Загрузка видео...

Не удалось загрузить видео

На главную

Throughout almost 5 years working on Destiny 2, the main processes I contributed to were our static marketing assets including Gear & Character Composites, & Key Art, working in the amazing Creative Studios team.💠 Here's some highlights. Let me know your favorite piece!

Drexis_Anim's profile picture

Drexis Animations

47,714 subscribers

77,239 просмотров • 1 месяц назад •via X (Twitter)

ИгрыИскусствоНаука и технологии
LIVE

Anya Rossi• Live Now

Private livecam show

Комментарии: 0

Нет доступных комментариев

Здесь появятся комментарии из оригинального поста

Похожие видео

Here's the anim bible I made for the Dragon Ball sequence in The Synthesis. It was so fun collecting prod art & references to analyse. The animators did a great job staying true to that early DB style and working with the amazing char sheets & poses from the design team. #twwwog
0:26

Here's the anim bible I made for the Dragon Ball sequence in The Synthesis. It was so fun collecting prod art & references to analyse. The animators did a great job staying true to that early DB style and working with the amazing char sheets & poses from the design team. #twwwog

Freddie

264,806 просмотров • 8 месяцев назад

One of the workflows I helped advance and lead for Destiny 2 was our static compositing pipeline for marketing visuals. When we were creating marketing content for #Destiny2, we always needed strong key visuals for weapons, characters, abilities, and other in-game elements. Unlike a traditional gameplay screenshot, where everything is baked into one static image, composited shots let us isolate individual elements and light them more precisely. That gave us a lot more flexibility to build scenes with better legibility, clearer focus, stronger lighting, improved contrast, and a more intentional overall look. One of the biggest strengths of compositing is having access to individual layers in Photoshop. That layered approach not only makes the editing process easier, but also makes the final artwork much more flexible. Images can be adapted for trailer motion graphics, reworked for print, or pushed further as creative needs evolve. Destiny 2 composites are built using Adobe Photoshop alongside in-game captures. Using advanced development tools, we light, capture, and isolate characters, weapons, and props directly from the game environment, all of which were originally created by the talented Bungie 3D art teams. Those assets are then brought into Photoshop, where they’re cut out and assembled into custom scenes using layered compositions and visual effects. The composites highlighted below are a few of the Destiny 2 pieces I’ve worked on that are meaningful to me. Let me know what your favorite is!
0:27

One of the workflows I helped advance and lead for Destiny 2 was our static compositing pipeline for marketing visuals. When we were creating marketing content for #Destiny2, we always needed strong key visuals for weapons, characters, abilities, and other in-game elements. Unlike a traditional gameplay screenshot, where everything is baked into one static image, composited shots let us isolate individual elements and light them more precisely. That gave us a lot more flexibility to build scenes with better legibility, clearer focus, stronger lighting, improved contrast, and a more intentional overall look. One of the biggest strengths of compositing is having access to individual layers in Photoshop. That layered approach not only makes the editing process easier, but also makes the final artwork much more flexible. Images can be adapted for trailer motion graphics, reworked for print, or pushed further as creative needs evolve. Destiny 2 composites are built using Adobe Photoshop alongside in-game captures. Using advanced development tools, we light, capture, and isolate characters, weapons, and props directly from the game environment, all of which were originally created by the talented Bungie 3D art teams. Those assets are then brought into Photoshop, where they’re cut out and assembled into custom scenes using layered compositions and visual effects. The composites highlighted below are a few of the Destiny 2 pieces I’ve worked on that are meaningful to me. Let me know what your favorite is!

Biwald

67,791 просмотров • 2 месяцев назад

2 weeks since the Quality Forum and we're still on cloud 9! NHS Horizons & Proud2bOps - National Network were privileged to host sessions throughout #Quality2024 with incredible change makers from across the world in attendance. (Can you spot some below?) Here's our amazing 3 days in 2 minutes...
2:00

2 weeks since the Quality Forum and we're still on cloud 9! NHS Horizons & Proud2bOps - National Network were privileged to host sessions throughout #Quality2024 with incredible change makers from across the world in attendance. (Can you spot some below?) Here's our amazing 3 days in 2 minutes...

NHS Horizons

22,526 просмотров • 2 лет назад

It’s 20 years this week since I got my first full-time job in radio & almost 2 years since I became a full-time member of the BBC Radio WM Sport team 📻⚽️ I’ve had the opportunity to do some amazing things in that time -
2:18

It’s 20 years this week since I got my first full-time job in radio & almost 2 years since I became a full-time member of the BBC Radio WM Sport team 📻⚽️ I’ve had the opportunity to do some amazing things in that time -

Steve Hermon

42,313 просмотров • 11 месяцев назад

As we gear up for the next FOUR years, I look forward to working together with our newly elected Minority Leader Minority Leader David Carr & the Republican delegation to serve as a check in opposition to Zohran Kwame Mamdani’s radical, MARXIST agenda. NO SOCIALISM IN NYC ON OUR WATCH!
0:49

As we gear up for the next FOUR years, I look forward to working together with our newly elected Minority Leader Minority Leader David Carr & the Republican delegation to serve as a check in opposition to Zohran Kwame Mamdani’s radical, MARXIST agenda. NO SOCIALISM IN NYC ON OUR WATCH!

Councilwoman Inna Vernikov

64,477 просмотров • 7 месяцев назад

Our staff are working around the clock to inform the community and identify the source of the Legionnaires' disease cluster on the Upper East Side (ZIP codes 10028 & 10128). It is safe to use your AC. If you live in these ZIP codes, here's what to know.
0:44

Our staff are working around the clock to inform the community and identify the source of the Legionnaires' disease cluster on the Upper East Side (ZIP codes 10028 & 10128). It is safe to use your AC. If you live in these ZIP codes, here's what to know.

nychealthy

192,645 просмотров • 1 месяц назад

Back in 1981 a film was released that lives on today. Escape To Victory. Here's John Colby, West Ham & England talking about working with the greats. Yes I know, it's Michael Caine. It's still real to me! John Smith
1:00

Back in 1981 a film was released that lives on today. Escape To Victory. Here's John Colby, West Ham & England talking about working with the greats. Yes I know, it's Michael Caine. It's still real to me! John Smith

Retro Football Network

26,216 просмотров • 5 месяцев назад

To add on to Sys, I wanted to share this slightly longer clip from Aztecross. Don’t let weirdos on the internet gaslight you into thinking the death of Destiny 2 is on you because you didn’t play when the game was heading in the wrong direction. It’s on upper management at Bungie and Sony for not fully committing to Destiny 2. Not you. I’m so sick of people blaming the Destiny community for the death of our favorite franchise. Watch this clip, trust me you’ll feel better. 💠🩵 #WeWantDestiny3 #SaveDestiny
2:16

To add on to Sys, I wanted to share this slightly longer clip from Aztecross. Don’t let weirdos on the internet gaslight you into thinking the death of Destiny 2 is on you because you didn’t play when the game was heading in the wrong direction. It’s on upper management at Bungie and Sony for not fully committing to Destiny 2. Not you. I’m so sick of people blaming the Destiny community for the death of our favorite franchise. Watch this clip, trust me you’ll feel better. 💠🩵 #WeWantDestiny3 #SaveDestiny

Blu

69,724 просмотров • 2 месяцев назад

Caught my train at Westbrook on my way to City Hall for Day 2 of Budget Week. Join us for the public hearing at 9:30am. Big thanks to our Calgary Transit Operators & snow crews out in the cold. Your new Council team is working hard to make mobility safer & affordable. #yyccc
0:59

Caught my train at Westbrook on my way to City Hall for Day 2 of Budget Week. Join us for the public hearing at 9:30am. Big thanks to our Calgary Transit Operators & snow crews out in the cold. Your new Council team is working hard to make mobility safer & affordable. #yyccc

Jeromy (Pathfinder) Farkas

10,667 просмотров • 9 месяцев назад

Meet Grizelda! (4K link below) A short animation I've been working on for quite some time. I hired a group of artists to create this character! From concept to modeling and rigging it! Credits Creator & Animator: Jonathan Veiga Voice Actor: OolayTiger Character Designer: Zeker_Art Character Model: Bahman Zarei Grooming Artist: Christina De Luca Character Rigger: alargewoodenbadger Music: No More Heroes 2 OST: Sound's Asylum The background was all built manually, but I bought assets in the marketplace in Unreal to help me build the world faster. I also did all the lighting!
0:54

Meet Grizelda! (4K link below) A short animation I've been working on for quite some time. I hired a group of artists to create this character! From concept to modeling and rigging it! Credits Creator & Animator: Jonathan Veiga Voice Actor: OolayTiger Character Designer: Zeker_Art Character Model: Bahman Zarei Grooming Artist: Christina De Luca Character Rigger: alargewoodenbadger Music: No More Heroes 2 OST: Sound's Asylum The background was all built manually, but I bought assets in the marketplace in Unreal to help me build the world faster. I also did all the lighting!

Jonathan Veiga

270,880 просмотров • 2 лет назад

Art directing marketing visuals for Destiny 2 has been especially rewarding because it has given me the opportunity to work with so many talented artists whose work l've admired for years. It has also allowed me to hire and develop both internal and external creative talent to support the breadth of visual content required for a live service game like Destiny 2. One of the ongoing challenges of art direction is finding the right balance in how much visual direction to provide. How broad or specific my feedback needs to be often depends on an artist's strengths, our working relationship, and their familiarity with the brand. Over the past couple of years, I've focused more deeply on art direction for Bungie, and it has been a continual process of building on what has worked well while learning where I can improve. Below are a few #Destiny2 illustrations and composites I helped shape through creative and art direction that are meaningful to me. I'm grateful for the opportunity to collaborate with so many talented artists and agencies, and for the time, craft, and care they brought to these pieces. Special thanks to Sung Choi, Yohann Schepacz, Kai Zhou, Jacob Joyce, Drexis Animations, Miki Bishop, Christine Lim, Nat King, Stephen Boe, Gabriel Flauzino | FLZ 🇧🇷🎨 , Jacob Gonzalez, Derek Heisler, and BOND for their contributions. You can find full-resolution versions, artist credits, and additional art here:
0:28

Art directing marketing visuals for Destiny 2 has been especially rewarding because it has given me the opportunity to work with so many talented artists whose work l've admired for years. It has also allowed me to hire and develop both internal and external creative talent to support the breadth of visual content required for a live service game like Destiny 2. One of the ongoing challenges of art direction is finding the right balance in how much visual direction to provide. How broad or specific my feedback needs to be often depends on an artist's strengths, our working relationship, and their familiarity with the brand. Over the past couple of years, I've focused more deeply on art direction for Bungie, and it has been a continual process of building on what has worked well while learning where I can improve. Below are a few #Destiny2 illustrations and composites I helped shape through creative and art direction that are meaningful to me. I'm grateful for the opportunity to collaborate with so many talented artists and agencies, and for the time, craft, and care they brought to these pieces. Special thanks to Sung Choi, Yohann Schepacz, Kai Zhou, Jacob Joyce, Drexis Animations, Miki Bishop, Christine Lim, Nat King, Stephen Boe, Gabriel Flauzino | FLZ 🇧🇷🎨 , Jacob Gonzalez, Derek Heisler, and BOND for their contributions. You can find full-resolution versions, artist credits, and additional art here:

Biwald

69,045 просмотров • 2 месяцев назад

Netflix CEO Ted Sarandos : “It’s hard to pick a favorite creator in India ,we work with so many.But early on, I met Shah Rukh Khan, and we instantly connected. He hosted a lovely dinner for me in India. He’s probably the one I know the most & really enjoy working with”.
0:43

Netflix CEO Ted Sarandos : “It’s hard to pick a favorite creator in India ,we work with so many.But early on, I met Shah Rukh Khan, and we instantly connected. He hosted a lovely dinner for me in India. He’s probably the one I know the most & really enjoy working with”.

𝕭𝖎𝖏𝖚⚜️🇦🇷

21,185 просмотров • 3 месяцев назад

I can't believe it. My name is in the credits for House of David - Season 2. It's been an incredible journey. Season 2 is now streaming on Prime Video (US only) on the Wonder Project channel. Thank you so much to the team I worked with and many memories that were made on location in Greece with the VFX AI team: LudovicCreator Pierrick Chevallier | IA Genmakers This is a live action show with 600+ working long hours for months to make this happen. I look forward to the future, with much gratitude for this experience 🤍 Here's a clip from Episode 1, with a few of our background assets:
0:37

I can't believe it. My name is in the credits for House of David - Season 2. It's been an incredible journey. Season 2 is now streaming on Prime Video (US only) on the Wonder Project channel. Thank you so much to the team I worked with and many memories that were made on location in Greece with the VFX AI team: LudovicCreator Pierrick Chevallier | IA Genmakers This is a live action show with 600+ working long hours for months to make this happen. I look forward to the future, with much gratitude for this experience 🤍 Here's a clip from Episode 1, with a few of our background assets:

Heather Cooper

17,359 просмотров • 10 месяцев назад

Today marks 25 years of The Places You Have Come to Fear the Most. This is a little throwback to a show we played in Hartford, CT a few months after its release. It's always special to hear what these songs mean to you guys. Let me know your favorite & if you were at this show!
1:27

Today marks 25 years of The Places You Have Come to Fear the Most. This is a little throwback to a show we played in Hartford, CT a few months after its release. It's always special to hear what these songs mean to you guys. Let me know your favorite & if you were at this show!

Dashboard Confessional

47,619 просмотров • 5 месяцев назад

What do you dream about? Me? I dream about my loved ones, family, friends, and people who inspire me (some I know some I don’t). But in my dreams we exist together in this beautiful realm. When I dream I can feel GOD’s blessings upon me and I know anything is possible. I even at times dream of rhymes and songs which I love. I thank the MOST HIGH for allowing me to dream. I want to thank and honor the spirit of Aretha Franklin. And to her family…supreme gratitude for allowing us to sample one of her classics. It really blessed our song and took it up to a higher level. Aretha is one of my favorite artists of all time. GOD Bless her soul. I want to thank our director Raven Jackson for making such a special piece of art. Also Brian “B.Kyle” Atkins for his work through the years which contributed to this piece. And Andre “DreVinci” Jones for his great work which also helped to make this video special. Thanks to all who worked on the crew and all who appeared in the video throughout these steps in time. Wherever we are in life. I encourage us all to keep Dreamin’. Watch the full video for Dreamin’ now. Love.
0:54

What do you dream about? Me? I dream about my loved ones, family, friends, and people who inspire me (some I know some I don’t). But in my dreams we exist together in this beautiful realm. When I dream I can feel GOD’s blessings upon me and I know anything is possible. I even at times dream of rhymes and songs which I love. I thank the MOST HIGH for allowing me to dream. I want to thank and honor the spirit of Aretha Franklin. And to her family…supreme gratitude for allowing us to sample one of her classics. It really blessed our song and took it up to a higher level. Aretha is one of my favorite artists of all time. GOD Bless her soul. I want to thank our director Raven Jackson for making such a special piece of art. Also Brian “B.Kyle” Atkins for his work through the years which contributed to this piece. And Andre “DreVinci” Jones for his great work which also helped to make this video special. Thanks to all who worked on the crew and all who appeared in the video throughout these steps in time. Wherever we are in life. I encourage us all to keep Dreamin’. Watch the full video for Dreamin’ now. Love.

COMMON

31,957 просмотров • 2 лет назад

I am thrilled to finally share something we have been working on in stealth for nearly two years with talented animation filmmaker Ishan Shukla. This fantastic film project, based in the #Baahubali universe, will set up the Baahubali franchise for its next phase. Arka Mediaworks is producing the two-part stylised 3D animation film "Baahubali—The Eternal War" in collaboration with Indian and international studios and creative teams. Our vision is to offer the first-of-its-kind animation film from India! We wanted our film lovers to experience the teaser in theatres first, so we attached it to #BaahubaliTheEpic. We hope you will love it. We will release the teaser online, first-look poster, and full details on the project, including the creative and technical teams and studios working on this ambitious project, next week. Stay tuned! 😊 Attaching a short clip of rajamouli ss discussing this project with #Prabhas and Rana Daggubati !
3:00

I am thrilled to finally share something we have been working on in stealth for nearly two years with talented animation filmmaker Ishan Shukla. This fantastic film project, based in the #Baahubali universe, will set up the Baahubali franchise for its next phase. Arka Mediaworks is producing the two-part stylised 3D animation film "Baahubali—The Eternal War" in collaboration with Indian and international studios and creative teams. Our vision is to offer the first-of-its-kind animation film from India! We wanted our film lovers to experience the teaser in theatres first, so we attached it to #BaahubaliTheEpic. We hope you will love it. We will release the teaser online, first-look poster, and full details on the project, including the creative and technical teams and studios working on this ambitious project, next week. Stay tuned! 😊 Attaching a short clip of rajamouli ss discussing this project with #Prabhas and Rana Daggubati !

Shobu Yarlagadda

468,672 просмотров • 9 месяцев назад

Destiny 2 left a permanent mark on my life. The memories I’ve made with this game, both as a player and as someone lucky enough to work on it, will forever stay with me. Not just because of late nights running King’s Fall with friends, or grinding out the Crucible Glorious Seal in solo queue like a complete maniac, but because Destiny 2 challenged me, shaped me, and pushed me toward becoming the creative I am today. My journey into digital art and photography started back in 2007, when I began taking screenshots in Halo 3 and entering Bungie community art contests. The relationships I built during that time eventually opened the door to an opportunity with Bungie’s Gameplay Capture team in 2014, helping the team capture footage for a new game called Destiny. I had no idea then that a commendably short two-week contract would turn into an incredible 12-year journey with this franchise. I originally came to Bungie hoping to pursue environmental concept art, but along the way I had the opportunity to work on marketing art and quickly fell in love with it. Creating marketing art for a franchise like Destiny challenged me in so many different ways. It forced me to expand my technical, creative, and communication skill sets, constantly adapt, and keep learning new tools and workflows just to keep pace with the live-service beast that was Destiny 2. It means a lot to be able to look back and say with confidence that I had a visual impact on Destiny 2; but the most meaningful part of it all was getting to work alongside and learn from so many incredible artists at Bungie, and seeing firsthand just how much care, effort, and humanity it takes to make work like this possible. It’s hard to fully capture how much energy, skill, and collaboration goes into every visual part of a game like Destiny 2. That work is shaped by artists from different backgrounds, experiences, disciplines, and perspectives. Each of them, including me, left a small part of themselves in what they created. To me, that’s what makes a game like Destiny 2 feel truly meaningful and memorable. Especially now, in a world increasingly saturated with content and driven by instant output and gratification through AI, I keep coming back to the value of process. For me, and for so many of my peers, it was never only about arriving at the final image. It was about the journey it took to get there. The late nights. The iteration. The problem-solving. The trust. The shared pursuit of trying to make something special. To my peers, I’m deeply proud of what we built together, but even more grateful for how we built it. We challenged each other, inspired each other, and kept showing up for one another through every high and low, as Destiny 2 has had many. That kind of shared effort leaves a lasting mark. What we made mattered. What we gave mattered. And the impact of what we built together will stay with us, and this community, for a long time. Shoutout to the current and former members of Creative Studios, the VizD team, and the many Bungie developers and marketers who helped shape this chapter of my life. I’m especially grateful to the teammates who believed in me, encouraged me to embrace failure and new beginnings as essential parts of artistic growth, and pushed me to take on challenges even when they felt beyond my reach. You showed me that the strength of a team will always surpass that of any individual hero. As my work on #Destiny2 comes to a close and I look toward the future, I plan to spend the next few weeks sharing some of the pieces I had the chance to create or art direct that mean the most to me. For now, I’ll leave you all with a collage of some of my personal favorite pieces to work on across Destiny 2’s lifetime. These projects mean so much to me because many of them started as personal passion projects or late-night concept sketches, inspired by playing early builds of Destiny 2 and by the incredible work of our development team.
0:20

Destiny 2 left a permanent mark on my life. The memories I’ve made with this game, both as a player and as someone lucky enough to work on it, will forever stay with me. Not just because of late nights running King’s Fall with friends, or grinding out the Crucible Glorious Seal in solo queue like a complete maniac, but because Destiny 2 challenged me, shaped me, and pushed me toward becoming the creative I am today. My journey into digital art and photography started back in 2007, when I began taking screenshots in Halo 3 and entering Bungie community art contests. The relationships I built during that time eventually opened the door to an opportunity with Bungie’s Gameplay Capture team in 2014, helping the team capture footage for a new game called Destiny. I had no idea then that a commendably short two-week contract would turn into an incredible 12-year journey with this franchise. I originally came to Bungie hoping to pursue environmental concept art, but along the way I had the opportunity to work on marketing art and quickly fell in love with it. Creating marketing art for a franchise like Destiny challenged me in so many different ways. It forced me to expand my technical, creative, and communication skill sets, constantly adapt, and keep learning new tools and workflows just to keep pace with the live-service beast that was Destiny 2. It means a lot to be able to look back and say with confidence that I had a visual impact on Destiny 2; but the most meaningful part of it all was getting to work alongside and learn from so many incredible artists at Bungie, and seeing firsthand just how much care, effort, and humanity it takes to make work like this possible. It’s hard to fully capture how much energy, skill, and collaboration goes into every visual part of a game like Destiny 2. That work is shaped by artists from different backgrounds, experiences, disciplines, and perspectives. Each of them, including me, left a small part of themselves in what they created. To me, that’s what makes a game like Destiny 2 feel truly meaningful and memorable. Especially now, in a world increasingly saturated with content and driven by instant output and gratification through AI, I keep coming back to the value of process. For me, and for so many of my peers, it was never only about arriving at the final image. It was about the journey it took to get there. The late nights. The iteration. The problem-solving. The trust. The shared pursuit of trying to make something special. To my peers, I’m deeply proud of what we built together, but even more grateful for how we built it. We challenged each other, inspired each other, and kept showing up for one another through every high and low, as Destiny 2 has had many. That kind of shared effort leaves a lasting mark. What we made mattered. What we gave mattered. And the impact of what we built together will stay with us, and this community, for a long time. Shoutout to the current and former members of Creative Studios, the VizD team, and the many Bungie developers and marketers who helped shape this chapter of my life. I’m especially grateful to the teammates who believed in me, encouraged me to embrace failure and new beginnings as essential parts of artistic growth, and pushed me to take on challenges even when they felt beyond my reach. You showed me that the strength of a team will always surpass that of any individual hero. As my work on #Destiny2 comes to a close and I look toward the future, I plan to spend the next few weeks sharing some of the pieces I had the chance to create or art direct that mean the most to me. For now, I’ll leave you all with a collage of some of my personal favorite pieces to work on across Destiny 2’s lifetime. These projects mean so much to me because many of them started as personal passion projects or late-night concept sketches, inspired by playing early builds of Destiny 2 and by the incredible work of our development team.

Biwald

73,228 просмотров • 2 месяцев назад

🎥 Watch the full transformation of my dream craft room now on YouTube: 💞 Designed with my ADHD in mind, every detail was created to help me stay focused, inspired, and creative 🎨✨ With the help of the amazing experts at UnderstoodOrg, my incredible design team, and my partners at Android, I learned how to make this space as functional as it is beautiful — from the layout to the lighting to the way everything’s organized and tech to help me be creative 💫 I finally have a place to display some of my favorite art and feel inspired every time I walk in 💖 Can’t wait to start creating in here 🪩🌈 #ADHDAwarenessMonth #SlivingWithADHD #InclusiveByDesign
3:18

🎥 Watch the full transformation of my dream craft room now on YouTube: 💞 Designed with my ADHD in mind, every detail was created to help me stay focused, inspired, and creative 🎨✨ With the help of the amazing experts at UnderstoodOrg, my incredible design team, and my partners at Android, I learned how to make this space as functional as it is beautiful — from the layout to the lighting to the way everything’s organized and tech to help me be creative 💫 I finally have a place to display some of my favorite art and feel inspired every time I walk in 💖 Can’t wait to start creating in here 🪩🌈 #ADHDAwarenessMonth #SlivingWithADHD #InclusiveByDesign

Paris Hilton

26,453 просмотров • 10 месяцев назад

Growing up, I idolised creative wrestlers who invented their own moves so when I started training to become a wrestler myself my main focus was on becoming just like them. Fast forward to 23 years later I’m proud to release my top 40 moves, most of which I’ve invented myself! Let me know your favourite in the comments and RT’s are always appreciated 🙏🏻
11:48

Growing up, I idolised creative wrestlers who invented their own moves so when I started training to become a wrestler myself my main focus was on becoming just like them. Fast forward to 23 years later I’m proud to release my top 40 moves, most of which I’ve invented myself! Let me know your favourite in the comments and RT’s are always appreciated 🙏🏻

Dean Allmark 🇬🇧 ディーン アルマーク

23,391 просмотров • 3 лет назад