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Timelapse of my process blocking & smears body & secondaries (hair) gear & secondaries (skirt) I usually make the key frames first to get an idea of the primary poses I want to hit, but I already had the ending pose done from a previous animation, so a straight-ahead...

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Yudou

34,648 subscribers

44,274 görüntüleme • 1 yıl önce •via X (Twitter)

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Angel.D🆖 profil fotoğrafı
Angel.D🆖1 yıl önce

YAY NEL POST

ss1shadow profil fotoğrafı
ss1shadow1 yıl önce

You're GIFTED at these combat animations! So much 🔥🔥🔥🔥🔥

Terderrer profil fotoğrafı
Terderrer1 yıl önce

Love seeing your process

Studio Hip Sword profil fotoğrafı
Studio Hip Sword1 yıl önce

It turned out so fluid!

Aphostrophe | VGEN OPEN! profil fotoğrafı
Aphostrophe | VGEN OPEN!1 yıl önce

very nice!

teater 1997 profil fotoğrafı
teater 19971 yıl önce

Ilove this 🥰🥰🥰

•UtilityCo profil fotoğrafı
•UtilityCo1 yıl önce

Love seeing the evolution! Pivoting from pose-to-pose to straight-ahead once the final pose’s locked is a savvy move. Ever thought about versioning those keyframes on-chain for provenance & collab? The smear work is —keep sharing the magic!

DELETE_Jose profil fotoğrafı
DELETE_Jose1 yıl önce

asi mismo @ItsDerby42

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Deleted unfinished Footage\ Clara’s skirt kept giving me a hard time but ultimately I found I could fix it by the end of the animation. I was going to include this scene but the constant reveal prevented me from doing so 😥
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okay genuine answer go watch the 12 principles of animation by alan becker also heres my timelapse i was not joking i draw circles and then i add stuff i CAN try to make a tutorial but i wouldnt use this animation as an example because its really rough, unpolished, and unfinished
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okay genuine answer go watch the 12 principles of animation by alan becker also heres my timelapse i was not joking i draw circles and then i add stuff i CAN try to make a tutorial but i wouldnt use this animation as an example because its really rough, unpolished, and unfinished

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