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Unlimited creativity

Victoria Tuner

2,185 subscribers

148,583 views • 6 months ago •via X (Twitter)

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Introducing Dandaro Online, your go-to destination for all your online media updates. Get ready to experience a world of entertainment, news, and creativity like never before! With Dandaro online, you’ll have unlimited access to jobs, Events, News , Entertainment and more. Whether you’re at home or at work , Dandaro Online platform keeps you updated on latest trends. But Dandaro online is more than just entertainment. Stay informed with our comprehensive news coverage, featuring breaking stories, in-depth analysis, and thought-provoking features from around the globe. Dandaro online : “Where entertainment meets innovation. Sign up today and unlock a world of endless possibilities. Visit to start your journey now.”

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The canvas is ready. What will you CRE[AI]TE? We are excited to launch CapCut’s 1st AI Festival, a global celebration of original work and the imagination AI makes possible. Submissions are now open through August 10, 2026. From Films and Series to Creative and Commercial, CRE[AI]TE celebrates storytelling and creativity in all its forms. Four tracks. One festival. Unlimited possibilities. $200,000 in total cash awards, led by a Grand Prix, Category Winners, Category Honorees, the Student Vision Award, and Spotlight Selections. Plus film festival premieres, CapCut creator event screenings, industry connections, and more. Everyone can apply for a free starter pack of CapCut credits and Pro access to kickstart your journey. Submit your entries and learn more: RT + comment in 9hr to get 200 free credits.

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Elon promises AGI paradise where work becomes optional, but Mouse Utopia already delivered that in 1968 with infinite resources and every mouse died anyway. What killed them might kill us too. In 1968, psychologist John B. Calhoun built a "rodent paradise" with 256 nestboxes, unlimited resources, and no disease. He introduced four breeding pairs and watched them thrive. At first. Population doubled every 55 days. Social structures formed and everything looked normal. Then the crowding hit. By Day 315, defeated males gathered in the center. They were fighting, biting, and purposeless. Stressed mothers abandoned their young and infant mortality spiked to 96%. Despite unlimited food, the social fabric was tearing apart. Phase D was the behavioral sink: - Two-thirds became withdrawn outcasts - One-third turned hyper-aggressive - Females grew violent toward pups Then came the "Beautiful Ones." These are the males who spent entire days grooming themselves, ignoring mating or territory defense entirely. (incels or looksmaxxing guys today) They were physically perfect. But psychologically, they were destroyed. Births ceased. The last generation never learned social skills, and the colony went extinct. Calhoun concluded: "The death of their spirit preceded the death of their bodies." The main problem was lack of purpose. Let's make some parallels today. Elon Musk predicts AI + robotics will create "universal high income" which is an economy so abundant that work becomes optional and material needs vanish. He calls it an "infinite money glitch." But the question that immediately comes to mind is: "What do people do with all that extra time?" AGI would give us Mouse Utopia at scale. It would give us unlimited resources, zero material struggle, and every physical need met. And if you think you won't experience AGI in your lifetime, well, think again. Look at the current data: > High-income nations report 15% lifetime depression rates vs. 11% in poorer countries > North America leads the world in "deaths of despair", i.e. overdoses, alcoholism, suicide among young adults ages 25–34. > U.S. fertility dropped from 2.1 (replacement rate) in 2007 to 1.6 in 2023. > Young men increasingly withdraw into gaming, isolation, disengagement, the modern "Beautiful Ones." Every previous revolution (farms > factories > computers) displaced labor but humans moved up the skill ladder. AGI threatens to replace every cognitive task. When machines think, create, and plan as well as we do, there's nowhere "higher" to go. For the first time in history, innovation might eliminate human necessity entirely. Calhoun believed better environmental design could preserve social health by giving individuals meaningful roles even in abundance. If we build a world where AI solves everything, we must deliberately inject challenge, creativity, and community into lives. Meaning: > Competitive domains beyond AI's reach (philosophy, art, wilderness, space) > Universal education focused on fulfillment, not job training > Civic structures that create purpose If AGI grants us automatic comfort, will we remember why we're here? Mouse Utopia serves as a perfect example that comfort without purpose isn't paradise. It feels good for a bit, but ultimately: It's the path to extinction.

Elon promises AGI paradise where work becomes optional, but Mouse Utopia already delivered that in 1968 with infinite resources and every mouse died anyway. What killed them might kill us too. In 1968, psychologist John B. Calhoun built a "rodent paradise" with 256 nestboxes, unlimited resources, and no disease. He introduced four breeding pairs and watched them thrive. At first. Population doubled every 55 days. Social structures formed and everything looked normal. Then the crowding hit. By Day 315, defeated males gathered in the center. They were fighting, biting, and purposeless. Stressed mothers abandoned their young and infant mortality spiked to 96%. Despite unlimited food, the social fabric was tearing apart. Phase D was the behavioral sink: - Two-thirds became withdrawn outcasts - One-third turned hyper-aggressive - Females grew violent toward pups Then came the "Beautiful Ones." These are the males who spent entire days grooming themselves, ignoring mating or territory defense entirely. (incels or looksmaxxing guys today) They were physically perfect. But psychologically, they were destroyed. Births ceased. The last generation never learned social skills, and the colony went extinct. Calhoun concluded: "The death of their spirit preceded the death of their bodies." The main problem was lack of purpose. Let's make some parallels today. Elon Musk predicts AI + robotics will create "universal high income" which is an economy so abundant that work becomes optional and material needs vanish. He calls it an "infinite money glitch." But the question that immediately comes to mind is: "What do people do with all that extra time?" AGI would give us Mouse Utopia at scale. It would give us unlimited resources, zero material struggle, and every physical need met. And if you think you won't experience AGI in your lifetime, well, think again. Look at the current data: > High-income nations report 15% lifetime depression rates vs. 11% in poorer countries > North America leads the world in "deaths of despair", i.e. overdoses, alcoholism, suicide among young adults ages 25–34. > U.S. fertility dropped from 2.1 (replacement rate) in 2007 to 1.6 in 2023. > Young men increasingly withdraw into gaming, isolation, disengagement, the modern "Beautiful Ones." Every previous revolution (farms > factories > computers) displaced labor but humans moved up the skill ladder. AGI threatens to replace every cognitive task. When machines think, create, and plan as well as we do, there's nowhere "higher" to go. For the first time in history, innovation might eliminate human necessity entirely. Calhoun believed better environmental design could preserve social health by giving individuals meaningful roles even in abundance. If we build a world where AI solves everything, we must deliberately inject challenge, creativity, and community into lives. Meaning: > Competitive domains beyond AI's reach (philosophy, art, wilderness, space) > Universal education focused on fulfillment, not job training > Civic structures that create purpose If AGI grants us automatic comfort, will we remember why we're here? Mouse Utopia serves as a perfect example that comfort without purpose isn't paradise. It feels good for a bit, but ultimately: It's the path to extinction.

Ruben Hassid

56,743 views • 9 months ago

If you make Power BI reports, I think you might enjoy stepping outside of Power BI to experiment with coding agents and dataviz libraries like Vega, Altair, or d3.js. Here's an example of a dashboard I made with FitBit data. While making the pbir-cli (testing starts this week, thanks to everyone who showed interest!), we learned a lot. Chiefly: we've found it's really, really hard to get an agent to work well with Power BI reports!! Power BI reports are built around abstraction and different intersecting layers. Themes, metadata, extensions, the model... all of it built for a low-code SSBI experience (clicky-clicky-draggy-droppy). That's fine for you and me (mostly). For a coding agent, though, it's inflexible... maybe even hostile. Even with the right tools and context, you simply can't get a Power BI report to reliably do _exactly_ what you want; it's just not meant for that. If you experiment a bit with Vega, Altair, or d3.js... you'll see what I mean; the contrast is pretty clear. This isn't necessarily a bad thing; unlimited flexibility may lead to inconsistency, and there's creativity in constraints. But still, I've been wanting to explore visualization without these constraints... My experiments beyond Power BI reports have been interesting and given me a lot to think about. The most promising approach so far: viz-as-code with custom embedded visuals, pulling from local or remote data sources. This stepcount dashboard is one such example... made in just a few hours between other tasks. Materializing a dashboard like this from natural language wasn't really viable a year ago. Project out another 12–18 months and it's certainly difficult to imagine what the future looks like... That said, reports and dashboards in an enterprise context aren't just visuals. Governance, distribution, integration, etc... years of individual and organizational investment. All of that makes change have a speed limit; we won't be plugging in custom embedded dashboards, overnight. But if you're curious, I do think it's a good investment to step outside Power BI and experiment. Investments you may even be turned into custom visual designs, anyway :). As Havens Consulting put it recently to me: it's time to multiclass...

If you make Power BI reports, I think you might enjoy stepping outside of Power BI to experiment with coding agents and dataviz libraries like Vega, Altair, or d3.js. Here's an example of a dashboard I made with FitBit data. While making the pbir-cli (testing starts this week, thanks to everyone who showed interest!), we learned a lot. Chiefly: we've found it's really, really hard to get an agent to work well with Power BI reports!! Power BI reports are built around abstraction and different intersecting layers. Themes, metadata, extensions, the model... all of it built for a low-code SSBI experience (clicky-clicky-draggy-droppy). That's fine for you and me (mostly). For a coding agent, though, it's inflexible... maybe even hostile. Even with the right tools and context, you simply can't get a Power BI report to reliably do _exactly_ what you want; it's just not meant for that. If you experiment a bit with Vega, Altair, or d3.js... you'll see what I mean; the contrast is pretty clear. This isn't necessarily a bad thing; unlimited flexibility may lead to inconsistency, and there's creativity in constraints. But still, I've been wanting to explore visualization without these constraints... My experiments beyond Power BI reports have been interesting and given me a lot to think about. The most promising approach so far: viz-as-code with custom embedded visuals, pulling from local or remote data sources. This stepcount dashboard is one such example... made in just a few hours between other tasks. Materializing a dashboard like this from natural language wasn't really viable a year ago. Project out another 12–18 months and it's certainly difficult to imagine what the future looks like... That said, reports and dashboards in an enterprise context aren't just visuals. Governance, distribution, integration, etc... years of individual and organizational investment. All of that makes change have a speed limit; we won't be plugging in custom embedded dashboards, overnight. But if you're curious, I do think it's a good investment to step outside Power BI and experiment. Investments you may even be turned into custom visual designs, anyway :). As Havens Consulting put it recently to me: it's time to multiclass...

Kurt Buhler

28,562 views • 5 months ago

Created this high-end pop music video concept with Seedance 2.5 on Astorie AI Step into unlimited creativity with 7 days of UNLIMITED Seedance 2.5 on the Ultimate Plan RIGHT NOW. Prompt: Create a premium 30-second cinematic pop music video in 16:9 landscape with blockbuster production quality. The video features one female pop superstar and one male pop singer with youthful, attractive faces, expressive eyes, natural skin texture, confident stage presence, and authentic chemistry. Both artists remain visually consistent throughout every shot. The female artist wears a crystal-embellished blush corset, oversized pastel pink faux-fur jacket, glossy satin cargo pants, platform sneakers, layered diamond jewelry, shimmering body chains, glamorous editorial makeup, luminous skin, glossy lips, and flowing textured hair. The male artist wears an oversized powder-blue embellished trench coat, shimmering silver knit top, relaxed ivory trousers, crystal sneakers, tinted luxury sunglasses, layered silver chains, rings, bracelets, and premium pop-star accessories. Their outfits naturally react to wind and movement. Both artists actively perform the song with perfect lip synchronization, realistic mouth movements, expressive facial expressions, confident body language, and emotional delivery. They frequently sing directly into the camera. During instrumental moments they naturally interact with each other through elegant movement and subtle choreography. Reserve full choreography only for the chorus with professional backup dancers. Blend luxury pop music, Vogue fashion editorials, beauty campaigns, Y2K magazine aesthetics, and world-tour concert visuals. Every frame should resemble a global luxury fashion campaign while remaining fully photorealistic. Use oversized editorial typography throughout the video with bold condensed fonts, magazine layouts, barcode graphics, registration marks, index numbers, halftone textures, paper overlays, handwritten notes, star icons, heart graphics, sparkles, waveform graphics, glossy gradients, and premium motion graphics. Typography should naturally integrate into architecture, LED screens, mirrors, glass, streets, reflections, and stage environments. Use uplifting pop phrases such as "FEEL THE LOVE", "STAY GOLDEN", "FOREVER YOUNG", "POP VIBES", "HEARTBEAT", "LIVE THE MOMENT", and "SHINE BRIGHT". Do not repeat the same layout twice. Visual quality should resemble ARRI Alexa 65 with Cooke Anamorphic lenses, IMAX-quality cinematography, HDR color science, cinematic lens flares, volumetric haze, premium beauty lighting, elegant camera movement, shallow depth of field, ultra-realistic skin texture, blockbuster VFX, and luxury commercial production. Scene 1 (0–5s) Inside a luxurious pastel studio featuring giant LED walls, glossy reflective floors, sculptural lighting, mirrors, floating curtains, soft haze, and elegant fashion set design. The female artist opens the song singing directly into the camera while the male artist joins naturally. Oversized kinetic typography and editorial graphics animate around them. Scene 2 (5–10s) Golden-hour rooftop overlooking a modern skyline with reflective glass architecture, designer furniture, and warm sunlight. The artists walk together while singing confidently. Editorial typography wraps around the skyline and architecture. Scene 3 (10–15s) Blue-hour luxury shopping district filled with designer boutiques, giant LED billboards, luxury cars, colorful signs, and cinematic reflections. The artists perform naturally while the camera circles around them. Typography integrates into billboards and digital displays. Scene 4 (15–20s) A spectacular sold-out concert arena featuring massive LED screens, lasers, pyrotechnics, confetti, smoke, moving spotlights, synchronized lighting, professional dancers, and thousands of cheering fans. The artists perform the chorus with energetic choreography and perfect lip-sync. Scene 5 (20–25s) A luxury penthouse at night overlooking a breathtaking skyline with floor-to-ceiling windows, infinity pool reflections, crystal chandeliers, designer interiors, modern art, and elegant ambient lighting. The artists perform together in an intimate yet glamorous atmosphere while editorial graphics subtly float around them. Scene 6 (25–30s) A surreal luxury stage floating above golden clouds at sunrise with mirror floors, cinematic fog, shimmering particles, elegant architecture, and breathtaking golden light. The artists perform the emotional final chorus as dramatic close-ups alternate with cinematic hero shots. Massive elegant typography, fireworks, editorial graphics, lens flares, and premium motion design create an unforgettable blockbuster finale before fading to black.

Created this high-end pop music video concept with Seedance 2.5 on Astorie AI Step into unlimited creativity with 7 days of UNLIMITED Seedance 2.5 on the Ultimate Plan RIGHT NOW. Prompt: Create a premium 30-second cinematic pop music video in 16:9 landscape with blockbuster production quality. The video features one female pop superstar and one male pop singer with youthful, attractive faces, expressive eyes, natural skin texture, confident stage presence, and authentic chemistry. Both artists remain visually consistent throughout every shot. The female artist wears a crystal-embellished blush corset, oversized pastel pink faux-fur jacket, glossy satin cargo pants, platform sneakers, layered diamond jewelry, shimmering body chains, glamorous editorial makeup, luminous skin, glossy lips, and flowing textured hair. The male artist wears an oversized powder-blue embellished trench coat, shimmering silver knit top, relaxed ivory trousers, crystal sneakers, tinted luxury sunglasses, layered silver chains, rings, bracelets, and premium pop-star accessories. Their outfits naturally react to wind and movement. Both artists actively perform the song with perfect lip synchronization, realistic mouth movements, expressive facial expressions, confident body language, and emotional delivery. They frequently sing directly into the camera. During instrumental moments they naturally interact with each other through elegant movement and subtle choreography. Reserve full choreography only for the chorus with professional backup dancers. Blend luxury pop music, Vogue fashion editorials, beauty campaigns, Y2K magazine aesthetics, and world-tour concert visuals. Every frame should resemble a global luxury fashion campaign while remaining fully photorealistic. Use oversized editorial typography throughout the video with bold condensed fonts, magazine layouts, barcode graphics, registration marks, index numbers, halftone textures, paper overlays, handwritten notes, star icons, heart graphics, sparkles, waveform graphics, glossy gradients, and premium motion graphics. Typography should naturally integrate into architecture, LED screens, mirrors, glass, streets, reflections, and stage environments. Use uplifting pop phrases such as "FEEL THE LOVE", "STAY GOLDEN", "FOREVER YOUNG", "POP VIBES", "HEARTBEAT", "LIVE THE MOMENT", and "SHINE BRIGHT". Do not repeat the same layout twice. Visual quality should resemble ARRI Alexa 65 with Cooke Anamorphic lenses, IMAX-quality cinematography, HDR color science, cinematic lens flares, volumetric haze, premium beauty lighting, elegant camera movement, shallow depth of field, ultra-realistic skin texture, blockbuster VFX, and luxury commercial production. Scene 1 (0–5s) Inside a luxurious pastel studio featuring giant LED walls, glossy reflective floors, sculptural lighting, mirrors, floating curtains, soft haze, and elegant fashion set design. The female artist opens the song singing directly into the camera while the male artist joins naturally. Oversized kinetic typography and editorial graphics animate around them. Scene 2 (5–10s) Golden-hour rooftop overlooking a modern skyline with reflective glass architecture, designer furniture, and warm sunlight. The artists walk together while singing confidently. Editorial typography wraps around the skyline and architecture. Scene 3 (10–15s) Blue-hour luxury shopping district filled with designer boutiques, giant LED billboards, luxury cars, colorful signs, and cinematic reflections. The artists perform naturally while the camera circles around them. Typography integrates into billboards and digital displays. Scene 4 (15–20s) A spectacular sold-out concert arena featuring massive LED screens, lasers, pyrotechnics, confetti, smoke, moving spotlights, synchronized lighting, professional dancers, and thousands of cheering fans. The artists perform the chorus with energetic choreography and perfect lip-sync. Scene 5 (20–25s) A luxury penthouse at night overlooking a breathtaking skyline with floor-to-ceiling windows, infinity pool reflections, crystal chandeliers, designer interiors, modern art, and elegant ambient lighting. The artists perform together in an intimate yet glamorous atmosphere while editorial graphics subtly float around them. Scene 6 (25–30s) A surreal luxury stage floating above golden clouds at sunrise with mirror floors, cinematic fog, shimmering particles, elegant architecture, and breathtaking golden light. The artists perform the emotional final chorus as dramatic close-ups alternate with cinematic hero shots. Massive elegant typography, fireworks, editorial graphics, lens flares, and premium motion design create an unforgettable blockbuster finale before fading to black.

Zara

25,616 views • 1 month ago