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Silere non possum

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Steve Kerr says Michael Jordan was the most emotionally dominant athlete he’s ever seen, and says everyone (other team, officials, his teammates, fans, etc...) knew he was going to win because of it “Yeah, I mean he was um the most emotionally dominant athlete I’ve ever seen in my life and it’s not close and um obviously the physical skills were incredible. um he’s the greatest player of all time, but there was an emotional um dominance that was hard to quantify, but when you were on his team, you knew you were going to win. Um... The other team knew he was going to win, the officials knew he was going to win, and the fans knew he was going to win.” “And but as a teammate, that was not easy because he drove uh drove us at such a high standard every single day. And um frankly, I had teammates who um I enjoyed a lot more. Tim Duncan, you know, was um very different leader. Tim was much more like Steph Curry, very compassionate, empathetic, um collaborative. Michael just drove us. He drove us and he was effective, but it was a very different form of leadership.” “And um you know playing with him changed my whole career and I I owe him you know my whole career really. Uh... but it was not easy.”

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• 2011-2012: I give Joe Budden the idea for what becomes JBP. white man rory wasn’t present for his own birth. • 2015: Gunn is in my office. • 2016: Gunn and Conway on Combat Jack (RIP). I WAS THERE. • 2017: Shady signing and Webster Hall FIRST Griselda Live show - white man rory was NOT there • 2020: Gunn on Joe Budden with white man rory and Mal. • April 4, 2022: white man rory tells Conway, “From what I saw, you did by yourself.” - video made by: Yusef from Corona, Queens. from Episode 437 on May 12, 2021 - they took it down, but he had the audio clip. can someone tell white man rory to please leave me alone?

• 2011-2012: I give Joe Budden the idea for what becomes JBP. white man rory wasn’t present for his own birth. • 2015: Gunn is in my office. • 2016: Gunn and Conway on Combat Jack (RIP). I WAS THERE. • 2017: Shady signing and Webster Hall FIRST Griselda Live show - white man rory was NOT there • 2020: Gunn on Joe Budden with white man rory and Mal. • April 4, 2022: white man rory tells Conway, “From what I saw, you did by yourself.” - video made by: Yusef from Corona, Queens. from Episode 437 on May 12, 2021 - they took it down, but he had the audio clip. can someone tell white man rory to please leave me alone?

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Billy Strings tells Theo Von that quitting weed had been on his mind for a while, but two moments finally forced him to confront how dependent he had become. The first happened when he was simply leaving to buy groceries. He realized he couldn’t even imagine going 20 minutes without smoking. But the moment that actually made him quit came when his young son got sick. After spending days sick, his son seemed to be doing better, so Billy went upstairs to work on music. “Of course, I’m hitting my pen, you know, and I’m working on music and playing on Pro Tools and shit.” When he came back downstairs, his son’s condition had suddenly gotten much worse. “My son had gotten worse. Like, he was like lethargic. Like, we couldn’t even get his attention.” They rushed him to the hospital, and Billy says the guilt hit immediately. “My son is sick and I’m upstairs getting high.” “Man, I’m done with this shit.” “I smoked every day since I was like 11.” The moment he realized the habit wasn’t serving him anymore, he walked away from it.

Billy Strings tells Theo Von that quitting weed had been on his mind for a while, but two moments finally forced him to confront how dependent he had become. The first happened when he was simply leaving to buy groceries. He realized he couldn’t even imagine going 20 minutes without smoking. But the moment that actually made him quit came when his young son got sick. After spending days sick, his son seemed to be doing better, so Billy went upstairs to work on music. “Of course, I’m hitting my pen, you know, and I’m working on music and playing on Pro Tools and shit.” When he came back downstairs, his son’s condition had suddenly gotten much worse. “My son had gotten worse. Like, he was like lethargic. Like, we couldn’t even get his attention.” They rushed him to the hospital, and Billy says the guilt hit immediately. “My son is sick and I’m upstairs getting high.” “Man, I’m done with this shit.” “I smoked every day since I was like 11.” The moment he realized the habit wasn’t serving him anymore, he walked away from it.

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Stefania Sandrelli on working with Antonio Pietrangeli in "I Knew her Well" (1965): "Every director is different, just as we all are. Luckily, we are all different. That's the great thing. But it's not like other directors made me miss working with my first great director. That was a kind of yardstick for me, because Pietrangeli was an extraordinary man. He had this enormous sensitivity; that was really quite touching, because you could see he had a fragile side. His sensitivity was a sort of fragility, but it also allowed him to understand — He was a director who loved women body and soul, so he was sort of seduced, even overawed... by us women, us actresses, but in a positive way. So [because of] this sensitivity, this complete openness — He'd get deep inside the character, inside the film, practically monitoring the heartbeat of the film, scene after scene, frame after frame, and he communicated this to me. He gave me this great drive; He gave me so much attention that I tried to do everything I thought he might be looking for." ("Stefania Sandrelli on I KNEW HER WELL", Criterion, 2016) P.S: Happy 80th birthday, Stefania Sandrelli!

Stefania Sandrelli on working with Antonio Pietrangeli in "I Knew her Well" (1965): "Every director is different, just as we all are. Luckily, we are all different. That's the great thing. But it's not like other directors made me miss working with my first great director. That was a kind of yardstick for me, because Pietrangeli was an extraordinary man. He had this enormous sensitivity; that was really quite touching, because you could see he had a fragile side. His sensitivity was a sort of fragility, but it also allowed him to understand — He was a director who loved women body and soul, so he was sort of seduced, even overawed... by us women, us actresses, but in a positive way. So [because of] this sensitivity, this complete openness — He'd get deep inside the character, inside the film, practically monitoring the heartbeat of the film, scene after scene, frame after frame, and he communicated this to me. He gave me this great drive; He gave me so much attention that I tried to do everything I thought he might be looking for." ("Stefania Sandrelli on I KNEW HER WELL", Criterion, 2016) P.S: Happy 80th birthday, Stefania Sandrelli!

DepressedBergman

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YTB Fatt survives a shooting at his music video set. On Tuesday (March 31), rumors began to circulate that the Arkansas rapper had been shot and possibly killed when his music video set was sprayed with bullets. Fatt's brother has since confirmed the shooting, but denied that Fatt was injured, in a phone call to No Jumper cohost Riemoh that has since been shared on social media. "We don't get hit," Fatt's brother said. "Ni**a came through. My little brother was shooting a video. Hating-a*s ni**as in the hood playing." Fatt's brother confirmed his little sister was shot during the incident. "Get well, lil' sis," he added. "But Fatt good, man. Tell these fan-a*s ni**as and fan-a*s h*es to stay out my inbox. We good. My little brother good." In a separate video, Fatt's brother again urged people to stay out of his inbox. He has since deactivated his Instagram account. XXL has reached out to YTB Fatt's team for comment.

YTB Fatt survives a shooting at his music video set. On Tuesday (March 31), rumors began to circulate that the Arkansas rapper had been shot and possibly killed when his music video set was sprayed with bullets. Fatt's brother has since confirmed the shooting, but denied that Fatt was injured, in a phone call to No Jumper cohost Riemoh that has since been shared on social media. "We don't get hit," Fatt's brother said. "Ni**a came through. My little brother was shooting a video. Hating-a*s ni**as in the hood playing." Fatt's brother confirmed his little sister was shot during the incident. "Get well, lil' sis," he added. "But Fatt good, man. Tell these fan-a*s ni**as and fan-as hes to stay out my inbox. We good. My little brother good." In a separate video, Fatt's brother again urged people to stay out of his inbox. He has since deactivated his Instagram account. XXL has reached out to YTB Fatt's team for comment.

XXL Magazine

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MAN CALL OUT RIVER STATE MINISTRY OF HEALTH “I’m Calling Out The Ministry Of Health, Rivers State. My Wife Just Gave Birth, And We Brought Our Child To This Hospital For a Checkup After We Noticed a Very Thick Clot Of Blood Following His Circumcision. But There Is Not a Single Doctor On Duty. The Worst Part Is That The Hospital Allowed Us To Pay First Without Informing Us That There Was No Doctor Available. Imagine If It Had Been An Emergency. That’s How We Could Have Lost Our Child. This Is Totally Unacceptable.” ~ Man Reacts

MAN CALL OUT RIVER STATE MINISTRY OF HEALTH “I’m Calling Out The Ministry Of Health, Rivers State. My Wife Just Gave Birth, And We Brought Our Child To This Hospital For a Checkup After We Noticed a Very Thick Clot Of Blood Following His Circumcision. But There Is Not a Single Doctor On Duty. The Worst Part Is That The Hospital Allowed Us To Pay First Without Informing Us That There Was No Doctor Available. Imagine If It Had Been An Emergency. That’s How We Could Have Lost Our Child. This Is Totally Unacceptable.” ~ Man Reacts

Port Harcourt Socials

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Tyler Hansbrough says trying to prove his critics wrong eventually made him lose his love for basketball “I put so much pressure on myself to be a good NBA player. I kind of lost a little bit of love for the game. I was playing to, like, prove people wrong and not really playing because I love the game.” “I had a lot of criticism I was listening to. I was listening to the wrong people. Never good when you try to prove the media wrong or you have a journalist you don't like, so you're trying to have a big game so you can rub it in his face.” “China, when I went over there, I just got to focus on basketball. Because of the language barrier, I couldn't know if people were criticizing me or not.” “I had somebody in my life, I had a mentor, a skills guy, that I had been working with, he changed my mindset. It was a huge shift for me. Not only did he make me a better player, but I became a different person.” “When I went to China, my love for the game came back. I started to get my confidence up, playing good again, and I just got away from all the BS… and just got to focus on basketball.”

Tyler Hansbrough says trying to prove his critics wrong eventually made him lose his love for basketball “I put so much pressure on myself to be a good NBA player. I kind of lost a little bit of love for the game. I was playing to, like, prove people wrong and not really playing because I love the game.” “I had a lot of criticism I was listening to. I was listening to the wrong people. Never good when you try to prove the media wrong or you have a journalist you don't like, so you're trying to have a big game so you can rub it in his face.” “China, when I went over there, I just got to focus on basketball. Because of the language barrier, I couldn't know if people were criticizing me or not.” “I had somebody in my life, I had a mentor, a skills guy, that I had been working with, he changed my mindset. It was a huge shift for me. Not only did he make me a better player, but I became a different person.” “When I went to China, my love for the game came back. I started to get my confidence up, playing good again, and I just got away from all the BS… and just got to focus on basketball.”

Josh Chambers

85,867 views • 1 month ago

Stratosphere was our biggest and heaviest character on #Transformers ROTB. He was a real challenge to deal with on the Modeling, Texturing, and Rendering side. He had 1434 UDIMs due to his immense scale and was made up of tens of thousands of objects. His level of detail was truly something else. His vehicle form was also a behemoth. We had also built a mortar for his robot form and a cannon for his vehicle form but neither of these made it into the film as his part in the final battle was cut out. He was originally supposed to help out in the final battle, using both of these weapons against the Sweepers and Predacons. The decision to cut him from the final act came very late as all of his assets were final at that point. We were never told the reason why his role was cut from the film. I had to re-design my texturing system in Mari when working on him to ensure that it could handle such a complex and large character. I had to simplify a lot of the procedural systems and even had to branch off some of them into their own files to ensure that artists could work with somewhat decent performance. We ran into a lot of issues pushing him through our pipeline, both as a model as well as rendering him due to the sheer amount of objects and textures that had to be processed. For shots, it was requested by Lighting that we reduce his memory footprint as Google had complained he was taking up too much memory and their I/O for rendering on the cloud was being affected. The leadership team and I decided that the best way to do this was to half the texel density on the parts that wouldn't be visible in our approved shots and to also half the resolution of the textures in the parts not visible to camera. This allowed us to optimize his memory footprint both in shots as well as storage and I/O. It was massive technical undertaking working on Stratosphere, so much so that we had to delay getting him into shots as we simply couldn't push him through with our normal tooling. I really enjoyed the challenge that he posed for us as a team. CREDITS: Primary Modeling by Oscar Lowe Support Modeling by Arthur Grandjean and his team Final Texturing & Lookdev by Yaz Raji Video credits: Breakdown shot by MPC Film footage by Paramount

Stratosphere was our biggest and heaviest character on #Transformers ROTB. He was a real challenge to deal with on the Modeling, Texturing, and Rendering side. He had 1434 UDIMs due to his immense scale and was made up of tens of thousands of objects. His level of detail was truly something else. His vehicle form was also a behemoth. We had also built a mortar for his robot form and a cannon for his vehicle form but neither of these made it into the film as his part in the final battle was cut out. He was originally supposed to help out in the final battle, using both of these weapons against the Sweepers and Predacons. The decision to cut him from the final act came very late as all of his assets were final at that point. We were never told the reason why his role was cut from the film. I had to re-design my texturing system in Mari when working on him to ensure that it could handle such a complex and large character. I had to simplify a lot of the procedural systems and even had to branch off some of them into their own files to ensure that artists could work with somewhat decent performance. We ran into a lot of issues pushing him through our pipeline, both as a model as well as rendering him due to the sheer amount of objects and textures that had to be processed. For shots, it was requested by Lighting that we reduce his memory footprint as Google had complained he was taking up too much memory and their I/O for rendering on the cloud was being affected. The leadership team and I decided that the best way to do this was to half the texel density on the parts that wouldn't be visible in our approved shots and to also half the resolution of the textures in the parts not visible to camera. This allowed us to optimize his memory footprint both in shots as well as storage and I/O. It was massive technical undertaking working on Stratosphere, so much so that we had to delay getting him into shots as we simply couldn't push him through with our normal tooling. I really enjoyed the challenge that he posed for us as a team. CREDITS: Primary Modeling by Oscar Lowe Support Modeling by Arthur Grandjean and his team Final Texturing & Lookdev by Yaz Raji Video credits: Breakdown shot by MPC Film footage by Paramount

Rassoul Edji

268,669 views • 1 year ago