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turned this into a real product → when a great team gets disbanded, its talent shouldn't disappear into the void → browse profiles + filter by role → submit your own profile if you're looking → share with anyone hiring if your company recently went through layoffs (or you... show more

tommy

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NEW CLIP! 'Anything for Anasia' 🩷 Your obsession with me is not just a fantasy… even if that’s how it begins. A fantasy… a curiosity… a simple little pull you can’t quite explain. But the more you watch… the more you listen… the more you feel it settling inside your mind. Because your obsession with me is real. Why? Because I am real. A real, powerful woman with a voice that slips into your thoughts and a presence that slowly corrupts them. From my hair… down to my pretty, perfect toes… every inch of me draws you closer. Every word pulls you deeper. You can feel it happening… that warm, heavy feeling of having no choice. And the truth is… you don’t want one. You don’t want control. You don’t want power. You want to feel powerless… helpless… sinking deeper as you beg me to take you further. Deeper into my spell… deeper into your obsession. Anything for Anasia… Anything to be my good boy. IWC: LF: C4S:

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“Bruce Lee had me up to three miles a day, really at a good pace. We'd run the three miles in twenty-one or twenty-two minutes. Just under eight minutes a mile [Note: when running on his own in 1968, Lee would get his time down to six-and-a-half minutes per mile]. So this morning he said to me ‘We're going to go five.’ I said, ‘Bruce, I can't go five. l'm a helluva lot older than you are, and I can't do five.’ He said, ‘When we get to three, we'll shift gears and it's only two more and you'll do it.’ I said ‘Okay, hell, I'll go for it.’ So we get to three, we go into the fourth mile and I'm okay for three or four minutes, and then I really begin to give out. I'm tired, my heart's pounding, I can't go any more and so I say to him, ‘Bruce, if I run any more, — and we're still running — ‘if I run any more I'm liable to have a heart attack and die.’ He said, ‘Then die’ It made me so mad that I went the full five miles. Afterward I went to the shower and then I wanted to talk to him about it. I said, you know, ‘Why did you say that?’ He said, ‘Because you might as well be dead. Seriously, if you always put limits on what you can do, physical or anything else, it'll spread over into the rest of your life. It'll spread into your work, into your morality, into your entire being. There are no limits. There are plateaus, but you must not stay there, you must go beyond them.’” - John Little, “The Art of Expressing the Human Body” (1998)

“Bruce Lee had me up to three miles a day, really at a good pace. We'd run the three miles in twenty-one or twenty-two minutes. Just under eight minutes a mile [Note: when running on his own in 1968, Lee would get his time down to six-and-a-half minutes per mile]. So this morning he said to me ‘We're going to go five.’ I said, ‘Bruce, I can't go five. l'm a helluva lot older than you are, and I can't do five.’ He said, ‘When we get to three, we'll shift gears and it's only two more and you'll do it.’ I said ‘Okay, hell, I'll go for it.’ So we get to three, we go into the fourth mile and I'm okay for three or four minutes, and then I really begin to give out. I'm tired, my heart's pounding, I can't go any more and so I say to him, ‘Bruce, if I run any more, — and we're still running — ‘if I run any more I'm liable to have a heart attack and die.’ He said, ‘Then die’ It made me so mad that I went the full five miles. Afterward I went to the shower and then I wanted to talk to him about it. I said, you know, ‘Why did you say that?’ He said, ‘Because you might as well be dead. Seriously, if you always put limits on what you can do, physical or anything else, it'll spread over into the rest of your life. It'll spread into your work, into your morality, into your entire being. There are no limits. There are plateaus, but you must not stay there, you must go beyond them.’” - John Little, “The Art of Expressing the Human Body” (1998)

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