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Unreal Engine 5.8 has officially launched, featuring Mesh Terrain, Direct Mesh Control, the MetaHuman Animator Markerless Motion Capture plug-in, and much more. Details:

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80 LEVEL

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27,550 görüntüleme • 3 ay önce •via X (Twitter)

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Unreal Engine 5.8 preview is live, introducing Mesh Terrain, updates to Procedural Content Generation, the Procedural Vegetation Editor, MetaHumans, and much more. Download: Video by Dylan Browne
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Unreal Engine 5.8 preview is live, introducing Mesh Terrain, updates to Procedural Content Generation, the Procedural Vegetation Editor, MetaHumans, and much more. Download: Video by Dylan Browne

80 LEVEL

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Monika Oller tested all three new skeletal mesh deformers in Unreal Engine 5.5 on a MetaHuman face, achieving smooth performance with four layers of animated deformations. Breakdown on the way: #ue5 #unrealengine5 #metahuman #3danimation #animation
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Monika Oller tested all three new skeletal mesh deformers in Unreal Engine 5.5 on a MetaHuman face, achieving smooth performance with four layers of animated deformations. Breakdown on the way: #ue5 #unrealengine5 #metahuman #3danimation #animation

80 LEVEL

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Unreal Engine 5.8のMetaHuman Markerless Motion Captureで、通常の動画から全身アニメーションを生成するチュートリアル 【主な内容】 ・MetaHuman Animator関連プラグインを有効化し、動画素材をLive Link Hubで読み込み ・MetaHuman Performanceで映像を解析し、全身・顔・指の動きを自動生成 ・生成したアニメーションをUE5標準キャラクターへリターゲットしてゲーム用に活用 #UE5
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Unreal Engine 5.8のMetaHuman Markerless Motion Captureで、通常の動画から全身アニメーションを生成するチュートリアル 【主な内容】 ・MetaHuman Animator関連プラグインを有効化し、動画素材をLive Link Hubで読み込み ・MetaHuman Performanceで映像を解析し、全身・顔・指の動きを自動生成 ・生成したアニメーションをUE5標準キャラクターへリターゲットしてゲーム用に活用 #UE5

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Learn how to customize your characters using the MetaHuman for Maya plug-in in Unreal Engine 5.6 with Stéphane Biava and Mr. Incredible. Watch the tutorial: Video by Léa Marzio
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Learn how to customize your characters using the MetaHuman for Maya plug-in in Unreal Engine 5.6 with Stéphane Biava and Mr. Incredible. Watch the tutorial: Video by Léa Marzio

80 LEVEL

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Traditional game dev warm-up for your brain from me in Unreal Engine. Niagra with static mesh (simplified sphere) and distortion material (I call it space warp). Dynamic parameter to control refraction in material from particle system #gamedev #UnrealEngine #UE5
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Traditional game dev warm-up for your brain from me in Unreal Engine. Niagra with static mesh (simplified sphere) and distortion material (I call it space warp). Dynamic parameter to control refraction in material from particle system #gamedev #UnrealEngine #UE5

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Roblox has introduced Mesh Streaming in early access, enabling larger, higher-fidelity, and better optimized games. This new technology dynamically manages the detail of mesh assets to improve performance on mobile and lower-end devices. Learn more:
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Roblox has introduced Mesh Streaming in early access, enabling larger, higher-fidelity, and better optimized games. This new technology dynamically manages the detail of mesh assets to improve performance on mobile and lower-end devices. Learn more:

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Foliage Tools simulation plug-in for Unreal Engine 5 from artbyrens has received a new beta version. The updated version received a renewed UI and features such as Packed level actor support and more:
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Foliage Tools simulation plug-in for Unreal Engine 5 from artbyrens has received a new beta version. The updated version received a renewed UI and features such as Packed level actor support and more:

80 LEVEL

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Remade my real-time Starship launch VFX in Unreal 5.8, now with more detail and a larger simulation area, thanks to the much improved Niagara fluids optimization.
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Remade my real-time Starship launch VFX in Unreal 5.8, now with more detail and a larger simulation area, thanks to the much improved Niagara fluids optimization.

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Our best look yet at the Mega Man motion capture model in action from The Great Capcom Exhibition. It’s an updated version of the Mega Man 11 model, featuring adjusted proportions and subtle new details.
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Our best look yet at the Mega Man motion capture model in action from The Great Capcom Exhibition. It’s an updated version of the Mega Man 11 model, featuring adjusted proportions and subtle new details.

Brian

21,034 görüntüleme • 11 ay önce

Stadium-scale, studio-quality motion capture is launching soon… Full 3D control, stable bone lengths and realistic ground-foot contact for high-fidelity animation in Unreal Engine, Blender or any 3D engine. This is not pose estimation—this is dynamic, high-precision, real-world data capturing at AAA quality, providing you with lifelike avatars and seamless animation like never before. 📷⚽️
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Stadium-scale, studio-quality motion capture is launching soon… Full 3D control, stable bone lengths and realistic ground-foot contact for high-fidelity animation in Unreal Engine, Blender or any 3D engine. This is not pose estimation—this is dynamic, high-precision, real-world data capturing at AAA quality, providing you with lifelike avatars and seamless animation like never before. 📷⚽️

Move AI

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Our team have been working non-stop over the last six months to develop the most extraordinary product we have ever launched. On April 8th, Move launched the highest quality markerless motion capture technology ever seen in the industry. It delivers optical quality data, runs on standardised cameras and processes fully on premise with Nvidia GPUs. It has been designed, developed and engineered by Move alongside the world's leading video games companies. Below is one of series of direct benchmarking tests we have done against market leading optical systems. This is the moment where markerless finally and properly takes on Optical systems. We cannot wait for you to try it! Want to become one of the first beta testers of our new flagship enterprise product? Visit our website at Credit: Comparative Motion Capture Benchmark led by IJAD Dance Company, in collaboration with Dr Richard Ramchurn on behalf of the Virtual and Immersive Production Studio #markerlessmotioncaoture #motioncapture
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Our team have been working non-stop over the last six months to develop the most extraordinary product we have ever launched. On April 8th, Move launched the highest quality markerless motion capture technology ever seen in the industry. It delivers optical quality data, runs on standardised cameras and processes fully on premise with Nvidia GPUs. It has been designed, developed and engineered by Move alongside the world's leading video games companies. Below is one of series of direct benchmarking tests we have done against market leading optical systems. This is the moment where markerless finally and properly takes on Optical systems. We cannot wait for you to try it! Want to become one of the first beta testers of our new flagship enterprise product? Visit our website at Credit: Comparative Motion Capture Benchmark led by IJAD Dance Company, in collaboration with Dr Richard Ramchurn on behalf of the Virtual and Immersive Production Studio #markerlessmotioncaoture #motioncapture

Move AI

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Nikita Alexandrov made the same scene twice in Unreal Engine, once as a cinematic and once as a gameplay segment, to see what player control really takes away from it. 🎬 See the details: #gamedevelopment #indiedev #gamedesign
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Nikita Alexandrov made the same scene twice in Unreal Engine, once as a cinematic and once as a gameplay segment, to see what player control really takes away from it. 🎬 See the details: #gamedevelopment #indiedev #gamedesign

Jettelly Inc.

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I'll bet this is the most advanced and cleanest traversal system ever made in Unreal Engine. Build for client. Much more to come, this is not even finished
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I'll bet this is the most advanced and cleanest traversal system ever made in Unreal Engine. Build for client. Much more to come, this is not even finished

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🎬 New in v1.1.7: Black Eye Multicam Switcher A gamechanger for mocap stages, live events, and real-time productions - instantly switch between dynamic cinematic cameras with precision and control. Perfect for motion capture floors, music performances, virtual production, and more. Demo videos and full details coming shortly.
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🎬 New in v1.1.7: Black Eye Multicam Switcher A gamechanger for mocap stages, live events, and real-time productions - instantly switch between dynamic cinematic cameras with precision and control. Perfect for motion capture floors, music performances, virtual production, and more. Demo videos and full details coming shortly.

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My GDC Festival of Gaming talk on Can You Pet the Dog? in Unreal Engine has been released on youtube. It was so much fun making and presenting this. You can watch it here (contains German accent)
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My GDC Festival of Gaming talk on Can You Pet the Dog? in Unreal Engine has been released on youtube. It was so much fun making and presenting this. You can watch it here (contains German accent)

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Now that Team Horizon has officially launched I’m going to talk about LunchBox City SO much from here on. Without spoiling anything crazy of course but you guys actually get to be more in the loop! #indieanimation #digitalart #animation #LunchBoxCity
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Now that Team Horizon has officially launched I’m going to talk about LunchBox City SO much from here on. Without spoiling anything crazy of course but you guys actually get to be more in the loop! #indieanimation #digitalart #animation #LunchBoxCity

TerminalRepo 🔜 Momocon 2026

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The countdown to Unreal Fest Chicago 2026 is on! 🏙️ The next Unreal Fest is happening June 16–18 and tickets are officially ON SALE. Grab a Super Early Bird spot for $549 and save $200 off the full price (that’s more room in the budget for snacks, swag… or both). Here’s what’s waiting for you: 🎤 State of Unreal keynote 💡 Masterclass sessions from Epic & industry pros 🛠️ Dev Hub: Get your UEFN questions answered by the experts 🎨 Expo Floor: Check out the latest in UE, UEFN, Fab, MetaHuman & more 🥳 The Unreal Fest Party & evening receptions Super Early Bird pricing ends at 11:59 PM ET on Feb 16:
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The countdown to Unreal Fest Chicago 2026 is on! 🏙️ The next Unreal Fest is happening June 16–18 and tickets are officially ON SALE. Grab a Super Early Bird spot for $549 and save $200 off the full price (that’s more room in the budget for snacks, swag… or both). Here’s what’s waiting for you: 🎤 State of Unreal keynote 💡 Masterclass sessions from Epic & industry pros 🛠️ Dev Hub: Get your UEFN questions answered by the experts 🎨 Expo Floor: Check out the latest in UE, UEFN, Fab, MetaHuman & more 🥳 The Unreal Fest Party & evening receptions Super Early Bird pricing ends at 11:59 PM ET on Feb 16:

Fortnite Developers

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⚽ Day 56 of building my football game solo in Unreal Engine 5. Shooting now has zero aim assist, and nothing pulls the ball towards goal for you. 🎯The shot fires in the direction your left analog stick is 🔋 Holding longer equals more power and more lift 🚀 Too much power or poor aim results in the ball flying wide, over the bar, or into the stands. #indiedev #gamedev #football #soccer #unrealengine
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⚽ Day 56 of building my football game solo in Unreal Engine 5. Shooting now has zero aim assist, and nothing pulls the ball towards goal for you. 🎯The shot fires in the direction your left analog stick is 🔋 Holding longer equals more power and more lift 🚀 Too much power or poor aim results in the ball flying wide, over the bar, or into the stands. #indiedev #gamedev #football #soccer #unrealengine

Josh

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#NeRF is the big player nowadays and in the future 3D universe, but… why #Volinga has too much to do about it? Volinga is the first company that allows rendering NeRF in Unreal Engine 💯. This demo shows a model based on nerfacto by nerfstudio rendered in real-time.
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#NeRF is the big player nowadays and in the future 3D universe, but… why #Volinga has too much to do about it? Volinga is the first company that allows rendering NeRF in Unreal Engine 💯. This demo shows a model based on nerfacto by nerfstudio rendered in real-time.

volinga.ai

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MY GROK BOT / OBSIDIAN MESH SYNCS 20 AGENTS ACROSS A LIVE KNOWLEDGE GRAPH. NOT ONE OF THEM REPORTS TO ME. I FIXED THAT BY HIRING A 21ST BOT WHO DOES NOTHING BUT ROUTE. i watched the mesh light up this morning. vector, canvas, oracle, extract, all 20 of them syncing notes. writing backlinks, healthy status, 190 edges active. it looked like a team. it was a graph. a graph has no chain of command, it just has connections. i had been treating 20 well-wired agents as oversight. they were routing information, not decisions. nobody in that mesh could tell me what mattered first. so i hired one more bot and gave him a different job. not indexing notes, holding the account. 1. Reports-to line in the charter › names me as the human above him, closes the drift where a bot starts acting like the principal instead of the agent. 2. no source, no number › if he can't cite where a figure came from, he leaves it out. the 20-agent mesh never needed this line. › Chief can't run without it. 3. stop list written as verbs › "sending anything to a person" instead of "communications." a verb he can match, not a category he can talk around. 4. Rule 6, approval belongs to the human › he never signs off on another bot's irreversible action, only i do. the mesh has no equivalent rule. › it was never built to approve anything, only to sync. 5. STOP ALL, the kill switch › one message halts every routine and every task he's running, reports what was in flight, and waits. the mesh will keep syncing whether i watch it or not. Chief is the only bot in the account who stops the second i tell him to. that's the difference between a graph that moves information and a bot that's actually accountable for it.
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MY GROK BOT / OBSIDIAN MESH SYNCS 20 AGENTS ACROSS A LIVE KNOWLEDGE GRAPH. NOT ONE OF THEM REPORTS TO ME. I FIXED THAT BY HIRING A 21ST BOT WHO DOES NOTHING BUT ROUTE. i watched the mesh light up this morning. vector, canvas, oracle, extract, all 20 of them syncing notes. writing backlinks, healthy status, 190 edges active. it looked like a team. it was a graph. a graph has no chain of command, it just has connections. i had been treating 20 well-wired agents as oversight. they were routing information, not decisions. nobody in that mesh could tell me what mattered first. so i hired one more bot and gave him a different job. not indexing notes, holding the account. 1. Reports-to line in the charter › names me as the human above him, closes the drift where a bot starts acting like the principal instead of the agent. 2. no source, no number › if he can't cite where a figure came from, he leaves it out. the 20-agent mesh never needed this line. › Chief can't run without it. 3. stop list written as verbs › "sending anything to a person" instead of "communications." a verb he can match, not a category he can talk around. 4. Rule 6, approval belongs to the human › he never signs off on another bot's irreversible action, only i do. the mesh has no equivalent rule. › it was never built to approve anything, only to sync. 5. STOP ALL, the kill switch › one message halts every routine and every task he's running, reports what was in flight, and waits. the mesh will keep syncing whether i watch it or not. Chief is the only bot in the account who stops the second i tell him to. that's the difference between a graph that moves information and a bot that's actually accountable for it.

kocer

21,984 görüntüleme • 1 ay önce