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✨ Three months ago, AOL.com officially shut down its dial up internet service after 40 years! America Online was one of the first internet providers (ISPs) and existed even before the world wide web Many Americans know it especially for its walled garden type internet access where you'd open...

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@levelsio

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60,455 görüntüleme • 6 ay önce •via X (Twitter)

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AOL: THE COMPANY THAT TAUGHT AMERICA TO INTERNET Before TikTok, before Google, before your grandma was sharing cat memes on Facebook… there was AOL. Born in 1989, America Online took the wild, lawless frontier of the early web and packaged it in chatrooms, buddy lists, and that magical “You’ve got mail” chime. AOL’s CDs flooded mailboxes, gas stations, and cereal boxes like some sort of tech plague. People hoarded them. People decorated with them. Some probably tried to use them as coasters. At its peak, AOL was the gateway to the digital world, hosting news, games, gossip, and the occasional flame war in a forum about hamster care. It connected pen pals, sparked romances, and birthed a million bad screen names. And now? The last few dial-up diehards will be yanked into the broadband age, ending one of tech’s most oddly charming chapters. From revolutionizing communication to turning “BRB” into a cultural reflex, AOL didn’t just connect us, it trained us to live online. Source: Washington Post, NY Times
2:00

AOL: THE COMPANY THAT TAUGHT AMERICA TO INTERNET Before TikTok, before Google, before your grandma was sharing cat memes on Facebook… there was AOL. Born in 1989, America Online took the wild, lawless frontier of the early web and packaged it in chatrooms, buddy lists, and that magical “You’ve got mail” chime. AOL’s CDs flooded mailboxes, gas stations, and cereal boxes like some sort of tech plague. People hoarded them. People decorated with them. Some probably tried to use them as coasters. At its peak, AOL was the gateway to the digital world, hosting news, games, gossip, and the occasional flame war in a forum about hamster care. It connected pen pals, sparked romances, and birthed a million bad screen names. And now? The last few dial-up diehards will be yanked into the broadband age, ending one of tech’s most oddly charming chapters. From revolutionizing communication to turning “BRB” into a cultural reflex, AOL didn’t just connect us, it trained us to live online. Source: Washington Post, NY Times

Mario Nawfal

88,626 görüntüleme • 11 ay önce

Marc Andreessen says AOL killed the early internet on a single day in September 1993. Before that day, the internet had maybe two million users. They were the smartest two million people in the world. Andreessen says it felt like Athens in 500 BC. "The most pure, clean, intellectual, vibrant space" since the Greeks. No advertising. No commerce. No spam. Just the smartest engineers, scientists, and academics talking to each other. Then America Online bought a connection to it. In September 1993, AOL pumped two million normal people directly onto the internet. It became known as **Eternal September**. Andreessen, who was building Mosaic at the time, watched it happen. "That's the day the internet changed." Pre-1993 internet veterans had a phrase. Every September, when the new freshmen got their college email accounts, the discussion forums would briefly drop in quality before stabilizing. After AOL connected, the September never ended. The smartest two million were swallowed by the next two million, then twenty million, then five billion. Andreessen, looking back: "I'm pro that. I'm glad that happened. But the pro and the con of that is that took the internet from this ivory tower kind of thing to this basically mainstream consumer ordinary people thing." Was AOL right to open the gates? If you're new here, GeniusThinking is a gallery for the greatest minds in economics, psychology, and history. Follow along for more similar content. P.S. I made a free toolkit breaking down 100+ mental models used by history's greatest thinkers. 5,000+ downloads. 113 five-star reviews. Grab your free copy here: — Marc Andreessen ( Marc Andreessen 🇺🇸 ), co-founder of a16z, on David Senra's ( David Senra ) podcast
1:37

Marc Andreessen says AOL killed the early internet on a single day in September 1993. Before that day, the internet had maybe two million users. They were the smartest two million people in the world. Andreessen says it felt like Athens in 500 BC. "The most pure, clean, intellectual, vibrant space" since the Greeks. No advertising. No commerce. No spam. Just the smartest engineers, scientists, and academics talking to each other. Then America Online bought a connection to it. In September 1993, AOL pumped two million normal people directly onto the internet. It became known as **Eternal September**. Andreessen, who was building Mosaic at the time, watched it happen. "That's the day the internet changed." Pre-1993 internet veterans had a phrase. Every September, when the new freshmen got their college email accounts, the discussion forums would briefly drop in quality before stabilizing. After AOL connected, the September never ended. The smartest two million were swallowed by the next two million, then twenty million, then five billion. Andreessen, looking back: "I'm pro that. I'm glad that happened. But the pro and the con of that is that took the internet from this ivory tower kind of thing to this basically mainstream consumer ordinary people thing." Was AOL right to open the gates? If you're new here, GeniusThinking is a gallery for the greatest minds in economics, psychology, and history. Follow along for more similar content. P.S. I made a free toolkit breaking down 100+ mental models used by history's greatest thinkers. 5,000+ downloads. 113 five-star reviews. Grab your free copy here: — Marc Andreessen ( Marc Andreessen 🇺🇸 ), co-founder of a16z, on David Senra's ( David Senra ) podcast

GeniusThinking

327,285 görüntüleme • 2 ay önce

AOL HANGS UP FOR GOOD After 34 years, AOL’s dial-up internet is logging off forever on Sept. 30, 2025. That screechy modem handshake - once the soundtrack of the early web - is about to be museum material. For a whole generation, “You’ve got mail” was the metaverse. Now, even Elon is calling it the “end of an era.” For anyone who waited 7 minutes for a single JPEG to load, this isn’t just a shutdown. It’s the final unplugging of the internet’s training wheels. Next month, the last holdouts will click “connect” … and hear silence. Source: AOL announcement, Adrian Dittmann, Elon Musk
0:28

AOL HANGS UP FOR GOOD After 34 years, AOL’s dial-up internet is logging off forever on Sept. 30, 2025. That screechy modem handshake - once the soundtrack of the early web - is about to be museum material. For a whole generation, “You’ve got mail” was the metaverse. Now, even Elon is calling it the “end of an era.” For anyone who waited 7 minutes for a single JPEG to load, this isn’t just a shutdown. It’s the final unplugging of the internet’s training wheels. Next month, the last holdouts will click “connect” … and hear silence. Source: AOL announcement, Adrian Dittmann, Elon Musk

Mario Nawfal

481,721 görüntüleme • 11 ay önce

Okay I improved the chat a bit on both AIM and IRC, it has more tools now like Search and Thinking so you can actually have deep convos with it now that can query the web, very nice I tried asking it what's going on on Hacker News today and it told me Chat Control 3 and I asked about what it was etc. and what it thought about it, all inside AOL Instant Messenger 😊 Feels really fun to have access to modern LLMs on retro Windows
3:06

Okay I improved the chat a bit on both AIM and IRC, it has more tools now like Search and Thinking so you can actually have deep convos with it now that can query the web, very nice I tried asking it what's going on on Hacker News today and it told me Chat Control 3 and I asked about what it was etc. and what it thought about it, all inside AOL Instant Messenger 😊 Feels really fun to have access to modern LLMs on retro Windows

@levelsio

150,803 görüntüleme • 6 ay önce

Back when MTV was abandoning music videos for reality TV and the internet was a place none of us really understood, we made a habit of putting ourselves in front of a camera with a silly idea, throwing it to the dogs of the world wide web, and seeing where it took us. Before then, a homemade, rudimentary music video like this couldn't have dreamed of winning a Grammy, and we aren't positive, but we're pretty sure that in today's internet age, it wouldn't have a chance either. But "Here It Goes Again" happened because at just the right time, with just the right amount of internet literacy, four guys in dandy suits with eight treadmills and a beginner-to-intermediate grasp on choreography (who were bestowed with the immense advantage of having help from the brilliant Trish Sie) gave it a go, again and again and again and again.
2:55

Back when MTV was abandoning music videos for reality TV and the internet was a place none of us really understood, we made a habit of putting ourselves in front of a camera with a silly idea, throwing it to the dogs of the world wide web, and seeing where it took us. Before then, a homemade, rudimentary music video like this couldn't have dreamed of winning a Grammy, and we aren't positive, but we're pretty sure that in today's internet age, it wouldn't have a chance either. But "Here It Goes Again" happened because at just the right time, with just the right amount of internet literacy, four guys in dandy suits with eight treadmills and a beginner-to-intermediate grasp on choreography (who were bestowed with the immense advantage of having help from the brilliant Trish Sie) gave it a go, again and again and again and again.

OK Go

404,090 görüntüleme • 1 yıl önce

MEGA update: 🥳 IT WORKS: we now have a working dial up internet connection on a virtual Windows 3.11 computer running inside a browser over a virtual modem that talks via Websockets to a PPP daemon! So you can open open the computer, browse the web and even open the page you're on itself again at or chat inside mIRC chat app on or browse gopher:// or whatever you like to do Probably the nerdiest challenge I've ever taken on for the totally arbitrary reason that it seemed completely impossible to do this but we did it (now need to test it more so that it works with 250 parallel users at same time, but the prototype works now, so if you ask why it's not live yet) James Baicoianu, probably one of 2 people in the world who knows how to do this, helped fix my setup and created a virtual dial up internet provider for me that we can dial in to Somehow my mouse doesn't work yet, so I had to do it with the keyboard but here we run Winsock to dial up on a virtual modem that runs then emulates a virtual dial up ISP over Websockets [Next todo] - Fix the mouse - Make the 90mb emulated file smaller - See if it doesn't die with 10 or 50 parallel users - Speed up the Em-Dosbox emulator a bit so it's more usable
1:24

MEGA update: 🥳 IT WORKS: we now have a working dial up internet connection on a virtual Windows 3.11 computer running inside a browser over a virtual modem that talks via Websockets to a PPP daemon! So you can open open the computer, browse the web and even open the page you're on itself again at or chat inside mIRC chat app on or browse gopher:// or whatever you like to do Probably the nerdiest challenge I've ever taken on for the totally arbitrary reason that it seemed completely impossible to do this but we did it (now need to test it more so that it works with 250 parallel users at same time, but the prototype works now, so if you ask why it's not live yet) James Baicoianu, probably one of 2 people in the world who knows how to do this, helped fix my setup and created a virtual dial up internet provider for me that we can dial in to Somehow my mouse doesn't work yet, so I had to do it with the keyboard but here we run Winsock to dial up on a virtual modem that runs then emulates a virtual dial up ISP over Websockets [Next todo] - Fix the mouse - Make the 90mb emulated file smaller - See if it doesn't die with 10 or 50 parallel users - Speed up the Em-Dosbox emulator a bit so it's more usable

@levelsio

2,070,117 görüntüleme • 1 yıl önce

McCormick: So back in 1914, we had anybody can come to America. And nobody had a problem with that. Free immigration, by the way. Why is that? Milton Friedman talked about it, and he’s a great economist, because something changed between then and probably the ’70s and ‘80s when all of a sudden—even back then—we started recognizing there was a problem. Why is that? What’s the difference between open borders and closed borders between 1914 and the ’70s and ’80s? PabloReports: Well, some people would say that it’s because white immigrants were coming in 1914 and Latinos were coming in the ’70s and ’80s. McCormick: Not at all. If you have jobs to come to and you’re paying taxes, everybody’s happy. But if you come here and you’re starting to take welfare and we’re paying for you being here, that is a cost to America. The business of America is business. If you’re doing something that’s bad for the American economy, that doesn’t lift the tide of all ships here, then it’s not good for America. This is about the American country that we’ve all grown accustomed to. And it has to make common sense. I mean, common sense is what we’re supposed to be about.
1:38

McCormick: So back in 1914, we had anybody can come to America. And nobody had a problem with that. Free immigration, by the way. Why is that? Milton Friedman talked about it, and he’s a great economist, because something changed between then and probably the ’70s and ‘80s when all of a sudden—even back then—we started recognizing there was a problem. Why is that? What’s the difference between open borders and closed borders between 1914 and the ’70s and ’80s? PabloReports: Well, some people would say that it’s because white immigrants were coming in 1914 and Latinos were coming in the ’70s and ’80s. McCormick: Not at all. If you have jobs to come to and you’re paying taxes, everybody’s happy. But if you come here and you’re starting to take welfare and we’re paying for you being here, that is a cost to America. The business of America is business. If you’re doing something that’s bad for the American economy, that doesn’t lift the tide of all ships here, then it’s not good for America. This is about the American country that we’ve all grown accustomed to. And it has to make common sense. I mean, common sense is what we’re supposed to be about.

Acyn

86,724 görüntüleme • 22 gün önce

From Dan Lorenc on the malware attack that almost took down the entire internet last year: “There’s a popular compression library that’s used in almost every piece of software. And it had been maintained by one person in his spare time for the last 20 years. And then a couple years ago, somebody just decided to start helping him. They jumped in, fixed a bunch of bugs, and did a lot of great work. And then that first person got tired of working on it. So he handed the whole project over to this other person. It turned out that other person was just a pseudonym and was not a real person. And within six months of getting control of the project, they had put in a carefully orchestrated set of malware that was really hard to detect and no one noticed. And because it was so widely used, the exploit would've basically given that person remote access to any computer running that piece of software, which was basically everything connected to the Internet. But because it was open source and the code was transparent, some random engineer just happened to be running some benchmarks on a weekend. And he noticed that program was a little bit slower than it used to be, and that it was making a weird cryptographic operation to check something. And right before this thing got widely deployed across every device, he dug in, and discovered that there was a backdoor put in. This was the closest thing to a full-blown internet crisis that we’ve ever had. And they still have no idea who did it. It was just an anonymous email account. No one ever traced it back to an individual. And that's the long game. This person spent years just doing good work and earning the communities trust.”
2:22

From Dan Lorenc on the malware attack that almost took down the entire internet last year: “There’s a popular compression library that’s used in almost every piece of software. And it had been maintained by one person in his spare time for the last 20 years. And then a couple years ago, somebody just decided to start helping him. They jumped in, fixed a bunch of bugs, and did a lot of great work. And then that first person got tired of working on it. So he handed the whole project over to this other person. It turned out that other person was just a pseudonym and was not a real person. And within six months of getting control of the project, they had put in a carefully orchestrated set of malware that was really hard to detect and no one noticed. And because it was so widely used, the exploit would've basically given that person remote access to any computer running that piece of software, which was basically everything connected to the Internet. But because it was open source and the code was transparent, some random engineer just happened to be running some benchmarks on a weekend. And he noticed that program was a little bit slower than it used to be, and that it was making a weird cryptographic operation to check something. And right before this thing got widely deployed across every device, he dug in, and discovered that there was a backdoor put in. This was the closest thing to a full-blown internet crisis that we’ve ever had. And they still have no idea who did it. It was just an anonymous email account. No one ever traced it back to an individual. And that's the long game. This person spent years just doing good work and earning the communities trust.”

The Peel

47,683 görüntüleme • 1 yıl önce

I love Elon Musk's old interviews. I really enjoy hearing what he said back then, knowing what the future holds. This "CBS Sunday Morning" interview was recorded in 1998, when then 27-year-old Elon talked about starting his first company: “That was the summer of '95. I had no money whatsoever. I was working, doing research in Silicon Valley on a completely different subject and trying to start this company at the same time. And when it came time to decide do I want to do graduate studies or do I want to start this company and I decided to start the company. I had no money. As a graduate student, I would have received a scholarship and a stipend and so forth. In starting the company, I had nothing. I had no income source. So we found that an office was actually cheaper than an apartment in Silicon Valley. So we got this dinky little office that had a leaky roof. It was just the nastiest place you can imagine. And you lived in it. And I lived in it too and showered at the YMCA. This lasted for about three or four months. And the reason we chose this office, in addition to it being really cheap, was that there was an internet service provider on the floor below. So we were able to get really cheap internet access by drilling a hole in the floor and connecting to their server directly.”
1:06

I love Elon Musk's old interviews. I really enjoy hearing what he said back then, knowing what the future holds. This "CBS Sunday Morning" interview was recorded in 1998, when then 27-year-old Elon talked about starting his first company: “That was the summer of '95. I had no money whatsoever. I was working, doing research in Silicon Valley on a completely different subject and trying to start this company at the same time. And when it came time to decide do I want to do graduate studies or do I want to start this company and I decided to start the company. I had no money. As a graduate student, I would have received a scholarship and a stipend and so forth. In starting the company, I had nothing. I had no income source. So we found that an office was actually cheaper than an apartment in Silicon Valley. So we got this dinky little office that had a leaky roof. It was just the nastiest place you can imagine. And you lived in it. And I lived in it too and showered at the YMCA. This lasted for about three or four months. And the reason we chose this office, in addition to it being really cheap, was that there was an internet service provider on the floor below. So we were able to get really cheap internet access by drilling a hole in the floor and connecting to their server directly.”

Eva Fo𝕏 🦊 Claudius Nero's Legion

24,726 görüntüleme • 26 gün önce

🛜 Remember LAN parties? I do LAN means "local area network" and it was essentially the internet but locally only in your home or company in the late 90s and early 2000s So you could connect to other computers to play games or share files, kinda like Airdrop but via a cable and 30 years ago, people would even meet up at some person's house and bring their entire computer (back then a big PC tower, CRT monitor, keyboard and mouse) and everyone would connect to each other Which is were you'd get all the WaReZ games, MP3 music, etc. cause nobody had internet yet, or if you did it was super slow, so LAN was much faster to transfer files I know Windows 3.11 did have support for LAN networking via NetBEUI and it "should" work, but of course on I don't have a network cable that goes to an Ethernet network hub to other computers But...we could just act like we do? I asked AI to build a virtual Ethernet hub (a hub routes traffic) that acts like a local LAN, but instead of connecting physical computers in a home, it connects other browser sessions on the internet that have running Windows 3.11 open at any time, and with DHCP it can assign an IP to every browser session dynamically, so they literally all become part of a local LAN on the internet! It runs on a virtual NE2000 network card that sends its network data not to a network cable but via Websockets to wss://pieter.com And it works, well kinda, I just started and its' not perfect, but I'm able to PING in MS-DOS from one tab to the other! Next is setting it up inside Windows 3.11!
1:00

🛜 Remember LAN parties? I do LAN means "local area network" and it was essentially the internet but locally only in your home or company in the late 90s and early 2000s So you could connect to other computers to play games or share files, kinda like Airdrop but via a cable and 30 years ago, people would even meet up at some person's house and bring their entire computer (back then a big PC tower, CRT monitor, keyboard and mouse) and everyone would connect to each other Which is were you'd get all the WaReZ games, MP3 music, etc. cause nobody had internet yet, or if you did it was super slow, so LAN was much faster to transfer files I know Windows 3.11 did have support for LAN networking via NetBEUI and it "should" work, but of course on I don't have a network cable that goes to an Ethernet network hub to other computers But...we could just act like we do? I asked AI to build a virtual Ethernet hub (a hub routes traffic) that acts like a local LAN, but instead of connecting physical computers in a home, it connects other browser sessions on the internet that have running Windows 3.11 open at any time, and with DHCP it can assign an IP to every browser session dynamically, so they literally all become part of a local LAN on the internet! It runs on a virtual NE2000 network card that sends its network data not to a network cable but via Websockets to wss://pieter.com And it works, well kinda, I just started and its' not perfect, but I'm able to PING in MS-DOS from one tab to the other! Next is setting it up inside Windows 3.11!

@levelsio

215,552 görüntüleme • 26 gün önce

Scarface is widely regarded as a classic today, but when it first came out, the reception was brutal. Steven Bauer, who played Manny, says it was so painful that for years he and Al Pacino barely even spoke about the film. He explains… “Scarface is great to be a part of now. For years, it was dismal - like everybody associated with Scarface was a leper - people got very wimpy about Scarface really quickly. As soon as the reviews were out… Our peers came to see the movie in the premiere, right? There were two premieres, one in New York, one in LA, and people came to see it and they were like, ‘Wow, what a movie…. The next day, the reviews are out, and all the papers — this is before the internet, okay? - so you get just the conventional news media outlets - and 90% of them gave Scarface a horrible review. Like horrible, really, really insulting, injurious stuff. Personal attacks on Pacino and Brian De Palma, the director, and on Oliver, the writer... It was really, really mean because the country was going through a politically correct sort of thing - they were like, "This is like a new wave of violence in the movies, oh!" It’s nice because when I see Al - we can finally talk about it, because...for years, we couldn’t even talk about it. We’d be like, “Oh yeah, Scarface, yeah, yeah...” It was so sad! Because the movie was so great! And then it was like this thud, and it lasted like 10 years… Anywhere I’d go, it was like, ‘You’re that guy who was really good in that really terrible movie.’ And I’d be like, ‘How could you say that?’ And they’d go, ‘Well, you were good.’ And I’m like, ‘Okay, but I don’t care. What about the movie?’ And they go, ‘Oh, come on, you gotta admit it. It was like way over the top. It was like so exaggerating,’ blah, blah, blah, blah.…and I’d be like, ‘You’re a pussy!”
5:30

Scarface is widely regarded as a classic today, but when it first came out, the reception was brutal. Steven Bauer, who played Manny, says it was so painful that for years he and Al Pacino barely even spoke about the film. He explains… “Scarface is great to be a part of now. For years, it was dismal - like everybody associated with Scarface was a leper - people got very wimpy about Scarface really quickly. As soon as the reviews were out… Our peers came to see the movie in the premiere, right? There were two premieres, one in New York, one in LA, and people came to see it and they were like, ‘Wow, what a movie…. The next day, the reviews are out, and all the papers — this is before the internet, okay? - so you get just the conventional news media outlets - and 90% of them gave Scarface a horrible review. Like horrible, really, really insulting, injurious stuff. Personal attacks on Pacino and Brian De Palma, the director, and on Oliver, the writer... It was really, really mean because the country was going through a politically correct sort of thing - they were like, "This is like a new wave of violence in the movies, oh!" It’s nice because when I see Al - we can finally talk about it, because...for years, we couldn’t even talk about it. We’d be like, “Oh yeah, Scarface, yeah, yeah...” It was so sad! Because the movie was so great! And then it was like this thud, and it lasted like 10 years… Anywhere I’d go, it was like, ‘You’re that guy who was really good in that really terrible movie.’ And I’d be like, ‘How could you say that?’ And they’d go, ‘Well, you were good.’ And I’m like, ‘Okay, but I don’t care. What about the movie?’ And they go, ‘Oh, come on, you gotta admit it. It was like way over the top. It was like so exaggerating,’ blah, blah, blah, blah.…and I’d be like, ‘You’re a pussy!”

Gangster Cinema Central

422,277 görüntüleme • 1 ay önce

💬 Do any of you still remember RealPlayer™? Back in the 1990s, websites were just text, links and if you were very lucky some images, but definitely NOT video or audio Internet speeds were extremely slow (think 2.5kb/s, so about 10,000 times slower than an average connection now) so it was simply impossible or it'd take ages to load RealPlayer changed that, they made a heavy compression codec for video and audio where a video could be just a few kilobytes, and with that it instantly became the first app that let people play real audio and video inside websites, it integrated into browsers like Netscape or Internet Explorer so people could embed video and audio on sites, and they did! RealPlayer was so successful that by the year 2000 more than 85% of all audio or video content on the web was in the RealPlayer format The app itself was free for people to use, and they made money by charging for the server software that would stream the video and audio They IPO'd during the internet bubble of the late 90s and were valued at $550 million dollars, which would be $1B inflation-adjusted now, so they were a billion dollar company (That internet bubble by the way has endless parallels with the AI bubble we're probably in today) So why don't you hear about them these days anymore? Well, Microsoft started bundling Windows Media Player with Windows, just like they did bundling Internet Explorer, and they gave away the server software for streaming Windows Media content (like .wma and .wmv) for free This overnight nuked RealPlayer's business, so they sued Microsoft for unfair competition, they won in court in 2005, and Microsoft agreed to pay them $761 million to settle, so I think the founder still got rich from it That same year in 2005, YouTube started and around 2008 the HTML standard added the tag while making most video streaming tech open source, so it wasn't a business anymore RealPlayer stayed public as a company though until actually recently, 2022, when the original founder Rob Glaser bought it back and took it private for about $25 million Obviously nobody needs a video streaming app anymore, it's integrated in all platforms, software, and devices now, so now they seem to be focusing on "AI-powered facial recognition for security professionals" On my site I've installed RealPlayer for you go back into time and try and managed to the get streaming part working too, so you can listen to actual radio show from the 90s about UFOs at Roswell which I found on Jason Scott's Discmaster archives These days we all watch video on YouTube, Instagram, X and TikTok etc. but it all started with RealPlayer 😊
8:03

💬 Do any of you still remember RealPlayer™? Back in the 1990s, websites were just text, links and if you were very lucky some images, but definitely NOT video or audio Internet speeds were extremely slow (think 2.5kb/s, so about 10,000 times slower than an average connection now) so it was simply impossible or it'd take ages to load RealPlayer changed that, they made a heavy compression codec for video and audio where a video could be just a few kilobytes, and with that it instantly became the first app that let people play real audio and video inside websites, it integrated into browsers like Netscape or Internet Explorer so people could embed video and audio on sites, and they did! RealPlayer was so successful that by the year 2000 more than 85% of all audio or video content on the web was in the RealPlayer format The app itself was free for people to use, and they made money by charging for the server software that would stream the video and audio They IPO'd during the internet bubble of the late 90s and were valued at $550 million dollars, which would be $1B inflation-adjusted now, so they were a billion dollar company (That internet bubble by the way has endless parallels with the AI bubble we're probably in today) So why don't you hear about them these days anymore? Well, Microsoft started bundling Windows Media Player with Windows, just like they did bundling Internet Explorer, and they gave away the server software for streaming Windows Media content (like .wma and .wmv) for free This overnight nuked RealPlayer's business, so they sued Microsoft for unfair competition, they won in court in 2005, and Microsoft agreed to pay them $761 million to settle, so I think the founder still got rich from it That same year in 2005, YouTube started and around 2008 the HTML standard added the tag while making most video streaming tech open source, so it wasn't a business anymore RealPlayer stayed public as a company though until actually recently, 2022, when the original founder Rob Glaser bought it back and took it private for about $25 million Obviously nobody needs a video streaming app anymore, it's integrated in all platforms, software, and devices now, so now they seem to be focusing on "AI-powered facial recognition for security professionals" On my site I've installed RealPlayer for you go back into time and try and managed to the get streaming part working too, so you can listen to actual radio show from the 90s about UFOs at Roswell which I found on Jason Scott's Discmaster archives These days we all watch video on YouTube, Instagram, X and TikTok etc. but it all started with RealPlayer 😊

@levelsio

203,157 görüntüleme • 6 ay önce

🔥🚨HARD NEWS: There are thousands of references of the ‘All Seeing Eye’ Satanic Symbolism, and ‘Pedo Occult’ symbols in cartoons since the inception of media, from Disney to Nickelodeon to Cartoon Network. What is strange is the fact that children are the target audience for something they can’t even comprehend. There was once a time where we would have shrugged this off as comedy but when you look back at it all does it really make sense? Especially considering that a lot of the subliminal were before the internet or before it became what it is. This is over 15 minutes of footage I compiled as many of the clips online together as possible but this still isn’t a fraction of what exists.
15:14

🔥🚨HARD NEWS: There are thousands of references of the ‘All Seeing Eye’ Satanic Symbolism, and ‘Pedo Occult’ symbols in cartoons since the inception of media, from Disney to Nickelodeon to Cartoon Network. What is strange is the fact that children are the target audience for something they can’t even comprehend. There was once a time where we would have shrugged this off as comedy but when you look back at it all does it really make sense? Especially considering that a lot of the subliminal were before the internet or before it became what it is. This is over 15 minutes of footage I compiled as many of the clips online together as possible but this still isn’t a fraction of what exists.

Dom Lucre | Stealer of Narratives

92,780 görüntüleme • 3 ay önce

🔌Today I created a virtual web-based null modem so now you can finally play Quake 1 (from 1996) in multiplayer in the browser with other people online! This week I was able to create a virtual printer that listens on the COM2 port to make a web-based printer work in Windows 3.11, like on you can actually print to, it was one of my ideas when I started but it was always too difficult to make, I had no idea where to start, but this week AI was able to do it! Today I woke up and thought "if we can listen to COM2 via JS, how about listen to COM1 from Quake 1?" then we could forward the COM1 data via Websockets and to another user to create a virtual null modem (A null modem was a cable you'd use to connect two computers to each other directly in the 90s, if you couldn't afford buying a network card you'd use this to network, but you could only play with one other computer not multiple) So I built it, it took about an hour and works! I wanted to get Quake 1 in DOS to work with multiplayer for 2 years but I could never get it to work, but now it did it This project is a good benchmark of how capable AI is becoming, figuring stuff out that humans would take months within an hour You can try it here, I don't know how it will match lots of people but let's see, you have to exit to DOS first (ALT-F4 or FN-Option-F4 on Mac), then type CD games, then CD quake, then quake, then ESC, then Multiplayer, then either Create New Game or Join Game, and use Direct Connect, keep settings same and you're in!
1:35

🔌Today I created a virtual web-based null modem so now you can finally play Quake 1 (from 1996) in multiplayer in the browser with other people online! This week I was able to create a virtual printer that listens on the COM2 port to make a web-based printer work in Windows 3.11, like on you can actually print to, it was one of my ideas when I started but it was always too difficult to make, I had no idea where to start, but this week AI was able to do it! Today I woke up and thought "if we can listen to COM2 via JS, how about listen to COM1 from Quake 1?" then we could forward the COM1 data via Websockets and to another user to create a virtual null modem (A null modem was a cable you'd use to connect two computers to each other directly in the 90s, if you couldn't afford buying a network card you'd use this to network, but you could only play with one other computer not multiple) So I built it, it took about an hour and works! I wanted to get Quake 1 in DOS to work with multiplayer for 2 years but I could never get it to work, but now it did it This project is a good benchmark of how capable AI is becoming, figuring stuff out that humans would take months within an hour You can try it here, I don't know how it will match lots of people but let's see, you have to exit to DOS first (ALT-F4 or FN-Option-F4 on Mac), then type CD games, then CD quake, then quake, then ESC, then Multiplayer, then either Create New Game or Join Game, and use Direct Connect, keep settings same and you're in!

@levelsio

102,995 görüntüleme • 1 ay önce

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'
3:56

Zack Snyder discusses virtual production technology with the Russo Bros. and explains why he chose to build practical sets for Rebel Moon: "The idea of this sort of virtual production that's really interesting is that it does come back around. The green screen environment is an exclusive world, right? "Like there's not a lot of guys that can make a movie with no sets. Because as it is now, there's a thousand visual effects artists between that green screen and it being in your movie. "In the virtual production version, anybody who walks in there with a camera... The desert is there. And they can go and film it. So in a lot of ways it's kind of... it demystifies visual effects a little bit. "The thing that I've always found a little off-putting about a big green screen environment is it's not really engaging for anybody. Even for us, even for the filmmakers. We've been looking at the concept, we know what it is. "And the actors especially are like, 'I don't know where the hell I am.' Like, 'I guess... Okay, whatever you guys say, I'll do it.'" Anthony Russo: "But for camera operators too, right? It's just like there's nothing to grab on to." Snyder: "Yeah, I don't know, tilt up to the mountain. What mountain?" Joe Russo: "No, no, it's a little higher." Snyder: "Yeah, exactly. I think it's a small mountain. "Anyway, but I do think that the introduction of this kind of virtual productions as a concept really brings sort of physicality back to visual effects. And sort of a fantastic world. "You really can, you know, you can feel it and see it. They can put Atmos in, it can really feel like you're in a place. Which is really just... You're more passionate about it, you know, filming it. "Like I did a small thing that we were just really more of an experiment. And I was really fascinated by like, you know, they're like, 'Okay, here's, we have a cave set with light shafts coming through these holes in the ceiling.' And then we were like, literally, you know, 'Okay, now we're in like this forest.' "And it was the same rocks, but suddenly they didn't look like- they worked in both spots. It was just, I was like, 'Wow, this is really...' And even the focus and everything, the wall understood the depth of field as well. "So like everything, like especially in the eyepiece was like, 'Wow, that's scary.' That's like, feels like I'm there. So I think there's huge potential and hugely exciting future for that technology. "You know, as it becomes more available to like, and also scale, I think, you know, from this to like also being able to have, you know, 100 guys standing around inside of, you know, a giant environment would be just, it's just cool. Which they're doing now anyway, everyone's doing it. "But what was funny, because like on the movie that we're working on now, we ended up, we took a deep dive into it. And it just, the reason why we ended up not doing it in the end was because we just, we have these big war scenes. "And I had like 100 guys, you know, and we were just like, I don't even like, the amount of French reverses I have to do, everyone's brains were exploding. "Because, you know, you're always like, I'm like, 'Oh, just flip the set again and flip the set again.' And then for his reverse, we flipped the set that way and we flipped the set that way. "And so we had to build all the, all in the design, everything was symmetrical, right? Like the bridges and the houses were kind of symmetrical. "So you could always be flipping and not tell... because the sets were all symmetrical. You could shoot them from both sides and it was kind of the same. But the audience couldn't tell because the backgrounds were not symmetrical. "So it was only the immediate stuff, you know. It was, so it was a bit of a brain teaser for everyone. And then in the end, we were like, because of the scale of the fighting, I was like, 'Oh, let's just...' "So now we're just building it up the road. "But it's cool. "It's fun to build a giant thing as well. Just to go there and like, 'Oh my God, we made a village.'

Zack Snyder Film

22,952 görüntüleme • 6 ay önce

Marc Andreessen reveals one of the wildest sliding doors moments in tech history. In 1994, he almost pulled the trigger on building an online gaming service for the Nintendo 64. He was essentially planning to build Xbox Live or the PlayStation Network years before they existed. They decided it was too early and walked away. But the real reason they pivoted? The internet just kept growing. Instead of revolutionizing console gaming, his team focused on a college project called Mosaic. At the time, the internet was not viewed as a consumer phenomenon at all. The web existed as a nascent concept, but it was limited to clunky, text-based terminals. There were no graphics, no point-and-click capabilities, no scripting languages, and absolutely no security. It lacked the actual capabilities that make a browser a useful tool for the public. Andreessen and his group at Illinois completely changed the trajectory of technology. They built the first widely used web browser with graphics, turning that early text-based concept into the full, capable software experience we know today. To support it, they also built the first mainstream web server that had everything everyday people needed to actually get online. It is incredible to look back and realize that the foundation of the modern visual web was just a college project that almost took a backseat to a Nintendo 64 online network. Ft: Marc Andreessen 🇺🇸 David Senra
1:39

Marc Andreessen reveals one of the wildest sliding doors moments in tech history. In 1994, he almost pulled the trigger on building an online gaming service for the Nintendo 64. He was essentially planning to build Xbox Live or the PlayStation Network years before they existed. They decided it was too early and walked away. But the real reason they pivoted? The internet just kept growing. Instead of revolutionizing console gaming, his team focused on a college project called Mosaic. At the time, the internet was not viewed as a consumer phenomenon at all. The web existed as a nascent concept, but it was limited to clunky, text-based terminals. There were no graphics, no point-and-click capabilities, no scripting languages, and absolutely no security. It lacked the actual capabilities that make a browser a useful tool for the public. Andreessen and his group at Illinois completely changed the trajectory of technology. They built the first widely used web browser with graphics, turning that early text-based concept into the full, capable software experience we know today. To support it, they also built the first mainstream web server that had everything everyday people needed to actually get online. It is incredible to look back and realize that the foundation of the modern visual web was just a college project that almost took a backseat to a Nintendo 64 online network. Ft: Marc Andreessen 🇺🇸 David Senra

Ian Miles Cheong

19,526 görüntüleme • 2 ay önce

Elon Musk on building his first startup Zip2 In 1995, when he was just 23 years old, Elon dropped out of Stanford’s PhD program in physics to start Zip2 with his brother Kimbal Musk. Elon personally wrote the first national maps, directions, yellow pages and white pages on the Internet that summer in C with a little C++. In this CBS interview, a 27 year old Elon describes living in a $200/month office with a leaky roof: “We found that an office was actually cheaper than apartment in Silicon Valley and we got this dinky little office that had a leaky roof. It was just the nastiest place you could imagine. I lived in it too and showered at the YMCA. This lasted for about three or four months, and the reason we chose this office — in addition to it being really cheap — was that there was an internet service provider on the floor below. So we were able to get really cheap internet access by drilling a hole in the floor and connecting to their server directly.” In February 1999 — less than a year after this interview — Compaq would purchase Zip2 for $307 million in cash. The interviewer also asks Elon what he thinks the future of the Internet will be, to which Elon responds: “I think the internet is the superset of all media. It is the be all and end all of media. One will see print, broadcast, radio — essentially all media — folding into the internet. What the internet amounts to is it’s the first two-way communication medium that is intelligent. It allows consumers to choose what they want to see, when they want to see it.”
3:03

Elon Musk on building his first startup Zip2 In 1995, when he was just 23 years old, Elon dropped out of Stanford’s PhD program in physics to start Zip2 with his brother Kimbal Musk. Elon personally wrote the first national maps, directions, yellow pages and white pages on the Internet that summer in C with a little C++. In this CBS interview, a 27 year old Elon describes living in a $200/month office with a leaky roof: “We found that an office was actually cheaper than apartment in Silicon Valley and we got this dinky little office that had a leaky roof. It was just the nastiest place you could imagine. I lived in it too and showered at the YMCA. This lasted for about three or four months, and the reason we chose this office — in addition to it being really cheap — was that there was an internet service provider on the floor below. So we were able to get really cheap internet access by drilling a hole in the floor and connecting to their server directly.” In February 1999 — less than a year after this interview — Compaq would purchase Zip2 for $307 million in cash. The interviewer also asks Elon what he thinks the future of the Internet will be, to which Elon responds: “I think the internet is the superset of all media. It is the be all and end all of media. One will see print, broadcast, radio — essentially all media — folding into the internet. What the internet amounts to is it’s the first two-way communication medium that is intelligent. It allows consumers to choose what they want to see, when they want to see it.”

Startup Archive

13,502,397 görüntüleme • 6 ay önce

Elon Musk on building his first startup Zip2 In 1995, when he was just 23 years old, Elon dropped out of Stanford’s PhD program in physics to start Zip2 with his brother Kimbal Musk. Elon personally wrote the first national maps, directions, yellow pages and white pages on the Internet that summer in C with a little C++. In this CBS interview, a 27 year old Elon describes living in a $200/month office with a leaky roof: “We found that an office was actually cheaper than apartment in Silicon Valley and we got this dinky little office that had a leaky roof. It was just the nastiest place you could imagine. I lived in it too and showered at the YMCA. This lasted for about three or four months, and the reason we chose this office — in addition to it being really cheap — was that there was an internet service provider on the floor below. So we were able to get really cheap internet access by drilling a hole in the floor and connecting to their server directly.” In February 1999 — less than a year after this interview — Compaq would purchase Zip2 for $307 million in cash. The interviewer also asks Elon what he thinks the future of the Internet will be, to which Elon responds: “I think the internet is the superset of all media. It is the be all and end all of media. One will see print, broadcast, radio — essentially all media — folding into the internet. What the internet amounts to is it’s the first two-way communication medium that is intelligent. It allows consumers to choose what they want to see, when they want to see it.”
3:03

Elon Musk on building his first startup Zip2 In 1995, when he was just 23 years old, Elon dropped out of Stanford’s PhD program in physics to start Zip2 with his brother Kimbal Musk. Elon personally wrote the first national maps, directions, yellow pages and white pages on the Internet that summer in C with a little C++. In this CBS interview, a 27 year old Elon describes living in a $200/month office with a leaky roof: “We found that an office was actually cheaper than apartment in Silicon Valley and we got this dinky little office that had a leaky roof. It was just the nastiest place you could imagine. I lived in it too and showered at the YMCA. This lasted for about three or four months, and the reason we chose this office — in addition to it being really cheap — was that there was an internet service provider on the floor below. So we were able to get really cheap internet access by drilling a hole in the floor and connecting to their server directly.” In February 1999 — less than a year after this interview — Compaq would purchase Zip2 for $307 million in cash. The interviewer also asks Elon what he thinks the future of the Internet will be, to which Elon responds: “I think the internet is the superset of all media. It is the be all and end all of media. One will see print, broadcast, radio — essentially all media — folding into the internet. What the internet amounts to is it’s the first two-way communication medium that is intelligent. It allows consumers to choose what they want to see, when they want to see it.”

Startup Archive

288,166 görüntüleme • 1 yıl önce

#SEONGHWA talking about watching his favorite musical, Les Misérables., for the first time in a theater in London! ⭐️: Anyway, as for what I did today, I’m talking in circles (not answering). Today… so yesterday after dinner I saw they were performing a musical. I’ve seen a lot of small‑theater musicals but I’ve never seen a really big musical live, like in person. So… and they happened to be performing my favorite! What could it be~? Oh, someone got it right. It's Les Misérables. When did it come out? I was in wlementary school? Wait, when did Les Misérables come out in Korea? When it first released I went to see it with my mom, just the two of us. (After researching it) Here it says it came out in 2012. Then how old was I? Was I in middle school? Yes, right. I went to see it with my mom, the two of us, and it was so fun. I think it was the first musical film I properly watched in a theater. Before that I watched Mamma Mia on DVD when I was in Australia, but I couldn’t understand it then so I didn’t know what was fun about it. Les Mis was the first musical film I properly saw in a theater. I loved it so much that I went to see it three or four more times. And then yesterday, when I came out after eating, I saw this huge billboard for it. So, since I’m the type who acts fast once I decide, I said “I’m going to watch it today,” and went with my manager. There were real session musicians there, like down below. I was shocked by that. From above, like slightly, youu could see the conductor. I didn’t know that, I thought they played MR... So I was like, “this is awesome.” I went and bought merch too. But I didn’t know which seats were good, so I just chose the seat in the back of the first floor. But because there’s a second floor, my view was blocked, my view of the stage looked like this (obstructed from the bottom and above), so I watched slouching on my chair like this. Now I know, the front row of the second floor is the best. Or the very front of the first floor so you can see the actors’ expressions well. But movies are better from the back so (I though was the same for musicals). Anyway. Yes, I think it was a “restricted view” seat... it was probably cheaper. Anyway, the show was 2 hours 50 minutes and since I know the movie so well I understood everything even without subtitles. It was so fun. I knew most of the songs too. It was my first time seeing a musical in such a big venue so it was really great. The actors too were amazing. There were about 40? And the set, there were at least 10 different ones. I don’t know how it works, because it’s was not people moving/changing sets. They just slid in and out and the stage transitions were so smooth. Who’s my favorite character? Oh, that's a hard question? First, I like Marius. Ah, actualyy, when I was younger I liked Cosette and Marius. But now I feel drawn to Éponine. Because she loves so... unconditionally. After watching it today, Éponine loves Marius but even while she’s in a one‑sided love, she tells him where the girl he loves lives and helps him escape. That's so sad. Fantine was really pitiful too. Kind of... unfairly treated? My favorite song is One Day More, of course. And today, there were songs that felt different listening now that I’m older. I don't know the titles so I’ll have to look them up. The lingering feeling was strong, it felt similar to when I first watched it. And after that act (One Day More), the audience clapped and cheered so loudly. You know, I thought musicals were supposed to be quiet? But everyone was cheering so loudly, so I clapped and shouted too. And right after it ended the lights suddenly turned on and I was like, "is it over?" but it was the intermission. There were Act 1 and Act 2. I was so confused, I really thought it was over. I asked myself, “Is this a half‑length movie?" I mean, "musical?” Everyone got up so naturally and I was just confused alone. Anyway, the orchestra was seriously so cool. I want to see it in Korea too.
11:54

#SEONGHWA talking about watching his favorite musical, Les Misérables., for the first time in a theater in London! ⭐️: Anyway, as for what I did today, I’m talking in circles (not answering). Today… so yesterday after dinner I saw they were performing a musical. I’ve seen a lot of small‑theater musicals but I’ve never seen a really big musical live, like in person. So… and they happened to be performing my favorite! What could it be~? Oh, someone got it right. It's Les Misérables. When did it come out? I was in wlementary school? Wait, when did Les Misérables come out in Korea? When it first released I went to see it with my mom, just the two of us. (After researching it) Here it says it came out in 2012. Then how old was I? Was I in middle school? Yes, right. I went to see it with my mom, the two of us, and it was so fun. I think it was the first musical film I properly watched in a theater. Before that I watched Mamma Mia on DVD when I was in Australia, but I couldn’t understand it then so I didn’t know what was fun about it. Les Mis was the first musical film I properly saw in a theater. I loved it so much that I went to see it three or four more times. And then yesterday, when I came out after eating, I saw this huge billboard for it. So, since I’m the type who acts fast once I decide, I said “I’m going to watch it today,” and went with my manager. There were real session musicians there, like down below. I was shocked by that. From above, like slightly, youu could see the conductor. I didn’t know that, I thought they played MR... So I was like, “this is awesome.” I went and bought merch too. But I didn’t know which seats were good, so I just chose the seat in the back of the first floor. But because there’s a second floor, my view was blocked, my view of the stage looked like this (obstructed from the bottom and above), so I watched slouching on my chair like this. Now I know, the front row of the second floor is the best. Or the very front of the first floor so you can see the actors’ expressions well. But movies are better from the back so (I though was the same for musicals). Anyway. Yes, I think it was a “restricted view” seat... it was probably cheaper. Anyway, the show was 2 hours 50 minutes and since I know the movie so well I understood everything even without subtitles. It was so fun. I knew most of the songs too. It was my first time seeing a musical in such a big venue so it was really great. The actors too were amazing. There were about 40? And the set, there were at least 10 different ones. I don’t know how it works, because it’s was not people moving/changing sets. They just slid in and out and the stage transitions were so smooth. Who’s my favorite character? Oh, that's a hard question? First, I like Marius. Ah, actualyy, when I was younger I liked Cosette and Marius. But now I feel drawn to Éponine. Because she loves so... unconditionally. After watching it today, Éponine loves Marius but even while she’s in a one‑sided love, she tells him where the girl he loves lives and helps him escape. That's so sad. Fantine was really pitiful too. Kind of... unfairly treated? My favorite song is One Day More, of course. And today, there were songs that felt different listening now that I’m older. I don't know the titles so I’ll have to look them up. The lingering feeling was strong, it felt similar to when I first watched it. And after that act (One Day More), the audience clapped and cheered so loudly. You know, I thought musicals were supposed to be quiet? But everyone was cheering so loudly, so I clapped and shouted too. And right after it ended the lights suddenly turned on and I was like, "is it over?" but it was the intermission. There were Act 1 and Act 2. I was so confused, I really thought it was over. I asked myself, “Is this a half‑length movie?" I mean, "musical?” Everyone got up so naturally and I was just confused alone. Anyway, the orchestra was seriously so cool. I want to see it in Korea too.

Everything Seonghwa

11,434 görüntüleme • 19 gün önce