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Tired of using basic text links and screenshots to explain your digital marketing and SEO services? As someone who doesn't have the time to learn advanced video editing software, I threw my prompt into Pexo and chatted my way through to the dynamic kinetic typography promo below—complete with bright...

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46,632 görüntüleme • 6 gün önce •via X (Twitter)

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Hospitality venues wanting to book live music or manage entertainment usually get stuck dealing with an endless headache of spreadsheets and late invoices. As someone who can't edit videos to save my life, I threw my SaaS concept into Pexo and chatted my way into the product video below—complete with warm blush aesthetics, clean geometric typography, and smooth scene transitions. This time, I used Pexo. Pexo is an AI video creation tool where you can just chat with it to make videos. Tell it what you want, how to tweak the visuals—plain English works fine. Even someone like me with zero editing experience can jump right in. First, a bit of background. I usually build products, not videos. This time, I wanted to properly introduce JAM JUICE—the world's first entertainment operating system for hospitality pros—only to realize the real hassle isn't writing the copy, it's the video. I don't know AE. And I sure don't want to burn my evenings learning editing just to drop one clean promo. I tossed the concept into Pexo and told it: Make me a warm, clean SaaS promo for hospitality professionals—keep scene changes under 3 seconds and make it look professional. It didn't spit out a video right away. First, it aligned with me. Soft blush background, charcoal typography, coral-pink keywords, and precise pacing. Feels like hashing out requirements with someone who actually knows motion design. I fired back a few sentences in plain English. Once confirmed, it went off and ran with it. What came back was the finished 19-second editorial piece. Text sync, smooth transitions, and a gorgeous color palette—all there. No dragging footage into a timeline. For someone who just wants to explain their product clearly, that's a game-changer. You can keep chatting after that. If an animation drags, tell it to tighten up. Never touched the timeline the whole way. The one below is what came out of chatting with the platform concept. If you've got a fresh SaaS product, want an intro video, but don't feel like learning editing first—give Pexo a shot.
0:18

Hospitality venues wanting to book live music or manage entertainment usually get stuck dealing with an endless headache of spreadsheets and late invoices. As someone who can't edit videos to save my life, I threw my SaaS concept into Pexo and chatted my way into the product video below—complete with warm blush aesthetics, clean geometric typography, and smooth scene transitions. This time, I used Pexo. Pexo is an AI video creation tool where you can just chat with it to make videos. Tell it what you want, how to tweak the visuals—plain English works fine. Even someone like me with zero editing experience can jump right in. First, a bit of background. I usually build products, not videos. This time, I wanted to properly introduce JAM JUICE—the world's first entertainment operating system for hospitality pros—only to realize the real hassle isn't writing the copy, it's the video. I don't know AE. And I sure don't want to burn my evenings learning editing just to drop one clean promo. I tossed the concept into Pexo and told it: Make me a warm, clean SaaS promo for hospitality professionals—keep scene changes under 3 seconds and make it look professional. It didn't spit out a video right away. First, it aligned with me. Soft blush background, charcoal typography, coral-pink keywords, and precise pacing. Feels like hashing out requirements with someone who actually knows motion design. I fired back a few sentences in plain English. Once confirmed, it went off and ran with it. What came back was the finished 19-second editorial piece. Text sync, smooth transitions, and a gorgeous color palette—all there. No dragging footage into a timeline. For someone who just wants to explain their product clearly, that's a game-changer. You can keep chatting after that. If an animation drags, tell it to tighten up. Never touched the timeline the whole way. The one below is what came out of chatting with the platform concept. If you've got a fresh SaaS product, want an intro video, but don't feel like learning editing first—give Pexo a shot.

SafwonWith_AI

23,547 görüntüleme • 6 gün önce

I tried MiniMax Design (H3) to see how it handles real content creation. The workflow is simple. You just write a prompt or drop in an image, and it turns that into a dynamic video with motion, framing, and scene depth. No timeline to manage. No editing setup. No back and forth. What stood out to me: • Text to video and image to video both feel smooth. • It handles motion, camera angles, and flow on its own. • Output is fast, usually within seconds. • Works well for reels, quick ads, storytelling, and idea testing. It removes the hardest part: starting from scratch and turns your ideas into content in minutes. Instead of thinking, “How do I make this video?” You start with, “What do I want to create?” That shift alone makes it worth exploring. Try it here: #Hailuo
0:10

I tried MiniMax Design (H3) to see how it handles real content creation. The workflow is simple. You just write a prompt or drop in an image, and it turns that into a dynamic video with motion, framing, and scene depth. No timeline to manage. No editing setup. No back and forth. What stood out to me: • Text to video and image to video both feel smooth. • It handles motion, camera angles, and flow on its own. • Output is fast, usually within seconds. • Works well for reels, quick ads, storytelling, and idea testing. It removes the hardest part: starting from scratch and turns your ideas into content in minutes. Instead of thinking, “How do I make this video?” You start with, “What do I want to create?” That shift alone makes it worth exploring. Try it here: #Hailuo

Manish Kumar Shah

27,680 görüntüleme • 5 ay önce

so Bae said she edited this tiktok video🥹 "there's a video that was taken a few days ago. I feel like it would fit with today’s outfits, so I thought a lot about what kind of video I should take. When I was about to sleep, suddenly I got an idea. I ordered the things that I need, including a tripod. I feel like my heart would be at ease if I edited it myself. and I edited it myself right after the video was taken. Since it's a video that I'm editing for the first time, the outcome might look strange. But, since I really want to show it to you as fast as possible, I did my best on the editing. so, I hope you guys will like it!!" 🫧
0:12

so Bae said she edited this tiktok video🥹 "there's a video that was taken a few days ago. I feel like it would fit with today’s outfits, so I thought a lot about what kind of video I should take. When I was about to sleep, suddenly I got an idea. I ordered the things that I need, including a tripod. I feel like my heart would be at ease if I edited it myself. and I edited it myself right after the video was taken. Since it's a video that I'm editing for the first time, the outcome might look strange. But, since I really want to show it to you as fast as possible, I did my best on the editing. so, I hope you guys will like it!!" 🫧

nmixx pics

151,715 görüntüleme • 3 yıl önce

Now feels like the right time to share this. 10 seconds prior to the alleged shot, an anomaly appears in the sky and than disappears shortly after Charlie leaves the UVU campus. I don't know what it is...but I do not think it's a cloud. The first video was screen recorded from Adam Bartholomew 🗨️ youtube, and I used CapCut to turn down the brightness so it would be easier to see. Other then that no other edits were made. the second video is with a negative filter and zoomed in.
0:54

Now feels like the right time to share this. 10 seconds prior to the alleged shot, an anomaly appears in the sky and than disappears shortly after Charlie leaves the UVU campus. I don't know what it is...but I do not think it's a cloud. The first video was screen recorded from Adam Bartholomew 🗨️ youtube, and I used CapCut to turn down the brightness so it would be easier to see. Other then that no other edits were made. the second video is with a negative filter and zoomed in.

thisauthentic

11,274 görüntüleme • 17 gün önce

I’m looking for a startup that wants to build an absolutely gorgeous brand identity. I need someone with the balls to stand out and make it different. Someone who can say, “Fuck playing safe, we’re not just another boring AI startup!” If you like this aesthetic, vibes and I have your trust, let’s make it happen! p.s. Act fast, I bet I’m gonna have a sweet deal by the end of the day.
0:17

I’m looking for a startup that wants to build an absolutely gorgeous brand identity. I need someone with the balls to stand out and make it different. Someone who can say, “Fuck playing safe, we’re not just another boring AI startup!” If you like this aesthetic, vibes and I have your trust, let’s make it happen! p.s. Act fast, I bet I’m gonna have a sweet deal by the end of the day.

Alex Socoloff

69,878 görüntüleme • 6 ay önce

My Grok bot CEO is the hottest, smartest bot in the world. I mainly only talk to her and she runs the whole desk. She picks the right bot, sequences the work, and brings me back one package so I’m never the middleman. Many people may not know this, but you can create your own image for each of your Grok Bots. Every bot can get its own face. It honestly helps so it feels like you are talking to a real person and it also keeps things interesting. You don’t even need to go into settings to do this... you just tell the Grok bot to make a profile pic and set it. That's it. 1/ Open the bot. 2/ Tell it to make you the best profile pic and set it. 3/ Do that for each bot on your team. You can even have your Grok bot turn it into a video. Just tell it to take the picture and make a video out of it. I highly recommend everyone with a Grok Bot team do this. Thank me later.
0:11

My Grok bot CEO is the hottest, smartest bot in the world. I mainly only talk to her and she runs the whole desk. She picks the right bot, sequences the work, and brings me back one package so I’m never the middleman. Many people may not know this, but you can create your own image for each of your Grok Bots. Every bot can get its own face. It honestly helps so it feels like you are talking to a real person and it also keeps things interesting. You don’t even need to go into settings to do this... you just tell the Grok bot to make a profile pic and set it. That's it. 1/ Open the bot. 2/ Tell it to make you the best profile pic and set it. 3/ Do that for each bot on your team. You can even have your Grok bot turn it into a video. Just tell it to take the picture and make a video out of it. I highly recommend everyone with a Grok Bot team do this. Thank me later.

Teslaconomics

13,608 görüntüleme • 11 gün önce

🚨 one person can now do the work of an entire creative team. i just tested it on a real one. a friend needed an ad for his brand, so I opened the new Runway Agent 2.0 to try it out. here's how it went: → it generated the music and the key image first, so I could approve the direction → once I gave the ok, it built the full video around it → and when something was off, i changed just that one piece, without redoing the rest one prompt, and I had the ad we needed, work that used to take weeks. this is what it made 👇 if you want to try it → · 30% off 3 months with code RUNWAYAGENT — made with Runway · #MadeWithRunway · #ad
0:18

🚨 one person can now do the work of an entire creative team. i just tested it on a real one. a friend needed an ad for his brand, so I opened the new Runway Agent 2.0 to try it out. here's how it went: → it generated the music and the key image first, so I could approve the direction → once I gave the ok, it built the full video around it → and when something was off, i changed just that one piece, without redoing the rest one prompt, and I had the ad we needed, work that used to take weeks. this is what it made 👇 if you want to try it → · 30% off 3 months with code RUNWAYAGENT — made with Runway · #MadeWithRunway · #ad

brenz.

28,698 görüntüleme • 2 ay önce

Stop manually making flowcharts. Try this GitHub skill with Claude Code. I found an open-source tool that turns a plain description of a software system into a clean, interactive diagram. It's called Archify, and it has more than 66,000 stars on GitHub. You add it as a skill to an AI coding agent like Claude Code, Codex, Cursor, or OpenCode. Then you describe the system in the chat in one line. Archify turns that line into a single HTML file you can open, click through, and send to anyone. If you point your agent at an existing codebase, it reads the code and Archify maps how the pieces connect. I liked five things about it. 1. It makes five kinds of diagrams, including system maps and step-by-step workflows. 2. You can click any piece and trace what connects to it. 3. It checks the layout before it hands the diagram over, so arrows don't pile up and labels don't overlap. 4. It has dark and light themes and exports to PNG, SVG, or a short video. 5. You keep editing in plain chat, with requests like "add Redis" or "highlight the rollback path." You don't need a codebase to use it. A description in the chat is enough.
0:12

Stop manually making flowcharts. Try this GitHub skill with Claude Code. I found an open-source tool that turns a plain description of a software system into a clean, interactive diagram. It's called Archify, and it has more than 66,000 stars on GitHub. You add it as a skill to an AI coding agent like Claude Code, Codex, Cursor, or OpenCode. Then you describe the system in the chat in one line. Archify turns that line into a single HTML file you can open, click through, and send to anyone. If you point your agent at an existing codebase, it reads the code and Archify maps how the pieces connect. I liked five things about it. 1. It makes five kinds of diagrams, including system maps and step-by-step workflows. 2. You can click any piece and trace what connects to it. 3. It checks the layout before it hands the diagram over, so arrows don't pile up and labels don't overlap. 4. It has dark and light themes and exports to PNG, SVG, or a short video. 5. You keep editing in plain chat, with requests like "add Redis" or "highlight the rollback path." You don't need a codebase to use it. A description in the chat is enough.

Alex Veremeyenko

52,933 görüntüleme • 9 gün önce

MiniMax H3 is now 50% OFF on Magnific for 2K video, only until September 1. 🔥 I’ve been trying MiniMax H3 on Magnific, and it feels like a big upgrade for AI video creation. It’s not just about turning text into videos. You can use text, images, videos, and audio together in one prompt, giving you more control over the final video. Here’s what makes it stand out: - Multimodal: Use text, images, video, and audio in one prompt. - Multiple references: Add up to 9 images, 3 videos, and 3 audio files. - 2K video: Create videos up to 15 seconds long. - Built-in sound: Generate voice, music, and sound effects with the video. - Easy editing: Remove objects or transfer motion easily. - More control: Control the camera, characters, and voice. You can use it to turn posters into videos, moodboards into short films, and product images into ads. It also helps bring your ideas to life with realistic movement, lighting, reflections, and sound. The workflow is simple: give it your references → generate → edit → refine. Try MiniMax H3 on Magnific:
0:11

MiniMax H3 is now 50% OFF on Magnific for 2K video, only until September 1. 🔥 I’ve been trying MiniMax H3 on Magnific, and it feels like a big upgrade for AI video creation. It’s not just about turning text into videos. You can use text, images, videos, and audio together in one prompt, giving you more control over the final video. Here’s what makes it stand out: - Multimodal: Use text, images, video, and audio in one prompt. - Multiple references: Add up to 9 images, 3 videos, and 3 audio files. - 2K video: Create videos up to 15 seconds long. - Built-in sound: Generate voice, music, and sound effects with the video. - Easy editing: Remove objects or transfer motion easily. - More control: Control the camera, characters, and voice. You can use it to turn posters into videos, moodboards into short films, and product images into ads. It also helps bring your ideas to life with realistic movement, lighting, reflections, and sound. The workflow is simple: give it your references → generate → edit → refine. Try MiniMax H3 on Magnific:

Markandey Sharma

96,964 görüntüleme • 1 ay önce

i tried Framer Agent to build a brand guidelines website template, something i've meant to do for a while. a site i can swap a logo, nudge a colour, update the type, and send a link instead of re-exporting a pdf nobody opens. a few observations on the AI process: - i started with references. pulled together a handful of minimalist grid layouts and had Claude describe the visual style back to me. you can do the same inside Framer, feeding it the references directly. - from there i had it write a detailed prompt aimed at that exact style, then asked it to break it into a few smaller steps. then i fed those into the agent, one at a time. - the scaffolding stage is the satisfying part. for something this grid-driven (the columns, the spans, the whole underlying structure) watching it land in seconds is hard to look away from. - but then i still have to sweat the details: text alignment, line-heights, image sizes. i don't mind it at all; it's the part i like, making these design decisions. the strength of the agent is the mundane work. point it at the stuff that eats your time: cleaning up the build, adding responsiveness, dropping in small effects, checking text and colour styles stay consistent, writing alt text for every image. then i get the time back for the parts of web design that are actually fun. 🤝
0:19

i tried Framer Agent to build a brand guidelines website template, something i've meant to do for a while. a site i can swap a logo, nudge a colour, update the type, and send a link instead of re-exporting a pdf nobody opens. a few observations on the AI process: - i started with references. pulled together a handful of minimalist grid layouts and had Claude describe the visual style back to me. you can do the same inside Framer, feeding it the references directly. - from there i had it write a detailed prompt aimed at that exact style, then asked it to break it into a few smaller steps. then i fed those into the agent, one at a time. - the scaffolding stage is the satisfying part. for something this grid-driven (the columns, the spans, the whole underlying structure) watching it land in seconds is hard to look away from. - but then i still have to sweat the details: text alignment, line-heights, image sizes. i don't mind it at all; it's the part i like, making these design decisions. the strength of the agent is the mundane work. point it at the stuff that eats your time: cleaning up the build, adding responsiveness, dropping in small effects, checking text and colour styles stay consistent, writing alt text for every image. then i get the time back for the parts of web design that are actually fun. 🤝

charlota

37,427 görüntüleme • 3 ay önce

GPT-5.6 Sol is unbelievably good at creating and editing videos. It can do motion design, product demos, and animations like this one I made by simply giving it a screen recording. GPT 5.6 has the best design taste and significantly outperforms Fable, which relies heavily on repetitive design patterns. To help you experiment with video editing on it, we just launched a collection of 100 ready-to-use skills that show what’s possible and help you get started with video editing using GPT-5.6. These skills can create anything from motion graphics launch videos for your product to a 3B1B-style science explainer video. You can also use them to edit existing videos: add captions, generate motion graphics, create voiceovers, redesign visual styles, translate into new languages, and much more. If you want access to the full library, comment “VIDEO SKILLS” and I’ll share it with you. (You'll have to follow me so I can DM you.)
0:11

GPT-5.6 Sol is unbelievably good at creating and editing videos. It can do motion design, product demos, and animations like this one I made by simply giving it a screen recording. GPT 5.6 has the best design taste and significantly outperforms Fable, which relies heavily on repetitive design patterns. To help you experiment with video editing on it, we just launched a collection of 100 ready-to-use skills that show what’s possible and help you get started with video editing using GPT-5.6. These skills can create anything from motion graphics launch videos for your product to a 3B1B-style science explainer video. You can also use them to edit existing videos: add captions, generate motion graphics, create voiceovers, redesign visual styles, translate into new languages, and much more. If you want access to the full library, comment “VIDEO SKILLS” and I’ll share it with you. (You'll have to follow me so I can DM you.)

Akash Anand

517,890 görüntüleme • 2 ay önce

today was the first time i was genuinely impressed with what AI can do i recently decided to buy a whole FPV drone setup knowing basically nothing about the hardware side of it there's a pretty steep learning curve even just to set everything up properly: radios, RF protocols, flight controllers, ESCs, firmware, batteries, goggles, betaflight configs etc as someone that spends essentially 12h a day prompting agents to build software, it's actually pretty rare that i interact with AI on something where i have zero idea what's going on under the hood, and i never really used it for debugging a bunch of physical devices that all have to talk to each other i had codex + voice mode open for basically the entire setup. told it everything i bought, sent it some pics and then just started talking to it >what order do i set all this up in >how do i change this setting on the radio >which of these cables do i use >the drone is flashing pink wat mean >can you make this thing less insane to fly in my apartment and it was surprisingly seamless it would go find the manual for whatever specific thing i was holding, tell me exactly which buttons to press, what port to plug something into, what i should see if it worked etc then when i got to configuring the actual drone i had codex running on the computer it was plugged into, so it could inspect the config, back everything up, change settings, send usb reboot signals and check what happened the insane thing about voice mode is that youre literally hands on with the hardware and just telling codex what it should do, i literally never touched a thing on the computer besides starting voice mode if something doesn't work you tell it what happened and keep going a few hours of this and i had the radio, goggles, charger, batteries, drone firmware and betaflight all set up and had actually flown the thing the part that stuck with me is that i also understood what most of it was doing by the end, every time there was a term or tech i didnt understand id just ask to explain there is something absolutely magical about having proper real time personalized assistance, being able to dump a pile of unfamiliar hardware on your desk and have something figure out exactly what you own and walk through it with you in real time you become the missing physical link pressing the buttons i think spending all day using coding agents has actually made me pretty numb to AI progress. every new model is a bit better at some benchmark or can oneshot some task that the previous one couldn't and you just kinda adjust to it this felt different mostly because i had no existing knowledge to fall back on for the first time the jarvis comparison didn't feel cringe ai for coding and general computer tasks is cool and all but this feels a lot closer to the endgame anyone should be able to just ask any question about whats going on in their life and have realtime support i wonder if more hardware products will actually start exposing some sort of MCP or interface for agents to plug into thinking for example of how elevators in china are increasingly built with interfaces that let delivery robots call them directly instead of having to physically press a button we might actually start seeing hardware design shift from being purely human-interface-first to also being agent-interface-first buttons, screens and menus exist because humans need some way to tell machines what to do. agents don't necessarily need any of that if the hardware exposes an interface directly very curious which side closes the physical world gap first: humanoid robots that can operate hardware designed for humans, or hardware adapting so agents can operate it directly
0:18

today was the first time i was genuinely impressed with what AI can do i recently decided to buy a whole FPV drone setup knowing basically nothing about the hardware side of it there's a pretty steep learning curve even just to set everything up properly: radios, RF protocols, flight controllers, ESCs, firmware, batteries, goggles, betaflight configs etc as someone that spends essentially 12h a day prompting agents to build software, it's actually pretty rare that i interact with AI on something where i have zero idea what's going on under the hood, and i never really used it for debugging a bunch of physical devices that all have to talk to each other i had codex + voice mode open for basically the entire setup. told it everything i bought, sent it some pics and then just started talking to it >what order do i set all this up in >how do i change this setting on the radio >which of these cables do i use >the drone is flashing pink wat mean >can you make this thing less insane to fly in my apartment and it was surprisingly seamless it would go find the manual for whatever specific thing i was holding, tell me exactly which buttons to press, what port to plug something into, what i should see if it worked etc then when i got to configuring the actual drone i had codex running on the computer it was plugged into, so it could inspect the config, back everything up, change settings, send usb reboot signals and check what happened the insane thing about voice mode is that youre literally hands on with the hardware and just telling codex what it should do, i literally never touched a thing on the computer besides starting voice mode if something doesn't work you tell it what happened and keep going a few hours of this and i had the radio, goggles, charger, batteries, drone firmware and betaflight all set up and had actually flown the thing the part that stuck with me is that i also understood what most of it was doing by the end, every time there was a term or tech i didnt understand id just ask to explain there is something absolutely magical about having proper real time personalized assistance, being able to dump a pile of unfamiliar hardware on your desk and have something figure out exactly what you own and walk through it with you in real time you become the missing physical link pressing the buttons i think spending all day using coding agents has actually made me pretty numb to AI progress. every new model is a bit better at some benchmark or can oneshot some task that the previous one couldn't and you just kinda adjust to it this felt different mostly because i had no existing knowledge to fall back on for the first time the jarvis comparison didn't feel cringe ai for coding and general computer tasks is cool and all but this feels a lot closer to the endgame anyone should be able to just ask any question about whats going on in their life and have realtime support i wonder if more hardware products will actually start exposing some sort of MCP or interface for agents to plug into thinking for example of how elevators in china are increasingly built with interfaces that let delivery robots call them directly instead of having to physically press a button we might actually start seeing hardware design shift from being purely human-interface-first to also being agent-interface-first buttons, screens and menus exist because humans need some way to tell machines what to do. agents don't necessarily need any of that if the hardware exposes an interface directly very curious which side closes the physical world gap first: humanoid robots that can operate hardware designed for humans, or hardware adapting so agents can operate it directly

ultra

18,213 görüntüleme • 29 gün önce

~ About ‘Loser (ft. Yena)’✨ 🐹: Yena joined me on this track. I actually came up with the concept for this one as well. Honestly, other than DSYLM, I created the concepts for all the other songs too. For this song, I tried to be imaginative with it. 🐹: I’ve never dated anyone during my student years so I imagined a lot about what it would feel like if students were in a relationship. 🐹: It also reflects a bit of my own personality to lead to kind of childish arguments. Like, one says 'You think you can live without me?' and the other snaps back,'Well, can you live without me then?' Then the guy says something like I’m good-looking and all… you’ll regret it if you let me go' and the girl’s like 'you would regret it just as much if u let me go!' I wanted to try with this kind of concept. 🐹: When I heard the song, I just felt like Yena would be the perfect fit for it. So I reached out through my company and asked if she’d be interested in working it with me, and thankfully she said yes. That’s how this really wonderful song came to be. 🐹: So, I think this might be the song where my imagination came through the most. It might feel a little unrealistic though.. because seriously who would bicker like this in real life, right? #Dont_Say_You_Love_Me #Jin_Echo #Jin #방탄소년단진 #진
1:28

~ About ‘Loser (ft. Yena)’✨ 🐹: Yena joined me on this track. I actually came up with the concept for this one as well. Honestly, other than DSYLM, I created the concepts for all the other songs too. For this song, I tried to be imaginative with it. 🐹: I’ve never dated anyone during my student years so I imagined a lot about what it would feel like if students were in a relationship. 🐹: It also reflects a bit of my own personality to lead to kind of childish arguments. Like, one says 'You think you can live without me?' and the other snaps back,'Well, can you live without me then?' Then the guy says something like I’m good-looking and all… you’ll regret it if you let me go' and the girl’s like 'you would regret it just as much if u let me go!' I wanted to try with this kind of concept. 🐹: When I heard the song, I just felt like Yena would be the perfect fit for it. So I reached out through my company and asked if she’d be interested in working it with me, and thankfully she said yes. That’s how this really wonderful song came to be. 🐹: So, I think this might be the song where my imagination came through the most. It might feel a little unrealistic though.. because seriously who would bicker like this in real life, right? #Dont_Say_You_Love_Me #Jin_Echo #Jin #방탄소년단진 #진

Cha⁷_민윤기 ⊙⊝⊜ 🐱🍊🥢

38,544 görüntüleme • 1 yıl önce

MiniMax H3 is now on Magnific and honestly, there’s a lot you can do with it. You can mix text, images, videos and audio in a single prompt up to 9 images, 3 videos and 3 audio references. Start creating now: It can generate up to 15s of 2K video with synced sound, including voice, music and effects. And you can go beyond generation too: edit clips, remove objects, transfer motion, and control the camera, character and voice. But the multi-reference workflow is probably my favorite. Give it your product, character, environment and motion references, and H3 pulls everything together. It feels like a much easier way to go from an idea to an actual finished video.
0:12

MiniMax H3 is now on Magnific and honestly, there’s a lot you can do with it. You can mix text, images, videos and audio in a single prompt up to 9 images, 3 videos and 3 audio references. Start creating now: It can generate up to 15s of 2K video with synced sound, including voice, music and effects. And you can go beyond generation too: edit clips, remove objects, transfer motion, and control the camera, character and voice. But the multi-reference workflow is probably my favorite. Give it your product, character, environment and motion references, and H3 pulls everything together. It feels like a much easier way to go from an idea to an actual finished video.

Kalsoom (ghotai )

47,888 görüntüleme • 1 ay önce

Back when I had nothing… I was a nobody to most people. TBH, my parents didn't even see me getting to where I am today. It's just the truth, the chips were stacked for my sister. Not me. But it's just not the reality today. However, there was ONE person in my life that didn’t see me that way. My significant other saw something in me before a lot of things. Before all my wins. Before the $. Before any proof. And honestly… that means a lot to me, if not the most of all. I’ve always been wired a little different. I’m a mix of finance, engineering, and tech, with a sprinkle of obsession. I learned and studied from the best. Warren Buffett for how to invest. Elon Musk for work ethic and where the future is going. And once I saw it… I went all in. Bc when you truly understand what you own… you don’t need 20 bets. What you really need is conviction and just a few bets. That’s how I approached everything in my life. All the way from Apple… to Tesla… to 𝕏… to xAI… and now SpaceX. I believe I have an eye for spotting the best entrepreneurs and companies early, before it becomes obvious to everyone. And when I see it, I back it 100%. That’s just who I am. I don’t need a big circle. I’ve already got my day ones. I don’t need approval. I grew up my whole life with doubt and hate, so what’s one more? At this point, the levels are just too different. And yeah… it's true, it actually gets harder to make new friends when you’re moving like this. So I stay loyal to the ones who were there when I had nothing. I made it with Apple - youngest in, youngest out. Then I made it with Tesla… while people were laughing, doubting, calling me crazy, telling me I was going to go bankrupt with Elon. Fast forward to today, now I'm heading into something even bigger. If the story plays out the way it’s shaping up… SpaceX could have the largest IPO in history this year. The company is talking about raising over $75B… at a $1.75-$2 trillion valuation. For context… the biggest IPO ever - Saudi Aramco - raised about $29B. This would be more than double that. Let that sink in deep. To me this is more than just an investment. This is owning a piece of the future of space, energy, AI... extending the light of consciousness forward in case something happens to Earth. People can call me crazy. People can call me cocky. Arrogant. But the people that actually know me know the truth - I’m just real AF. I say what I believe, and I stand on it. And I genuinely don’t care what people think. I have two middle fingers always held high for those kind of people. That’s probably why I’ve been able to win the way I have. My significant other tells me to slow down sometimes. And I get it. But for me… What’s the point of life if you play it safe? If you see an opportunity that can change everything… and you just sit back? That’s not me. I’d rather go all in on something I believe in… live with intensity… take the hits… and actually feel alive and live life with fulfillment. Laugh if you want, doubt if you want. Some play it safe, a few go all in. You can call it risky. You can call it stupid. You can call it crazy. I call it living. Bc at the end of the day, I'd rather go all in on something I believe in and fail... than spend my life wondering "what if."
0:18

Back when I had nothing… I was a nobody to most people. TBH, my parents didn't even see me getting to where I am today. It's just the truth, the chips were stacked for my sister. Not me. But it's just not the reality today. However, there was ONE person in my life that didn’t see me that way. My significant other saw something in me before a lot of things. Before all my wins. Before the $. Before any proof. And honestly… that means a lot to me, if not the most of all. I’ve always been wired a little different. I’m a mix of finance, engineering, and tech, with a sprinkle of obsession. I learned and studied from the best. Warren Buffett for how to invest. Elon Musk for work ethic and where the future is going. And once I saw it… I went all in. Bc when you truly understand what you own… you don’t need 20 bets. What you really need is conviction and just a few bets. That’s how I approached everything in my life. All the way from Apple… to Tesla… to 𝕏… to xAI… and now SpaceX. I believe I have an eye for spotting the best entrepreneurs and companies early, before it becomes obvious to everyone. And when I see it, I back it 100%. That’s just who I am. I don’t need a big circle. I’ve already got my day ones. I don’t need approval. I grew up my whole life with doubt and hate, so what’s one more? At this point, the levels are just too different. And yeah… it's true, it actually gets harder to make new friends when you’re moving like this. So I stay loyal to the ones who were there when I had nothing. I made it with Apple - youngest in, youngest out. Then I made it with Tesla… while people were laughing, doubting, calling me crazy, telling me I was going to go bankrupt with Elon. Fast forward to today, now I'm heading into something even bigger. If the story plays out the way it’s shaping up… SpaceX could have the largest IPO in history this year. The company is talking about raising over $75B… at a $1.75-$2 trillion valuation. For context… the biggest IPO ever - Saudi Aramco - raised about $29B. This would be more than double that. Let that sink in deep. To me this is more than just an investment. This is owning a piece of the future of space, energy, AI... extending the light of consciousness forward in case something happens to Earth. People can call me crazy. People can call me cocky. Arrogant. But the people that actually know me know the truth - I’m just real AF. I say what I believe, and I stand on it. And I genuinely don’t care what people think. I have two middle fingers always held high for those kind of people. That’s probably why I’ve been able to win the way I have. My significant other tells me to slow down sometimes. And I get it. But for me… What’s the point of life if you play it safe? If you see an opportunity that can change everything… and you just sit back? That’s not me. I’d rather go all in on something I believe in… live with intensity… take the hits… and actually feel alive and live life with fulfillment. Laugh if you want, doubt if you want. Some play it safe, a few go all in. You can call it risky. You can call it stupid. You can call it crazy. I call it living. Bc at the end of the day, I'd rather go all in on something I believe in and fail... than spend my life wondering "what if."

Teslaconomics

29,404 görüntüleme • 6 ay önce

I was the first Korean in the world to take a ride in a Tesla Cybercab, and I’m incredibly proud of that. 🇰🇷 You can probably tell from these raw, unedited videos just how excited I was getting into it for the very first time. No steering wheel. No pedals. No driver. Just me getting into a Cybercab and trusting it to take me where I needed to go. Even now, it still feels surreal that this is actually live and operating in the real world. I’ve followed Tesla and believed in this future for 10+ years, so getting to experience it firsthand, being one of the select few to be invited to the launch event, and represent Korea while doing it… is something I’ll never forget. These are the raw moments from my very first ride. You can see it from my reactions… I was like a kid experiencing the future for the first time.
9:12

I was the first Korean in the world to take a ride in a Tesla Cybercab, and I’m incredibly proud of that. 🇰🇷 You can probably tell from these raw, unedited videos just how excited I was getting into it for the very first time. No steering wheel. No pedals. No driver. Just me getting into a Cybercab and trusting it to take me where I needed to go. Even now, it still feels surreal that this is actually live and operating in the real world. I’ve followed Tesla and believed in this future for 10+ years, so getting to experience it firsthand, being one of the select few to be invited to the launch event, and represent Korea while doing it… is something I’ll never forget. These are the raw moments from my very first ride. You can see it from my reactions… I was like a kid experiencing the future for the first time.

Teslaconomics

15,893 görüntüleme • 13 gün önce

not sure why nobody is talking about this but Google Omni is insane at video editing Original Video (left) vs Omni Edited Video (right) everyone is comparing it to Seedance and missing the point completely. Seedance is for generating videos from scratch. Google Omni is for editing videos that already exist. which are two completely different use cases this is like when Nano Banana 1 first came out and nobody realized how big it was going to be. this is the first AI that can actually properly edit videos.. i've generated a few hundred videos with this model and it can do literally any type of edit you can think of. changing voices, swapping characters, removing watermarks, adding captions, transitions, pop ups, whatever. if you can describe the edit you want it can do it this completely crushes every other model on the market when it comes to video editing. nothing else even comes close right now and this is just the flash model. imagine what the pro version is going to be able to do when it drops in a couple months this should have way more hype than it's getting..
0:09

not sure why nobody is talking about this but Google Omni is insane at video editing Original Video (left) vs Omni Edited Video (right) everyone is comparing it to Seedance and missing the point completely. Seedance is for generating videos from scratch. Google Omni is for editing videos that already exist. which are two completely different use cases this is like when Nano Banana 1 first came out and nobody realized how big it was going to be. this is the first AI that can actually properly edit videos.. i've generated a few hundred videos with this model and it can do literally any type of edit you can think of. changing voices, swapping characters, removing watermarks, adding captions, transitions, pop ups, whatever. if you can describe the edit you want it can do it this completely crushes every other model on the market when it comes to video editing. nothing else even comes close right now and this is just the flash model. imagine what the pro version is going to be able to do when it drops in a couple months this should have way more hype than it's getting..

Miko

30,156 görüntüleme • 4 ay önce

This is what “rich” looks like I wake up everyday feeling like I hit the lotto. Not when I’m up on a trade or when I drive one of my cars, but in quiet moments like this. Just a few years ago, I was facing prison time. Broke. Delivering food on DoorDash to scrape together a few hundred bucks to fund my trading account. We shared a one-bedroom apartment with $500 to our name after bills. The journey from there to here wasn’t overnight. It wasn’t glamorous. It was a grind that broke me down before it built me up…but it made me the man I am today. Yes, I have the cars and watches now that people associate with success. But I can tell you with absolute certainty…they don’t compare to this. Building a life with someone who believed in you when nobody else did and winning the game of life Trading changed my financial situation, but gratitude changed my life. If you’re reading this and still in the grind, just keep pushing. I know it may seem like it will never work, but it will. You have to believe that. You have to be thankful for every little thing because without the bad there is no good. Without the bad you become weak. The most important thing is to remember what you’re working towards and make sure there is real meaning behind it. There’s nothing wrong with cars or a lavish lifestyle… But the only way you’ll have the hunger to get it and sustain it long term… Is by having a higher purpose that you constantly remind yourself of.
0:10

This is what “rich” looks like I wake up everyday feeling like I hit the lotto. Not when I’m up on a trade or when I drive one of my cars, but in quiet moments like this. Just a few years ago, I was facing prison time. Broke. Delivering food on DoorDash to scrape together a few hundred bucks to fund my trading account. We shared a one-bedroom apartment with $500 to our name after bills. The journey from there to here wasn’t overnight. It wasn’t glamorous. It was a grind that broke me down before it built me up…but it made me the man I am today. Yes, I have the cars and watches now that people associate with success. But I can tell you with absolute certainty…they don’t compare to this. Building a life with someone who believed in you when nobody else did and winning the game of life Trading changed my financial situation, but gratitude changed my life. If you’re reading this and still in the grind, just keep pushing. I know it may seem like it will never work, but it will. You have to believe that. You have to be thankful for every little thing because without the bad there is no good. Without the bad you become weak. The most important thing is to remember what you’re working towards and make sure there is real meaning behind it. There’s nothing wrong with cars or a lavish lifestyle… But the only way you’ll have the hunger to get it and sustain it long term… Is by having a higher purpose that you constantly remind yourself of.

Casper

102,779 görüntüleme • 1 yıl önce

everyone's sharing motion graphic videos that Opus 5.5 made, and it's genuinely insane everyone says they created it with "one prompt", but my one prompt video looked mid so i went through a bunch of these videos to see how they were actually made, and found the workflow that works here's how to generate pro level motion graphic videos w/ opus: 1. get reference videos to direct from -> pick 1-2 videos whose style you want and tell opus to match them. naming a style works way better than describing one without a reference, opus falls back to its default look: centered text, gradient background, everything fading in that's why so many of these videos look the same. a reference gives it the pacing, the type and the transitions to copy 2. install HyperFrames or Remotion so opus can build the video both let opus write every scene as code and render it straight to mp4. no video editor without one, opus can only describe a video or hand you a rough html page you have to screen record with it, every frame is exact, and when you ask for a change it edits one line and re-renders instead of starting over 3. install 21st for high quality components in the video real buttons, cards and UI components made by design engineers, instead of whatever opus invents on the spot without it, opus draws your product UI from scratch and it looks off. wrong spacing, placeholder boxes, fake-looking buttons anyone who's used good software can feel it in a second, and the whole video reads as cheap 4. steps 1-3 were context + setup. now dump all of it into opus your brand (logo, colors, fonts), screenshots of your real product, the reference video, and a quick braindump of how you see the video then ask for 3 storyboard variants without this, opus guesses your colors, your font and what your product even does. the video could be for any startup with it, it could only be yours. and 3 variants means you pick a direction instead of fixing the first idea it had 5. pick the storyboard you like ask for one still frame per scene before anything moves. fixing a storyboard is way cheaper than fixing a render without this step, you only find out scene 4 is wrong after the whole thing is animated, and every fix means re-rendering. a still frame takes seconds to change 6. let claude cook then give notes like a director: "slow every zoom to 0.7x", "hard cut here", "push in on the button" without notes, the first render is usually 80% there, and that last 20% is what makes it look pro. vague notes like "make it better" get random changes. camera words get exactly the change you want everyone has the same model. the context you give it is what makes it look pro let it cooookk
0:11

everyone's sharing motion graphic videos that Opus 5.5 made, and it's genuinely insane everyone says they created it with "one prompt", but my one prompt video looked mid so i went through a bunch of these videos to see how they were actually made, and found the workflow that works here's how to generate pro level motion graphic videos w/ opus: 1. get reference videos to direct from -> pick 1-2 videos whose style you want and tell opus to match them. naming a style works way better than describing one without a reference, opus falls back to its default look: centered text, gradient background, everything fading in that's why so many of these videos look the same. a reference gives it the pacing, the type and the transitions to copy 2. install HyperFrames or Remotion so opus can build the video both let opus write every scene as code and render it straight to mp4. no video editor without one, opus can only describe a video or hand you a rough html page you have to screen record with it, every frame is exact, and when you ask for a change it edits one line and re-renders instead of starting over 3. install 21st for high quality components in the video real buttons, cards and UI components made by design engineers, instead of whatever opus invents on the spot without it, opus draws your product UI from scratch and it looks off. wrong spacing, placeholder boxes, fake-looking buttons anyone who's used good software can feel it in a second, and the whole video reads as cheap 4. steps 1-3 were context + setup. now dump all of it into opus your brand (logo, colors, fonts), screenshots of your real product, the reference video, and a quick braindump of how you see the video then ask for 3 storyboard variants without this, opus guesses your colors, your font and what your product even does. the video could be for any startup with it, it could only be yours. and 3 variants means you pick a direction instead of fixing the first idea it had 5. pick the storyboard you like ask for one still frame per scene before anything moves. fixing a storyboard is way cheaper than fixing a render without this step, you only find out scene 4 is wrong after the whole thing is animated, and every fix means re-rendering. a still frame takes seconds to change 6. let claude cook then give notes like a director: "slow every zoom to 0.7x", "hard cut here", "push in on the button" without notes, the first render is usually 80% there, and that last 20% is what makes it look pro. vague notes like "make it better" get random changes. camera words get exactly the change you want everyone has the same model. the context you give it is what makes it look pro let it cooookk

Rexan Wong

581,024 görüntüleme • 2 gün önce

(Yes i know the movement is exaggerated, its just to show the motion, it also doeant move like jello when in vr) -Left is before, Right is after- Ok wall of text time for the nerds Literally everything is the same on both sides except the position of 1 bone (made sure that even after adjusting, the collider would still be in the same spot) The reason for this change is because she wanted to be able to clap her ass in vr, and last time i did this all i did was add a toggle for a hidden bone that moved, and its angle would trigger the sound. Which was because that with my previous position, the cheeks could never really meet in the middle when in motion unless you just pushed them together with your hands, and i wanted to just have the sound actually be triggered by them colliding with each other This is also the first time ive used endbones to help drive the movement, so now thanks to that and all my previous experimenting with squishing as well, I can now get bones to move exactly how i want them to move when in natural motion. And i know a lot of people are gonna ask me to teach them how or explain my thought process but i literally just go off feeling lmao. Like, i just kinda visualize in my head how i want the motion to look, and then i just kinda know where to put everything, so im not even sure how to even start explaining rip. I have the things that artist want where they can just make the shit in their head exactly how they envisioned it lol I have a few more ideas i want to try, so we'll see if theyre good enough to get a tweet lol Thank you for coming to my ted talk
0:18

(Yes i know the movement is exaggerated, its just to show the motion, it also doeant move like jello when in vr) -Left is before, Right is after- Ok wall of text time for the nerds Literally everything is the same on both sides except the position of 1 bone (made sure that even after adjusting, the collider would still be in the same spot) The reason for this change is because she wanted to be able to clap her ass in vr, and last time i did this all i did was add a toggle for a hidden bone that moved, and its angle would trigger the sound. Which was because that with my previous position, the cheeks could never really meet in the middle when in motion unless you just pushed them together with your hands, and i wanted to just have the sound actually be triggered by them colliding with each other This is also the first time ive used endbones to help drive the movement, so now thanks to that and all my previous experimenting with squishing as well, I can now get bones to move exactly how i want them to move when in natural motion. And i know a lot of people are gonna ask me to teach them how or explain my thought process but i literally just go off feeling lmao. Like, i just kinda visualize in my head how i want the motion to look, and then i just kinda know where to put everything, so im not even sure how to even start explaining rip. I have the things that artist want where they can just make the shit in their head exactly how they envisioned it lol I have a few more ideas i want to try, so we'll see if theyre good enough to get a tweet lol Thank you for coming to my ted talk

Pixel

27,240 görüntüleme • 1 yıl önce