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*throatback* this one fine ass 🥷🏾yn had pulled for some throat before work😮‍💨🤤 #dmvfreaks #mdfreaks #lafreaks #htxfreaks #atlfreaks #901freaks #memphisfreaks #atlfreaks #throatgoat #nsfwtwtًً #757freaks

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a1

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56,642 次观看 • 4 个月前 •via X (Twitter)

NSFW#dmvfreaks#mdfreaks#lafreaks#htxfreaks#atlfreaks#901freaks#memphisfreaks#atlfreaks#throatgoat#nsfwtwtًً#757freaks
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All this time, many of us thought Ling was walking a little awkwardly because she was sore from the gym. Only later did we find out she had injured her toe from work and running. Yet she never made a fuss about it. Instead, she joked about covering her feet, made everyone laugh, and carried on as if everything was fine. She later shared that, with how busy she had been, it took months before she finally had the chance to get it checked. And by the time she told the story, it was already recovering. She mentioned it so casually, almost as if it was nothing. That’s just who Ling is. She’s one of the strongest women I know—someone who quietly carries her responsibilities, always tries to make the people around her feel comfortable, and gives her best to every piece of work. It’s no surprise that the people who work with her always praise her professionalism and dedication. But my kid… Sometimes, it’s okay to cry. It’s okay to tell us when you’re having a hard time. You don’t always have to carry everything by yourself. Because you’ve always been so strong, people forget that strength doesn’t mean you never get hurt. While some are quick to judge you from a few seconds of footage or look for reasons to criticize you, you rarely explain yourself. But the people who truly know you don’t need those explanations. We know your kindness. We know your compassion. We know you’ll notice when someone else is struggling and instinctively step in to help. We know you’re someone who keeps your promises and always tries to give your best. Those are the qualities that define you—not the narratives people create. So next time, promise us one thing, okay? When you’re hurting, let us know. We want to be there for you, just as you’ve always been there for us. Take care of yourself, too. 🤍 #หลิงหลิงคอง #linglingkwong linglingsirilak
0:37

All this time, many of us thought Ling was walking a little awkwardly because she was sore from the gym. Only later did we find out she had injured her toe from work and running. Yet she never made a fuss about it. Instead, she joked about covering her feet, made everyone laugh, and carried on as if everything was fine. She later shared that, with how busy she had been, it took months before she finally had the chance to get it checked. And by the time she told the story, it was already recovering. She mentioned it so casually, almost as if it was nothing. That’s just who Ling is. She’s one of the strongest women I know—someone who quietly carries her responsibilities, always tries to make the people around her feel comfortable, and gives her best to every piece of work. It’s no surprise that the people who work with her always praise her professionalism and dedication. But my kid… Sometimes, it’s okay to cry. It’s okay to tell us when you’re having a hard time. You don’t always have to carry everything by yourself. Because you’ve always been so strong, people forget that strength doesn’t mean you never get hurt. While some are quick to judge you from a few seconds of footage or look for reasons to criticize you, you rarely explain yourself. But the people who truly know you don’t need those explanations. We know your kindness. We know your compassion. We know you’ll notice when someone else is struggling and instinctively step in to help. We know you’re someone who keeps your promises and always tries to give your best. Those are the qualities that define you—not the narratives people create. So next time, promise us one thing, okay? When you’re hurting, let us know. We want to be there for you, just as you’ve always been there for us. Take care of yourself, too. 🤍 #หลิงหลิงคอง #linglingkwong linglingsirilak

R🪽

118,034 次观看 • 10 天前

** MEGA Parodius Scaling Effects Part 1 ** One of the big challenges with the Parodius Megadrive port is Stage 8's boss - The puffer-fish *Pooyan* with his full screen scaling effect. The goal is to be very close to the arcade (with extras on top ) so I thought lets tackle it head on to see how close we can get. I was also keen to jump into another scaling code rabit hole haha. Pyron pulled out all the stops and got me the source frames and reworked the BG tiles for this test - a big thankyou to him , Vector Orbitex is busy working on Stage 2 tracks so the team is working hard all round on this port. The MD has no sprite / background GFX scaling hardware , however the VDPs Vertical scroll can be updated per scanline to help vertical scaling on backgrounds, but there is a cpu cost to manage all the interupts so thats not free either. With the Horizontal scaling there is no help at all , apart from a semi-friendly packed pixel format for the cpu to work with, its not quite chunky format but better than planar format still for scaling. So its falls back to the 68k CPU to do all of the horizontal expansion which is the largest cpu cost. Basically drawing strips of either 1x, 2x, 3x or 4x wide columns at speed. So we are one week into this Boss's routine and you can see from the below video the horizontal scaling is implented ( vertical will be in the next update ) . We are scaling from 1x to 4x in the video below in 74 steps for testing . The column distributions are always a bit painfull to do - thankfully they are all worked out now. This is the third scaler I have built and the goal was with this one to make it really flexible for use in other projects also, sometimes when you optimise something to the last degree all the flexibility gets taken out of it. Currenty scaling at 12-25 FPS update here, I had some rules against some optimisations which I would use and some I wouldn't , thankfully we are a bit ahead of the Arcades animation frame rate here still and I may yet find optimisations that fit within the scope. We have vertical scaling and sprite spikes to add yet so Im hoping i can find a few more optimisations to offset things when they are implemented also. In a scale frame update we are processing close to 42000 pixels in ram before using DMA to send to VRAM . Using a 41x16 (656 tile scale buffer) - single buffered for now due to its size in VRAM. So thats nearly 21k in tiles ! I had to re-organise ram a bit to support a buffer of that size for the stage. The scaling function is written in 68k assembly , with a little C code handling the Vertical interupt code ( so the game logic can actually run & DMA updates etc ) . The DMA routines are in assembly also and customised for large chunk size ( big blocks of tiles ) which suits the scaler. I had some race conditions to sort out where the cpu was faster than DMA (sending tiles from RAM to VRAM ) and in some cases where it wasn't so it had to be balanced. We may be able to add more detail into the top and bottom of the background yet but its low priority for now until all the other bits are in !! #SGDK #SegaMegadrive #Genesis #Parodius
0:30

** MEGA Parodius Scaling Effects Part 1 ** One of the big challenges with the Parodius Megadrive port is Stage 8's boss - The puffer-fish *Pooyan* with his full screen scaling effect. The goal is to be very close to the arcade (with extras on top ) so I thought lets tackle it head on to see how close we can get. I was also keen to jump into another scaling code rabit hole haha. Pyron pulled out all the stops and got me the source frames and reworked the BG tiles for this test - a big thankyou to him , Vector Orbitex is busy working on Stage 2 tracks so the team is working hard all round on this port. The MD has no sprite / background GFX scaling hardware , however the VDPs Vertical scroll can be updated per scanline to help vertical scaling on backgrounds, but there is a cpu cost to manage all the interupts so thats not free either. With the Horizontal scaling there is no help at all , apart from a semi-friendly packed pixel format for the cpu to work with, its not quite chunky format but better than planar format still for scaling. So its falls back to the 68k CPU to do all of the horizontal expansion which is the largest cpu cost. Basically drawing strips of either 1x, 2x, 3x or 4x wide columns at speed. So we are one week into this Boss's routine and you can see from the below video the horizontal scaling is implented ( vertical will be in the next update ) . We are scaling from 1x to 4x in the video below in 74 steps for testing . The column distributions are always a bit painfull to do - thankfully they are all worked out now. This is the third scaler I have built and the goal was with this one to make it really flexible for use in other projects also, sometimes when you optimise something to the last degree all the flexibility gets taken out of it. Currenty scaling at 12-25 FPS update here, I had some rules against some optimisations which I would use and some I wouldn't , thankfully we are a bit ahead of the Arcades animation frame rate here still and I may yet find optimisations that fit within the scope. We have vertical scaling and sprite spikes to add yet so Im hoping i can find a few more optimisations to offset things when they are implemented also. In a scale frame update we are processing close to 42000 pixels in ram before using DMA to send to VRAM . Using a 41x16 (656 tile scale buffer) - single buffered for now due to its size in VRAM. So thats nearly 21k in tiles ! I had to re-organise ram a bit to support a buffer of that size for the stage. The scaling function is written in 68k assembly , with a little C code handling the Vertical interupt code ( so the game logic can actually run & DMA updates etc ) . The DMA routines are in assembly also and customised for large chunk size ( big blocks of tiles ) which suits the scaler. I had some race conditions to sort out where the cpu was faster than DMA (sending tiles from RAM to VRAM ) and in some cases where it wasn't so it had to be balanced. We may be able to add more detail into the top and bottom of the background yet but its low priority for now until all the other bits are in !! #SGDK #SegaMegadrive #Genesis #Parodius

Shannon Birt

25,545 次观看 • 6 个月前

Listen to me carefully. When you are in Charlie Kirk’s position, these are the questions you are not allowed to ask. These are the answers you are not allowed to give. Watch this video and remember: > Charlie’s public and private efforts to secure the release of the Epstein files > Charlie’s opposition to antisemitic “hate speech” laws > Charlie reportedly refusing a $150M donation for TPUSA from Bibi > Charlie declining Netanyahu’s recent invitation to visit Israel > Charlie’s decision to begin and continue platforming Israel-critical voices like Tucker Carlson and Dave Smith at TPUSA [he even mentioned bringing Candace back]. > Charlie’s text messages accusing Jewish donors of playing into into all the stereotypes after they pulled donations for his refusal to ban Tucker from TPUSA > Charlie’s text messages to his pro-Israel handlers stating that he was forced to abandon the pro-Israel cause. > Charlie questioning suspicious financial activity within TPUSA and ordering the establishment of “DOGE” committee to investigate the organization’s finances one week before he was shot. > Charlie privately back-channeling the White House to express concerns about pursuing regime change or getting pulled into a drawn out war in Iran by the Military Industrial Complex. It’s evident that Charlie Kirk was beginning to adopt a true America First position, which meant he was beginning to challenge the entire power structure of the political and economic system. He did this while sitting atop the largest youth conservative organization in the United States with thousands of chapters all across college campuses. He had a gargantuan social media footprint. He was 31 years old with extraordinary political aspirations and a tireless work ethic. He was a devoted Christian who couldn’t be blackmailed. He had the hearts, minds and ears of nearly every young conservative in the country who would’ve been the next generation of political leaders, academics, journalists, lawyers, business leaders, voters, activists, etc. … and he was distancing himself from the existing establishment. This is what gets you removed from the political chessboard. Some may even call it “neutralized”.
3:07

Listen to me carefully. When you are in Charlie Kirk’s position, these are the questions you are not allowed to ask. These are the answers you are not allowed to give. Watch this video and remember: > Charlie’s public and private efforts to secure the release of the Epstein files > Charlie’s opposition to antisemitic “hate speech” laws > Charlie reportedly refusing a $150M donation for TPUSA from Bibi > Charlie declining Netanyahu’s recent invitation to visit Israel > Charlie’s decision to begin and continue platforming Israel-critical voices like Tucker Carlson and Dave Smith at TPUSA [he even mentioned bringing Candace back]. > Charlie’s text messages accusing Jewish donors of playing into into all the stereotypes after they pulled donations for his refusal to ban Tucker from TPUSA > Charlie’s text messages to his pro-Israel handlers stating that he was forced to abandon the pro-Israel cause. > Charlie questioning suspicious financial activity within TPUSA and ordering the establishment of “DOGE” committee to investigate the organization’s finances one week before he was shot. > Charlie privately back-channeling the White House to express concerns about pursuing regime change or getting pulled into a drawn out war in Iran by the Military Industrial Complex. It’s evident that Charlie Kirk was beginning to adopt a true America First position, which meant he was beginning to challenge the entire power structure of the political and economic system. He did this while sitting atop the largest youth conservative organization in the United States with thousands of chapters all across college campuses. He had a gargantuan social media footprint. He was 31 years old with extraordinary political aspirations and a tireless work ethic. He was a devoted Christian who couldn’t be blackmailed. He had the hearts, minds and ears of nearly every young conservative in the country who would’ve been the next generation of political leaders, academics, journalists, lawyers, business leaders, voters, activists, etc. … and he was distancing himself from the existing establishment. This is what gets you removed from the political chessboard. Some may even call it “neutralized”.

Murray 🇺🇸

124,169 次观看 • 4 个月前

Listen to me carefully. When you are in Charlie Kirk’s position, these are the questions you are not allowed to ask. These are the answers you are not allowed to give. Watch this video and remember: > Charlie’s public and private efforts to secure the release of the Epstein files > Charlie’s opposition to antisemitic “hate speech” laws > Charlie reportedly refusing a $150M donation for TPUSA from Bibi > Charlie recently declining Netanyahu’s invitation to visit Israel > Charlie’s decision to begin and continue platforming Israel-critical voices like Tucker Carlson and Dave Smith at TPUSA [he even mentioned bringing Candace back]. > Charlie’s text messages accusing Jewish donors of playing into into all the stereotypes after they pulled donations for his refusal to ban Tucker from TPUSA > Charlie’s text messages to Pro-Israel handlers stating that he was forced to abandon the pro-Israel cause. > Charlie questioning suspicious financial activity within TPUSA and ordering the establishment of “DOGE” committee to investigate the organization’s finances one week before he was shot. > Charlie privately back-channeling the White House to express concerns about pursuing regime change or getting pulled into a drawn out war in Iran by the Military Industrial Complex. It’s evident that Charlie Kirk was beginning to adopt a true America First position, which meant he was beginning to challenge the entire power structure of the political and economic system. He did this while sitting atop the largest youth conservative organization in the United States with thousands of chapters all across college campuses. He had a gargantuan social media footprint. He was 31 years old with extraordinary political aspirations and a tireless work ethic. He was a devoted Christian who couldn’t be blackmailed. He had the hearts, minds and ears of nearly every young conservative in the country who would’ve been the next generation of political leaders, academics, journalists, lawyers, business leaders, voters, activists, etc. … and he was distancing himself from the existing establishment. This is what gets you removed from the political chessboard. Some may even call it “neutralized”.
3:06

Listen to me carefully. When you are in Charlie Kirk’s position, these are the questions you are not allowed to ask. These are the answers you are not allowed to give. Watch this video and remember: > Charlie’s public and private efforts to secure the release of the Epstein files > Charlie’s opposition to antisemitic “hate speech” laws > Charlie reportedly refusing a $150M donation for TPUSA from Bibi > Charlie recently declining Netanyahu’s invitation to visit Israel > Charlie’s decision to begin and continue platforming Israel-critical voices like Tucker Carlson and Dave Smith at TPUSA [he even mentioned bringing Candace back]. > Charlie’s text messages accusing Jewish donors of playing into into all the stereotypes after they pulled donations for his refusal to ban Tucker from TPUSA > Charlie’s text messages to Pro-Israel handlers stating that he was forced to abandon the pro-Israel cause. > Charlie questioning suspicious financial activity within TPUSA and ordering the establishment of “DOGE” committee to investigate the organization’s finances one week before he was shot. > Charlie privately back-channeling the White House to express concerns about pursuing regime change or getting pulled into a drawn out war in Iran by the Military Industrial Complex. It’s evident that Charlie Kirk was beginning to adopt a true America First position, which meant he was beginning to challenge the entire power structure of the political and economic system. He did this while sitting atop the largest youth conservative organization in the United States with thousands of chapters all across college campuses. He had a gargantuan social media footprint. He was 31 years old with extraordinary political aspirations and a tireless work ethic. He was a devoted Christian who couldn’t be blackmailed. He had the hearts, minds and ears of nearly every young conservative in the country who would’ve been the next generation of political leaders, academics, journalists, lawyers, business leaders, voters, activists, etc. … and he was distancing himself from the existing establishment. This is what gets you removed from the political chessboard. Some may even call it “neutralized”.

Murray 🇺🇸

197,911 次观看 • 8 个月前

This is going to be a LONG post so please bare with me Today is my 20th birthday 🎉! I can’t Thank God enough for blessing me in the ways he has in the last six months. This is the first and probably not last birthday that I won’t really be celebrating. I am working today and have to meal prep. I went to the gym this morning which was some much needed therapy. So this will be my celebration. I am making this post celebrating all the important friends in my life who have changed it for the best. Mike I have known you for just over 2 years now and you have been around for some of my best moments and my worst moments. From helping me build out my first AR to watching you work your ASS off to build 2 amazing companies that won’t be going anywhere anytime soon with someone like you as a leader for them. Thank you for being there for me and encouraging me last year when I would send you dry fire videos. You don’t know it but I was going through one of the hardest seasons of my life and the encouragement you gave me ment the world and helped me. You were one of the first people to really motivate me to lose weight. Thank you brother Havoc 2-1 Thank you for all the encouragement and advice you have given me. When I posted that range video and you RT it commented and followed me I didn’t sleep AT ALL that night. It was the happiest I had been in a while to see someone who I looked up to recognize me and the stuff I was doing. And without you doing that I would never had found KingWash and gotten all the coaching he has given me. You motivate me and help keep me going. Thank you brother Wash Without you I would probably be heavier and weaker. And not a very good shooter compared to where I am at now. I truly mean it when I say you have changed my life in ways you don’t know and I can’t express online. Getting me in the gym and lifting. giving a kid with zero structure in his life, meaning and a structured path to follow and chase a dream is something only a few people in life are blessed with and I can’t thank you enough for everything you have done for me. Thank you brother Parker Geurin Thank you for being a role model to me. You are such an amazing father and family man and the positivity that you give is amazing man. Don’t ever stop being you and letting your light shine. And thank you for all the encouragement and kind words you have said to me, it truly means the world. Thank you Brother OG Pancake (Lead in The Wind) Thank you for being you. The laughs that I get from some of your posts and replies make my day. You are a genuine dude who has a lot to give and I thank you for encouraging me as you have. Thank you brother grumpycattac Thank you for the encouragement and wisdom you have given me. When I first started dry firing you were quick to listen and slow to judge. You helped and encouraged me and for that I thank you. Thank you brother Emily Fisher Thank you for for being an inspiration. You have inspired me to be consistent on days where I haven’t wanted to do anything. seeing you post a dry fire session one less number than the day before makes me want to get off my lazy ass and work. Thank you Greyson VonLanningham Hannah thank you for all the encouragement and uplifting you guys have blessed me with. I truly can’t tell you how much it means to me. Thank you both If I have missed someone I am sorry please forgive me as I have run out of space and am writing this at work. I can’t wait to see what happens in the next year of my life and what God has in store for me. Thank you all for being my friends. I can’t wait to meet all of you at one point or another and express my thanks in person.
1:07

This is going to be a LONG post so please bare with me Today is my 20th birthday 🎉! I can’t Thank God enough for blessing me in the ways he has in the last six months. This is the first and probably not last birthday that I won’t really be celebrating. I am working today and have to meal prep. I went to the gym this morning which was some much needed therapy. So this will be my celebration. I am making this post celebrating all the important friends in my life who have changed it for the best. Mike I have known you for just over 2 years now and you have been around for some of my best moments and my worst moments. From helping me build out my first AR to watching you work your ASS off to build 2 amazing companies that won’t be going anywhere anytime soon with someone like you as a leader for them. Thank you for being there for me and encouraging me last year when I would send you dry fire videos. You don’t know it but I was going through one of the hardest seasons of my life and the encouragement you gave me ment the world and helped me. You were one of the first people to really motivate me to lose weight. Thank you brother Havoc 2-1 Thank you for all the encouragement and advice you have given me. When I posted that range video and you RT it commented and followed me I didn’t sleep AT ALL that night. It was the happiest I had been in a while to see someone who I looked up to recognize me and the stuff I was doing. And without you doing that I would never had found KingWash and gotten all the coaching he has given me. You motivate me and help keep me going. Thank you brother Wash Without you I would probably be heavier and weaker. And not a very good shooter compared to where I am at now. I truly mean it when I say you have changed my life in ways you don’t know and I can’t express online. Getting me in the gym and lifting. giving a kid with zero structure in his life, meaning and a structured path to follow and chase a dream is something only a few people in life are blessed with and I can’t thank you enough for everything you have done for me. Thank you brother Parker Geurin Thank you for being a role model to me. You are such an amazing father and family man and the positivity that you give is amazing man. Don’t ever stop being you and letting your light shine. And thank you for all the encouragement and kind words you have said to me, it truly means the world. Thank you Brother OG Pancake (Lead in The Wind) Thank you for being you. The laughs that I get from some of your posts and replies make my day. You are a genuine dude who has a lot to give and I thank you for encouraging me as you have. Thank you brother grumpycattac Thank you for the encouragement and wisdom you have given me. When I first started dry firing you were quick to listen and slow to judge. You helped and encouraged me and for that I thank you. Thank you brother Emily Fisher Thank you for for being an inspiration. You have inspired me to be consistent on days where I haven’t wanted to do anything. seeing you post a dry fire session one less number than the day before makes me want to get off my lazy ass and work. Thank you Greyson VonLanningham Hannah thank you for all the encouragement and uplifting you guys have blessed me with. I truly can’t tell you how much it means to me. Thank you both If I have missed someone I am sorry please forgive me as I have run out of space and am writing this at work. I can’t wait to see what happens in the next year of my life and what God has in store for me. Thank you all for being my friends. I can’t wait to meet all of you at one point or another and express my thanks in person.

Maxwell

11,315 次观看 • 1 年前

I’m thrilled to present something Marián Marčiš and I have been working on for the past few weeks. To my knowledge, this is something that has never been done before, and this is our first model that includes underground parts. Behold a photogrammetric 3D model of Zona X! Zona X (also known as Lanlakuyoc or Lancacuyo) is a mysterious site about a mile North-East of Sacsayhuaman. It’s a big limestone outcrop intersected by a network of tunnels and narrow passageways, some open to the sky, and others going deep underground. It also features several right-angled cuts in the bedrock ("hanan pacha" style) whose function remains unknown to this day, as well as a section of a megalithic wall. It is also said that this site once had a chincana entrance, possibly connecting to Sacsayhuaman, that has now been sealed off. I have an idea of which passage could lead to an entrance, but it remains to be confirmed. It's a true stone labyrinth in which it's easy to get lost, which is why I wanted to create a 3D map of it. I wanted to get a better idea of how these passages are oriented in relation to each other and where they could lead. It took several visits to the site to map all the passages I could crawl through. Some of these passageways become too narrow to squeeze through for an adult of average build, but seem to extend much deeper. It took Marián a LOT of work (and a lot of processing power) to combine and align the thousands of photos from a drone and extracted from a 360° ground video needed to create the 55 millions triangles that make up this model. I’m not sure how he did it but he pulled it off. He really deserves his title of photogrammetry wizard. Please make sure to give him the follow he deserves Marián Marčiš. The video doesn't show all the passages I filmed for the creation of the model. We decided to only show the main ones, and some of the most prominent stone carvings in order to keep the video relatively short. The site has many more nooks and crannies not shown in the video that are just begging to be explored. I hope we can complete this model in the future. Until then, enjoy this one!
4:26

I’m thrilled to present something Marián Marčiš and I have been working on for the past few weeks. To my knowledge, this is something that has never been done before, and this is our first model that includes underground parts. Behold a photogrammetric 3D model of Zona X! Zona X (also known as Lanlakuyoc or Lancacuyo) is a mysterious site about a mile North-East of Sacsayhuaman. It’s a big limestone outcrop intersected by a network of tunnels and narrow passageways, some open to the sky, and others going deep underground. It also features several right-angled cuts in the bedrock ("hanan pacha" style) whose function remains unknown to this day, as well as a section of a megalithic wall. It is also said that this site once had a chincana entrance, possibly connecting to Sacsayhuaman, that has now been sealed off. I have an idea of which passage could lead to an entrance, but it remains to be confirmed. It's a true stone labyrinth in which it's easy to get lost, which is why I wanted to create a 3D map of it. I wanted to get a better idea of how these passages are oriented in relation to each other and where they could lead. It took several visits to the site to map all the passages I could crawl through. Some of these passageways become too narrow to squeeze through for an adult of average build, but seem to extend much deeper. It took Marián a LOT of work (and a lot of processing power) to combine and align the thousands of photos from a drone and extracted from a 360° ground video needed to create the 55 millions triangles that make up this model. I’m not sure how he did it but he pulled it off. He really deserves his title of photogrammetry wizard. Please make sure to give him the follow he deserves Marián Marčiš. The video doesn't show all the passages I filmed for the creation of the model. We decided to only show the main ones, and some of the most prominent stone carvings in order to keep the video relatively short. The site has many more nooks and crannies not shown in the video that are just begging to be explored. I hope we can complete this model in the future. Until then, enjoy this one!

Weird Old World

11,766 次观看 • 1 年前

🪨 This man lived in Britain 2,000 years ago. 🪨 He was killed four times ⚔️ Today, you can see exactly what he looked like 👁️ On 1 August 1984, a peat-cutter in Cheshire pulled what looked like a piece of wood off the conveyor belt 🚜 The peat fell away. It was a human foot. The workers stopped the machine. The police came. Then a Cheshire archaeologist called Rick Turner came too. He took one look at the leg and he knew. This was not a recent murder. This man had been here a long time 🕰️ They lifted him out of the peat. Skin still pliable. Hair still on his head. A face. Calm. Recognisable. 2,000 years old. And looking back at them. He was a man in his mid-twenties. Five foot six. Strong build. Reddish-brown hair. Trimmed beard. High cheekbones. The face and build of a man you might walk past in Cheshire today 🤝 His fingernails were polished. His beard had been trimmed with fine shears. His hands had done no heavy work. Not a labourer. Not a slave. Someone important. He was the kind of man a community puts forward. 🕯️ His last meal was a charred griddle cake. Mistletoe pollen was in his stomach. Then he was taken to the bog. First, a blow to the head. Hard enough to crack the skull. Then a garrote, tightened around his throat. Then a knife, drawn across his neck. And then he was laid face-down in the bog water 💧 Four deaths in one afternoon. Performed carefully. By people who knew exactly what they were doing. Mistletoe was sacred to the Druids 🌿 Their priests cut it from oak with a golden sickle. This was not a crime. This was a ritual. Lindow Man was likely chosen. Honoured. Offered. For centuries, Rome told us the Britons were savages. Without writing. Without civilisation. Without faith worth respecting. His body says otherwise 🪨 Sophisticated. Groomed. Cared for. Buried with reverence. A society that took his death seriously enough to lay him where the peat would preserve him. For 2,000 years 🕰️ Rome came. Rome went. Saxons came. Normans came. The land was farmed, fought over, built on, sold. The bog stayed. And inside it, so did he 💧 Until 1984. Today, he is in London. The British Museum. Room 50 🏛️ Behind glass. Schoolchildren press their hands to it, leaning in to see his face. 2,000 years old. And still there. 📖 Read the full story, get the lesson plan, share the facts → ━━━━━━━━━━━━━━ He is one of us. Not a stranger. Not a curiosity. Our ancestor 🤝 Same faces. Same hands. Same island 🇬🇧 Every story we tell, a supporter paid to keep alive. Without them, these stories stay in the past. Without you, the next one never comes out. 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧
2:43

🪨 This man lived in Britain 2,000 years ago. 🪨 He was killed four times ⚔️ Today, you can see exactly what he looked like 👁️ On 1 August 1984, a peat-cutter in Cheshire pulled what looked like a piece of wood off the conveyor belt 🚜 The peat fell away. It was a human foot. The workers stopped the machine. The police came. Then a Cheshire archaeologist called Rick Turner came too. He took one look at the leg and he knew. This was not a recent murder. This man had been here a long time 🕰️ They lifted him out of the peat. Skin still pliable. Hair still on his head. A face. Calm. Recognisable. 2,000 years old. And looking back at them. He was a man in his mid-twenties. Five foot six. Strong build. Reddish-brown hair. Trimmed beard. High cheekbones. The face and build of a man you might walk past in Cheshire today 🤝 His fingernails were polished. His beard had been trimmed with fine shears. His hands had done no heavy work. Not a labourer. Not a slave. Someone important. He was the kind of man a community puts forward. 🕯️ His last meal was a charred griddle cake. Mistletoe pollen was in his stomach. Then he was taken to the bog. First, a blow to the head. Hard enough to crack the skull. Then a garrote, tightened around his throat. Then a knife, drawn across his neck. And then he was laid face-down in the bog water 💧 Four deaths in one afternoon. Performed carefully. By people who knew exactly what they were doing. Mistletoe was sacred to the Druids 🌿 Their priests cut it from oak with a golden sickle. This was not a crime. This was a ritual. Lindow Man was likely chosen. Honoured. Offered. For centuries, Rome told us the Britons were savages. Without writing. Without civilisation. Without faith worth respecting. His body says otherwise 🪨 Sophisticated. Groomed. Cared for. Buried with reverence. A society that took his death seriously enough to lay him where the peat would preserve him. For 2,000 years 🕰️ Rome came. Rome went. Saxons came. Normans came. The land was farmed, fought over, built on, sold. The bog stayed. And inside it, so did he 💧 Until 1984. Today, he is in London. The British Museum. Room 50 🏛️ Behind glass. Schoolchildren press their hands to it, leaning in to see his face. 2,000 years old. And still there. 📖 Read the full story, get the lesson plan, share the facts → ━━━━━━━━━━━━━━ He is one of us. Not a stranger. Not a curiosity. Our ancestor 🤝 Same faces. Same hands. Same island 🇬🇧 Every story we tell, a supporter paid to keep alive. Without them, these stories stay in the past. Without you, the next one never comes out. 👉 👈 Be part of us. ☝️🇬🇧 Be Proud Of Us. 🙏🇬🇧

Proudofus.uk

46,952 次观看 • 1 个月前

"I will testify under oath before Congress that what I'm saying is the truth." "And he said, 'By the way, we've discovered a base on the back side of the Moon.' He pulled out one of these mosaics and showed this base, which had geometric shapes, there were towers, there were spherical buildings, there were very tall towers." ~KW (The photographic evidence I've seen thus far leaves a lot to be desired, so if more images are going to be released (as Lue Elizondo spoke about), let's hope they're clear, and conclusively show artificial structures. Ever since I first heard Wolfe tell his story (2001 at Greer's event), I felt he came across as highly credible. Unfortunately, he was killed in 2018 when he was hit by a tractor trailer as he was biking. So what did he see? Structures built by a non-human intelligence? Or, built by a previous, highly-advanced civilization on Earth? Or, from a current, human, "breakaway civilization"?) ~ Former U.S. Air Force Sergeant Karl Wolfe: "My boss came to me, I was working in a color lab at that time, I was a technician, photographic technician. I was asked to go over to this facility on Langley Air Force Base, where the NSA was bringing in the information from the lunar orbiter. And so I packed up some tools, I went over, I went into the facility. "A couple of officers took me into this hangar. This was a very large hangar. So they took me into this laboratory. I took a look at the equipment. There was an airman second class in there, I was an airman second class as well. He turned the equipment on and put it through its paces. It didn't do what it was supposed to do. I saw what was going on with it, and I said to him, 'You know, we'll have to take this thing out of the lab if we're going to work on it. We can't work on it in here in the dark-room environment.' "So, everyone left the facility, left the dark room, except this airman second class and myself. And were in, waiting for someone to come to remove this piece of equipment. And at the time, I didn't know what the real purpose of this dark room and this operation and this (laughs) facility was. I thought this was where they were bringing the data in and then releasing the images to the public. "They were doing 35 millimeter strips of film at that time, which were then assembled into 18 and a half by 11 inch mosaics, they were called. There is a digital signature and a gray scale on every 35 millimeter strip. And those strips were from successive passes around the moon. "So he was showing me how all this worked, and we walked over to one side of the lab, and he said, 'By the way, we've discovered a base on the back side of the Moon.' And I said, 'Whose (laughs)? What do you mean, whose?' He said, 'Yes, we've discovered a base on the back side of the Moon.' "And at that point, I become frightened, and was a little terrified. Thinking to myself that, if anybody walks in the room now, I know we're in jeopardy, we're in trouble, because he shouldn't be giving me this information. "And that he pulled out one of these mosaics and showed this base, which had geometric shapes, there were towers, there were spherical buildings, there were very tall towers, and things that looked somewhat like radar dishes but they were large structures. If I compare it to what I'm seeing now, because I do have photographs that have our artifacts in them that are similar to what I saw, they're massive. Some of the structures are, you know, half a mile in size. So they're huge structures. "Some of the buildings seemed to have very reflective surfaces on them. A couple of structures that I saw reminded me of cooling towers at power-generating plants, they had that sort of a shape. Some of them were just very, very straight and tall with a flat top. Some of them were round, some of them looked like a Quonset hut, you know, with a domed kind of, like a greenhouse. "The particular shot that I saw, there were several clustered together over a landscape, a fairly large landscape. I didn't want to look at it any longer than that because I felt that my life was in jeopardy. Do you understand what I'm saying (laughs)? I would love to have looked at it longer (laughs), I would have loved to have had copies. I would love to have, you know, said more about it or discussed it more, but I knew I couldn't. And I knew that that young fellow who was sharing this was really, really overstepping his bounds at that point."
3:52

"I will testify under oath before Congress that what I'm saying is the truth." "And he said, 'By the way, we've discovered a base on the back side of the Moon.' He pulled out one of these mosaics and showed this base, which had geometric shapes, there were towers, there were spherical buildings, there were very tall towers." ~KW (The photographic evidence I've seen thus far leaves a lot to be desired, so if more images are going to be released (as Lue Elizondo spoke about), let's hope they're clear, and conclusively show artificial structures. Ever since I first heard Wolfe tell his story (2001 at Greer's event), I felt he came across as highly credible. Unfortunately, he was killed in 2018 when he was hit by a tractor trailer as he was biking. So what did he see? Structures built by a non-human intelligence? Or, built by a previous, highly-advanced civilization on Earth? Or, from a current, human, "breakaway civilization"?) ~ Former U.S. Air Force Sergeant Karl Wolfe: "My boss came to me, I was working in a color lab at that time, I was a technician, photographic technician. I was asked to go over to this facility on Langley Air Force Base, where the NSA was bringing in the information from the lunar orbiter. And so I packed up some tools, I went over, I went into the facility. "A couple of officers took me into this hangar. This was a very large hangar. So they took me into this laboratory. I took a look at the equipment. There was an airman second class in there, I was an airman second class as well. He turned the equipment on and put it through its paces. It didn't do what it was supposed to do. I saw what was going on with it, and I said to him, 'You know, we'll have to take this thing out of the lab if we're going to work on it. We can't work on it in here in the dark-room environment.' "So, everyone left the facility, left the dark room, except this airman second class and myself. And were in, waiting for someone to come to remove this piece of equipment. And at the time, I didn't know what the real purpose of this dark room and this operation and this (laughs) facility was. I thought this was where they were bringing the data in and then releasing the images to the public. "They were doing 35 millimeter strips of film at that time, which were then assembled into 18 and a half by 11 inch mosaics, they were called. There is a digital signature and a gray scale on every 35 millimeter strip. And those strips were from successive passes around the moon. "So he was showing me how all this worked, and we walked over to one side of the lab, and he said, 'By the way, we've discovered a base on the back side of the Moon.' And I said, 'Whose (laughs)? What do you mean, whose?' He said, 'Yes, we've discovered a base on the back side of the Moon.' "And at that point, I become frightened, and was a little terrified. Thinking to myself that, if anybody walks in the room now, I know we're in jeopardy, we're in trouble, because he shouldn't be giving me this information. "And that he pulled out one of these mosaics and showed this base, which had geometric shapes, there were towers, there were spherical buildings, there were very tall towers, and things that looked somewhat like radar dishes but they were large structures. If I compare it to what I'm seeing now, because I do have photographs that have our artifacts in them that are similar to what I saw, they're massive. Some of the structures are, you know, half a mile in size. So they're huge structures. "Some of the buildings seemed to have very reflective surfaces on them. A couple of structures that I saw reminded me of cooling towers at power-generating plants, they had that sort of a shape. Some of them were just very, very straight and tall with a flat top. Some of them were round, some of them looked like a Quonset hut, you know, with a domed kind of, like a greenhouse. "The particular shot that I saw, there were several clustered together over a landscape, a fairly large landscape. I didn't want to look at it any longer than that because I felt that my life was in jeopardy. Do you understand what I'm saying (laughs)? I would love to have looked at it longer (laughs), I would have loved to have had copies. I would love to have, you know, said more about it or discussed it more, but I knew I couldn't. And I knew that that young fellow who was sharing this was really, really overstepping his bounds at that point."

Joe Murgia

117,429 次观看 • 8 天前

Jensen Huang just described something that should keep every worker in America awake tonight. Not because AI is coming for their job. Because most of them never understood what their job actually was. Huang: “The task of our job and the purpose of our job are related, not the same.” Most people think their job is the thing they do with their hands for eight hours a day. Write code. Fill spreadsheets. Draft emails. Push pixels. That was never the job. That was the task. The job was always the thinking underneath it. Huang: “If you apply that to me, you would come to the conclusion what Jensen does for a living is tap on phones and talk. And tapping on phones and talking, AI has done that just fine. And therefore my job should be gone. But I’m busier than ever.” This is the part nobody wants to sit with. The people panicking about AI aren’t afraid of losing their work. They’re afraid of finding out they never had any. They had a routine. A repetitive motion. A series of keystrokes that felt like purpose. Now a machine does it in four seconds. Huang: “AI has created more than half a million jobs in the last couple of years.” The data says one thing. The fear says another. Because the fear was never about employment numbers. It was about identity. We spent fifty years hunched over keyboards, convinced the hunching was the work. Huang: “The idea that being human means to hunch over on this little thing, typing all the time… 50 years before that, people didn’t do that.” Fifty years. That’s all it took to build an entire identity around a posture. We don’t type for a living. We think for a living. We imagine for a living. The keyboard was always just the delivery mechanism. Never the product. Huang: “It is a fundamental flaw that we only need a billion lines of code written. We need a trillion lines of code written.” The demand was always infinite. The bottleneck was always our fingers. AI doesn’t shrink the workforce. It removes the cap on what the workforce can actually build. Huang: “Companies that use AI have demonstrated the ability to grow faster. When they grow faster, they hire more people.” Growth doesn’t eliminate people. It pulls them in. Every industrial revolution triggered the same panic. Same headlines. Same wrong conclusion. And every single time, the economy didn’t contract. It expanded into territory that didn’t exist before. The real question was never whether AI takes your job. It was whether you were ever anything more than the motions you repeated. Because somewhere in the last fifty years, we stopped asking what the work was for. We just kept typing. And now the typing is done. And millions of people are about to meet themselves for the first time. With nothing to hide behind. Some of them won’t survive what they find.
2:55

Jensen Huang just described something that should keep every worker in America awake tonight. Not because AI is coming for their job. Because most of them never understood what their job actually was. Huang: “The task of our job and the purpose of our job are related, not the same.” Most people think their job is the thing they do with their hands for eight hours a day. Write code. Fill spreadsheets. Draft emails. Push pixels. That was never the job. That was the task. The job was always the thinking underneath it. Huang: “If you apply that to me, you would come to the conclusion what Jensen does for a living is tap on phones and talk. And tapping on phones and talking, AI has done that just fine. And therefore my job should be gone. But I’m busier than ever.” This is the part nobody wants to sit with. The people panicking about AI aren’t afraid of losing their work. They’re afraid of finding out they never had any. They had a routine. A repetitive motion. A series of keystrokes that felt like purpose. Now a machine does it in four seconds. Huang: “AI has created more than half a million jobs in the last couple of years.” The data says one thing. The fear says another. Because the fear was never about employment numbers. It was about identity. We spent fifty years hunched over keyboards, convinced the hunching was the work. Huang: “The idea that being human means to hunch over on this little thing, typing all the time… 50 years before that, people didn’t do that.” Fifty years. That’s all it took to build an entire identity around a posture. We don’t type for a living. We think for a living. We imagine for a living. The keyboard was always just the delivery mechanism. Never the product. Huang: “It is a fundamental flaw that we only need a billion lines of code written. We need a trillion lines of code written.” The demand was always infinite. The bottleneck was always our fingers. AI doesn’t shrink the workforce. It removes the cap on what the workforce can actually build. Huang: “Companies that use AI have demonstrated the ability to grow faster. When they grow faster, they hire more people.” Growth doesn’t eliminate people. It pulls them in. Every industrial revolution triggered the same panic. Same headlines. Same wrong conclusion. And every single time, the economy didn’t contract. It expanded into territory that didn’t exist before. The real question was never whether AI takes your job. It was whether you were ever anything more than the motions you repeated. Because somewhere in the last fifty years, we stopped asking what the work was for. We just kept typing. And now the typing is done. And millions of people are about to meet themselves for the first time. With nothing to hide behind. Some of them won’t survive what they find.

Dustin

92,362 次观看 • 2 个月前

More than a hundred years ago, San Francisco built a city out of jewels and then tore almost all of it down on purpose. You are looking at the Panama–Pacific International Exposition of 1915. For ten months, on six hundred acres along the city's northern waterfront, San Francisco raised an entire fantasy metropolis of palaces, colonnades, fountains, and towers, and invited the world to walk through it. Nearly nineteen million people did. What makes it almost unbelievable is the timing. Only nine years earlier, in 1906, San Francisco had been flattened by one of the worst earthquakes and fires in American history. Much of the city had burned to the ground. The exposition was the city's answer to the world: not only have we survived, we can build something more beautiful than anything you have ever seen. At its heart stood the Tower of Jewels, 435 feet of triumphal arch and tower rising over the fairgrounds. Its surface was hung with more than 100,000 small cut-glass "jewels," each dangling on a tiny hook so it would tremble in the wind. By day they flashed in the sunlight. At night, more than fifty spotlights were turned on them, and the entire tower shimmered above the bay like something out of a dream. People had never seen anything like it... Around it spread a city of wonders. The Palace of Fine Arts, a vast Roman ruin reflected in its own still lagoon, designed to evoke the beautiful melancholy of a vanished civilization. The Palace of Machinery, so enormous that an airplane was once flown inside it. Grand courts and avenues lined with sculpture, all built in a soft, unified palette of color, glowing under the new technology of indirect electric light. And nearly all of it was designed to disappear. When it closed in December 1915, the dream city was systematically pulled down. Only one structure was saved. The Palace of Fine Arts, the most beloved of them all, was considered too beautiful to lose. Decades later it was rebuilt, and it still stands in San Francisco today, the last survivor of an entire city that existed for less than a year... Perhaps that’s what haunts us most: not that we built temporary palaces, but that we chose not to keep them. We built beauty knowing we would destroy it, as if beauty itself were disposable. Roger Scruton once said: "There is a deep human need for beauty, and if you ignore that need in architecture, your buildings will not last, since people will never feel at home in them." I started this newsletter because the people who came before us were capable of extraordinary things, and almost no one is teaching us about them anymore. Every week I try to. If that is something you would like to be part of, you can join here: I write about beauty in all its forms. If you'd like to support the work, a paid subscription is what makes it possible. Thanks for reading.
2:03

More than a hundred years ago, San Francisco built a city out of jewels and then tore almost all of it down on purpose. You are looking at the Panama–Pacific International Exposition of 1915. For ten months, on six hundred acres along the city's northern waterfront, San Francisco raised an entire fantasy metropolis of palaces, colonnades, fountains, and towers, and invited the world to walk through it. Nearly nineteen million people did. What makes it almost unbelievable is the timing. Only nine years earlier, in 1906, San Francisco had been flattened by one of the worst earthquakes and fires in American history. Much of the city had burned to the ground. The exposition was the city's answer to the world: not only have we survived, we can build something more beautiful than anything you have ever seen. At its heart stood the Tower of Jewels, 435 feet of triumphal arch and tower rising over the fairgrounds. Its surface was hung with more than 100,000 small cut-glass "jewels," each dangling on a tiny hook so it would tremble in the wind. By day they flashed in the sunlight. At night, more than fifty spotlights were turned on them, and the entire tower shimmered above the bay like something out of a dream. People had never seen anything like it... Around it spread a city of wonders. The Palace of Fine Arts, a vast Roman ruin reflected in its own still lagoon, designed to evoke the beautiful melancholy of a vanished civilization. The Palace of Machinery, so enormous that an airplane was once flown inside it. Grand courts and avenues lined with sculpture, all built in a soft, unified palette of color, glowing under the new technology of indirect electric light. And nearly all of it was designed to disappear. When it closed in December 1915, the dream city was systematically pulled down. Only one structure was saved. The Palace of Fine Arts, the most beloved of them all, was considered too beautiful to lose. Decades later it was rebuilt, and it still stands in San Francisco today, the last survivor of an entire city that existed for less than a year... Perhaps that’s what haunts us most: not that we built temporary palaces, but that we chose not to keep them. We built beauty knowing we would destroy it, as if beauty itself were disposable. Roger Scruton once said: "There is a deep human need for beauty, and if you ignore that need in architecture, your buildings will not last, since people will never feel at home in them." I started this newsletter because the people who came before us were capable of extraordinary things, and almost no one is teaching us about them anymore. Every week I try to. If that is something you would like to be part of, you can join here: I write about beauty in all its forms. If you'd like to support the work, a paid subscription is what makes it possible. Thanks for reading.

James Lucas

51,018 次观看 • 1 个月前

This is too long but I don't care. My top current foot humiliation fantasy is paying for Madame l’Impératrice 🇫🇷💓😍 from Furies Room to fly business class to LA to team up with Lexi Holland🤍🤪 ... meeting up with the 2 Queens in some unfurnished luxury airbnb with 2 Alice in Wonderland-like armchairs and a foot stool each in the middle of a carpeted sound proofed room. This would be a double booking for an hours long foot humiliation session. Importantly, Madame l’Impératrice must still be wearing the same travel clothes, knee high boots, dress, and the underwear she left France in. No smoking by anyone at least 10 days before because it destroys a woman's smell and steals her delicate perfume that I crave so bad. I want to hear Madame l’Impératrice's sexy French voice just like she whispers to the guy in that video below. Making me strip naked in front of her, overlaid with Mistress Lexi's beautiful voice making me crawl to their boots. The first hour is spent worshipping their boots and feeling their power, then kissing, licking, sucking and worshipping their bare feet with my mouth and tongue. I want the emotional vulnerability you can see in the guy in the video below who Madame l’Impératrice torments. But I need to feel owned like I'm their personal freak not just some random paying client for the day - that would be the hardest bit to emulate. Stripped naked of dignity in front of both women with the same hard face slapping, but adding in the kind of ritualized OTK hairbrush spanking Mistress Lexi makes a theatre experience in her videos ( I think it's possible. Humiliated, a sorely reddened and smarting bottom, I'm again at dog level POV before the 2 reclining Goddesses after all that bare ass spanking and face slapping. My tongue in between their pungent smelly toes, I can see myself like a dog fetching a treat, crawling on hands and knees from one woman's stretched out foot to the other as they smirk, humbled by the embarrassment and tasting the difference. My tongue by the end the same flavor as the leftover sock lint between their toes 🤤 It ends with them taking off their panties worn for at least 48 hours so the scent is rich and intense, just perfect for a degrading masturbation humiliation that overwhelms even a hardened humiliation junkie. Je tombe amoureux des pieds des deux femmes. Finish with generous hugs on a bed. I bet Lexi Holland gives the best cuddles ever. 🧸💕 Then coffee and fine dinner at a fine restaurant with them both, me having paid for everything. I wish lol. Je crois que je suis tombé amoureux de toi Madame l’Impératrice 💘
0:30

This is too long but I don't care. My top current foot humiliation fantasy is paying for Madame l’Impératrice 🇫🇷💓😍 from Furies Room to fly business class to LA to team up with Lexi Holland🤍🤪 ... meeting up with the 2 Queens in some unfurnished luxury airbnb with 2 Alice in Wonderland-like armchairs and a foot stool each in the middle of a carpeted sound proofed room. This would be a double booking for an hours long foot humiliation session. Importantly, Madame l’Impératrice must still be wearing the same travel clothes, knee high boots, dress, and the underwear she left France in. No smoking by anyone at least 10 days before because it destroys a woman's smell and steals her delicate perfume that I crave so bad. I want to hear Madame l’Impératrice's sexy French voice just like she whispers to the guy in that video below. Making me strip naked in front of her, overlaid with Mistress Lexi's beautiful voice making me crawl to their boots. The first hour is spent worshipping their boots and feeling their power, then kissing, licking, sucking and worshipping their bare feet with my mouth and tongue. I want the emotional vulnerability you can see in the guy in the video below who Madame l’Impératrice torments. But I need to feel owned like I'm their personal freak not just some random paying client for the day - that would be the hardest bit to emulate. Stripped naked of dignity in front of both women with the same hard face slapping, but adding in the kind of ritualized OTK hairbrush spanking Mistress Lexi makes a theatre experience in her videos ( I think it's possible. Humiliated, a sorely reddened and smarting bottom, I'm again at dog level POV before the 2 reclining Goddesses after all that bare ass spanking and face slapping. My tongue in between their pungent smelly toes, I can see myself like a dog fetching a treat, crawling on hands and knees from one woman's stretched out foot to the other as they smirk, humbled by the embarrassment and tasting the difference. My tongue by the end the same flavor as the leftover sock lint between their toes 🤤 It ends with them taking off their panties worn for at least 48 hours so the scent is rich and intense, just perfect for a degrading masturbation humiliation that overwhelms even a hardened humiliation junkie. Je tombe amoureux des pieds des deux femmes. Finish with generous hugs on a bed. I bet Lexi Holland gives the best cuddles ever. 🧸💕 Then coffee and fine dinner at a fine restaurant with them both, me having paid for everything. I wish lol. Je crois que je suis tombé amoureux de toi Madame l’Impératrice 💘

Pay Her Feet

10,128 次观看 • 1 年前

[T1 vs. DK] Post match interview with T1 Oner and Coach Kkoma after defeat against Dplus Kia Q: How do you feel about the match? 🐯: We were leading 2:0, but we ended up losing 2:3. It's very disappointing. 👤: It's very disappointing to lose today. I think the other team played better and that’s why they won. Q: What do you think was the reason for the loss today? 👤: We were in a good position, but the other team focused better, and that led to our defeat. Q: Why do you think the focus wasn't there? 👤: There were moments when we had the advantage, but we couldn't capitalize on them and secure the win. That's what I find most disappointing. Q: Oner, what do you think was the reason for the loss? 🐯: There were some mistakes around the objectives. We couldn't execute our plans as intended before the objectives appeared. These mistakes piled up, and combined with losing team fights, led to our defeat. Q: Why did you pick Kha'Zix and why didn't it work out? 🐯: I thought Kha'Zix could be a good 'joker' pick [or a surprise car] in the 4th or 5th set, so I practiced him a lot in solo queue. We picked him in the 3rd set because we thought he had good synergy with Twisted Fate. Although the result was disappointing, I think the draft itself was fine. Q: How do you feel about the team's performance in this tournament? 👤: The players prepared very hard, and I'm sorry we couldn't show more of what we had. We will prepare better for the next match and show a better performance. Q: What was the strategy for the draft after the match against BNK? 👤: When we had the advantage, we followed the plan we had prepared. It's just a pity we couldn't secure the win when we were ahead. Q: What do you plan to improve on? 👤: There are many areas to improve, not just one. We need to focus on our macro, team fights, and adapting to the new patch. Q: Oner, what are your thoughts on your own performance throughout the tournament? 🐯: There were many good moments, but also many poor ones. I need to fix those mistakes. There's some time until the regular season starts, so I'll practice hard and show a better performance. Q: Despite having Kalista in Game 5, you lost the Smite fight (objective fight). What happened? 🐯: Well, our plan was, as you mentioned, to secure the objective by combining Kalista’s [rend] with my Smite. We had discussed that strategy often. However, in that specific teamfight, things got quite chaotic and complicated. It didn’t play out the way we wanted, which I think is why we ended up having the objective stolen. Q: Any final words to wrap up the interview? 👤: I feel very sorry toward the players because I feel like I didn’t help them enough to stay focused until the very end. I feel quite bad about that. For our next match, we will prepare even harder to show a better performance than we did today. Please continue to support T1. 🐯: I know many T1 fans had high expectations and gave us a lot of support, so I feel very sorry that we weren't able to live up to that. We will prepare thoroughly for the regular season and I promise to show you a better, more impressive side of ourselves then. Oner=🐯 Kkoma=👤
4:08

[T1 vs. DK] Post match interview with T1 Oner and Coach Kkoma after defeat against Dplus Kia Q: How do you feel about the match? 🐯: We were leading 2:0, but we ended up losing 2:3. It's very disappointing. 👤: It's very disappointing to lose today. I think the other team played better and that’s why they won. Q: What do you think was the reason for the loss today? 👤: We were in a good position, but the other team focused better, and that led to our defeat. Q: Why do you think the focus wasn't there? 👤: There were moments when we had the advantage, but we couldn't capitalize on them and secure the win. That's what I find most disappointing. Q: Oner, what do you think was the reason for the loss? 🐯: There were some mistakes around the objectives. We couldn't execute our plans as intended before the objectives appeared. These mistakes piled up, and combined with losing team fights, led to our defeat. Q: Why did you pick Kha'Zix and why didn't it work out? 🐯: I thought Kha'Zix could be a good 'joker' pick [or a surprise car] in the 4th or 5th set, so I practiced him a lot in solo queue. We picked him in the 3rd set because we thought he had good synergy with Twisted Fate. Although the result was disappointing, I think the draft itself was fine. Q: How do you feel about the team's performance in this tournament? 👤: The players prepared very hard, and I'm sorry we couldn't show more of what we had. We will prepare better for the next match and show a better performance. Q: What was the strategy for the draft after the match against BNK? 👤: When we had the advantage, we followed the plan we had prepared. It's just a pity we couldn't secure the win when we were ahead. Q: What do you plan to improve on? 👤: There are many areas to improve, not just one. We need to focus on our macro, team fights, and adapting to the new patch. Q: Oner, what are your thoughts on your own performance throughout the tournament? 🐯: There were many good moments, but also many poor ones. I need to fix those mistakes. There's some time until the regular season starts, so I'll practice hard and show a better performance. Q: Despite having Kalista in Game 5, you lost the Smite fight (objective fight). What happened? 🐯: Well, our plan was, as you mentioned, to secure the objective by combining Kalista’s [rend] with my Smite. We had discussed that strategy often. However, in that specific teamfight, things got quite chaotic and complicated. It didn’t play out the way we wanted, which I think is why we ended up having the objective stolen. Q: Any final words to wrap up the interview? 👤: I feel very sorry toward the players because I feel like I didn’t help them enough to stay focused until the very end. I feel quite bad about that. For our next match, we will prepare even harder to show a better performance than we did today. Please continue to support T1. 🐯: I know many T1 fans had high expectations and gave us a lot of support, so I feel very sorry that we weren't able to live up to that. We will prepare thoroughly for the regular season and I promise to show you a better, more impressive side of ourselves then. Oner=🐯 Kkoma=👤

안개새벽 𓏲ּ𝄢

32,503 次观看 • 4 个月前

This is a direct hardware capture of our Grand Theft Auto 3 port running on the Sega Dreamcast... which I'm still constantly receiving questions about to this day... So what's the deal? Do we ever plan to revisit it, or have we called it a day and moved on? What about all of these gainz that I keep posting about, surely they could be applied to our GTA3 and VC ports? The truth is... No, I'm not done. I constantly think about the day when SH4ZAM is ready to be pulled back into the codebase for what will hopefully be another round of epic gainz. GTA3 and VC on DC were probably the most exhilarating, satisfying projects I've ever worked on as an engineer--academically, professionally, and personally. SH4ZAM literally started out as hand-optimized inline ASM routines I was whipping out of my ass to optimize the physics and TnL for these ports... but I decided to extract the routines and develop SH4ZAM in isolation for a couple reasons: 1) I saw a gaping hole in the DC homebrew community and KallistiOS ecosystem, which prevented indie developers from truly harnessing the power of the DC's SH4 CPU and its epic FPU, due to us having no good generic software solution to democratize the hardware... I felt like my work on GTA3 and VC could help fill that void. 2) The linear algebra math and low level SH4 ASM was starting to get complex enough that continuing to work within the main game codebase when implementing these optimizations became unrealistic. It became too easy to break the game in obscure ways that weren't immediately apparent without playing the game for hours, which was not a very ideal workflow... I needed an isolated environment where I could rigorously unit test and profile my routines. In addition to SH4ZAM, though, there's all kinds of other stuff I wanted for the game... We have yet to implement mouse + keyboard support for the PC control scheme, also enabling players enter cheat codes. We had some cool goodies planned for the VMU, and we didn't support any rumble or haptic feedback either, just to name a few. Finally, we have one more super secret weapon we've kept hidden for many months now... A certain 3D modeling wizard, who goes by Andrea Lotito, has been working on asset-side gainz, by reducing polygonal complexity of pedestrian models among others, while astonishingly still managing to get EVEN MORE DETAIL out of the models as well?!
0:34

This is a direct hardware capture of our Grand Theft Auto 3 port running on the Sega Dreamcast... which I'm still constantly receiving questions about to this day... So what's the deal? Do we ever plan to revisit it, or have we called it a day and moved on? What about all of these gainz that I keep posting about, surely they could be applied to our GTA3 and VC ports? The truth is... No, I'm not done. I constantly think about the day when SH4ZAM is ready to be pulled back into the codebase for what will hopefully be another round of epic gainz. GTA3 and VC on DC were probably the most exhilarating, satisfying projects I've ever worked on as an engineer--academically, professionally, and personally. SH4ZAM literally started out as hand-optimized inline ASM routines I was whipping out of my ass to optimize the physics and TnL for these ports... but I decided to extract the routines and develop SH4ZAM in isolation for a couple reasons: 1) I saw a gaping hole in the DC homebrew community and KallistiOS ecosystem, which prevented indie developers from truly harnessing the power of the DC's SH4 CPU and its epic FPU, due to us having no good generic software solution to democratize the hardware... I felt like my work on GTA3 and VC could help fill that void. 2) The linear algebra math and low level SH4 ASM was starting to get complex enough that continuing to work within the main game codebase when implementing these optimizations became unrealistic. It became too easy to break the game in obscure ways that weren't immediately apparent without playing the game for hours, which was not a very ideal workflow... I needed an isolated environment where I could rigorously unit test and profile my routines. In addition to SH4ZAM, though, there's all kinds of other stuff I wanted for the game... We have yet to implement mouse + keyboard support for the PC control scheme, also enabling players enter cheat codes. We had some cool goodies planned for the VMU, and we didn't support any rumble or haptic feedback either, just to name a few. Finally, we have one more super secret weapon we've kept hidden for many months now... A certain 3D modeling wizard, who goes by Andrea Lotito, has been working on asset-side gainz, by reducing polygonal complexity of pedestrian models among others, while astonishingly still managing to get EVEN MORE DETAIL out of the models as well?!

Falco Girgis

34,216 次观看 • 3 个月前

"What was in the middle of the hangar was an actual flying saucer. ~GR A Secret Revealed After 33 Years - Have We Cracked Gravity? "We got it from them." (Rogers retired in April of this year.) In 1992, Dr. Gregory Rogers, a chief flight surgeon (a physician who's responsible for the health of the aviation crew, including pilots) for NASA and an Air Force major who supported 33 space shuttle launches and was also an F-18 pilot, was at Cape Canaveral Air Force Station (now called Cape Canaveral Space Force Station). He had a guide from EG&G with him but that doesn't seem relevant to what happened next. A major pulled him aside and said, "Hey Doc, I've got something to show you, I've got something even you have never seen." Josh Boswell broke this story in May. H/T: Sentinel News The major took him into an office with four computer stations, locked the door and closed the blinds. They both sat down, and on one of the computer screens, the major pulled up a video that showed a generic hangar. The screen had no markings on it. No classification markings, no location, time, date, etc. "What was in the middle of the hangar was an actual flying saucer." (This next quote isn't part of my video clip and is at 25:08 of the Chris Lehto interview.) "So I said, 'Where would we get a design like this?' And [the major] said, 'We got it from them (shows his thumb pointing up).' He did not explain what he meant, but obviously, he was referring to non-human technologies from off this planet." "There were two guys in lab cats to the bottom left, and then midway up the screen on the right side, there were three guys that looked like technicians in what I would call Tyvek suits, head-to-toe. And only their faces were shown. "And then some sort of a warning sound went off and everybody cleared out. And then, within a couple of minutes, the vehicle became active." "The vehicle itself was sort of a pearly white. There were no seams, rivets, windows, doors. Nothing that could be identified. It looked as though it was sort of a modified egg, if you just sort of shifted it around. "There was a tiny little area on top that protruded and there was a mast that came out. And on the mast, it looked like there were three umbilicals coming off." There were various, flat-black rectangles (horizontal and vatical). "I believe that these were made to monitor the movement of this craft." [Since] "it was perfectly pearly white, and it began to move, there was nothing there to show you that it was moving. So, just like any experimental aircraft, they put markings on it so you could monitor the motion. And that's what I believe these rectangles were. "There were electromagnetic discharges that told me that the vehicle had become active, and they were very peculiar. But I don't wish to describe them to anyone because, if this was a test-bed model, whatever the mechanisms were being used may still be active in more advanced craft, and I don't want to give out information that would be beneficial to those opposing the United States. But, as soon as it started to do this... (Video picks up again here. 👇🏼 ) "...it just sort of lifted off the floor. The floor looked like a concrete floor with like, some sort of rubber matt that had been on top of it." "It lifted off, just like a feather. It rose about three feet in the air and then just hung there. The next thing that it does is that it rotates 360 degrees, clockwise. As it rotated across, I could see the writing, 'U.S. Air Force.' And then it had an American flight insignia just above that." "It completed a 360-degree circle, paused, and then completed a 360-degree circle counterclockwise, so that it was in the same position it had started in. It moved to the left and right, it moved forward and backwards. It's just like, you know, you're testing your controls, making sure you have everything working. "And then, it rotated to a 45-degree angle of attack, if it were flying and the 12-o'clock position (where the U.S. Navy and flight insignia was located) was going forward. This was amazing. Fixed-wing aircraft can't do this. A helicopter can go to a 45-degree angle of attack, but it's going to be moving forward and lifting. This thing did not do that. And so, this shocked me more than anything else, because it did not move one centimeter as it moved to what would be a 45-degree angle of attack. So that just blew me away. "Just about that time, there's a knock on the door. The guy hits the buttons to turn the computer and screen off, and he says, 'Don't tell anyone I showed you this!' "Well, I'm gonna go around telling somebody that you showed me a flying saucer? Well he goes to the door, opens it - we were both majors - and so this Lt. Colonel and two other guys came in. And so the Lt. Colonel said, "What's going on in here that you had the doors locked?" To see how they got out of this pickle, and why Rogers didn't turn in the major for showing him a classified video, watch the rest of the clip. "Along the way, I thought, 'I can't tell this to anybody.' I didn't even tell it to my wife for 15 years. But, as long as I was associated with the [DoD], I did not want to risk what the repercussions were gonna be as soon as I told this story. ~~~ How far have our reverse engineering efforts progressed? This is from my August of 2023 post. "There are people who say we have reverse-engineered them and are flying them. I never found any support for that. And found a lot of support for saying we can’t figure it out. If we do, it would be in some program at a higher security level.” ~Michael Shellenberger ~~~ Former intel and defense contractor, and my friend, Michael Via, who I've interviewed multiple times, had his sighting of a silent, black, "majestic" triangle craft in 1992 in the Persian Gulf. He thinks it's our tech. ~~~ And then there's Nick Cook, the former aviator editor for Jane's Defence Weekly and a very respected, award-winning journalist, and author. His gut tells him that we (humans) may have cracked gravity. But he doesn't have the proof. "I found plenty of evidence the US had been trying, tho. I have no firm evidence now (who does?), but 20 years on from #THFZP, I think it is possible the antigrav issue has been cracked. Wish I could say this was more than a hunch, but this is all it is." ~Nick Cook A hunch. Possible. ~~~ And my favorite anecdote of all time, from another person I consider a friend. Retired Commander Will Miller: "I had a friend, a former military officer who worked with me. [He went to work at] the famous Groom Lake facility, Area 51 and he was out there for several years. As we all know, most folks that work out there have signed their lives away, never to disclose what goes on and for better or for worse, and this fella was no different. And over the three years I worked with him – and he knew my interest in things extraterrestrial and my work with CSETI – never once did he mention any of his work out at Groom Lake or any association between that and anything extraterrestrial. "And the day I was leaving the command, he took me aside and he said, 'You know, Will, some of the folks you talk with, maybe some CSETI researchers, may see objects that are doing, you know, Mach 9 and then suddenly make a right angle turn and you say, "Well, gosh, that’s got to be an extraterrestrial craft."' "And then he looked at me and he said, 'But it’s not.' And he just turned and walked away." ~Commander Will Miller (Retired) My original post is here: ~~~ One thing that Dr. Gregory Rogers said to Lehto really jumped out at me: "And then, it rotated to a 45-degree angle of attack." Numerous witnesses have reported craft tilting up at a 45-degree angle right before they shoot off at a high rate of speed. I wrote a long thread on it (which I can't find) and Danny Silva wrote an article on it several years ago. Here's a thread from Willy Sam that covers some of that. And if you Google "UFO tilt up 45 degrees," you'll find more. Did we figure out something about UFOs and tilting up?
8:48

"What was in the middle of the hangar was an actual flying saucer. ~GR A Secret Revealed After 33 Years - Have We Cracked Gravity? "We got it from them." (Rogers retired in April of this year.) In 1992, Dr. Gregory Rogers, a chief flight surgeon (a physician who's responsible for the health of the aviation crew, including pilots) for NASA and an Air Force major who supported 33 space shuttle launches and was also an F-18 pilot, was at Cape Canaveral Air Force Station (now called Cape Canaveral Space Force Station). He had a guide from EG&G with him but that doesn't seem relevant to what happened next. A major pulled him aside and said, "Hey Doc, I've got something to show you, I've got something even you have never seen." Josh Boswell broke this story in May. H/T: Sentinel News The major took him into an office with four computer stations, locked the door and closed the blinds. They both sat down, and on one of the computer screens, the major pulled up a video that showed a generic hangar. The screen had no markings on it. No classification markings, no location, time, date, etc. "What was in the middle of the hangar was an actual flying saucer." (This next quote isn't part of my video clip and is at 25:08 of the Chris Lehto interview.) "So I said, 'Where would we get a design like this?' And [the major] said, 'We got it from them (shows his thumb pointing up).' He did not explain what he meant, but obviously, he was referring to non-human technologies from off this planet." "There were two guys in lab cats to the bottom left, and then midway up the screen on the right side, there were three guys that looked like technicians in what I would call Tyvek suits, head-to-toe. And only their faces were shown. "And then some sort of a warning sound went off and everybody cleared out. And then, within a couple of minutes, the vehicle became active." "The vehicle itself was sort of a pearly white. There were no seams, rivets, windows, doors. Nothing that could be identified. It looked as though it was sort of a modified egg, if you just sort of shifted it around. "There was a tiny little area on top that protruded and there was a mast that came out. And on the mast, it looked like there were three umbilicals coming off." There were various, flat-black rectangles (horizontal and vatical). "I believe that these were made to monitor the movement of this craft." [Since] "it was perfectly pearly white, and it began to move, there was nothing there to show you that it was moving. So, just like any experimental aircraft, they put markings on it so you could monitor the motion. And that's what I believe these rectangles were. "There were electromagnetic discharges that told me that the vehicle had become active, and they were very peculiar. But I don't wish to describe them to anyone because, if this was a test-bed model, whatever the mechanisms were being used may still be active in more advanced craft, and I don't want to give out information that would be beneficial to those opposing the United States. But, as soon as it started to do this... (Video picks up again here. 👇🏼 ) "...it just sort of lifted off the floor. The floor looked like a concrete floor with like, some sort of rubber matt that had been on top of it." "It lifted off, just like a feather. It rose about three feet in the air and then just hung there. The next thing that it does is that it rotates 360 degrees, clockwise. As it rotated across, I could see the writing, 'U.S. Air Force.' And then it had an American flight insignia just above that." "It completed a 360-degree circle, paused, and then completed a 360-degree circle counterclockwise, so that it was in the same position it had started in. It moved to the left and right, it moved forward and backwards. It's just like, you know, you're testing your controls, making sure you have everything working. "And then, it rotated to a 45-degree angle of attack, if it were flying and the 12-o'clock position (where the U.S. Navy and flight insignia was located) was going forward. This was amazing. Fixed-wing aircraft can't do this. A helicopter can go to a 45-degree angle of attack, but it's going to be moving forward and lifting. This thing did not do that. And so, this shocked me more than anything else, because it did not move one centimeter as it moved to what would be a 45-degree angle of attack. So that just blew me away. "Just about that time, there's a knock on the door. The guy hits the buttons to turn the computer and screen off, and he says, 'Don't tell anyone I showed you this!' "Well, I'm gonna go around telling somebody that you showed me a flying saucer? Well he goes to the door, opens it - we were both majors - and so this Lt. Colonel and two other guys came in. And so the Lt. Colonel said, "What's going on in here that you had the doors locked?" To see how they got out of this pickle, and why Rogers didn't turn in the major for showing him a classified video, watch the rest of the clip. "Along the way, I thought, 'I can't tell this to anybody.' I didn't even tell it to my wife for 15 years. But, as long as I was associated with the [DoD], I did not want to risk what the repercussions were gonna be as soon as I told this story. ~~~ How far have our reverse engineering efforts progressed? This is from my August of 2023 post. "There are people who say we have reverse-engineered them and are flying them. I never found any support for that. And found a lot of support for saying we can’t figure it out. If we do, it would be in some program at a higher security level.” ~Michael Shellenberger ~~~ Former intel and defense contractor, and my friend, Michael Via, who I've interviewed multiple times, had his sighting of a silent, black, "majestic" triangle craft in 1992 in the Persian Gulf. He thinks it's our tech. ~~~ And then there's Nick Cook, the former aviator editor for Jane's Defence Weekly and a very respected, award-winning journalist, and author. His gut tells him that we (humans) may have cracked gravity. But he doesn't have the proof. "I found plenty of evidence the US had been trying, tho. I have no firm evidence now (who does?), but 20 years on from #THFZP, I think it is possible the antigrav issue has been cracked. Wish I could say this was more than a hunch, but this is all it is." ~Nick Cook A hunch. Possible. ~~~ And my favorite anecdote of all time, from another person I consider a friend. Retired Commander Will Miller: "I had a friend, a former military officer who worked with me. [He went to work at] the famous Groom Lake facility, Area 51 and he was out there for several years. As we all know, most folks that work out there have signed their lives away, never to disclose what goes on and for better or for worse, and this fella was no different. And over the three years I worked with him – and he knew my interest in things extraterrestrial and my work with CSETI – never once did he mention any of his work out at Groom Lake or any association between that and anything extraterrestrial. "And the day I was leaving the command, he took me aside and he said, 'You know, Will, some of the folks you talk with, maybe some CSETI researchers, may see objects that are doing, you know, Mach 9 and then suddenly make a right angle turn and you say, "Well, gosh, that’s got to be an extraterrestrial craft."' "And then he looked at me and he said, 'But it’s not.' And he just turned and walked away." ~Commander Will Miller (Retired) My original post is here: ~~~ One thing that Dr. Gregory Rogers said to Lehto really jumped out at me: "And then, it rotated to a 45-degree angle of attack." Numerous witnesses have reported craft tilting up at a 45-degree angle right before they shoot off at a high rate of speed. I wrote a long thread on it (which I can't find) and Danny Silva wrote an article on it several years ago. Here's a thread from Willy Sam that covers some of that. And if you Google "UFO tilt up 45 degrees," you'll find more. Did we figure out something about UFOs and tilting up?

Joe Murgia

25,246 次观看 • 1 年前

Terrified Chicago restaurant owner pleads for help after string of senseless attacks on staff at burger joint | Sonya Gugliara, Daily Mail The owner of a Chicago burger joint has begged for the liberal city's help after mobs of teens wreaked havoc on the restaurant and senselessly attacked one of her employees. Jackie Jackson, the owner of a Fatburger in Chatham, a neighborhood in the city's South Side, has broken her silence about the outrageous incidents that destroyed her store and left one of her employees, Aaron Burns, 18, terrified. Above all, she said she is infuriated that the city's police have failed to intervene. Shocking security footage from one of the December 2024 ambushes shows a group of teens - some wearing masks to conceal their faces - breaking into the eatery's kitchen to fight Burns. The unsuspecting worker was seen being confronted by the group before one of its members, wearing a tan hoodie, started swinging at him. The altercation traveled through the kitchen as other teens joined in. Horrified employees were seen filing out of the room as screams were heard in the background. Other workers unsuccessfully attempted to de-escalate the situation. Video captured of another incident, a few weeks later, shows teens hopping over the front counter to enter the kitchen. In the corner of the video, a man witnessing the chaos seemingly pulled out a gun and pointed it at the teens, yelling, 'Get the f**k out of here!' No one has been charged in relation to the catastrophic events and Chicago police are still investigating the string of attacks, ABC 7 reported. Burns told the outlet he believed the unprompted assault stemmed from a fight at his high school that he was not involved in. He suspects the group went after him because they thought he was somehow involved. 'I didn't have no conversation with them, so I don't even know why I was brought into it,' Burns told ABC 7. 'I was just shocked because I couldn't believe they came up in here to fight me and I ain't have nothing to do with it.' Jackson, still fuming over the unjust incident, released a social media statement about it on September 8. 'Twice in December, chaos walked into my brand-new Fatburger,' Jackson wrote, adding that a shoulder injury had prevented her from intervening. 'The first time, a group stormed in and went after my teenage staff. Most of my team ran for safety, but one of my kids was attacked and had no choice but to defend himself. A few weeks later, another group jumped the counter. 'I watched on camera numb, helpless, and heartbroken.' Jackson thanked the man seen pulling out a gun in the footage, as she said he helped get the assailants out of the store. But she said that what pained her the most was the lack of police involvement. 'What makes it even worse: the police never followed up. One of the kids even dropped his ID, which was given to them, yet no follow-up ever came,' she wrote. 'That silence hurt almost as much as the attack itself.' The Daily Mail has reached out to South Side Chicago police for comment. Jackson had to invest in an eight-inch metal rod iron fence, heavy security doors and a 'high-tech surveillance system.' Now, she is calling upon her community to hold the culprits - and the city -accountable. 'How dare they come into my business and put my team at risk?' Jackson asked ABC 7. 'They scared customers off, I was so frustrated.' Despite being targeted at work, Burns has remained a loyal and diligent employee. But due to safety concerns, he has been taking Ubers to and from work for all of his shifts. Community organizer Early Walker caught wind of the situation on social media and decided to step in to help ease Burns' burden. During a Friday press conference, Walker presented Burns with a $4,000 check, funded by local business E&R Towing, to help him cover the costs of his work trips. 'The fact that he stayed working here. He didn't let this deter him,' the organizer told ABC 7. 'Kids do want to work and be productive, and Aaron was a prime example of that.'
2:05

Terrified Chicago restaurant owner pleads for help after string of senseless attacks on staff at burger joint | Sonya Gugliara, Daily Mail The owner of a Chicago burger joint has begged for the liberal city's help after mobs of teens wreaked havoc on the restaurant and senselessly attacked one of her employees. Jackie Jackson, the owner of a Fatburger in Chatham, a neighborhood in the city's South Side, has broken her silence about the outrageous incidents that destroyed her store and left one of her employees, Aaron Burns, 18, terrified. Above all, she said she is infuriated that the city's police have failed to intervene. Shocking security footage from one of the December 2024 ambushes shows a group of teens - some wearing masks to conceal their faces - breaking into the eatery's kitchen to fight Burns. The unsuspecting worker was seen being confronted by the group before one of its members, wearing a tan hoodie, started swinging at him. The altercation traveled through the kitchen as other teens joined in. Horrified employees were seen filing out of the room as screams were heard in the background. Other workers unsuccessfully attempted to de-escalate the situation. Video captured of another incident, a few weeks later, shows teens hopping over the front counter to enter the kitchen. In the corner of the video, a man witnessing the chaos seemingly pulled out a gun and pointed it at the teens, yelling, 'Get the f**k out of here!' No one has been charged in relation to the catastrophic events and Chicago police are still investigating the string of attacks, ABC 7 reported. Burns told the outlet he believed the unprompted assault stemmed from a fight at his high school that he was not involved in. He suspects the group went after him because they thought he was somehow involved. 'I didn't have no conversation with them, so I don't even know why I was brought into it,' Burns told ABC 7. 'I was just shocked because I couldn't believe they came up in here to fight me and I ain't have nothing to do with it.' Jackson, still fuming over the unjust incident, released a social media statement about it on September 8. 'Twice in December, chaos walked into my brand-new Fatburger,' Jackson wrote, adding that a shoulder injury had prevented her from intervening. 'The first time, a group stormed in and went after my teenage staff. Most of my team ran for safety, but one of my kids was attacked and had no choice but to defend himself. A few weeks later, another group jumped the counter. 'I watched on camera numb, helpless, and heartbroken.' Jackson thanked the man seen pulling out a gun in the footage, as she said he helped get the assailants out of the store. But she said that what pained her the most was the lack of police involvement. 'What makes it even worse: the police never followed up. One of the kids even dropped his ID, which was given to them, yet no follow-up ever came,' she wrote. 'That silence hurt almost as much as the attack itself.' The Daily Mail has reached out to South Side Chicago police for comment. Jackson had to invest in an eight-inch metal rod iron fence, heavy security doors and a 'high-tech surveillance system.' Now, she is calling upon her community to hold the culprits - and the city -accountable. 'How dare they come into my business and put my team at risk?' Jackson asked ABC 7. 'They scared customers off, I was so frustrated.' Despite being targeted at work, Burns has remained a loyal and diligent employee. But due to safety concerns, he has been taking Ubers to and from work for all of his shifts. Community organizer Early Walker caught wind of the situation on social media and decided to step in to help ease Burns' burden. During a Friday press conference, Walker presented Burns with a $4,000 check, funded by local business E&R Towing, to help him cover the costs of his work trips. 'The fact that he stayed working here. He didn't let this deter him,' the organizer told ABC 7. 'Kids do want to work and be productive, and Aaron was a prime example of that.'

Owen Gregorian

92,626 次观看 • 10 个月前

Don Lemon platforms guest who calls Charlie Kirk a racist, Republicans white supremacists, and capitalism an “enduring sin of America,” all in under two minutes. By the end of Wajahat Ali’s rant, Lemon cracked a smile while Jennifer Welch burst out laughing. “Racists gonna racist, folks. News at 11. The racists are gonna racist on Charlie Kirk Remembrance Day. Charlie Kirk was a racist. He was a bigot. The young Republican leaders are behaving just like their martyr and King Charlie Kirk, who said that the Civil Rights Act was a mistake, who said that Martin Luther King was a horrible person, who said that Black people were better off during segregation, whose one of his last posts on Twitter was Islam is the sword used by the left to slit the throat of America. “That Charlie Kirk, who got the Presidential Medal of Honor today by Donald Trump, our commander in cankled chief, who, by the way, with his neck v*gina, if you saw on the Time magazine cover, his so-called ceasefire just blew up. This pathetic racist piece of sh*t is the model of King and daddy of these young Republicans. “And I don’t know about you, Don and Jen, I’ve been poor before. I lost everything in my 20s. When I had economic anxiety, I never, not even once in private or in public, said, I love Hitler. I know about y’all. When I had economic anxiety, I didn’t feel the sudden urge to all of a sudden start promoting anti-Semitic conspiracies and throwing my enemies in the gas chambers and using the N-word and calling gay people the F-word. “That is what these people, these young leaders, did repeatedly. Not just once, Jen and Don, repeatedly. And they laughed at each other and they applauded each other. This is who they are. This is racism. White supremacy is the enduring sin of America. “White supremacy and greed, racism and capitalism. And until it is tackled, until it is confronted, until it is purged, we will see the manifestation of white supremacy and greed in the form of Donald Trump, J.D. Vance, Charlie Kirk, and these young leaders. “And may I just say, maybe these young white conservative men need mental health. And if you are the master race and claim that you’re the master race, work out. Have you seen some of the photos of these people? Work out. And also wash your ass. Sorry. Thank you for coming to my TED Talk.”
1:58

Don Lemon platforms guest who calls Charlie Kirk a racist, Republicans white supremacists, and capitalism an “enduring sin of America,” all in under two minutes. By the end of Wajahat Ali’s rant, Lemon cracked a smile while Jennifer Welch burst out laughing. “Racists gonna racist, folks. News at 11. The racists are gonna racist on Charlie Kirk Remembrance Day. Charlie Kirk was a racist. He was a bigot. The young Republican leaders are behaving just like their martyr and King Charlie Kirk, who said that the Civil Rights Act was a mistake, who said that Martin Luther King was a horrible person, who said that Black people were better off during segregation, whose one of his last posts on Twitter was Islam is the sword used by the left to slit the throat of America. “That Charlie Kirk, who got the Presidential Medal of Honor today by Donald Trump, our commander in cankled chief, who, by the way, with his neck v*gina, if you saw on the Time magazine cover, his so-called ceasefire just blew up. This pathetic racist piece of sh*t is the model of King and daddy of these young Republicans. “And I don’t know about you, Don and Jen, I’ve been poor before. I lost everything in my 20s. When I had economic anxiety, I never, not even once in private or in public, said, I love Hitler. I know about y’all. When I had economic anxiety, I didn’t feel the sudden urge to all of a sudden start promoting anti-Semitic conspiracies and throwing my enemies in the gas chambers and using the N-word and calling gay people the F-word. “That is what these people, these young leaders, did repeatedly. Not just once, Jen and Don, repeatedly. And they laughed at each other and they applauded each other. This is who they are. This is racism. White supremacy is the enduring sin of America. “White supremacy and greed, racism and capitalism. And until it is tackled, until it is confronted, until it is purged, we will see the manifestation of white supremacy and greed in the form of Donald Trump, J.D. Vance, Charlie Kirk, and these young leaders. “And may I just say, maybe these young white conservative men need mental health. And if you are the master race and claim that you’re the master race, work out. Have you seen some of the photos of these people? Work out. And also wash your ass. Sorry. Thank you for coming to my TED Talk.”

The Vigilant Fox 🦊

181,956 次观看 • 9 个月前

Trump was about to sign the biggest AI executive order in history. CEOs flew to Washington and the pens were ready. But then ONE phone call killed the whole thing. And the guy who made that call literally owns 449 AI companies. Here’s what happened: On Thursday, every major tech CEO in America was either in Washington or on their way. Sam Altman, Sundar Pichai, Satya Nadella, Mark Zuckerberg, and more. The White House had invited them to watch Trump sign an executive order that would have given the federal government up to 90 days of access to test the most powerful AI models before they were released to the public. It would have created a coordinated response to AI-enabled threats against banks, hospitals, and critical infrastructure. The order had been in development for months. White House staff believed everyone was on board. Then at some point, David Sacks called the President directly. Sacks is the venture capitalist who served as Trump’s AI and crypto czar until March 2026. His firm Craft Ventures holds stakes in 449 companies with AI products. The New York Times investigated his portfolio and found he remained invested in hundreds of AI companies despite divesting from some holdings. A government ethics expert at Washington University called his ethics waivers “sham waivers” that were “like a presidential pardon in advance.” On Thursday morning, Sacks told Trump the executive order could slow AI development and hand China the lead. He argued that the voluntary review process could one day be made mandatory. His pitch was simple: Regulate AI, lose the race. Elon Musk called Trump with the same message. So did Mark Zuckerberg. Three billionaires who collectively own or invest in the majority of America’s AI infrastructure called the President in the span of a few hours and told him NOT to regulate their industry. Trump walked into the room where the ceremony was supposed to happen and told reporters he didn’t like the order. Pulled the plug on the spot. Now here is the part that makes this truly insane: The executive order was VOLUNTARY. Companies did not have to submit their models. There was no licensing requirement, mandatory approval process, or penalties for non-compliance. The government was simply asking to look at frontier AI models before they went live so they could test for dangerous capabilities. And even THAT was too much. Politico reported that White House officials believed Sacks supported the order all the way through the review process earlier that week. He raised zero objections during the meetings. Then on Wednesday night, he suddenly had concerns. By Thursday morning, the order was dead. The draft leaked to Axios on Friday. Now every AI company in America is operating in a policy vacuum because nobody knows what rules apply. The national security team that spent months writing the order got overruled in 12 hours by a phone call from a man who profits directly from the industry staying unregulated. But the companies that killed it are the ones building the most powerful systems with the least oversight. Musk’s xAI and Zuckerberg’s Meta AI are both developing frontier models. And both called the President to make sure nobody gets to test those models before release. David Sacks officially LEFT his White House role in March 2026. But on Thursday morning, one phone call from a private citizen with 449 AI investments was enough to override months of national security policy work and cancel a presidential executive order hours before it was signed. Nobody elected David Sacks or can vote him out. And he just decided what the rules are for the most powerful technology on Earth...
0:27

Trump was about to sign the biggest AI executive order in history. CEOs flew to Washington and the pens were ready. But then ONE phone call killed the whole thing. And the guy who made that call literally owns 449 AI companies. Here’s what happened: On Thursday, every major tech CEO in America was either in Washington or on their way. Sam Altman, Sundar Pichai, Satya Nadella, Mark Zuckerberg, and more. The White House had invited them to watch Trump sign an executive order that would have given the federal government up to 90 days of access to test the most powerful AI models before they were released to the public. It would have created a coordinated response to AI-enabled threats against banks, hospitals, and critical infrastructure. The order had been in development for months. White House staff believed everyone was on board. Then at some point, David Sacks called the President directly. Sacks is the venture capitalist who served as Trump’s AI and crypto czar until March 2026. His firm Craft Ventures holds stakes in 449 companies with AI products. The New York Times investigated his portfolio and found he remained invested in hundreds of AI companies despite divesting from some holdings. A government ethics expert at Washington University called his ethics waivers “sham waivers” that were “like a presidential pardon in advance.” On Thursday morning, Sacks told Trump the executive order could slow AI development and hand China the lead. He argued that the voluntary review process could one day be made mandatory. His pitch was simple: Regulate AI, lose the race. Elon Musk called Trump with the same message. So did Mark Zuckerberg. Three billionaires who collectively own or invest in the majority of America’s AI infrastructure called the President in the span of a few hours and told him NOT to regulate their industry. Trump walked into the room where the ceremony was supposed to happen and told reporters he didn’t like the order. Pulled the plug on the spot. Now here is the part that makes this truly insane: The executive order was VOLUNTARY. Companies did not have to submit their models. There was no licensing requirement, mandatory approval process, or penalties for non-compliance. The government was simply asking to look at frontier AI models before they went live so they could test for dangerous capabilities. And even THAT was too much. Politico reported that White House officials believed Sacks supported the order all the way through the review process earlier that week. He raised zero objections during the meetings. Then on Wednesday night, he suddenly had concerns. By Thursday morning, the order was dead. The draft leaked to Axios on Friday. Now every AI company in America is operating in a policy vacuum because nobody knows what rules apply. The national security team that spent months writing the order got overruled in 12 hours by a phone call from a man who profits directly from the industry staying unregulated. But the companies that killed it are the ones building the most powerful systems with the least oversight. Musk’s xAI and Zuckerberg’s Meta AI are both developing frontier models. And both called the President to make sure nobody gets to test those models before release. David Sacks officially LEFT his White House role in March 2026. But on Thursday morning, one phone call from a private citizen with 449 AI investments was enough to override months of national security policy work and cancel a presidential executive order hours before it was signed. Nobody elected David Sacks or can vote him out. And he just decided what the rules are for the most powerful technology on Earth...

Ricardo

467,604 次观看 • 1 个月前

When Samuel Barber was but 26 years of age, he composed a single, unassuming movement for string quartet. It was not conceived as a requiem, nor fashioned as a hymn for the dead. It was simply the second movement of a chamber work, inspired by a Latin poem reflecting upon harvests and the patient labour of the fields. Yet within that melody lay something ineffable, a quiet ache no one could quite name, and so, by some shared instinct of the human heart, the world gradually began to entrust it with its mourning. It has accompanied the passing of presidents and the grief of nations: the funerals of FDR and JFK, and the solemn remembrance of Sept. 11 attacks. Again and again, this music returns, as though it alone knows how to carry the weight of collective sorrow. What Barber first entrusted to strings already possessed this gravity. Yet when the melody passes from instruments into the fragile dignity of human voices, its very nature is transformed. A string vibrates through friction; a voice vibrates from within the body itself, from lungs and diaphragm, through throat and bone. The Agnus Dei is not merely a transcription; it is a revelation. The ancient liturgical plea… grant us peace… meets a melody that seemed to understand the prayer long before it had words with which to utter it. Within the ancient vastness of Sint-Janskathedraal, where seven centuries of stone gather and return every trembling harmonic, the music seems no longer to issue from the singers at all. It rises instead from the cathedral itself… from walls, vaults, and flagstones alike. Sixty voices unfold and divide, the dynamics swelling from a breath of near-silence into a fortissimo that does not burst forth like thunder, but arrives with the slow, solemn inevitability of fate. Listen closely to that moment when every voice opens at once. There is no microphone, no artifice of amplification, only the pure generosity of Gothic acoustics. The sound lingers long after it is sung, and that lingering becomes part of the music itself: each note bearing the gentle shadow of the one that came before. Perhaps that is why the piece tightens the chest without so much as asking leave. Barber did not merely compose sorrow. He shaped, with exquisite precision, the very space that loss carves within the human heart… and the cathedral simply reveals what was always waiting there. This, Timothée Chalamet is true art. This will never die. 📽️Reelsclassics(ig)
1:26

When Samuel Barber was but 26 years of age, he composed a single, unassuming movement for string quartet. It was not conceived as a requiem, nor fashioned as a hymn for the dead. It was simply the second movement of a chamber work, inspired by a Latin poem reflecting upon harvests and the patient labour of the fields. Yet within that melody lay something ineffable, a quiet ache no one could quite name, and so, by some shared instinct of the human heart, the world gradually began to entrust it with its mourning. It has accompanied the passing of presidents and the grief of nations: the funerals of FDR and JFK, and the solemn remembrance of Sept. 11 attacks. Again and again, this music returns, as though it alone knows how to carry the weight of collective sorrow. What Barber first entrusted to strings already possessed this gravity. Yet when the melody passes from instruments into the fragile dignity of human voices, its very nature is transformed. A string vibrates through friction; a voice vibrates from within the body itself, from lungs and diaphragm, through throat and bone. The Agnus Dei is not merely a transcription; it is a revelation. The ancient liturgical plea… grant us peace… meets a melody that seemed to understand the prayer long before it had words with which to utter it. Within the ancient vastness of Sint-Janskathedraal, where seven centuries of stone gather and return every trembling harmonic, the music seems no longer to issue from the singers at all. It rises instead from the cathedral itself… from walls, vaults, and flagstones alike. Sixty voices unfold and divide, the dynamics swelling from a breath of near-silence into a fortissimo that does not burst forth like thunder, but arrives with the slow, solemn inevitability of fate. Listen closely to that moment when every voice opens at once. There is no microphone, no artifice of amplification, only the pure generosity of Gothic acoustics. The sound lingers long after it is sung, and that lingering becomes part of the music itself: each note bearing the gentle shadow of the one that came before. Perhaps that is why the piece tightens the chest without so much as asking leave. Barber did not merely compose sorrow. He shaped, with exquisite precision, the very space that loss carves within the human heart… and the cathedral simply reveals what was always waiting there. This, Timothée Chalamet is true art. This will never die. 📽️Reelsclassics(ig)

🎩Laird of the Manor🎩

50,765 次观看 • 4 个月前