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Tyreek Hill Carted off with left knee dislocation. Apparent multi-ligament tear. Hope nerve and artery ok. Horrible end to season.

David J. Chao - ProFootballDoc

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812,511 Aufrufe • vor 11 Monaten •via X (Twitter)

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Similarities between Israel’s bombing of Gaza and Lebanon and Iran are growing. Hospitals in flames and children buried beneath rubble in schools, in flagrant violation of all international laws and treaties, with full impunity and absolutely no consequences. The US and Israel are totally unleashed with no red lines. This is a terrifying and shameful moment for humanity. If you want to end this war, go to the streets, close your stores, walk off your jobs and homes, shutdown the entire countries. Demand an end to this nightmare. If people can't unite over children being killed there's no hope for humanity.

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I will pray for Lindsey Vonn, obviously. No one wants to see someone injured that badly. Praise God it wasn’t worse. At last update, she underwent surgery for a broken leg and is stable while expected to make a full recovery. But there is a lesson to be learned here. Pride and ego can be a dangerous thing. She entered the Olympics with a torn ACL. The ACL is the ligament that stabilizes your knee in regard to lateral movement - something which is pretty critical in downhill skiing. Her sport is dangerous enough without competing in it with such a serious injury. It wasn’t a sprain. It wasn’t “sore”. It was torn. It was a foolish decision. Her coaches should be ashamed for letting her compete in the first place. There is NO acceptable reason that she should have taken the hill. Not one. As for her, her pride went beyond the point of being admirable and right into being foolish. She already had an insanely storied career, what more was there to prove as a 41 year old with one rebuilt knee and a torn ACL in the other knee? “Thou shalt not tempt thy Lord, thy God” comes to mind. He will often times allow your pride to teach you a harsh lesson. Remember that. “Pride goes before destruction, And a haughty spirit before stumbling.” - Proverbs 16:18

I will pray for Lindsey Vonn, obviously. No one wants to see someone injured that badly. Praise God it wasn’t worse. At last update, she underwent surgery for a broken leg and is stable while expected to make a full recovery. But there is a lesson to be learned here. Pride and ego can be a dangerous thing. She entered the Olympics with a torn ACL. The ACL is the ligament that stabilizes your knee in regard to lateral movement - something which is pretty critical in downhill skiing. Her sport is dangerous enough without competing in it with such a serious injury. It wasn’t a sprain. It wasn’t “sore”. It was torn. It was a foolish decision. Her coaches should be ashamed for letting her compete in the first place. There is NO acceptable reason that she should have taken the hill. Not one. As for her, her pride went beyond the point of being admirable and right into being foolish. She already had an insanely storied career, what more was there to prove as a 41 year old with one rebuilt knee and a torn ACL in the other knee? “Thou shalt not tempt thy Lord, thy God” comes to mind. He will often times allow your pride to teach you a harsh lesson. Remember that. “Pride goes before destruction, And a haughty spirit before stumbling.” - Proverbs 16:18

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This is the prompt for figure 4 head lock: Begin with a low three-quarter view from Honoka’s left side, showing Arisa standing behind her head. Move closer gradually while keeping Arisa’s hips, knees, ankles, and Honoka’s defensive movements fully visible. 0.0–1.5 sec: Honoka lies facing upward, breathing heavily, with both knees slightly bent and her gloves near her chest. Arisa stands behind Honoka’s head with a wide, balanced stance. She studies Honoka briefly, then bends her knees and lowers into a controlled squat. 1.5–3.0 sec: Arisa sits onto the canvas directly behind Honoka’s head. She places both palms on the mat beside Honoka’s shoulders for balance, without grabbing Honoka’s wrists or arms. Honoka reacts by lifting her head and shoulders slightly and raising both gloves defensively. 3.0–4.8 sec: Arisa shifts onto her left hip and slides her right thigh beneath the back of Honoka’s neck and upper shoulders. Arisa’s right knee points diagonally toward Honoka’s left shoulder, while her right lower leg extends along the canvas beside Honoka’s head. Honoka tries to turn toward Arisa and pushes against Arisa’s thigh. 4.8–6.5 sec: Arisa swings her left leg across the front of Honoka’s upper chest and near shoulder. The back of Arisa’s left knee settles beside Honoka’s right cheek and shoulder line. Arisa keeps her left foot elevated briefly while adjusting the angle, preventing Honoka from sitting upright. 6.5–8.0 sec: Arisa bends her left knee more deeply and brings her left ankle toward the bend behind her right knee. At the same time, she lifts her right lower leg from the canvas and folds it inward, crossing it over the left ankle. Her knees close around Honoka’s head-and-shoulder line, creating a compact closed loop. 8.0–9.5 sec: Arisa secures the crossed-leg arrangement by placing the back of her right knee firmly over her left ankle. She flexes both feet, draws her heels closer to her hips, and rotates her torso slightly toward Honoka’s right side. One hand remains posted on the canvas while the other steadies her own shin. 9.5–11.5 sec: Honoka struggles fiercely. She grips Arisa’s lower leg with both gloves, bridges her hips high, twists her shoulders, and plants both feet against the canvas. She tries to turn onto her side and slide her chin and shoulder toward the open space. 11.5–13.2 sec: Arisa follows Honoka’s movement by scooting her hips backward several inches, keeping her knees tightly connected. She lowers onto one forearm, slightly straightens her upper leg, and pulls the opposite heel inward to stop Honoka from rotating free. 13.2–15.0 sec: Honoka continues resisting without surrendering. She bridges again, kicks her heels against the canvas, pushes at Arisa’s knee, and twists her torso from side to side. Arisa maintains the secured leg configuration with steady posture and controlled pressure. End with Arisa holding the dominant position while Honoka remains conscious, active, and still refusing to tap.

This is the prompt for figure 4 head lock: Begin with a low three-quarter view from Honoka’s left side, showing Arisa standing behind her head. Move closer gradually while keeping Arisa’s hips, knees, ankles, and Honoka’s defensive movements fully visible. 0.0–1.5 sec: Honoka lies facing upward, breathing heavily, with both knees slightly bent and her gloves near her chest. Arisa stands behind Honoka’s head with a wide, balanced stance. She studies Honoka briefly, then bends her knees and lowers into a controlled squat. 1.5–3.0 sec: Arisa sits onto the canvas directly behind Honoka’s head. She places both palms on the mat beside Honoka’s shoulders for balance, without grabbing Honoka’s wrists or arms. Honoka reacts by lifting her head and shoulders slightly and raising both gloves defensively. 3.0–4.8 sec: Arisa shifts onto her left hip and slides her right thigh beneath the back of Honoka’s neck and upper shoulders. Arisa’s right knee points diagonally toward Honoka’s left shoulder, while her right lower leg extends along the canvas beside Honoka’s head. Honoka tries to turn toward Arisa and pushes against Arisa’s thigh. 4.8–6.5 sec: Arisa swings her left leg across the front of Honoka’s upper chest and near shoulder. The back of Arisa’s left knee settles beside Honoka’s right cheek and shoulder line. Arisa keeps her left foot elevated briefly while adjusting the angle, preventing Honoka from sitting upright. 6.5–8.0 sec: Arisa bends her left knee more deeply and brings her left ankle toward the bend behind her right knee. At the same time, she lifts her right lower leg from the canvas and folds it inward, crossing it over the left ankle. Her knees close around Honoka’s head-and-shoulder line, creating a compact closed loop. 8.0–9.5 sec: Arisa secures the crossed-leg arrangement by placing the back of her right knee firmly over her left ankle. She flexes both feet, draws her heels closer to her hips, and rotates her torso slightly toward Honoka’s right side. One hand remains posted on the canvas while the other steadies her own shin. 9.5–11.5 sec: Honoka struggles fiercely. She grips Arisa’s lower leg with both gloves, bridges her hips high, twists her shoulders, and plants both feet against the canvas. She tries to turn onto her side and slide her chin and shoulder toward the open space. 11.5–13.2 sec: Arisa follows Honoka’s movement by scooting her hips backward several inches, keeping her knees tightly connected. She lowers onto one forearm, slightly straightens her upper leg, and pulls the opposite heel inward to stop Honoka from rotating free. 13.2–15.0 sec: Honoka continues resisting without surrendering. She bridges again, kicks her heels against the canvas, pushes at Arisa’s knee, and twists her torso from side to side. Arisa maintains the secured leg configuration with steady posture and controlled pressure. End with Arisa holding the dominant position while Honoka remains conscious, active, and still refusing to tap.

Angel Combat

14,668 Aufrufe • vor 1 Monat