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🤔 Time to remember how Putin failed to ā€œunderstandā€ why the G7 is called the ā€œGreat of Sevenā€ ā€œWhy is it called ā€˜big’? I don’t get it. What’s so big about it? Wherever you look on the map, you can’t see anyone,ā€ the Russian dictator once said about the...

140,087 Aufrufe • vor 3 Monaten •via X (Twitter)

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Reading the comments on this post told me everything I need to know about art. So many of you wrote to say you felt the exact same thing I did standing in front of the Starry Night. That strange pull, the sense that the painting is somehow alive... It turns out the feeling is completely universal. I am not someone who gets emotional easily. But every so often a piece of art really gets to me. And that is exactly what happened the first time i walked up to Van Gogh's magnum opus. I know how that sounds, it is one of the most famous paintings on earth, almost a clichĆ© to be moved by it. But maybe it is that famous for a reason... It genuinely looks like it is moving while you stand there, shifting in a way I cannot explain and have never seen in any of the thousands of paintings I have looked at in my life. The same day I took the photo below, I also filmed this short video. It still comes nowhere near the real thing, but you can at least catch a little more of it here, the thick ridges of paint, the way the stars and swirls lift right off the canvas. This technique is called "impasto", from the Italian for mixture. It means paint laid on so thickly that every brushstroke and ridge stays visible on the surface. Van Gogh piled it on with a loaded brush, building the stars up thick so they would blaze as bright as possible against the dark. But no video and no explanation of technique can really convey what it feels like to stand in front of it. And the fact that so many of you felt the very same thing says something true about what art is really for. Tolstoy said it best: "The receiver of a true artistic impression is so united to the artist that he feels as if the work were his own and not someone else’s, as if what it expresses were just what he had long been wishing to express. A real work of art destroys, in the consciousness of the receiver, the separation between himself and the artist. In this uniting of it with others lies the great attractive force of art."

James Lucas

57,165 Aufrufe • vor 12 Tagen

ā€¼ļøAn interesting interview with Lavrov Sergey Lavrov regularly gives interviews, and almost every one of them is an information operation designed to create an alternative reality. The March 26 interview with France TĆ©lĆ©visions is no exception. Let's break it down and point out where there are lies and where there is manipulation. 1. Lavrov claims that Russia is supposedly defending international law while speaking in the "language of principles" regarding Iran. What's wrong: it's basic role reversal. Moscow is trying to speak from the position of a "guardian of the law," even though it is waging an aggressive war against Ukraine. In the case of Iran, Lavrov is also deliberately omitting half the picture: yes, the US withdrew from the nuclear deal, but Iran also faced non-proliferation concerns raised by the IAEA. Why it matters: It is an attempt to whitewash Russia's crimes through someone else's crisis and to present the aggressor (Russia) as the judge. 2. Russia does not provide Iran with intelligence; the coordinates of US bases are "already known to everyone." What's wrong: it's an evasive statement, not a complete refutation. There is no independently verified evidence of specific target marking data transfers in open sources, nor can there be, but the Kremlin's "we have nothing to do with it" claim has no basis for being automatically considered true. Why it matters: A typical Kremlin tactic - to deny anything that does not align with Russia's interests and to continue operating in a gray area. 3. Saudi Arabia and the UAE have denied the US access to their airspace, so Russia is right about the "American venture." What's wrong: The caution of Gulf countries is real, but Lavrov turns it into a crude anti-Western caricature. Regional politics are more complex than the Kremlin's narrative that "everyone understands everything, only the US is pushing the world into chaos." Why it matters: The Kremlin takes a partial truth and builds a convenient political myth around it. 4. Russia isn't waging wars for its own gain; it's the US that wants to control the energy sector, the Strait of Hormuz, and the markets. What's wrong: It's pure projection. It is Russia that has used energy as a weapon for years, and after 2022, turned petrodollars into fuel for war. Why it matters: Moscow accuses others of doing what it does systematically - this is one of the central techniques of its propaganda. 5. Since 2014, Ukraine has been ruled by a "Nazi regime" that came to power through a coup. What's wrong: After Yanukovych fled, Ukraine held snap presidential elections, which the OSCE recognized as meeting international standards and being competitive. The claim of a "Nazi regime" is a political label, not a description of reality. Why it matters: "Nazism" in Kremlin rhetoric is a tool for dehumanizing Ukraine and justifying the war. 6. The Russian language is allegedly completely banned in Ukraine. What's wrong: Ukraine has strengthened the role of the state language, but this does not mean a total ban on Russian. The law does not apply to private communication and does not criminalize the everyday use of the language. Why it matters: The Kremlin is exaggerating language policy to the level of a "linguistic apocalypse" to sell the war as a supposed humanitarian mission. 7. Ukraine is allegedly at war with Orthodoxy and has "banned the canonical church." What's wrong: This is not about "banning a faith," but about a law regarding religious organizations linked to the Russian Orthodox Church. Even criticism from human rights activists does not support the Kremlin's claim of "persecution of Orthodoxy." Why it matters: Moscow is using the language of religious protection to cover up its network of influence in Ukraine. 8. The West allegedly cynically exploited the Minsk agreements as a respite to arm Ukraine. What's wrong: The Minsk process was collapsing because of the Kremlin's desire to use the agreements to establish de facto control over Ukraine, not because of some "cunning plot" by Paris and Berlin. Why it matters: The Kremlin is rewriting history retroactively to portray its own aggression as a supposedly forced response to "universal betrayal." 9. Russia does not attack civilians; its targets are solely facilities associated with the AFU. What's wrong: It's an outright lie. For years, the UN and independent sources have documented systematic Russian strikes on cities, residential areas, energy facilities, and civilian infrastructure. Why it matters: This is no longer just propaganda, but a cynical denial of documented terror against civilians. 10. The Bucha massacre is allegedly "not proven": there are no names, no evidence, and journalists haven't shown anything. What's wrong: This is one of the most mendacious claims. There are UN documents, testimonies, criminal investigations, identified suspects, and evidence of executions and killings of civilians. Why it matters: The Kremlin is not trying to refute the crime, but to wear down the audience with doubt and turn mass murder into "one of the versions." 11. Russia wants peace and negotiations. What's wrong: In the Kremlin's vocabulary, "peace" does not mean an end to aggression, but rather acceptance of its results. "Realities on the ground" means occupation; "root causes" means demanding recognition of Russia's right to punish neighbors for their political choices. Why it matters: Lavrov isn't offering peace. He's dressing up surrender in softer language. 12. Europe is supposedly dragging out the war, while Russia is looking for a solution. What's wrong: Russia started this war itself. European aid to Ukraine is a response to the aggression, not its cause. Why it matters: This is the main inversion of Kremlin logic - to make the audience forget who attacked first and shift the discussion from aggression to a "conflict that has dragged on too long." 13. RT and Sputnik are victims of censorship, and France has no right to speak about freedom of speech. What's wrong: RT and Sputnik were banned not as "ordinary media," but as state-run tools of disinformation. Their role as propaganda channels has been publicly acknowledged both in the EU and in France. Why it matters: The Kremlin wants to portray the defense of democracies against malicious information operations as a restriction of free speech. 14. France and Europe have made Russia an enemy; Moscow is merely reacting. What's wrong: The cause of the rift is not "Russophobia," but Russia's invasion, war crimes, blackmail, and influence operations against Europe. Why it matters: The Kremlin is systematically trying to reverse the cause-and-effect relationship: it is not that "Russia destroyed relations," but that "the West rejected Russia." 15. Individual real episodes - the tanker, incidents in France, disputes among allies - allegedly prove Western hypocrisy and justify Russia. What's wrong: Lavrov takes a real but local fact and uses it as a smokescreen. None of these incidents erases Russia's crimes or the very fact of its aggression. Why it matters: This is a favorite Kremlin method - using others' difficulties and whataboutism to cover up its own crimes.

Anton Gerashchenko

88,596 Aufrufe • vor 5 Monaten