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Twilight Sparkle and Trixie Lulamoon spend some quality time together 🤗 #furryfandom #LittlePony #Fanart #Art #Twilight #Trixie #Cosplay #FurryFanart #mylittlepony #Furry #TwilightSparkle #TrixieLulamoon

Rule #34 💚

148,049 subscribers

68,483 views • 3 months ago •via X (Twitter)

NSFW #furryfandom #LittlePony #Fanart #Art #Twilight #Trixie #Cosplay #FurryFanart #mylittlepony #Furry #TwilightSparkle #TrixieLulamoon

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CUSTOM BADGE GIVEAWAY Thank you all so much for the support! As promised, doing another giveaway with 30 winners this time to celebrate hitting 30k!!!🤗 TO ENTER: 1️⃣Follow me Ringer 2️⃣Retweet and like this post! 3️⃣Comment with your art! ⚠️ 30 winners will picked on May 31st! ⚠️ Winners supply their own art and will have to pay for shipping! #furry #furryart #furryfandom #FWA2023 #FursuitFriday #fursuit #fursuiter

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Mohamed Salad

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Yung mga walang time sa friends at puro date... 😂 Joke aside, wala naman akong nakikitang mali sa pag-spend ng time sa boyfriend o girlfriend mo. Paano ba naging issue yun? Sabi nga ni Dustin sa PBB, "We are growing together." lols At let's be real, bihira na nga yung couples na genuinely nag-eenjoy sa company ng isa't isa. Ganun naman talaga dapat. Isa sa mga common problems sa relationships ay kapag yung quality time nagiging obligation na lang o responsibility. That's never a good sign. At saka, hindi naman natin sila nakikita 24/7. Malay ba natin kung ano talaga routine nila araw-araw. 😂 Madali kasing manghusga kasi ang nakikita lang natin ay pictures at videos na magkasama sila. Pero ilang minuto o oras lang ba yun kumpara sa buong araw nila? 😂 With that said, I'm happy na nakapag-spend sila ng time with RivRiv, Brenty, and Ralph last night. Give Dustin and Bianca some slack. 4 years na walang girlfriend si Dustin. Si Bianca naman, only child. Medyo understandable naman kung bakit gusto nilang sulitin ang oras nila together. Yung iba na galit? Baka may halong inggit. 🙄 #DUSTBIA #DUSTINYU #BIANCADEVERA

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Donghae shares the pros and cons of 🚬 & 🥃 🌞: "There's smoking. Maybe some people smoke, but we don't even have enough time to do good things properly. What would happen if we didn't smoke? This is what I think. Why spend money and time inhaling this bad stuff into your body? Why not just not smoke? That's my opinion." 🌞: "Yeah, right? As for alcohol, how about drinking occasionally? I won't force myself to drink. Yeah, you understand what I mean? If we want to stay together healthily for a long time, we need to protect our bodies. I can't say this to the members, but they will manage their own health well. Do you all understand? Let's stay healthy together. My knees and back, and my eyes aren't very good right now. For my own health, I will work hard. I also hope everyone can stay healthy and stay together for a long time." 🌞: "Let's see, if we look at cigarettes in half, 50/50, are they good or bad? What is cigarettes? You can distinguish the word "cigarette," right? Think about it, it's "bad," right? Think about it like that, 50/50. When considering certain things, think about them like that, "Good or bad?" If it's bad, don't do it; if it's good, then you can do it." 🌞: "Although everyone has different opinions on this, if you think about cigarettes, do you think they're good or bad? If you think they're bad, then don't smoke; if you think cigarettes are good for your health and can make you healthier, then of course you can smoke. It's simple, right? Whatever you think, divide it into 50/50." #DONGHAE #동해 cr ryucai_ Translated from Chinese to English. Correct me if I'm wrong 🤗

byeol_별

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This artistic video depiction wasn't made to attack anyone. It wasn't made to pick sides. It wasn't made to farm engagement. It came from watching years of incredible people, builders, creators, traders, artists, and communities tear each other apart while the rest of the world watched. Every character in this film represents someone who has left a mark on Crypto Twitter. Some positive, some controversial, but all part of the story that made this space what it is today. The message isn't that crypto is failing because of the technology, or the market. The message is that sometimes our greatest enemy is ourselves. We spend so much time fighting each other on this app, that we forget why we came here in the first place. I hope every person in this video watches it with an open mind and sees it for what it is. A piece of art made from respect, observation, and passion for Ct,and this community. If you're in this video, thank you for helping shape this crazy corner of Ct, whether you realize it or not, I have tremendous amounts of respect for you. If you enjoyed it, please tag every person you recognize so they get a chance to see it, and share it with someone who still believes this space can be better. Maybe if we stop breaking each other... ...we can finally break through the glass together. Let's win. 🧡🐂

This artistic video depiction wasn't made to attack anyone. It wasn't made to pick sides. It wasn't made to farm engagement. It came from watching years of incredible people, builders, creators, traders, artists, and communities tear each other apart while the rest of the world watched. Every character in this film represents someone who has left a mark on Crypto Twitter. Some positive, some controversial, but all part of the story that made this space what it is today. The message isn't that crypto is failing because of the technology, or the market. The message is that sometimes our greatest enemy is ourselves. We spend so much time fighting each other on this app, that we forget why we came here in the first place. I hope every person in this video watches it with an open mind and sees it for what it is. A piece of art made from respect, observation, and passion for Ct,and this community. If you're in this video, thank you for helping shape this crazy corner of Ct, whether you realize it or not, I have tremendous amounts of respect for you. If you enjoyed it, please tag every person you recognize so they get a chance to see it, and share it with someone who still believes this space can be better. Maybe if we stop breaking each other... ...we can finally break through the glass together. Let's win. 🧡🐂

CleanLiving Forum

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Should I start this biz? I have a metal shop like this on my property. Full HVAC, 2,100 sqft. It's rented for $2,500 month to month to a lawncare biz. There's insane demand in my area for youth personal sports training here, from middle to high school. My buddies keep telling me I'll have a waiting list. Anyone could start this anywhere. I'm considering filling my shop with equipment, lining with astroturf and renting it out by the hour to 2-3 trainers at a time. My area is somewhat rural but affluent, and 30 mins from downtown Dallas. There are no gyms here. The demographic is upper middle class families with overachieving kids and top tier schools. Lots and lots and lots of youth sports. Furthermore, Texas' LARGEST high school is 10 mins away - 5,400 students across 3 grades. I don't want a monthly memberships because I want to control the flow of people at any given time, even if less profitable. I'm optimizing for quality of life here, and not trying to manage a 6th biz or massive headache. I'm thinking: - $40 per hour time slot - 10 surge hours per day at $40 per - 10 low demand hours per day at $10 per - 4 down hours per day for cleaning - 2-3 max people per slot That's 1,800 slots per month. At 3 trainings per week on average you'd need 150 students to be at max capacity. I could sell bundles of time slots together at a discount. There are at least 10,000 middle - high schoolers within 10 miles... And ~3,000 sets of parents with too much money to spend on sports. ON PAPER, at full capacity thats $45k/month top line. Much better than $2,500! Not bad for 2,100 sqft. Maybe add an hourly employee and some vending machines with drinks and snacks. Make it really nice inside. It would require some upfront build out cost. I could see this biz going up almost anywhere. Rent out someone else's shop with permission to do this. Buy (rent) by the acre and sell by the foot. The WeWork for youth sports. I want to do this but have zero time. Poke holes in this please. It seems asymmetric to me. If it doesn't work out I resell the equipment, enjoy my new $12k astroturf floor and move on.

Should I start this biz? I have a metal shop like this on my property. Full HVAC, 2,100 sqft. It's rented for $2,500 month to month to a lawncare biz. There's insane demand in my area for youth personal sports training here, from middle to high school. My buddies keep telling me I'll have a waiting list. Anyone could start this anywhere. I'm considering filling my shop with equipment, lining with astroturf and renting it out by the hour to 2-3 trainers at a time. My area is somewhat rural but affluent, and 30 mins from downtown Dallas. There are no gyms here. The demographic is upper middle class families with overachieving kids and top tier schools. Lots and lots and lots of youth sports. Furthermore, Texas' LARGEST high school is 10 mins away - 5,400 students across 3 grades. I don't want a monthly memberships because I want to control the flow of people at any given time, even if less profitable. I'm optimizing for quality of life here, and not trying to manage a 6th biz or massive headache. I'm thinking: - $40 per hour time slot - 10 surge hours per day at $40 per - 10 low demand hours per day at $10 per - 4 down hours per day for cleaning - 2-3 max people per slot That's 1,800 slots per month. At 3 trainings per week on average you'd need 150 students to be at max capacity. I could sell bundles of time slots together at a discount. There are at least 10,000 middle - high schoolers within 10 miles... And ~3,000 sets of parents with too much money to spend on sports. ON PAPER, at full capacity thats $45k/month top line. Much better than $2,500! Not bad for 2,100 sqft. Maybe add an hourly employee and some vending machines with drinks and snacks. Make it really nice inside. It would require some upfront build out cost. I could see this biz going up almost anywhere. Rent out someone else's shop with permission to do this. Buy (rent) by the acre and sell by the foot. The WeWork for youth sports. I want to do this but have zero time. Poke holes in this please. It seems asymmetric to me. If it doesn't work out I resell the equipment, enjoy my new $12k astroturf floor and move on.

Chris Koerner

97,927 views • 1 year ago

Destiny 2 left a permanent mark on my life. The memories I’ve made with this game, both as a player and as someone lucky enough to work on it, will forever stay with me. Not just because of late nights running King’s Fall with friends, or grinding out the Crucible Glorious Seal in solo queue like a complete maniac, but because Destiny 2 challenged me, shaped me, and pushed me toward becoming the creative I am today. My journey into digital art and photography started back in 2007, when I began taking screenshots in Halo 3 and entering Bungie community art contests. The relationships I built during that time eventually opened the door to an opportunity with Bungie’s Gameplay Capture team in 2014, helping the team capture footage for a new game called Destiny. I had no idea then that a commendably short two-week contract would turn into an incredible 12-year journey with this franchise. I originally came to Bungie hoping to pursue environmental concept art, but along the way I had the opportunity to work on marketing art and quickly fell in love with it. Creating marketing art for a franchise like Destiny challenged me in so many different ways. It forced me to expand my technical, creative, and communication skill sets, constantly adapt, and keep learning new tools and workflows just to keep pace with the live-service beast that was Destiny 2. It means a lot to be able to look back and say with confidence that I had a visual impact on Destiny 2; but the most meaningful part of it all was getting to work alongside and learn from so many incredible artists at Bungie, and seeing firsthand just how much care, effort, and humanity it takes to make work like this possible. It’s hard to fully capture how much energy, skill, and collaboration goes into every visual part of a game like Destiny 2. That work is shaped by artists from different backgrounds, experiences, disciplines, and perspectives. Each of them, including me, left a small part of themselves in what they created. To me, that’s what makes a game like Destiny 2 feel truly meaningful and memorable. Especially now, in a world increasingly saturated with content and driven by instant output and gratification through AI, I keep coming back to the value of process. For me, and for so many of my peers, it was never only about arriving at the final image. It was about the journey it took to get there. The late nights. The iteration. The problem-solving. The trust. The shared pursuit of trying to make something special. To my peers, I’m deeply proud of what we built together, but even more grateful for how we built it. We challenged each other, inspired each other, and kept showing up for one another through every high and low, as Destiny 2 has had many. That kind of shared effort leaves a lasting mark. What we made mattered. What we gave mattered. And the impact of what we built together will stay with us, and this community, for a long time. Shoutout to the current and former members of Creative Studios, the VizD team, and the many Bungie developers and marketers who helped shape this chapter of my life. I’m especially grateful to the teammates who believed in me, encouraged me to embrace failure and new beginnings as essential parts of artistic growth, and pushed me to take on challenges even when they felt beyond my reach. You showed me that the strength of a team will always surpass that of any individual hero. As my work on #Destiny2 comes to a close and I look toward the future, I plan to spend the next few weeks sharing some of the pieces I had the chance to create or art direct that mean the most to me. For now, I’ll leave you all with a collage of some of my personal favorite pieces to work on across Destiny 2’s lifetime. These projects mean so much to me because many of them started as personal passion projects or late-night concept sketches, inspired by playing early builds of Destiny 2 and by the incredible work of our development team.

Destiny 2 left a permanent mark on my life. The memories I’ve made with this game, both as a player and as someone lucky enough to work on it, will forever stay with me. Not just because of late nights running King’s Fall with friends, or grinding out the Crucible Glorious Seal in solo queue like a complete maniac, but because Destiny 2 challenged me, shaped me, and pushed me toward becoming the creative I am today. My journey into digital art and photography started back in 2007, when I began taking screenshots in Halo 3 and entering Bungie community art contests. The relationships I built during that time eventually opened the door to an opportunity with Bungie’s Gameplay Capture team in 2014, helping the team capture footage for a new game called Destiny. I had no idea then that a commendably short two-week contract would turn into an incredible 12-year journey with this franchise. I originally came to Bungie hoping to pursue environmental concept art, but along the way I had the opportunity to work on marketing art and quickly fell in love with it. Creating marketing art for a franchise like Destiny challenged me in so many different ways. It forced me to expand my technical, creative, and communication skill sets, constantly adapt, and keep learning new tools and workflows just to keep pace with the live-service beast that was Destiny 2. It means a lot to be able to look back and say with confidence that I had a visual impact on Destiny 2; but the most meaningful part of it all was getting to work alongside and learn from so many incredible artists at Bungie, and seeing firsthand just how much care, effort, and humanity it takes to make work like this possible. It’s hard to fully capture how much energy, skill, and collaboration goes into every visual part of a game like Destiny 2. That work is shaped by artists from different backgrounds, experiences, disciplines, and perspectives. Each of them, including me, left a small part of themselves in what they created. To me, that’s what makes a game like Destiny 2 feel truly meaningful and memorable. Especially now, in a world increasingly saturated with content and driven by instant output and gratification through AI, I keep coming back to the value of process. For me, and for so many of my peers, it was never only about arriving at the final image. It was about the journey it took to get there. The late nights. The iteration. The problem-solving. The trust. The shared pursuit of trying to make something special. To my peers, I’m deeply proud of what we built together, but even more grateful for how we built it. We challenged each other, inspired each other, and kept showing up for one another through every high and low, as Destiny 2 has had many. That kind of shared effort leaves a lasting mark. What we made mattered. What we gave mattered. And the impact of what we built together will stay with us, and this community, for a long time. Shoutout to the current and former members of Creative Studios, the VizD team, and the many Bungie developers and marketers who helped shape this chapter of my life. I’m especially grateful to the teammates who believed in me, encouraged me to embrace failure and new beginnings as essential parts of artistic growth, and pushed me to take on challenges even when they felt beyond my reach. You showed me that the strength of a team will always surpass that of any individual hero. As my work on #Destiny2 comes to a close and I look toward the future, I plan to spend the next few weeks sharing some of the pieces I had the chance to create or art direct that mean the most to me. For now, I’ll leave you all with a collage of some of my personal favorite pieces to work on across Destiny 2’s lifetime. These projects mean so much to me because many of them started as personal passion projects or late-night concept sketches, inspired by playing early builds of Destiny 2 and by the incredible work of our development team.

Biwald

73,413 views • 4 months ago

Giorgio Antonio dalam postingan terbaru di Instagram, Halo semuanya, apa kabar, semoga semuanya selalu sehat ya, It's been a while since my last post..so i want to take this opportunity to speak to you directly. First of all i want everyone to know that Sarwendah and i are healthy and we're taking some time off from social media so we can spend more quality time together. From the bottom of my heart i would like to say thankyou to all Sargio's thank you for standing by us, over the past years for your prayers, your support and your unwavering belief in us, i also want to express my sincere gratitude to every brands and partners who have continued to place their trust in us. we truly appreciate every opportunity that you have given to us. as many of you know there has been countless rumors , false accusations, and negative stories circulating about Sarwendah and me we choose not to respond with anger or hatred, because we understand that many people do not know us personally or the truth of what we've been through. I hope we continue to be a community that spreads kindness,love,and postifity. Let's never allow negativity to define who we are, we genuinly forgive those who have misunderstood or judged us unfairly. However for those who have intenionally created and spread false information with the purpose of harming others we believe the appropriate legal process should take its course. To every Sargio's please keep believing keep your faith strong, every challange is temporary and we truly believe that better days are ahead. its simply a chapter that is making us stronger wiser and more grateful than ever before. we miss one of you and cant wait to see you guys again. whether its through our livestream events or wherever out paths cross, until then please take care of yourselves, stay healthy, and continue to spread kindness, wherever you go , terimakasih semuanya sudah sampai hari ini." W

Giorgio Antonio dalam postingan terbaru di Instagram, Halo semuanya, apa kabar, semoga semuanya selalu sehat ya, It's been a while since my last post..so i want to take this opportunity to speak to you directly. First of all i want everyone to know that Sarwendah and i are healthy and we're taking some time off from social media so we can spend more quality time together. From the bottom of my heart i would like to say thankyou to all Sargio's thank you for standing by us, over the past years for your prayers, your support and your unwavering belief in us, i also want to express my sincere gratitude to every brands and partners who have continued to place their trust in us. we truly appreciate every opportunity that you have given to us. as many of you know there has been countless rumors , false accusations, and negative stories circulating about Sarwendah and me we choose not to respond with anger or hatred, because we understand that many people do not know us personally or the truth of what we've been through. I hope we continue to be a community that spreads kindness,love,and postifity. Let's never allow negativity to define who we are, we genuinly forgive those who have misunderstood or judged us unfairly. However for those who have intenionally created and spread false information with the purpose of harming others we believe the appropriate legal process should take its course. To every Sargio's please keep believing keep your faith strong, every challange is temporary and we truly believe that better days are ahead. its simply a chapter that is making us stronger wiser and more grateful than ever before. we miss one of you and cant wait to see you guys again. whether its through our livestream events or wherever out paths cross, until then please take care of yourselves, stay healthy, and continue to spread kindness, wherever you go , terimakasih semuanya sudah sampai hari ini." W

folkative

660,001 views • 2 months ago

This launch is one of the most exciting and important decisions we have ever made. In the traditional gaming industry, KingNet ( company , is well-known as the developer of the game 《The Legend of MIR 》, Over the past decade, KingNet has supported its operations through a three-pronged business model of research and development, publishing, and investment + IP, launching 100+ high-quality games to date. Web3's building has been ongoing for nearly two years. We have established a brand-new game studio SmileCobra Studio , and establish long-term cooperative relationships with some big guys like TON 💎 BNB Chain Solana Scroll Delphinus Lab ($ZKWASM) Cocos Studio and others. However, after speaking with many developers, we found that before a real user consumption scenario is formed, one of the main challenges many teams face is how to reduce game development costs. So it's best time to learn about Xingyi AI model : the first AI industrialization pipeline, making game production truly "automated". Check here: What problem we want to solve? 1. High Production Costs: Traditional animation design and refinement can cost anywhere from several thousand to tens of thousands of dollars, making it difficult for small startup teams to afford. 2. Long Development Cycles: The fluidity and consistency of animations have always been one of the most time-consuming aspects of development. Designers often spend weeks to achieve a satisfactory result. With Xingyi, it only takes a few steps and minutes to generate the desired animation. 3. Inefficient Collaboration: In the past, game development was usually divided into multiple stages, each managed by independent teams responsible for art, planning, programming, and other roles. The smooth transition between stages relied on high levels of team collaboration and communication. The Xingyi toolchain breaks the traditional division of labor, promoting automation and collaboration across various stages. 4. Automated but Not Passive: Outside of the automated processes, developers are the true creators of the game. Xingyi makes prototype validation and adjustments more scientific and efficient. We will gradually open source the underlying model of Xingyi and make it available to interested collaboration developers (DM is open). We have already made various agent material generation available, and you can try it now: Finally, we would like to discuss a point that many people are concerned about, why was there a launch at @pumpdotfun and it was abandoned? The most important reason is that we lacked experience in the first launch and were affected by snipers and the market. We conducted wallet statistics and found that, excluding bots, a total of 25 addresses suffered a loss of approximately 17 sol. We will use the trading fee of Launch Coin on Believe to airdrop these accounts and apologize again for our mistake. Also, thank you to Launch Coin on Believe for the smooth launch and long-term creative sharing with the builders, only $KNET CA is : CfVs3waH2Z9TM397qSkaipTDhA9wWgtt8UchZKfwkYiu $KNET not representing any equity interests of the parent company , $KNET is a meme, but at the same time, it’s not just a meme. $KNET will play a key role in the consumption scenarios of the KingnetAI ecosystem—imagine having to continuously spend $KNET each time you generate the game modules you want. Gamefi is died？ NO, AI-Gaming just begain here .

Kingnet AI

187,988 views • 1 year ago

Backrooms Nemoris S1E01: It Eats Light I've spent the last six months working in secret on this pilot episode for a new Backrooms canon. We premiered this week in Toronto and a it's now available on all platforms: a new Magnific Originals series! This is quite possibly the most complex project I've ever taken on in my life. Yep, even if that sounds like an exaggeration, it took even more effort than building the first version of Magnific Upscaler. I had never before tried to bring such a concrete, specific vision to the screen while pushing the current state of the art as far as possible. Every scene you see in this episode, every object, every movement of a character's hands, every space, every hum of the fluorescent lights... it's all there for a very specific reason, with absolute control and intention on my part. I never imagined that something that looks so simple on the surface could be so incredibly complicated. The script is my own, based on the original Backrooms concept (the iconic 4chan image) but developed to create an entirely new canon from scratch. In this first episode, I reveal barely more around 5% of the overall puzzle, so you may end up thinking: what the f*ck did I just watch? Or you may need multiple viewings to pick up on some extra clues, because several of them are genuinely hidden. The idea is to create a full 10 episode series, an anthology, and have you, the viewers, gradually piece together the puzzle yourselves as the clues are revealed. Beyond the video and image generations, I did all of the editing in DaVinci Resolve, with particular attention to the sound. I'd say around 60% of the time I spent on this project went into sound. In some scenes, there are more than 13 stereo tracks layered at the same time, using sounds I recorded myself or created and edited from generations and foley libraries. Every sound, every voice, and every gasp is designed to pull you into the world of the story and make you feel like you're actually there. That meant spending an enormous amount of time on sound design, thinking about things like the individual position of each sound in space, EQ, reverb to simulate different environments, the sense of immersion, etc. I've never learned so much about something so quickly. As for the generations, a few numbers: • 12 hours of total generated video for 17 minutes of final footage 🤯 • More than 7,000 generations in total. • An average of around 60 generations for every 15 seconds of final footage. • 6 months of work, including many weekends, with just one person behind the whole thing... I almost lost my mind. • Platform: Magnific, of course. Models: mainly Seedance 2.0 and 2.5 for video generations, and Nano Banana Pro and Seedream 5 for image references. • Approximately $20,000 in total token costs, not including the value of my own time. For the next episodes, I can't do this alone again or I'll go crazy. My plan is to put together a small team: voice actors, a colorist, 3D VFX artists, a sound designer, and, in general, people from the traditional film industry who can help us professionalize our pipeline and take this story to another level. If you're reading this and you think you might be interested, please leave a comment. Ah! If you have any technical questions about how this was made, I'd be happy to answer them. Feel free to ask me anything you like! Anyway, I'll leave you with the episode. For the love of everything holy: please watch it at home, relaxed, on a big screen, with a good sound system or a quality pair of headphones, the lights off, and some popcorn. And most importantly, enjoy. Nemus te reddat!

Backrooms Nemoris S1E01: It Eats Light I've spent the last six months working in secret on this pilot episode for a new Backrooms canon. We premiered this week in Toronto and a it's now available on all platforms: a new Magnific Originals series! This is quite possibly the most complex project I've ever taken on in my life. Yep, even if that sounds like an exaggeration, it took even more effort than building the first version of Magnific Upscaler. I had never before tried to bring such a concrete, specific vision to the screen while pushing the current state of the art as far as possible. Every scene you see in this episode, every object, every movement of a character's hands, every space, every hum of the fluorescent lights... it's all there for a very specific reason, with absolute control and intention on my part. I never imagined that something that looks so simple on the surface could be so incredibly complicated. The script is my own, based on the original Backrooms concept (the iconic 4chan image) but developed to create an entirely new canon from scratch. In this first episode, I reveal barely more around 5% of the overall puzzle, so you may end up thinking: what the f*ck did I just watch? Or you may need multiple viewings to pick up on some extra clues, because several of them are genuinely hidden. The idea is to create a full 10 episode series, an anthology, and have you, the viewers, gradually piece together the puzzle yourselves as the clues are revealed. Beyond the video and image generations, I did all of the editing in DaVinci Resolve, with particular attention to the sound. I'd say around 60% of the time I spent on this project went into sound. In some scenes, there are more than 13 stereo tracks layered at the same time, using sounds I recorded myself or created and edited from generations and foley libraries. Every sound, every voice, and every gasp is designed to pull you into the world of the story and make you feel like you're actually there. That meant spending an enormous amount of time on sound design, thinking about things like the individual position of each sound in space, EQ, reverb to simulate different environments, the sense of immersion, etc. I've never learned so much about something so quickly. As for the generations, a few numbers: • 12 hours of total generated video for 17 minutes of final footage 🤯 • More than 7,000 generations in total. • An average of around 60 generations for every 15 seconds of final footage. • 6 months of work, including many weekends, with just one person behind the whole thing... I almost lost my mind. • Platform: Magnific, of course. Models: mainly Seedance 2.0 and 2.5 for video generations, and Nano Banana Pro and Seedream 5 for image references. • Approximately $20,000 in total token costs, not including the value of my own time. For the next episodes, I can't do this alone again or I'll go crazy. My plan is to put together a small team: voice actors, a colorist, 3D VFX artists, a sound designer, and, in general, people from the traditional film industry who can help us professionalize our pipeline and take this story to another level. If you're reading this and you think you might be interested, please leave a comment. Ah! If you have any technical questions about how this was made, I'd be happy to answer them. Feel free to ask me anything you like! Anyway, I'll leave you with the episode. For the love of everything holy: please watch it at home, relaxed, on a big screen, with a good sound system or a quality pair of headphones, the lights off, and some popcorn. And most importantly, enjoy. Nemus te reddat!

Javi Lopez ⛩️

1,428,624 views • 22 days ago