Sensitive content
This media may contain sensitive content.
Video wird geladen...
Video konnte nicht geladen werden
Two thick trans baddies fucking each other 😩 Fat soapy ass bouncing while that fresh trans dick pounds deep… pure perfection #BigAss #Trans #Ebony #ThickBaddie #Backshots #NSFW
149,162 Aufrufe • vor 1 Monat •via X (Twitter)
0 Kommentare
Keine Kommentare verfügbar
Kommentare vom Original-Post werden hier angezeigt
Ähnliche Videos
0:25
Sensitive content
Bitch, I do not play about eighth grade star aka opinions based girl….. yeah everybody’s laughing now, but it literally does not take away the fact that you are so fucking ugly like I had his ass blocked on my old account before I even saw this because every time he pops up on my for you page I just have to scroll because he’s so fucking ugly that it pisses me off he looks like he could be casted on Netflix and not in a good way. He seriously needs to find a new haircut because what the fuck is that middle part? and of course he’s a Nepo baby, and the best part is I just found out that he used to be fat, I bet he’s an anorexic asf lowkey all shade and that’s the only way his pathetic ass could lose weight and I know he didn’t use laxatives cause he’s definitely a bottom, the type that one bitch from White Lotus would say as a fem and NOT a butch. You can tell he wants to be Matthew from big mouth but he’s more of a Charlie from heartstopper, you can also tell that he’s never got his ass beat, well maybe once in middle school and then his white ass republican parents freaked the fuck out and got the kid suspended or some shit. Of course he’s obsessed with Diet Coke, he’s so obviously wants to be a white woman that it is embarrassing. Middle schoolers definitely go up to him and be like “oh my God you’re famous on TikTok” and he thinks he’s the shit but the rest of the population don’t give a fuck and the way his mom is a teacher…… I know that she probably yells at the fucking class for everything but really she’s just taking it out on these kids because she knows deep down that she wishes her son was like them instead of a fucking loser who makes strawberry bagels on TikTok not to mention everybody praised him for doing angel tree, bitch that’s nothing he probably just used some of his allowance money to look like a good person so y’all bitches would suck his dick. Omg in all of his fucking videos he tries to sound cute with that feminine ass voice and it gives me a secondhand embarrassment down. he thinks he’s Troye Sivan, but he will never admit that he probably listens to fucking country music and Taylor Swift so he can fit in with all of his Christian girl friends and that’s it. You can tell he peaked in high school. He was definitely the “token gay” and the homophobic straight boys loved him because he was “funny“ but it was all surface level, TikTok humor that seems funny to them. of course he reposted something about drinking on antidepressants. Just because you had a white claw and some lexapro(which explains why he used to be fat as fuck) doesn’t make you whatever a fucking vibe you’re trying to go for. He looks like he jerks off to the Lululemon maternity catalog while pretending he’s Harry Styles. I saw on TikTok that he has a girlfriend and I can’t tell if it’s just for attention or if he’s actually still dl so that his parents don’t freak the fuck out on him and he has to get a real job. This one girl posted him on TikTok, shaking his hips and drinking wine…… like who do you think you fucking are bro? like genuinely who the fuck do you think you are?🔑 he also reposted a TikTok about Lorde “looking a mess” I really don’t give a fuck if it was a joke. You have no place to be talking about somebody’s looks when he looks like that……. and y’all know what I mean, the type of guy who fucks all the dl in the room because he has zero confidence. The type of guy who has all the latest Apple products for no reason. I mean seriously he looks like he eats fucking rocks. Apparently he caused a lot of drama on TikTok (of course) and blamed his OCD like what kind of dumb ass excuse is that but then again he probably asked his mom what to say and then she sent him a script and he went with it. Somebody keeps on copying his videos and it’s pissing him off. I think it’s so hilarious…… you realize you’re just another copy and paste of every other wanna be “ influencer”. Don’t ever try coming for eighth grade start again.🔑🔑
Travis🦋
93,592 Aufrufe • vor 5 Monaten
![[MBC Radio Star feat. actress Jung Young Joo preview/ full eng trans] JDY: Next, we have Jung Young Joo-ssi, who witnessed the Lovely Runner's Sol-Sunjae couple from the first row. There are still many people rooting for both of them. JYJ: I'm now filming my next work. I'm actually hesitant to talk about this because I'm worried I'll be considered as a traitor. JDY: It's just.. there are still so many people engaged in that work (Lovely Runner). JYJ: Yes, they are deeply immersed. And many people still tell me, "Please allow Sunjae and Sol to marry. You also want to see your grandchildren, right?" JDY: Because both of them are incredibly lovely. JYJ: Yes. Compared to other actors, Byeon Wooseok's eyes are very melo and moist. And.. I once asked him, "Have you ever been in love?", and he replied loudly, "Of course I have!" That was very cute, then after that (I added), "You still need to act with a raw touch even though you have experiences. You must truly express all of your feelings." And he did it in earnest. Thus, actor Byeon Wooseok deserves lots of praise for his efforts. He (BWS) is absolutely pure, very sincere, and unapologetically honest. If he is lying, it will show. I therefore ask him, "How can you act with this (character)?" JDY: There are a lot of interesting works, but what's really intriguing is that everyone's enthusiasm for Lovely Runner didn't fade even after the show finished. JYJ: In an interview, actor Byeon Wooseok stated that his ideal type is a woman who is small, petite, intelligent, and wise. And that is precisely the same as Hyeyoonie, so I told them, "You guys stop joking around, just date each other!" Every time it happened (I saw them acting), I told them to just date each other. Q: When you're all on set, you should have a rough feeling, right? JYJ: There were many sweet scenes between Sol and Sunjae, and they always needed to look at each other with those eyes. He was presumably shy and expressed his concern and confusion. I asked him, "Why don't you just like her for real?" "To like her for real?" he asked. And I replied, "Yes, just like her for real. "Try it!" I then said, "Try doing it with that look in your eyes," to which he answered, "Is it okay if I really like her? Can I actually do that?" I did not say anything else after that. They simply did what they wanted and conveyed it (their acting) in their own way. Then many people asked me if the two of them were really dating. "Are they still dating now?" JDY: There are still a lot of curious people. JYJ: Is it okay to say it? Can Mom really say it aloud?](https://image.24vids.com/tw-1810920733029388293/amplify_video_thumb/1810919096084746244/img/mf7PT3kMfai0IGMK.jpg)
![Today, I'm doing something different. If you want the short version, watch the video below. Nearly five years ago, J.K. Rowling wrote an infamous tweet. It began: "Dress however you please. Call yourself whatever you like." She continued: "Sleep with any consenting adult who’ll have you. Live your best life in peace and security. But force women out of their jobs for stating that sex is real?" It took off like wildfire. At the time, Rowling's words suggested that pushback against transgender people/policies was not rooted in presentation, or even one's individual conceptualization of their identity. Her issue lie with the intersection of personal identity and policy, and was further inflamed by the cancel culture that engrossed social justice political dissenters. Perhaps she had a point. I didn't entirely know what to make of it. In some respects, I still don't. But her words made me think. After a few years, an unanswered question lingered in my mind. Is what Rowling describes a solution to growing gender identity dissent? Is there a lifestyle that a transgender individual could embody that would be 'acceptable' to these dissenters, or is their dissent just a veil for true contempt and disdain for those who cross gender boundaries? I projected that question upon myself. Was there a version of myself that—by accepting certain concessions—might pass muster and find acceptance amid dissenters? Was some give-and-take by transgender people all that was needed to de-escalate our growing dissent and toxic discourse? Many progressives, including many transgender people, told me the answer was an unequivocal 'No'. I was told that gender criticals/anti-woke/conservatives/[insert favourite polarizing label here] just hate transgender people and were wholly disingenuous in their concerns. I was told that their 'concerns' were mere dog whistles used to prop up their hate for the gender diverse. I wasn't convinced... in part because I appreciated some of their concerns. I knew I needed to learn more. So, I did the only thing I knew how to do. I followed my curiosity and spent the last two years amid the individuals who were purportedly out for my blood. I connected deeply within gender critical circles, listening, learning, and trying to make sense of the intersection of gender criticality, transgender experiences, and liberalism. I sought out solutions that might temper our ever-growing toxic discourse. I learned a lot and I had the most inspiring conversations of my life. And I made some of the most genuine friendships of my lifetime. As it turns out, it's very humanizing to know someone who thinks differently than you. Thousands of people shared with me the impact I imparted to them, as I was often the first transgender person they had ever known and befriended. These friendships were humanizing for me as well, bringing a new perspective to social conservative worldviews that I hadn't previously appreciated. For those who truly held no disdain towards transgender people, I embodied precisely what they had been preaching. In tune with Rowling's call, I called myself Julia and dressed from the women's side of Target, but I held no expectations of language, pronouns, or any form of affirmation. I steered clear of any space that might even plausibly be considered a women 's segregated space, be it a washroom, a changeroom, an association or a sports league. I embodied the model transgender person that many gender criticals profess is the solution to our unrest surrounding gender identity. I've been told thousands of times that if other transgender people were like me, then all of our issues would go away. And that is where things got interesting... because for quite a few years, gender-critical communities have been forming amid common concerns of various transgender accommodations and policies. For people in these communities who held no contempt toward a trans identity, I was a key ally. To them, I was living evidence that the balance they wished to achieve in transgender policy surrounding medical transition or education or compelled speech or spaces could be embodied by a transgender person. But I unwittingly became a wedge in gender-critical communities. As it turned out, there are plenty of gender-critical individuals whose convictions go far beyond mere policy concerns. These people hold tremendous contempt and disdain for transgender people. I faced bigotry and hatred firsthand. Until a transgender person comes into the gender critical community, those who saw might see me as an ally and those enraged by my existence were often indistinguishable, even to those within various communities. But the moment I would arrive on the scene, waves would form and the motivational divide would become evident. There's something rather unsettling about watching factions form and friendships fall apart merely because you entered a conversation. I cannot overstate the love and acceptance I found amid gender-critical individuals. Many amid these circles are just tired of being labelled anti-trans ad nauseam merely for expressing policy concerns. But I also cannot overstate how surreal it is to face individuals—in many cases with international attention upon them—reign down on you directly and personally in the most dehumanizing ways I've ever encountered. On more than a few occasions I experienced the machination of anti-trans pushback in full force. There were days I received dozens of tweets that launched personal attacks against my appearance or derided my likeness in grotesque manners. There were also days when I received thousands. Death theats, stalkers, invasions on my family's personal privacy. I encountered it all. On a few occasions I also experienced the machination of trans-activist pushback. I came to realize something: on the extremity of this polarizing issue, both sides can behave just as poorly. It was enlightening to watch the extent to which people would mischaracterize me, selectively crafting what I would write to frame me in the worst possible light imaginable. It was even more enlightening to watch opposing sides do this simultaneously—each fixated on casting me as a demon of the enemy they had come to fixate upon. I suppose that's what extremism does. To the vocal extreme of the transgender activist camp, I was a gender critical: a grifter uncancelling gender criticals by lending transgender credibility. To the vocal extreme of the gender critical camp, I was no different than any other transgender activist. Regardless of my position on social transition in school, compelled speech or space usage, nothing could undo that I unapologetically defy sex-role norms which—for many—was always the underlying issue. I observed that both 'sides' cast me as their 'other', while neither side embraced a member. I suspect that's in part because the 'side' I align with are the views that resonate with mostly everyone who isn't in the trenches of these politics. The side my views represent aligned most closely with the 90% of our population who are not beholden to either extreme on gender politics. My major takeaway from my past two years: that the vast majority of people want a world where transgender people can exist and thrive, where language isn't compelled but people are kind to one another, and where the intersections of gender norms and physical reality are thoughtfully balanced. They want an education system that recognizes the role of the parent as an ideological steward but also holds good safeguards both to intervene in truly abusive situations and provides adequate psychological support for any child experiencing psychological distress. That sounds hard, and it's near impossible when your sounding board is the groupthink at either extreme. I feel incredibly fortunate to have been afforded the opportunity to hold so many powerful friendships amid the liberal-loving middle that espouses the center-end of both factions. So what am I doing now? I am doing a new video series—possibly my last. In Gender for the Rest of Us, I'll be laying out what I've learned over the past two years about the solutions that bring us to a place of de-escalated discourse on gender. I'll attempt to be moderate through and through, though I should clarify that I don't mean 'Twitter moderate' or 'gender critical moderate' or 'trans activist moderate'. I mean regular, run-of-the-mill, moderate that resonates with those who truly want to balance transgender rights with those of everyone else. What I'll be putting forward in this series is my best attempt at finding solutions—real solutions—that maintain all tenets of liberalism: equality, individual liberty, individual rights, pluralism, toleration, autonomy, bodily integrity and consent. If you find yourself on either extreme of this divide, you probably won't like much of what I have to say. That's probably for the best because solutions don't like on the extremes. In a nutshell: This series is the essay I've promised to more than a few politicians outlining how we might de-escalate gender matters. Sorry it's taken so long. Politics are exhausting. Thank you to everyone (on both sides of this complex conversation) who has engaged with me in thoughtful conversation over the past months and years. I've learned a lot and grown tremendously from the challenges people have put in front of me. Please keep the messages coming—I want to keep learning and growing! All the best, Julia](https://image.24vids.com/tw-1797807540056608873/ext_tw_video_thumb/1797803952387305472/pu/img/WFnk2HP-JmR0Z6Fl.jpg)
![[eng trans] Gunil's 11-Minute Concert Ment at Summer Xcape 2026 🐹 hello, it's gunil. so, did something happen yesterday? firstly, i'd just like to share a few thoughts about how i felt during today's show. i'm always the type to talk for a long time, so i'm trying to be careful because i'm worried some of you might fall asleep. but if you want to sleep, that's okay. you have the freedom. 🐹 anyway, the thing i felt while performing today was that... honestly, i think yesterday we were all still a little shy around each other. i know some of you were here yesterday too. because of that, i was honestly really worried about today. ah, but still, we only had two days to begin with, so since this is the second and final day, we really have to enjoy ourselves and have fun without any regrets. i wanted Xdizzto have fun, and i wanted villains to have fun too. but i kept thinking, will that really work out? i was really worried about it a lot. 🐹 but the moment today's first performance started, you all welcomed us with such loud cheers that i think those worries just disappeared. and honestly, today, even when we made our silly jokes, you reacted so well. you cheered like this even when jooyeon was just tuning his guitar. ah, i'm really, truly grateful for that. so, in conclusion, i had a great time today. 🐹 i think it's almost been five years since our debut now, right? five calendar years, right? anyway, some time has passed, and while we've stood on countless stages during that time, i think yesterday and today, Xcape 2026, will remain one of those performances that i'll remember for a very long time. 🐹 today's concert was really fun. but when i think to myself whether that means it was a perfect performance... personally, i don't think so. while i was playing the drums and listening through my in-ear monitor, there were parts i felt like were lacking. and the more i perform, the more ideas i have about areas we can improve so we can make our concerts even more enjoyable. i've noticed a lot of those things myself, and found parts i wanted to improve. so yes, although today's concert was really fun, i won't let us become satisfied with just this. i want us to continue creating performances that are even more fun and have better quality. that's something i really wanted to tell all of you. 🐹 did you all have fun? you all traveled such a long way to get here. for a lot of people, yeongjongdo is actually pretty far away. so the fact that you came all the way here just to see xdiz, is really an act of love. thank you once again, from the bottom of my heart, for loving us so much and coming all this way to support us. i'm not crying. my nose isn't stuffed either. can you hear my sniffling? when i talk quietly, I don't think you can hear me. 🐹 anyway, along time ago, i made a promise to you all, didn't i? i said that xdiz would always be the kind of team that keeps simmering bone broth. [see reply for the context of his "real bone broth" ment] of course, if you eat bone broth every single day, eventually you might start doubting and think "is this really bone broth?" because you get so used to it. but i really cross my heart on this. i'll bet everything on this. without lying, i'll always give my absolute best. i think that's only natural. isn't it wrong to not give your best? 🐹 anyway, i hope you'll continue to believe in us. i hope you keep trusting xdiz. we'll also keep working hard so we can live up to that trust. i believe that precious relationships, as they get deeper, will have more crises/problems. because, well, think about your precious friends. or maybe a neighborhood friend you're close with. or a classmate you were incredibly close to. haven't there been incidents where suddenly that relationship becomes strained because of a crisis? but i believe that a crisis can become an opportunity. so even if there are any of you who may have doubted us, i want to use that as an opportunity to keep proving ourselves to you. 🐹 i hope you know that we're never the kind of people, or the kind of team, that would carelessly take you for granted or treat your love half-heartedly. and i'm so grateful that there are far more people who don't think that way. we really love you all so much. we'll keep talking together after every show, giving each other feedback among ourselves, adressing the areas we fell short on today, and working hard to show you performances that are even more fun and with higher quality. 🐹 oh, right. earlier, when i talked about that promise while mentioning the bone broth, there was something else i said back then too. do you remember me saying the bigger this group gets, as more and more new villains join us, i mentioned that i was afraid some of you may leave so i said i wanted to protect all of you no matter what. nobody actually says things like "what will you protect? protect yourself first." but i think you all understand what i feel. 🐹 honestly, every single one of you is genuinely precious to me. whether there's just one villain or 200,000 villains, you're all still villains. but as our fandom keeps growing, it naturally starts feeling like one huge group. so because of that, i think we might stop feeling like we're seen as an individual person anymore. once again, what i want to tell you here is that every single piece of love that each of you sends us is incredibly precious. really. every single one of you. everyone here, from zone 1 all the way to zone 7000 is so incredibly precious to us. 🐹 when one person comes together... ah no, not just one person. when one person, then another person come together, sometimes they become ten thousand people. that's how it goes, doesn't it? 🐹 anyway, you all know the song "one candle", right? oh, i'm sorry. this is really the last one... actually, you all know i'm a tmi talker. you know, a too much talker. so for a while, i've been telling myself, "ah, i need to restrain myself" and holding back but it's been a while, so, i'll loosen up my mouth a bit more. 🐹 i really love the song "one candle" it talks about how when one candle joins another, then another, and so on, they become one really great light. you are every single one of those lights. when you're standing alone, in a way, you might sometimes feel insignificant. but truly, every one of you is not insignificant. not at all. 🐹 we will become xdiz that grows by constantly reflecting on ourselves, growing through self-reflection, and will never lose our humility so we can become a team that doesn't feel insignificant even if there's just one of us, and even if there were only one of you, we'd still give everything we have until the very end. we would be really grateful if you'll keep believing in us until the very end. and i'll keep believing in our villains until the very end too. thank you. 🐹 also, wasn't this concert amazing? the drums came down from the sky. the instruments came down too. so many incredible things prepared for this show, but this concert couldn't have happened through our efforts alone. there are so many staff members working behind the scenes, and honestly, i think they worked even harder than we did. please give our staff a huge round of applause. and finally, villains, please give yourselves a round of applause too.](https://image.24vids.com/tw-2071207117508468810/amplify_video_thumb/2071185164278104064/img/gbLP7T0LqBWK7vTF.jpg)
![[TRANS] 251229 Actress IU Wins Grand Prize (DAESANG) at the 2025 APAN Star Awards 🏆 아이유(IU): Hello, this is IU who played young Oh Ae-sun and Yang Geum-myeong in When Life Gives You Tangerines. Nice meeting everyone here. It’s been a while since I attended the APAN awards. Just like before and now, thank you for giving me such a wonderful, heavy award. To me, WLGYT is a precious series, and simply being part of it is something I will carry with pride into the future, like a badge of recognition. First of all, I’d like to convey my deepest gratitude to writer Lim Sang-chun for penning and sending Oh Ae-sun and Yang Geum-myeong, two characters to me that I will never forget for the rest of my life. I’m feeling overwhelmed and nervous all of a sudden, please allow me to take a deep breath. Dear writer Lim Sang-chun, if one day you come into my life again, I hope I can serve you even better. Moreover, to Director Kim Won-suk who’s sitting right in front of me, honestly there were times I struggled due to your perfectionism and high standards, but I know well that without your affectionate gaze (towards your works), I would’ve spent more days being lost and regretting on set. Thank you so much, I really respect you, director. Also, I think it’s all thanks to teacher Kim Young-rim, teacher Na Moon-hee, senior Moon Sori, senior Park Haejoon, Bogum-ssi and Youseok ssi – my dear beloved teachers, seniors and colleagues that i’m able to receive this award. Knowing that I would be working alongside such brilliant actors in the same frame made me happy, but at times also nervous, as I feared my shortcomings might become apparent. In the end, however, I know that their excellence more than made up for my inadequacies. Thank you so much. To cinematographer Choi Yoon-man, art director Ryu Seong-hee, makeup director Park Jinah, and the thousands of staff involved, thank you. It has been an honor to work with the best team. If our paths cross again on future projects, I promise to help make the set even happier and more enjoyable. To my beloved family, EDAM Entertainment family, IU Team as well as my dear fans UAENA, I love you all so much. Lastly, to many viewers who loved WLGYT, I believe our show tells the story of people who faithfully endure and live each day as it is given to them, day by day. Even when faced with deeply sad moments, they still have to prepare for tomorrow, still eat their meals, and yet know how to love life. I sincerely hope that for all the viewers who have supported, understood, and empathized with their lives, a magnificent and joyful reward, like the rapeseed flower fields where Ae-sun and Gwan-sik once walked, awaits you at the next turn in your own journey. To all viewers, artists, staffs and audience present here today, you’ve worked hard (literal meaningful of the WLGYT’s Korean title) throughout 2025. Happy new year. Thank you. Vid credits to dlwlrma_08918 #아이유 #IU #APAN스타어워즈 #APANStarAwards2025 #APAN2025 #WhenLifeGivesYouTangerines #폭싹속았수다](https://image.24vids.com/tw-2005645711434727626/amplify_video_thumb/2005645619952771072/img/QCjd06wRWy9mKase.jpg)
![Seedance 2.5 full 30s prompt + H3 lipsync workflow are below 👇 [3_panel_ref] is a three-panel character turnaround (front, left profile, rear) that strictly defines one single continuous Black woman: short black hair with a sharp undercut on one side, large gold hoop earrings, thick gold curb-chain necklace, fitted black short-sleeve crop top exposing the midriff, baggy green woodland-camouflage cargo pants with large side pockets, and black-and-white Nike high-top sneakers with leopard-print heel and tongue panels. Use only her exact face, body proportions, hair, clothing and accessories. Do not use the plain studio background or any lighting from this image. [outdoor_ref] provides the outdoor lakeside music festival environment at blue-hour dusk: dense standing crowd, main stage with large LED screens and vibrant purple-cyan-pink lighting, scattered white and colored tents, flags, gravel paths, dark forested hills, and calm reflective lake water. Use this only for location layout, spatial depth, ambient lighting mix (cool dusk sky + warm practical tent lights + stage color spill), and background crowd density. Do not promote any specific individuals from this image into the main subject role. Generate a continuous 30-second photorealistic cinematic sequence of the exact same woman from [3_panel_ref] advancing through the dense festival crowd of [outdoor_ref] while carrying a clear plastic cup of beer in each hand. Her path is a single continuous forward trajectory from deep inside the packed crowd toward a slightly clearer edge near the water where her friends wait. All camera work and cuts preserve the unbroken sense of her physical progress and direction of travel. No dialogue, no subtitles, no on-screen text. 0-3s: Hybrid SnorriCam + Steadicam locked on her face and upper torso. She pushes and weaves through tightly packed bodies, constantly bumped from left, right and behind. Both beer cups tilt and liquid sloshes; her expression cycles between tight frustration and stubborn determination. She never stops advancing. Stage lights and crowd motion blur behind her. 3.0-4.5s: Medium side tracking shot. A tall man shoulders into her hard — brief slow-motion impact, beer liquid arcs upward, then hard speed-ramp recovery as she re-centers and keeps moving forward. 4.5-6.0s: Extreme close-up on her right hand clamped around the plastic cup. Foam and golden liquid sway violently with each jolt; knuckles and gold chain details sharp. 6.0-7.5s: Low-angle close-up of her Nike sneakers with leopard accents stepping carefully between other people’s feet, discarded cups and uneven grass, still pushing ahead. 7.5-9.0s: Tight facial close-up with rapid zoom-in to her eyes and the swinging gold hoop earring. She glances sideways at a near-miss, jaw tight, then locks forward again. 9.0-10.5s: Medium three-quarter shot. She ducks under a raised dancing arm, speed-ramp on the duck and straighten, beers held high, continuing the same forward line. 10.5-12.0s: Slightly elevated back three-quarter. A surge of people passes; her crop top and gold chain catch stage light as she twists her torso to slip through without stopping. 12.0-13.5s: Extreme close-up on the left beer cup as it is jolted — liquid nearly overflows, catching a purple stage flash, then settles as she stabilizes. 13.5-15.0s: Dutch-angle medium shot. She brushes past a person with a large backpack; camo cargo pockets scrape fabric; her stride never breaks. 15.0-16.5s: Close-up on the undercut side of her head and short black hair moving with the motion, gold earring flashing. 16.5-18.0s: Slightly high angle looking down as she navigates a tighter cluster near tents; bodies part just enough for her to thread through, still advancing. 18.0-19.5s: Slow-motion medium close-up of her upper body and face as a drift of stage fog and colored light crosses her; skin, gold jewelry and black fabric catch the colors while she keeps walking. 19.5-21.0s: Side tracking speed-ramp. She sidesteps a couple holding hands, beers lifted protectively, path still straight toward the water edge. 21.0-22.5s: Extreme close-up on her slightly parted lips and focused eyes looking ahead, concentration unbroken. 22.5-24.0s: Medium full-body as the crowd density begins to thin near the lake. She picks up a half-step of speed while still carefully balancing both cups. 24.0-25.5s: Tracking from behind as she emerges into a small clearer zone. Two female friends in casual festival clothes are waiting a few meters ahead, already noticing her. 25.5-27.0s: Medium shot as she reaches them, stops, still holding both beers upright. Shoulders begin to drop. 27.0-30s: Close-up on her face. She releases a long, deep sigh of pure relief, a small tired smile appears, eyes soften toward her friends. Soft bokeh of lake water and residual stage lights behind her. Hold the final frame. Visual treatment: photorealistic live-action, natural blue-hour mixed with vibrant stage color spill, shallow depth of field on all close-ups, grounded handheld energy that never loses her continuous forward path. Audio: dense overlapping crowd murmur and chatter, distant muffled bass and music from the main stage, liquid sloshing inside the cups, soft body impacts and fabric rustle, her slightly elevated breathing, final clear relieved exhalation. No added music bed beyond the distant stage sound. Keep the woman’s identity, clothing, cup ownership and direction of travel completely stable across every cut. If you need the prompts for the references used, check the quoted post! 🫡](https://image.24vids.com/tw-2087082935648239913/amplify_video_thumb/2087082773521530880/img/1fzEZ79JPO0d0ni0.jpg)
![WTF happened to Europe? [My speech at DiEM25's event at the National Theatre, Brussels, on 7th March 2025] We once had a dream. It was a dream of what Europe could have been. A Europe of shared prosperity, dignity, freedom – a Europe of Peace and Hope. That dream is now dead, lost, gone, kaput. Why? What the hell happened to Europe? We know what happened to Europe! We know why politicians from all over are descending on Brussels today like manic drones intent on bombarding to smithereens what is left of Europe as a Peace Project – determined to turn the flailing European Union into a War Union. We know what happened to Europe because we foretold it. When DiEM25 was inaugurated nine years ago at the Volksbühne Theatre in Berlin, we had said it loud and clear: “Europe will be democratised. Or it will disintegrate!” Well, Europe did not democratise and so it is disintegrating – it is degenerating into a Totalitarian War Union. Austerity for the many and money printing for the few begat stagnation mixed with mind-numbing inequality. Every time capitalism stagnates and inequality surges, while the official Left joins the centre in a futile attempt to prop up a Bankrupt Liberal establishment, fascism and war are never too far. Just like in the 1930s, two varieties of totalitarianism began to tussle for power. · On the one side, the Radicalised Neofascist Right promises to make us great again not through ending austerity or exploitation but through a moral reckoning – a cultural cleansing that targets the impure foreign bodies within the pure body of the Nation or of an Ethno-White-Christian-Patriarchal Europe: foreigners, trans, lesbians, Muslims and Jews, especially those who oppose the cleansing benefits of genocide are the enemy within. · On the other side, the Radicalised Totalitarian Centrists succeeded in retaining their relevance as the only bulwark against the fascists, deepening the crisis that fuels fascism and thus their claim to be our last defence against the fascism that they reinforce – a Perfect Vicious Cycle turbocharging totalitarianism. Like Tweedledum and Tweedledee, the Radicalised Totalitarian Centrists clash with the Radicalised NeoFascist Right, sucking the air out of democratic politics, making totalitarianism great again. Lest we forget: · We did not have to wait for the fascists to win government before our magnificent July 2015 referendum in Greece was overturned. · We did not have to wait for the fascists to win government before they fired Melanie Schweizer from her civil service job in Germany for not supporting genocide. · We did not have to wait for the fascists to win government before they banned me from entering Germany even via Zoom! · We did not have to wait for the fascists to win government before the Romanian presidential elections were banned because the Radicalised Totalitarian Centrists did not like the result. The only substantive difference of our times and the 1930s is that Tweedledum (the Radicalised Totalitarian Centrists) and Tweedledee (the Radicalised NeoFascist Right) have traded places when it comes to war: Today, somewhat confusingly, it is Tweedledum (the Radicalised Totalitarian Centrists) who are weaponising Military Keynesianism and demand more war and it is Tweedledee (the Radicalised NeoFascist Right) who proclaim Peace – a chilling, totalitarian Peace. Yes, we had foretold all this back in 2015. But that did not stop us from failing to stop it, a cruel reminder that being right is not enough. Why did we fail? Why did we miss the popular wave that favoured our side in 2015, allowing the fascists to exploit the revived thirst for radicalism? Yes, yes, it is true, we were ruthlessly squeezed between Tweedledum (the Radicalised Totalitarian Centrists) and Tweedledee (the Radicalised NeoFascist Right). BUT, we also made some unforced errors: · We invested too much in Green Keynesianism, forgetting the timeless lesson that, even when it adopts Keynesianism as a last resort, the ruling class will always ditch it once theirbottom line recovers – well before the many taste its fruits. Our Green New Deal was never even adopted, except partially in name. Is it any wonder that, In the mind of the struggling many, ‘green’ became synonymous with even lower living standards? · We also proved unable to liberate people from exploitation, giving them only the freedom to choose their pronouns on our web site – which of course would be fine had it not been so pathetically inadequate in the larger scheme of things. Instead of organising the precariat and auto-workers we ended up organising signifiers, appearing as a self-styled intellectual vanguard enjoying the subversive thrill of an imagined revolution with all the comforts and trappings of a ruling class soiree. · And last but not least: We thought we could mobilise existing Left and Green parties across Europe, only to discover they were not interested. And now? What must we now do? Let’s begin by acknowledging that we are at the endof a forty-year long vicious austerity-driven class war and at the beginningof a new cycle of military Keynesianism, weaponised xenophobia, totalitarianism within and technofeudalism all around. So: It's time to be bold. Time to be clear on seven crucial issues: On Peace with Security, and how to end the carnage on the killing fields of Ukraine were lives are devoured with a ruthless, mechanical precision, let us: · Reject outright Trump’s predatory seizure of Ukraine’s natural resources. · Campaign to get the whole of Europe out of NATO, immediately! · Plot a course to a non-aligned, but never neutral, Europe. · Offering to relax sanctions and return Russia’s $300 billion in frozen assets, commence negotiations with the Kremlin and Beijing on a comprehensive strategic arrangement within which Ukraine becomes what Austria was during the Cold War: sovereign, neutral, and as integrated with Europe as its citizens desire. On Green Prosperity: Oppose fiercely Military Keynesianism, replacing it with a vast Green Investment Program that combines Development with Degrowth. On Dignity, campaign for a new Monetary Commons that sidelines private banks, offers a trust fund to all, and guarantees a personal dividend - a basic income - to each. On Migration, turn the accusation of us being soft on foreigners into a virtue. Shout it from the rooftops that Europe without mass migration will die – that we wantmigrants not out of solidarity but out of self-interest. On Combating Technofeudalism, sanction immediately the Cloudalist Tech Lords, restrict Amazon, Uber, Google, Meta, Airbnb, tax them to extinction, impose interoperability, end the ban on European tech companies, like ASML, to export to China, and, above all, develop our own, socialised cloud capital - the stirrings of a magnificent Technosocialism. On Freedom: Dismantle totalitarianism now. Fight for everyone’s freedom to vote, for the freedom of expression of our enemies too – unlike the hypocritical JD Vance who rightly spoke out against Europe’s descent into censoriousness but never defended Julian Assange’s right to journalism or the free speech of opponents to the Palestinians’ genocide. Speaking of Palestine and free speech, it is clear now (is it not?) that what started in Gaza does notstay in Gaza! Such brutality couldn’t be contained. To keep it from our media, from our cultural institutions, from the streets, they had to dissolve basic liberties in the US, in Germany, in France, across the West. That’s why our final, our seventh, campaign must be: Stop the genocide. Get the whole of Europe to Boycott, Divest and Sanction the last Apartheid state – just as we did against South Africa. Friends, fellow-travellers, comrades, we have much to do. The European dream is dead. Long live the new dream we are beginning to dream tonight. Together! Carpe DiEM25](https://image.24vids.com/tw-1898856519191699692/amplify_video_thumb/1898846630494744576/img/CcuX41foDRrGgCb4.jpg)
