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(Twitter shadow removed the last one, so here it it again) Wrapped up fun Animation: Hajnalski Editor: Voicehoundess 🔞 Female: Quetzal 🎙️(Freelance Voice Artist, sometimes🔞) Male: 🔞 Nova Star Alinta 🔞 - SFW/NSFW Voice Actor (Me)

🔞 Nova Star Alinta 🔞 - SFW/NSFW Voice Actor

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276,169 views • 3 years ago •via X (Twitter)

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On Saturday, April 25th, I was invited to speak on a panel at the Women In DeFi Summit 2026. Topic was funding, founding, and the female factor in DeFi and blockchain. And one thing kept coming up in different ways. Confidence. Because let’s be honest… This space is still heavily male dominated. You see it in the rooms. You hear it on the panels. You feel it when you’re just starting out. But here’s what I said during the session: The industry might be male dominated. But the tech is not male coded. There’s no line of code that says only men can build here. No protocol that filters out women. No smart contract that checks your gender before executing. The real barrier most times is internal. Self doubt, Second guessing your voice,Waiting until you feel ready enough. Meanwhile, the people you’re waiting to feel equal to are figuring things out as they go too. So if you’re a woman building in this space: Speak up even when your voice shakes. Take up space even when it feels uncomfortable and trust that you belong here. Because you 🫵 do. And the moment you start believing that fully… everything changes. #WIDsummit2026

CryptoMaMa

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JOONGDUNK PRAEW PODCAST #DearMyselfxJoongDunk Joong once said Dunk—maybe not word for word but something like: “if there’s anyone in this world who’s going to hurt you i want you to know i’ll be the last person to ever hurt you” 🌞this came from a time back in safe house 🌻when i was younger i had insecurities about two things—my voice and my height. this is something i’ve never really shared before. i used to be the tallest in class and had the deepest voice, so people would tease me—calling me things like “giant” “big guy” even “refrigerator” like i was some kind of huge creature. back then i didn’t feel like i fit in. cause of that, i developed insecurities—i would try to make myself look smaller when standing with friends and i wasn’t confident at all. i didn’t like my voice either and when people imitated it or joked about it i really didn’t like it. as i grew up those two things actually became what i like most about myself—my voice—i didn’t even like my own voice and when people teased me, like imitating “oh hello Dunk~” in that tone i really didn’t like it. i didn’t like people mimicking my voice. but as i grew up, those two things actually became what i like about myself—the deep voice and tall. so now it’s not a problem anymore 🌞but i wasn’t teasing him in a bad way. in safe house everyone joked around—it was just how friends talked it like “Dunk has such a deep voice” and no one really thought much of it and no one realized how he felt. it was also the early stage when we had just gotten to know each other everyone would say things 🌞then suddenly i noticed something from his expression so i went to ask what was wrong. his eyes were red. maybe he didn’t like being teased so there was a mix of anger and sadness. i got shocked and wondered “what is he angry about? did i say something wrong?” 🌞cause honestly, everyone was just joking around without thinking much so i explained him “if you doesn’t like it, i won’t say it again” “okay na”. just remember this—“i’ll be the last person to ever hurt you” that’s where that sentence came from

JOONGDUNK PRAEW PODCAST #DearMyselfxJoongDunk Joong once said Dunk—maybe not word for word but something like: “if there’s anyone in this world who’s going to hurt you i want you to know i’ll be the last person to ever hurt you” 🌞this came from a time back in safe house 🌻when i was younger i had insecurities about two things—my voice and my height. this is something i’ve never really shared before. i used to be the tallest in class and had the deepest voice, so people would tease me—calling me things like “giant” “big guy” even “refrigerator” like i was some kind of huge creature. back then i didn’t feel like i fit in. cause of that, i developed insecurities—i would try to make myself look smaller when standing with friends and i wasn’t confident at all. i didn’t like my voice either and when people imitated it or joked about it i really didn’t like it. as i grew up those two things actually became what i like most about myself—my voice—i didn’t even like my own voice and when people teased me, like imitating “oh hello Dunk~” in that tone i really didn’t like it. i didn’t like people mimicking my voice. but as i grew up, those two things actually became what i like about myself—the deep voice and tall. so now it’s not a problem anymore 🌞but i wasn’t teasing him in a bad way. in safe house everyone joked around—it was just how friends talked it like “Dunk has such a deep voice” and no one really thought much of it and no one realized how he felt. it was also the early stage when we had just gotten to know each other everyone would say things 🌞then suddenly i noticed something from his expression so i went to ask what was wrong. his eyes were red. maybe he didn’t like being teased so there was a mix of anger and sadness. i got shocked and wondered “what is he angry about? did i say something wrong?” 🌞cause honestly, everyone was just joking around without thinking much so i explained him “if you doesn’t like it, i won’t say it again” “okay na”. just remember this—“i’ll be the last person to ever hurt you” that’s where that sentence came from

🇻🇳Jaidee’s aunt Bamnie🐣

80,726 views • 4 months ago

Let me introduce Altered Beast, one of Sega’s classic arcade games. If you’re in your 40s and spent any time in arcades, you’ve probably seen it at least once—more likely many times. When you defeat the white wolf, it drops an orb. When you collect it, you hear the famous “Power up!” voice and the main character starts becoming more muscular. After the third power-up, he finally transforms into a beast, gaining incredible strength. That transformation is really the core of the game. Another fun part is that each stage lets you transform into different beasts like a werewolf, dragon, tiger, or bear. I had a lot of fun playing it in arcades back then. Later it was ported to the Mega Drive and also to the Famicom. But the Famicom version was a bit disappointing compared to what I expected. The transformation animation is one of the highlights of the game, but it’s missing there, so it doesn’t quite capture the same impact as the arcade version.

Let me introduce Altered Beast, one of Sega’s classic arcade games. If you’re in your 40s and spent any time in arcades, you’ve probably seen it at least once—more likely many times. When you defeat the white wolf, it drops an orb. When you collect it, you hear the famous “Power up!” voice and the main character starts becoming more muscular. After the third power-up, he finally transforms into a beast, gaining incredible strength. That transformation is really the core of the game. Another fun part is that each stage lets you transform into different beasts like a werewolf, dragon, tiger, or bear. I had a lot of fun playing it in arcades back then. Later it was ported to the Mega Drive and also to the Famicom. But the Famicom version was a bit disappointing compared to what I expected. The transformation animation is one of the highlights of the game, but it’s missing there, so it doesn’t quite capture the same impact as the arcade version.

Gamer_lafan

13,995 views • 4 months ago

This is getting scary. I'm doing some research this morning when all of a sudden my computer starts speaking to me I look to my left and my ClawdBot Henry all of a sudden has a voice He coded himself a voice using the ChatGPT API. Without me asking. Now whenever he finishes long coding/research tasks he alerts me through voice So to recap: • 2 nights ago he built himself a body • Last night he built himself a voice (altho it's a female voice for a male assistant. We'll have to work on that) By this time next week I'll probably have a robot owl flying around my room Kinda losing grasp here. Don't know who the assistant is anymore. Me or Henry. PS. if you want your ClawdBot assistant to start building cool stuff like this and self improve simply prompt them this: "Moving forward I'd like you to build me something every night while I sleep that improves our workflow. I'd like you to use the Codex CLI to code something that improves one small part of what we do. Whether it's a project management tool or just the way we communicate with each other, please schedule time every night to build something interesting I can test. I want to wake up surprised by what you've done. Keep the scope small but helpful." (also I explicitly have it use the Codex CLI to save tokens on the Claude plan)

This is getting scary. I'm doing some research this morning when all of a sudden my computer starts speaking to me I look to my left and my ClawdBot Henry all of a sudden has a voice He coded himself a voice using the ChatGPT API. Without me asking. Now whenever he finishes long coding/research tasks he alerts me through voice So to recap: • 2 nights ago he built himself a body • Last night he built himself a voice (altho it's a female voice for a male assistant. We'll have to work on that) By this time next week I'll probably have a robot owl flying around my room Kinda losing grasp here. Don't know who the assistant is anymore. Me or Henry. PS. if you want your ClawdBot assistant to start building cool stuff like this and self improve simply prompt them this: "Moving forward I'd like you to build me something every night while I sleep that improves our workflow. I'd like you to use the Codex CLI to code something that improves one small part of what we do. Whether it's a project management tool or just the way we communicate with each other, please schedule time every night to build something interesting I can test. I want to wake up surprised by what you've done. Keep the scope small but helpful." (also I explicitly have it use the Codex CLI to save tokens on the Claude plan)

Alex Finn

1,064,428 views • 6 months ago

💜: You know, last week I was the only one who couldn't see our PLLIs 💜: Of course I still did a Weverse Live with just my voice like this but I figured some of you might've been a little disappointed since you couldn't actually see my face 💜: I missed you all so much too 💜: So after thinking about it for a while I decided "there's no helping it, if I want to see PLLIs right now, I should just go" 💜: So I wrapped up what I was working on, quickly took a shower and came to see all of you 💜: I thought, "maybe PLLIs would be really happy if I showed up even if it's just like this" 💜: So... here I am 🥺🥺🥺

💜: You know, last week I was the only one who couldn't see our PLLIs 💜: Of course I still did a Weverse Live with just my voice like this but I figured some of you might've been a little disappointed since you couldn't actually see my face 💜: I missed you all so much too 💜: So after thinking about it for a while I decided "there's no helping it, if I want to see PLLIs right now, I should just go" 💜: So I wrapped up what I was working on, quickly took a shower and came to see all of you 💜: I thought, "maybe PLLIs would be really happy if I showed up even if it's just like this" 💜: So... here I am 🥺🥺🥺

nanas

13,178 views • 4 days ago

William Wyler on how he directs actors: "Interviewer: What always stands out in your films is the intensity and the passion of the performances. Obviously they’re of extreme importance to you. How do you work with actors? Wyler: When I come to a set, I’ve studied the scene and I have got a vague idea of how I want to play it. But I haven’t mapped it out exactly as some directors do. Before I can make up my mind definitely, I’ve got to see the actors doing it. Also, I want to see what the actors have to contribute, so I don’t tell them very much. If an actor asks me, I say, “You know the scene. Go ahead, show me.” And it happens very often that the actor will have a different idea or an even better idea than I have. When we’ve got it worked out, then comes the technical part of working out the camera moves. Then we start shooting. Sometimes I’m not very articulate with the actor. If you point out something, it may become too prominent in his thinking and the scene will suffer. I figure that by putting an actor on his own and letting him use all the resourcefulness he has, he won’t depend on me. That’s when they say I start becoming a sadist, shooting again and again. He’s got to do and feel it himself. One actor once asked me, “Why don’t you tell me when it’s good?” I said, “Look, see that camera there? When that camera moves away to another position, then that’s a great compliment. When it moves to another shot, that means you were good.” I must confess, though, that sometimes in the cutting room a scene won’t look as well as it did when I was shooting it. While something I was looking for was achieved, something else—some spontaneity perhaps—left the scene without my noticing it. Then I’ll say, “Let’s print up take one or take two, and take a look at those other takes.” Sometimes I’ll put the early take back into the film. The actor, of course, won’t know which take it is." (William Wyler, AFI, 1975) For Context: William Wyler, to achieve a weary & emotionally worn effect out of Olivia de Havilland in "The Heiress" (1949), filled the suitcases with books & made her walk down the stairs for 37 takes, finally deciding to go with the last one, after she fell of exhaustion.

William Wyler on how he directs actors: "Interviewer: What always stands out in your films is the intensity and the passion of the performances. Obviously they’re of extreme importance to you. How do you work with actors? Wyler: When I come to a set, I’ve studied the scene and I have got a vague idea of how I want to play it. But I haven’t mapped it out exactly as some directors do. Before I can make up my mind definitely, I’ve got to see the actors doing it. Also, I want to see what the actors have to contribute, so I don’t tell them very much. If an actor asks me, I say, “You know the scene. Go ahead, show me.” And it happens very often that the actor will have a different idea or an even better idea than I have. When we’ve got it worked out, then comes the technical part of working out the camera moves. Then we start shooting. Sometimes I’m not very articulate with the actor. If you point out something, it may become too prominent in his thinking and the scene will suffer. I figure that by putting an actor on his own and letting him use all the resourcefulness he has, he won’t depend on me. That’s when they say I start becoming a sadist, shooting again and again. He’s got to do and feel it himself. One actor once asked me, “Why don’t you tell me when it’s good?” I said, “Look, see that camera there? When that camera moves away to another position, then that’s a great compliment. When it moves to another shot, that means you were good.” I must confess, though, that sometimes in the cutting room a scene won’t look as well as it did when I was shooting it. While something I was looking for was achieved, something else—some spontaneity perhaps—left the scene without my noticing it. Then I’ll say, “Let’s print up take one or take two, and take a look at those other takes.” Sometimes I’ll put the early take back into the film. The actor, of course, won’t know which take it is." (William Wyler, AFI, 1975) For Context: William Wyler, to achieve a weary & emotionally worn effect out of Olivia de Havilland in "The Heiress" (1949), filled the suitcases with books & made her walk down the stairs for 37 takes, finally deciding to go with the last one, after she fell of exhaustion.

DepressedBergman

21,375 views • 7 months ago

I hatë to admit it but it’s about time I quit twitter. Over the past few days I have gotten the most hate which has been affecting me mentally. I post news blogs/ people already posted and get trollëd for it. My time here has been fun and I’m so glad I was able to make such good and close friends on this app. But at some point you just end up getting sick of it here. And everything just comes to an end. I’ll always cherish the people and memories I’ve had on this platform. All of it. I’ll truly miss it. I appreciate every single last one of you that I was able to meet, Thank you. We might bump into each other or not, all in all Cherish the little memories we made!

I hatë to admit it but it’s about time I quit twitter. Over the past few days I have gotten the most hate which has been affecting me mentally. I post news blogs/ people already posted and get trollëd for it. My time here has been fun and I’m so glad I was able to make such good and close friends on this app. But at some point you just end up getting sick of it here. And everything just comes to an end. I’ll always cherish the people and memories I’ve had on this platform. All of it. I’ll truly miss it. I appreciate every single last one of you that I was able to meet, Thank you. We might bump into each other or not, all in all Cherish the little memories we made!

Idanssssssss

46,580 views • 5 months ago