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Throwback to when In an old interview, Ramesh Taurani slammed Deepika Padukone for unprofessional behaviour and said : "In my 25 years in this industry, I have never been so disrespected by any actor, and we have worked with the biggest and the best. He also said "We tried...

129,291 次观看 • 3 个月前 •via X (Twitter)

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ZELENSKYY ON HIS CONVERSATION WITH ABRAMOVICH: Ceasefire is the biggest compromise from our side to your side. ZELENSKYY: Abramovich, so he came to Kyiv,bI think that he said: "I have message direct to you, and I want to get message, and take message from you, and to give it to Putin." But he said that it has to be silently, without any kind of, public messages. I said, "Look, it's your choice. Okay, for us it doesn't matter, public or un-public." But it's always with Russians such way. If they say something has to be between us, it's mean that tomorrow not only we will know about it. But it's not a secret. He came, and he wanted to give me the message that they want to to understand what we are ready to do. I said: "The question is not about us. You are fighting against us on our territory." And I said to him about Donbas, it was the key message. And I said: "No, we will not leave, and we will not go out from our territory. No, we will not give you a victory such way. And you will not get it." And we spoke about any kind of compromises. I said that all the compromises after ceasefire. Ceasefire is the biggest compromise from our side to your side. JOURNALIST: So is he a go-between now? Between you and Vladimir Putin, he's going back and forth? ZELENSKYY: I don't know. When he got message from me, he said he will go directly to Putin. I said: "Okay, I'm ready to meet, not in Moscow, not in Belarus, and not in Minsk," and it's understandable why. I said, "You can choose any time from tomorrow. You can choose any day, any format. We can choose with President Trump. I'm sure that he will be ready to come, and we can do it with Europeans. I'm sure that everybody want to help, or we can choose the way bilateral, just bilateral meeting."

Kateryna Lisunova

25,494 次观看 • 2 个月前

Hirokazu Koreeda on how he directs Children: "Interviewer: I think 'Shoplifters' (2018) is very remarkable in showing different sides of a city and like you said, people who are pretty much invisible, but I do want to also commend you on another thing, is you often work with young actors, and they always tend to have a significant role in many of your films. How do you go about finding such dynamic young actors, and why do you often put these young people at the center of each one of your stories? Koreeda: First of all, I would say that I tend to make what I would call family dramas, and of course, you have to have children if you’re creating a family, but that’s how it started, but I found that as I did it, I became really interested. It became very interesting and fun to work with these children, and for example, the two children in this film, neither of them had any acting experience at all before this film. I brought them in, and what I find when you bring these children in, and you work with them is that the adult actors change. They become much more lively and natural in the way that they act, and I guess, at some point, I realized this, and I guess, became really attracted to the idea of having children and the impact that it had. Interviewer: Do you find that there is any struggle in terms of working with young actors, or in this case, young children who have not actually acted before? Koreeda: Just to clarify, I have worked with children in many of my films, and all of them have never had experienced before. I always go out and pick non-acting children to work in my films, so just, I wanted to put that out there. In terms of the struggle, it does take time. You have to give extra time to work with these children. When I choose these children, I have an audition, and I pick out who I want to the audition, and then when we get to set, I never give them the script. No child that I’ve worked with has been given a script beforehand, and when I get to the actual part where they’re going to be acting, I give them the lines myself, and work with them and coach them. What I find is that it’s actually really enjoyable, both for them and for myself that way. I also, because I’ve been doing this now for several years, I tend to have a fairly high success rate in choosing children that are able to work with me in that way. Interviewer: That’s fascinating, and it also shows how you are able to create such authentic performances from these child actors over and over again in so many of your films. I think it’s a unique gift that you have, and it’s something that very few directors, I think, here in the United States do. Koreeda: It’s true, I guess by working with these children, I learned. I discovered that the best way to do it was just to communicate verbally their lines, rather than giving them in a written format, and over time, this really worked, and so I just kept doing it. But, interestingly, I loved the movie 'Kramer vs Kramer' (1979), directed by Robert Benton, and one time I bought the movie with all the extra, the making of and everything, and I went over it, and I found through that, that in fact, the child in that movie was also given his lines every day by the assistant director each morning when they came in to set, so I discovered that it wasn’t just me that was doing this." (Koreeda's interview with Scott Menzel, We Live Entertainment, 2018)

DepressedBergman

49,522 次观看 • 7 个月前

Scooter Braun says he only met Taylor Swift three times before buying Big Machine for $300,000,000 and still doesn't understand the fallout “I don't know Taylor Swift. I think I've met her in my life three times. I have never had a substantial conversation with her in my life. I one time got invited to a private party by her. She told me she had the utmost respect for me. I told her I had the utmost respect for her. You don't spend $300 million buying a label that she's on unless you're excited at the opportunity to work with her” “I will never truly understand that situation to this day. I wish her nothing but the best. I learned a tremendous amount from it. I chose to grow from it. I'm grateful for it at this point in my life. But I think there's this big misconception that we knew each other and we had this feud and I managed her for years. And people are usually shocked to find out that I legitimately don't know her and didn't have many interactions with her and never really knew her” “And like I said, I think I met her three times in my life and I think I spoke to her really once for like more than two minutes. But it was a very nice conversation and beyond that nothing ever. And then the three years prior to us buying the machine, she and I had no contact. I think the party was two or three years earlier and then never had any contact through the whole thing. So I'm just as confused that this is part of my life as you are but I choose to learn and grow from it”

dank

614,850 次观看 • 1 个月前