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🎬Tom Cruise doesn’t do traditional screen tests. 😂😂😂😂 So when Ben Stiller needed to see him in the Les Grossman makeup for Tropic Thunder, they just rolled cameras on the first full look. Cruise showed up, demanded “fat hands,” and then — with no music playing — launched into...

309,874 views • 5 days ago •via X (Twitter)

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The Lyrics of Imperfect Mew : Every moment in the song is based on a true story. 🗣️: Can you share some of it with us? Mew : Looking at the lyrics, the first verse starts from the moment of waking up. I wrote it when we were on a cruise, we went to the Caribbean together. The image of sunlight shining on his face, that messy, bedhead look right after waking up... just how incredibly cute he was 😆 Mew : The next verse talks about things we’ve experienced together, such as when we went traveling and missed a train. When we look back on it now, it’s actually funny. Or when it suddenly started raining and we didn’t have an umbrella, so we had to take off a shirt and cover ourselves. In those moments, the imperfection somehow became perfect for us. 🗣️: So this is all based on a true story? Mew: All of it is real. 🗣️: Not a scene from a series? 😂 Mew: No, it really happened. The train incident happened in Munich. Usually, he’s the one who checks the schedule. Like, where to go, which platform and what time. But that day, it looked like he read it wrong, so we rushed because we thought we were going to miss it. But actually, he didn’t read it wrong, the train changed platforms. We had to go to another one. It was funny. No one was at fault… the platform was the one that was wrong 😂 Mew : When I told him which moments behind the song, he related to it so much. He listens to it every night now. He probably knows the lyrics better than I do 😂 Mew : Usually when I write a song, I let him listen to it first. He relates to this one so deeply that he especially loves it.

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20,628 views • 6 months ago

Tom Cruise explains how people's preconception affected Stanley Kubrick's "Eyes Wide Shut" (1997) "Cruise: People had a preconception about 'Eyes Wide Shut' (1997). And I see how that affected the picture. I think they expected some big s€x movie. As opposed to— and Stanley was very specific about it— s€xual obsession and jealousy. It’s not about s€x. And there were rumors out there about how Stanley was going to make a p0rn0gr@phic picture. But that wasn’t the movie he was making. You can see that they didn’t quite grasp what the movie was, even when they saw it, because they carried the baggage in. They read [screenwriter Frederic] Raphael’s ridiculous book [which portrayed Kubrick as a self-serving collaborator]. And they kind of reviewed it based on that. Interviewer: Do you think the teaser trailer had something to do with the expectation of a more p0rn0gr@phic movie? Was he toying with those expectations? Cruise: Probably. That [trailer] was the first stage for him. You have to understand: it’s Stanley Kubrick. It’s not going to be what you think it is. And he’s not going to tell you everything. So even the people who think they know Stanley Kubrick’s movies... missed it. Because whatever preconception you have, you’ve got to take it on its own merits and not the surrounding elements. In the same way, when I look back at 'Ryan’s Daughter' (1970) and I hear and read the stuff that David Lean went through ... It’s a very painful, lonely, desperate picture. [Shakes head.] And a great one. (Tom Cruise's interview with Cameron Crowe, Vanity Fair, 2000)

DepressedBergman

42,868 views • 4 months ago

Alfonso Cuarón on how this continuous shot in "Children of Men" (2006) was clinched in the final attempt & the "Miracle" that occurred while filming: "Interviewer: When Theo runs into a hollowed-out bus in that shot, blood splatters on the camera lens. Can you tell me how that happened? Cuarón: Initially, there was going to be blood splatter on the lens when they ki!!ed Julianne Moore. We were going to add that digitally. But long story short — or long story long — is that for [the refugee camp] shot, we had like 14 days to shoot the whole set piece, except by day 12 we hadn’t rolled cameras yet. As you can guess, by day three that you don’t shoot camera, they send a production guy from the studio to visit you. By the sixth day that you haven’t done it, the creative executive comes to visit you. Well, by the time that you reach the 11th day, the head of the studio is there. That kind of stuff. And the problem is that we had only two shots a day to do the thing. The morning, then you have to reset the explosions, the screams, the whole thing. Five hours to reset. So you only have another shot right before the light goes away. And the problem is that, we could not extend it to the 15th day, because there was already a commitment with the army or something, one of those things. So we are in the 13th day, and in the afternoon, we do our first shot. Then after a minute and a half, it just was wrong. So we had to reset for the next day. The next morning we do the first take, and everything is perfect, and we’re about to reach the end. We were running towards getting inside the building, when [camera operator] George [Richardson] tripped, and so the camera fell. So we only had one more shot for one more before we have to move out. It was the end of my career. Interviewer: Were you panicking at that point? Cuarón: You know, at that point, you’re just focusing. Interviewer: Okay, so you get to the final attempt at the shot. Cuarón: And when we arrived at the bus, the camera goes in, and blood splatters the lens. With my little monitor, I see that I cannot see anything. I yell, “Cut!” But an explosion happens at the same time, so nobody hears me. And that gives me time to think, “Look, I have to roll to the end.” So we kept on going. When we said, “Cut,” Chivo [Emmanuel Lubezki] starts dancing like crazy. And I was like, “No, it didn’t work! There’s blood!” And Chivo turns to me and says, “You stupid! That was a miracle! The blood goes here, not with Julianne Moore!” Yeah, that was supposed to go in the other scene, but it happened here." ("The Vulture Transcript: Alfonso Cuarón on Children of Men", Abraham Josephine Riesman, Vulture, 2017)

DepressedBergman

108,777 views • 4 months ago

In 2007, Nike assembled Kanye West, Nas, Rakim, KRS-One & DJ Premier to create a hip hop anthem to celebrate the 25th anniversary of the Air Force 1 sneaker. “Rick Rubin did the original, and word on the street is they weren’t satisfied with the outcome, says DJ Premier. It was a whole different tempo, and a whole different approach. Rob Stone said they might actually want to remix it. Actually, KRS-One called me and said, ‘Yo, I need you to help fix this record.’ Then I saw the launch on MTV, and I figured that’s over with, when they launch the sneaker and everything. Then all of a sudden I got a call back again two or three weeks later saying, ‘Yo, they still want you to do something.’ So they sent me the parts, and everything was different. Kanye, Nas, and KRS did the joint to the Rick Rubin beat. Rakim wanted to make his own beat. So he made his own beat, but at the wrong tempo. So when I got it I had to tweak it to get him to that tempo, but still keep him in the same tone of voice. You can do that with technology. So I had to keep him in the same key. He was at a 100 rpm, but it was 107, so that’s a big step. So I stay tuned in the same zero note that he pulled, sped it up, and it matched. Then I just pieced the whole thing together. “For the video, Rakim came here, and we turned all the lights down, and just made it really dark. Since he’s the only one who came here, when you see the play back, it’s ill. We shot him just with the acapella so we can bring him back in. When I saw that, even though Rakim was last on the song, in the video, I thought he should go first. And that’s how we flipped it around. The video was dope, man.”

Sleeping On Gems

127,635 views • 7 months ago

BACK STORY: A teacher friend told me this story about teaching kids words with different suffix examples and when he asked his students for words ending in “an”, a grade one student said “lesbian”. No big deal but the writers and I thought it would be funny to run with that a bit. So we wrote the cold open as you see in the photos of the script. On the day of filming, two of the writers, Shebli Zarghami and @Jessie_Gabe came to me and suggested we add “words that end in “on”-prostitution”. So I ran with that and the kids and I improvised what you see in the scene. At that point, we were done with the scene and very happy about it. In my opinion, what Jessie and Sheb suggested next is what made the scene go viral BUT, we were too late because they thought of it AFTER, we had already shot (videoed) the kids. I spoke with Keith our director and suggested it was worth grabbing a wild line (no camera) of adding one more word suffix and joke that Jessie and Sheb thought of: “Words that end in “re”- crack whore”. It would be take too much time to turn all the cameras around to shoot Faith saying two works (crack whore) but I thought the line was so funny, that it was worth grabbing it. So we did and the that’s why you don’t see Faith saying the line but for me, it took the scene to another level. On this show, we always added lines on the day from anyone who had them, especially the writers. We wrote great scripts but sometimes we found these little moments on the day of filming that added to the scene. We never stopped looking for the funny and in this case the instincts (and comedy) of Jessie and Sheb took this scene to another level!! #MrD

Gerry Dee

66,423 views • 1 year ago