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Toni Braxton’s financial problems weren’t caused by Gucci flatware. But Oprah turned everyone’s attention away from record labels & whether artists are fairly compensated. Toni couldn’t manage money. That became the storyline, & the framing was intentional.

29,923 просмотров • 2 лет назад •via X (Twitter)

Комментарии: 10

Фото профиля Yvette Carnell 🇺🇸
Yvette Carnell 🇺🇸2 лет назад

This should’ve been the conversation, from “The Guardian”: Braxton wound up with huge debts after being forced to self-fund her tour with …saxophonist Kenny G and assumed the royalty cheques she was owed would clear the debt. The cheque she’d been waiting for amounted to just $2,000 after label deductions, while her debts totalled nearly $4m. In late 1997 she sued LaFace and Arista, before filing for bankruptcy in January 1998.

Фото профиля Yvette Carnell 🇺🇸
Yvette Carnell 🇺🇸2 лет назад

Also I recall hearing at the time that Oprah called LA Reid prior to the interview & let him know what she was about to do to Braxton. I wish I could recall where I heard it.

Фото профиля Yvette Carnell 🇺🇸
Yvette Carnell 🇺🇸2 лет назад

Y’all really believe the woman who cried about not being able to purchase a $38k purse didn’t know Gucci made flatware?

Фото профиля Yvette Carnell 🇺🇸
Yvette Carnell 🇺🇸2 лет назад

And the woman who sang Unbreak My Heart should have Gucci flatware 🤷🏽‍♀️ If she can’t afford it, that’s a problem. We just let Oprah tell us anything. For YEARS.

Фото профиля TexwellTheWiz 🇺🇸✊🏾⛓️
TexwellTheWiz 🇺🇸✊🏾⛓️2 лет назад

Oprah could have illustrated how record deals are structured for artists to end up broke. Instead she punches down as usual. Labels deduct the $1 million album costs, $1 million video cost and other expenses like tour support from the artist’s measly 6% of records sales.

Фото профиля ADOS Warrior 🇺🇲
ADOS Warrior 🇺🇲2 лет назад

Dang missed this too...didn't know Toni felt this way. I watched the show when aired. I felt so embarrassed for Toni.

Фото профиля TexwellTheWiz 🇺🇸✊🏾⛓️
TexwellTheWiz 🇺🇸✊🏾⛓️2 лет назад

Get her Mother!

Фото профиля M. P. J. is A.D.O.S.🇺🇲
M. P. J. is A.D.O.S.🇺🇲2 лет назад

The absolute VILEST of human! OMG...

Фото профиля Fabulous 💫
Fabulous 💫2 лет назад

I remember this. 😫

Фото профиля thatone
thatone2 лет назад

Yup I never looked at opera the same after this

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Oprah Winfrey said she called Meghan Markle in early 2018 asking for an interview and was told “it wasn’t the right time.” Now it’s being spun as if the palace blocked it. If Oprah was so interested in Meghan, what stopped her from interviewing her before Harry was even in the picture? Where was that interest when Meghan was just another working actress trying to make it? Where was the sit-down when she was deep in Suits, far from global headlines? No one needed palace permission back then. No one was “banned.” No palace. No restrictions. No “people in the room.” No one to “block” anything. You want to blame the palace as if it was some kind of silencing move, but you fail to understand that instead it exposes what this really is. Meghan Markle was simply not someone Oprah was prioritising for a major sit-down. Nor was Meghan Markle relevant enough for that level of attention. It’s also interesting how Meghan frames it as not being “allowed” to speak privately, with others present, as if that’s unusual. She was about to marry into one of the most scrutinised institutions in the world. Of course communications are structured. That’s not some shocking revelation, that’s standard. Then comes the key line. “Now we can speak freely.” “Now I can say yes.” So what changed? It only became “the right time” once she had the global platform, the title, and the leverage that came with the royal connection. You can’t rewrite this into a story about being silenced by the palace when the timeline shows something much simpler. The demand wasn’t there before Harry. The value wasn’t there before the royal family connection. And suddenly, after everything, we’re supposed to believe this was always about “not being allowed” rather than finally having something to sell. Let that sink it.

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🇺🇸🇮🇷 The world may be approaching an energy crisis worse than the Great Depression, and this time governments can't print their way out of it. Most people compare today's global financial risks to 2008, but economist Chris Martenson says that's the wrong comparison. The banking crisis was ultimately a financial problem, and governments responded by creating trillions of dollars, euros and pounds to stabilise the system. You can debate whether that was wise, but it worked because the problem was financial. This time, he warns, the problem will be physical. If the Strait of Hormuz and Bab el-Mandeb remain disrupted, the world doesn't just lose oil; it loses diesel, jet fuel, lubricants, natural gas, petrochemicals, and fertiliser. The countless industrial inputs that keep supply chains, factories, farms and transport networks operating. And as Chris put it: You can't print missing molecules. That's why he believes this crisis is fundamentally different. If those physical resources become scarce, printing more money doesn't solve the problem; it simply means more money is chasing fewer real goods. And according to Chris, we're already seeing early signs of that reality beneath the surface. While many people focus on crude oil prices, he says the real warning is coming from refined products like diesel, where shortages are becoming increasingly visible and supply chains are beginning to tighten. His concern is that policymakers are treating this like another financial crisis when it's actually an energy crisis. And those require completely different solutions that no one seems to be addressing yet. Chris Martenson

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286,738 просмотров • 27 дней назад

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