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Today, John Carpenter and longtime band mates Cody Carpenter and Daniel Davies share a second track from ‘Cathedral’ - a project that marks Carpenter’s highly anticipated return to the realm of audio/visual narrative storytelling. Following previously shared track “Lord of The Underground”, today we share the grinding and dramatic...

30,924 Aufrufe • vor 2 Monaten •via X (Twitter)

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Happy Final Space Friday! Got another soundtrack piece "One Final Talk" from Andrew Goodwin and now that I'm hearing more music it's hard for me to imagine this novel without the music. It adds so much emotion for our final ride. Me and Seth went over all the notes from our test readers and are starting to fix the spelling errors and grammar stuff. There are a couple page fixes for three moments to land even harder that I'm going to give Daz Daz Tibbles, today! So the good new is there isn't a lot to fix or add. I'm currently combing the novel to find the right spot to add our embedded soundtrack and blending it into the story as best as possible. There will be some adds with this too. I'm also finishing up the back matter to the novel with will include a written goodbye from me and sketches of pages from ideas to ink to color which will be cool. And I'm hoping to put an audio commentary from Daz and I as we talk over each part. I really like this idea so you all can follow along as we talk about it. Now color were getting there, we have to fix Part 3, Part 4 (we fixed the inking so we need to fix the coloring), were coloring Part 5, Part 7 still needs to be colored and then Part 8. I'm playing with the idea that part of PART 8 will be black and white and then the color comes back and a killer moment (it's apart of the story) but this has been an idea I was playing around with since the beginning and it looks REALLY cool. Anyways lots of fine tuning but it's coming together! Exciting! -Olan PRE-ORDER:

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Tim Burton on the similarities between Abraham Lincoln & Batman: "I first heard the idea of even before Seth Grahame-Smith had written the book. It was just when he was thinking about writing the book, I heard the title "Abraham Lincoln vampire Hunter". It just all of a sudden took me [my mind] back to kind of the era of films that I grew up in; like the 60s & early 70s where it was like a weird mashup of movie. I remember things like "Dr. Jekyll and Sister Hyde" (1971) and you know you get these weird kind of mixups of horror films and it just sounded to me like the kind of a movie that I wanted to see. It just reminded me of movie of that era and it had that kind of crazy energy to it and weird juxtapositions of things. So I knew even before reading he book that it was a great idea. It basically takes the the story of Lincoln which Seth really kind of went through the history of the life of Lincoln and linked it up to sort of vampire mythology. The idea that his mother was ki!!ed by a vampire and how that shaped the rest of his life. And again the interesting thing about it is that it's not as farfetched as it sounds. I mean the events and the idea of him becoming a vampire hunter and like all the deaths that he had in his family and people close to him, it makes a lot of sense and it's actually more believable than the premise makes it. So that's what was interesting because we never wanted to make fun of anything. We wanted to treat it seriously like a human story and a real story. We talked about the idea and the fact is that it very much sort of Mirrors the kind of the classic comic book superhero mythology. In some cases he's not dissimilar from Batman in the sense that he's got a dual life; he's got a day job as President and a night job as a vampire Hunter; The kind of duality of those characters and that's is something that was important - to keep the human quality of him but then kind of explore the mythological or sort of superhero nature of how we perceive Lincoln and mix those two together and that's what we have in the movie." (Tim Burton's interview to Rotten Tomatoes, 2012) Clip From: Abraham Lincoln: Vampire Hunter (2012) Director: Timur Bekmambetov

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‘HE IS KING’ 🎥💻 WORLD PREMIERE!! 🔥🔥🔥 #AIfilm taking a huge leap forward.. Thank you to everyone who has supported me and my work, including my family and close friends, it has meant the world to me, especially as I transitioned into this new space and my work took a new direction abruptly haha. AI has significantly changed my life for the better. As a visual artist & filmmaker who lives on the fringe of creative expression and work spans a range of mediums and style, this is the first time in my life, where what I am doing has given me more than inspired drive, it’s given me purpose. When I set out to make this film I wanted to tell a different kind of story, while also showing everyone what I envision for my work and the voice I wanna have as a filmmaker and artist. Time is so short in life, and often times we aren’t lucky enough to find what I’ve found. So for me, that’s what drives me, along with the need to tell stories visually of course haha. But, that sense of purpose, I want to inspire people to want to be more. Not for success, but for self fulfillment. HE IS KING, is a powerful, AI-generated short film that reframes one of the most iconic moments in American history. Written and directed by myself, the film offers an emotionally intimate and visually groundbreaking exploration of Dr. Martin Luther King Jr. on the day of his legendary “I Have a Dream” speech. “HE IS KING" is witnessed as a cinematic moment, a glimpse, of a man, a message, and a movement. Told through an emotionally intimate story and unique perspective, the film follows Dr. Martin Luther King Jr. on the day of his most iconic address, the “I Have a Dream” speech delivered from the steps of the Lincoln Memorial. But it does more than document a moment we all know well, it pulls the audience into the soul of a leader preparing to speak truth to a nation on the edge of transformation, these moments are the moments histories most undeniable choices and creation around them, are rarely told or shown. From quiet moments writing in a candlelit church, to the silent prayer of a man alone with his thoughts, to the thunderous crescendo of a quarter-million people answering his call, "HE IS KING" honors the legacy of a man not as a monument, but as a human being carrying the weight of a dream. Segregation, resistance, and unity are woven through the speech like visual echoes, grounding King’s words in lived experiences. With meticulous period detail through research, grounded performances, and a reverent tone manifested through my vision and AI, the film captures the urgency, hope, and sacrifice of the civil rights movement through a modern lens of technology today giving a uniquely spectacular showcase of what is possible in today's world. The film is a testament to the enduring power of truth as well, spoken aloud and carried forward. It captures the soul of a movement while reminding us that the dream never died with him, it evolved, rising through the voices of new leaders, and now, through innovations like AI, it has the ability to reach beyond time, across borders, and into the hands of future generations. This is not just a story about a speech. It’s about the responsibility, and the promise, of being the ones who still dream. ❤️🎥 DH Created with: Google DeepMind VEO, Runway GEN 3/4 for some of the speech shots using GVFX custom promoted filters, Kling AI 1.6 LipSync, custom voice workflow to create a new unique voice closely resembling King, Magnific.ai with their masterful upscaling in the vintage shots I created, Adobe Video Premiere/AfterEffects for editing/Color Grading, and the finish from Topaz Labs to bring it to you in 4k brilliance!

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25,952 Aufrufe • vor 1 Jahr