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Tom Fitton: Security Was So Bad That WHCD Shooting Could’ve Been a MASS SLAUGHTER “I don’t think what happened the other night was acceptable… what if there were a half dozen guys who had rushed?” “CBS News reported that he avoided what, according to CBS, was the more strict...

71,715 görüntüleme • 3 ay önce •via X (Twitter)

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CNN’s Dana Bash tried to claim last night was a massive security failure at the White House Correspondents’ Dinner. Acting Attorney General Todd Blanche completely flipped the script on her live on air. BASH: “The gunman was able to fire at least 5 to 8 shots when he charged through a security checkpoint outside the dinner.” “Was this a massive security failure?” BLANCHE: “Oh, to the contrary, it was a massive security success story.” “I mean, if you think about what happened as far as what we know right now, this this suspect barely breached the perimeter.” “And so when you have a perimeter of a situation like we had last night, where you had over 2000 people in a room, including the leaders of this country and many other dignitaries, you have a perimeter where you have law enforcement willing to risk their lives to keep, to keep people who don’t belong from getting in.” “This man. From what we know from video surveillance and from witnesses who were there, barely got past the perimeter, he was immediately subdued.” “And yes, he got off a couple shots. Our brave Secret Service agent who took one to the chest, although he was wearing a bulletproof vest.” “The president talked to him last night from the Oval Office. He was in great spirits.” “But no, I do not think, to the contrary, this was a security failure.” “This is law enforcement doing exactly what they trained their whole lives to do.”

Overton

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Richard Donner on why he made 'Superman' (1978) & the movie's connection to François Truffaut's 'Jules & Jim' (1962): "I certainly didn’t know it when we were making 'Superman' (1978) [that it would have a profound impact on millions of people around the world]. I was just trying to make the best movie I could make. I think it was during the first showing I attended — not the opening, but a regular screening in a theater, in New York. I watched the audience experience that movie and I was very moved, very excited. Before I came on board, the script was kind of a parody of a parody, It had been really well written by three or four really good writers, but they had been directed by a couple of Hungarians [producers Alexander and Ilya Salkind] who saw it as a comic book rather than a piece of history. Their script didn’t have any respect for what the character stood for, since I was a little kid. Tom Mankiewicz and I had known each other for years, and we’d always talked about working together, so I presented him with the problem, I asked him to bring a sense of reality, or verisimilitude, to the story. I wanted to be able to prove that a man could fly. Tom rewrote the entire script. Years before, there had been a French film called 'Jules and Jim' (1962, Truffaut), a great film. Two guys fall in love with the same woman. That’s what Superman was: two guys in love with the same woman. It happened to be that the two guys were the same guy, but not in the woman’s eyes. I asked Tom ‘How do we make that into a love story?’ He just fell right into it." I was trying to let the audience know that they were not looking at a comic book, or what had been done with Superman over the ages. This was the true story of Superman. In my eyes, when I was a kid, he was real. And he was in Tom’s eyes, too. We decided that’s the way we wanted the movie to be." (Richard Donner's interview with Michael P Coleman, 2020)

DepressedBergman

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