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Touch grass, light fire 😏 forest reset, campfire glow, grounded energy 🌲🔥 #naturevibes

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Anna Rodeo

5,603 subscribers

22,110 Aufrufe • vor 6 Monaten •via X (Twitter)

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When a nuclear reactor is switched on for the first time, an intense, almost hypnotic blue glow appears in the water surrounding the reactor core. This light is neither fire nor heat; it is Cherenkov radiation, a physical phenomenon that occurs when charged particles, such as high-energy electrons produced during nuclear fission, travel through a transparent medium faster than light can propagate within that same medium. While nothing can exceed the speed of light in a vacuum, light travels more slowly in materials like water. When a charged particle surpasses this reduced speed, it emits a coherent shock-like electromagnetic wave, often described as an optical analogue of a sonic boom. This radiation produces the distinctive blue glow. The colour arises because Cherenkov radiation is strongest at shorter wavelengths, which are dominated by blue and ultraviolet light. The phenomenon was first observed experimentally in 1934 and later explained theoretically, work that led to the Nobel Prize in Physics in 1958. Its explanation confirmed how relativity and electromagnetism operate in material media. Today, this deep blue light is both a warning and a scientific tool. It signals the presence of intense ionising radiation, while also being exploited in particle detectors, nuclear reactors, and neutrino observatories. It provides a rare, visible manifestation of subatomic processes that are otherwise hidden from direct human perception. #GottaLovePhysics #Physics
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When a nuclear reactor is switched on for the first time, an intense, almost hypnotic blue glow appears in the water surrounding the reactor core. This light is neither fire nor heat; it is Cherenkov radiation, a physical phenomenon that occurs when charged particles, such as high-energy electrons produced during nuclear fission, travel through a transparent medium faster than light can propagate within that same medium. While nothing can exceed the speed of light in a vacuum, light travels more slowly in materials like water. When a charged particle surpasses this reduced speed, it emits a coherent shock-like electromagnetic wave, often described as an optical analogue of a sonic boom. This radiation produces the distinctive blue glow. The colour arises because Cherenkov radiation is strongest at shorter wavelengths, which are dominated by blue and ultraviolet light. The phenomenon was first observed experimentally in 1934 and later explained theoretically, work that led to the Nobel Prize in Physics in 1958. Its explanation confirmed how relativity and electromagnetism operate in material media. Today, this deep blue light is both a warning and a scientific tool. It signals the presence of intense ionising radiation, while also being exploited in particle detectors, nuclear reactors, and neutrino observatories. It provides a rare, visible manifestation of subatomic processes that are otherwise hidden from direct human perception. #GottaLovePhysics #Physics

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I just bought a super cheap ($5) plastic Fresnel lens(Temu) just to try out its capabilities as an alternative to burn 🔥 everything and/or charcoal. I was massively skeptical I admit. But have a look at this! How long will it take to light a fire 🔥? Let’s see! Zero milliseconds! Impressive! Huh! That’s a great green energy source for sure! I’m thinking about developing a green tech to etch granite into waterglass for free. A waterglass “factory” running on sunlight? Yes, please! ☀️☀️☀️
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I just bought a super cheap ($5) plastic Fresnel lens(Temu) just to try out its capabilities as an alternative to burn 🔥 everything and/or charcoal. I was massively skeptical I admit. But have a look at this! How long will it take to light a fire 🔥? Let’s see! Zero milliseconds! Impressive! Huh! That’s a great green energy source for sure! I’m thinking about developing a green tech to etch granite into waterglass for free. A waterglass “factory” running on sunlight? Yes, please! ☀️☀️☀️

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Seedance 2.0 prompt + workflow below 👇 Intense fast-paced 80s B-movie transformation sequence with campy disco energy, vibrant pink neon club lighting mixed with explosive golden power effects, rapid-fire editing full of quick cuts and jump cuts for maximum intensity, dynamic handheld camera with constant movement and energy, practical effects focused, over-the-top yet grounded in cheap 80s low-budget aesthetic. Use the provided reference image as the exact visual reference for the main muscular warrior’s face, wild blonde hair, body, gold sequined outfit with red cross emblem, pink feather details and jewelry. In the final transformed state he additionally wears cheap tacky 80s disco sunglasses with colorful horizontal stripes. 0-4s: Rapid-fire opening montage - quick successive cuts: close-up of warrior’s intense face, cut to hands gripping the glowing power device, cut to his large yellow cat companion looking nervous, cut to surrounding crowd of 80s extras and background actors in flashy outfits reacting with surprise, cut back to warrior beginning to raise the device with raw building power. 4-8s: Rapid-fire power-up sequence - fast montage of quick cuts: warrior dramatically raises the device overhead, energy starts surging, cut to him pulling out and putting on the cheap disco striped sunglasses, cut to his muscles visibly swelling and gold sequins activating with intense sparkle, cut to pink feathers whipping wildly, multiple angles of wind and sparks hitting him, background secondary actors moving and watching in awe. 8-12s: Peak rapid-fire transformation montage - series of intense quick cuts: golden-pink lightning exploding around warrior (hair becoming even more voluminous, full outfit glitter activation), cut to sunglasses reflecting the dramatic light, cut to the cat companion undergoing organic photorealistic transformation into a large majestic tiger (natural fur texture shifting, real muscle and bone structure expanding organically, authentic animal movement and eye reflections, no CGI appearance), cut to crowd gasping and cheering, cut to red cross emblem blazing brightly. 12-15s: Rapid-fire climax and settle - fast final cuts: warrior in full powered heroic pose wearing the disco sunglasses, commanding stance, cut to the photorealistic tiger standing powerfully beside him with natural fur and real presence, cut to surrounding 80s secondary actors cheering and reacting, quick wide shots of the duo side-by-side as energy and glitter settle, ending on a strong held composition with crowd in frame. Photorealistic, hyper-realistic tiger with authentic fur texture, organic animal physics and natural muscle movement (no CGI look), ultra-detailed sequin reflections and feather physics, realistic practical energy effects, perfect motion blur on all rapid cuts, flawless character consistency, coherent 80s lighting and color grading, stable intense action, professional cinematic quality.
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Seedance 2.0 prompt + workflow below 👇 Intense fast-paced 80s B-movie transformation sequence with campy disco energy, vibrant pink neon club lighting mixed with explosive golden power effects, rapid-fire editing full of quick cuts and jump cuts for maximum intensity, dynamic handheld camera with constant movement and energy, practical effects focused, over-the-top yet grounded in cheap 80s low-budget aesthetic. Use the provided reference image as the exact visual reference for the main muscular warrior’s face, wild blonde hair, body, gold sequined outfit with red cross emblem, pink feather details and jewelry. In the final transformed state he additionally wears cheap tacky 80s disco sunglasses with colorful horizontal stripes. 0-4s: Rapid-fire opening montage - quick successive cuts: close-up of warrior’s intense face, cut to hands gripping the glowing power device, cut to his large yellow cat companion looking nervous, cut to surrounding crowd of 80s extras and background actors in flashy outfits reacting with surprise, cut back to warrior beginning to raise the device with raw building power. 4-8s: Rapid-fire power-up sequence - fast montage of quick cuts: warrior dramatically raises the device overhead, energy starts surging, cut to him pulling out and putting on the cheap disco striped sunglasses, cut to his muscles visibly swelling and gold sequins activating with intense sparkle, cut to pink feathers whipping wildly, multiple angles of wind and sparks hitting him, background secondary actors moving and watching in awe. 8-12s: Peak rapid-fire transformation montage - series of intense quick cuts: golden-pink lightning exploding around warrior (hair becoming even more voluminous, full outfit glitter activation), cut to sunglasses reflecting the dramatic light, cut to the cat companion undergoing organic photorealistic transformation into a large majestic tiger (natural fur texture shifting, real muscle and bone structure expanding organically, authentic animal movement and eye reflections, no CGI appearance), cut to crowd gasping and cheering, cut to red cross emblem blazing brightly. 12-15s: Rapid-fire climax and settle - fast final cuts: warrior in full powered heroic pose wearing the disco sunglasses, commanding stance, cut to the photorealistic tiger standing powerfully beside him with natural fur and real presence, cut to surrounding 80s secondary actors cheering and reacting, quick wide shots of the duo side-by-side as energy and glitter settle, ending on a strong held composition with crowd in frame. Photorealistic, hyper-realistic tiger with authentic fur texture, organic animal physics and natural muscle movement (no CGI look), ultra-detailed sequin reflections and feather physics, realistic practical energy effects, perfect motion blur on all rapid cuts, flawless character consistency, coherent 80s lighting and color grading, stable intense action, professional cinematic quality.

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7 Ancient Indian Habits that can reverse you age. 1️⃣ Brahma Muhurta Alignment Waking before sunrise isn’t discipline, it’s hormonal alignment. Ancient texts knew cortisol, melatonin, and circadian rhythm long before science named them. This single ritual resets digestion, skin repair and cellular repair. 🧠 Modern science now confirms early light exposure regulates longevity genes. 2️⃣ Oil Abhyanga (Daily Self-Massage) Warm oil massage isn’t luxury, it’s nervous system therapy. It reduces oxidative stress, nourishes skin barriers, lubricates joints, and calms Vata (the main aging dosha). ✨ Skin ages slower when the nervous system feels safe. 3️⃣ Eating With the Sun, Not the Clock Ancient Indians ate when Agni (digestive fire) was strongest. mid-day. Late dinners age you faster. 🔥 Better digestion = better nutrient absorption = slower aging. 4️⃣ Seasonal Living (Ritucharya) Your body is not designed to eat mangoes in winter or salads in monsoon. Ancient India followed seasonal detox, foods, and routines, keeping inflammation low year round. 5️⃣ Nasya (Nasal Oil Therapy) A few drops of oil in the nose daily protects the brain, sinuses, hormones, and skin glow. This ritual keeps memory sharp, hair thick, and face youthful. 6️⃣ Silence & Maun (Intentional Quiet Time) Aging accelerates when the mind never rests. Ancient sages practiced silence to reduce mental toxins (Ama). 🧘‍♀️ Less mental noise = lower cortisol = slower cellular aging. 7️⃣ Squatting, Sitting on the Floor & Natural Movement Gyms came later. Indian bodies stayed young through functional movement, squatting, cross-leg sitting, barefoot walking. No methods or therapy can stop your aging but it can be made slower without chemicals. I help many peoples with their lifestyle diseases. If you want full reset of body Follow & Comment "Reset" i will share .

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Ignition: Powered by Seamless Motion🔥 A cinematic journey from spark to speed. Smooth transitions and flawless motion bring the engine’s awakening to life, showcasing the incredible cinematic flow made possible with Kling. GPT Image 2.0 x Kling 3.0 on Yapper Prompt: Ultra-cinematic 10-second photorealistic sequence of a futuristic high-performance sports car being powered on and driving away. Smooth motion, dramatic storytelling, 24fps, HDR, shallow depth of field, film grain, anamorphic lens flare, volumetric fog, high contrast lighting, 4K. Mysterious driver wearing a modern black racing jacket and black gloves, face mostly hidden in shadow and rim lighting, confident calm movements, realistic human proportions and textures. Environment: dark industrial underground garage at night with concrete walls, metal pipes, subtle neon accent lights, wet reflective floor, volumetric fog and cinematic light rays. Garage exit leads to a modern city street at night with distant streetlights and soft bokeh. START FRAME: wide cinematic shot of sleek futuristic sports car parked in the foggy garage, driver standing beside the car holding a glowing smart key, headlights OFF, neon reflections on glossy paint, wet reflective floor, dramatic composition. SEQUENCE ACTION (continuous cinematic flow): The driver presses the glowing ignition button on the smart key. Camera slowly dollies toward the car as the vehicle awakens. Headlights power on gradually, glowing through the fog, subtle vibration ripples across the car body, reflections shimmer across the paint. Seamless cinematic cut into extreme macro view inside the engine. Highly detailed mechanical components in slow motion pistons firing, turbines spinning, electric energy flowing through cables like glowing currents, sparks igniting, heat waves and light pulses building power. Camera smoothly pushes and orbits through engine parts as the energy intensifies, orange and blue glow illuminating metal textures. Cinematic cut back to low front angle of the car. Engine revs aggressively, headlights flare bright, dust and smoke swirl around the tires. The car launches forward smoothly and powerfully toward the exit. Camera tracks low as the car speeds past and exits the garage into the night street, motion blur and light streaks trailing behind. END FRAME: rear three-quarter view of the sports car speeding away into the night city, glowing red taillights leaving light streaks, drifting smoke fading behind, cinematic fade to black. Style keywords: cinematic, photorealistic, smooth tracking shot, macro engine detail, futuristic technology, dramatic lighting, epic atmosphere, high dynamic range.
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Ignition: Powered by Seamless Motion🔥 A cinematic journey from spark to speed. Smooth transitions and flawless motion bring the engine’s awakening to life, showcasing the incredible cinematic flow made possible with Kling. GPT Image 2.0 x Kling 3.0 on Yapper Prompt: Ultra-cinematic 10-second photorealistic sequence of a futuristic high-performance sports car being powered on and driving away. Smooth motion, dramatic storytelling, 24fps, HDR, shallow depth of field, film grain, anamorphic lens flare, volumetric fog, high contrast lighting, 4K. Mysterious driver wearing a modern black racing jacket and black gloves, face mostly hidden in shadow and rim lighting, confident calm movements, realistic human proportions and textures. Environment: dark industrial underground garage at night with concrete walls, metal pipes, subtle neon accent lights, wet reflective floor, volumetric fog and cinematic light rays. Garage exit leads to a modern city street at night with distant streetlights and soft bokeh. START FRAME: wide cinematic shot of sleek futuristic sports car parked in the foggy garage, driver standing beside the car holding a glowing smart key, headlights OFF, neon reflections on glossy paint, wet reflective floor, dramatic composition. SEQUENCE ACTION (continuous cinematic flow): The driver presses the glowing ignition button on the smart key. Camera slowly dollies toward the car as the vehicle awakens. Headlights power on gradually, glowing through the fog, subtle vibration ripples across the car body, reflections shimmer across the paint. Seamless cinematic cut into extreme macro view inside the engine. Highly detailed mechanical components in slow motion pistons firing, turbines spinning, electric energy flowing through cables like glowing currents, sparks igniting, heat waves and light pulses building power. Camera smoothly pushes and orbits through engine parts as the energy intensifies, orange and blue glow illuminating metal textures. Cinematic cut back to low front angle of the car. Engine revs aggressively, headlights flare bright, dust and smoke swirl around the tires. The car launches forward smoothly and powerfully toward the exit. Camera tracks low as the car speeds past and exits the garage into the night street, motion blur and light streaks trailing behind. END FRAME: rear three-quarter view of the sports car speeding away into the night city, glowing red taillights leaving light streaks, drifting smoke fading behind, cinematic fade to black. Style keywords: cinematic, photorealistic, smooth tracking shot, macro engine detail, futuristic technology, dramatic lighting, epic atmosphere, high dynamic range.

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Crafted with Seedance 2.0 + GPT Image 2 Pollo AI Storyboard Prompt: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark. Seedance video prompt: Video Prompt Seedance 2.0 Create a 15-second cinematic kung fu performance video. Use Image1 as the fixed character sheet reference. The character must strictly match the character sheet. Use Image2 ] as the storyboard reference. Follow the storyboard shot by shot as the main source for action order, camera rhythm, body movement, framing, movement direction, camera angles and visual progression. Treat each storyboard panel as a sequential keyframe. Preserve the shot order and make the video feel like the storyboard has been translated into continuous live-action motion. The sequence must end on a frozen final frame while the performer is still airborne. Do not add text, captions, storyboard labels, arrows, UI, logos or watermarks. Do not treat the storyboard as a single image. Do not redesign the character, change the costume or alter the face. Do not begin with a calm stance, preparation pose or slow introduction. Do not make the elemental effects look like superhero powers or excessive fantasy glow. Visual style: stylized cinematic realism, high-end 3D painterly animation quality, dynamic cloth simulation, expressive silhouette design, rich cinematic lighting, controlled color palette, natural motion blur, dramatic scale, beautiful but aggressive physicality, premium feature-animation aesthetic. Environment: vast ancient temple, towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections, high contrast shadows. The performance is a solitary female kung fu routine inside a vast ancient temple. The routine starts immediately in action, with no calm stance, no preparation pose and no slow introduction. The movement should feel aggressive, ritualistic, disciplined, physically extreme and spiritually charged. This is not a fight against an enemy. It is a solo performance of force, control, exhaustion, fury and release. Follow story board for choreography direction. Element progression: early sequence: subtle wind, dust and pressure lines responding to movement. middle sequence: stronger air shockwaves, stone fragments, floor cracks and water-like ripples across the temple floor. late sequence: controlled fire trails, heat distortion and energy spirals around explosive strikes and kicks. climax: wind, dust, stone, water ripple and fire accents combine into a stronger elemental vortex. final beat: the performer is airborne above the temple floor in a powerful kung fu strike, body twisted mid-air, hair and fabric flaring outward, with all elements converging around her before impact. Elemental VFX must feel spiritual, ritualistic and cinematic. The effects should be integrated with the choreography and motivated by physical movement. Keep the energy raw, elemental, atmospheric and grounded in the temple environment. Use Laban movement logic throughout: weight: strong, heavy, grounded during impacts, with brief lightness during jumps and aerial twists time: quick during strikes, kicks, drops and turns, sustained during suspended holds and recovery transitions space: direct during attacks, blocks and lunges, indirect during spinning turns and elemental vortex moments flow: bound during rooted stances and precise strikes, free during aerial motion, spinning fabric movement and elemental releaseSee less
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Crafted with Seedance 2.0 + GPT Image 2 Pollo AI Storyboard Prompt: Create a raw kung fu performance storyboard focused on extreme physical action. Use reference image for the character. 16:9 storyboard sheet, 12 cinematic panels. The actual storyboard drawings must be black and white only: rough pencil lines, minimal detail, fast gesture drawing energy, simple anatomy construction and strong silhouette readability. Keep the artwork lightweight, dynamic and unfinished like early fight choreography previs. Start directly in action. Do not begin with a calm stance, preparation shot or slow introduction. A solitary female performer executes an aggressive Tibetan kung fu master-style routine inside a vast ancient temple. The choreography is exaggerated, explosive and constantly escalating: flying diagonal kicks, monk-style low stances, rapid palm strikes, spinning cloth-like body turns, animal-form hand shapes, deep lunges, aerial twists, floor-level sweeps, sudden drops, claw-like blocks, back-arched jumps, sliding recoveries and violent sculptural impact poses. Every panel must contain visible motion and strong body momentum. Avoid static standing poses. The performer should feel like a ritual warrior moving with discipline, fury, spiritual pressure and total body control. Action progression: 1. begin mid-air with a flying diagonal kick already in motion 2. handheld close-up palm sweep cutting through air 3. orbiting wide shot of a full-body spin 4. low-angle impact palm strike with shockwave 5. long-lens side profile spinning kick 6. top-down aerial turn with body, hair and fabric flaring outward 7. hard floor stomp cracking the temple stone 8. sliding low sweep across the floor 9. aggressive close-up flurry of elbows, palms and backfist strikes 10. extreme low monk-style beast stance with energy rising 11. spinning elemental vortex around the body 12. final airborne action pose, suspended above the temple floor, body twisted in a powerful kung fu strike, all elements converging around her before impact Add selective elemental energy effects as VFX-style storyboard accents. The effects should feel spiritual, ritualistic and cinematic, not superhero-like: air bursts around spins and flying kicks, dust and stone fragments lifting from stomps, water-like floor ripples during slides, fire-like trails around explosive strikes, heat distortion around high-intensity movement, elemental vortex near the climax. Element progression: early panels: subtle wind, dust and pressure lines middle panels: stronger stone fragments, floor ripples and air shockwaves late panels: controlled fire trails and energy spirals final panel: the strongest combined elemental surge while the performer is still airborne Use cinematic arthouse action camerawork: handheld energy, whip-pan feeling, orbiting camera moves, overhead shots, side silhouettes, aggressive close-ups, long-lens compression, extreme low angles, wide negative space, strong parallax. Keep the temple environment minimal and atmospheric: towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections. Do not overcrowd the frames. Annotation color system: red arrows = body movement blue arrows = camera movement green marks = framing / composition notes orange marks = lighting direction yellow marks = elemental VFX / energy effects black text = short lens notes and panel labels No timestamps. No dialogue. No singing. No extra characters. No enemies. No logos. No watermark. Seedance video prompt: Video Prompt Seedance 2.0 Create a 15-second cinematic kung fu performance video. Use Image1 as the fixed character sheet reference. The character must strictly match the character sheet. Use Image2 ] as the storyboard reference. Follow the storyboard shot by shot as the main source for action order, camera rhythm, body movement, framing, movement direction, camera angles and visual progression. Treat each storyboard panel as a sequential keyframe. Preserve the shot order and make the video feel like the storyboard has been translated into continuous live-action motion. The sequence must end on a frozen final frame while the performer is still airborne. Do not add text, captions, storyboard labels, arrows, UI, logos or watermarks. Do not treat the storyboard as a single image. Do not redesign the character, change the costume or alter the face. Do not begin with a calm stance, preparation pose or slow introduction. Do not make the elemental effects look like superhero powers or excessive fantasy glow. Visual style: stylized cinematic realism, high-end 3D painterly animation quality, dynamic cloth simulation, expressive silhouette design, rich cinematic lighting, controlled color palette, natural motion blur, dramatic scale, beautiful but aggressive physicality, premium feature-animation aesthetic. Environment: vast ancient temple, towering stone columns, worn temple floor, drifting incense smoke, hanging fabric, harsh light shafts, faint dust in the air, subtle wet floor reflections, high contrast shadows. The performance is a solitary female kung fu routine inside a vast ancient temple. The routine starts immediately in action, with no calm stance, no preparation pose and no slow introduction. The movement should feel aggressive, ritualistic, disciplined, physically extreme and spiritually charged. This is not a fight against an enemy. It is a solo performance of force, control, exhaustion, fury and release. Follow story board for choreography direction. Element progression: early sequence: subtle wind, dust and pressure lines responding to movement. middle sequence: stronger air shockwaves, stone fragments, floor cracks and water-like ripples across the temple floor. late sequence: controlled fire trails, heat distortion and energy spirals around explosive strikes and kicks. climax: wind, dust, stone, water ripple and fire accents combine into a stronger elemental vortex. final beat: the performer is airborne above the temple floor in a powerful kung fu strike, body twisted mid-air, hair and fabric flaring outward, with all elements converging around her before impact. Elemental VFX must feel spiritual, ritualistic and cinematic. The effects should be integrated with the choreography and motivated by physical movement. Keep the energy raw, elemental, atmospheric and grounded in the temple environment. 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Ciri

77,152 Aufrufe • vor 1 Monat

THE FALL OF THE FORTRESS 💥 where war ends and a new king rises from the ashes of silence. I generate this through Seedance 2.0 on Yapper Prompt : “THE FALL OF THE FORTRESS” — 15s Ultra-Cinematic Hollywood AI Video Prompt Style: Hyper-realistic Hollywood action • IMAX scale • Unreal Engine 5 quality • cinematic VFX • realistic physics • ultra-detailed facial animation • volumetric smoke • dynamic lighting • smooth motion control • practical explosions mixed with CGI • grounded realism • no cartoon feeling • intense cinematic sound design --- 0:00 – 0:03 | THE ARRIVAL Extreme wide aerial shot above a gigantic ancient stone fortress built on a mountain cliff during a stormy sunset. Massive black military helicopters emerge from thick clouds while searchlights cut through the rain and smoke. The main hero stands at the open helicopter door wearing a dark tactical royal armor mixed with modern military gear — long black coat flowing violently in the wind, metallic shoulder armor, glowing insignia on chest, battle scars on face. Camera: cinematic drone orbit + stabilized helicopter tracking shot. Atmosphere: realistic wind physics, rotor wash moving dust and flags naturally, thunder flashes illuminating the fort. Audio: deep cinematic braams, helicopter blades, distant explosions. --- 0:03 – 0:07 | THE ATTACK The helicopters begin aggressive tactical assault on the fortress walls. Heavy machine guns fire realistic tracer rounds toward enemy towers while explosions erupt across stone barricades. The hero jumps from the helicopter using a tactical rope while explosions burst behind him in slow motion. Enemy soldiers fire desperately but the hero walks forward fearlessly through smoke and sparks. Camera transitions: slow-motion close-up of bullet casings falling handheld battlefield tracking shots cinematic whip-pans during explosions realistic motion blur and debris simulation VFX: ultra-realistic fire, smoke simulation, particle destruction, cinematic sparks, physically accurate lighting reflections on armor. --- 0:07 – 0:10 | THE SURRENDER The hero lands inside the fort courtyard. Enemy soldiers slowly stop firing. One by one, they kneel and throw down their weapons. Rain falls softly through burning smoke while the hero walks through the defeated army with absolute dominance. His boots echo on wet stone ground. Camera: low-angle hero shot with subtle shake for realism. Lighting: orange fire glow mixed with cold blue storm light creating dramatic contrast. Facial animation must feel emotionally real and photorealistic. --- 0:10 – 0:15 | THE NEW KING Massive throne room inside the fortress. Ancient royal hall with burning torches, shattered banners, cinematic dust particles floating through light beams. The hero slowly sits on the gigantic king’s throne. A royal crown is placed on his head while defeated enemies bow before him. Silence fills the hall. Extreme cinematic close-up on his eyes. Camera slowly pushes inward. He says in a deep powerful voice: “A new era begins from here.” Final shot: The throne hall darkens while golden light rises behind him like a rebirth. His cape moves slowly in the wind as the camera pulls back to reveal the conquered kingdom. --- Cinematic Technical Details Unreal Engine 5 photorealism IMAX cinematic framing realistic skin texture and micro-expressions perfect lip-sync smooth cinematic motion control practical war cinematography volumetric fog and smoke ray-traced lighting and reflections Hollywood-grade color grading physically accurate explosions and destruction zero fake animation feeling realistic crowd behavior and enemy reactions ultra-detailed environmental destruction epic Hans Zimmer–style cinematic soundtrack 24fps cinematic motion with natural shutter blur seamless transitions between scenes emotional realism + blockbuster scale
0:15

THE FALL OF THE FORTRESS 💥 where war ends and a new king rises from the ashes of silence. I generate this through Seedance 2.0 on Yapper Prompt : “THE FALL OF THE FORTRESS” — 15s Ultra-Cinematic Hollywood AI Video Prompt Style: Hyper-realistic Hollywood action • IMAX scale • Unreal Engine 5 quality • cinematic VFX • realistic physics • ultra-detailed facial animation • volumetric smoke • dynamic lighting • smooth motion control • practical explosions mixed with CGI • grounded realism • no cartoon feeling • intense cinematic sound design --- 0:00 – 0:03 | THE ARRIVAL Extreme wide aerial shot above a gigantic ancient stone fortress built on a mountain cliff during a stormy sunset. Massive black military helicopters emerge from thick clouds while searchlights cut through the rain and smoke. The main hero stands at the open helicopter door wearing a dark tactical royal armor mixed with modern military gear — long black coat flowing violently in the wind, metallic shoulder armor, glowing insignia on chest, battle scars on face. Camera: cinematic drone orbit + stabilized helicopter tracking shot. Atmosphere: realistic wind physics, rotor wash moving dust and flags naturally, thunder flashes illuminating the fort. Audio: deep cinematic braams, helicopter blades, distant explosions. --- 0:03 – 0:07 | THE ATTACK The helicopters begin aggressive tactical assault on the fortress walls. Heavy machine guns fire realistic tracer rounds toward enemy towers while explosions erupt across stone barricades. The hero jumps from the helicopter using a tactical rope while explosions burst behind him in slow motion. Enemy soldiers fire desperately but the hero walks forward fearlessly through smoke and sparks. Camera transitions: slow-motion close-up of bullet casings falling handheld battlefield tracking shots cinematic whip-pans during explosions realistic motion blur and debris simulation VFX: ultra-realistic fire, smoke simulation, particle destruction, cinematic sparks, physically accurate lighting reflections on armor. --- 0:07 – 0:10 | THE SURRENDER The hero lands inside the fort courtyard. Enemy soldiers slowly stop firing. One by one, they kneel and throw down their weapons. Rain falls softly through burning smoke while the hero walks through the defeated army with absolute dominance. His boots echo on wet stone ground. Camera: low-angle hero shot with subtle shake for realism. Lighting: orange fire glow mixed with cold blue storm light creating dramatic contrast. Facial animation must feel emotionally real and photorealistic. --- 0:10 – 0:15 | THE NEW KING Massive throne room inside the fortress. Ancient royal hall with burning torches, shattered banners, cinematic dust particles floating through light beams. The hero slowly sits on the gigantic king’s throne. A royal crown is placed on his head while defeated enemies bow before him. Silence fills the hall. Extreme cinematic close-up on his eyes. Camera slowly pushes inward. He says in a deep powerful voice: “A new era begins from here.” Final shot: The throne hall darkens while golden light rises behind him like a rebirth. His cape moves slowly in the wind as the camera pulls back to reveal the conquered kingdom. --- Cinematic Technical Details Unreal Engine 5 photorealism IMAX cinematic framing realistic skin texture and micro-expressions perfect lip-sync smooth cinematic motion control practical war cinematography volumetric fog and smoke ray-traced lighting and reflections Hollywood-grade color grading physically accurate explosions and destruction zero fake animation feeling realistic crowd behavior and enemy reactions ultra-detailed environmental destruction epic Hans Zimmer–style cinematic soundtrack 24fps cinematic motion with natural shutter blur seamless transitions between scenes emotional realism + blockbuster scale

Ai Arainz

13,777 Aufrufe • vor 3 Monaten

Grok Imagine prompt is below 👇 [STYLE + CAMERA + ATMOSPHERE] Gritty 16mm cinéma vérité, authentic documentary footage from a lived-in contemporary Japanese street with strong pseudo-feudal aesthetics. Organic film grain, pure natural daylight mixed with soft red paper lantern glow and subtle modern neon from traditional wooden storefronts, heavy shoulder-mounted handheld shake, no stabilization, soft focus falls, subtle light leaks, raw and elegant, lived-in realism. Continuous imperfect handheld observation, camera constantly breathing and shifting with aggressive energy. [TIMELINE SECOND BY SECOND] 0-1.5s: [Close Handheld Tracking] Young Japanese woman in aggressive urban streetwear (asymmetrical short black hair with undercut, cropped black tactical jacket over layered tank, baggy cargo pants with straps, heavy combat boots, silver chains, fierce natural expression) strides forward with powerful posture down a narrow stone-paved street lined with traditional wooden merchant houses, noren curtains and hanging lanterns. Camera stays tight on her sharp profile and upper body. She glances sideways with quiet intensity. 1.5-3s: [Unsteady Following Shot] She cuts through a small flow of pedestrians in mixed modern and traditional-inspired work clothes. Camera stays close behind and to the side, bouncing hard with every step. A delivery bicycle weaves past; she adjusts her path without slowing, eyes locked ahead. 3-4.5s: [Handheld Medium] A group of schoolkids on bikes suddenly cuts across her path. She steps aside with fluid aggression, locks eyes with the nearest kid for a half-second of hard mutual recognition, then continues. Plaza energy remains chaotic around her. 4.5-6s: [Raw Side Tracking] Camera swings unsteadily to her side as she passes an open-front traditional workshop. A craftsman looks up; she gives a barely perceptible nod without breaking stride. Light shifts across her face, chains and hair as the camera breathes with her movement. 6-7.5s: [Close Imperfect Push] She slows near a small street stall selling grilled skewers under a weathered wooden sign. Buys one with a quick cash exchange, takes a bite while still moving. Camera stays tight, catching the ordinary transaction and her unguarded micro-expression. 7.5-9s: [Unsteady Following] She resumes walking under the shadow of an elevated modern walkway that crosses the old street. A long group of office workers parts slightly as she passes through them without acknowledgment. Residual motion and city hum everywhere. 9-10.5s: [Raw Tracking] Camera stays close and imperfect as she moves past flickering lanterns and a row of rounded modern scooters parked against wooden facades. Her gait remains strong and uninterrupted, face catching shifting daylight and soft red glow. 10.5-12s: [Handheld Side] She steps aside for a moment against a weathered stone pillar near a small shrine gate, watches the street flow for one second with a quiet, grounded look, then pushes off again at the same aggressive pace. 12-15s: [Continuous Raw Following Shot] Camera continues behind her as she disappears deeper into the narrow street past more wooden houses, hanging signs and moving people. The shot stays imperfect and unresolved, breathing with her natural rhythm, ending on the ongoing energy of everyday life in this lived-in pseudo-feudal Japanese present. [STYLE & QUALITY BOOSTERS] Photorealistic 16mm film emulation, heavy organic grain, authentic period-to-present Japanese details (wooden architecture, noren, lanterns, stone paving mixed with modern street life), natural skin and fabric texture, imperfect handheld physics, subtle film weave, coherent motion, pure cinéma vérité texture, 16:9 aspect ratio. Didn't expect this quality from Grok, hope you enjoy it!
0:15

Grok Imagine prompt is below 👇 [STYLE + CAMERA + ATMOSPHERE] Gritty 16mm cinéma vérité, authentic documentary footage from a lived-in contemporary Japanese street with strong pseudo-feudal aesthetics. Organic film grain, pure natural daylight mixed with soft red paper lantern glow and subtle modern neon from traditional wooden storefronts, heavy shoulder-mounted handheld shake, no stabilization, soft focus falls, subtle light leaks, raw and elegant, lived-in realism. Continuous imperfect handheld observation, camera constantly breathing and shifting with aggressive energy. [TIMELINE SECOND BY SECOND] 0-1.5s: [Close Handheld Tracking] Young Japanese woman in aggressive urban streetwear (asymmetrical short black hair with undercut, cropped black tactical jacket over layered tank, baggy cargo pants with straps, heavy combat boots, silver chains, fierce natural expression) strides forward with powerful posture down a narrow stone-paved street lined with traditional wooden merchant houses, noren curtains and hanging lanterns. Camera stays tight on her sharp profile and upper body. She glances sideways with quiet intensity. 1.5-3s: [Unsteady Following Shot] She cuts through a small flow of pedestrians in mixed modern and traditional-inspired work clothes. Camera stays close behind and to the side, bouncing hard with every step. A delivery bicycle weaves past; she adjusts her path without slowing, eyes locked ahead. 3-4.5s: [Handheld Medium] A group of schoolkids on bikes suddenly cuts across her path. She steps aside with fluid aggression, locks eyes with the nearest kid for a half-second of hard mutual recognition, then continues. Plaza energy remains chaotic around her. 4.5-6s: [Raw Side Tracking] Camera swings unsteadily to her side as she passes an open-front traditional workshop. A craftsman looks up; she gives a barely perceptible nod without breaking stride. Light shifts across her face, chains and hair as the camera breathes with her movement. 6-7.5s: [Close Imperfect Push] She slows near a small street stall selling grilled skewers under a weathered wooden sign. Buys one with a quick cash exchange, takes a bite while still moving. Camera stays tight, catching the ordinary transaction and her unguarded micro-expression. 7.5-9s: [Unsteady Following] She resumes walking under the shadow of an elevated modern walkway that crosses the old street. A long group of office workers parts slightly as she passes through them without acknowledgment. Residual motion and city hum everywhere. 9-10.5s: [Raw Tracking] Camera stays close and imperfect as she moves past flickering lanterns and a row of rounded modern scooters parked against wooden facades. Her gait remains strong and uninterrupted, face catching shifting daylight and soft red glow. 10.5-12s: [Handheld Side] She steps aside for a moment against a weathered stone pillar near a small shrine gate, watches the street flow for one second with a quiet, grounded look, then pushes off again at the same aggressive pace. 12-15s: [Continuous Raw Following Shot] Camera continues behind her as she disappears deeper into the narrow street past more wooden houses, hanging signs and moving people. The shot stays imperfect and unresolved, breathing with her natural rhythm, ending on the ongoing energy of everyday life in this lived-in pseudo-feudal Japanese present. [STYLE & QUALITY BOOSTERS] Photorealistic 16mm film emulation, heavy organic grain, authentic period-to-present Japanese details (wooden architecture, noren, lanterns, stone paving mixed with modern street life), natural skin and fabric texture, imperfect handheld physics, subtle film weave, coherent motion, pure cinéma vérité texture, 16:9 aspect ratio. Didn't expect this quality from Grok, hope you enjoy it!

TechHalla

39,337 Aufrufe • vor 18 Tagen

Megan Fox really knows how to draw everyone's attention, don't you think?🤩😏 VIdeo by Kling 3.0 via Higgsfield AI (More videos for my subscribers!) Video & Image prompts below👇🏻 🔴 Video Prompt: Subject slowly rises from kneeling position on fluffy white rug — movement begins with a natural, fluid push upward from knees to standing. As she rises, hips sway gently and playfully, body moves naturally with soft feminine energy, not exaggerated. Hair still mid-ponytail, hands finish tying it as she stands. Camera rises simultaneously with her, tracking from chest level up to face level as she reaches full standing height. Full body visible throughout the rise. At 8 seconds: she leans slightly forward toward camera, eyes locked, and softly tongue out to the camera lens. At 9-10 seconds: she pulls back, gives one final direct look into camera, then flashes a peace sign with a slight smirk. Style: Cinematic, smooth camera movement, natural bedroom lighting with soft daylight from window, warm neon glow from "Keor" sign in background. Realistic, no sudden cuts, fluid motion throughout. 10 seconds total. 🔴 Image Prompt: A Megan Fox with fair skin, freckles across her face and shoulders, and striking blue eyes is kneeling on a thick, fluffy white rug in a messy bedroom. She has long, black hair that she is actively gathering with both hands to tie into a high ponytail; her right hand holds the base of the ponytail near the crown of her head while her left hand pulls the length of her hair through. She is wearing a fitted light green lime ribbed tank top with V neckline and fuchsia gym shorts bottoms. Her expression is direct and slightly serious as she looks straight at the camera from a high angle. The bedroom background features an unmade pink bed with rumpled light-colored sheets and pillows, scattered clothes on the floor and bed, a white nightstand with a modern lamp, a stack of books, a big poster of Inuyasha manga characters, a little neon written 'Keor' on wall, and a window with sheer curtains letting in natural daylight. The overall scene has a casual, lived-in atmosphere with soft natural lighting."
0:10

Megan Fox really knows how to draw everyone's attention, don't you think?🤩😏 VIdeo by Kling 3.0 via Higgsfield AI (More videos for my subscribers!) Video & Image prompts below👇🏻 🔴 Video Prompt: Subject slowly rises from kneeling position on fluffy white rug — movement begins with a natural, fluid push upward from knees to standing. As she rises, hips sway gently and playfully, body moves naturally with soft feminine energy, not exaggerated. Hair still mid-ponytail, hands finish tying it as she stands. Camera rises simultaneously with her, tracking from chest level up to face level as she reaches full standing height. Full body visible throughout the rise. At 8 seconds: she leans slightly forward toward camera, eyes locked, and softly tongue out to the camera lens. At 9-10 seconds: she pulls back, gives one final direct look into camera, then flashes a peace sign with a slight smirk. Style: Cinematic, smooth camera movement, natural bedroom lighting with soft daylight from window, warm neon glow from "Keor" sign in background. Realistic, no sudden cuts, fluid motion throughout. 10 seconds total. 🔴 Image Prompt: A Megan Fox with fair skin, freckles across her face and shoulders, and striking blue eyes is kneeling on a thick, fluffy white rug in a messy bedroom. She has long, black hair that she is actively gathering with both hands to tie into a high ponytail; her right hand holds the base of the ponytail near the crown of her head while her left hand pulls the length of her hair through. She is wearing a fitted light green lime ribbed tank top with V neckline and fuchsia gym shorts bottoms. Her expression is direct and slightly serious as she looks straight at the camera from a high angle. The bedroom background features an unmade pink bed with rumpled light-colored sheets and pillows, scattered clothes on the floor and bed, a white nightstand with a modern lamp, a stack of books, a big poster of Inuyasha manga characters, a little neon written 'Keor' on wall, and a window with sheer curtains letting in natural daylight. The overall scene has a casual, lived-in atmosphere with soft natural lighting."

KeorUnreal

106,851 Aufrufe • vor 4 Monaten

Created this clip using GPT Image 2 + Happy Horse on BudgetPixel AI Prompt Ultra-cinematic dark fantasy transformation sequence, hyper-realistic 8K, cinematic realism, seamless storytelling, epic VFX quality, realistic photography textures, volumetric fog, dramatic contrast lighting, teal-blue moonlight mixed with lava-orange glow. IMPORTANT DIRECTOR INSTRUCTIONS: • STRICTLY follow the 9 storyboard panels in exact order without skipping, merging, or redesigning scenes. • Maintain visual continuity of the same woman, same environment, same lighting progression, and same transformation details throughout the sequence. • Every shot must match the storyboard framing, emotion, and camera movement exactly. • Do NOT introduce extra characters, environments, costumes, creatures, or stylistic deviations. • Keep pacing cinematic and fluid with smooth transitions between every panel. • Preserve dark fantasy realism and grounded cinematic physics. • Maintain consistent teal-blue cold atmosphere contrasted with molten orange energy glow. • Use seamless morphing transformation VFX with realistic anatomy deformation and fur simulation. • Camera language must evolve exactly according to storyboard progression. • Final storm-cloud transition must visually connect to the next sequence. SEQUENCE BREAKDOWN: PANEL 1 — “Frozen Ruins” Begin with a wide aerial establishing shot over a devastated frozen ruin at night. Shattered icy ground stretches across the landscape. Ancient broken pillars covered in frost emerge through thick drifting fog. Snow particles blow across frame. Blue moonlight reflects off sharp ice shards. Tiny exhausted dark-haired woman visible lying alone on the frozen surface. Slow cinematic drone push-in toward her position. Atmospheric, silent, haunting. PANEL 2 — “The Fallen Woman” Cut to a medium-wide shot of the exhausted woman lying on cracked ice. Torn black-gray clothes, pale frozen skin, trembling fingers pressing into the ice. Heavy breathing visible in cold air. Expression filled with pain and desperation. Camera slowly tracks closer while fog drifts around her body. PANEL 3 — “Pain Awakens” Close-up cinematic shot of her face as she struggles to rise slightly from the ice. Frost on skin, wet strands of dark hair across her face, terrified eyes reflecting moonlight. Small glowing orange cracks begin appearing beneath the skin around her neck and cheekbones. Slow dramatic push-in camera movement. PANEL 4 — “Lava Veins” Extreme close-up shots of glowing molten cracks spreading rapidly beneath her skin like lava veins. Orange light pulses through her arm, shoulder, and neck. Ice beneath her violently fractures outward with realistic cracking simulation. Tiny embers begin floating into the cold atmosphere. High-detail skin deformation and subsurface glow. PANEL 5 — “Bone Shift” Dynamic side-angle shot as her spine bends unnaturally and fingers elongate. Bones visibly shift beneath skin with realistic transformation deformation. Her body convulses violently. Snow and fog swirl aggressively around her. Camera becomes more unstable and energetic, cinematic handheld motion begins. PANEL 6 — “Flesh to Fur” Mid-transformation sequence. Flesh fluidly melts and reforms into black fur and panther anatomy. Human limbs reshape into powerful animal musculature. Sharp claws emerge. Embers explode into the air while chunks of ice and debris lift from the ground. Seamless morphing VFX, ultra-detailed fur generation, cinematic slow motion moments. PANEL 7 — “The Beast Emerges” Reveal the fully transformed massive black panther standing atop shattered frozen ground. Its body covered in glowing lava-orange cracks. Fiery glowing eyes stare through drifting fog. Steam rises subtly from heated fur against freezing air. Epic silhouette composition under blue moonlight. Slow circling cinematic camera movement. PANEL 8 — “Roar of Fury” Aggressive close-up action shot of the panther roaring directly toward camera. Violent handheld camera shake. Flying debris, shattered ice particles, glowing embers, atmospheric distortion from the roar. Ultra-detailed fur physics and saliva simulation. Intense cinematic energy. PANEL 9 — “Storm Transition” Final cinematic frame. The roaring panther suddenly turns its head sharply toward the sky. Dark storm clouds rapidly begin forming overhead. Blue lightning flickers faintly in distant clouds. Wind intensifies through the ruins. Camera slowly pulls back while fog and snow swirl dramatically. End on a powerful dark fantasy transition frame preparing for the next sequence. GLOBAL VISUAL REQUIREMENTS: • Hyper-realistic dark fantasy realism • Hollywood blockbuster cinematography • 8K ultra-detail • Volumetric lighting and fog • Realistic snow, ice, debris, and embers simulation • Cinematic handheld motion during intense transformation moments • High-end creature VFX quality • Deep shadows and dramatic contrast • Realistic fur rendering and glowing lava cracks • Smooth seamless transitions between all storyboard panels • Epic cinematic sound-design energy implied visually • Production-quality film look • No text, subtitles, logos, watermarks, UI elements, or split screens • Maintain strict storyboard accuracy from beginning to end
0:15

Created this clip using GPT Image 2 + Happy Horse on BudgetPixel AI Prompt Ultra-cinematic dark fantasy transformation sequence, hyper-realistic 8K, cinematic realism, seamless storytelling, epic VFX quality, realistic photography textures, volumetric fog, dramatic contrast lighting, teal-blue moonlight mixed with lava-orange glow. IMPORTANT DIRECTOR INSTRUCTIONS: • STRICTLY follow the 9 storyboard panels in exact order without skipping, merging, or redesigning scenes. • Maintain visual continuity of the same woman, same environment, same lighting progression, and same transformation details throughout the sequence. • Every shot must match the storyboard framing, emotion, and camera movement exactly. • Do NOT introduce extra characters, environments, costumes, creatures, or stylistic deviations. • Keep pacing cinematic and fluid with smooth transitions between every panel. • Preserve dark fantasy realism and grounded cinematic physics. • Maintain consistent teal-blue cold atmosphere contrasted with molten orange energy glow. • Use seamless morphing transformation VFX with realistic anatomy deformation and fur simulation. • Camera language must evolve exactly according to storyboard progression. • Final storm-cloud transition must visually connect to the next sequence. SEQUENCE BREAKDOWN: PANEL 1 — “Frozen Ruins” Begin with a wide aerial establishing shot over a devastated frozen ruin at night. Shattered icy ground stretches across the landscape. Ancient broken pillars covered in frost emerge through thick drifting fog. Snow particles blow across frame. Blue moonlight reflects off sharp ice shards. Tiny exhausted dark-haired woman visible lying alone on the frozen surface. Slow cinematic drone push-in toward her position. Atmospheric, silent, haunting. PANEL 2 — “The Fallen Woman” Cut to a medium-wide shot of the exhausted woman lying on cracked ice. Torn black-gray clothes, pale frozen skin, trembling fingers pressing into the ice. Heavy breathing visible in cold air. Expression filled with pain and desperation. Camera slowly tracks closer while fog drifts around her body. PANEL 3 — “Pain Awakens” Close-up cinematic shot of her face as she struggles to rise slightly from the ice. Frost on skin, wet strands of dark hair across her face, terrified eyes reflecting moonlight. Small glowing orange cracks begin appearing beneath the skin around her neck and cheekbones. Slow dramatic push-in camera movement. PANEL 4 — “Lava Veins” Extreme close-up shots of glowing molten cracks spreading rapidly beneath her skin like lava veins. Orange light pulses through her arm, shoulder, and neck. Ice beneath her violently fractures outward with realistic cracking simulation. Tiny embers begin floating into the cold atmosphere. High-detail skin deformation and subsurface glow. PANEL 5 — “Bone Shift” Dynamic side-angle shot as her spine bends unnaturally and fingers elongate. Bones visibly shift beneath skin with realistic transformation deformation. Her body convulses violently. Snow and fog swirl aggressively around her. Camera becomes more unstable and energetic, cinematic handheld motion begins. PANEL 6 — “Flesh to Fur” Mid-transformation sequence. Flesh fluidly melts and reforms into black fur and panther anatomy. Human limbs reshape into powerful animal musculature. Sharp claws emerge. Embers explode into the air while chunks of ice and debris lift from the ground. Seamless morphing VFX, ultra-detailed fur generation, cinematic slow motion moments. PANEL 7 — “The Beast Emerges” Reveal the fully transformed massive black panther standing atop shattered frozen ground. Its body covered in glowing lava-orange cracks. Fiery glowing eyes stare through drifting fog. Steam rises subtly from heated fur against freezing air. Epic silhouette composition under blue moonlight. Slow circling cinematic camera movement. PANEL 8 — “Roar of Fury” Aggressive close-up action shot of the panther roaring directly toward camera. Violent handheld camera shake. Flying debris, shattered ice particles, glowing embers, atmospheric distortion from the roar. Ultra-detailed fur physics and saliva simulation. Intense cinematic energy. PANEL 9 — “Storm Transition” Final cinematic frame. The roaring panther suddenly turns its head sharply toward the sky. Dark storm clouds rapidly begin forming overhead. Blue lightning flickers faintly in distant clouds. Wind intensifies through the ruins. Camera slowly pulls back while fog and snow swirl dramatically. End on a powerful dark fantasy transition frame preparing for the next sequence. GLOBAL VISUAL REQUIREMENTS: • Hyper-realistic dark fantasy realism • Hollywood blockbuster cinematography • 8K ultra-detail • Volumetric lighting and fog • Realistic snow, ice, debris, and embers simulation • Cinematic handheld motion during intense transformation moments • High-end creature VFX quality • Deep shadows and dramatic contrast • Realistic fur rendering and glowing lava cracks • Smooth seamless transitions between all storyboard panels • Epic cinematic sound-design energy implied visually • Production-quality film look • No text, subtitles, logos, watermarks, UI elements, or split screens • Maintain strict storyboard accuracy from beginning to end

Sharon Riley

16,697 Aufrufe • vor 3 Monaten

Tesla's Ultra Red is one of the most expensive paint options in the lineup, and seeing it in person is an absolutely mind-blowing experience 🔥 To really understand why this color looks so incredible, we need to dive into how Tesla actually builds it from the ground up 👇 🎨 Unlike traditional car paint that uses a simple base and clear coat, Tesla uses an advanced multi-coat system applied by precision robotic sprayers. This technique builds the color layer by layer to create massive visual depth. 🚗 The process starts with a primer layer to ensure a perfectly smooth surface on the metal vehicle body. Once prepped, the factory robotics apply a high-chroma base coat. This initial layer contains rich red pigments that give the car its fundamental, vibrant color profile. ✨ Next comes the magic ingredient. The robots spray a metallic mid-coat over the solid base. This layer contains metallic flakes that catch the sunlight. Because this middle layer is slightly translucent, the base color shines from underneath while the metallic flakes reflect light in different directions. 🛡️ Finally, the car receives its finishing touch. Instead of a standard transparent protective seal, Tesla uses a specially tinted clear coat for these premium red finishes. This means the top protective layer actually has a hint of red mixed right into it to protect against UV rays while enhancing the color. 🔥 When you combine a vibrant base, a sparkling metallic middle, and a tinted protective shield on top, the result is exactly what we see on the road. The light travels through the tinted clear coat, bounces off the metallic flakes, and reflects the deep base pigment back to your eyes, giving Ultra Red its famous color-shifting glow. 🛠️ That mesmerizing depth is also exactly why fixing a scratch takes serious expertise. Known in the collision industry by its official paint code PR01, this specific tri-coat formula is notoriously tricky for human painters to replicate perfectly. 💸 Since that magical mid-coat gets darker with every single pass of the spray gun, body shops have to spray physical let-down test panels. They use these cards to match the exact factory thickness before they even think about touching the actual car. 🏎️ They also cannot just patch a single spot. Painters have to perform adjacent panel blending, fading the fresh paint deep into the surrounding undamaged doors or fenders to trick the human eye and hide the repair transition. It requires intense precision and labor, but the tradeoff is absolutely worth it for such a jaw-dropping look on the road.
0:11

Tesla's Ultra Red is one of the most expensive paint options in the lineup, and seeing it in person is an absolutely mind-blowing experience 🔥 To really understand why this color looks so incredible, we need to dive into how Tesla actually builds it from the ground up 👇 🎨 Unlike traditional car paint that uses a simple base and clear coat, Tesla uses an advanced multi-coat system applied by precision robotic sprayers. This technique builds the color layer by layer to create massive visual depth. 🚗 The process starts with a primer layer to ensure a perfectly smooth surface on the metal vehicle body. Once prepped, the factory robotics apply a high-chroma base coat. This initial layer contains rich red pigments that give the car its fundamental, vibrant color profile. ✨ Next comes the magic ingredient. The robots spray a metallic mid-coat over the solid base. This layer contains metallic flakes that catch the sunlight. Because this middle layer is slightly translucent, the base color shines from underneath while the metallic flakes reflect light in different directions. 🛡️ Finally, the car receives its finishing touch. Instead of a standard transparent protective seal, Tesla uses a specially tinted clear coat for these premium red finishes. This means the top protective layer actually has a hint of red mixed right into it to protect against UV rays while enhancing the color. 🔥 When you combine a vibrant base, a sparkling metallic middle, and a tinted protective shield on top, the result is exactly what we see on the road. The light travels through the tinted clear coat, bounces off the metallic flakes, and reflects the deep base pigment back to your eyes, giving Ultra Red its famous color-shifting glow. 🛠️ That mesmerizing depth is also exactly why fixing a scratch takes serious expertise. Known in the collision industry by its official paint code PR01, this specific tri-coat formula is notoriously tricky for human painters to replicate perfectly. 💸 Since that magical mid-coat gets darker with every single pass of the spray gun, body shops have to spray physical let-down test panels. They use these cards to match the exact factory thickness before they even think about touching the actual car. 🏎️ They also cannot just patch a single spot. Painters have to perform adjacent panel blending, fading the fresh paint deep into the surrounding undamaged doors or fenders to trick the human eye and hide the repair transition. It requires intense precision and labor, but the tradeoff is absolutely worth it for such a jaw-dropping look on the road.

Ming

146,828 Aufrufe • vor 8 Tagen

Tribe Discovery Seedance 2.0 is smart enough to create truly realistic footage! What’s shown on the camera screen and the actual people being filmed look almost identical — same lighting, same movement. Made on CapCut Video Studio. Prompt: Create a 15 second, 16:9 photorealistic nighttime discovery film built around an unbranded early-2000s silver MiniDV camcorder with a flip-out LCD. The physical camcorder dominates the foreground; its LCD stays tack-sharp while the real people and jungle location behind it fall into creamy shallow-focus blur. Keep one continuous believable handheld setup: close to the camcorder, drifting, breathing and making tiny human corrections, never gimbal-smooth. 0.0–1.3s Extreme close foreground view of the closed LCD panel and the operator’s fingers. Under warm firelight and cool moonlight, the hand flips the screen open toward camera. Focus snaps naturally from the camcorder shell to the glowing LCD. Behind it: a remote indigenous tribe gathered in a jungle clearing at night, dark canopy and towering trees, all soft and indistinct. 1.3–3.5s The LCD shows two tribal men and a young woman crowding the MiniDV lens, curious and cautious, exchanging quick glances and small hand gestures while leaning close. Inside the LCD use authentic low-resolution CCD video: harsh direct-camera light, clipped skin highlights, warm reds from fire, cool cyan shadows, fine chroma noise, mild scanline texture and tiny unreadable REC/timecode icons. The exterior world stays warmer and softer, creating a convincing screen-within-screen contrast. 3.5–5.8s The operator subtly pivots right. Parallax shifts the LCD across frame while a tribesman wearing traditional woven cloth and body paint drifts through the blurred background. On the LCD, cut naturally to a low-angle wide-lens clip of a young tribeswoman crouching and slowly moving toward the lens. Allow slight exposure pumping and imperfect autofocus. 5.8–8.2s Continue the handheld orbit. A bright campfire blooms near the top edge, producing mild halation and realistic flare. The LCD shows several tribe members standing shoulder-to-shoulder, observing the camera with quiet intensity, occasionally shifting or exchanging looks, never staged or choreographed. 8.2–10.8s More people enter the soft background; one briefly passes close enough to become a large blurred shape. Keep the camcorder body on the right edge and LCD near center. Inside the LCD, jump between quick candid portraits: an elder looking steadily into the lens, a young man turning his head, then a small group of women and children leaning together. Cuts happen only inside the LCD while the outer shot remains continuous. 10.8–13.0s The operator dips the camcorder slightly, then corrects upward. Warm firelight flares from lower frame. LCD color briefly shifts greener and darker like an old auto-white-balance error, then recovers. Add one very brief analog video hiccup; no digital VFX, floating graphics or impossible distortion. 13.0–15.0s Finish on three or four tribe members bunching into the MiniDV frame, watching the camera with quiet curiosity as the real background group mirrors their energy in blur. End with a tiny handheld push toward the LCD and natural highlight bloom from the fire. VISUAL RULES: 24fps outer capture, 1/48 shutter feel, 35–50mm full-frame look, f/1.8–2.2, handheld micro-jitter, subtle rolling shutter during faster pivots, fine high-ISO grain, realistic skin, true fabric and body-paint texture, practical firelight mixed with cooler moonlight. No plastic skin, warped hands, duplicated people, morphing faces, floating objects, synthetic bokeh, perfect symmetry or glossy CGI. The MiniDV LCD must emit believable light and clearly look like footage from an older camera.
0:15

Tribe Discovery Seedance 2.0 is smart enough to create truly realistic footage! What’s shown on the camera screen and the actual people being filmed look almost identical — same lighting, same movement. Made on CapCut Video Studio. Prompt: Create a 15 second, 16:9 photorealistic nighttime discovery film built around an unbranded early-2000s silver MiniDV camcorder with a flip-out LCD. The physical camcorder dominates the foreground; its LCD stays tack-sharp while the real people and jungle location behind it fall into creamy shallow-focus blur. Keep one continuous believable handheld setup: close to the camcorder, drifting, breathing and making tiny human corrections, never gimbal-smooth. 0.0–1.3s Extreme close foreground view of the closed LCD panel and the operator’s fingers. Under warm firelight and cool moonlight, the hand flips the screen open toward camera. Focus snaps naturally from the camcorder shell to the glowing LCD. Behind it: a remote indigenous tribe gathered in a jungle clearing at night, dark canopy and towering trees, all soft and indistinct. 1.3–3.5s The LCD shows two tribal men and a young woman crowding the MiniDV lens, curious and cautious, exchanging quick glances and small hand gestures while leaning close. Inside the LCD use authentic low-resolution CCD video: harsh direct-camera light, clipped skin highlights, warm reds from fire, cool cyan shadows, fine chroma noise, mild scanline texture and tiny unreadable REC/timecode icons. The exterior world stays warmer and softer, creating a convincing screen-within-screen contrast. 3.5–5.8s The operator subtly pivots right. Parallax shifts the LCD across frame while a tribesman wearing traditional woven cloth and body paint drifts through the blurred background. On the LCD, cut naturally to a low-angle wide-lens clip of a young tribeswoman crouching and slowly moving toward the lens. Allow slight exposure pumping and imperfect autofocus. 5.8–8.2s Continue the handheld orbit. A bright campfire blooms near the top edge, producing mild halation and realistic flare. The LCD shows several tribe members standing shoulder-to-shoulder, observing the camera with quiet intensity, occasionally shifting or exchanging looks, never staged or choreographed. 8.2–10.8s More people enter the soft background; one briefly passes close enough to become a large blurred shape. Keep the camcorder body on the right edge and LCD near center. Inside the LCD, jump between quick candid portraits: an elder looking steadily into the lens, a young man turning his head, then a small group of women and children leaning together. Cuts happen only inside the LCD while the outer shot remains continuous. 10.8–13.0s The operator dips the camcorder slightly, then corrects upward. Warm firelight flares from lower frame. LCD color briefly shifts greener and darker like an old auto-white-balance error, then recovers. Add one very brief analog video hiccup; no digital VFX, floating graphics or impossible distortion. 13.0–15.0s Finish on three or four tribe members bunching into the MiniDV frame, watching the camera with quiet curiosity as the real background group mirrors their energy in blur. End with a tiny handheld push toward the LCD and natural highlight bloom from the fire. VISUAL RULES: 24fps outer capture, 1/48 shutter feel, 35–50mm full-frame look, f/1.8–2.2, handheld micro-jitter, subtle rolling shutter during faster pivots, fine high-ISO grain, realistic skin, true fabric and body-paint texture, practical firelight mixed with cooler moonlight. No plastic skin, warped hands, duplicated people, morphing faces, floating objects, synthetic bokeh, perfect symmetry or glossy CGI. The MiniDV LCD must emit believable light and clearly look like footage from an older camera.

MrDejie

55,206 Aufrufe • vor 1 Monat

“NY早朝を駆け抜ける没入型スケート映像” をSeedance2.0で作ってみた！ 「スピード感」と「臨場感」を出せるようにプロンプトを組みまてました！ ポイントは、 「トリック」よりも “カメラがその場に存在している感覚” を意識すること。 自キャラにスケボーさせるテンプレプロンプトは以下です！（長いです笑） ぜひ場所とかアレンジしてみてくださいー 👇 Use @[Character Sheet] as the STRICT identity, face, hairstyle, body proportions, outfit, and personality reference. Preserve the exact face, proportions, outfit silhouette, hairstyle, and natural imperfections from the reference sheet. IMPORTANT: Do NOT redesign the outfit. Do NOT over-stylize the character. Do NOT make the character look like a fashion model or superhero. The character should still feel like: “a real ordinary person unexpectedly performing insane skate tricks.” Create a hyper-cinematic 15-second vertical 9:16 extreme street skateboarding video set in New York City during summer blue-hour dawn around 5:30 AM. The city is mostly empty and quiet. Storefronts are still closed. A few taxis occasionally pass through the streets. Steam rises from subway vents. Morning light slowly illuminates wet pavement. IMPORTANT: The environment must clearly feel like real NYC. Include: yellow taxis fire escapes old brick buildings subway entrances traffic lights graffiti wide avenues humid summer dawn atmosphere CORE FEEL: extreme speed urban freedom youth energy raw realism dangerous momentum CAMERA STYLE: extremely immersive handheld chase cinematography. The camera operator aggressively chases the skater at close range while sprinting. Use: ultra low-angle tracking side tracking at high speed violent perspective shifts motion blur dynamic reframing impact shake on landings imperfect reactive framing camera nearly colliding with rails and walls The viewer should physically feel: speed, danger, and momentum. Do NOT keep perfectly centered framing. Allow: temporary cropping missed framing moments chaotic handheld movement aggressive camera corrections MOVEMENT: The skater aggressively rides through empty NYC streets at dangerous speed. Then: approaches a long metal handrail launches into the air lands perfectly into a boardslide exits with spin rotation lands heavily continues riding forward at full speed The trick should feel: real, dangerous, and world-class. PHYSICS: NO floaty physics. NO superhero movement. NO anime exaggeration. LIGHTING: cinematic NYC summer blue-hour dawn lighting. Mix: cool early morning ambient light soft sunrise glow neon reflections humid air realistic dawn exposure TEXTURE: real skin pores real pavement texture slight sweat sensor noise cinematic grain natural fabric movement BGM: hard-hitting cinematic extreme sports track. Style: electronic rock + hip-hop + industrial energy. Huge beat drop exactly during the rail trick. OVERALL FEEL: like a legendary viral NYC skate clip secretly filmed at dawn.
0:15

“NY早朝を駆け抜ける没入型スケート映像” をSeedance2.0で作ってみた！ 「スピード感」と「臨場感」を出せるようにプロンプトを組みまてました！ ポイントは、 「トリック」よりも “カメラがその場に存在している感覚” を意識すること。 自キャラにスケボーさせるテンプレプロンプトは以下です！（長いです笑） ぜひ場所とかアレンジしてみてくださいー 👇 Use @[Character Sheet] as the STRICT identity, face, hairstyle, body proportions, outfit, and personality reference. Preserve the exact face, proportions, outfit silhouette, hairstyle, and natural imperfections from the reference sheet. IMPORTANT: Do NOT redesign the outfit. Do NOT over-stylize the character. Do NOT make the character look like a fashion model or superhero. The character should still feel like: “a real ordinary person unexpectedly performing insane skate tricks.” Create a hyper-cinematic 15-second vertical 9:16 extreme street skateboarding video set in New York City during summer blue-hour dawn around 5:30 AM. The city is mostly empty and quiet. Storefronts are still closed. A few taxis occasionally pass through the streets. Steam rises from subway vents. Morning light slowly illuminates wet pavement. IMPORTANT: The environment must clearly feel like real NYC. Include: yellow taxis fire escapes old brick buildings subway entrances traffic lights graffiti wide avenues humid summer dawn atmosphere CORE FEEL: extreme speed urban freedom youth energy raw realism dangerous momentum CAMERA STYLE: extremely immersive handheld chase cinematography. The camera operator aggressively chases the skater at close range while sprinting. Use: ultra low-angle tracking side tracking at high speed violent perspective shifts motion blur dynamic reframing impact shake on landings imperfect reactive framing camera nearly colliding with rails and walls The viewer should physically feel: speed, danger, and momentum. Do NOT keep perfectly centered framing. Allow: temporary cropping missed framing moments chaotic handheld movement aggressive camera corrections MOVEMENT: The skater aggressively rides through empty NYC streets at dangerous speed. Then: approaches a long metal handrail launches into the air lands perfectly into a boardslide exits with spin rotation lands heavily continues riding forward at full speed The trick should feel: real, dangerous, and world-class. PHYSICS: NO floaty physics. NO superhero movement. NO anime exaggeration. LIGHTING: cinematic NYC summer blue-hour dawn lighting. Mix: cool early morning ambient light soft sunrise glow neon reflections humid air realistic dawn exposure TEXTURE: real skin pores real pavement texture slight sweat sensor noise cinematic grain natural fabric movement BGM: hard-hitting cinematic extreme sports track. Style: electronic rock + hip-hop + industrial energy. Huge beat drop exactly during the rail trick. OVERALL FEEL: like a legendary viral NYC skate clip secretly filmed at dawn.

Zeto

114,526 Aufrufe • vor 3 Monaten

I love taking a single "what if?" and turning it into a movie trailer. This one started with a simple question: What if someone had to manually start the Sun every morning? 15 seconds later... this happened. Made With Seedance 2.0 in Thank You AI Prompt: The Sunkeeper (15s Cinematic Fantasy Trailer — 16:9) Style DreamWorks-quality stylized realism blended with premium fantasy cinema, feature-film CGI, breathtaking cinematic composition, physically based rendering, ultra-detailed celestial architecture, enormous ancient mechanical structures, intricate brass and gold craftsmanship, volumetric god rays, dramatic atmospheric lighting, realistic clouds, global illumination, cinematic depth of field, realistic cloth simulation, natural hair physics, elegant camera movement, smooth feature-film animation, rich warm golds transitioning into deep blues and blacks, epic orchestral trailer atmosphere, mysterious and emotional tone, no dialogue, no subtitles, no logos, no watermarks, 16:9 aspect ratio. Main Character (Maintain identical appearance throughout all shots) A beautiful young woman in her early twenties with expressive features, long hair tied into a loose ponytail with soft strands flowing naturally in the wind, warm fair skin illuminated by golden light, determined yet kind eyes, slim athletic build. She wears elegant white-and-gold ceremonial robes layered over practical climbing attire, fitted leather belts and harnesses carrying ancient tools, tall leather boots, fingerless gloves, subtle celestial embroidery throughout her clothing. She carries an enormous ornate golden key almost as tall as herself, engraved with glowing solar runes. Her face, hairstyle, clothing, proportions, and accessories remain perfectly consistent throughout every scene. Environment Far above the clouds, beyond the mortal world, lies an ancient celestial engine responsible for creating every sunrise. Endless floating stone platforms connect colossal golden gears the size of castles. Massive rotating rings surround a dormant Sun suspended within an impossibly large mechanical framework. Giant brass pipes carry flowing rivers of glowing solar energy. Floating astronomical mechanisms drift slowly through the heavens while an endless sea of clouds stretches beneath everything. The environment feels ancient, sacred, and unimaginably vast. Scene 1 (0.0–4.0s): The Climb Fade in before dawn. The world below is completely dark beneath a blanket of stars. The camera glides through enormous rotating golden gears and towering celestial machinery suspended above an endless sea of clouds. Massive brass mechanisms slowly turn as glowing embers drift through the air. The young Sunkeeper sprints across narrow floating bridges connecting gigantic mechanical structures, her robes and hair flowing dramatically in the wind. She climbs ancient staircases carved into enormous gears before reaching the highest platform overlooking the dormant Sun. Epic orchestral music begins with soft choir and deep cinematic percussion. Scene 2 (4.0–8.0s): Awakening the Sun At the center of the celestial engine stands a gigantic circular mechanism surrounding the dark, dormant Sun. The Sunkeeper plants the enormous golden key into an ancient lock. Close-up of intricate solar runes igniting one after another across the key. She grips it tightly. With all her strength, she slowly turns the key. An immense metallic click echoes across the heavens. Colossal gears begin rotating. Golden rivers of energy surge through enormous transparent pipes. Gigantic mechanical rings surrounding the Sun begin spinning gracefully. Thousands of celestial mirrors unfold simultaneously, reflecting brilliant golden light toward the dormant Sun. The heavens tremble. Scene 3 (8.0–11.5s): Sunrise The Sun slowly awakens. Golden fire spreads beautifully across its surface. Warm light floods the sky. Clouds transform into glowing shades of gold, orange, and crimson. The first rays of sunlight race across the horizon. The celestial engine operates in perfect harmony. The Sunkeeper smiles with quiet relief, believing the ancient ritual has succeeded once again. Everything feels peaceful. Scene 4 (11.5–14.2s): The Failure A sharp metallic crack echoes through the heavens. The smile disappears. One enormous gear suddenly stops turning. Then another. The golden energy begins flickering violently. Cracks race across the colossal celestial machinery. The giant key fractures in her hands. The rotating rings surrounding the Sun slow to a halt. The Sun rapidly loses its light. Warm colors vanish. Darkness consumes the sky in seconds. The camera pulls back to reveal the enormous celestial engine completely frozen above an endless world swallowed by night. The Sunkeeper stands alone, illuminated only by the fading glow of the dying Sun. Scene 5 (14.2–15.0s): Title Card Instant cut to black. One deep cinematic orchestral impact. Elegant glowing gold serif text slowly fades in: "Every sunrise has a keeper." A brief pause. The text fades into a second line: "Tomorrow may never come." The final haunting choir note echoes as tiny golden embers drift across the black screen before fading into complete darkness. Cinematic Direction Feature-film pacing, seamless camera transitions, smooth crane shots, cinematic push-ins, large sense of scale, elegant composition, believable character animation, expressive facial acting, subtle breathing and eye movement, physically accurate lighting, premium volumetric clouds, intricate brass textures, realistic mechanical motion, restrained magical effects, epic fantasy atmosphere, emotional trailer pacing. Every frame should feel like a $250 million fantasy film. No exaggerated anime expressions, no cartoon comedy, no oversaturated colors, no text except the final title card, no glitches, no duplicated characters, no distorted anatomy, no extra limbs, no floating objects unless intentionally part of the celestial machinery.
0:15

I love taking a single "what if?" and turning it into a movie trailer. This one started with a simple question: What if someone had to manually start the Sun every morning? 15 seconds later... this happened. Made With Seedance 2.0 in Thank You AI Prompt: The Sunkeeper (15s Cinematic Fantasy Trailer — 16:9) Style DreamWorks-quality stylized realism blended with premium fantasy cinema, feature-film CGI, breathtaking cinematic composition, physically based rendering, ultra-detailed celestial architecture, enormous ancient mechanical structures, intricate brass and gold craftsmanship, volumetric god rays, dramatic atmospheric lighting, realistic clouds, global illumination, cinematic depth of field, realistic cloth simulation, natural hair physics, elegant camera movement, smooth feature-film animation, rich warm golds transitioning into deep blues and blacks, epic orchestral trailer atmosphere, mysterious and emotional tone, no dialogue, no subtitles, no logos, no watermarks, 16:9 aspect ratio. Main Character (Maintain identical appearance throughout all shots) A beautiful young woman in her early twenties with expressive features, long hair tied into a loose ponytail with soft strands flowing naturally in the wind, warm fair skin illuminated by golden light, determined yet kind eyes, slim athletic build. She wears elegant white-and-gold ceremonial robes layered over practical climbing attire, fitted leather belts and harnesses carrying ancient tools, tall leather boots, fingerless gloves, subtle celestial embroidery throughout her clothing. She carries an enormous ornate golden key almost as tall as herself, engraved with glowing solar runes. Her face, hairstyle, clothing, proportions, and accessories remain perfectly consistent throughout every scene. Environment Far above the clouds, beyond the mortal world, lies an ancient celestial engine responsible for creating every sunrise. Endless floating stone platforms connect colossal golden gears the size of castles. Massive rotating rings surround a dormant Sun suspended within an impossibly large mechanical framework. Giant brass pipes carry flowing rivers of glowing solar energy. Floating astronomical mechanisms drift slowly through the heavens while an endless sea of clouds stretches beneath everything. The environment feels ancient, sacred, and unimaginably vast. Scene 1 (0.0–4.0s): The Climb Fade in before dawn. The world below is completely dark beneath a blanket of stars. The camera glides through enormous rotating golden gears and towering celestial machinery suspended above an endless sea of clouds. Massive brass mechanisms slowly turn as glowing embers drift through the air. The young Sunkeeper sprints across narrow floating bridges connecting gigantic mechanical structures, her robes and hair flowing dramatically in the wind. She climbs ancient staircases carved into enormous gears before reaching the highest platform overlooking the dormant Sun. Epic orchestral music begins with soft choir and deep cinematic percussion. Scene 2 (4.0–8.0s): Awakening the Sun At the center of the celestial engine stands a gigantic circular mechanism surrounding the dark, dormant Sun. The Sunkeeper plants the enormous golden key into an ancient lock. Close-up of intricate solar runes igniting one after another across the key. She grips it tightly. With all her strength, she slowly turns the key. An immense metallic click echoes across the heavens. Colossal gears begin rotating. Golden rivers of energy surge through enormous transparent pipes. Gigantic mechanical rings surrounding the Sun begin spinning gracefully. Thousands of celestial mirrors unfold simultaneously, reflecting brilliant golden light toward the dormant Sun. The heavens tremble. Scene 3 (8.0–11.5s): Sunrise The Sun slowly awakens. Golden fire spreads beautifully across its surface. Warm light floods the sky. Clouds transform into glowing shades of gold, orange, and crimson. The first rays of sunlight race across the horizon. The celestial engine operates in perfect harmony. The Sunkeeper smiles with quiet relief, believing the ancient ritual has succeeded once again. Everything feels peaceful. Scene 4 (11.5–14.2s): The Failure A sharp metallic crack echoes through the heavens. The smile disappears. One enormous gear suddenly stops turning. Then another. The golden energy begins flickering violently. Cracks race across the colossal celestial machinery. The giant key fractures in her hands. The rotating rings surrounding the Sun slow to a halt. The Sun rapidly loses its light. Warm colors vanish. Darkness consumes the sky in seconds. The camera pulls back to reveal the enormous celestial engine completely frozen above an endless world swallowed by night. The Sunkeeper stands alone, illuminated only by the fading glow of the dying Sun. Scene 5 (14.2–15.0s): Title Card Instant cut to black. One deep cinematic orchestral impact. Elegant glowing gold serif text slowly fades in: "Every sunrise has a keeper." A brief pause. The text fades into a second line: "Tomorrow may never come." The final haunting choir note echoes as tiny golden embers drift across the black screen before fading into complete darkness. Cinematic Direction Feature-film pacing, seamless camera transitions, smooth crane shots, cinematic push-ins, large sense of scale, elegant composition, believable character animation, expressive facial acting, subtle breathing and eye movement, physically accurate lighting, premium volumetric clouds, intricate brass textures, realistic mechanical motion, restrained magical effects, epic fantasy atmosphere, emotional trailer pacing. Every frame should feel like a $250 million fantasy film. No exaggerated anime expressions, no cartoon comedy, no oversaturated colors, no text except the final title card, no glitches, no duplicated characters, no distorted anatomy, no extra limbs, no floating objects unless intentionally part of the celestial machinery.

Maria

41,102 Aufrufe • vor 1 Monat

Are you ready for your doctor's appointment?🩺🤭😏 Lady Gaga, Kate Upton, My Model, Sadie Sink 🔥 👉🏻 Video prompt and bonus photos only for my subscribers!⚡ Nano Banana Pro via Hailuo AI & Kling 3.0 Turbo on Higgsfield AI Prompt photo: { "type": "image_prompt", "version": "1.0", "description": { "subject":{ "identity": "Use uploaded reference image, keep identity exact", "appearance": { "expression": "Playful confident expression with slightly open red lips, mischievous smile, direct eye contact toward camera", "hair": "Long hair, neatly tucked behind ears, glossy shine", "accessories": [ "Classic white nurse cap with red medical cross symbol", "Delicate gold necklace with small pendant", "Glamorous blue eyeshadow makeup" ], "details": [ "Natural facial proportions", "Glossy red lipstick", "Radiant highlighted skin", "Bright expressive eyes", "Fashion photography realism", "Minimal skin retouching", "Soft facial glow", "Authentic beauty portrait aesthetic" ] }, "body": { "type": "Slim feminine figure", "features": [ "Elegant posture", "Natural proportions", "Confident body language" ] } }, "clothing": { "outfit": { "type": "Medical-inspired costume", "color": "white with red accents", "design": [ "Short-sleeve white medical-style top", "Red medical cross patches", "Structured collar", "Professional costume styling", "Clean fitted appearance", "Short white skirt with glossy white high heels", ], "fit": "Fitted fashion costume aesthetic" } }, "props": { "main": [ "Blue medical examination glove", "Medical-themed accessories", "White nurse cap" ] }, "pose": { "stance": "Half-body portrait", "body_position": "Body angled slightly toward camera", "hands": "One hand pulling on a blue medical glove while the other hand is raised", "head_direction": "Head slightly tilted", "gaze": "Direct eye contact toward viewer", "details": [ "Playful confident energy", "Fashion editorial pose", "Natural hand positioning", "Expressive body language" ] }, "environment": { "location": "Indoor room setting", "background": [ "White paneled door", "Neutral indoor wall with a red neon written 'Keor Hospital'", "Simple clean interior", "Minimal distractions", "Casual indoor atmosphere" ], "atmosphere": "Playful costume photography with flash-camera aesthetic" }, "lighting": { "type": "Direct camera flash", "style": "Y2K digital camera photography", "effect": "Bright highlights, crisp shadows, glossy skin reflections, candid party-photo aesthetic" }, "mood": [ "Playful", "Confident", "Fun", "Bold", "Fashionable", "Y2K aesthetic" ], "technical": { "framing": "Medium close-up portrait", "camera_angle": "Eye-level perspective", "focal_length": "35mm", "style": "Photorealistic Y2K flash photography", "quality": [ "High-resolution realism", "Direct flash effect", "Detailed skin texture", "Sharp facial features", "Authentic candid photography", "Fashion editorial quality" ] } } }
0:10

Are you ready for your doctor's appointment?🩺🤭😏 Lady Gaga, Kate Upton, My Model, Sadie Sink 🔥 👉🏻 Video prompt and bonus photos only for my subscribers!⚡ Nano Banana Pro via Hailuo AI & Kling 3.0 Turbo on Higgsfield AI Prompt photo: { "type": "image_prompt", "version": "1.0", "description": { "subject":{ "identity": "Use uploaded reference image, keep identity exact", "appearance": { "expression": "Playful confident expression with slightly open red lips, mischievous smile, direct eye contact toward camera", "hair": "Long hair, neatly tucked behind ears, glossy shine", "accessories": [ "Classic white nurse cap with red medical cross symbol", "Delicate gold necklace with small pendant", "Glamorous blue eyeshadow makeup" ], "details": [ "Natural facial proportions", "Glossy red lipstick", "Radiant highlighted skin", "Bright expressive eyes", "Fashion photography realism", "Minimal skin retouching", "Soft facial glow", "Authentic beauty portrait aesthetic" ] }, "body": { "type": "Slim feminine figure", "features": [ "Elegant posture", "Natural proportions", "Confident body language" ] } }, "clothing": { "outfit": { "type": "Medical-inspired costume", "color": "white with red accents", "design": [ "Short-sleeve white medical-style top", "Red medical cross patches", "Structured collar", "Professional costume styling", "Clean fitted appearance", "Short white skirt with glossy white high heels", ], "fit": "Fitted fashion costume aesthetic" } }, "props": { "main": [ "Blue medical examination glove", "Medical-themed accessories", "White nurse cap" ] }, "pose": { "stance": "Half-body portrait", "body_position": "Body angled slightly toward camera", "hands": "One hand pulling on a blue medical glove while the other hand is raised", "head_direction": "Head slightly tilted", "gaze": "Direct eye contact toward viewer", "details": [ "Playful confident energy", "Fashion editorial pose", "Natural hand positioning", "Expressive body language" ] }, "environment": { "location": "Indoor room setting", "background": [ "White paneled door", "Neutral indoor wall with a red neon written 'Keor Hospital'", "Simple clean interior", "Minimal distractions", "Casual indoor atmosphere" ], "atmosphere": "Playful costume photography with flash-camera aesthetic" }, "lighting": { "type": "Direct camera flash", "style": "Y2K digital camera photography", "effect": "Bright highlights, crisp shadows, glossy skin reflections, candid party-photo aesthetic" }, "mood": [ "Playful", "Confident", "Fun", "Bold", "Fashionable", "Y2K aesthetic" ], "technical": { "framing": "Medium close-up portrait", "camera_angle": "Eye-level perspective", "focal_length": "35mm", "style": "Photorealistic Y2K flash photography", "quality": [ "High-resolution realism", "Direct flash effect", "Detailed skin texture", "Sharp facial features", "Authentic candid photography", "Fashion editorial quality" ] } } }

KeorUnreal

35,184 Aufrufe • vor 2 Monaten

Seedance 2.0 on Sjolt =================== Prompt: Style: 8K. Photorealistic — no 3D render, no game engine. Korean idol variety self-content aesthetic with a glam music-video mood — playful romantic tension, kiss-that-never-happens energy, always tasteful. Lighting: Warm and moody, dimmer than standard broadcast — soft warm key from frame-left, glowing string-light bokeh and a soft neon wash in the background, gentle amber rim light tracing hair and cheekbones, faces always cleanly lit. Color: 60:30:10 — dusty rose and mauve dominant / deep plum shadow secondary / red Pepero box and warm neon accent. Broadcast graphics: Persistent variety-show overlay locked to screen corners across every cut — a round pastel-pink "MELLOW GIRLS" show logo badge pinned top-left, and a title graphic pinned top-right reading exactly "PEPERO GAME", spelled P-E-P-E-R-O with one single P in the middle of the word — NOT "PEPPERO", NOT double P. Overlays never drift, never distort, letters never change between cuts. No subtitles, no lower-thirds. Props: The Pepero stick is MATCHSTICK-THIN — a delicate biscuit stick as thin as a wooden matchstick or a cotton-swab stem, about 2-3mm in diameter and 14cm long, with a whisper-thin chocolate coating, exactly matching the attached real Pepero product reference photo. Scale rule: the stick is always dramatically thinner than a person's lips are tall — a hair-thin line compared to the faces around it. It is NEVER a thick bar, never cigar-thick, never pencil-thick — if in doubt, make it thinner. The red Pepero box is a small light carton the size of a smartphone, held in one hand — it always looks small in a hand. Dialogue: Any spoken words are KOREAN ONLY — short natural Korean exclamations like "대박!", "어떡해!", "미쳤어!". Never any English words spoken. Camera: Physical broadcast cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, glossy idol makeup, pore-shadow matching set light. Skin tone stays CONSTANT from first frame to last — no blushing, no reddening of cheeks or ears, no color change on any face at any point. Acting: Charged restraint — slow blinks, lidded eyes, gazes that drop from eyes to lips and back, breath held then released, a swallow before a move, suppressed smiles. The tension of almost — never a kiss, never contact between lips. Characters never frozen, always breathing and reacting. Physics: Gravity and inertia respected — the thin stick flexes slightly and snaps cleanly like a real biscuit, correct bite marks, tiny crumbs fall naturally. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, wardrobe, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Room tone and close breathy foreground in the tense cuts — but from the moment the game starts, the two spectators keep up a constant excited high-pitched squealing off-screen ("꺄아—!", "꺄악!"), bubbling under every cut, rising with every bite, choking into whispers at the climax. Korean chatter, the crisp dry snap of the biscuit stick. No music. No subtitles. Characters: YURI — the group's eldest (unnie). Long platinum-blonde hair with wispy see-through bangs, pale porcelain skin, cool deadpan resting face. Cream cable-knit sweater vest over a white long-sleeve shirt, navy sailor collar with double white stripes, navy tie, pleated denim mini skirt, slouchy white loose socks, black loafers. RENA — younger than YURI. Long jet-black straight hair, sharp elegant features, pearl drop earrings. Black ribbed knit top with a wide pointed knit collar and thin black ribbon tie over a peeking white shirt collar, black pleated micro skirt with a small side buckle, black crew socks, chunky black loafers. HAEIN — long pastel ice-blue hair with a faint lavender sheen, glossy coral lips. Mustard-yellow double-breasted cropped blazer with navy trim, big navy bow ribbon at the collar, mustard sweater underneath, navy pleated skirt, white socks, white sneakers. MEMBER 4 — long black hair with soft face-framing layers, warm bright smile. Sleeveless green-and-white striped ribbed knit top with an orange-striped high neck and a small white triangle badge, light-blue wide-leg jeans, white sneakers. Scene: A moody glam lounge set — a dusty-rose velvet drape backdrop with a soft glowing neon squiggle sign, strings of warm fairy lights hanging out of focus, a tall arrangement of pale roses and pampas grass at frame-left, warm haze in the air. No table — everyone is STANDING. YURI and RENA stand face to face at center frame in profile to camera, barely a forearm's length apart, one matchstick-thin chocolate-dipped Pepero stick bridging their mouths, each end barely gripped between front teeth. HAEIN and MEMBER 4 stand a step behind at frame-right, shoulder to shoulder; HAEIN holds the small red Pepero box in one hand, forgotten. The broadcast overlays sit locked in the top-left and top-right corners throughout. CUT 1 — Wide static, 35mm, eye-level, locked off: The face-off. YURI and RENA stand toe to toe in the warm neon glow, the matchstick-thin stick a delicate line between their profiles. RENA tucks a strand of black hair behind her ear without breaking eye contact. YURI's chin lifts a degree — silent challenge. Behind them HAEIN grips MEMBER 4's arm with her free hand, both leaning in; MEMBER 4 whispers "어떡해…". Off-screen someone breathes "시작…" — the first slow bites begin. CUT 2 — Over-the-shoulder, 50mm, slow push-in over RENA's shoulder onto YURI: Framed past RENA's black hair, YURI takes one slow bite, then another — unhurried, deliberate. Her lidded eyes hold RENA's, then drop for half a second to RENA's lips, then come back up. The stick shortens. Her cool deadpan stays intact but her fingers slowly curl into the hem of her knit vest, betraying her. Shallow focus, warm bokeh blooming behind her. Her breathing is close-mic in the foreground while the spectators' high-pitched squeals bubble continuously off-screen — "꺄아—!" — climbing a note with every bite. CUT 3 — Reverse over-the-shoulder, 50mm, slow push-in over YURI's shoulder onto RENA: Mirror framing past YURI's platinum hair. RENA's answer: she bites in slowly, closing the distance, head tilting to the angle of a kiss. More than half the stick is gone. Her hands stay clasped neatly behind her back — the well-mannered posture of the younger member toward her unnie — which makes the boldness of her bite land twice as hard. One eyebrow lifts a millimeter. Off-screen HAEIN's high strangled "꺄악—!", hands presumably over her mouth, MEMBER 4's giddy stomping heard under it. CUT 4 — Tight profile close-up, 85mm, static, shallow depth of field — the almost-kiss: Both faces in full profile fill the frame — noses, lips, chins all visible for scale. Only TWO OR THREE CENTIMETERS of the matchstick-thin stick remain, and their noses are about to collide — the stick can't get any shorter head-on. Then the move the fans are waiting for: RENA slowly TILTS her head to one side, her nose sliding past YURI's nose instead of bumping it, faces now interlocking at the kiss angle — and the blocked final centimeter opens up. She nibbles in again, millimeter by millimeter, the stub shrinking shorter than seemed possible, until their lips are a single warm breath apart, offset and almost overlapping. Lidded eyes gone slightly cross-eyed at this distance. YURI's answer: her hands rise and take a firm, gentle hold of BOTH of RENA's shoulders — the unnie steadying her challenger, half embrace, half "I'm not losing." She swallows but holds her ground. RENA's breath audibly trembles on the exhale — the composed one cracking first. A long held beat, the tiny stub trembling between two suppressed smiles. Off-screen a whispered "미쳤어…". CUT 5 — Handheld wide, 24mm, whip in from the spectators: At the closest possible moment the tiny stub SNAPS with a crisp dry crack. The spell breaks — YURI lets go of RENA's shoulders and spins away covering her mouth with both hands, shoulders shaking with laughter; RENA turns the other way, presses the back of her hand to her lips, then bursts out laughing — dipping into a small apologetic half-bow toward her unnie between laughs. HAEIN and MEMBER 4 collapse into each other screaming "대박!! 미쳤어!!", the small red box tumbling from HAEIN's hand. Camera shakes with the chaos. Corner overlays stay locked as the room erupts.
0:15

Seedance 2.0 on Sjolt =================== Prompt: Style: 8K. Photorealistic — no 3D render, no game engine. Korean idol variety self-content aesthetic with a glam music-video mood — playful romantic tension, kiss-that-never-happens energy, always tasteful. Lighting: Warm and moody, dimmer than standard broadcast — soft warm key from frame-left, glowing string-light bokeh and a soft neon wash in the background, gentle amber rim light tracing hair and cheekbones, faces always cleanly lit. Color: 60:30:10 — dusty rose and mauve dominant / deep plum shadow secondary / red Pepero box and warm neon accent. Broadcast graphics: Persistent variety-show overlay locked to screen corners across every cut — a round pastel-pink "MELLOW GIRLS" show logo badge pinned top-left, and a title graphic pinned top-right reading exactly "PEPERO GAME", spelled P-E-P-E-R-O with one single P in the middle of the word — NOT "PEPPERO", NOT double P. Overlays never drift, never distort, letters never change between cuts. No subtitles, no lower-thirds. Props: The Pepero stick is MATCHSTICK-THIN — a delicate biscuit stick as thin as a wooden matchstick or a cotton-swab stem, about 2-3mm in diameter and 14cm long, with a whisper-thin chocolate coating, exactly matching the attached real Pepero product reference photo. Scale rule: the stick is always dramatically thinner than a person's lips are tall — a hair-thin line compared to the faces around it. It is NEVER a thick bar, never cigar-thick, never pencil-thick — if in doubt, make it thinner. The red Pepero box is a small light carton the size of a smartphone, held in one hand — it always looks small in a hand. Dialogue: Any spoken words are KOREAN ONLY — short natural Korean exclamations like "대박!", "어떡해!", "미쳤어!". Never any English words spoken. Camera: Physical broadcast cine lens. 180° shutter motion blur. Skin: Pore-level realism — vellus hair, glossy idol makeup, pore-shadow matching set light. Skin tone stays CONSTANT from first frame to last — no blushing, no reddening of cheeks or ears, no color change on any face at any point. Acting: Charged restraint — slow blinks, lidded eyes, gazes that drop from eyes to lips and back, breath held then released, a swallow before a move, suppressed smiles. The tension of almost — never a kiss, never contact between lips. Characters never frozen, always breathing and reacting. Physics: Gravity and inertia respected — the thin stick flexes slightly and snaps cleanly like a real biscuit, correct bite marks, tiny crumbs fall naturally. No floating props. Composition: Rule of thirds + golden ratio. Every person moving from frame one. Continuity: Characters, wardrobe, props, environment identical across every cut. No identity drift. Technical: 24fps smooth motion. 8K detail. No jitter. Audio: Room tone and close breathy foreground in the tense cuts — but from the moment the game starts, the two spectators keep up a constant excited high-pitched squealing off-screen ("꺄아—!", "꺄악!"), bubbling under every cut, rising with every bite, choking into whispers at the climax. Korean chatter, the crisp dry snap of the biscuit stick. No music. No subtitles. Characters: YURI — the group's eldest (unnie). Long platinum-blonde hair with wispy see-through bangs, pale porcelain skin, cool deadpan resting face. Cream cable-knit sweater vest over a white long-sleeve shirt, navy sailor collar with double white stripes, navy tie, pleated denim mini skirt, slouchy white loose socks, black loafers. RENA — younger than YURI. Long jet-black straight hair, sharp elegant features, pearl drop earrings. Black ribbed knit top with a wide pointed knit collar and thin black ribbon tie over a peeking white shirt collar, black pleated micro skirt with a small side buckle, black crew socks, chunky black loafers. HAEIN — long pastel ice-blue hair with a faint lavender sheen, glossy coral lips. Mustard-yellow double-breasted cropped blazer with navy trim, big navy bow ribbon at the collar, mustard sweater underneath, navy pleated skirt, white socks, white sneakers. MEMBER 4 — long black hair with soft face-framing layers, warm bright smile. Sleeveless green-and-white striped ribbed knit top with an orange-striped high neck and a small white triangle badge, light-blue wide-leg jeans, white sneakers. Scene: A moody glam lounge set — a dusty-rose velvet drape backdrop with a soft glowing neon squiggle sign, strings of warm fairy lights hanging out of focus, a tall arrangement of pale roses and pampas grass at frame-left, warm haze in the air. No table — everyone is STANDING. YURI and RENA stand face to face at center frame in profile to camera, barely a forearm's length apart, one matchstick-thin chocolate-dipped Pepero stick bridging their mouths, each end barely gripped between front teeth. HAEIN and MEMBER 4 stand a step behind at frame-right, shoulder to shoulder; HAEIN holds the small red Pepero box in one hand, forgotten. The broadcast overlays sit locked in the top-left and top-right corners throughout. CUT 1 — Wide static, 35mm, eye-level, locked off: The face-off. YURI and RENA stand toe to toe in the warm neon glow, the matchstick-thin stick a delicate line between their profiles. RENA tucks a strand of black hair behind her ear without breaking eye contact. YURI's chin lifts a degree — silent challenge. Behind them HAEIN grips MEMBER 4's arm with her free hand, both leaning in; MEMBER 4 whispers "어떡해…". Off-screen someone breathes "시작…" — the first slow bites begin. CUT 2 — Over-the-shoulder, 50mm, slow push-in over RENA's shoulder onto YURI: Framed past RENA's black hair, YURI takes one slow bite, then another — unhurried, deliberate. Her lidded eyes hold RENA's, then drop for half a second to RENA's lips, then come back up. The stick shortens. Her cool deadpan stays intact but her fingers slowly curl into the hem of her knit vest, betraying her. Shallow focus, warm bokeh blooming behind her. Her breathing is close-mic in the foreground while the spectators' high-pitched squeals bubble continuously off-screen — "꺄아—!" — climbing a note with every bite. CUT 3 — Reverse over-the-shoulder, 50mm, slow push-in over YURI's shoulder onto RENA: Mirror framing past YURI's platinum hair. RENA's answer: she bites in slowly, closing the distance, head tilting to the angle of a kiss. More than half the stick is gone. Her hands stay clasped neatly behind her back — the well-mannered posture of the younger member toward her unnie — which makes the boldness of her bite land twice as hard. One eyebrow lifts a millimeter. Off-screen HAEIN's high strangled "꺄악—!", hands presumably over her mouth, MEMBER 4's giddy stomping heard under it. CUT 4 — Tight profile close-up, 85mm, static, shallow depth of field — the almost-kiss: Both faces in full profile fill the frame — noses, lips, chins all visible for scale. Only TWO OR THREE CENTIMETERS of the matchstick-thin stick remain, and their noses are about to collide — the stick can't get any shorter head-on. Then the move the fans are waiting for: RENA slowly TILTS her head to one side, her nose sliding past YURI's nose instead of bumping it, faces now interlocking at the kiss angle — and the blocked final centimeter opens up. She nibbles in again, millimeter by millimeter, the stub shrinking shorter than seemed possible, until their lips are a single warm breath apart, offset and almost overlapping. Lidded eyes gone slightly cross-eyed at this distance. YURI's answer: her hands rise and take a firm, gentle hold of BOTH of RENA's shoulders — the unnie steadying her challenger, half embrace, half "I'm not losing." She swallows but holds her ground. RENA's breath audibly trembles on the exhale — the composed one cracking first. A long held beat, the tiny stub trembling between two suppressed smiles. Off-screen a whispered "미쳤어…". CUT 5 — Handheld wide, 24mm, whip in from the spectators: At the closest possible moment the tiny stub SNAPS with a crisp dry crack. The spell breaks — YURI lets go of RENA's shoulders and spins away covering her mouth with both hands, shoulders shaking with laughter; RENA turns the other way, presses the back of her hand to her lips, then bursts out laughing — dipping into a small apologetic half-bow toward her unnie between laughs. HAEIN and MEMBER 4 collapse into each other screaming "대박!! 미쳤어!!", the small red box tumbling from HAEIN's hand. Camera shakes with the chaos. Corner overlays stay locked as the room erupts.

TSUBAKI

33,745 Aufrufe • vor 1 Monat

Testing Korean K drama with MiniMax H3, the open source community will be fire next few weeks 🔥 REFERENCE USE Images 1 and 2 lock face, hair and wardrobe identity only. Do not copy their frontal pose, centred framing or lens gaze. Image 3 locks apartment geometry, light direction and materials only. Recompose the actors according to the screen directions below. Identities remain stable. IDENTITY LOCKS YEON-SU: Korean woman, 28. Loose unstyled dark hair tucked behind her anatomical right ear only; left ear covered. Oversized heather-grey knit, sleeves past both wrists, loose charcoal lounge trousers, bare feet, no jewellery. JAE-HYUN: Korean man, 32. Dark knee-length coat stays on. Plain shirt open by exactly one button. Watch on anatomical left wrist. Keys handled only by anatomical right hand. Never mirror these details. No wardrobe change. SCENE Three years into a relationship. The argument peaked before this clip. Neither is trying to win. YEON-SU needs him to deny he is leaving but cannot ask directly. JAE-HYUN has waited to be actively chosen and is ashamed that he needed it. His answer is an admission, not an attack. Her last line is not a reply; she discovers that she treated his staying as permanent while he experienced it as a choice she never made. DIALOGUE Spoken Korean only. Contemporary Seoul banmal between a long-term couple, with dropped subjects, intimate volume and natural consonants. Never translate, speak, subtitle or display English. YEON-SU: "또 갈 거야?" JAE-HYUN: "한 번쯤은... 가지 말라고 할 줄 알았어." YEON-SU: "안 갈 줄 알았어." SCREEN GEOGRAPHY JAE-HYUN is frame-left facing screen-right. YEON-SU is frame-right facing screen-left. Singles leave look-room toward the unseen partner. Matched off-camera eyelines; never look into the lens. In the wide they are three metres apart. The table stays on YEON-SU's anatomical right so her right hand can hold it. The entry shelf stays beside JAE-HYUN's right hand. Fixed marks, but natural breathing, a swallow, finger pressure and tiny posture settling are allowed. No walking, sitting, approaching or contact. SHOT LIST [0.0-2.8] LOCKED WIDE TWO-SHOT, 35mm, eye level. Entry frame-left, living room frame-right. JAE-HYUN stands just inside the door, coat on. YEON-SU stands beside the table three metres away, right hand lightly holding its edge. She watches him; he looks at the shelf. At 1.3s he places the keys on wood with his right hand, quietly and deliberately. Neither speaks. Hold the distance. [2.8-5.4] YEON-SU MEDIUM CLOSE, 75mm, three-quarter view, mid-chest to head. She is frame-right with look-room screen-left. Begin neutral, without prepared sadness. One ordinary shallow breath. Between 3.7s and 4.6s she asks, "또 갈 거야?" Low, plain, almost practical. She wants him to say no. Brows stay relaxed; mouth closes after the line. She listens. [5.4-10.3] JAE-HYUN MEDIUM CLOSE, 75mm, three-quarter view, mid-chest to head. He is frame-left with look-room screen-right. Mouth fully closed during the silence. Eyes down; one controlled breath and one swallow. This is active decision, not blank posing. He raises his eyes only when ready to admit it. Between 7.9s and 9.6s: "한 번쯤은... 가지 말라고 할 줄 알았어." Quiet, warm, tired. The pause after "한 번쯤은" is a failed attempt to make the sentence easier. No blame, emphasis or sigh. He keeps his eyeline toward her afterward. [10.3-15.0] YEON-SU CLOSE, 85mm, collarbones to crown, three-quarter view, frame-right with look-room screen-left. One continuous take with no reframing or hidden cut. She is already looking down. Begin without a hurt expression. Recognition forms through stopped breath, a released jaw and eyes focusing on nothing. No tears. Between 12.7s and 13.9s she says to the floor, "안 갈 줄 알았어." Nearly matter-of-fact at first; the final word softens when she hears her own assumption. Only after the last syllable does she lift her eyes toward him. Mouth closed. Hold her listening face through 15.0s. ACTING Lived-in screen acting, never presented emotion. Each actor actively listens to the absent partner. Emotion appears through attention, breath and thought, not facial display. Allow imperfect human timing inside the dialogue windows. No added theatrical pauses or mirrored performances. LIGHT AND IMAGE One low warm living-room practical, about 2900K. Weak cold night spill from the dark entry, not saturated cyan. Faces partly in shadow; natural Korean skin tone, pores and under-eye texture. Desaturated wood, grey knit and blue-black exterior; restrained grain. The lamp motivates the warm face light. No commercial orange-teal grade, bloom, halation, glow or flare. CAMERA Locked and eye-level. Maintain the 180-degree line. Singles are three-quarter views, never centred frontal portraits. Shallow depth of field with both eyes readable. No drift, push-in, handheld sway, arc, rack focus, dutch angle, motion blur or lens-scale change within a shot. PRODUCTION SOUND Natural Korean production dialogue recorded in the apartment, not narration, dubbing or synthetic TTS. Intimate conversational level, slight room reflection, matched boom-and-lav perspective. Continuous stereo room tone beneath every line and silence: refrigerator hum, low HVAC and distant traffic through closed glass. Never hard-gate the room. Keys on wood at 1.3s are the only featured effect. No phone buzz or designed silence drop. No music, score, drone or tonal swell. Dialogue centred; ambience has subtle width. No breath boosting, over-compression or loud social-video mastering. If controllable: 48 kHz stereo, true peak at or below -6 dBFS. NEGATIVES No English voice, subtitles, captions, text, logos or watermarks. No lens gaze, centred portrait composition, silent mouthing, speech outside the three lines or bad lip sync. No shouting, sarcasm, crying, tears, sobbing, gasping, widened eyes, knitted brows, trembling lips, clenched fists, pointing, arm crossing or hand gestures. No extra people or reflections, wardrobe drift, side mirroring, beauty filter, face warp or identity change. No extra cuts, jump cuts, punch-ins or framing resets, especially from 10.3s to 15.0s. #MiniMaxH3 Hailuo AI (MiniMax)
0:15

Testing Korean K drama with MiniMax H3, the open source community will be fire next few weeks 🔥 REFERENCE USE Images 1 and 2 lock face, hair and wardrobe identity only. Do not copy their frontal pose, centred framing or lens gaze. Image 3 locks apartment geometry, light direction and materials only. Recompose the actors according to the screen directions below. Identities remain stable. IDENTITY LOCKS YEON-SU: Korean woman, 28. Loose unstyled dark hair tucked behind her anatomical right ear only; left ear covered. Oversized heather-grey knit, sleeves past both wrists, loose charcoal lounge trousers, bare feet, no jewellery. JAE-HYUN: Korean man, 32. Dark knee-length coat stays on. Plain shirt open by exactly one button. Watch on anatomical left wrist. Keys handled only by anatomical right hand. Never mirror these details. No wardrobe change. SCENE Three years into a relationship. The argument peaked before this clip. Neither is trying to win. YEON-SU needs him to deny he is leaving but cannot ask directly. JAE-HYUN has waited to be actively chosen and is ashamed that he needed it. His answer is an admission, not an attack. Her last line is not a reply; she discovers that she treated his staying as permanent while he experienced it as a choice she never made. DIALOGUE Spoken Korean only. Contemporary Seoul banmal between a long-term couple, with dropped subjects, intimate volume and natural consonants. Never translate, speak, subtitle or display English. YEON-SU: "또 갈 거야?" JAE-HYUN: "한 번쯤은... 가지 말라고 할 줄 알았어." YEON-SU: "안 갈 줄 알았어." SCREEN GEOGRAPHY JAE-HYUN is frame-left facing screen-right. YEON-SU is frame-right facing screen-left. Singles leave look-room toward the unseen partner. Matched off-camera eyelines; never look into the lens. In the wide they are three metres apart. The table stays on YEON-SU's anatomical right so her right hand can hold it. The entry shelf stays beside JAE-HYUN's right hand. Fixed marks, but natural breathing, a swallow, finger pressure and tiny posture settling are allowed. No walking, sitting, approaching or contact. SHOT LIST [0.0-2.8] LOCKED WIDE TWO-SHOT, 35mm, eye level. Entry frame-left, living room frame-right. JAE-HYUN stands just inside the door, coat on. YEON-SU stands beside the table three metres away, right hand lightly holding its edge. She watches him; he looks at the shelf. At 1.3s he places the keys on wood with his right hand, quietly and deliberately. Neither speaks. Hold the distance. [2.8-5.4] YEON-SU MEDIUM CLOSE, 75mm, three-quarter view, mid-chest to head. She is frame-right with look-room screen-left. Begin neutral, without prepared sadness. One ordinary shallow breath. Between 3.7s and 4.6s she asks, "또 갈 거야?" Low, plain, almost practical. She wants him to say no. Brows stay relaxed; mouth closes after the line. She listens. [5.4-10.3] JAE-HYUN MEDIUM CLOSE, 75mm, three-quarter view, mid-chest to head. He is frame-left with look-room screen-right. Mouth fully closed during the silence. Eyes down; one controlled breath and one swallow. This is active decision, not blank posing. He raises his eyes only when ready to admit it. Between 7.9s and 9.6s: "한 번쯤은... 가지 말라고 할 줄 알았어." Quiet, warm, tired. The pause after "한 번쯤은" is a failed attempt to make the sentence easier. No blame, emphasis or sigh. He keeps his eyeline toward her afterward. [10.3-15.0] YEON-SU CLOSE, 85mm, collarbones to crown, three-quarter view, frame-right with look-room screen-left. One continuous take with no reframing or hidden cut. She is already looking down. Begin without a hurt expression. Recognition forms through stopped breath, a released jaw and eyes focusing on nothing. No tears. Between 12.7s and 13.9s she says to the floor, "안 갈 줄 알았어." Nearly matter-of-fact at first; the final word softens when she hears her own assumption. Only after the last syllable does she lift her eyes toward him. Mouth closed. Hold her listening face through 15.0s. ACTING Lived-in screen acting, never presented emotion. Each actor actively listens to the absent partner. Emotion appears through attention, breath and thought, not facial display. Allow imperfect human timing inside the dialogue windows. No added theatrical pauses or mirrored performances. LIGHT AND IMAGE One low warm living-room practical, about 2900K. Weak cold night spill from the dark entry, not saturated cyan. Faces partly in shadow; natural Korean skin tone, pores and under-eye texture. Desaturated wood, grey knit and blue-black exterior; restrained grain. The lamp motivates the warm face light. No commercial orange-teal grade, bloom, halation, glow or flare. CAMERA Locked and eye-level. Maintain the 180-degree line. Singles are three-quarter views, never centred frontal portraits. Shallow depth of field with both eyes readable. No drift, push-in, handheld sway, arc, rack focus, dutch angle, motion blur or lens-scale change within a shot. PRODUCTION SOUND Natural Korean production dialogue recorded in the apartment, not narration, dubbing or synthetic TTS. Intimate conversational level, slight room reflection, matched boom-and-lav perspective. Continuous stereo room tone beneath every line and silence: refrigerator hum, low HVAC and distant traffic through closed glass. Never hard-gate the room. Keys on wood at 1.3s are the only featured effect. No phone buzz or designed silence drop. No music, score, drone or tonal swell. Dialogue centred; ambience has subtle width. No breath boosting, over-compression or loud social-video mastering. If controllable: 48 kHz stereo, true peak at or below -6 dBFS. NEGATIVES No English voice, subtitles, captions, text, logos or watermarks. No lens gaze, centred portrait composition, silent mouthing, speech outside the three lines or bad lip sync. No shouting, sarcasm, crying, tears, sobbing, gasping, widened eyes, knitted brows, trembling lips, clenched fists, pointing, arm crossing or hand gestures. No extra people or reflections, wardrobe drift, side mirroring, beauty filter, face warp or identity change. No extra cuts, jump cuts, punch-ins or framing resets, especially from 10.3s to 15.0s. #MiniMaxH3 Hailuo AI (MiniMax)

Emily

17,376 Aufrufe • vor 26 Tagen