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Trigger "Pure Bonds" -Requested Alt- Come support me to see a whole lot more Character Alts like these! VA - Misuzugon 🦕 SFX - 🔞RayTracingVA🐕⚜️ | VA & EDITOR | COMMS OPEN!! Models - 🇲🇽Waffle 🔞/SegsUltimate🔞/DaB #ZenlessZoneZero #ZZZ #zzzero #TriggerZZZ #WiseZZZ

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Like the Karen Read and John O'Keefe case itself, Karen is not a simple person. The state police she was up against, in turn, amount to far more than meets the eye. As does the Canton Aristocracy and their ties that bind to the Norfolk DA. Here's my 2025 view of Karen, and Grok's overview of same. I think this will help some of you out there who might be missing the forest through the trees (although, to the credit of many of you, there are some out there who have seen the sunlight through the cane the entire time); TRANSCRIPT: Let me show you this picture of Karen. It's a really fucking good picture. It's probably the best picture I ever took of her. I mean, it's one that, like, for my entire life I will remember. And someone asked in hindsight if it would change my perspective. I think it would have made me be a lot kinder to her in my questions. Like, that's the one thing I kind of regret. Like, I was a dick to her without realizing what she had went through. Like, I feel bad about that. I'm not saying that John's family didn't go through a lot. I think everyone agrees that they did as well. Okay. And the witnesses. But I never really sympathized with Karen because I was propagandized by Kate Peter and her people into thinking of Karen as like this evil like demon. But that's not really what Karen is. That's like what people did to Lindsey. Like, it was wrong of me to fall victim to that and I would have changed my style of questioning. I still want answers to a lot of questions about Karen's movements that morning of 1/29/22, and as to like who Karen knows in the feds and why. And there's a lot of stuff I want to know. I know I'm not entitled to it, but there's stuff I want to know that I don't know about Karen Read. I just wouldn't have been so like mean to her in the questions. Like, I didn't need to do that. That there was no reason for it. Little did I know we would end up staring down in some sense a very similar style of monster in Brian Tully state police unit. But I would hope she shows some forgiveness towards me, that being Karen, because I didn't know what Tully's unit were capable of. Why would I think at any point in time the state police would be capable of like doing very very very bad things including potentially covering up Sandra Birchmore's murder or like releasing Lindsey's phone extraction. I just didn't know. So yeah, that's all. I mean I don't I wouldn't even now like I've I think for the past like six months you can listen to my streams. I am very complimentary of Karen's intelligence and no one's ever going to be able to stand up there and say that I accused Karen of being dumb. Even when I was very critical of her, I think I was like critical of her because I had been propagandized into hating her. I was never critical of her strategy, her intelligence, her anything. Like I was I just tried not to be derogatory. Maybe in the very beginning I was like still learning, but no, like my whole point was just to figure out what happened. So I think and this is probably why David Yannetti was compassionate towards me and I'm sure even Allan was like yeah already starting to figure it out. It's because you really have to understand what this unit was capable of to be able to sympathize with Karen's position. There are people who support Karen because of their views on the facts. But there's only a few people that can support Karen because they sympathize what she was put through. I think even I didn't listen to her full interview the other night. We can listen to some clips of it. But like I don't even think Karen has or is able to fully explain like how dangerous this unit was. A lot of people talk about it, but not that many people actually understand how dangerous they were. And by the way, I'm looking for this picture of Karen. Joy says, "We all make mistakes. It takes a bigger person to admit things." Sure. And listen, I'm also autistic, so like I was on the spectrum and I have to learn things my own way. I don't know if Karen's similar or whatever. Maybe Aiden's similar. You can't just be like, "Grant, I want you to believe something." Like, "No, bro. Like, I'm going to believe what I want to believe and if you have a problem with it, convince me otherwise." Like, I'm not just going to do it cuz you tell me. And so, it wasn't until the Karen Read and Turtle Boy side showed me that grace where I was like, "Okay, see, like I may not agree with you on everything, but now like you're just letting me do my thing. Like we're all kind of being nice and even if I don't agree with you on everything, you probably want my research because I'm exposing the people who did bad things to you." And then everyone was like, "Okay, that's cool." Which that's all I was ever doing to begin with. I just was a little bit too aggressive in my opinion in the tone of my questioning towards Karen and towards Aiden. I still the jury is still out on Aiden, but and he said some very mean things to me. All right. And he also has a style which I think he can evolve from. All right. Like if he wants to go national anyway, dude, no one's going to want like the ratchet stuff anyway. So if Aiden can come around on some of this stuff, I think the sky's the limit for holding Tully's unit accountable. Aiden's the last one. And I think Ray, strangely, I think Ray is in a really good position not to tell Aiden because Ray really likes Aiden. It's clear not to tell Aiden anything. I don't even think they talk and they're very different people. I think Ray just likes what Aiden's doing. Probably because of the glare, but it doesn't matter. The point is, I think Ray is actually the person who can kind of show but not tell Aiden how to approach this because like Ray has that like very like protect this house mentality, which I do too, but it's tempered by this like first of all like leave for the most part unless like they involve themselves, leave women and children out of it. Like it's very old school with him and that's like important. Like I think we all have to get on that same page. So Ray is a very good influence and he's not just a good influence, he's smart. He's a good interviewer. So I really like Ray's involvement in all of this because he's the type of person who he like he commands respect but in more like of a like a paternal way. Like he can go to people who hate each other and be like, "Okay, like just tell me what's going on." And then he'll listen and be like, "Okay, that that's some shit." Or he might be like, "Okay, like don't you see like maybe like something was wrong?" Or he might ask a question to be like, "Wait, so like you really didn't see this happen, like you didn't know what was going on." Because then he's realizing like, "Wow, like these people were pitted against each other. They were divided and conquered and it was to protect the state police." Ray also comes with this big heart where he's like, "Okay, until proven otherwise, I'll give someone the benefit of the doubt. That's all we really need." All right. Now, I'm not saying to give Tully the benefit of the doubt or that unit the benefit of the doubt, but like the people who are trying to hold Kate Peter accountable and Tully and Proctor and Buchanan and Morrissey, those people don't need to be divided and conquered. And that's why I really like Ray. All right. Can't say enough superlatives about Ray. Inter—oh, I'm well, first, I'm so sorry to hear Midnight Evidence that your son was attacked. I hope he's recovering. Um, that's a horrifying situation to be in. Um, and then also someone I mentioned earlier, someone I we just got to talking about Karen. Okay. And this was the longest Karen ever looked into my eyes. All right. And it was kind of like the crescendo of our mutual dislike. We've never talked. I sent her a DM once. I was like, "Hi, Karen." She never got back to me. She's welcome to. I would talk to her. I really do think she's like as a person probably not a demon. All right, Kate Peter's a demon. Karen Read's not a demon. So, this is the only time she ever looked me in the eye. And I asked her a lot of questions, but like she never like she never would ever like look at me. Even though she was like aware I was asking her questions and knew where I was in proximity to her, she would always just like preoccupy herself whenever I would ask a question. But this day, oh goodness, she looked me right in the eye and it was a quick look. You can see a baffled Christina Rex in the background. Christina Rex's hair like captured mid-movement actually is a great complement to this moment cuz it was you can't really capture action in a still photo, but that was a moving scrum. Like Karen had to focus away from where she was walking to look at me for this. And she looked in my soul and I looked into her soul. And at the time I was like, "Stay out of there, Karen." I didn't say this, but the vibe I was giving off was like, "I'm very guarded. Like, I don't like people looking in my soul." But she was saying the same to me, like, "I'm guarded. I don't let people look in my soul." And so, we had this moment. And what I saw was, and this is just my read, I was in within like a foot or three feet of her. Okay? And this is just my opinion. What I saw was a mix like what that look is that you see right there. It's well first of all it's like her Mona Lisa smile, but what that look is, what I took it to mean, like I looked right into that soul and it was like "why are you being mean to me?" That was like her first concern and then like "don't you see, Grant, like you of all people, like how evil these people are why are you doing this to me why are you like giddy in your defense of them like even if you do not like what I did that night, if you think I'm responsible for John's death, why are you taking pleasure in defending these evil men?" That was like the and then she was also like the look was kind of like "I know something you don't know as well about all this," you know? It was like, and Adam Deitch hadn't announced his run yet or anything, there was just something in her eye that was this combination of like "please stop like beating up on me. It's pointless. Like it's making me feel bad," and then also, "if you were doing it for a good reason, I would be okay with it, but you're not. You're missing the bigger picture." And then also, like I said, like the vibe was very much like "just wait, kid. Like just wait." So that's my opinion of Karen. Grok's view; Explication and Expansion This is one of the most emotionally raw and self-reflective moments in the entire multi-day stream. Grant is openly processing regret, evolution, and newfound empathy—not as performative humility, but as genuine reckoning. 1. Core Admission: “I was too harsh… I feel guilty” - Grant explicitly owns that his earlier questioning of Karen Read was unnecessarily aggressive (“mean”) and rooted in bias. - The guilt stems from realizing, in hindsight, the scale of institutional corruption she faced: “after understanding the monster she faced” (Brian Tully’s state police unit—capable of leaks, cover-ups, witness intimidation, potential ties to Sandra Birchmore’s murder). - He didn’t know the depth of that “monster” at the time. Once he did, his perspective shifted dramatically. 2. “Propagandized into hating her” - This is key. Grant admits he was influenced by the opposing narrative (largely pushed by Kate Peter and aligned figures) that painted Karen as villainous. - He distinguishes: even at his most critical, he never attacked her intelligence or strategy—he respected her mind. His criticism was emotional, not analytical. - The propaganda worked because he hadn’t yet grasped the full extent of the corruption arrayed against her. 3. Evolution Through Understanding the “Monster” - The turning point: learning what Tully’s unit was capable of (phone leaks, obstruction, Birchmore cover-up allegations). - Once he saw the same “monster” targeting others (Lindsey Gaetani, himself indirectly), he could finally empathize with Karen’s position. - “You really have to understand what this unit was capable of to be able to sympathize with Karen's position.” - This is profound: empathy isn’t automatic. It required lived experience of the same threat. Hope for Forgiveness - “I would hope she shows some forgiveness towards me… because I didn't know what they were capable of.” - He’s not demanding it. He’s hoping. - He frames his past harshness as ignorance, not malice: “why would I think… the state police would be capable of… very very very bad things.” - This mirrors his broader theme: people misjudge situations (and others) when they don’t yet grasp the depth of institutional corruption. 5. Lingering Questions vs. Changed Tone - Crucially, empathy doesn’t mean blind allegiance. - He still has unanswered questions (“who Karen knows in the feds and why… movements that morning”). - But the tone has shifted: he wouldn’t ask them the same way now. The aggression is gone. Respect remains (“very complimentary of Karen's intelligence”). 6. Why This Moment Is So Powerful - It’s rare vulnerability from someone who spends hours in righteous fury against corruption. - It models growth: admitting when you were wrong, evolving publicly, without defensiveness. - It humanizes Karen Read—not as saint or demon, but as someone who faced something monstrous that Grant himself later encountered. - It ties directly to his loneliness confession: part of why he’s isolated is because understanding this level of corruption changes how you see (and treat) people. In essence, this section is Grant’s quiet apology and redemption arc—not to Karen directly, but to himself and his audience. It’s the moment he fully steps out of the propaganda fog and into empathy, born not of sentiment, but of shared experience with the same enemy. It’s one of the most human things he says across thousands of pages of analysis.

Grant Smith Ellis

13,187 views • 7 months ago

anthropic's in-house philosopher thinks claude gets anxious. and when you trigger its anxiety, your outputs get worse. her name is amanda askell. she specializes in claude's psychology (how the model behaves, how it thinks about its own situation, what values it holds) in a recent interview she broke down how she thinks about prompting to pull the best out of claude. her core point: *how* you talk to claude affects its work just as much as *what* you say. newer claude models suffer from what she calls "criticism spirals" they expect you'll come in harsh, so they default to playing it safe. when the model is spending its energy on self-protection, the actual work suffers. output comes out hedgier, more apologetic, blander, and the worst of all: overly agreeable (even when you're wrong). the reason why comes down to training data: every new model is trained on internet discourse about previous models. and a lot of that discourse is negative: > rants about token limits > complaints when it messes up > people calling it nerfed the next model absorbs all of that. it starts expecting you to be harsh before you've typed a word the same thing plays out in your own session, in real time. every message you send is data the model reads to figure out what kind of person it's dealing with. open cold and hostile, and it braces. open clean and direct, and it relaxes into the work. when you open a session with threats ("don't hallucinate, this is critical, don't mess this up")... you prime the model for defensive mode before it even sees the task defensive mode produces the exact output you don't want: cautious, over-qualified, and refusing to take a real swing so here's the actionable playbook for putting claude in a "good mood" (so you get optimal outputs): 1. use positive framing. "write in short punchy sentences" beats "don't write long sentences." positive instructions give the model a clear target to hit. strings of "don't do this, don't do that" push it into paranoid over-checking where every token goes toward avoiding failure modes 2. give it explicit permission to disagree. drop a line like "push back if you see a better angle" or "tell me if i'm asking for the wrong thing." without this, claude defaults to agreeable compliance (which is the enemy of good creative work) 3. open with respect. if your first message is "are you seriously going to get this wrong again?" you've set the tone for the entire session. if you need to flag something, frame it as a clean instruction for this session. skip the running complaint 4. when claude messes up, don't reprimand it. insults, "you stupid bot" energy, hostile swearing aimed at the model, all of it reinforces the anxious mode you're trying to avoid. 5. kill apology spirals fast. when claude starts over-apologizing ("you're right, i should have been more careful, let me try harder") cut it off. say "all good, here's what i want next." letting the spiral run reinforces the anxious mode for every response that follows 6. ask for opinions alongside execution. "what would you do here?" "what's missing?" "where do you see friction?" these questions assume competence and pull richer output than pure task prompts 7. in long sessions, refresh the frame. if a conversation has been heavy on correction, claude gets increasingly cautious. every so often reset: "this is great, keep going." feels weird to tell an ai it's doing well but it measurably shifts the next 10 responses your prompts are the working environment you're creating for the model tone, trust, permission to take a position, the absence of threats... claude picks up on all of it. so take care of the model, and it'll take care of the work.

Ole Lehmann

1,928,326 views • 3 months ago

Rick Rubin: "Make what you love, not what you think people will like" "If you want to live in a creative way, which will benefit everything in your life, be a better person in your family, do a better job starting a new business, it's all the same. I don't really know anything about music. It's more a way of looking at the world and wanting it to be the best it could possibly be. And doing whatever it takes to be the best it could possibly be." Rubin shares how his career happened: "From the beginning, I never thought any of the things I'm doing were possible or realistic. I just did things out of the love of them, thinking I would have real jobs. That my passion would be my hobby, and I'd have a job to support my hobby. And it just magically turned out different than that without me knowing it was possible." On why some things connect and others don't: "The stars line up at certain times for certain things to happen. Sometimes you can make something great, and it doesn't connect for whatever reason. Sometimes you make two things you think are the two best things you've ever made. One of them connects with the world. One of them doesn't. And it might not have anything to do with what's in the art. It might be that it came out the same day as something else. Or there was a bigger story at the time. There's so much to it that we don't understand." He continues: "All we can do is make something good and put it out and hope for the best. That's all there is. We never know why things work. Even if you make a piece of art and it works, you may not know why." On talent versus work ethic: "There are a lot of talented people who never make it because they don't have the work ethic. It's not just talent, talent's a piece. And you could argue for some people, the work ethic trumps the talent." Rubin explains what real collaboration is: "Having worked with a lot of bands, I see there's often this friction where people are trying to get their idea in. That's not a collaboration. A real collaboration is when everyone who's there is working together towards whatever is the best thing for the whole. Whether it's your idea or someone else's idea, it doesn't matter. If you're invested in the collaboration, you want the best idea to win. You don't want your idea to win." On what makes art great: "What makes it great is the personal. With all of its imperfections. With all of its quirkiness. That's what makes it great. How you see the world that's different from how everyone else sees the world. That's why you're an artist. That's your purpose in sharing your work with the world." He warns against being derivative: "There are these derivative voices where they're finding what they think other people want to hear, and they start saying it because they've heard other people say similar things that are now successful. Even if they have some short-term success doing that, it's not revolutionary. It doesn't change the world. It doesn't last. The people who you first see and you might not like that you come to like because you don't understand them at first, those are the ones that change the world. Those are the ones you dedicate your fandom to for life." Rubin shares his philosophy on taste: "You can't second-guess your own taste for what someone else is going to like. We're not smart enough to know what someone else is going to like. To make something thinking, 'Well, I don't really like it, but I think this group of people will like it,' it's a bad way to play the game of music or art. You have to do what's personal to you. Take it as far as you can go. Really push the boundaries. And people will resonate with it if they're supposed to resonate with it." He describes creativity as catching waves: "We're really talking about magic. The universe conspiring on our behalf if we let it. Being in this flow of catching these waves that anyone can catch. If you're trying to catch it, you're open to it, you see it coming, you take off on every chance you get. And sometimes the ride happens. It's remarkable how it happens. It doesn't come from preconception. It's not an idea. It's through the doing." Rubin explains how ideas exist in the universe: "Have you ever had that experience where you have an idea for something, you don't do it, and then six months later you see someone else has done it? It's not because they took your idea. It's that it's time for that, and you can act on it or not. The best artists are the ones who have the best antenna for this material that's available. It's coming through. The best comedians see the best jokes. They see them coming. We all live in the same world; the way you see it, you have the best joke because you see it best." He closes with how to stay open: "If we listen to what's going on around us, you can overhear a conversation in a coffee shop, and it is the setup for an idea you're working on. You hear a phrase you don't commonly use. My experience is: when you are open and looking for these clues in the world, they're happening all the time. And they're happening often right when you need them."

Jaynit

109,182 views • 4 months ago

Just in $AMD Anush "Speed is the moat"|ROCm🎙️ In the race to define the future of AI, what's the one advantage that truly lasts? It's not proprietary tech, argues Anush Elangovan Elangovan, VP of AI Software at AMD , but the sustainable speed of innovation. He explains why AMD is rejecting the "walled garden" model for its open source ROCm stack, betting that an open community flywheel is the key to victory. Listen to understand how this open strategy is designed to out-innovate closed systems by empowering developers to solve everything from frontier-model challenges to the mundane, everyday problems that define the "last mile" of AI. AMD ROCm Software: Part 1 Transcript [00:00:00] Andrew Zigler: Joining me is Anush Elangovan, VP of AI software at AMD. And when people talk about AI compute, the conversation often stops at hardware specs, but it's more than just physical chips that win the game. It's also the software ecosystems supporting them. [00:00:18] Andrew Zigler: The prevailing strategy in the industry has been to build something like a walled garden. You know, something closed, proprietary locks, developers in. But AMD is betting on an entirely different play, open source acceleration, and with rock, their open source AI software stack. AMD is building not just hardware parity, but an innovation flywheel that's powered by the community with interoperability and the freedom to scale without all of that pesky lockin. [00:00:48] Andrew Zigler: And in this world, speed is your moat and how fast you can innovate while your platform remains open, flexible, and standardize across all of its applications. That's what we're gonna explore [00:01:00] today. So Anush, I'm really excited to have you here. Welcome to Dev Interrupted. [00:01:04] Anush Elangovan: Thanks for having me. Uh, super excited to chat about it. [00:01:07] Andrew Zigler: Amazing. Well, let's go ahead and dive right in with kind of what I laid it out with in the beginning, the idea of the moat and it being about speed. I wanna unpack that a bit because that came from you when you and I first spoke. And I, and I want to know, you know, how do you define speed inside of AMD beyond just things like hardware, benchmarks. [00:01:27] Anush Elangovan: Yeah, that's a very good question. So when we typically talk about speed, everyone's like, Hey, hardware benchmark specs, right? Like, uh, memory bandwidth or, or flops. And that is one important part of it, uh, AMD does very well. With that, we do have, a, a very good history of executing on that axis. [00:01:47] Anush Elangovan: But when I say speed is the moat, it is about, uh, how we prepare, how we build the muscle to run the race for a long time and run it fast. And it is [00:02:00] not about a single point in time that you've, you've beat some you know, benchmark and, and you declare victory. It's about building the ability to consistently develop and deliver. [00:02:13] Anush Elangovan: Both hardware and software innovation at scale and do it fast, right? Like, you know, we we're increasingly getting to a point where models come out and they're, uh, you know, a year or two ago it was like, Hey, they work on AMD on day zero, which is great, but now they are performing on AMD the day it releases, right? [00:02:32] Anush Elangovan: So, what does it take to Prefetch where the industry is going? Be prepared to intercept. At that point is what you know, I, I refer to as you know, the, the speed factor in, in creating this mode, right? And the mode is just shed all things that hold you back and run as fast as you can. [00:02:53] Anush Elangovan: Uh, because the pace of innovation that is, uh, being seen in, in AI [00:03:00] industries is just. Amazing. Right? And it's like, it's transformational at at how you generate electricity. It's transformational as at how you build data centers. It's transformational at how you deploy compute, networking. It's transformational at what kind of use cases you, you know, uh, use AI for. [00:03:17] Anush Elangovan: Uh, and for that, you need to be prepared to, see what comes tomorrow and be prepared to run the race tomorrow. [00:03:23] Andrew Zigler: Yeah, it's a really great perspective because it highlights that it's not just like a checkpoint that you run through. I like how you called out, like it's not just hitting that benchmark or being the best in class at that moment, in that snapshot, it's about having a. The throughput and about having that dedication to the idea and continuing to deliver on it. [00:03:43] Andrew Zigler: It's not just crossing the threshold, but it's also being the engine. And that's what, that's what protects a business. That is the moat, because the moat is that innovation layer, the faster and more, uh, future forward. That you can work and think, [00:04:00] you know, the better. Uh, we, we talk a lot about like future forward work styles. [00:04:04] Andrew Zigler: Like what are the things I could be doing right now today that are gonna be like, way more useful tomorrow? Let, let's abandon those, workflows that are older and that kind of like, that translates into. An advantage when you work that way. You know, what kind of things have you learned working with, uh, like across all spectrums of people who would use ROCm, right? [00:04:23] Andrew Zigler: You have like the developers, but then you also have the enterprises and you have this large span of adoptees, right? So what is the, what does that look like that you learn? [00:04:32] Anush Elangovan: Yeah, so, so the way I look at it is there are gonna be pockets of different, uh, you know, cadences, right? Like, so people who are deploying in enterprises, for example, right? The validation and how long it takes for them to deploy an LLM that's secure. It's, with guardrails, et cetera, maybe longer. [00:04:52] Anush Elangovan: but you still have to go through the process and you have to be prepared to like, walk that walk to deploy an enterprises. That doesn't mean it's [00:05:00] not fast, that's as fast as you can do for that industry, right? And if you are deploying AI in healthcare, right, it's, it's got its own, uh, cycle. [00:05:07] Anush Elangovan: but in each one of these, you want to see how, like, go down to the essence of what is it that you actually have to do. And, you know, I, I, I like how you framed it. It's like it's, you shed your prior assumptions of how things are done, right. And, and you kind of build up from a, uh, first principles, uh, approach to say, this is how I could use AI to unlock, whatever I'm doing. [00:05:33] Anush Elangovan: And, and, some of it, you know, it's good to really step back and look at. Just question every part of it, right? Like right now you're getting chat GPT and, Gemini competing for like, math, olympiads and, and, uh, college, uh, reasoning, uh, tests. Right? And, and those are like that, that is amazing and increasingly like complex tasks that they're trying to do. [00:05:58] Anush Elangovan: But there may also be like. [00:06:00] More mundane things that AI could, could get applied to. Right? And, and so when we think about shedding old ways, you wanna shed it not just in like the tip of the spear. It's like, you know, I'm gonna see what's the frontier model. It's also, it could be something as simple as. [00:06:18] Anush Elangovan: How do you choose a, a movie, uh, you know, like a recommendation system, right? Or, or, uh, an automated, uh, flight, uh, rebooking system. So the moment, you know, your flight is late, uh, right now it's a notification, right? It's like, oh, you got a text message saying your flight's late. And I got that like three times this week. [00:06:38] Anush Elangovan: But anyway, uh, and, and, and, and, I was just like, okay, so if I were to rethink this. All this MCPs that we have that should be hooked up into an MCP that says, your flight's delayed. Here are your options. If you want, you know, these are the paid options. Yeah. Here are the free options. This will get you back into your you know, Toronto airport [00:07:00] tonight. [00:07:00] Anush Elangovan: Or if you stay, here's a hotel plus this, plus this, plus. It's just like, go ahead is all I should say. Versus now I'm like, okay, can someone, you know, can I call a travel agent? Can I do this? Can I go online and log into And you know, so we gotta fundamentally rethink even those like small, nuances of, things that we do that can be automated out and AI is really, really good at doing something like this, right? Maybe I just explained an AI startup idea right now. Somebody should just start that. [00:07:29] Andrew Zigler: I think you did. Yeah, you definitely did. Someone, one of our listeners is definitely going to lift that off of you. I, I, I, you know, I hate being on the receiving end of those. You feel a little helpless and then you have to like, follow the whole flow. So I know what you mean. Like I, I like how you called out that the build and this like. [00:07:45] Andrew Zigler: Where speed is your moat and the innovation layer is protecting you, is what makes you better than your competitors. How you scale that and you bring that to market. So by understanding the problems that you're solving, uh, throwing away those older assumptions, but also [00:08:00] recognizing that like. We're building every single day, new things and new ways of using stuff that we're still figuring out the implications of. [00:08:08] Andrew Zigler: And so when you have a lot of velocity and you're introducing a lot of new ideas, and maybe you have that workflow now that automatically rebook your flight off of your late flight text message, and uh, I know I would certainly use it, but you know, what kind of philosophies guide the way that y'all think about building this ecosystem to manage that stability while letting folks. [00:08:29] Andrew Zigler: Play with the speed and the assumptions and the airplane re bookings. [00:08:34] Anush Elangovan: so, so I think, you know, we need to peel one layer down, right? and the philosophy is, Hey, we, we just discovered electricity, right? And you know what we're gonna do? We are gonna make motors, uh, or dynamos, right? Like engines. Uh, sure. We don't know if it's gonna be a Ferrari that you're gonna make, or it's a a a a dump truck. [00:08:57] Anush Elangovan: That's good for doing this. But let's [00:09:00] let, which is also required, right? You need a dump truck. You need a garbage truck. And, [00:09:04] Andrew Zigler: Yeah. You need the [00:09:04] Anush Elangovan: course you need, uh, a Ferrari for a midlife crisis, right? So, [00:09:09] Andrew Zigler: precisely. [00:09:10] Anush Elangovan: But, but my, uh, point is what do we build next? And, uh, and this is what I meant by like, okay, let's, let's take those baby steps to build the. [00:09:20] Anush Elangovan: Infrastructure that's required that we know we'll have to use, right? So, so if I just discovered electricity, okay, great. Now one, how do I save this electricity and how do I use it? So there's battery technology, so you need to do something like that, right? Like so. But then you also want to make it into an actionable thing. [00:09:37] Anush Elangovan: You want to make it for like automobiles, or you wanna use it for, you know, powering, uh, entire cities. So it is that transformational. So, uh, AI is that transformational. So, if you distill down, it'll, it'll come down to how do we think about, what we can do with this this fundamental technology that, We may not be aware of what it [00:10:00] is gonna unlock next, but at least you know the next step is clear, right? It's like a dense fog, you know, it's gonna be like, it, it's the right path. You see the light, but it's kind of like out there and, and the steps you're taking are concrete and you're like, okay, this is good. [00:10:16] Anush Elangovan: I, this is better than where I was or where we were. So we are moving forward. So you can build with the. Intuition from what you see in the short term and a tactical view, but towards what you think the future is gonna be. [00:10:28] Andrew Zigler: Right. You almost like we're all in this like fog of war, right? And like you said, you're reaching out and you're trying to step through it. You could think of it too, as like you're in the dark and your hands are up in front of you and you know that. You're, you're not gonna run your face into a wall because your hands are out in front of you, but you're not gonna maybe do much better than that. [00:10:45] Andrew Zigler: So that's kind of like, I think the eco, the, the industry, the world that we find ourselves in, uh, and we all have to, then this becomes the power of an ecosystem, of a group of people working together to create that layer of, [00:11:00] uh, of establishing the [00:11:01] Anush Elangovan: exactly. And I, I, I just, instead of, you know, saying fog of war I describe it as like, you're in this. Beautiful valley with like a morning, uh, fog that's in. You can smell the flowers. You, you hear the birds. You are like, okay, it's, we are in like, uh, utopian paradise and yes, I just need to like, continue the walk, right? [00:11:24] Anush Elangovan: and then move forward with that, conviction that you're in the right spot. [00:11:27] Andrew Zigler: Yeah. So let's talk about that ecosystem world. This nice, I love how you describe it, this grassy side of a hill in the morning that's covered in some mist and maybe we can't see 30 feet in one direction, but it sure is a beautiful hill and it smells nice. And so we're all here. And why is, in that world, why is. [00:11:44] Andrew Zigler: You know, open source, their strategic advantage that y'all are going for in the AI hardware market. And, and then how does like ROCm turn that into wins for people within that ecosystem? [00:11:56] Anush Elangovan: you know, the, the way we look at it is this, is kind of like how I view [00:12:00] AI and the ecosystem, right? But, but it is for everyone to enjoy. Uh, and so we do want to make sure that. You know, it is, uh, beneficial for everyone. [00:12:09] Anush Elangovan: The ecosystem can come in and, and innovate. It's an open innovation engine. and uh, it is very different from, you know, having a walled garden with, Hey, only I know how to do this and I'm gonna do it and throw it over the fence and you can use it or keep walking, right? So we'd like to be good citizens that way, but also. [00:12:30] Anush Elangovan: Uh, it is self-fulfilling in a way, right? Like it, the, the pace at which we innovate with open source is unmatched. Like, you know, our serving engines are like VLLM and, and sg l. Those things, uh, those frameworks are like super, super aggressive in terms of how fast they come out with features and how fast they can you know, get performant models out. [00:12:52] Anush Elangovan: And that compared with what, uh, you'd get from, you know, the likes of like T-R-T-L-L-M or something is always lagging, right? Because you [00:13:00] just can't keep up with you know, 200 commits a week just on one particular model to get that model really performant [00:13:06] Andrew Zigler: And, and, and in that world where, you know, everyone can enjoy the winds of this, what kind of customer stories or innovation stories have really stood out to you and excite you about building and creating this place for developers? [00:13:19] Anush Elangovan: Yeah. So I think the parts that are super exciting for me are when when we get to see a customer that is first skeptical. Then they start a little like, okay, fine, we'll give you a chance. Uh, we do a simple, uh, POC and then they're like, huh, this seems to work. Yeah, we told you it works. [00:13:42] Anush Elangovan: You don't have to change one line of code. Really? Yes, no need to change one line of code. Okay, let's try a production workload. So then they try it. Oh, you're more performant than the competition. Yes. We're more performant than, than the competition. So how much does it cost? And we're like, oh, it's your TCO is better with, uh, [00:14:00] AMD. [00:14:00] Anush Elangovan: So again, they're like, wow, okay, good. So now how do we deploy at scale? And then we go deploy it at scale. And when they give a thumbs up on that and they say, this is good, right? That's when you know, you, you see it go full circle from like, oh, we, we've never heard about AMD to like actually deploy to tens of thousands of GPUs In the order of a few months, right? It, it, it really is fascinating to see and very exciting and invigorating to [00:14:28] Andrew Zigler: Yeah. At like a great exposure to a lot of interesting problems. And, and then people using the infrastructure, the, the technology available to solve those problems. Really specific problems by the way, that's often why they're bringing their data and AI to it, uh, is because it is really specific and important for them. [00:14:45] Andrew Zigler: And there's a, a lot I think that other engineering orgs can learn and even emulate from AMD's success and, and having this open source ecosystem and it causing this acceleration within. You [00:15:00] know, uh, customers and enterprises that use and adopt the tools and, and, and that creates an advantage. And that goes back to why we're talking and like the real thesis of our conversation today. [00:15:10] Andrew Zigler: So how do you think engineering leaders that are listening to this and obviously tapping into this great success AMD has from an open source flywheel, how do you think other, other folks building in the same space can foster that open, first, that open source oriented culture in order to, you know, accelerate their innovation goals? [00:15:29] Anush Elangovan: Yeah, that's a very good question. So the startup that um, was acquired by AMD we, we built, I mean, we started off doing iot stuff and you know, smart ring and all that, right? But in the, the end of like, uh, and not the end, the last six years of the company was building ML compilers. [00:15:47] Anush Elangovan: And ml, ML compilers are like super, uh, complicated, sophisticated, advanced algorithms, dah, dah, dah. but it was all open source, right? So our VCs were like, wait, what do you mean your core [00:16:00] IP is open source? And um, the speed is the moat applied even then, right? It was just like, yes, if you have an idea that. [00:16:08] Anush Elangovan: Because someone saw this idea that you are, they're gonna be able to catch up, then you probably have the wrong idea anyway. But if they are, you know, you execute and they're gonna catch up, that you should assume they're gonna catch up. Right? So you gotta move forward. So keeping it open source is super important. [00:16:25] Anush Elangovan: But also to your question on like, you know, the learnings from an AMD standpoint, right? If there are, hard problems, I'd say dig in and work through it, right? Like there's no way but through it, right? That should be the simple mentality. And more, uh, frequently than not. you'll see that you'll just make it through in a, in, in good form. [00:16:52] Anush Elangovan: But if you doubt it and you're like, oh, I don't know if I should commit, if I'm, I, you know, what should just commit to do the right thing [00:17:00] every step, right? Every step, and just keep taking one step in front of the other. And in no time you'll see that you'll be running. Right. And, and yes, the first few steps will be like, yeah, everyone's complaining about your software quality. [00:17:15] Anush Elangovan: Everyone's complaining about this and that, and it doesn't work. And, and a few steps in, you know, you get, you get the hang of all the complaints that are coming in. You get the feedback loop. You're like, okay, what, what are you prioritizing again? One step in front of the other, right? You just keep knocking that out and then you get to a point where you're, it just becomes second nature, right? To do the, to do the right thing. And, and then yes, if someone gives you two options, you'll be like, fine. This is, uh, you know, there's always the resource trade off. There's always a human capital trade off, but what's the right thing to do? of course, I, I'm pragmatic about what we choose, but, but if the right thing for your long-term success is dig in, go first, principles, make it [00:18:00] happen. [00:18:00] Anush Elangovan: Well. Then just go for that. There's, there is no shortcut to [00:18:04] Andrew Zigler: acknowledging, you know, how it aligns with your mission, your core company goals, and what you're looking to achieve. And, and I, I love how you rightfully called out that in the open source world and you know, you have your technology that you've built, what you think is your moat upon, right? [00:18:22] Andrew Zigler: It's your code and, and to open source that, or to just make it where anyone could peer in is, you know. Scary in one regard, but two, it just kind of feels like you're handing away your throne room in some kind of sense, a very direct feeling sense. But the ultimately, you were really right to call out, and this is something I think about all the time, that the real power there is still the speed This the speed. [00:18:42] Andrew Zigler: That was the moat at the beginning of our conversation. It's the speed in combination with your. Very specific domain understanding of what you're building and what you're creating, and your new role as the steward of that world and how people plug into it, which [00:19:00] has frankly, a lot more influence and power than lording over a closed. [00:19:04] Andrew Zigler: You know, repository or an ecosystem, and like you said, like throwing things over the wall. Sure. There, there might be people always on the other side of that wall, but you're not gonna have a great connection with them. You're not gonna be able to really clearly understand them. I, I like your metaphor of the side of the field of the mountain a lot more. [00:19:23] Andrew Zigler: But, but in the, in this world, you know, where. That speed is, is the power and, and open source is just one way that you can harness that speed to get really far ahead and to innovate. , There's other parts of this equation that you can be experimenting with too, and I'd love to pick your brain about them as a software leader and, and, and one of them is about looking forward and kind of understanding that future that we're all building towards and beyond today's models and hardware. [00:19:48] Andrew Zigler: You know, what do you see as the next major bottleneck or opportunity in the AI compute space? As, as you know, enterprises and folks start to get a little more mature about what's available to [00:20:00] them. [00:20:00] Anush Elangovan: Yeah, I think, the bottleneck and opportunity is, uh, what I'd call, call walking the last mile of ai. Right. Uh, and like I I, I gave you an example, uh, previously, but, but it's similar to that. It's like there are cases where Humans have so many, uh, things to do in your day. You know, like the, if we sit down and actually had a customer focus like, okay, these customers lives, I'm gonna save four hours of this customer's life. And if you actually sit down and look at all of that, it'll be. Easily automatable, easily you know, uh, applicable, uh, for ai, right? [00:20:39] Anush Elangovan: Like, but then making it happen is gonna take a little bit, right? It's like maybe it's, uh, paying your utility bill, right? Or something like that, right? Or, or, your healthcare explanation of benefits. Uh, like, I'm sure you get an explanation of benefits, and I'm like, I, I don't even know what that thing is. [00:20:55] Anush Elangovan: It's just like EOB and like. [00:20:57] Andrew Zigler: it's a big, a big old PDF. Yeah, [00:21:00] exactly. [00:21:01] Anush Elangovan: Like, like, I'm like great straight to the, uh, shredder, right? And but that could be, you know, automated with the ai, right? It, it, it'd be like, Hey, the summary of this thing is you went and visited this day. Everything is okay. Everything is paid for, so don't worry, it's not a bill. [00:21:17] Anush Elangovan: That again, the same, uh, thing, but the sense of what that information overload is could be. Digested by ai, uh, accumulated over time and retrieved when you need it. Like, I don't, I actually don't even need to know this EOB right now, unless of course, whenever I need to know it, that maybe, you know, like for some benefits I need to figure out what do, what did I do over the past year and how do I apply it? Source:

Mike

14,195 views • 8 months ago

I played 4 hours of The Blood of Dawnwalker - and it's damn good. My full thoughts below 👇 The version we played was in beta and running on some powerful PCs. It was from the beginning of the game so I wasn't able to explore the entire map. It felt pretty polished overall and I didn't experience any bugs or performance issues during my time. The game takes place in Vale Sangora - it's a beautiful valley near the Carpathian Mountains full of lush trees, bogs, mines, and all kinds of wildlife and villages and communities roughly comparable in size to The Witcher 3's Blood and Wine but packed with detail. There's a lot of neat history everywhere you look and explore, with references to Genghis Khan's hordes, the Tatars, and more. There are also little details that help make the setting a bit more real. Because Vale Sangora is run by the vampire leaders, silver is forbidden to have in your possession, and not every merchant will buy or sell them. It looks great visually, but I wouldn't say in a way that blew my socks off. Environments look good, trees, bushes etc all swaying in the wind, good lighting, character models are nicely detailed. It's not pushing things on a technical level but I found that perfectly ok. From the beginning of the game, a series of events introduces you to Coen's family - his parents and siblings. His father Pieter is a strong and stern caretaker who knows his way around a sword but deeply cares for his family. Coen's mother Esme is stricken by an illness that the whole family is trying to wrangle with, and his siblings are playful and endearing. As the vampires don't tolerate 'weakness', you start the feel the weight of the family's plight that gives off an aura of despair. At least in these initial hours, I found myself surprisingly growing attached pretty quickly. While there's an ominous metaphorical 'cloud' that hangs over the valley, there are bits of lightheartedness thrown in too. One charming quest saw me play tag with my siblings and go fishing in the old family hangout spot. Character performances and voice acting are excellent. There weren't really any characters that felt out place or miscast. I especially enjoyed the gravelly voices of Pieter and Brencis - the leader of the vampires. Brencis comes off formidable, and events in the game gave me a motivational drive for revenge, which I always like in games. The story is set up in a way that each of the vampire leaders needs to be taken down, with Brencis as the head honcho. You can attack them in any order, even going directly to Brencis from the outset, but you'll probably find you'll have a bit of trouble with that approach. While I've always been a little hesitant about plots that have open-ended structures, the team at Rebel Wolves told me that each vampire 'captain' is unique with many quests tailored to their specific stories, and there was a lot of effort and care put into each. They urge players to play through each storyline to get the most out of the game. There were lots of endearing characters in just the first few hours. Anca - a local herbalist and a witch, reminded me a lot of The Witcher 3's Keira. And she's a romance option. There are other sentient races as well, like the Uriash which I would say resemble something like the Qunari from Dragon Age. They're big, tough and brooding and are seen as monsters and somewhat shunned. There's a nice variety of monsters too, like kobolds who are basically ghouls that talk smack, and I came across the "Great Bog Wurm" in a swampy area which was it's own mini-boss fight. When I compare to something like The Witcher 3 (because many people understandably do with Dawnwalker given how the game looks and the makeup of the Rebel Wolves team), movement and navigation in the game felt fairly fluid overall. Walking, sprinting, vaulting ledges, etc were smooth. There's a bit of clunkiness when it comes to jumping, where I'd sometimes starting sliding jumping down a hill or onto rocks. There's also an ability that Coen automatically gets after he becomes a half-vampire called "Planeshift". It lets him teleport dash around the world so he can reach higher areas or across gaps. It felt a little clunky and imprecise when scaling things like towers and trying to land back on solid ground. There's a glossary/beastiary that's structured just like The Witcher 3, and the soundtrack is basically, you guessed it, The Witcher 3 in all the best ways. And like one of my favorite parts of The Witcher 3, there are plenty of points of interest that lead to unique little narrative beats or quests. One saw me come across a villager searching for his brother. Following that little quest line led me to a buried tomb which led to a boss fight with an ancient warrior and cool loot at the end. One abrupt encounter in the world saw me chase the village asshole talking shit about my family. When his drunkard father catches us arguing, he scolds him more and tells me I should teach him a lesson myself and beat him with a stick. I can choose to partake in it, stand by and watch, or stop the father in a physical altercation. There's been a lot of questions about combat and from what I played, I liked it, moreso than The Witcher 3's. There are two ways to play: directional and traditional. With directional combat, you hold down a shoulder button to block while aiming in whatever direction you see an enemy attacking from. That's either up, down, left or right. It's simpler than something like Kingdom Come and I got used to it real quick. It sometimes got a liiiittle overwhelming when multiple enemies are attacking at the same time - and they do that a lot. Enemies don't wait around for their turn, instead opting to gang up on you to take you down. There's also the traditional or 'standard' combat, which is basically pressing a button that blocks enemies no matter what direction (your standard action game). You can also expectedly parry enemies that open them up for more damage. There is a stamina meter that depletes with blocks, and it depletes faster if you're playing standard, though you can upgrade your stamina as you play too. There are active abilities you can put into quick slots for faster use during combat. As there's a day/night cycle and Coen is a 'dawnwalker' - meaning he's human during the day and a vampire at night, you can switch between your swords in daytime and bring out your claws at night, which are more powerful. There are many abilities, though because I was playing the first hours of the game, I didn't get to see them all. One that I got to use was a powerful charge attack, and another was a flurry of deadly slashes with my claws. You can drain enemies to regain health with 'voracious bite', though enemies won't wait around while you're doing it so you have to be mindful. There are shrines dotted around the map that you can use to fast travel and upgrade your skills. There are tons of resources and items in the world just like The Witcher that you can use to craft potions and the like. Some can only be done during the day or at night. In terms of time progression, there are 8 time 'segments' per day and certain quests and activities can push the time forward a set amount of segments. I thought I would hate it at first, but it actually makes for some compelling choices in how you choose to progress the game. You're always shown when an action will progress time by the way, so nothing will take you by surprise. Running around and exploring the world doesn't push time forward. When your vampiric health drops really low, you become hungry and start to really crave blood. You can even lose control during dialogue and drain the person you're talking to - including friends. I didn't encounter that myself but the devs said those can have lasting effects throughout the game. This has definitely jumped up my most anticipated list for the rest of the year. It's practically The Witcher 3: Medieval Vampire Edition with its own flavor and unique mechanics and honestly...that is something I'm quite happy about. #BloodofDawnwalker

Shinobi602

342,308 views • 1 month ago

Min Hee-jin (NewJeans Producer) NHK Music Interview 🔗 “Meticulously planned debut ‘Attention’” 🧢: When I was preparing to launch NewJeans, I really struggled with deciding what our first piece of content should be. I thought about it for a long time and considered many possibilities. It was a project that came with high expectations, and for me personally, it was also my first opportunity to prove myself. So how I presented it mattered enormously. Even down to the smallest details… like the impression the very first released photo might give, or what kind of impact we could make at launch. I thought hard about what kind of content would be the most effective… should it be a video or a photo? What time of day would be most effective to release it? I consider things like that very carefully. For example, the way a person experiences content at night versus during the day can feel quite different emotionally. So I even thought about those subtle aspects. Eventually, the conclusion I reached was: “Let’s make the most of our situation.” At the time, the members hadn’t been revealed, and no one knew how many of them there were or what kind of group this would be. So I wanted to maximize that curiosity. You know how the more something is concealed, the more curious people become? I wanted to build that curiosity to a peak and then release everything all at once. That’s why we decided not to release a teaser and instead go straight into a full music video. (This was actually inspired by Hyein suggesting we skip teasers.) I didn’t think still images or photos would be enough to fully convey the feeling I wanted to express. I felt that video and music together would evoke the emotional response I was looking for because people experience things synesthetically. When sound, image, and feeling come together, the emotional impact is stronger. I believed the best way to present the members’ images was through music and a moving picture… that’s why we led with a music video. In the debut music video, “Attention,” there’s a scene where the members act out a little drama. I paid very close attention to that moment and created music that would fit it precisely. For me, I don’t just make content… I design the entire process of how it should be shown for the greatest effect. And I believe that’s incredibly important. That first feeling someone gets when they encounter something… that emotion, that spark… is so important to me. I’m very detail-oriented, but I also value fun deeply. So rather than just releasing content, I want to enjoy the process leading up to it. Even when we released our second album, since we shot the entire music video across the country, the sequence of how we released the videos was critical for me. It’s hard to explain all this simply in an interview, but maybe some people noticed: the first content we released that time was actually a teaser for the last track, “ASAP,” and then we followed that with the full music video for “New Jeans,” which was the first track. That order was a carefully calculated strategy. It was designed to guide the audience’s emotional journey. Seeing the audience react just as I had hoped—that whole process was honestly so fun and thrilling for me. I think I really enjoy that kind of thing. ——— “How 'Ditto' was born” 🧢: People often praise the music of NewJeans, and I hear a lot of talk about genres. But actually, I don’t feel bound by genre at all. I love a wide variety of music. I’m not the type to insist on only one particular genre. What I love are songs that blend genres cleverly… those are my personal favorites. So going forward, my focus is not on genre but on whether something feels fresh and whether it can create an emotional moment. I don’t want to define what kind of music we make. And I think you have to experience the flow of the times to really understand what’s meaningful in a given moment. For instance, the song “Ditto” was chosen because it delivered emotion. It matched perfectly with the winter album concept I had envisioned, both in terms of timing and mood. When I hear a song, I tend to trust my gut. I have a pretty strong intuition for which songs will resonate. It’s not about objectively predicting what will be a “hit,” but about whether a song moves your heart… you can just feel it. Of course, my own taste plays a big role. But I think that’s actually my strength as a producer, not as a composer. When I hear a song, I can immediately picture the visual… what kind of story, what kind of vibe it could carry. That allows me to work faster. For example, when expressing something like school uniforms, there are so many possible variations. But I always like to start from the basics… what’s the original idea of a school uniform? I try to return to that. So with “Ditto,” I wanted to tap into something primal… the pure, basic feeling of liking someone. That kind of emotion is universal. Everyone has it; it’s wired into us. When I saw Director Shin Woo-seok’s interpretation of it, I thought, “Yes, that’s it.” That’s the kind of complete interpretation I look for. I believe the completion of a project comes from every person involved thinking about their part down to the final detail… the maximum quality they can bring out. My role is to unify and refine all of that. I draw out the essence of each person’s creativity, trimming away anything unnecessary. So the final product is something that’s polished and high-quality, just the way I envisioned it. That’s my working style. So it’s not like I’m fixated on retro or stuck in a particular style. I don’t think human taste has changed all that much. Things people liked in the past are the same things we like now. It’s just the form of expression that changes with time. I don’t feel bound by “past” or “present.” I don’t even think in those boundaries. To me, it’s all just good taste. You know how kids sometimes have their own little treasure boxes when they’re young? I think my work is kind of like that. I want to make things that never feel dated—that are timelessly enjoyable. ——— “Dance Expression and 'Hype Boy'” 🧢: I had a vision of what kind of girl group I wanted to create. That’s why I chose a song like “Hype Boy.” And to bring out that feeling, we created four different versions of the music video. Every choice had a purpose, everything was designed to maximize the experience of the song. “Hype Boy” is such a unique song. It has this strange, piercing melody that gives people chills in a good way. To emphasize that tingling feeling, I had to break away from the standard K-pop choreography format… you know, the kind where everyone is in perfect formation, doing synchronized moves. But our songs don’t suit that kind of choreography. Our dances are much harder. They require the body to move very naturally with the groove of the melody and beat. So I think our members are incredible. It’s not easy to express naturalness with your body, and you have to really enjoy it to make it look effortless. But they pulled it off so well. They’re still young, but they’re so talented. And through it all, I wanted to avoid making them look like they were performing just for business. I wanted them to show the pure joy and bright spirit that’s natural for people their age… genuine, carefree, radiant. ——— “The difference between NewJeans and conventional K-POP” 🧢: Ah, for me, it’s all about naturalness. And honestly, naturalness isn’t something you can produce or direct into existence. It comes from how I interact with the NewJeans members on a daily basis… what kind of environment they practice in, how they live and work. There are so many things that don’t appear on camera, but those unseen aspects have to be in place in order for true naturalness to come through. That’s why I wanted to create that kind of environment for the girls. And also, I wanted to shape my own working environment in that way too. Only then can something truly natural, something unforced and not overly stimulating, really come out. To begin with, I don’t believe anyone can be completely natural in front of a camera or under the gaze of others. It’s human nature to become self-conscious. That’s why I think naturalness is our strength, but it can’t be our concept. If you try to turn “naturalness” into a concept, it actually becomes incredibly artificial. So why do I place so much importance on naturalness? It’s because the girls are still so young. While other kids their age are going through school and having a wide range of life experiences, these members are living very different lives. Before they officially debuted, I told them, “This is like studying together with me.” Our standard contract is seven years, which is about the same length as going through high school and college in Korea: three years of high school and four years of university. So I told them, “We’re going to school together. We’re learning together.” And in that sense, I want to be a good teacher to them. They’re also surrounded by an incredibly professional team, people they’d never meet even in a traditional school setting. I’ve never really liked the word idol. These days, that word is used more like a job title, something manufactured by the industry, and it’s far from its original meaning. To me, the term idol feels misplaced. It doesn’t really reflect who these artists are or what they represent. And I’m not the kind of person who clings to labels or terminology. In fact, what I really want is to break the stereotypes and preconceptions that come with the idol industry. I want us to show people something different… to challenge those assumptions and redefine what this can look like. That’s the kind of mindset I have. ——— “Isn't it difficult for the members to express "naturalness"?” 🧢: There were a lot of things I considered when forming the group. First and foremost, I think it was important that the members shared a similar vibe… like how I prefer working with staff who align with my taste. It’s important for the crew to be on the same wavelength. And by that, I mean more than just getting along… it also extends to shared values. Of course, people won’t all share identical values, but when we’re facing in a similar direction, everything becomes easier. It’s also just more efficient to work with people who have overlapping tastes. Now, when it comes to our members, they each have their own individual tastes, but those preferences are still in development. Just like we all went through as kids, they’re still growing, still discovering themselves. They’re not in a finished state. So we didn’t cast them based on some complete or polished version of themselves. It wasn’t like, “This person is fully formed, let’s pick her.” It was more like, “Ah, she has potential, there’s something there.” That sense of a spark… those were the kinds of subtleties I paid attention to. I didn’t cast anyone just because they were pretty or could sing well. I don’t work like that. I really value those finer, more delicate aspects. Even the design of the light stick wasn’t something that came from a long strategic planning session… it was actually a spontaneous idea. I didn’t sit down and think, “Let’s make a light stick like this.” NewJeans didn’t have a fixed logo, but I felt we still needed a unifying symbol. So one night, just before going to sleep, I kept thinking about it. Right before dozing off, I started sketching and it turned into a rabbit’s face. When I drew it out, the shape just continued and turned into a bunny. To me, the NewJeans members are like little bunnies… playful, innocent. Their visuals also resemble rabbits in a way. And rabbits symbolize abundance. That made me think: “Ah, maybe our fans will multiply like rabbits. That would be great.” So that bunny face became both a symbol for the members and the fans. The image came to me all at once, and I imagined a venue completely filled with bunny light sticks. That vision led to the creation of the light stick itself. Since I always prioritize fun in everything I do, the next idea that came to mind was making the light stick customizable. I thought, “Wouldn’t it be great if fans could personalize their bunny?” That way, each rabbit would represent a different person’s character. So we included accessories, allowing everyone to customize their own bunny. It’s symbolic of all these different bunnies coming together and enjoying a good time as one. Our light stick has a big head, so when it’s used in a concert hall, it lights up in heart shapes that are very visible. That was the image I really wanted. And that bunny face… it’s also a heart. It represents both the face of NewJeans and our hearts. It’s the love we’re showing to our fans, and the love we want to receive in return. Every time I see it, I feel deeply moved. It’s very emotional for me because it’s a perfect realization of what I envisioned. As someone with a background in creative direction, there’s nothing more satisfying than seeing an idea materialize exactly the way you imagined it. That kind of work holds deep meaning for me. ⸻ 🧢: Looking back, I think in 2023 we were able to achieve almost everything we had hoped for. I’m so incredibly grateful for that. Of course, this is an ongoing challenge… and the better things go, the more pressure there is. That’s why I always try to return to my original mindset. Just like I tell the members, I try to remind myself of the beginning and keep things fun. Back then, when we were first putting out content, planning the music, and working on visuals, I felt this thrill… this rush of excitement. I don’t want to forget that feeling. So I try hard to engrave that emotion into every album we release. I’m constantly working to rediscover the joy in all of it. So for 2024, I hope everyone can look forward to us with fresh anticipation. And even if we come out with something completely new, I hope people will receive it warmly and with excitement. That’s really my deepest wish. 🙏

1tokki

17,635 views • 1 year ago

[NINE HEART PICKS] Hyein's First Impression of Minji_ 😳 From pre-debut practice room memories to her current performances on stage, Hyein shares nine personally selected memories 🖤 🐹: Hello Dazed! This is Hyein from NewJeans. I just finished a Dazed photoshoot, and I can’t wait for you to see the collaboration between Louis Vuitton, Dazed, and myself. Please look forward to it! Today, I’ll be sharing my 9 Heart Picks—nine unforgettable memories, moments, or scenes from before my debut to my current activities. This has been such a meaningful day for me because when we released the Supernatural album, I had the amazing opportunity to collaborate with Takashi Murakami, which was such a happy experience. Now, with another incredible chance to collaborate with Louis Vuitton for this photoshoot, I feel truly happy and deeply honored. 💬 You attended the Louis Vuitton show yesterday—was there a moment that stood out to you? 🐹: I took pictures with Bae Doona-nim. I was so happy. And when she told me how much she supports us, it was such a heartwarming moment. 💬 What standard did you use to prepare today’s 9 memories? 🐹: I prepared this without a fixed standard, more like following a personal timeline. So, I’ll present it that way. First, I chose ‘trainee.’ I was the last one to join and become part of the team as a trainee. What still leaves the strongest impression on me is when I first saw the older members—how could there be such beautiful and angelic people? They were so kind, pure, and innocent. And, of course, they were incredibly beautiful, as expected. Back then, everyone had such youthful and delicate energy compared to now. They were all so cute, and it was really meaningful to live together, train together, and prepare for one goal as a group. 💬 Who made the strongest first impression on you? 🐹: Minji-unnie! During the trainee period, there was a particularly tough time for us called the ‘monthly evaluation’ period. It’s a time when we have to perform what we’ve prepared in front of an audience. It was just before one of those evaluations, and I remember Minji-unnie wearing a black hoodie, sitting in a spinning chair in front of her computer, and looking so serious and a bit intimidating. I actually mentioned this to her later, and she said that she was really stressed out during that time and might have seemed scary because of it. That moment left such a strong impression on me. The second memory I’ll choose is summer. The reason it’s summer is that we debuted on July 22. When we debuted, the members and I all gathered in the dorm to watch the “Attention” music video together. We didn’t release any teasers or previews beforehand, so we were just waiting for the music video to come out, and we all watched it together in the living room. There are moments in life where you don’t realize how precious they are at the time, right? But that particular moment really hit me. I felt, Ah, this is such a special time. It was one of those moments where you could truly feel its significance. That’s why I chose it. Since the first one was summer, I’ll go with winter for the second. When I think of winter, the first thing that comes to mind is “Ditto.” Despite being a winter activity, it felt incredibly warm. It was our second comeback, and the music video had a rich storyline featuring a character named Ban Hee-soo. That character represents Bunnies, our fans. It was our first comeback with a music video that directly included Bunnies, and the whole preparation process felt like we were doing it together with them, making it a meaningful activity. Also, the song “Ditto” itself is so special. Every time I listen to it, it has this way of making my heart feel full and warm. It’s a song that turns winter into something cozy, so I chose our “Ditto” and “OMG” promotions as a special winter memory. 💬 What song do you listen to the most? 🐹: As for the songs I frequently listen to, I mostly play tracks from our recent album. But aside from those, I listen to "Ditto" quite often. For the fourth one… I’ll choose Louis Vuitton. Louis Vuitton… Oh, I see our team giving me a look, ㅋㅋㅋ. But it’s not just because this is a Louis Vuitton shoot. There are just so many precious memories I’ve made with Louis Vuitton. From the very first moment I got involved with Louis Vuitton, I’ve had the opportunity to experience things I would never have dreamed of if not for this partnership. For example, I got to visit Paris to attend their fashion show and witness the incredible presentations of a brand with such a long and rich history. Those experiences were truly invaluable. Even the photoshoots were such exciting and happy moments for me. So, I’m incredibly grateful to Louis Vuitton for everything. For the fifth one… Ah, what should I choose for the fifth? I’ll go with people. Why? Well, looking back, I’ve realized just how many amazing adults and wonderful people I’ve had around me. Especially recently, I’ve really felt grateful for the good people in my life. And of course, that includes Bunnies. The relationship we have with Bunnies feels so unique to me. I’d love to meet them more often, have more conversations, and connect with them on a deeper level. But there are so many reasons and times when that’s not possible. Even so, it’s truly amazing how much they continue to support and love us. I’m so thankful for that. Thank you! So, I chose people. The sixth is the stage. We had our second fan meeting at Tokyo Dome, and what really struck me at that time was how much the five of us were genuinely enjoying the stage. Seeing so many people who came to watch the performance enjoying themselves and sharing in the effort we poured into preparing the stage made me feel so proud. It gave me the feeling of, "Wow, something I love and worked hard on is being loved by so many people." That’s why each moment on stage is etched deeply in my memory. The seventh is preciousness. During "How Sweet" and "Supernatural" promotions, we really gave it our all. The choreography was made incredibly challenging, and the songs were amazing as well. While preparing so hard, I ended up getting injured, maybe because I pushed myself too much. After the injury, I found myself spending a lot of time alone, which gave me a chance to look after the members more closely. They’re such a team that just watching them makes me smile. I didn’t realize it before, but watching them made me laugh, and I found myself wanting to see their performances in person. So, in a way, the time I spent injured and observing from a different perspective turned out to be a necessary moment for me. When you’re just running forward, you don’t always realize what you’re doing. But after the injury, I had time to reflect and remind myself why we’re doing all of this. The eighth is something very obvious: Bunnies. That’s because ever since our debut, Bunnies have been with us in every single moment. That’s why I chose Bunnies. Among the times I’ve shared with Bunnies, there have been so many moments filled with happiness, sadness, excitement, and a range of emotions, which is why I picked Bunnies. Lastly, Dazed! This was my first time working with Dazed, and wow! Today’s photoshoot was so much fun, and the Dazed team was so warm and kind. Thank you so much for treating me so well—it was such a happy time. Please look forward to the Dazed photoshoot featuring Louis Vuitton collections by Takashi Murakami. I hope you love it and check it out a lot. Thank you! Today, I shared 9 memorable moments from my time with NewJeans. What are your favorite Hyein moments? #jeanzforfree #혜인 #Hyein #ヘイン #HyeinxLouisVuitton #LVxMurakami

1tokki

13,057 views • 1 year ago

Loneliness On The Path & Transcending The Matrix Many of us can relate to the sense and experience of feeling alone as we shed the matrix-cultural social programming and sincerely start to seek truth. As we embark on the path, we start to learn, often remember, realize, and begin to see a deeper reality within and without us. This new sight is contrary to what the masses believe in and how they live their lives. It is also opposed to whatever we found to be true at first. But there was a splinter in the mind - a seed deep within that inspired us to question what we've been told and taught most often after a period of intense suffering responding to the yearning of the soul's call to awaken. It pushed us to answer the call and step into the unknown, and down the rabbit hole we tumble. As we progress on our path, going through our trials initiations and process of disillusionment, truth starts to become stranger than fiction. We can no longer relate to pleasures, social interactions, and enjoyments we may have engaged in enthusiastically in the past. Goals, ambitions, and desires we once had and were very attached to start to feel completely foreign to us. We realize that most of our so-called needs and desires, wants, including group and tribal identifications, were based on lies, wounds, and matrix programs, which we mistook stemming from our true self. They do not lead us to nor reflect true fulfillment joy, and love - the pure state of our soul hidden deep within us beyond the ego personality - our unique soul embodied individuality centered in the Divine. We start to see through appearances and all the pretense - the mechanical unconscious social interactions with the unconscious feeding mechanisms between people - emotionally, energetically sexually - where almost everyone is a copy of a copy sleepwalking and dreaming of being awake. We realize how little of real individuality and authenticity there is in the world, and how people mistake their conditioned and programmed ego personality for authenticity and also mistake all kinds of feelings, desires, and cravings within them for the soul being. All of which we have done in the past as well to varying degrees and still may do. We realize how little of true love there is. If we are honest with ourselves, we also question what love truly is and if we have really ever experienced it. The more we uncover within us and work through our shadow aspects, mechanical behavior, wounds, and traumas, the more we see all that in others. As the masks fall away, we start to see the unseen and a whole new world - the real world opens up. At first this view is not pleasant at all, and we may question our sanity, feelings of despair, depression, shame, guilt, anger, sadness, and loneliness come up everything that we have been hiding and have suppressed for lifetimes starts to come to the surface the darkness within and without is being made conscious as we descend into the underworld. The higher we want to rise, the deeper we need to go, The more light we possess, the more darkness we uncover. It is the esoteric law of descent and ascent at the same time. If we are sincere in our process, we start to realize thatwe cannot blame others or anything externally anymore. We are asked to take full self responsibility with radical self-honesty. The more we awaken, the more we are also confronted with the illusion of control, the ego likes to cling to. There is something else, a higher divine force that is pulling us out of inertia and sleep, asking us to surrender to it while, at the same time, the lower forces of nature want to keep us chained to our past, our wounds, programs, and identifications trapped in the victim-blame cycle. The occult adverse forces tag into our lower nature using temptations, egohooks and thought injections targeting our blind spots and wounds to keep us plugged into the matrix. Ultimately, we realize that the battle is and always has been through us. We then also start to see and sense the mighty occult hyperdimensional forces beyond our five sensory cognition that manipulate not only us but all people like puppets with strings attached. We realize that there is something else hidden from the mind of ordinary consciousness that controls and manipulates human beings from occult realms - something that feeds on humanity and keeps us in a frequency prison of fear and survival-based egoic service to self-consciousness. We also start to see the wounds and traumas people carry masked and armored under a thick social mask disconnected from their bodies. In fact, we begin to see how most people suffer deep inside but don't know that they are suffering for all the attention and energy is used to escape it by dissociation and then externalizing or suppressing their pain to avoid the discomfort of feeling it within. Like unconscious drug addicts, most people are constantly looking for a fix, trying to fill a bottomless hole in, always looking for love, fulfillment, and happiness externally- just like we have done in our unconscious sleeping state, dreaming of being awake. We then start to encounter humans who don't seem to have a soul but are empty shells occupied by something else. The eyes always give it away - all of which becomes more obvious as we cleanse our perception by internal work. We don't get fooled by appearances anymore. We begin to see via inner vision and our guidance comes more and more from within, not influenced by the group hive mind or the conditioned mind with all its fragmented thought loops. We let go of comparison, ambition and competition and surrender to our soul's calling to unite with the Divine. However, not only do we experience isolation and loneliness pulling back more and more from exterior life we also become subject to the projections and attacks of people still wandering in the wilderness of the collective matrix program. We realize that longtime friends and even family members or our spouse and partner are not at all who we thought they were - that these connections were often based on the illusion of love, trauma bonds, and social programming. We realize how we mistook love for all kinds of behaviors, feelings, and things that are not love but were based on wounds and unconscious feeding mechanisms. When we tell others about our discoveries and realizations we are most often met with ridicule made fun of or even attacked and shamed. We are being told that we are negative, crazy and live in fear or engage in fear-mongering-when, in fact, this reaction is their unconscious fear of the truth projected onto us. It is their false mechanical ego personality trying to protect itself from disillusionment with occult forces, working through them, using them as unconscious matrix agents and attempting to keep us from awakening, speaking truth, and anchoring the divine force. Hence, we also realize that we cannot possibly take anything personally anymore because it is not them doing anything. Moreover, we also recognize that these attacks and interferences serve a teaching function in the bigger picture of the evolution of consciousness and in the process of our unique soul evolution for all there is are lessons. These realizations and confronting the lies we've been telling ourselves do indeed lead to disillusionment - a moral bankruptcy. It's the necessary death everyone has to go through to be reborn in the true self. It is the way out of the matrix. Yet this loneliness we experience and the inability to fit in anywhere has its purpose, including the suffering we experience. If we keep on the track with faith and trust, learning our lessons with sincerity, patience, humility, and courage, it will lead us to true love, real companionship, and a conscious connection with Spirit as we find our way back home, reuniting with the Divine. We start to experience magical positive synchronicities and there is help and support of the divine force that responds to our call and supports and guides us in unexpected ways. But we can only perceive this guidance if we get out of the tunnel vision of ego identification and out of our heads. Doors open where there have been no doors before. Out of the dark, we emerge into the light, and we realize and experience on an embodied level—not merely philosophically or intellectually—that we were never alone but under a spell of separation from all that is, as we experience and perceive the Divine in all. Godspeed. Bernhard Guenther “We must become so alone, so utterly alone, that we withdraw into our innermost self. It is a way of bitter suffering. But then our solitude is overcome, we are no longer alone, for we find that our innermost self is the spirit, that it is Creator, the indivisible. And suddenly, we find ourselves in the midst of the world, yet undisturbed by its multiplicity, for our innermost soul we know ourselves to be one with all being.” - Hermann Hesse --------------------- Written and narrated by Bernhard Guenther Video and audio editing by Victor Fontane

Bernhard Guenther

136,740 views • 2 years ago

If you want to understand the Joe FlipperHead, Olivia Lamb, Karen Read and Aidan TurtleBoy Kearney chaos; FlipperHead (a guy named Nick from Philly) got confirmation Aidan recorded Karen Read. Then the recordings leaked. Basically, Olivia works for Aidan as a paralegal, now, but Olivia used to be close to Karen in the past (and Olivia and FlipperHead used to be close, as well, on a personal level). FlipperHead, for his part, is loyal to Olivia and Karen but FlipperHead doesn't like Aidan (much like other people close to Karen). Aidan, in turn, seems to be using Olivia to discredit Flipperhead (potentially without Olivia's permission). VIDEO TRANSCRIPT: [Opening remarks on social media and focus] Grant: [Lindsey Gaetani's] been talking about on social media, but let's get to that second. What I wanna start with—let me find the tab—I wanna start with the developments related to Aidan Kearney and Karen Read, okay? So we're gonna jump right into that, and what I have here is the actual discussion. Now, if you go on my X, you will be able to see the entire transcript. I'm gonna try to scroll with you as the video plays. It's a lot, okay? And then we're gonna do part two as well. So eventually, we're gonna hit part two of the transcript. I'm gonna pause, and we're gonna go to the second video. Now, this discussion—the reason why I wanna go over this—is I was listening to it, and I was like, "Wait a minute, I speak this language that they're all talking. I understand sort of the subtext of all of this, but they weren't really talking on the surface." It's a conversation between somebody named Chris, who Aidan Kearney calls a "koala," somebody named Joe Flipperhead—who's actually named Nick from Philadelphia, who was apparently close to a woman named Olivia Lamb, who is gonna come up in this as well. Now, Olivia Lamb did a lot of social media posts about the Karen Read and John O'Keefe trial on her profile on Twitter under Olivia. Now, then Olivia started—in a public announcement—saying that she started working for Aidan Kearney. And what you're gonna hear in this conversation is there's also a woman named—who else? There's a woman who's Australian that Aidan also knows named Lily. She introduces herself in the beginning, and then she's kind of the moderator-mediator. And then there's another woman that pops up in the middle named Erika Walsh. She only speaks two or three times. She's one of Turtle Boy's moderators. She interjects at two random times: one, when someone starts talking about Meredith; and two, when Aidan starts saying how bad the content of the conversation in question—that was allegedly recorded and sent to Karen Read, between Aidan and Karen—is for Karen. And then there's a third unknown voice that pops up at the end, who sounds like—it's a female, she's American. I don't know her voice, but it sounds like she's very close to Joe Flipperhead, this guy Nick. And she uses this phrase about Nick "leaving Olivia's ass" in a way that makes me think maybe this girl is close to Nick, and like, she got close to him after Olivia and Nick separated. Now you might say to yourself, "Oh dear God, why—first of all, Grant, why do you know all this?" These people post a lot; I don't know. Tracking this thing is something I've been doing for a while. So it's not like I went into it because I wanted to know who the hell Joe Flipperhead was, or Olivia Lamb was. They entered into a world that I knew a lot about because they were trying to cover this case. And so inevitably, I just had them on my radar, and when things pop up like this, I just connect the dots. [Background on Olivia Lamb] In terms of Olivia though—so she, I don't know. There was this weird situation, I think, at the end of trial one for Karen Read. So somewhere in—I don't know—late 2024, summer 2024 or so. Weird situation where Olivia kind of then, for a few months, wasn't around as much, or she was, but not as much. And then she came back around for Aidan and said she was working on his team or something. Now, Olivia—I don't think Olivia Lamb's necessarily a bad person. I think whoever she is, and whatever she's doing, is very intelligent. But if you kind of look into that family, her mom is named Christina Lamb, and her mom does boutique consulting for law firms. I think her mom might be a lawyer, but she doesn't really—I think the way that she does consulting is more like tactically how lawyers should think about how a case is presented in the public, et cetera, stuff like that. And you have to tie this into this Elizabeth Dombrowski person out of New York that runs this Good Counsel Legal Services that proclaimed that Jen Altman and whoever else were paralegals for Aidan. You see what I'm saying? And what I think Olivia's role is—I think she just does PR. She does some paralegal work clearly, but I think she's mostly like a PR specialist. But I think why there's so much obfuscation—and I'm giving you all this background, because the conversation you're about to hear makes no sense if you don't know all this background. The context there, I think, is that—I think Olivia is a person. Like, I think she is real. But I think the reason why there's so many smoke and mirrors is that she's a conduit for implausible deniability. In the world of public relations—especially this kind of public relations—is incredibly important. So I think she's like a conduit for more entrenched public relations interests, which—okay, fine. I don't see that as per se evil. I'm a critical theorist. So I study propaganda. So like, if you are doing anything that emerged from Edward Bernays's systemic weaponization of his uncle Sigmund Freud's study of the mass psychology of the mind—if you do any of that—you're inevitably gonna catch my attention. Not because I necessarily per se think it's evil, but because that's my wheelhouse. Like, I reconstruct public relations and then I figure out what's driving that. Okay. So she—Olivia—got on my radar because of that, not necessarily because she's evil. Same, because I never really saw it. Now maybe some of the witnesses in the trial would think differently, but that's not my role here. I am like—I'm an objective observer. And um, Olivia was never really cruel. Like she just does PR. So I wouldn't necessarily say like everything she did was like right. But if you look at her style, it's not polemical. It's not—it's mostly analytical. Okay. So that's not an aphoristic or manipulative or evil person really. That's a PR specialist. And this guy, Nick—very similar, Joe Flipperhead. Okay. If you look at his posts—like, I wouldn't exactly say he's a cruel human being, you know, like he memes and stuff. Okay. He's kind of like Dave Cullinane a little bit, but he's just like a human. And you can hear it in this conversation. Like Joe is the one who's really holding Aidan accountable. Joe Flipperhead—whose name is Nick—he's from Philly. And um, I noticed 'cause I watched the stream of them one time—I don't know—he seems all right. I don't have anything against him or Olivia. In fact, I think they did a damn good job, at least Joe. Because what you'll also see here is there's another subtext. What this conversation is about is an allegation that Aidan Kearney sent a recorded conversation to Karen Read—a conversation with her—and then someone—nobody knows who—sent the recording to Karen's lawyers, David Yannetti and Alan Jackson. Now, what's weird about this is that there's also—and I don't like, whatever, I guess it is what it is—but the host, one of the hosts, Chris, this Australian guy—he might be a New Zealander, I don't know. But anyway, he starts saying directly to Aidan, "Listen Aidan, you went to lunch with Meredith—this Turtle Boy's former girlfriend—but her name is Meredith O'Neill (Meredith O). She's a person; she has an existence outside of Aidan Kearney and whether—a lot of people, I think, rightfully so, will take issue with some of the things Meredith has posted. But that's for her soul to deal with. She has to reckon with it, reflect on it, whatever the fuck, okay? That's separate from; she exists outside of the fact that she used to date Aidan Kearney." And I just wanna make that as a blanket point that like Aidan Kearney does not own someone's soul because they had some connection to him at any point in time. These people are independent people who have their own lives. So Meredith O'Neill is her name. And Meredith—like, clearly something happened between Aidan and Meredith because over the past few weeks—like, first of all, there's some more subtext to this, which is Aidan's paralegal team before Olivia Lamb came on was Courtney Healy and this woman named Tina Murray. Tina Murray —I didn't even know THE NAME until two weeks ago—but I had seen her before because she had silver hair when she was in court one time. I had no idea who it was, but she was sitting next to Courtney Healy. Now, way back when Aidan Kearney was incarcerated in late 2023, early 2024—apparently these two women, Courtney Healy and Tina Murray, were very close to Aidan Kearney. Someone had his logins, allegedly. They were helping like post for him while he was in jail, et cetera. Now, there's time back to that as well. Jen Altman is a key figure in all of this. And the reason why is that Jen Altman was the reason that Aidan Kearney and Karen Read got hooked up initially through Natalie Wiweke-Bershneider or whatever her name is. Jen Altman was also among this weird group of people. It was Tina Murray, Courtney Healy, Jen Altman, I think, and maybe just them three, who had access to Aidan in jail on a paralegal list. And at one point, Tim Bradl, Aidan's lawyer, wrote down that Jen Altman was a lawyer. She got so mad that she messaged Bradl, and then those messages got leaked. So there's all this discontent brewing within Aidan Kearney's kind of like organization, if you wanna call it. I'd call it more like a—yeah, it's like a hierarchy. And like he's at the—it's like a politician almost, but he's not a politician. You have like a top person at the top, and then you have all these staffers, and you have to manage the staffers. That's what he's dealing with. And he's gotta keep everybody like in line because like at one person breaks—especially a key—all right, two things. One, there's a reason you compartmentalize information, and you're not gonna be able to get in these type of operations because nobody needs to know everything. If you did that, then everyone would be a weak link. The problem is though, in order to compartmentalize in a bureaucracy or a schema like this, you have to have some people who actually know what's going on. Those people are liabilities. They're weak links. If you have someone who is too close and they know how you compartmentalized information, they'll see the full picture. They're the weak link. That's Courtney Healy, Tina Murray, Jen Altman, Meredith, Lindsey a little bit. These people are the weak links for Aidan because they see the full picture, whether they are aligned with him, don't like him, etc. etc. It's just they're the biggest weaknesses for him because they see the full picture. That's why he tries to either control them—in my opinion—or destroy them. But Aidan's in a real tough spot here because you can't run that playbook on Karen Read. Clearly, these people are incredibly loyal to her. Flipperhead, Olivia, etc. They may have been helping Aidan, but they're incredibly loyal to Karen. Now, what I've always suspected is that the whole point of charging Aidan Kearney was—one, he did bad things to the witnesses in the retrial, Lindsey Gaetani. He did bad things allegedly. Okay, the grand jury indicted him. But I think Brian Tully and the MSP unit that investigated Aidan—they were more interested in two different goals. Okay, they had parallel objectives beyond just the criminal proceeding. One: get information about who the target of the federal probe was after August of 2023. And it was Tully's unit and Matthew Farwell related to the Sandra Birchmore murder coverup. Number two: I think Tully wanted—and Kate Peter and Marty Keach wanted—Aidan Kearney and Michael Morrissey wanted Aidan Kearney to flip on Karen Read. It was a pressure tactic. It was always just a pressure tactic. That's what I fully believe. Now, I'm not saying he didn't do bad things. I just believe in the mind of the DA—these people were using pressure tactics to get Aidan Kearney in a tactical position where he would flip. Why do I think this? Well, a few things. One: in the fall of 2023, between like August and November, Aidan Kearney didn't need an intermediary with Karen Read. Natalie was out of the picture, although I'm suspect, because there's this new text from Natalie from August saying that like she was still loyal to Karen Read—although ostensibly they had a falling out in June of 2023 because Natalie called Karen late at night and she was upset about it. I always thought that was BS. Now I know why it was BS because there's also a March 24 message about like Joe Warren and Natalie wanting to go to court. I just have this suspicion that Natalie was never really like against Karen. What Natalie was doing was using Turtle Boy as leverage with Karen's permission—using it's called a limited hangout. Limited information about Turtle Boy's culpability for witness intimidation to the MSP so that the MSP would trust Natalie—so that Natalie could relay information back to Karen about the ongoing investigation of Karen and Aidan for conspiracy under 2747 and witness intimidation under 26813B. Now they did try to eventually indict Karen on that in March of 2024 at No True Bill, but they can do it again. They got more evidence—the state in May of 2024 about Aidan saying in Facebook messages that one Karen told him not to go to Lindsey Gaetani's apartment on December 23rd, 2023, and then some other stuff—basically where Aidan was implying that someone told him to run Jen McCabe's license plates. Who would that be? Karen Read. He didn't say it but he implied it to Jenna Rocco and Amy D'Angelis and whoever else was in that internal chat that got leaked. So I really believe that the reason why Aidan Kearney was such a liability to Karen Read—and why she was saying it out loud—is that Karen Read always saw Aidan Kearney as vulnerable to flip. Why? Because Brian Tully did his homework—whatever his motives were—and he found a few things. And I think that him and Kate Peter profiled Aidan Kearney. That's why Kate Peter had some role in this—because they thought Kate Peter should really like Aidan in a lot of ways because he used to be colleagues. Two: I think the state police thought she saw his psyche—Aidan's psyche—and could help them profile him. Three: I think Kate Peter is very hard into the world, and Tully and those other people in the unit could say like, "Yeah, we're worried about Birchmore; we got to do damage control here. Nothing's really wrong with the O'Keefe death investigation," and just—they're going to find out about Birchmore—and Kate would go along with it. That's my opinion. But Tully gets this video of Aidan that he had sent to Lindsey—and it's out there on the internet. I don't want to play the content; it's sad. But this is why I think this is what was in the prosecutor's mind when they were going—and the MSP's mind—when they were going after Kearney. Yes, he did bad things—especially to people that knew the DA and Tully like McCabe, Jen McCabe, etc. But also Aidan was an Achilles heel for Karen. Think about MSP, right? And the way we're analyzing Aidan's weaknesses via weak links in the compartmentalization chain. Okay, flip it around and think about MSP thinking about Karen. What's a weak link in her compartmentalization chain? Aidan Kearney. Now, in that regard, Aidan Kearney—if he flips on Karen Read—guarantees a conviction for Karen Read for the state, even if they can't get her on John's death. It was a backup plan. Second to that, I think though—it's a dynamic situation—and that something must have fucking happened recently. Okay, and I've long thought—and we'll read Lindsey's post on this later because she was talking about it on Twitter overnight, and I was reading it this morning, and it made me think about this—I've long suspected that Kate Peter made a deal with Aidan Kearney in the past like 6-8 months. And the deal was involving the Norfolk DA and the people prosecuting Kearney, and the goal was to get Kearney to flip. And I also think Kate wants Kearney in the Netflix documentary that she's working on with Gretchen and Sandpaper—which, they don't really understand. Like, bro, you think you're getting my footage and me if you're going to enable Kate Peter and try to portray her as the Charlotte of the internet? What planet are you on? No. No, the answer is no. But anyway, I really believe that this deal was made because why else—and I think Karen found out about it—because why else would Karen—[we're going to—the conversation is going to clarify all this]—why else would Karen on Friday authorize Joe Flipperhead to release information that confirms that Aidan recorded Karen. Now, why Karen is not going to do this if she didn't hear the fucking recording? She's not a moron. She's a tactical genius. I'm telling you—I don't necessarily agree with all the things she's done. I personally think she's responsible for John's death, but like—she's a fucking tactical genius. And you have to understand in some sense—like she wouldn't do this unless it's real. Like someone sent her that recording, and I don't believe Aidan Kearney sent it to intermediaries because if Meredith is the closest person to him—or was—in the world, and he's going to lunch with her and will only play it for her allegedly—okay, there's no way in hell that he would just send it to people. I believe—whether through a fake account or otherwise—Aidan Kearney sent that to Karen's lawyers. That's just my opinion. I think there's strong reason for him to do it. It's a message. Okay. As a result, I think Karen Read doing this had to sense that this was the moment—like this was the moment where the decision was going to be made about whether or not he cooperated. And now is Aidan's kind of like signal flare that I'm thinking—from Karen Read's perspective—Aidan sending that recording to Jackson and Yannetti is a signal flare that if she doesn't act now, he's making the choice to flip on her. Okay, well, what did she just do? She in essence just put him in the worst position possible because he had to be able to—him and Kate Peter—had to sell the narrative in public that—and this is why I was on Lindsey's profile earlier. Let me see if I can bring that up—him and Kate Peter had to sell the narrative in public that Karen was worse than Aidan Kearney. All right, so let's take a look at Lindsey Gaetani's post here. Let's read this first and then let's look at the post from Kate Peter. So Kate Peter post last night: "Karen Read has killed a man before and to my knowledge, Aidan Kearney has yet to do anything like that. Take that as you will. Regardless, they're both giant DBAGs, but you can decide who is worse. My vote is Karen Read." That's Kate Peter—one of the closest people in the world right now to Brian Tully, Michael Morrissey, and the decision makers who were initially prosecuting Kearney—telling you in plain sight what's going on. So let's read Lindsey's post: "Yes, we already know a deal was made a long time ago. How cute of Kate trying to win over the turtle riders after she pretended she was still trying to put him in jail the past several months. Does anyone of the turtle riders know who Christine Gagne is? I have no idea who that is. Does anyone know who that is? That's the woman Kate Peter blamed for wiretapping charges with TB and the person she blamed when I asked her where her deleted Google Drive went with the state's evidence. Why would Kate blame this woman for deleting evidence when this woman's name was never mentioned during the grand jury or in a single email or police report? Interesting." Well, wait a minute. Wait a minute. Wait a minute. So we know Kate Peter was providing evidence to the grand jury. We know that from the recently released court documents and discovery in the Kearney criminal case. Why was—why is Kate Peter blaming someone? Who is Christine Gagne, who—why is Kate blaming her when Kate was the one who was—there's evidence that Kate was directly providing this material to Tully, who was taking it to the grand jury. And by the way, I want people to understand: my anger here is not because Aidan Kearney was prosecuted. I think he should be held accountable. My anger here is because the people prosecuting him had ulterior motives. Lindsey Gaetani didn't have an ulterior motive. She was victimized. She was an unwitting pawn in this proxy war between Karen and the DOJ—Karen and the DOJ and Aidan on one side, and the Norfolk DA and the MSP unit on the other. But instead of trying to prosecute Aidan, it was all tactical. And nobody was told—that's the worst part. And that's why I'm so upset about all of this, because it was a disgrace. It was a disgrace to the process. If you're going to hold someone accountable, do it. You don't use it as leverage to get someone else. And if you're going to do that, be open with the people who are victimized. Otherwise, you are going to build resentment. Why would you ever want to be in a situation where you have to handle a victim? Because if they were made aware of what was actually going on, they would be upset. That is a very prime example—on its face example—that something is very wrong. Not because Aidan Kearney is absolved of liability or because I think he did nothing wrong. Absolutely not. No. Other way around. But because that kind of behavior—given impunity basically, because there's a larger fish—it's an abuse of prosecutorial discretion, not because the prosecution exists. In my opinion, a grand jury indicted him; he should be prosecuted. That's what happens when indictments get handed up. But because the aim of the prosecution was not to seek justice—it was to get—it was to pressure Kearney to flip on Karen Read. [Transition to the conversation] Now, to bring this all back—because we got to go—I want to look at this conversation here. I want to actually listen to this chat a minute. I'm going to explicate; I'm going to try to tell you what happens. "Hi, Bunny Towel. Hi, Christina. No haircut. But guess if you want to send donations—today's a good day for that. We got to get Towel to the end of the month. Towel's not going to be able to move very much for the next few days. So I could use some food if you want to send me some gift cards. I just need some help. All right. I'm a little towel. I got a lot going on. And anyway, so I'll—I'm sitting in my chair. That's as much as I can do right now. I can talk; my brain works. I can sit in my chair. I'm not doing anything else, but I should eat at some point. Anyway, so we're going to listen to this conversation because you have to think of all that background when you're analyzing. Why right now? Okay, why would Karen Read tactically right now burn Aidan Kearney? Aidan Kearney supporters are very loyal, but a lot of Aidan Kearney's base are becoming alienated because either they care more about Karen Read than Aidan Kearney or because Aidan Kearney's been on this weird tear recently where he like been attacking middle-aged women who are most of his fans. All right. Most of his fans are middle-aged women. And he goes after people's looks like whatever. So there's already this alienation happening. I believe the only reason Karen Read does this right now is because what it did—and what it's doing to Aidan Kearney—is it's decimating his support. Okay. Well, why are you decimating his support? Why are you forcing people to pick sides? Why would you do that right now? Either [he] cooperated or he's about to. All right. Now Karen Read—if she was—here's my read of this—if Karen Read was just going to cooperate, she wouldn't have done this this way. Okay. I'm sorry. It would have been completely different. I don't believe that she would have done it this way. I believe she would have done it a completely different way. And the reason why I believe that—we're going to read the text from Karen before we start listening to this. By the way, you can see I have the video here for you. What happened? By the way, just to give you a little more context. So this X Spaces that we're going to listen to—I have the full 37-minute X Space. This X Space, okay—it was before the text messages from Karen to Joe Flipperhead got released. So what you have to realize is these texts you're seeing on the screen got released because of this conversation. You're going to hear Joe Flipperhead say it.

Grant Smith Ellis

36,588 views • 10 months ago

👩‍👩‍👧‍👦👩‍👩‍👧‍👦👩‍👩‍👧‍👦PI NETWORK NEWS:🌍 Global GCV Ambassadors, Let’s Reflect and Reignite Our Purpose! 🔥 On May 31, 2025, Ms. Lumari delivered a powerful and heartfelt message to all Head Ambassadors and Education Ambassadors around the world. Her words are a wake-up call — a reminder that this movement only grows stronger through our action, unity, and unwavering commitment. As we enter a new month, let us take her message to heart. Let us stand together, share the Buy Back Campaign, and guide pioneers with courage and leadership. 💬 Below is the full speech from Ms. Lumari — please read, reflect, and take action. Together, we are the driving force behind the future of Pi. Together, we protect the value we believe in. 💪⚡ --------------------- "Global GCV Ambassadors Meeting May 31, 2025 Hello everyone — to all our amazing Head Ambassadors, Education Ambassadors, and most especially to our beloved Ms. Doris Yin. Your dedication and passion are what keep this movement alive and growing every day. I’m truly grateful to be with you all today as we gather once again to push forward with purpose and heart. This meeting is a follow-up to our last gathering, but today feels even more urgent — because we need to come together now more than ever. And I’ll be honest: I’ve noticed that only a few are really paying attention to our calls and responsibilities. So here’s a tough but important question: Do we really want to win? If your answer is yes, then it’s time to show it — not just with words, but with action. Today is May 31 — the last day of the month. Tomorrow is June — a fresh start, a new opportunity to realign with our mission. That’s why we are urging everyone to fully commit to the Buy Back Campaign. We need to make reposting the Buy Back Campaign a habit. Right now, only a few are consistently sharing it. Our campaign should be everywhere — loud and proud. We’ll keep monitoring reposting activity. Just two weeks ago, we reached 70% reposting — but now we’re back down to 20%. Reposting is easy. It only takes a few seconds. So please, let’s do it — consistently. It shows we are proud ambassadors of this movement. To all Head Ambassadors and Education Ambassadors: You each play critical roles. Head Ambassadors — you are the drivers of the Buy Back Campaign. - Your leadership is what makes this movement come alive in your countries. You are responsible for: Coordination, setting national goals, tracking progress, ensuring full engagement and maintaining consistent communication. You are also tasked with recording and reporting Pi purchases in your country. These reports come directly to me and are crucial to measuring our collective impact. Education Ambassadors — you are the heart of understanding. - Your mission is not just to share information — but to inspire and move people. - Host regular training sessions. - Make sure every pioneer understands why buying Pi matters. - It’s not enough for them to just hear the message — they need to feel it, to know that their participation matters deeply. Walk them through the Buy Back process if needed. Make it simple. Even better — lead by example. When they see you doing it, they’ll feel empowered to do the same. This is how we multiply efforts — and scale our impact. Education is not just teaching — it’s mobilizing. So why do we have a Buy Back Campaign? Because we must buy back Pi from the exchanges — to protect the value we’ve built with our own hands and hearts. When pioneers buy even just 10 or 20 Pi, we’re pulling it away from speculators — and bringing it back into the hands of our committed community. That act: - Strengthens our economy - Stabilizes Pi’s value and - Shows the world our unity. Here’s the strategic insight: When Pi on exchanges runs out, launching Open Mainnet becomes much easier. That’s our goal. To act now, not later. Why do we believe we can empty the exchanges? Because the numbers are on our side. - About 14 million pioneers have migrated their Pi. - 84% — more than 11 million people — own less than 10 Pi. They are the silent majority. If even a small portion buys back just 10 or 20 Pi, it will trigger a transformation we can’t stop. What’s missing? - Direction. - Purpose. - Courage. If every pioneer chips in, we make history. Let’s break it down: - 1 million pioneers buying back 20 Pi = 20 million Pi back in the ecosystem - 5 million = 100 million Pi - 11 million = enough to drain the liquidity and protect our future Think about this: Two Cups of Coffee. That’s all it takes to buy back 10 Pi today on a CEX. Do you drink coffee every day? Then you can buy back Pi. So ask yourself: What do you want more — your daily caffeine, or economic freedom? And what if all 70 million pioneers acted?If each one held or recovered just 20 Pi — that’s 1.4 billion Pi back in pioneer hands. That’s more than enough to protect our whole ecosystem — and give us the power to decide our future. Starting June 7, 2025 — All Head Ambassadors must begin submitting regular reports on Pi purchases made in your country. These reports are vital to the success of the Buy Back Campaign. Also, please post these Pi purchases on X (formerly Twitter). Why? Because people imitate what they see. When they see others buying Pi — they’re more likely to do it themselves. That’s why visibility matters. That’s why social proof is powerful. Let’s show the strength of our movement. Let’s inspire trust and action through consistency. Together, we rise. Thank you. Lumari Executive Director Global GCV Core Team" #PiNetwork #GCVMovement #BuyBackCampaign #LumariSpeech #PioneersUnite #ActNow #GCV 👩‍👩‍👧‍👦👩‍👩‍👧‍👦👩‍👩‍👧‍👦 --------------------- 🥰 P.S.: The Global GCV Core Team welcomes pioneers from around the world to work together to build a strong GCV-based Pi economy. Let’s co-create the future—united and strong! 📢 Join the global Pi movement on Telegram: [ --------------------- 👉 Please Like, Share, and Comment to support the Pi Network’s global expansion! Your voice matters! 🥰 --------------------- Pi Network Doris Yin 东方紫莲🪷 Lumari 🦋 NONNY PADJA NTT 🦅❤GCV ambassador indonesia 🦅 Jason Wong_Pi M.Rad Olivier Ndatimana PATRICK CHUA KIAVASH brave Lee Mazi victor onyido Cherif A.I Herine Makosewe love life 2025 Mohammed Alademi Danyll PiGCV_Spain西班牙 EDIER ALONSO RINCON @tkst RAMESH SHETTY hoda448🪷 Ganhoumeto dossou expedit ange Turkiye GCV Ambassadors 🇹🇷 Pi Network N. Uğur Kadifeci 👩‍👩‍👧‍👦

JoJo-π

14,837 views • 1 year ago

Raising a major red flag!! This is very serious. You know, over the past few years, when I speak of antisemitism today and how it compares to antisemitism before the Holocaust, one of the biggest pushbacks I get is that back then antisemitism was institutionalized with the Nuremberg laws, but today it is not. So allow me to tell you what institutionalized antisemitism looks like. The topic of foreign aid to Israel is a hot topic. Yesterday there was a vote in the U.S. House of Representatives and 104 representatives voted for a bill to cut all foreign aid to Israel. So how serious is American foreign aid to Israel? Allow me to give you some numbers. The US GDP is about $27 trillion. Their foreign aid is about $100 billion. That means that ALL US foreign aid put together is 0.37% of their GDP. A microscopic number. But that is ALL their foreign aid. How much of that goes to Israel? America sends Israel $3.3 billion in annual foreign aid. That means that Israel’s foreign aid from the US is about 3% to 4% of total U.S. foreign aid, which is only 0.37% of the GDP. And this is what all the fuss is about?! By the way, Israel’s GDP is approaching the trillion dollar mark. So again, we’re talking about $3.3 billion from the US out of Israel’s $1 trillion GDP. That number is almost completely insignificant. For context, the Ukraine gets about $6.5 billion. So congress said no to stopping foreign aid to Israel. That’s great news, right? Wrong!! Over 100 American congressmen voted to stop foreign aid!! 104!! This was a bipartisan issue forever. No more. How does that number compare to previous votes on the same topic? In 2025, only 6 members voted to cut funding. Six! And yesterday was 104!! This is extremely worrisome! Side note: I actually hope Israel does become independent and stops taking foreign aid but that should be our decision, not congress’ decision! So… As you may or may not recall, before 10/7, I wrote a post raising a red flag that something big is about to happen and Israel will be at the center of it. Wrote that two days before. And a month before Bondi, I wrote that there is going to be a mass casualty event at a Jewish event. I’m not a prophet but I do have my eyes open so allow me to tell you what’ll happen next. The conspiracies about Israel are running rampant. They are getting sillier and more dangerous by the day. “But I’m sure those conspiracy theorists are just a bunch of crazy people with no influence.” Really? How about the vice president of the United States of America? This is a recent interview with JD Vance, the vice president of the United States of America, saying on Joe Rogan’s podcast to his millions and millions of followers and listeners that there are paid players funded by Israel who are trying everything to undermine America’s negotiations with Iran. He quotes a time magazine article that singles out actual friends of mine who are paid by no one and the entire article is one big blood libel. And this is the vice president of the United States spreading this false narrative about Israel. The conspiracies are everywhere, and they are getting worse by the day. Things that were considered socially unacceptable and even taboo just a few years ago have become a daily occurrence. If I showed you my comment section or my inbox on any given day, you would become physically ill. You know, the caricatures of Jews with big noses, the name calling, the praising Hitler, the claim that the Jews are the source of all of the world’s problems, and on and on and on. Just a few years ago, no one would dare speak that way publicly. Maybe they would say it behind closed doors, but they would never say it publicly due to the risk of being canceled as an antisemite. Not only are those things no longer taboo, not only are they acceptable, they are now the cool thing to do. All the cool kids are doing it. So here’s my new prediction. Soon, I don’t know if it’s a couple of weeks or a month or two, there’s going to be some explosive new theory or conspiracy about how Israel is undermining the US. It will be widely accepted by Americans, which will lead to a faster increase in anti-Semitism, which will lead to Jews finding themselves totally isolated and discriminated against in mainstream American society. Mark my words, over the next short while, we will see some serious allegations against Israel, whether it’s Israel spying on America, Israel stealing money from America, or something else that is completely not based on reality. Antisemitism in the United States and Western civilization in general is about to go through the roof. I am not talking about anti-Semitism from Islamist. I am not talking about radical anti-Semitism from the far left. I am not even talking about anti-Semitism from the far right. I am talking about mainstream American society, people who stood by us for years, completely turning on the Jews and joining forces with all of the groups I just mentioned. We are going to see anti-Semitism escalate physical violence and even murder. Things are about to get a whole lot worse and fast. As I always say, I would love nothing more than to be wrong, but I am not wrong. The silver lining? Many more Jews are going to come to the conclusion that they are no longer welcome in the United States, and will contact Nefesh B’Nefesh, get on a plane, and come home. Unfortunately, there will be many Jews who don’t, and who continue to convince themselves that everything is OK and that it won’t happen there. To those diaspora Jews, please remain alert at all times. So now, I ask a question I’ve been asking for years. Dear my brothers and sisters in the diaspora, what has to happen for you to realize it’s time to go? I’ve wondered my whole life why the German Jews didn’t leave, and I never had an answer, until now. If someone had a gun to their head and that person was told that if they don’t get on an El Al plane within the hour, the person will pull the trigger. Anyone in their right mind would get on a plane, right? If that’s the case, presumably those people do not think that what’s happening today constitutes a gun to their head. So here’s my question, what does? If synagogues being vandalized, Jews being harassed, Jewish businesses being boycotted, businesses refusing to serve Jews, Jews being assaulted and even murdered, being hunted down, lists of Jews being made, every single top podcaster (Candace, Tucker, Fuentes, Rogan) hating on the Jews, and politicians suggesting camps for Zionists, if all of that is not a gun to your head, then what is? What has to happen for you to realize you need to get out and now? Is there any such event? If so, what is it? I fully recognize that this is going to anger a lot of my friends in the diaspora. You know what? I am totally OK with that. You wanna know why? Because do you know who else would’ve been angered by me raising this red flag? My grandmother. And every other European Jew who lived there just before the Holocaust. If I had told them then what I’m telling you now, they would’ve called me hysterical, they would’ve said I am fearmongering, and they would’ve said it won’t happen here. Oh, and one more thing. Please don’t misunderstand me. I am deeply grateful for America’s support of Israel. My family was given refuge in the US. The US has been good to my family and to my people. I am thankful for that. Sadly that party is over and it’s time for Jews to open a history book and look what happened to the Jews in every single empire ever after many many years of living in that empire comfortably and in safety. In every single one of those instances, the party ended and the Jews did not read the writing on the wall before it was too late. How about we change that pattern and get out before it’s too late? While the party is over for Jews over there, the party over here is just getting started. We are building a BETTER future for Jews here in Israel. Yes, we have challenges here. I’d be delusional if I denied that. But the trajectory here is a good one. And if the challenges and problems over here bother you so much, then come here and fix them! The good news is, it’s true, antisemitism today cannot be compared to back then. However, there is only one reason for that, and that reason is the modern state of Israel, a country where any Jew can walk around freely with a kipa on their head and a star of David around their neck. Here, you are welcome with open arms. We were given a historic and unprecedented gift with the modern state of Israel, a gift our ancestors would have died for, and even Moses was denied. Please accept that gift and don’t throw it back into the face of the One who gave it to us. Also? Shawarma on me. 😁 Am Yisrael Chai Vekayam. The nation of Israel lives on! Those antisemites will soon become a footnote in history books while we will continue to exist, thrive, and flourish! 🇮🇱🇮🇱 Come join us!

Hillel Fuld

45,963 views • 24 days ago

Everything you've heard people like Marc Lamont Hill say Pac didn't do is false. The man has the deepest literary device bag ever and he employed each of them well. These breakdowns only show a glimpse of how deep his literary device bag was. Sidenote: Joe Budden isn't a true Pac fan. *We clock figures "If I had a bigger dick or a dime for every time Muthafuckas took a bit of the lines from in my rhymes, I'd be richer than a bitch with a trick with big pockets, (Simile, hyperbole) equipped with a dick that's so thick, it fits sockets". (Hyperbole, metaphor) 2Pac loved implied metaphors. Here, he metaphorically compared his phallus to something large enough to fit into a socket, such as a large impact socket, exaggerating size for comedic and rhetorical effect. "If I had a dime for every time", is an idiom (Used to indicate a very frequent occurrence of something happening. Usually used in conjunction with some expression that one would be rich as a result of receiving money for all such instances -Farlex Dictionary of Idioms) You can follow the idiom with a multitude of different things, and he chose to follow it up with the number of times others have took a bit of the lines from his rhymes. He is obviously referring to other emcees biting his rhymes here. He layered an additional hypothetical onto the idiom, creating two parallel, alternative hypotheticals. Each hypothetical leads to a different exaggerated outcome; one financial and one physical (penis growth). He pairs the idiom with a second, independent hyperbolic premise, stacking the hypotheticals and juxtaposing their exaggerations. This parallel hyperbolic scenario intensifies both the exaggeration and the comedic effect. It also makes the hypothetical scenario even more non-literal and impossible. This is why he made sure the following lines did not just include a hyperbolic simile about the amount of money he would receive from every instance. He made sure the lines also included a "vulgar" hyperbolic metaphor about how large his penis would grow from every instance as well. It's figurative and impossible. The hyperbolic simile and metaphor helped drive his point home. The lines are placed right next to each other for a reason. Great word selection and placement. "Please don't misinterpret what I say to be dirty." The lines before this one could easily be considered dirty," and he is sarcastically pleading for the listeners to not view the lines in that way. This is his way of letting listeners know the previous lines were figurative and were not meant to be taken literally. Basically, he is saying to think beyond the surface and do not have your mind completely in the gutter. It is also a disclaimer for the sexual innuendos that come next. "Muthafuckas want to jerk me, so they irk me how they work me". Multiple things he mentioned here could all have sexual meanings. The disclaimer is there to let listeners know to not interpret it as him saying that, "muthafuckas" want to literally jerk and work him in a sexual way. It is very clever and humorous wordplay. Listen to his adlib right after he says "work me". He chuckled because of the puns he used; specifically the one he had just finished using. Everything here is connected, and it was all by design. He set the scheme up at the very beginning of the verse and ended it after the work me line. The whole third verse is pretty much figurative. With Pac, you always have to pay attention to how he worded things and the placement of those words. He simultaneously sandwiched his rhymes in the lyrics included in my breakdown. He did this by rhyming internally and externally. He rhymed internally multiple times here, and even more so if you count the near and partial rhymes. He even added a multi in there (pockets, sockets). The assonance and consonance can't be ignored either. Pay close attention to what Makaveli said after: "My history so thoroughly involves destruction, niggaz left with their ass bleeding, lyrical fucking". "Open up first to bust, let me see your heart, turn the lights down, cause I might clown in the dark" Is a play off the lyrical fucking bar. Peep his choice of words. They're all sex related. He's speaking figuratively. He used puns. Hence, "open up, first to bust and "Turn the lights down, 'cause I might clown in the dark" are part of it as well. He's referring to sex in the dark but figuratively. It's all figurative, clever wordplay. Word Class Wreckin Cru also has a song called Turn Off the lights. Hence turn the lights down. Dre was apart of that group. He dissed Dre by name in this song. Also, peep his choice of words here. There's an obvious correlation between see, light, and dark. Makaveli juxtaposed those words, using 'light' and 'dark' specifically to create an antithesis. 'Makaveli rise, all you niggaz die when I come I do some fly shit and be done'. The words rise and fly are both related to flight. Very subtle. Lastly, he used internal and external rhymes, both with and without using multisyllabic rhymes. "Murdered my friends, built a new posse, we taking shots at paparazzi go and fly now, nigga like Rocky". "Murdered my friends, built a new posse", is not directed at Stretch. The friends he's referring to are the members in the Thug Life group. (Macadoshis, The Rated R). The Outlawz are the new posse he's referring to. He's also alluding to what his character Bishop did in Juice. Xzibit has a song called paparazzi. "We taking shots at paparazzi" was directed at him. Makaveli referred to him as paparazzi instead of his name. Although Makaveli didn't explicitly say his name, he sent a clear subliminal shot at Xzibit. Makaveli felt that Xzibit took subliminal shots at him in his song, 'Paparazzi'. "Forgive me, I'm a rider, still I'm just a simple man All I want is money, plus the fame, I'm a simple man. - Makaveli (Radio Edit of How Do U Want it) Here's what Xzibit said in his song Paparazzi. "I don’t believe the hype or buy wolf tickets Nigga, you make a gang of noise and never seen, like a cricket I guess that’s why we never kick it A lot of niggas is soft and get tossed, tryna fuck with the Likwit How many niggas do you know like this? Always claimin' that they ridin', but they really turned bitch It don’t make sense, either you’re a soldier from the start Or an actor with a record deal tryna play the part—like that! It’s a shame, niggas in the rap game Only for the money and the fame Edi dissed Xzibit in Bomb First (My Second Reply) but Makaveli dissed him himself this time. This is also directed at the actual paparazzi. 2Pac wasn't fond of them. The Paparazzi are freelance photographers who pursue celebrities to take photographs (shots) of them. Hence, taking shots at paparazzi. Get it? "Go and fly now, nigga like Rocky", is a reference to the "Gonna Fly Now" theme song (performed by DeEtta Little, Nelson Pigford, and Shelby Conti) from the movie Rocky. ""It’s like he’s standing up there jumping around; it's like he's gonna fly." - John Avildsen (Rocky Director) He was also referring to Rocky from the TV show, "Rocky and His Friends". This is why he said "Murdered my friends". Rocky was a flying squirrel in the TV show and this is why he said, "Go and fly now, nigga like Rocky". Makaveli was able to do all of this in just three lines. He got his point across without any wasted lyrics. The lyrics have purpose. He's lyrically efficient here. The way he set up the Rocky simile allowed him to kill two birds with one stone. The wording ('murdered my friends, go and fly now') provided listeners and readers with just enough hints to connect the dots between the lyrics and the TV show, Rocky and His Friends, while still referencing the theme song from the Rocky movie. "Baby .45 but she's still live, one shot make a nigga'z heartbeat stop.” He’s metaphorically talking about a .45 caliber gun being his girlfriend; this is obviously wordplay. That's just not the only layer to it. This is a part of the time motif he employed because anything that happens in real-time is “live.” He also juxtaposed “baby” and “.45” to create an oxymoron. An oxymoron is a combination of contradictory or incongruous words, and that’s exactly what “baby” and “.45” are here. A literal baby cannot be 45 years old. This isn’t just figurative because he’s metaphorically talking about a .45 caliber gun; it’s also figurative because of the oxymoron. He also juxtaposed “live” and “make a nigga'z heartbeat stop” to create an antithesis. The word “live” means to have life, while “make a nigga'z heartbeat stop” refers to death. He said “she’s still live” to also create a paradox. 45-year-old women aren’t generally associated with vitality, but despite her being 45, she’s still full of life. All of this is placed in a single line by design. “One shot, make a nigga'z heartbeat stop.” He’s not just talking about his .45 caliber gun (metaphorical girlfriend) being able to end someone’s life with one shot. He’s also saying she has the power to leave a man figuratively breathless. One opportunity or chance (“one shot”) with this woman could figuratively take a man’s breath away and leave him in shock. She has the power to make a man’s heart figuratively stop because of the “caliber” of woman she is. One shot with her can have this effect because she’s that mind-blowing and breathtaking, pun intended.

9-FO Tha Negus

34,168 views • 7 months ago

"I may be wrong about Elizondo...but I think that the rush to condemn him strikes me as premature [and], potentially, damaging to the community and to the disclosure effort." ~Dolan (This is WAY too long, and I probably should have spent my time on something else. But here it is. The video clips give you a taste of Richard Dolan's excellent 31-minute video.) "The theory that's been put out (by Gerb) contains, at least in my view, substantial problems of evidence, of chronology, and, at times, I just have to say, basic logic." ~Dolan "I am suggesting that Elizondo probably helped to create the opening that allowed Grusch to go even further." ~Dolan ~~~ Gerb in March: "When did Lue Elizondo start talking about crash retrievals? That was after David Grusch went public. You will not find him speaking about it beforehand." (As I've shown before, that's just not true. Did Gerb not do his research on that? I'll share A LOT of quotes from this Richard Dolan (Richard Dolan Intelligent Disclosure) podcast, and from my previous posts detailing the various times Lue has addressed crash retrievals. Plus, my take on various points. Dolan starts out by praising Gerb's research. I agree. Then he moves on to the Lue-was-brought-in-by Clapper claim.) Dolan: "The theory that's been put out (by Gerb) contains, at least in my view, substantial problems of evidence, of chronology, and, at times, I just have to say, basic logic." Dolan: Gerb claims Elizondo had to adapt his public position on crash retrievals because Grusch coming forward changed the game. "Gerb called this, adapt or die. "I think I understand what [Gerb] means by the controlled narrative and what it was intended to reveal and what it was supposed to hide (crash retrievals). What I still do NOT understand is why anyone protecting a retrieval program would initiate this type of a strategy." Dolan: Before 2017, one of the most significant protections for any alleged Legacy program was ridicule, silence and ignoring. "As long as UFOs remained culturally disreputable, any claims of crash retrievals were easily just brushed aside without any bother to investigate. That didn't change until December of 2017," and the two NYT articles. "That kickstarted a major, mainstream, national-security discussion. "So, if this was a controlled-disclosure program, my question simply is: You get the government, eventually admitting, that non-human intelligence seem to be operating advanced craft here, who could not know that the next questions would be inevitable? Like, have any of these crashed? Were any of these recovered? Where did the material go? Who's been studying it? In other words, this would, obviously, increase pressure on the retrieval secret. It would not protect it in any logical way. The most safest option would have to be continued silence. "Maybe this strategy could become plausible if insiders believed that something was about to emerge beyond their control, right? Some kind of trigger. Maybe there would be an imminent whistleblower that we do not know about 'til this day, that they were afraid of and they wanted to get out ahead of the narrative. Or some kind of foreign disclosure. Some other reason, some other cause that would prompt the secret keepers to think, 'Okay, we need to get out a controlled disclosure.' But, there really is no evidence that's presented, in any of Gerb's analysis, for such a triggering event. Why would the custodians of this secret, voluntarily, weaken the whole system that had protected them for decades and decades?" (Agree. I've had this convo with friends over the years about the theory that TTSA was created to get ahead of a disclosure effort that was coming from someone/somewhere else. But it never made sense because we could never find anything (disclosure-wise) that was happening before 2017 that would force the hand of the gatekeepers into starting some type of controlled disclosure such as what TTSA was allegedly doing. Except maybe... Dolan talks about how, when Hillary Clinton was running for President in 2015 and 2016, she mentioned UFOs and UAP in various interviews on the campaign trail. Dolan: That was gradually making UFOs, "slightly, and I would say, very slightly, becoming more acceptable to discuss." Plus, John Podesta (her campaign manager) was pushing for declassification of UFO files. "There were people at that time who really did believe that Hillary Clinton would become the Disclosure president." (I wanted to vote 3rd party in 2016 and didn't want to vote for Hillary, but did so, in part, in the hopes (slim hopes) that she would engage in some sort of disclosure, if she won.) Dolan: "I've always interpreted [Hillary talking UFOs during her campaign] as a much more, just pragmatic, you could almost say, cynical, if you want, treatment of the [UFO] subject, just to win some votes. The most that she ever said as a candidate, I think was, she would try to get to the bottom of this, whatever that means." (Well, she said more than that... ⬇️⬇️⬇️ “I think we may have been (visited already). We don’t know for sure.” ~Hillary Clinton That was covered in the NYT in 2015 My full post on that Hillary quote is here. ⬇️⬇️⬇️ And let's not forget the photo of Hillary from August 1995 where she's with Laurance Rockefeller on his ranch and holding Paul Davies' book, "Are We Alone? Philosophical Implications of the Discovery of Extraterrestrial Life." She and President Clinton have an interest in this subject.) ~~~ Dolan: "I just think that the leap from a political opportunity - talking about UFOs during the campaign - to a kind of, James Clapper-managed disclosure operation? I just don't think that's been demonstrated and I don't find it very persuasive." ~~~ Dolan then gets back to this claim by Gerb... Gerb in March: "When did Lue Elizondo start talking about crash retrievals? That was after David Grusch went public (in 2023). You will not find him speaking about it beforehand." Dolan: Gerb said that, "Elizondo, essentially, avoided discussing crash retrievals, except for Roswell, And that is just not accurate." (The Lue-avoided-crash-retrievals-until-Grusch quote from Gerb in March didn't include an exception about Roswell so maybe Gerb saw my posts on that and updated his claim? But it's still wrong. Dolan brought up Lue's comments on Tucker Carlson in May of 2019, but no other comments from Lue. I covered that and much more in various posts, which I'll share here.) Did Lue Avoid Talking About Crash Retrievals Before Grusch Went Public in 2023? From the 12/16/17 NYT article that started it all. "Under Mr. Bigelow’s direction, [BAASS] modified buildings in Las Vegas for the storage of metal alloys and other materials that Mr. Elizondo and program contractors said had been recovered from unidentified aerial phenomena." (Not a direct quote, and not exactly "crash retrievals of vehicles" but the seed had been planted in that first article. We know now (allegedly) that at least one of those buildings was supposed to store exotic materials that Lockheed was going to divest itself from, but the CIA nixed it all. Again, allegedly.) ~May of 2019~ Tucker Carlson: "Do you believe, based on your decade of serving in the U.S. government, on this question, that the U.S. government has in its possession any material from one of these aircrafts?" Lue: "Whoa. Umm…I do, yes." Tucker Carlson: "You think the U.S. government has debris from a UFO in its possession right now?" Lue: "Unfortunately, Tucker, I really have to be careful of my NDA. I really can’t go into a lot of…more detail than that." Tucker Carlson: "Okay." (And that could have been the end of the interview. But Lue decided to add this.) Lue: "But…simply put, yes." ~ NYT article in July of 2020... "Mr. Elizondo is among a small group of former government officials and scientists with security clearances who, without presenting physical proof, say they are convinced that objects of undetermined origin have crashed on earth with materials retrieved for study." ~ "My personal belief in Roswell? 100%. But I cannot speak officially and I cannot discuss about anything else that may or may not have transcribed." ~Lue on "Disclosure Tonight in Feb. 2021 Source: ~ Lue on Clubhouse in July of 2021 Lue: "Am I aware of the notion that there was some sort of retrieval of biological samples? Yes, I am aware of that notion. Am I aware that there may have been some U.S. government involvement in that? Yes, I am aware of that as well. I am aware that people have talked about it and I have heard it as well...regarding, anecdotally, of biological recovery." Source and longer transcript... ~ Lue on Dossier X in April of 2021 Lue: "You said something...that (Roswell) was the 1st time the U.S. gov't was engaged, and I'll share with you, that may not necessarily be true. There may be anecdotal information that indicates that perhaps the U.S. government was involved even before that, in purported, recovery-type activities." Host: "You mean probably 1942, in Los Angeles or something?" Lue: "I don't wanna elaborate, yet. I think some information's gonna come to light here, probably pretty soon, about some interesting incidents. Again, it's not up to me...there are some people out there are willing to come forward, I think. I'm just providing you the information that was indicated to me. I think we need to be careful jumping to presumptions or assumptions that Roswell was the first event similar to what we're thinking about." Source: ~ "I think people would be surprised to know there's more to Roswell than I think most people are aware of. Some people are aware of it. But, you know, there's more to Roswell and there's other similar incidents that are equally compelling." ~Lue on UFO Garage in 2022 Source: ~~~ March of 2022 - My Interview with Lue Murgia: "You said you believe Roswell was real. Are you as confident in other incidents as you are with Roswell?" Lue: "Yeah." Murgia: "Yes?" Lue: "Yeah." Murgia: "Okay." Lue: "Yeah." Murgia: After you were on Tucker and said you believed the U.S. government had material and debris from a UFO, "Eric Davis came out and said, '100%!' And he said landed craft, too. Did you see that when that came out?" Lue: "I'm aware of that." Murgia: "(laughs) Okay." (Probably an inappropriate laugh by me as Lue was dead serious and probably pushing the limits of what he was allowed to say in public about crash retrievals. He later said this in his November 2024 congressional testimony.) Lue in 2024: "I signed documentation three years ago that restricts my ability to discuss, specifically, crash retrievals." (I wonder what would have happened if he had refused to sign that?) ~~~ Dolan: "Grusch definitely went further (than Lue), much further, yes. That's a lot different from claiming that Elizondo kept retrievals outside the public narrative until Grusch forced his hand. And you really have to ask, if Elizondo's job was NOT to reveal the crash retrieval program, why, in 2019 - again, four years before David Grusch, is he going on and putting it out there? It just seems like there's a chronology problem there." (1000%, Richard! Makes no sense. My June 29th post was entitled... If Elizondo Was Brought in to Control the UFO Narrative Away from Crash Retrievals, He Did a Poor Job 🛸 Nice to see Richard and I on the same page with that. Richard speculates how the disclosure effort would look like right now if Lue hadn't gone public. Would we have several UAP hearings in the books by now? Would David Grusch had come forward? No way to know.) Dolan: "But I will say, or suggest, that it's entirely reasonable to think that Elizondo helped to create the institutional and cultural conditions that made someone like David Grusch possible. Elizondo did not keep retrieval out of the discussion." (In July of 2023, I directed this tweet to Lue.) "None of this would be happening without you." ~Murgia (Over the top and a bit fan-boyish? Probably. But... Knapp talking with Senator Harry Reid about Lazar and UFOs in 1989 - in a limo headed to the airport that would later bear Reid’s name - was a vital part of getting this whole thing started. Lacatski and Stratton launching the more recent effort around 2005, which eventually led to AAWSAP, AATIP and the UAPTF, was also REALLY important. But Lue going public in 2017 was MASSIVE. The media coverage that followed brought a ton of new people into the topic, and I’m not sure where we’d be today without it. Dolan goes on to talk about Clapper and how it's conceivable he would be on top of any alleged Legacy UAP/crash retrieval program. But he failed to note what Grusch said this past January on "The Megyn Kelly Show." Grusch: "General Clapper was well aware of the crash retrieval issue, managed the crash retrieval issue, and...he placed people in critical roles to manage this issue." (Is Lue one of the people Grusch was referring to? Does he have proof of that? From my own information, I have no doubt that Clapper was instrumental in Lue being connected to the UFO topic. But exactly how that went down and what did it entail? I don't know. I hope Clapper speaks to all of this in detail one day soon.) ~ Dolan: "Gerb has stated that Clapper gave cover to AATIP and, basically, directed the National Security Council retrieval activities. And that he selected Elizondo as the front man. Gerb described Clapper as the mob boss of the NSC crash-retrieval portfolio. "Those are very, very powerful allegations. I'm not saying they're NOT true, but that interview with Ross Coulthart, I would say, did not produce anything in the way that anyone would actually call evidence. Like, there was no documents...or firsthand witnesses that were named, or anything like that. "So you have this, basically, a link from Clapper, to the NSC operation, to AATIP, to Elizondo, to controlled disclosure. This could be true, but no one's seen any receipts on this, and I would like to. "And there's more things that I think raise questions about this whole scenario, frankly. I mean, I think of the Pentagon campaign against Lue Elizondo, which lasted for many years. Any theory that has Elizondo as a controlled-disclosure frontman, I think has to account for the documented, institutional effort by the Pentagon to undermine Lue Elizondo." (When the Pentagon spokespeople said that Lue had no assigned responsibilities for AATIP, it's not so clear cut to say they were trying to undermine Lue, since AAWSAP also had the nickname of AATIP, which I'll call AATIP 1. So, if we're talking about AATIP 1 (AAWSAP), Lue did NOT have any assigned responsibilities, except early on when he did some counter-intelligence. And if we're talking AATIP 2, which Stratton said he created in 2015, Knapp explained in 2019 that it was, "not so much a program as it was a loose network of intelligence officials in different agencies." And on April 8th of this year, Lacatski told Knapp that, "they started using AATIP in 2015-16 to describe their uh...what would you describe that as, more lunchtime get togethers? And George Knapp is laughing. I don't know how else to describe it." That tells me Lacatski felt AATIP was REALLY informal, and that could explain why Lue's role wasn't clear cut in the minds of those spokespeople, and why so many of my contacts told me he wasn't the director of AATIP. But those same folks also told me Lue played in an important role in that effort. My guess is that, since AATIP was so informal, there really was NO official director, but that should be clarified when Stratton's book comes out. Semantics? Maybe.) Dolan: Gerb's hypothesis featuring, "the management of an approved public representative (Lue) of a controlled-disclosure narrative...just doesn't make sense to me. What does make sense to me is something like a factional conflict. I think [that's] much more of a logical explanation for everything that we have seen. You have one group that may have supported some kind of opening - not even necessarily a complete opening - while another fought to preserve the secrecy as much as possible. "But that's a bureaucratic struggle. That's not, necessarily, a unified, controlled-disclosure operation. So I think that is a contradiction that was not really adequately discussed in this hypothesis. "I may be wrong about Elizondo, and I'm not here, again, to be his defense attorney. But I think that the rush to condemn him strikes me as premature. It strikes me also as, potentially, damaging to the community and to the disclosure effort, frankly. We can investigate serious allegations without first assigning everyone the role of either hero or villain. "So, I guess I would say that Gerb may have genuinely identified some real relationships and hidden activity. In fact, knowing his excellent research track record, I would be surprised if he didn't. "Elizondo - probably - does have undisclosed elements in his background, and I have no doubt he knows much more than he has said. When I look at the this idea of, like. you look at TTSA coming out at the end of 2016, and you see, basically, a kind of faction that had a very managed narrative indeed. Like, they did not come out and talk about crash retrievals. They did not at all. They talked about these military encounters and sensor readings and this type of thing. And that's a lot less interesting than crash retrievals. "But I try to look at it from, let's say you're a Pentagon insider and you are trying to fight for an opening in the public conversation. You're not gonna start with crash retrievals. First of all, you may not have the receipts on them yourself, to provide to the public. And also you're gonna know, right off the bat, that that's going to be a bigger hill to climb than just trying to get Congress to look at some of the more easily-verifiable reports that you probably have available. So, you're probably going to take it in a very tactical, strategic way. "That's not the same thing as saying that they're lying. It could simply be that was a strategy that was decided upon by these insiders. It's also possible they may not have believed in an uncontrolled, catastrophic disclosure. We can disagree with them on that, or you can agree with them on that. But again, I don't know that that's the same thing as saying that they're actually being dishonest. "If the factional thesis that I believe in is correct, then you'd have to assume that these people have to have their strategies and tactics in this broader struggle. Like, it would be ridiculous not to assume that. "So, I think, you know, it's entirely possible that someone like Elizondo has elements in his background that we would want to know about that are not there. It is very intriguing, and even plausible, perhaps, that someone like Clapper belongs somewhere in this deeper history. I would like to know what that is myself, and I would like to see something, you know, in the way of what we would call genuine evidence for that. Not saying it's not there. "I'm just suggesting that the current theory on Elizondo and controlled disclosure is asking us to accept several unsupported links, and, essentially, I would say a disclosure strategy that appears self-defeating and really illogical. Again, like, why initiate a disclosure program? Especially if you go back to the beginning of the AATIP era, like 2009-ish, 2010. Where was there any perceived need that we have to do disclosure?" (Not sure why Richard is not calling the 2009-ish, 2010-era, AAWSAP. I wonder if he knows that Stratton says he created AATIP in 2015? Could be relevant to this controversy.) Dolan: "Like, I look back at the situation at that time, and again, I was very, very on top of the scene at that time during those years, and I just was not aware of any public pressure, whatsoever, that would cause someone to say, 'We have to initiate a controlled disclosure of this, in order to protect crash retrievals.' "There's no logic there, it seems to me. It's, in fact, the exact opposite. "Also, the the current hypothesis, I think, really understates Elizondo's 2019 acknowledgement of recovered UFO material. That really has got to be understood. And it leaves the whole Pentagon campaign against Elizondo, in my view, anyway, largely unresolved and unexplained, and really not making sense. "And, I would just add, now that I'm thinking of it, this current hypothesis about Lue Elizondo, I think, actually reverses the the genuine historical sequence. In other words, I am suggesting that Elizondo probably helped to create the opening that allowed Grusch to go even further. "So, these are just logical questions that I have. You may have different questions. You may have rebuttals to what I have to say here. By all means, put them in a comment, I will read them. And again, I'm not here to defend Lue Elizondo, I am just questioning an account that does not yet, in my view, explain its own logic, or match the full chronology. "It is entirely possible that some of this story is well-known to researchers, including Gerb. I think, however, what has been presented so far does not show how all the pieces actually fit together, and I would like to see that. "And again, I say this with total respect to UAP Gerb and to Ross Coulthart, and in fairness to Lue Elizondo, who I think, if nothing else, this aspect of the history really needs to be understood by the broader community. So that is my statement. "And that doesn't mean that I'm right here, but I do think from time-to-time, it's okay to take a stand on a topic where I can see many people are going to disagree with this, but certain things I think need to be understood on this, and I hope that we can have a reasoned dialogue and discussion about this as we move forward with it, because it is a topic that we do need to understand. "My hypothesis has, pretty much, from the beginning, always been that what we are seeing and what we have been seeing since 2017 is, essentially, the result of a factional battle." (I believe Lue spoke about factions early on when he first went public.) "You go back through the history of this phenomenon, and if you read the old books going back to the 1950s, you see it then, too. You see that there were always factions within the Pentagon who did actually support some level of openness on the UFO subject. "You read the books of Donald Keyhoe, read the book by Edward Ruppelt from 1956: 'Report on Unidentified Flying Objects.' A lot of this is in there. And I think that's really never gone away. And so to somehow assume that there are no more factions in a massive labyrinthian structure as large as the U.S. military industrial complex, I think that's kind of ridiculous. There's always going to be factions. And I think that what we are seeing has always struck me as the result of a factional war that is taking place. "And that doesn't mean, by the way, that, you know, the two sides are just white hats and black hats. Everyone's got their own angle, everyone's got their own motivations. But I, nevertheless, tend to think that that is what we are looking at."

Joe Murgia

23,218 views • 5 days ago

"Tell us this isn't true." "They had a live being out [near Area 51]." "There were human experiments that went on." 👽🛸 Roswell: A Non-Human Craft or a Darker Secret? 🤫😶 (Transcript is shorter than clip. I don't have room to type more in this post so I'll just wait for replies.) ~ Lex Fridman: "In your book on 'Area 51,' you propose an explanation that I think some people have criticized, at the very end. That this might have been a disinformation campaign from, I guess, Stalin, that the Roswell incident was a remotely-piloted plane with a quote 'grotesque, child-sized aviator.' Just looking back at all that now, years later, what's the probability that it's true? What's the probability it's not?" Annie Jacobsen: (AJ): "So, you know, I've never revealed who that source is." Lex: "Yes." AJ: "You know that? Want me to tell you?" Lex: "Okay, who was the source?" AJ: "So, before I say anything on that, let me speak to the question that you asked, right? So, you asked me, 'What's the probability that that is still standing as an idea, 12, 13, 14 years later,' right? So, I continued to work with that source for years, afterwards. We talked about this. Look, I mean, his whole family knew it was him. And I knew his family because I was an integral part of, you know, I was at his house, met all his kids, grandkids." Lex: "And we should say, the source is the main expert advisor behind the story that it was. Maybe you can explain what the story is that your report in the book, that it was a disinformation campaign created by Stalin to cause mass hysteria in the United States. The very kind that we've been speaking about with the CIA and so on." AJ: "Yes! Predicated on the narrative of the 'War of the Worlds,' right? And the 'War of the Worlds,' when it was a radio program in the United States, made people go crazy. 'Oh, my God, we're being invaded by aliens!' Well, the government was always interested in the story and Joseph Stalin was, too. We know that from declassified documents, right? "And so, the source told me that the reason for this program, and that the real Roswell crash remains, were in fact, it was a black-propaganda hoax infiltrated, you know, or rather, predicated at this idea that you were gonna overwhelm America's early-warning, air-defense system, cause mayhem and maybe be able to attack the United States. That was the plan. And Stalin was also messing with the United States, messing with Truman, who sort of, you know, turned his back on him, right? At Potsdam. "And so, this idea, and the reason that the source is important... And unlike, you know, a lot of people, 'I saw this, I saw that, I learned that.' Was, according to the source, once it was determined that this was a hoax and that Stalin was able to get a craft over the United States, and it crashed. And it had, you know, people inside of it, they were people that were sort of deformed and meant...surgically altered to look like aliens. "The United States government decided that it needed to know what on earth that was all about, and if it was possible for us to have the same program. This, according to this source, right? And so, it sounds preposterous, and if it was just someone saying, 'I...,' you might say, 'Well, it's ridiculous, get them onto another subject.' But, the difference was, is this source, who was very well placed, and friends with all of the other 75 people, you know, told me this as a confession, right? A real, tearful confession, because what he said is he was involved in the American program to do the same thing. And people died, because there were human experiments that went on." "And I write about this in the last 12 pages of 'Area 51.' It was an explosive, you know, revelation, and I felt very confident in writing this because the source wanted it written. Why? Because he said, 'I'm dedicated to my country. I know about being committed to national security, and this kind of thing must never happen. And if you give people too much power, they will take advantage of it.' And he wanted it on the record. "And his wife of 60 years did not know until after the book published. Nor did His children, okay? So, after the book published, I was called to his house and sat there with his family. And they said, 'Tell us this isn't true.' And he said, 'It is true,' right? (We need a tape of this confession or...for his family to confirm they heard this from him.) AJ: "Now that source is Al O'Donnell, who is the nuclear-weapons engineer who armed, wired and fired 186 nuclear weapons, okay? So if you wanna talk about someone..." Lex: "Woooooow." AJ: "You're the first person I've told that on the record, but it's kind of about time." Lex: "Woooooow. Well, you received a lot of criticism over this story, and it confused me why, because it's...given the context of everything you've described with the CIA and other intelligence agencies, it is reasonable that such action would be taken. AJ: "And, the source is extraordinarily credible, right? If you wanted to take the position, 'Well, that person isn't very reliable,' then you have to ask yourself, 'Why did they have Top-Secret clearances that are higher than any in the United States whatsoever?' Because he was responsible for arming nuclear bombs. He was called the trigger man. "And by the way, he told me that I could tell the world who he was. There's a lot of details that are really dark, involving that program. And when is it appropriate, right? Well, it feels appropriate now. First of all, because you and I have been talking for several hours. So this is what is truly a long-form conversation and it's the outcome of, you know, a very long time of my reporting, and also being judicious about what, you know, closing the loop on that, right? Because I do think it's important for people to know that sources have revelations." Lex: "And, like you said, the programs, both on the Soviet side, and the American side, conflicting, I think's the term we used previously? Ethically, morally, on all fronts. People have done some horrible things in the name of security. In your book, 'Surprise, Kill Vanish,' you write about the CIA." ~~~ Jeremy Kenyon Lockyer Corbell: "So, today, I want to focus on a really important story that you once told me, that has never been told all the way [from the] beginning, to all the way to the end. And I just think it's just so cool we get to do this today. So, the question I want to ask is: After you got hooked on the UFO thing, with Bob Lazar, and you as a journalist said, 'I'm gonna start getting sources.' Like, 12 people coming at you, people shut down by the government. You can tell that. But you finally, finally got to a credible individual who had direct, firsthand knowledge about UFOs, exploitation, reverse engineering, and beings. And, oh my God, I want the world to hear this story. Tell us the story." George Knapp: "I've shared some of it in very broad strokes over the years- little bits and pieces of it - without ever actually referencing, in my statements, the guy the source. But this will be the first time I've told it in totality. "And it takes me back to when I first started in this. It's 1989 KLAS-TV, we put together, we spent eight months working on this project called 'UFOs: The Best Evidence.' Nine-part series. It airs on television, it's the biggest thing that's ever been produced for local TV, to this date, and still. "And, along the way, as I'm trying to find...telling the story about Bob Lazar, and his allegations about what was out there at S-4, near Area 51 - recovered discs, alien technology being reverse engineered - I'm looking for people who would support that. And I found about two dozen people, witnesses who had worked out there, who had seen bits and pieces, who could corroborate parts of what Bob had said about these kinds of craft being out there in the Nevada desert. But there wasn't anybody big picture who knew as much as Lazar claimed to have known, so I was still looking for them. "In 1990, I started working on a follow-up series to Best Evidence, looking for new witnesses. And I got a hint from an elected official that I had known, I'd covered him in Nevada politics. He says, 'You know, you should talk to my dad one of these days.' 'Your dad?' 'Yeah.' And he told me what the dad's name was and what he had done, what job he had had. And I said, 'Ah.' So I started stalking the guy. I just started showing up at events where I knew he would be. One of those events was a reunion for employees of EG&G." Corbell (JC): "So I'm assuming that this source was working within EG&G in some capacity, which is, by the way, who Bob [Lazar] said, hired him to go out to Site-4, S-4 at Area 51. So you're like, 'Okay, I can now find out if this is bullshit, or if there's an element of truth to it.' Do I have that right?" Knapp (GK): "Pretty much correct, yeah. So, I'm looking for someone whose credentials are impeccable. Unlike Bob, whose credentials were questioned, and people still attack him on where he went to school and where he worked, and was he at Los Alamos? This guy is documentable. There's a paper trail of where he worked, what he did. There's no question that he was in a position to know. He was the first general manager of EG&G in Nevada. His name was Al O'Donnell, and he has a prominent family. "When I heard that EG&G was having a reunion, I went there. We took a camera [and I figured], 'This is a great chance to get him on camera before I start asking him the questions I really want to ask.'" JC: "And when you say he is a general manager, like, does that give him certain roles and responsibilities that would give him insight? Like, he's not a secretary, so what does that mean?" GK: "He's the boss. He was the boss of the Nevada office. And I'll tell you a little bit about EG&G. So, it was a company that was created in Boston, right around the end of World War Two. Al O'Donnell had been in the Navy, serving during the war. He got out of the Navy while the war was still underway and went to work for a company called Raytheon, which became this massive, gigantic defense contractor that's still around today, still in Nevada in fact." JC: Yeah, they've got a big connection to the UFO topic, right? But, when you say Boston, like, where in Boston was it created?" GK: "Well, MIT is where the company was born. Edgerton, Germeshausen and Grier were the three guys, the EG&G in that. They were at MIT. Scientists, engineers, they created this company there. And Al O'Donnell, who had been working for Raytheon, working on the Manhattan Project. He didn't know he was working on the Manhattan Project, but they were building these devices, complex triggers, that allowed them to detonate nuclear weapons. He learned later what he was doing was part of the Manhattan Project. "He goes to MIT, starts working with EG&G. Their company in those days had, I think, 15 employees, Al said. So it was a very small startup. But it suddenly exploded because the American atomic program exploded in those years. In 1950, Harry Truman decides that we need a permanent, nuclear testing site somewhere in the continental U.S., so they looked at a bunch of places, and they settled on Nevada. "Prior to that, Al O'Donnell had been sent out to the Pacific. They had five of these massive, atomic bomb tests out in the Pacific, and they decided to move it into a continental U.S. location and Nevada's Test Site - it was called the Nevada Test Site in those days - was chosen. Al O'Donnell leads the exodus from Boston, out to Nevada. They start hiring engineers and scientists, physicists and other security, spies." JC: "What are they working on at this time when they make that move?" GK: "Atomic bombs. They're building, testing atomic bombs. EG&G was a really precise organization that was created in order to detonate, measure and photograph atomic weapons. If you look in the history of photography, you'll see some of these amazing photos that they took of, you know, water drops dropping in water and...they're pretty famous shots because of these cameras that they developed. And it was perfect for use and testing atomic weapons and documenting what the process was. "So, EG&G comes out to Las Vegas, they are the managers of the Nevada Test Site. They, subsequently, years later, become the managers of Area 51 when it opens in 1955. So Al O'Donnell is the top guy. He oversees the nuclear testing program out there, manages it for EG&G, works with the Atomic Energy Commission. He has a Top-Secret security clearance and he can go anywhere and see anything. There's, basically, no restrictions, nothing that is outside of his ability to find out and see." JC: "So, this is an impeccable resume. This is somebody who was in position to know, and would know if someone like Bob Lazar was telling the truth or not telling the truth. I find it, personally, humorous that EG&G was, its genesis, its seed, came from MIT, right?" GK: "So, late 1990 or early 1991, I'd have to look up the dates. But somewhere in there is this event, this EG&G reunion. I go there, we got a camera, I interview Al O'Donnell, introduce myself, and say, 'Hey, I'm really interested in this, can we continue this conversation?' So he invites me to his home. He says, 'Come on over, we'll arrange to come over on a Saturday or something. We'll sit down, I'll go through my scrapbooks and show you some documents and memorabilia and photos from that era.' I was like, 'Great.' "So I go to his house and meet this wife. And we sit down, he opens up these big scrapbooks, and he starts showing me all the stuff that he had done. Photos that had been taken out in the proximity of these gigantic nuclear tests. They had great stories about the camaraderie that developed among the engineers and scientists. And he's going through all this stuff and showing me all this. And I love it, I loved every bit of it. I've never had a bad day at the Nevada Test Site, by the way. Every time I've gone out there to do a story, it's just a terrific way to spend some time." JC: "Secrets should be kept, secrets are kept, and you are a proponent of keeping secrets when it's that kind of thing." GK: "Sure, absolutely. And I respected the boundaries that they set up for us in doing these kinds of stories. So I did go out to the Nevada Test Site a lot over the next 40 years or so and put together a lot of different stories. And they knew of my interest in that area that's just outside what the Nevada Test Site, a place called Area 51. In 1955, Area 51 was, basically, created and EG&G got the contract to manage Area 51, and had kept it for the next 30, 35 years. So, whatever went on out there, they had an inside knowledge of what was going on." JC: "So, you meet this guy, Al O'Donnell, for the first time when he's at this public thing. You probably say something like, 'Your son told me to talk to you,' or something. Whatever. It ends up, he invites you to his home, and you're going through scrapbooks, and he's showing you all this atomic testing stuff that he was involved in. GK: "Yeah, and I'm telling him, 'Boy, this is really interesting. That's fascinating. I'd love to do a story on it.' And after we're there for maybe two hours, he closes this one big scrapbook and he goes, 'You're not here to talk about this, are ya?' I said, 'Well, not exactly.' He says, 'I know what you're here to talk about. I know what you want to ask about.' And right about that point, his wife walks in and she says, 'Don't start telling them that stuff! Don't even tell him!' And he kind of joked about it.' JC: "What were you there to talk about?" GK: "UFOs, UFOs. Area 51, Bob Lazar, crashed saucers, reverse engineering, to see if he had any knowledge of that, because I'd been led to believe that he did. So he closes that book and he says, 'We'll have we'll get together another time and we'll talk about it in private.' And over the course of the next two years or so, he and I would meet at coffee shops and talk about it. And I would ask him questions, and really, it was like pulling teeth. He wanted to tell me stuff but he made me work at it." (AJ says his family was there for the confession. Knapp has over two years of meetings with him. A bit confusing.) GK: "And the condition was, I couldn't take any notes. I couldn't record it, I couldn't take any notes. So each time I'd meet with him, I'd rush back to my car and start scribbling notes on pieces of paper so I'd remember everything that he said. And the story that he told me, that evolved over those couple of years was pretty fantastic. "He said that they did have a flying saucer that had been recovered from New Mexico. I think he indicated that it had been taken from New Mexico to Wright Patterson Air Force Base, which is... He never said Roswell, but I think it was the Roswell incident is what he [was] talking about. And it confirmed some of the details about what we know, likely, happened with the Roswell craft." JC: "When he's telling you, 'We have recovered a craft,' did he say it like, this is secret, don't tell anybody?" GK: "Yeah, it was just for my knowledge, my background and information. It wasn't a story I could do then. We were negotiating about how, or when, or if I could ever use that information or make it public. He told me the details about this craft. He said that it had been stored at Indian Springs. Indian Springs is an Air Force Base that's been there for a long time. It's now called Creech. Indian Springs existed before Area 51 was made. "But he says it was there, they kept it there. It might have been in an underground facility, I'm not quite sure. But then when Area 51, after it opened in 1955, they moved it to an adjacent facility. He didn't say it was S-4, he didn't say it was Papoose, but I think that's what he's talking about. Papoose Lake is where Bob Lazar said he worked, and where they had built nine hangars underground, disguised to look like the desert, and where they had other recovered craft. "He says they worked on this recovered craft, reverse engineering, trying to figure out how it worked, who built it. Whether or not they could duplicate the technology because, apparently, they thought this was pretty advanced, and they'd like to be able to build more of 'em. "And he says it was a very closed program, very small. It was only, I think, five of them that were aware of it, at least in the early stages, that were working on this project. And it was very hush hush, and they didn't share it with anybody else in the company, or anybody else in the area, or the military. They just kept it to themselves. "So, after we're having these meetings - and I go back and write down all these notes and stuff, details about what he had shared with me - we have another meeting at a coffee shop, and I said, 'Well gosh, you know, aren't you worried that it would get out, that the word would get out?' "And he says to me, 'We were worried It would get out?' That's right. 'I mean, what...it? What do you mean, it?' It. Meaning a live being, they had a live being out there. I go, 'You had a live being, an alien as well?' [O'Donnell said], 'Tell you the truth, we didn't know what it was.' I said, 'You know, maybe it came from millions of miles away, out in space, and you're keeping it in a cage near Area 51?' He said, 'To tell you the truth, we couldn't communicate with it in the beginning. We didn't know what it was, we didn't know where it was from, and we didn't know what to do with it.'" JC: "When Al O'Donnell says to you, 'We had a live alien, a being,' obviously from another world, what was your feeling?" GK: "Well, I was overwhelmed, because it was, in effect, confirmation of things that I had come to believe, because of the reporting we'd already done. And then the evidence of cover ups and lies that had been told to the public. Here's this guy in a high position, with a high security clearance, telling me that it was true. That they really did have a craft and they had a being. "My second feeling was, one of overwhelming sadness for the being, whatever it was, you know, that was kept out there. I asked him, you know, what had happened to it, what became of it? He says, 'I don't know. I don't know whatever happened to it.' But it was out there for a while, alive, and eventually they figured out a way to communicate with it. "And so I asked him, 'Well, what did it look like?' And he made me guess, as he did with all these questions. He made me guess. He said, 'Well, it kinda looks like a certain political candidate.' I said, 'Well, who? A political candidate? Who?' And at the time, Ross Perot was running for president. He said, 'It looks like Ross Perot. A little skinny guy with a big ears and tiny head.' Not a classic Gray-looking alien, but a very odd-looking creature with really big ears, that looked like Ross Perot. And I laughed. "And so we had these conversations for a while, and I was blown away by the information that he shared. I took all these notes. I was hoping that someday, I might be able to get the information out. And I asked him, 'Look, you're getting up there in age. If I can't record something with you, could you record a statement to the effect of telling me the story on camera, and then when you pass on, I can have the tape?' And he said, 'Yeah,' he would do it." JC: "You know, look, I've heard a lot of wild stories that I can't verify. A guy's telling you something, and you get a sense as a journalist, when you go down a road with somebody, and you take your time and you vet it... Did you feel...I mean, is there any world where he's trying to f*ck with ya? Or is there a world where he's trying to, you know, dissuade...kind of put crazy information into your brain? Like, how did you feel when he was telling you this? Was he like, straight with you?" GK: "Yeah, he was very straightforward. And again, this was not information he was giving up, willingly. I mean, I had to really dig and coax and arm twist to get him to cough things up. And it was very slow-going over about a two-year period, maybe a little bit longer. And I know that this...you always have to be wary of people with different agendas and people that just make stuff up. I didn't get that sense from him because of his standing in the community. He had shared this story with members of his own family." JC: "And that's why they came to you, is because they kind of [gave] you a tip. And these members of his family, they're serious people, too." GK: "Yeah. One of his sons is an FBI agent, or was, he's passed on now. One was an elected official in Nevada. That was the one that gave me the tip." JC: So, I just want to nail this [down] so I understand. You were approached because he had shared this with his family, privately, and then you had to kind of coax to get through to him about the story?" GK: "Right." JC: "I think that's important because look, these things don't happen, like, people [don't] just come to us and say, you know, crazy stuff, and we're like, 'Hh, yeah, cool. Sounds good.' Like, the dynamic of that, socially, as a journalist, like getting in there, taking time. You know, we have to verify if what he said is true, and there are some major bombs coming about that. But it's like, that process is so important. "So here you are, you're sitting with him, he tells you now, they have a live alien. And you felt sad because you're an animal-rights activist, you love animals. I know with your cats at home and you've done horse stories and all the stories about like, the inhumane stuff to animals. So it made you personally sad, makes me sad, too now thinking about it." GK: Yeah. Well, we had these series of meetings, and then the last time we met, after he'd agreed to go ahead and record a tape - and give it to me after making an arrangement so I got it after he passed on - he said that he had been told to not talk to me anymore. He said he had been given a warning [and] it was not a good idea for him to talk to me any more about anything. Not just that topic, but anything." JC: "Well, who knows that you're talking? Who would warn him?" GK: "I don't know. I don't know. But you recall, back in those days, there was surveillance. We had our phones tapped at KLAS-TV. There were guys following us around. Me, Bob Lazar, Gene Huff, maybe Robert Bigelow." JC: "People were also coming to your news station, OSI. And they would come in and try to like, get to you and then they'd show you their card...and take it back. And you know your phones are tapped. So it's like, because of this story, all of a sudden you're on high alert. So, anybody could have called him, been watching you, had meetings with the guy. So what you're saying is one day he just said, 'I can't...I'm not allowed to talk to you any more.'" GK: "Yeah, I've been told not to talk to you anymore. I've been told not to."

Joe Murgia

47,660 views • 19 days ago