a quiet Ghibli-style farm scene. Same skill, completely different visual output — because the style gets fixed at the very top of the prompt. ▪ Product ad skill — keeps the product front and center in every shot: clean hero framing, commercial lighting, a full product description built from the reference image before any shots are generated. ▪ Dialogue skill — this is where most people fall apart. Lip sync, emotional direction, shot structure, and audio cues all have to work together. Test: an interrogation scene with a fourth-wall break — and the moment landed exactly as written, down to the pause and tone. The core idea is simple: instead of writing a prompt from scratch every time and hoping for the best, you build one skill per content type — and Claude asks the right setup questions (genre, tone, shot count, camera energy) before generating a fully structured Seedance 2.0 prompt. One prompt template for everything is exactly why 90% of AI videos look the same. This 13-minute video is free, and it's more useful than a $500 course. YouTube: "Skai Generated" - Thank you for sharing this invaluable material with us.

Nobody's talking about the Claude trick that fixes every Seedance 2.0 video mistake. A cinematic action scene, an animated sequence, a product ad, and a dialogue scene are completely different types of content. Different camera language, different pacing, different reference logic. Most people try to force all of it through one universal prompt. The fix turns out to be simpler than expected: Claude Skills. It's not some secret hack. It's a file of instructions you load into Claude for one specific type of task. Once it's loaded, Claude stops acting like a general assistant and starts thinking like an expert in that one niche — with its own set of rules for that scene type. Here's what that looks like in practice: ▪ Cinematic skill — generates real camera language: dolly moves, crane shots, rack focus, shot discipline across multiple cuts. Test: a medieval battle between two armies, 15 seconds, dark fantasy. Result — three shots with the shot logic of an actual film, not just "epic battle" typed as text. ▪ Animation skill — locks in style and physics before a single shot is built. One test: a rain-soaked shonen fight in the style of Tokyo Revengers. Another: a quiet Ghibli-style farm scene. Same skill, completely different visual output — because the style gets fixed at the very top of the prompt. ▪ Product ad skill — keeps the product front and center in every shot: clean hero framing, commercial lighting, a full product description built from the reference image before any shots are generated. ▪ Dialogue skill — this is where most people fall apart. Lip sync, emotional direction, shot structure, and audio cues all have to work together. Test: an interrogation scene with a fourth-wall break — and the moment landed exactly as written, down to the pause and tone. The core idea is simple: instead of writing a prompt from scratch every time and hoping for the best, you build one skill per content type — and Claude asks the right setup questions (genre, tone, shot count, camera energy) before generating a fully structured Seedance 2.0 prompt. One prompt template for everything is exactly why 90% of AI videos look the same. This 13-minute video is free, and it's more useful than a $500 course. YouTube: "Skai Generated" - Thank you for sharing this invaluable material with us.

Zentrix⌚️

43,491 Aufrufe • vor 8 Tagen

HOW TO COOL AI SERVERS IN LOW EARTH ORBIT—SOLVED - Revolutionary Cooling for Space-Based AI: Adapting JWST’s Acoustic Cryogenic System for the Next Frontier The unforgiving vacuum of space, where temperatures plummet to near absolute zero, managing heat is a paradoxical challenge. Satellites and spacecraft generate internal warmth from electronics, processors, and power systems, but they can’t rely on air or water for dissipation—there’s no atmosphere to conduct it away. Traditional methods like radiative heat sinks have served us well, beaming excess thermal energy into the void as infrared radiation. Yet, as we push toward deploying massive AI servers in orbit—think constellations of edge-computing nodes for real-time data analysis, autonomous satellite swarms, or even orbital supercomputers—these old reliables fall short. Enter the James Webb Space Telescope’s (JWST) ingenious cryogenic cooling system, which leverages acoustic waves to chill instruments to just 7 Kelvin (-266°C). This isn’t science fiction; it’s proven technology that’s already orbiting 1.5 million kilometers from Earth. In this article, we’ll explore how this system can be repurposed to cool space-based AI servers, and why it’s not just superior but the lowest-cost option compared to radiative sinks, thermoelectric coolers, or other alternatives. The JWST Cooling Marvel: Sound Waves as the Ultimate Chill Factor At the heart of JWST’s success is its ability to maintain ultra-low temperatures for its sensitive infrared detectors, which peer into the universe’s coolest phenomena—like distant galaxies shrouded in cosmic dust. Unlike optical telescopes that can tolerate room temperature, JWST’s instruments demand cryogenic conditions to suppress thermal noise, ensuring faint signals aren’t drowned out by the hardware’s own heat. The star of the show is the pulse-tube cryocooler, a mechanical refrigerator that uses sound waves—specifically, oscillating pressure waves generated by a pair of piston-like pumps—to drive a refrigeration cycle without any moving parts in the cold sections. Here’s how it breaks down: 1The Acoustic Engine: Linear compressors (essentially high-frequency pistons) create rhythmic pressure pulses, akin to a low-hum rumble from a subwoofer. These “sound waves” propagate through a tube filled with high-pressure helium gas, compressing and expanding it rhythmically. 2The Regenerator Magic: The waves pass through a porous regenerator matrix (made of materials like lead spheres or rare-earth compounds) that stores and releases “coldness.” As the helium expands in the cold end, it absorbs heat from the telescope’s optics; on the compression stroke, that heat is shuttled back toward the warmer sections. 3Multi-Stage Precision: JWST employs a three-stage setup. The first two stages cool to around 18K and 50K using passive techniques like Joule-Thomson expansion (where gas cools as it expands through a valve). The third stage, the pulse-tube heart, drops the mid-infrared instrument (MIRI) to 7K. This staged approach minimizes power draw while maximizing efficiency. 4Heat Exile via Exchangers: Waste heat from the warm end—peaking at about 27°C from electronics and compressors—is captured by compact heat exchangers. These finned, aerospace-grade radiators then radiate it away, often aided by the spacecraft’s deliberate “wobble” (a 2 RPM rotation) to evenly expose surfaces to deep space. No massive fins needed; the system is sleeker than a smartphone. This setup consumes just 200-300 watts—less than a desktop PC—yet cools to temperatures unattainable by passive means. It’s vibration-isolated too, with counter-rotating pumps canceling out shakes that could blur JWST’s pinpoint images. Proven over years in orbit, it’s a testament to engineering elegance: turning sound into silence, heat into cosmic clarity. 1 of 3

HOW TO COOL AI SERVERS IN LOW EARTH ORBIT—SOLVED - Revolutionary Cooling for Space-Based AI: Adapting JWST’s Acoustic Cryogenic System for the Next Frontier The unforgiving vacuum of space, where temperatures plummet to near absolute zero, managing heat is a paradoxical challenge. Satellites and spacecraft generate internal warmth from electronics, processors, and power systems, but they can’t rely on air or water for dissipation—there’s no atmosphere to conduct it away. Traditional methods like radiative heat sinks have served us well, beaming excess thermal energy into the void as infrared radiation. Yet, as we push toward deploying massive AI servers in orbit—think constellations of edge-computing nodes for real-time data analysis, autonomous satellite swarms, or even orbital supercomputers—these old reliables fall short. Enter the James Webb Space Telescope’s (JWST) ingenious cryogenic cooling system, which leverages acoustic waves to chill instruments to just 7 Kelvin (-266°C). This isn’t science fiction; it’s proven technology that’s already orbiting 1.5 million kilometers from Earth. In this article, we’ll explore how this system can be repurposed to cool space-based AI servers, and why it’s not just superior but the lowest-cost option compared to radiative sinks, thermoelectric coolers, or other alternatives. The JWST Cooling Marvel: Sound Waves as the Ultimate Chill Factor At the heart of JWST’s success is its ability to maintain ultra-low temperatures for its sensitive infrared detectors, which peer into the universe’s coolest phenomena—like distant galaxies shrouded in cosmic dust. Unlike optical telescopes that can tolerate room temperature, JWST’s instruments demand cryogenic conditions to suppress thermal noise, ensuring faint signals aren’t drowned out by the hardware’s own heat. The star of the show is the pulse-tube cryocooler, a mechanical refrigerator that uses sound waves—specifically, oscillating pressure waves generated by a pair of piston-like pumps—to drive a refrigeration cycle without any moving parts in the cold sections. Here’s how it breaks down: 1The Acoustic Engine: Linear compressors (essentially high-frequency pistons) create rhythmic pressure pulses, akin to a low-hum rumble from a subwoofer. These “sound waves” propagate through a tube filled with high-pressure helium gas, compressing and expanding it rhythmically. 2The Regenerator Magic: The waves pass through a porous regenerator matrix (made of materials like lead spheres or rare-earth compounds) that stores and releases “coldness.” As the helium expands in the cold end, it absorbs heat from the telescope’s optics; on the compression stroke, that heat is shuttled back toward the warmer sections. 3Multi-Stage Precision: JWST employs a three-stage setup. The first two stages cool to around 18K and 50K using passive techniques like Joule-Thomson expansion (where gas cools as it expands through a valve). The third stage, the pulse-tube heart, drops the mid-infrared instrument (MIRI) to 7K. This staged approach minimizes power draw while maximizing efficiency. 4Heat Exile via Exchangers: Waste heat from the warm end—peaking at about 27°C from electronics and compressors—is captured by compact heat exchangers. These finned, aerospace-grade radiators then radiate it away, often aided by the spacecraft’s deliberate “wobble” (a 2 RPM rotation) to evenly expose surfaces to deep space. No massive fins needed; the system is sleeker than a smartphone. This setup consumes just 200-300 watts—less than a desktop PC—yet cools to temperatures unattainable by passive means. It’s vibration-isolated too, with counter-rotating pumps canceling out shakes that could blur JWST’s pinpoint images. Proven over years in orbit, it’s a testament to engineering elegance: turning sound into silence, heat into cosmic clarity. 1 of 3

Brian Roemmele

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