Sensitive content

This media may contain sensitive content.

正在加载视频...

视频加载失败

加载此视频时出现问题。这可能是由于临时网络问题，或视频可能不可用。

🧡Tiny Soya in Synthetic Clay🧡 Our synth-clay was created to be incredibly thick, bottomless, and capable of completely engulfing anyone. The girls' bodies sink slowly, gradually, but inexorably… 👉 #quicksandfetish #quicksand #clay #mud #wam #messy

QS4Ever Productions

3,874 subscribers

12,123 次观看 • 2 个月前 •via X (Twitter)

NSFW #quicksandfetish #quicksand #clay #mud #wam #messy

Anya Rossi• Live Now

Private livecam show

0 条评论

暂无评论

原始帖子的评论将显示在这里

相关视频

This Clay AI workflow completely automates cold email script writing. You give it a website, it gives you validated messaging. Everything from: 1. Company Research 2. Developing Industry Segments 3. Uncovering Best-Fit Personas 4. Writing Persona-Level Messaging Is broken down in thorough detail and is fully automated in this workflow. I’ve prompted this table to perform each of these steps in elaborate detail, so our AI copywriter can write the most persona relevant messaging possible. Want access to the Clay table? Like & Comment “AI scripts” & I’ll DM you the Clay template [[ Must Be Following to Receive ]]

This Clay AI workflow completely automates cold email script writing. You give it a website, it gives you validated messaging. Everything from: 1. Company Research 2. Developing Industry Segments 3. Uncovering Best-Fit Personas 4. Writing Persona-Level Messaging Is broken down in thorough detail and is fully automated in this workflow. I’ve prompted this table to perform each of these steps in elaborate detail, so our AI copywriter can write the most persona relevant messaging possible. Want access to the Clay table? Like & Comment “AI scripts” & I’ll DM you the Clay template [[ Must Be Following to Receive ]]

Christian

14,692 次观看 • 1 年前

“Here you can’t predict the ball bounce or movement. They can do whatever they want, but I won’t be here next year if this clay stays.” - Djokovic “I never was in control of the match, I didn’t know how to win a point… I was not good enough to adapt my game to this court. If things continue like this, it will be very sad. Next year this will be one less event for my calendar.” - Nadal While Nadal and Djokovic failed to adapt to Madrid’s blue clay, Federer adapted with ease, further reinforcing why he is widely regarded as the most talented and complete player across all surfaces.

“Here you can’t predict the ball bounce or movement. They can do whatever they want, but I won’t be here next year if this clay stays.” - Djokovic “I never was in control of the match, I didn’t know how to win a point… I was not good enough to adapt my game to this court. If things continue like this, it will be very sad. Next year this will be one less event for my calendar.” - Nadal While Nadal and Djokovic failed to adapt to Madrid’s blue clay, Federer adapted with ease, further reinforcing why he is widely regarded as the most talented and complete player across all surfaces.

Red Devil 🎾

111,664 次观看 • 3 个月前

I am the first to admit it: I had Kareem, the CEO of Clay, all wrong. When Clay first crossed my radar, I thought he was too laid-back: no obvious chip on his shoulder, no external veneer of obsessive, rabid 'run through walls' CEO persona that we all look for. Kareem builds from what he calls "a place of wholeness" rather than lack - noting to prove, no revenge plan. It makes him sound almost too chill, but the operating instincts underneath are sharp. Crazy sharp. Clay has since exploded. $2M ➡️ $100M in two years. But let's not gloss over that he spent roughly five years wandering before Clay clicked, and his takeaway is that the hard part of building isn't working hard, it's the courage to commit to one idea and stop listening to everyone else, customers included. He flipped every assumption in his market: sell to technical "go-to-market engineers," charge for usage instead of seats, pick power over simplicity. We both created new types of roles for our categories, in completely opposite ways. I flogged "inbound marketing" with a book, a conference, and relentless content. Kareem coined "go-to-market engineering" and then refused to take credit, letting agencies own it because a category has to be bigger than you. We also get into his "momentum detective" theory of the CEO job, why he's deleting his standing one-on-ones, and why apologizing is one of his sharpest tools. There's no single way to run a company. Kareem is my proof. 👇 Full episode in the comments

I am the first to admit it: I had Kareem, the CEO of Clay, all wrong. When Clay first crossed my radar, I thought he was too laid-back: no obvious chip on his shoulder, no external veneer of obsessive, rabid 'run through walls' CEO persona that we all look for. Kareem builds from what he calls "a place of wholeness" rather than lack - noting to prove, no revenge plan. It makes him sound almost too chill, but the operating instincts underneath are sharp. Crazy sharp. Clay has since exploded. $2M ➡️ $100M in two years. But let's not gloss over that he spent roughly five years wandering before Clay clicked, and his takeaway is that the hard part of building isn't working hard, it's the courage to commit to one idea and stop listening to everyone else, customers included. He flipped every assumption in his market: sell to technical "go-to-market engineers," charge for usage instead of seats, pick power over simplicity. We both created new types of roles for our categories, in completely opposite ways. I flogged "inbound marketing" with a book, a conference, and relentless content. Kareem coined "go-to-market engineering" and then refused to take credit, letting agencies own it because a category has to be bigger than you. We also get into his "momentum detective" theory of the CEO job, why he's deleting his standing one-on-ones, and why apologizing is one of his sharpest tools. There's no single way to run a company. Kareem is my proof. 👇 Full episode in the comments

Brian Halligan

38,467 次观看 • 25 天前

Cuneiform is a system of writing that was invented by Sumerians of ancient Mesopotamia. Believed to have been created sometime during 4th Millennium BC (between 3500-3000 BC), this script is regarded as the earliest known form of writing. Cuneiform became an unreadable script as its use came to an end. Nevertheless, this writing system has been preserved in the archaeological record, thanks mainly due to the clay tablets they were written on. The recording of a spoken language, emerged from earlier recording systems at the end of the 4th Millennium BC. The first written language in Mesopotamia is called Sumerian. Most of early tablets come from the site of Uruk, in southern Mesopotamia, and it may have been here that this form of writing was invented. It was only during 19th Century that cuneiform was finally deciphered and scholars could begin to understand the texts that were written in this ancient script. Cuneiform is one of the oldest forms of writing known. It means "wedge-shaped," because people wrote it using a reed stylus cut to make a wedge-shaped mark on a clay tablet. Letters enclosed in clay envelopes, as well as works of literature, such as the Epic of Gilgamesh have been found. Historical accounts have also come to light, as have huge libraries such as that belonging to Assyrian king, Ashurbanipal. Cuneiform writing was used to record a variety of information such as temple activities, business and trade. Cuneiform was also used to write stories, myths, and personal letters. The latest known example of cuneiform is an astronomical text from 75 CE. During its 3000-year history, cuneiform was used to write around 15 different languages including Sumerian, Akkadian, Babylonian, Assyrian, Elamite, Hittite, Urartian, and Old Persian. First developed by scribes as a book-keeping tool to keep track of bread and beer rations in ancient cities like Uruk (in south east of modern-day Iraq), system soon spread across Middle East and was used continuously for more than 3000 years, up until 1st Century AD. Cuneiform is not a language but a proper way of writing distinct from the alphabet. It doesn't have 'letters' – instead it uses between 600-1000 characters impressed on clay to spell words by dividing them up into syllables, like 'ca-at' for cat, or 'mu-zi-um' for museum. Other signs stood for whole words, like our '£' standing for pound sterling. Two main languages written in cuneiform are Sumerian and Akkadian, although more than a dozen others are recorded, including Hittite, cousin to Latin. Texts were written by pressing a cut, straight reed into slightly moist clay. Characteristic wedge-shaped strokes that make up signs give writing its modern name – cuneiform means 'wedge-shaped' (from Latin cuneus for 'wedge'). The process for writing cuneiform on a clay tablet involved these steps : • Prepare the clay - Start with a damp ball of clay and flatten it into a tablet that's about the size of a hand, with one flat side and one convex side. You can use your fingers to shape the clay, or you can work on a plastic bag on a hard surface. • Impress the symbols - Use a reed stylus with a wedge-shaped tip to press into the wet clay and create the symbols. The symbols can be a combination of lines and wedges. • Dry the tablet - Leave the tablet in the sun to dry, or you can speed up the process by using a fan. Once the clay has reached a thick, goo-like consistency, you can store it in an airtight container. © British Museum #archaeohistories

Cuneiform is a system of writing that was invented by Sumerians of ancient Mesopotamia. Believed to have been created sometime during 4th Millennium BC (between 3500-3000 BC), this script is regarded as the earliest known form of writing. Cuneiform became an unreadable script as its use came to an end. Nevertheless, this writing system has been preserved in the archaeological record, thanks mainly due to the clay tablets they were written on. The recording of a spoken language, emerged from earlier recording systems at the end of the 4th Millennium BC. The first written language in Mesopotamia is called Sumerian. Most of early tablets come from the site of Uruk, in southern Mesopotamia, and it may have been here that this form of writing was invented. It was only during 19th Century that cuneiform was finally deciphered and scholars could begin to understand the texts that were written in this ancient script. Cuneiform is one of the oldest forms of writing known. It means "wedge-shaped," because people wrote it using a reed stylus cut to make a wedge-shaped mark on a clay tablet. Letters enclosed in clay envelopes, as well as works of literature, such as the Epic of Gilgamesh have been found. Historical accounts have also come to light, as have huge libraries such as that belonging to Assyrian king, Ashurbanipal. Cuneiform writing was used to record a variety of information such as temple activities, business and trade. Cuneiform was also used to write stories, myths, and personal letters. The latest known example of cuneiform is an astronomical text from 75 CE. During its 3000-year history, cuneiform was used to write around 15 different languages including Sumerian, Akkadian, Babylonian, Assyrian, Elamite, Hittite, Urartian, and Old Persian. First developed by scribes as a book-keeping tool to keep track of bread and beer rations in ancient cities like Uruk (in south east of modern-day Iraq), system soon spread across Middle East and was used continuously for more than 3000 years, up until 1st Century AD. Cuneiform is not a language but a proper way of writing distinct from the alphabet. It doesn't have 'letters' – instead it uses between 600-1000 characters impressed on clay to spell words by dividing them up into syllables, like 'ca-at' for cat, or 'mu-zi-um' for museum. Other signs stood for whole words, like our '£' standing for pound sterling. Two main languages written in cuneiform are Sumerian and Akkadian, although more than a dozen others are recorded, including Hittite, cousin to Latin. Texts were written by pressing a cut, straight reed into slightly moist clay. Characteristic wedge-shaped strokes that make up signs give writing its modern name – cuneiform means 'wedge-shaped' (from Latin cuneus for 'wedge'). The process for writing cuneiform on a clay tablet involved these steps : • Prepare the clay - Start with a damp ball of clay and flatten it into a tablet that's about the size of a hand, with one flat side and one convex side. You can use your fingers to shape the clay, or you can work on a plastic bag on a hard surface. • Impress the symbols - Use a reed stylus with a wedge-shaped tip to press into the wet clay and create the symbols. The symbols can be a combination of lines and wedges. • Dry the tablet - Leave the tablet in the sun to dry, or you can speed up the process by using a fan. Once the clay has reached a thick, goo-like consistency, you can store it in an airtight container. © British Museum #archaeohistories

Archaeo - Histories

76,328 次观看 • 3 个月前

Washington State University had one of the best football programs on the West Coast, but was unfairly screwed over when the Pac 12 was gutted by college expansion. Today in the House Judiciary Committee, I talked with Clay Travis about how reforms to the Sports Broadcasting Act might be part of the solution to add revenue and competitive parity across the college sports landscape.

Washington State University had one of the best football programs on the West Coast, but was unfairly screwed over when the Pac 12 was gutted by college expansion. Today in the House Judiciary Committee, I talked with Clay Travis about how reforms to the Sports Broadcasting Act might be part of the solution to add revenue and competitive parity across the college sports landscape.

Congressman Michael Baumgartner

58,169 次观看 • 2 个月前

Originating in what is now Iraq before 3200 BC, cuneiform script is, as far as we know, the oldest form of writing in the world. The recording of a spoken language, emerged from earlier recording systems at the end of the 4th Millennium BC. The first written language in Mesopotamia is called Sumerian. Most of early tablets come from the site of Uruk, in southern Mesopotamia, and it may have been here that this form of writing was invented. Cuneiform is one of the oldest forms of writing known. It means "wedge-shaped," because people wrote it using a reed stylus cut to make a wedge-shaped mark on a clay tablet. Letters enclosed in clay envelopes, as well as works of literature, such as the Epic of Gilgamesh have been found. Historical accounts have also come to light, as have huge libraries such as that belonging to Assyrian king, Ashurbanipal. Cuneiform writing was used to record a variety of information such as temple activities, business and trade. Cuneiform was also used to write stories, myths, and personal letters. The latest known example of cuneiform is an astronomical text from 75 CE. During its 3000-year history, cuneiform was used to write around 15 different languages including Sumerian, Akkadian, Babylonian, Assyrian, Elamite, Hittite, Urartian, and Old Persian. First developed by scribes as a book-keeping tool to keep track of bread and beer rations in ancient cities like Uruk (in south east of modern-day Iraq), system soon spread across Middle East and was used continuously for more than 3000 years, up until 1st Century AD. Cuneiform is not a language but a proper way of writing distinct from the alphabet. It doesn't have 'letters' – instead it uses between 600-1000 characters impressed on clay to spell words by dividing them up into syllables, like 'ca-at' for cat, or 'mu-zi-um' for museum. Other signs stood for whole words, like our '£' standing for pound sterling. Two main languages written in cuneiform are Sumerian and Akkadian, although more than a dozen others are recorded, including Hittite, cousin to Latin. Texts were written by pressing a cut, straight reed into slightly moist clay. Characteristic wedge-shaped strokes that make up signs give writing its modern name – cuneiform means 'wedge-shaped' (from Latin cuneus for 'wedge'). The process for writing cuneiform on a clay tablet involved these steps : • Prepare the clay - Start with a damp ball of clay and flatten it into a tablet that's about the size of a hand, with one flat side and one convex side. You can use your fingers to shape the clay, or you can work on a plastic bag on a hard surface. • Impress the symbols - Use a reed stylus with a wedge-shaped tip to press into the wet clay and create the symbols. The symbols can be a combination of lines and wedges. • Dry the tablet - Leave the tablet in the sun to dry, or you can speed up the process by using a fan. Once the clay has reached a thick, goo-like consistency, you can store it in an airtight container. The british museum's department of collection of cuneiform tablets is among the most important in the world. It contains approximately 130,000 texts and fragments and is perhaps the largest collection outside of Iraq. The centerpiece of the collection is the Library of Ashurbanipal, comprising many thousands of the most important tablets ever found. The significance of these tablets was immediately realized by Library’s excavator, Austin Henry Layard, who wrote: "They furnish us with materials for the complete decipherment of the cuneiform character, for restoring the language and history of Assyria, and for inquiring into the customs, sciences, and … literature, of its people." 🎥© art.heology (IG) © British Museum #archaeohistories

Originating in what is now Iraq before 3200 BC, cuneiform script is, as far as we know, the oldest form of writing in the world. The recording of a spoken language, emerged from earlier recording systems at the end of the 4th Millennium BC. The first written language in Mesopotamia is called Sumerian. Most of early tablets come from the site of Uruk, in southern Mesopotamia, and it may have been here that this form of writing was invented. Cuneiform is one of the oldest forms of writing known. It means "wedge-shaped," because people wrote it using a reed stylus cut to make a wedge-shaped mark on a clay tablet. Letters enclosed in clay envelopes, as well as works of literature, such as the Epic of Gilgamesh have been found. Historical accounts have also come to light, as have huge libraries such as that belonging to Assyrian king, Ashurbanipal. Cuneiform writing was used to record a variety of information such as temple activities, business and trade. Cuneiform was also used to write stories, myths, and personal letters. The latest known example of cuneiform is an astronomical text from 75 CE. During its 3000-year history, cuneiform was used to write around 15 different languages including Sumerian, Akkadian, Babylonian, Assyrian, Elamite, Hittite, Urartian, and Old Persian. First developed by scribes as a book-keeping tool to keep track of bread and beer rations in ancient cities like Uruk (in south east of modern-day Iraq), system soon spread across Middle East and was used continuously for more than 3000 years, up until 1st Century AD. Cuneiform is not a language but a proper way of writing distinct from the alphabet. It doesn't have 'letters' – instead it uses between 600-1000 characters impressed on clay to spell words by dividing them up into syllables, like 'ca-at' for cat, or 'mu-zi-um' for museum. Other signs stood for whole words, like our '£' standing for pound sterling. Two main languages written in cuneiform are Sumerian and Akkadian, although more than a dozen others are recorded, including Hittite, cousin to Latin. Texts were written by pressing a cut, straight reed into slightly moist clay. Characteristic wedge-shaped strokes that make up signs give writing its modern name – cuneiform means 'wedge-shaped' (from Latin cuneus for 'wedge'). The process for writing cuneiform on a clay tablet involved these steps : • Prepare the clay - Start with a damp ball of clay and flatten it into a tablet that's about the size of a hand, with one flat side and one convex side. You can use your fingers to shape the clay, or you can work on a plastic bag on a hard surface. • Impress the symbols - Use a reed stylus with a wedge-shaped tip to press into the wet clay and create the symbols. The symbols can be a combination of lines and wedges. • Dry the tablet - Leave the tablet in the sun to dry, or you can speed up the process by using a fan. Once the clay has reached a thick, goo-like consistency, you can store it in an airtight container. The british museum's department of collection of cuneiform tablets is among the most important in the world. It contains approximately 130,000 texts and fragments and is perhaps the largest collection outside of Iraq. The centerpiece of the collection is the Library of Ashurbanipal, comprising many thousands of the most important tablets ever found. The significance of these tablets was immediately realized by Library’s excavator, Austin Henry Layard, who wrote: "They furnish us with materials for the complete decipherment of the cuneiform character, for restoring the language and history of Assyria, and for inquiring into the customs, sciences, and … literature, of its people." 🎥© art.heology (IG) © British Museum #archaeohistories

Archaeo - Histories

34,346 次观看 • 10 个月前

Originating in what is now Iraq 🇮🇶 before 3200 BC, cuneiform script is, as far as we know, the oldest form of writing in the world. The recording of a spoken language, emerged from earlier recording systems at the end of 4th Millennium BC. The first written language in Mesopotamia is called Sumerian. Most of early tablets come from the site of Uruk, in southern Mesopotamia, and it may have been here that this form of writing was invented. Cuneiform is one of the oldest forms of writing known. It means "wedge-shaped," because people wrote it using a reed stylus cut to make a wedge-shaped mark on a clay tablet. Letters enclosed in clay envelopes, as well as works of literature, such as the Epic of Gilgamesh have been found. Historical accounts have also come to light, as have huge libraries such as that belonging to Assyrian king, Ashurbanipal. Cuneiform writing was used to record a variety of information such as temple activities, business and trade. Cuneiform was also used to write stories, myths, and personal letters. The latest known example of cuneiform is an astronomical text from 75 CE. During its 3000-year history, cuneiform was used to write around 15 different languages including Sumerian, Akkadian, Babylonian, Assyrian, Elamite, Hittite, Urartian, and Old Persian. First developed by scribes as a book-keeping tool to keep track of bread and beer rations in ancient cities like Uruk (in south east of modern-day Iraq), system soon spread across Middle East and was used continuously for more than 3000 years, up until 1st Century AD. Cuneiform is not a language but a proper way of writing distinct from the alphabet. It doesn't have 'letters' – instead it uses between 600-1000 characters impressed on clay to spell words by dividing them up into syllables, like 'ca-at' for cat, or 'mu-zi-um' for museum. Other signs stood for whole words, like our '£' standing for pound sterling. Two main languages written in cuneiform are Sumerian and Akkadian, although more than a dozen others are recorded, including Hittite, cousin to Latin. Texts were written by pressing a cut, straight reed into slightly moist clay. Characteristic wedge-shaped strokes that make up signs give writing its modern name – cuneiform means 'wedge-shaped' (from Latin cuneus for 'wedge'). The process for writing cuneiform on a clay tablet involved these steps : • Prepare the clay - Start with a damp ball of clay and flatten it into a tablet that's about the size of a hand, with one flat side and one convex side. You can use your fingers to shape the clay, or you can work on a plastic bag on a hard surface. • Impress the symbols - Use a reed stylus with a wedge-shaped tip to press into the wet clay and create the symbols. The symbols can be a combination of lines and wedges. • Dry the tablet - Leave the tablet in the sun to dry, or you can speed up the process by using a fan. Once the clay has reached a thick, goo-like consistency, you can store it in an airtight container. The british museum's department of collection of cuneiform tablets is among the most important in the world. It contains approximately 130,000 texts and fragments and is perhaps the largest collection outside of Iraq. The centerpiece of the collection is the Library of Ashurbanipal, comprising many thousands of the most important tablets ever found. The significance of these tablets was immediately realized by Library’s excavator, Austin Henry Layard, who wrote: "They furnish us with materials for the complete decipherment of the cuneiform character, for restoring the language and history of Assyria, and for inquiring into the customs, sciences, and … literature, of its people." 🎥© art.heology (IG) © British Museum #archaeohistories

Originating in what is now Iraq 🇮🇶 before 3200 BC, cuneiform script is, as far as we know, the oldest form of writing in the world. The recording of a spoken language, emerged from earlier recording systems at the end of 4th Millennium BC. The first written language in Mesopotamia is called Sumerian. Most of early tablets come from the site of Uruk, in southern Mesopotamia, and it may have been here that this form of writing was invented. Cuneiform is one of the oldest forms of writing known. It means "wedge-shaped," because people wrote it using a reed stylus cut to make a wedge-shaped mark on a clay tablet. Letters enclosed in clay envelopes, as well as works of literature, such as the Epic of Gilgamesh have been found. Historical accounts have also come to light, as have huge libraries such as that belonging to Assyrian king, Ashurbanipal. Cuneiform writing was used to record a variety of information such as temple activities, business and trade. Cuneiform was also used to write stories, myths, and personal letters. The latest known example of cuneiform is an astronomical text from 75 CE. During its 3000-year history, cuneiform was used to write around 15 different languages including Sumerian, Akkadian, Babylonian, Assyrian, Elamite, Hittite, Urartian, and Old Persian. First developed by scribes as a book-keeping tool to keep track of bread and beer rations in ancient cities like Uruk (in south east of modern-day Iraq), system soon spread across Middle East and was used continuously for more than 3000 years, up until 1st Century AD. Cuneiform is not a language but a proper way of writing distinct from the alphabet. It doesn't have 'letters' – instead it uses between 600-1000 characters impressed on clay to spell words by dividing them up into syllables, like 'ca-at' for cat, or 'mu-zi-um' for museum. Other signs stood for whole words, like our '£' standing for pound sterling. Two main languages written in cuneiform are Sumerian and Akkadian, although more than a dozen others are recorded, including Hittite, cousin to Latin. Texts were written by pressing a cut, straight reed into slightly moist clay. Characteristic wedge-shaped strokes that make up signs give writing its modern name – cuneiform means 'wedge-shaped' (from Latin cuneus for 'wedge'). The process for writing cuneiform on a clay tablet involved these steps : • Prepare the clay - Start with a damp ball of clay and flatten it into a tablet that's about the size of a hand, with one flat side and one convex side. You can use your fingers to shape the clay, or you can work on a plastic bag on a hard surface. • Impress the symbols - Use a reed stylus with a wedge-shaped tip to press into the wet clay and create the symbols. The symbols can be a combination of lines and wedges. • Dry the tablet - Leave the tablet in the sun to dry, or you can speed up the process by using a fan. Once the clay has reached a thick, goo-like consistency, you can store it in an airtight container. The british museum's department of collection of cuneiform tablets is among the most important in the world. It contains approximately 130,000 texts and fragments and is perhaps the largest collection outside of Iraq. The centerpiece of the collection is the Library of Ashurbanipal, comprising many thousands of the most important tablets ever found. The significance of these tablets was immediately realized by Library’s excavator, Austin Henry Layard, who wrote: "They furnish us with materials for the complete decipherment of the cuneiform character, for restoring the language and history of Assyria, and for inquiring into the customs, sciences, and … literature, of its people." 🎥© art.heology (IG) © British Museum #archaeohistories

Archaeo - Histories

34,141 次观看 • 6 个月前

Originating in what is now Iraq before 3200 BC, cuneiform script is, as far as we know, the oldest form of writing in the world. The recording of a spoken language, emerged from earlier recording systems at the end of 4th Millennium BC. The first written language in Mesopotamia is called Sumerian. Most of early tablets come from the site of Uruk, in southern Mesopotamia, and it may have been here that this form of writing was invented. Cuneiform is one of the oldest forms of writing known. It means "wedge-shaped," because people wrote it using a reed stylus cut to make a wedge-shaped mark on a clay tablet. Letters enclosed in clay envelopes, as well as works of literature, such as the Epic of Gilgamesh have been found. Historical accounts have also come to light, as have huge libraries such as that belonging to Assyrian king, Ashurbanipal. Cuneiform writing was used to record a variety of information such as temple activities, business and trade. Cuneiform was also used to write stories, myths, and personal letters. The latest known example of cuneiform is an astronomical text from 75 CE. During its 3000-year history, cuneiform was used to write around 15 different languages including Sumerian, Akkadian, Babylonian, Assyrian, Elamite, Hittite, Urartian, and Old Persian. First developed by scribes as a book-keeping tool to keep track of bread and beer rations in ancient cities like Uruk (in south east of modern-day Iraq), system soon spread across Middle East and was used continuously for more than 3000 years, up until 1st Century AD. Cuneiform is not a language but a proper way of writing distinct from the alphabet. It doesn't have 'letters' – instead it uses between 600-1000 characters impressed on clay to spell words by dividing them up into syllables, like 'ca-at' for cat, or 'mu-zi-um' for museum. Other signs stood for whole words, like our '£' standing for pound sterling. Two main languages written in cuneiform are Sumerian and Akkadian, although more than a dozen others are recorded, including Hittite, cousin to Latin. Texts were written by pressing a cut, straight reed into slightly moist clay. Characteristic wedge-shaped strokes that make up signs give writing its modern name – cuneiform means 'wedge-shaped' (from Latin cuneus for 'wedge'). The process for writing cuneiform on a clay tablet involved these steps : • Prepare the clay - Start with a damp ball of clay and flatten it into a tablet that's about the size of a hand, with one flat side and one convex side. You can use your fingers to shape the clay, or you can work on a plastic bag on a hard surface. • Impress the symbols - Use a reed stylus with a wedge-shaped tip to press into the wet clay and create the symbols. The symbols can be a combination of lines and wedges. • Dry the tablet - Leave the tablet in the sun to dry, or you can speed up the process by using a fan. Once the clay has reached a thick, goo-like consistency, you can store it in an airtight container. The british museum's department of collection of cuneiform tablets is among the most important in the world. It contains approximately 130,000 texts and fragments and is perhaps the largest collection outside of Iraq. The centerpiece of the collection is the Library of Ashurbanipal, comprising many thousands of the most important tablets ever found. The significance of these tablets was immediately realized by Library’s excavator, Austin Henry Layard, who wrote: "They furnish us with materials for the complete decipherment of the cuneiform character, for restoring the language and history of Assyria, and for inquiring into the customs, sciences, and … literature, of its people." 🎥© art.heology (IG) © British Museum #archaeohistories

Originating in what is now Iraq before 3200 BC, cuneiform script is, as far as we know, the oldest form of writing in the world. The recording of a spoken language, emerged from earlier recording systems at the end of 4th Millennium BC. The first written language in Mesopotamia is called Sumerian. Most of early tablets come from the site of Uruk, in southern Mesopotamia, and it may have been here that this form of writing was invented. Cuneiform is one of the oldest forms of writing known. It means "wedge-shaped," because people wrote it using a reed stylus cut to make a wedge-shaped mark on a clay tablet. Letters enclosed in clay envelopes, as well as works of literature, such as the Epic of Gilgamesh have been found. Historical accounts have also come to light, as have huge libraries such as that belonging to Assyrian king, Ashurbanipal. Cuneiform writing was used to record a variety of information such as temple activities, business and trade. Cuneiform was also used to write stories, myths, and personal letters. The latest known example of cuneiform is an astronomical text from 75 CE. During its 3000-year history, cuneiform was used to write around 15 different languages including Sumerian, Akkadian, Babylonian, Assyrian, Elamite, Hittite, Urartian, and Old Persian. First developed by scribes as a book-keeping tool to keep track of bread and beer rations in ancient cities like Uruk (in south east of modern-day Iraq), system soon spread across Middle East and was used continuously for more than 3000 years, up until 1st Century AD. Cuneiform is not a language but a proper way of writing distinct from the alphabet. It doesn't have 'letters' – instead it uses between 600-1000 characters impressed on clay to spell words by dividing them up into syllables, like 'ca-at' for cat, or 'mu-zi-um' for museum. Other signs stood for whole words, like our '£' standing for pound sterling. Two main languages written in cuneiform are Sumerian and Akkadian, although more than a dozen others are recorded, including Hittite, cousin to Latin. Texts were written by pressing a cut, straight reed into slightly moist clay. Characteristic wedge-shaped strokes that make up signs give writing its modern name – cuneiform means 'wedge-shaped' (from Latin cuneus for 'wedge'). The process for writing cuneiform on a clay tablet involved these steps : • Prepare the clay - Start with a damp ball of clay and flatten it into a tablet that's about the size of a hand, with one flat side and one convex side. You can use your fingers to shape the clay, or you can work on a plastic bag on a hard surface. • Impress the symbols - Use a reed stylus with a wedge-shaped tip to press into the wet clay and create the symbols. The symbols can be a combination of lines and wedges. • Dry the tablet - Leave the tablet in the sun to dry, or you can speed up the process by using a fan. Once the clay has reached a thick, goo-like consistency, you can store it in an airtight container. The british museum's department of collection of cuneiform tablets is among the most important in the world. It contains approximately 130,000 texts and fragments and is perhaps the largest collection outside of Iraq. The centerpiece of the collection is the Library of Ashurbanipal, comprising many thousands of the most important tablets ever found. The significance of these tablets was immediately realized by Library’s excavator, Austin Henry Layard, who wrote: "They furnish us with materials for the complete decipherment of the cuneiform character, for restoring the language and history of Assyria, and for inquiring into the customs, sciences, and … literature, of its people." 🎥© art.heology (IG) © British Museum #archaeohistories

Archaeo - Histories

206,758 次观看 • 2 年前

We knew this dance would be an incredibly emotional moment for Annabel Croft and her partner, Johannes Radebe tonight on BBC Strictly ✨ but we didn’t know how Annabel’s story would unfold and resonate with our own, and with so many of those in our community. This was a beautiful tribute to love 🧡 ‘If these wings could fly’

We knew this dance would be an incredibly emotional moment for Annabel Croft and her partner, Johannes Radebe tonight on BBC Strictly ✨ but we didn’t know how Annabel’s story would unfold and resonate with our own, and with so many of those in our community. This was a beautiful tribute to love 🧡 ‘If these wings could fly’

The Good Grief Trust

460,494 次观看 • 2 年前

Amazing documentary from Sweden showcasing how they made iron from raw clay they harvest in a bog. This method is how they made raw materials for tools, weapons and export from the early iron age until the industrial revolution! The first step is to dig up clay rich in iron ore from a bog. The clay is left to dry in piles and then transported to a foundry nearby the bog. At the foundry the first step is the roast the raw material. This is to remove moisture and biological material. The temperature of the fire is around 500-600°C but not higher since the material should not melt yet. This shrinks the raw material to 50% of it's original mass, sometimes to a third of it's original mass. This process takes 2-4 hours. As this happens the men prepare the foundry. In a stone clad hole in the ground with an air vent at the bottom firewood is stacked. When this is lit on fire the men takes careful precautions to not allow it to burn up completely. After an hour the firewood is turned into charcoal used to turn the now refined iron ore into iron ingots. The roasted iron ore is placed into the bed of coal will sink slowly sink to the bottom of the pit as the coal burn with a temperature in-between 1200-1400°C, the men peak into the airhole at the foundry and can tell from the colour of the temperature is correct or if they need to adjust it. The bellows blows 350L of air into the foundry per turn and the entire process takes up to four hours. The lump of iron is still full of slag and byproduct. To remove this its beaten with a hammer on site. At a smiths workshop a smith continue to hammer our out the byproducts until it's refined enough for production! In the forests there are many traces of iron ore refinement. The foundry's can still be found in good condition even if they have not been in use for over 500 years and traces of slag and byproduct still litter the ground.

Amazing documentary from Sweden showcasing how they made iron from raw clay they harvest in a bog. This method is how they made raw materials for tools, weapons and export from the early iron age until the industrial revolution! The first step is to dig up clay rich in iron ore from a bog. The clay is left to dry in piles and then transported to a foundry nearby the bog. At the foundry the first step is the roast the raw material. This is to remove moisture and biological material. The temperature of the fire is around 500-600°C but not higher since the material should not melt yet. This shrinks the raw material to 50% of it's original mass, sometimes to a third of it's original mass. This process takes 2-4 hours. As this happens the men prepare the foundry. In a stone clad hole in the ground with an air vent at the bottom firewood is stacked. When this is lit on fire the men takes careful precautions to not allow it to burn up completely. After an hour the firewood is turned into charcoal used to turn the now refined iron ore into iron ingots. The roasted iron ore is placed into the bed of coal will sink slowly sink to the bottom of the pit as the coal burn with a temperature in-between 1200-1400°C, the men peak into the airhole at the foundry and can tell from the colour of the temperature is correct or if they need to adjust it. The bellows blows 350L of air into the foundry per turn and the entire process takes up to four hours. The lump of iron is still full of slag and byproduct. To remove this its beaten with a hammer on site. At a smiths workshop a smith continue to hammer our out the byproducts until it's refined enough for production! In the forests there are many traces of iron ore refinement. The foundry's can still be found in good condition even if they have not been in use for over 500 years and traces of slag and byproduct still litter the ground.

Birch Brother 🪓

179,923 次观看 • 1 个月前

German Chancellor Merz after meeting Trump: The Russian giant today stands on feet of clay. And that is why we want to come to solutions here, but also solutions that involve the Europeans. We are not prepared to accept an agreement that is negotiated over our heads. Only when Washington puts Russia under pressure again will President Putin also be prepared to make concessions. I spoke in favor of expanding the negotiations between the United States, Ukraine, and Russia to include the Europeans. And without us, the EU and our close partners—I explicitly include Great Britain here—it won't work.

German Chancellor Merz after meeting Trump: The Russian giant today stands on feet of clay. And that is why we want to come to solutions here, but also solutions that involve the Europeans. We are not prepared to accept an agreement that is negotiated over our heads. Only when Washington puts Russia under pressure again will President Putin also be prepared to make concessions. I spoke in favor of expanding the negotiations between the United States, Ukraine, and Russia to include the Europeans. And without us, the EU and our close partners—I explicitly include Great Britain here—it won't work.

Clash Report

35,697 次观看 • 5 个月前

You might not know it to look at it, but this is a milestone moment for Alia. Our shy, traumatised new rescue is slowly coming out of her shell. Today, she decided she was ready to join the gang in the mud bath (and our staff member filming dutifully got covered in mud so we could remember it). Older, grief stricken orphans often withdraw from the world after rescue, retreating into their memories of their lost herd, and Alia was no exception. But when we see moments of engagement like this with the herd, we know everything will be okay. Read about Alia’s journey so far:

You might not know it to look at it, but this is a milestone moment for Alia. Our shy, traumatised new rescue is slowly coming out of her shell. Today, she decided she was ready to join the gang in the mud bath (and our staff member filming dutifully got covered in mud so we could remember it). Older, grief stricken orphans often withdraw from the world after rescue, retreating into their memories of their lost herd, and Alia was no exception. But when we see moments of engagement like this with the herd, we know everything will be okay. Read about Alia’s journey so far:

Sheldrick Wildlife Trust

21,286 次观看 • 3 个月前

Happy New Year Christina & Amber!! I Love you my Girls! 🧡 But specially the Chamber Family! This is an unbelievable Community, love all the friendships we have created and I can't wait to see where 2026 takes us!! CC4L!!! 🎉🥂 I also wanna wish Zeudi Di Palma a happy new year! Your heart is golden! 🧡 without you I would of never found Amber and fall in love with Chamber 🥰🦄 #zeudiners hold a special place in my heart, 2025 was a crazy but special year! #chamber #wlw #chamberlawes

Happy New Year Christina & Amber!! I Love you my Girls! 🧡 But specially the Chamber Family! This is an unbelievable Community, love all the friendships we have created and I can't wait to see where 2026 takes us!! CC4L!!! 🎉🥂 I also wanna wish Zeudi Di Palma a happy new year! Your heart is golden! 🧡 without you I would of never found Amber and fall in love with Chamber 🥰🦄 #zeudiners hold a special place in my heart, 2025 was a crazy but special year! #chamber #wlw #chamberlawes

Bee_aanca🧡🦄

25,724 次观看 • 7 个月前

🤔LONE REPUBLICAN CLAY HIGGINS VOTED AGAINST THE EPSTEIN RELEASE. Jack Posobiec has Evita Duffy to discuss THE IMPORTANCE OF THE EPSTEIN FILES. Evita Duffy-Alfonso says "THIS HAS BECOME A SYMBOL OF ALL THE ABUSE THE AMERICAN PEOPLE HAVE ENDURED BY THE SECRECY OF OUR GOVERNMENT." Jack Posobiec asks what the reaction will be if MASSIVE parts of this are BLACKOUT to which Evita says "THIS WILL NOT GO AWAY IF WE SEE MASSIVE REDACTIONS." Jack points out that EPSTEIN VISITED THE WHITE HOUSE 17 TIMES and was entrenched in power structures.

🤔LONE REPUBLICAN CLAY HIGGINS VOTED AGAINST THE EPSTEIN RELEASE. Jack Posobiec has Evita Duffy to discuss THE IMPORTANCE OF THE EPSTEIN FILES. Evita Duffy-Alfonso says "THIS HAS BECOME A SYMBOL OF ALL THE ABUSE THE AMERICAN PEOPLE HAVE ENDURED BY THE SECRECY OF OUR GOVERNMENT." Jack Posobiec asks what the reaction will be if MASSIVE parts of this are BLACKOUT to which Evita says "THIS WILL NOT GO AWAY IF WE SEE MASSIVE REDACTIONS." Jack points out that EPSTEIN VISITED THE WHITE HOUSE 17 TIMES and was entrenched in power structures.

Johnny St.Pete

36,814 次观看 • 9 个月前

🔥 Vivek Ramaswamy Schools Reporter Who Tries to Maintain the January 6th Narrative "You asked me yesterday about would I be...a little bit more responsible about how we talk about the events of January 6 and whatever happened? And I specifically asked about the number of undercover FBI agents who were in the field. And you said, Christopher Wray has repeatedly said that there were none. That's what you told me. Well, I went back to specifically the testimony...That's just not what he said. Christopher Wray repeatedly, when asked and pressed by Clay Higgins, a congressman from Louisiana. He repeatedly pressed him, and Christopher Wray said, for all kinds of reasons, he's not going to state how many federal agents or whether there were federal agents in the field or whether there were informants in the field. And I think, in your case, I don't think that that was an intentional gotcha, but I think that this becomes part of the actual narrative, part of the baseline narrative, that it then misleads the public." Vivek Ramaswamy Rep. Clay Higgins

🔥 Vivek Ramaswamy Schools Reporter Who Tries to Maintain the January 6th Narrative "You asked me yesterday about would I be...a little bit more responsible about how we talk about the events of January 6 and whatever happened? And I specifically asked about the number of undercover FBI agents who were in the field. And you said, Christopher Wray has repeatedly said that there were none. That's what you told me. Well, I went back to specifically the testimony...That's just not what he said. Christopher Wray repeatedly, when asked and pressed by Clay Higgins, a congressman from Louisiana. He repeatedly pressed him, and Christopher Wray said, for all kinds of reasons, he's not going to state how many federal agents or whether there were federal agents in the field or whether there were informants in the field. And I think, in your case, I don't think that that was an intentional gotcha, but I think that this becomes part of the actual narrative, part of the baseline narrative, that it then misleads the public." Vivek Ramaswamy Rep. Clay Higgins

Chief Nerd

607,751 次观看 • 2 年前