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Uranus2324 Movie and Character relationship analysis 🪐🤿 [Note:] I’ll be using the extended version in my analysis for a few reasons. I’ve seen some people say that version felt too “fanservice-y,” which is apparently why they changed it, but I don’t agree. The extended cut includes extra scenes with...

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juno🥑

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17,668 просмотров • 9 месяцев назад •via X (Twitter)

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David Cronenberg on why "The Brood" (1979) was his version of "Kramer vs. Kramer" (1979): "Samantha Eggar really understood 'The Brood' (1979); she said that it reminded her of her own childhood. To me that meant she was seeing past the horror fantasy elements to the psychological elements, which were really the basic underpinning of the movie. I’ve said this ad nauseam, but 'The Brood' was my version of 'Kramer Vs Kramer' (1979). I was really trying to get to the reality, with a capital R, which is why I have disdain for Kramer. I think it’s false, fake, candy. There are unbelievable, ridiculous moments in it that to me are emotionally completely false, if you’ve ever gone through anything like that. 'The Brood' got to the real nightmare, horrific, unbelievable inner life of that situation. I’m not being facetious when I say I think it’s more realistic, even more naturalistic, than Kramer. I felt that bad. It was that horrible, that damaging. That’s why it had to be made then; it wanted to be made full blast. Getting philosophical and mellow, you make another movie. The reality needed to be expressed in what, if you’re a critic, are symbolic terms. I can’t remember if I tried a more obviously naturalistic version of it, but that wouldn’t have satisfied me. It wouldn’t have been cathartic enough. 'Kramer Vs Kramer' also had a kind of happy ending. Not my version of that situation." (Cronenberg on Cronenberg', 1992) "'The Brood' was ‘my version of Kramer vs. Kramer’, which was a movie about a divorce with a child involved, a Hollywood version of that situation with Meryl Streep and Dustin Hoffman, that was very popular then. I thought 'Kramer vs Kramer' was the most false, sentimental, bullsh!t movie ever — and people were loving it, you know. That also made me realise, in a very forceful way, that you could make a movie that had people weeping and crying and very emotional but which was a complete lie — and that it would sell, and I didn’t ever want to do that." ("David Cronenberg: Interviews with Serge Grünberg", 1992) P.S: "Kramer vs. Kramer" was only released in December, 1979. I believe Cronenberg might be confusing reading the 'Kramer vs. Kramer' novel with watching the movie before making 'The Brood'. The quote doesn't make sense in some parts. On this day, 47 years ago, "The Brood" (1979) premiered in Chicago, Illinois.
1:19

David Cronenberg on why "The Brood" (1979) was his version of "Kramer vs. Kramer" (1979): "Samantha Eggar really understood 'The Brood' (1979); she said that it reminded her of her own childhood. To me that meant she was seeing past the horror fantasy elements to the psychological elements, which were really the basic underpinning of the movie. I’ve said this ad nauseam, but 'The Brood' was my version of 'Kramer Vs Kramer' (1979). I was really trying to get to the reality, with a capital R, which is why I have disdain for Kramer. I think it’s false, fake, candy. There are unbelievable, ridiculous moments in it that to me are emotionally completely false, if you’ve ever gone through anything like that. 'The Brood' got to the real nightmare, horrific, unbelievable inner life of that situation. I’m not being facetious when I say I think it’s more realistic, even more naturalistic, than Kramer. I felt that bad. It was that horrible, that damaging. That’s why it had to be made then; it wanted to be made full blast. Getting philosophical and mellow, you make another movie. The reality needed to be expressed in what, if you’re a critic, are symbolic terms. I can’t remember if I tried a more obviously naturalistic version of it, but that wouldn’t have satisfied me. It wouldn’t have been cathartic enough. 'Kramer Vs Kramer' also had a kind of happy ending. Not my version of that situation." (Cronenberg on Cronenberg', 1992) "'The Brood' was ‘my version of Kramer vs. Kramer’, which was a movie about a divorce with a child involved, a Hollywood version of that situation with Meryl Streep and Dustin Hoffman, that was very popular then. I thought 'Kramer vs Kramer' was the most false, sentimental, bullsh!t movie ever — and people were loving it, you know. That also made me realise, in a very forceful way, that you could make a movie that had people weeping and crying and very emotional but which was a complete lie — and that it would sell, and I didn’t ever want to do that." ("David Cronenberg: Interviews with Serge Grünberg", 1992) P.S: "Kramer vs. Kramer" was only released in December, 1979. I believe Cronenberg might be confusing reading the 'Kramer vs. Kramer' novel with watching the movie before making 'The Brood'. The quote doesn't make sense in some parts. On this day, 47 years ago, "The Brood" (1979) premiered in Chicago, Illinois.

DepressedBergman

27,969 просмотров • 2 месяцев назад

Caitlin on what she learned through injury this season: “I think when I get a few years down here in my career, I think this is a moment and a season I’ll look back on and be like, this why I am who I am today… It was hard sitting on the bench, I’m not going to lie, but I think it taught myself how to be a really good leader and how to be a really good teammate… when you’re on the sidelines and you don’t have your jersey on, you can observe and really learn about people… how can I show up every single day and pour into them and be there for them… but also going forward down the road, if I have a teammate that’s injured… I know I will always show up for them and be there for them and check in on them, because it is an incredibly isolating thing, and you don’t realize that until you go through it… I think all of that is probably what I’ve leaned most.” 🎥: Tony East
1:47

Caitlin on what she learned through injury this season: “I think when I get a few years down here in my career, I think this is a moment and a season I’ll look back on and be like, this why I am who I am today… It was hard sitting on the bench, I’m not going to lie, but I think it taught myself how to be a really good leader and how to be a really good teammate… when you’re on the sidelines and you don’t have your jersey on, you can observe and really learn about people… how can I show up every single day and pour into them and be there for them… but also going forward down the road, if I have a teammate that’s injured… I know I will always show up for them and be there for them and check in on them, because it is an incredibly isolating thing, and you don’t realize that until you go through it… I think all of that is probably what I’ve leaned most.” 🎥: Tony East

Jess

80,019 просмотров • 10 месяцев назад

Barbara Crampton on why she doesn't shy away from nudity in movies: "Anything I did was always part of the film and part of the story. I don’t think that anything I ever did felt like, “I should be doing this” or “I’m scared to do it,” or that it would hurt my career if I do it. There are a lot of people who are movie viewers who have very varying degrees on what they think and how they feel about sexuality and nudity. There’s a lot of social and moral issues involved in people’s minds and their upbringing. But, for me, as an actor, if it’s part of the story, I’ll do it and I’ll probably continue to do it. I don’t know if anybody’s going to see a ‘wrinkled-old grandmother’ Barbara Crampton, but if it’s part of the story, I’ll do it. (laughs)" (Barbara Crampton's interview with Jason Howard, Cinedump, 2014) Clip from: From Beyond (1986) Director: Stuart Gordon
2:24

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Barbara Crampton on why she doesn't shy away from nudity in movies: "Anything I did was always part of the film and part of the story. I don’t think that anything I ever did felt like, “I should be doing this” or “I’m scared to do it,” or that it would hurt my career if I do it. There are a lot of people who are movie viewers who have very varying degrees on what they think and how they feel about sexuality and nudity. There’s a lot of social and moral issues involved in people’s minds and their upbringing. But, for me, as an actor, if it’s part of the story, I’ll do it and I’ll probably continue to do it. I don’t know if anybody’s going to see a ‘wrinkled-old grandmother’ Barbara Crampton, but if it’s part of the story, I’ll do it. (laughs)" (Barbara Crampton's interview with Jason Howard, Cinedump, 2014) Clip from: From Beyond (1986) Director: Stuart Gordon

DepressedBergman

54,150 просмотров • 5 месяцев назад

🐈 so… the reason i actually went live today is…the t-shirt i wore yesterday seemed to make some people uncomfortable, and i genuinely didn’t know. i thought it was just a regular t-shirt, but apparently it’s related to a movie that many people in Kazakhstan find very offensive. i heard it’s a black comedy that portrays them in a bad way. yes, the t-shirt shirt with holes in it. i didn’t know about it yesterday, but after seeing that some people were uncomfortable because of it, i’d like to apologize first. i threw the shirt away immediately. even if i didn’t know, if it made people uncomfortable, it’s still my mistake, so i’m sorry. i got rid of the shirt right away. 🐈 actually, i wanted to apologize first thing this morning, before the concert. but when i checked the time in Kazakhstan, it was still the middle of the night. so i thought it’d be better to go live when people there would actually be awake to see it. i think it’s around 8 or 9 a.m. there now. so as soon as i got back, i started this live. i’m sorry. i’m sincerely sorry, and i’ll reflect on this. 🐈 i’ll delete the TikTok too. also… i found out that the person who created the dance is also from Kazakhstan. the choreographer. i truly had no idea. i’m sorry. i really didn’t know. i’ll be more careful from now on. 🥺🫳🏻🫳🏻
3:10

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🐈 so… the reason i actually went live today is…the t-shirt i wore yesterday seemed to make some people uncomfortable, and i genuinely didn’t know. i thought it was just a regular t-shirt, but apparently it’s related to a movie that many people in Kazakhstan find very offensive. i heard it’s a black comedy that portrays them in a bad way. yes, the t-shirt shirt with holes in it. i didn’t know about it yesterday, but after seeing that some people were uncomfortable because of it, i’d like to apologize first. i threw the shirt away immediately. even if i didn’t know, if it made people uncomfortable, it’s still my mistake, so i’m sorry. i got rid of the shirt right away. 🐈 actually, i wanted to apologize first thing this morning, before the concert. but when i checked the time in Kazakhstan, it was still the middle of the night. so i thought it’d be better to go live when people there would actually be awake to see it. i think it’s around 8 or 9 a.m. there now. so as soon as i got back, i started this live. i’m sorry. i’m sincerely sorry, and i’ll reflect on this. 🐈 i’ll delete the TikTok too. also… i found out that the person who created the dance is also from Kazakhstan. the choreographer. i truly had no idea. i’m sorry. i really didn’t know. i’ll be more careful from now on. 🥺🫳🏻🫳🏻

ɪᴄɪᴇʟ. 🐚

3,339,524 просмотров • 27 дней назад

BAEKHYUN REVERIE DOT ENCORE DAY 3 🐶: Since this is the final concert, I kept hearing people say, ‘Baekhyun is definitely going to cry.’ And honestly… I don’t like seeing Baekhyun cry because it hurts my heart…but at the same time, I kind of wanted to see it. But I don’t know why… the tears just won’t come. Why am I smiling like this? What is this? I really don’t know why. I think it’s just not time for me to cry yet. Maybe it’s not the moment. It feels like I still have a long road ahead, and when everything is more perfectly put together, that’s when I’ll cry properly in front of you. So when that day comes and I cry really hard, please don’t dislike me for it, okay? While being active, a lot of things have happened, but even going through all of that, I realized I wasn’t crying in front of you. I think it’s because I wanted to be a stronger, more reliable support for you. I want you to think, ‘No matter what happens, Baekhyun doesn’t waver. We worry about him, but he’s really strong.’ That’s the kind of thing I like hearing the most. And I’ll continue to be that person. I’ll work even harder and protect you all. So you can cry, you can come into my arms, and I’ll always be here, arms wide open, like a scarecrow… well, maybe not a scarecrow…like a cool mannequin. I’ll always be standing right here. (jokingly) Whenever you’re tired, lean on me. Okay? Don’t be disappointed that I didn’t cry today. To be honest, maybe it’s because of the instrumental, but I held back tears about three times already. Why are you crying? Don’t cry. My parents are here today too! if they saw me cry, it would probably break their hearts, because they know how hard I’ve worked. I love you.
5:34

BAEKHYUN REVERIE DOT ENCORE DAY 3 🐶: Since this is the final concert, I kept hearing people say, ‘Baekhyun is definitely going to cry.’ And honestly… I don’t like seeing Baekhyun cry because it hurts my heart…but at the same time, I kind of wanted to see it. But I don’t know why… the tears just won’t come. Why am I smiling like this? What is this? I really don’t know why. I think it’s just not time for me to cry yet. Maybe it’s not the moment. It feels like I still have a long road ahead, and when everything is more perfectly put together, that’s when I’ll cry properly in front of you. So when that day comes and I cry really hard, please don’t dislike me for it, okay? While being active, a lot of things have happened, but even going through all of that, I realized I wasn’t crying in front of you. I think it’s because I wanted to be a stronger, more reliable support for you. I want you to think, ‘No matter what happens, Baekhyun doesn’t waver. We worry about him, but he’s really strong.’ That’s the kind of thing I like hearing the most. And I’ll continue to be that person. I’ll work even harder and protect you all. So you can cry, you can come into my arms, and I’ll always be here, arms wide open, like a scarecrow… well, maybe not a scarecrow…like a cool mannequin. I’ll always be standing right here. (jokingly) Whenever you’re tired, lean on me. Okay? Don’t be disappointed that I didn’t cry today. To be honest, maybe it’s because of the instrumental, but I held back tears about three times already. Why are you crying? Don’t cry. My parents are here today too! if they saw me cry, it would probably break their hearts, because they know how hard I’ve worked. I love you.

포백펄님🔮

148,242 просмотров • 7 месяцев назад

👤: you said “ride or die” is a song that contains an emotion i needed”. what kind of emotion is that? 🦌: the phrase “ride or die” itself basically means “i’ll be with you until the end, i’ll stay with you forever.” for me, that became a really big message. It can be a love song too, but i wrote it for my fans, and in that sense, i think it might have been the message i needed most at that time
0:34

👤: you said “ride or die” is a song that contains an emotion i needed”. what kind of emotion is that? 🦌: the phrase “ride or die” itself basically means “i’ll be with you until the end, i’ll stay with you forever.” for me, that became a really big message. It can be a love song too, but i wrote it for my fans, and in that sense, i think it might have been the message i needed most at that time

ev.

45,011 просмотров • 1 месяц назад

Guiseppe Tornatore on why he chose Monica Belluci for "Malena" (2000): "I chose Monica because. when I met her I had known about this story for five years. I never thought I was going to make a film out of it. But when I met her, she made me think about this story. So, I started thinking about it, maybe just subconsciously. I started to see that it could be possible- to see the character. And this is a story that, until you start to envision the character you don’t think that the character could actually exist. So when I met her I started to think about it- to elaborate on the story in my mind. And after a while I decided to make the film. When I wrote the film, I wrote it for her- I knew that Monica Bellucci would be Malena. That was extraordinary. I love writing knowing in advance who the actors are going to be. It’s happened a few other times. It’s always been a stronger experience." (Guiseppe Tornatore's interview with Rob Larsen, 2000)
1:13

Guiseppe Tornatore on why he chose Monica Belluci for "Malena" (2000): "I chose Monica because. when I met her I had known about this story for five years. I never thought I was going to make a film out of it. But when I met her, she made me think about this story. So, I started thinking about it, maybe just subconsciously. I started to see that it could be possible- to see the character. And this is a story that, until you start to envision the character you don’t think that the character could actually exist. So when I met her I started to think about it- to elaborate on the story in my mind. And after a while I decided to make the film. When I wrote the film, I wrote it for her- I knew that Monica Bellucci would be Malena. That was extraordinary. I love writing knowing in advance who the actors are going to be. It’s happened a few other times. It’s always been a stronger experience." (Guiseppe Tornatore's interview with Rob Larsen, 2000)

DepressedBergman

148,670 просмотров • 1 год назад

John Waters on his obsession with "The Wizard of Oz" (1939) & his thoughts on the movie being considered a "Gay classic": "Interviewer: Do you remember how old you were and where you saw it? Waters: I probably saw it at the Senator Theater in Baltimore the first time, which I still have my movie premieres in. I probably saw it there and then on TV every year. But certainly I saw it at the movies as a kid. I don’t remember how old I was, and it wasn’t the first movie I saw, but it was close to it. It was a complete, complete obsession from the very, very beginning. Now, today, you have video. We couldn’t do that, so you had to wait once a year to see it. That’s that sadness about the magic of movies: you can watch it over and over, and you can rewind it, see how everything is done. Still, is there a better tornado scene? To me, all these really expensive digital effects are very uninvolving. That tornado scene is as good as 'Twister' (1996) to me, and I think it’s done with a nylon stocking Interviewer: It’s a great surrealist scene, too. Waters: And how radical—the black and white to color is almost like an LSD effect. It is a drug movie almost. (...) Interviewer: Why do you think it’s become associated with the gay community, as being a “gay classic”? Waters: See, to me, I don’t think it’s that much of a gay movie. Judy Garland is, but I don’t think so much of that movie. Of course, this is her first one, but she wasn’t tragic in that movie, except later they found out she was on diet pills when she was singing. I think it’s only a gay movie, if it is, only because of Judy Garland’s later suffering in her life and melodrama. I love Judy Garland, but did she ever marry a straight man? I don’t know. Did anyone in the family? It’s a tradition. But basically, I don’t think of it as a gay film. I know “Friends of Dorothy,” but I think it’s because of Judy Garland’s later career. Well, it might be a gay children’s movie. I don’t think it’s a gay adult’s movie. I know drag queens do the Wicked Witch, but I never saw one. It’s not a drag role." ("The Film that Changed my Life", Robert K. Elder, 2011)
2:58

John Waters on his obsession with "The Wizard of Oz" (1939) & his thoughts on the movie being considered a "Gay classic": "Interviewer: Do you remember how old you were and where you saw it? Waters: I probably saw it at the Senator Theater in Baltimore the first time, which I still have my movie premieres in. I probably saw it there and then on TV every year. But certainly I saw it at the movies as a kid. I don’t remember how old I was, and it wasn’t the first movie I saw, but it was close to it. It was a complete, complete obsession from the very, very beginning. Now, today, you have video. We couldn’t do that, so you had to wait once a year to see it. That’s that sadness about the magic of movies: you can watch it over and over, and you can rewind it, see how everything is done. Still, is there a better tornado scene? To me, all these really expensive digital effects are very uninvolving. That tornado scene is as good as 'Twister' (1996) to me, and I think it’s done with a nylon stocking Interviewer: It’s a great surrealist scene, too. Waters: And how radical—the black and white to color is almost like an LSD effect. It is a drug movie almost. (...) Interviewer: Why do you think it’s become associated with the gay community, as being a “gay classic”? Waters: See, to me, I don’t think it’s that much of a gay movie. Judy Garland is, but I don’t think so much of that movie. Of course, this is her first one, but she wasn’t tragic in that movie, except later they found out she was on diet pills when she was singing. I think it’s only a gay movie, if it is, only because of Judy Garland’s later suffering in her life and melodrama. I love Judy Garland, but did she ever marry a straight man? I don’t know. Did anyone in the family? It’s a tradition. But basically, I don’t think of it as a gay film. I know “Friends of Dorothy,” but I think it’s because of Judy Garland’s later career. Well, it might be a gay children’s movie. I don’t think it’s a gay adult’s movie. I know drag queens do the Wicked Witch, but I never saw one. It’s not a drag role." ("The Film that Changed my Life", Robert K. Elder, 2011)

DepressedBergman

31,006 просмотров • 2 месяцев назад

💬 : when is the comeback?? 🍀 : if i talk about it, i’ll get scolded. everyone, i am a rookie who debuted 7 months ago, i’ll be in trouble if i say that 😿😿 🍀 : and what if it gets delayed after i say it??? then it’s a loss for you and for me too, think carefully 😾
0:23

💬 : when is the comeback?? 🍀 : if i talk about it, i’ll get scolded. everyone, i am a rookie who debuted 7 months ago, i’ll be in trouble if i say that 😿😿 🍀 : and what if it gets delayed after i say it??? then it’s a loss for you and for me too, think carefully 😾

lila ★

199,908 просмотров • 7 месяцев назад

“I’m very aware that I am in a position of privilege right now where I have a lot of resources. I’m creating things form a place of privilege. I’m really, really aware of that privilege. I actually don’t think I ever thought that I would be able to make things at this scale. Sometimes with that scale I suppose it’s humorously glamorous, but also it’s sometimes not. There is still a human being at the center of it […] As a human being, like my work, I’m very contradictory. I can be unbelievably happy and confident, but I can also be really, really depressed and sad […] I love creating things, but sometimes that can be really painful to do that. It can be painful to make things especially I find more so in this day and age. That’s really confusing for me because I’ve put my entire identity into the things that I make […] I’ve invested so much of myself into the things that I make, emotionally. Sometimes making things feels really stressful and embarrassing, but then sometimes it makes me feel alive. I don’t know who I would be without the things I make.”
1:54

“I’m very aware that I am in a position of privilege right now where I have a lot of resources. I’m creating things form a place of privilege. I’m really, really aware of that privilege. I actually don’t think I ever thought that I would be able to make things at this scale. Sometimes with that scale I suppose it’s humorously glamorous, but also it’s sometimes not. There is still a human being at the center of it […] As a human being, like my work, I’m very contradictory. I can be unbelievably happy and confident, but I can also be really, really depressed and sad […] I love creating things, but sometimes that can be really painful to do that. It can be painful to make things especially I find more so in this day and age. That’s really confusing for me because I’ve put my entire identity into the things that I make […] I’ve invested so much of myself into the things that I make, emotionally. Sometimes making things feels really stressful and embarrassing, but then sometimes it makes me feel alive. I don’t know who I would be without the things I make.”

sophia

131,256 просмотров • 2 месяцев назад

Pray for Scott Adams! Scott Adams “The odds of me recovering are essentially zero. So I’ll give you any updates if that changes, but it won’t. So there’s no chance I’ll get my feeling back in my legs. And, I’ve got some ongoing heart failure, which is making it difficult to breathe sometimes during the day. But at the moment I can breathe and I’m not in any pain. However, you should prepare yourself that January will be a probably a month of transition one way or the other. Now, I haven’t made any decisions, but it was all bad news, no good news at all. So I will keep doing this as long as it makes sense because I like doing it.”
2:58

Pray for Scott Adams! Scott Adams “The odds of me recovering are essentially zero. So I’ll give you any updates if that changes, but it won’t. So there’s no chance I’ll get my feeling back in my legs. And, I’ve got some ongoing heart failure, which is making it difficult to breathe sometimes during the day. But at the moment I can breathe and I’m not in any pain. However, you should prepare yourself that January will be a probably a month of transition one way or the other. Now, I haven’t made any decisions, but it was all bad news, no good news at all. So I will keep doing this as long as it makes sense because I like doing it.”

jay plemons

301,596 просмотров • 7 месяцев назад

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”
5:57

Robert De Niro originally wanted to play Max Cherry in Jackie Brown, the role that eventually went to Robert Forster. However, Quentin Tarantino had written the role with Forster in mind and had already promised him the part. Tarantino explains… “I wrote Jackie Brown, and I decided at some point in writing the script that Robert Forster would be terrific as Max Cherry. So, while I’m still writing the script, I bump into Robert Forster - we go to the same coffee shop. ….so I decided I’m gonna give him the part, because I figure, look, this would be a big, big deal part. So if I don’t give him the part, then once I’m done with it and it gets out in the town, then it’s gonna be Gene Hackman and Paul Newman and people like that, and it would be pretty hard to say no to. But if I just give him the part right now, I’ve got the juice to get it through, and now I can’t take it back because I wouldn’t be a man of my word. So to lock myself into that decision, I give it to him before I finish writing it. And then now comes the time to do it. Robert De Niro reads it, and he wants to be in it, but he wants to play Max. And I go, “Well, look, you would be a fantastic Max, but I’ve already given that to Robert Forster, and I’m a man of my word. I can’t take it back.” Now, De Niro is very much a man of his word, so he understands that. He gets that. And he’s just like, “Yeah, yeah. That’s just disappointing. It’s just regretful.” I go, “What?” “Well, just because, you know, you were thinking about him, so you wrote it for him. But if we had had more dinners and hung out a little bit more, then you would have been thinking about me and you would have written it for me. And I understand what happened, but that could have been changed if we had spent more time with each other before this.” And so he kind of gives me the – “just think about it for a couple of days, all right? - and then let’s talk again. Maybe Bob (Robert Foster) could play Louis, the other guy.” So then I actually have Bob read Louis with me, and then read Max. And if that could work, maybe that could work. But no, everything that made him perfect for Max made him wrong for Louis. And so I get on the phone with De Niro — and I go, “Yeah, you know, I explored that. But no, everything about him that makes him perfect for Max makes him wrong to play this ex-convict guy.” And he goes, “Yeah, yeah, I get that. I get that, I get that, I get that. Okay, so tell me about this Louis character.” And I go, “You would consider playing Louis?” “Yeah, it’s a good character. It’s a good movie. I wanna be part of it. It’s a good character. I wanted the other character, but yeah, this is a good character. I’d be happy to play it.” I go, “Well, you didn’t let me know that before.” He goes, “Well, I didn’t wanna let you off the hook. I wanted you on the hook. But now if that ship has sailed, then let’s talk about Louis.” And then it was a done deal.”

Gangster Cinema Central

89,214 просмотров • 1 месяц назад

Grayson Murray was just 30 years old. He is no longer with us because of mental illness. First let me say that I’m torn up for his friends and family. I’ve been through it more times than I can count, but I’ve also very nearly put my friends and family in the same situation Y’all I’m begging you to get help if you need it. Of course that is, if you can afford it… which is so sad. I do not want to make this political, but I firmly believe that if mental health help was made available for free, it would be a net positive for this country. I truly believe we’d still have some of our friends The cost, however, has nothing to do really with one of the biggest problems surrounding mental health: the stigma Don’t get me wrong… it is better than it used to be. But it is still not where it NEEDS to be, which is completely gone Getting help does not make you weak. As a matter of fact I’d say the opposite is true. I’m stronger today than I’ve ever been, even though I sure have my moments. Those moments are fewer and far between now though, because I finally admitted that I couldn’t do it on my own, and if I was gonna bring a child into this world, I was gonna be the best version of myself I could be. I’m still here in SPITE of the stigma. All the people who say “suck it up, buttercup!” “Be a man!” “Get over it!!” Ironically now that I’ve been to counseling and can more acutely notice the signs, those very same people are the ones who could benefit from therapy the most. That’s not a dig. I hurt for them. Matter of fact a big part of my “journey” (I hate when people use that but look at me go lol) has been trying my best to forgive people who lash out at me. Because more often than not, it’s not me they hate… it’s themselves. How would I know that? Well… I used to be that guy RIP Grayson Murray
9:53

Grayson Murray was just 30 years old. He is no longer with us because of mental illness. First let me say that I’m torn up for his friends and family. I’ve been through it more times than I can count, but I’ve also very nearly put my friends and family in the same situation Y’all I’m begging you to get help if you need it. Of course that is, if you can afford it… which is so sad. I do not want to make this political, but I firmly believe that if mental health help was made available for free, it would be a net positive for this country. I truly believe we’d still have some of our friends The cost, however, has nothing to do really with one of the biggest problems surrounding mental health: the stigma Don’t get me wrong… it is better than it used to be. But it is still not where it NEEDS to be, which is completely gone Getting help does not make you weak. As a matter of fact I’d say the opposite is true. I’m stronger today than I’ve ever been, even though I sure have my moments. Those moments are fewer and far between now though, because I finally admitted that I couldn’t do it on my own, and if I was gonna bring a child into this world, I was gonna be the best version of myself I could be. I’m still here in SPITE of the stigma. All the people who say “suck it up, buttercup!” “Be a man!” “Get over it!!” Ironically now that I’ve been to counseling and can more acutely notice the signs, those very same people are the ones who could benefit from therapy the most. That’s not a dig. I hurt for them. Matter of fact a big part of my “journey” (I hate when people use that but look at me go lol) has been trying my best to forgive people who lash out at me. Because more often than not, it’s not me they hate… it’s themselves. How would I know that? Well… I used to be that guy RIP Grayson Murray

Corey Ryan Forrester - WeLoveCorey.com

230,291 просмотров • 2 лет назад

🧸 ah i wanted to talk about this! i saw a lot of people holding birthday cafes at the cafes in front of the cafe and in a lot of other places…it was a shame that i couldn’t see it with my own eyes but i was really grateful that day because so many people were celebrating my birthday 🧸 if it were up to me, it wasn’t for the surgery, i would go to the cafes in front of the company and i’d want to give something to moas if there were any that there were there…but maybe on my next birthday or when i get the time again, i’ll make the dream that i couldn’t fulfil this time, come true 💗
0:57

🧸 ah i wanted to talk about this! i saw a lot of people holding birthday cafes at the cafes in front of the cafe and in a lot of other places…it was a shame that i couldn’t see it with my own eyes but i was really grateful that day because so many people were celebrating my birthday 🧸 if it were up to me, it wasn’t for the surgery, i would go to the cafes in front of the company and i’d want to give something to moas if there were any that there were there…but maybe on my next birthday or when i get the time again, i’ll make the dream that i couldn’t fulfil this time, come true 💗

💬

48,406 просмотров • 4 месяцев назад

#Shellybenda #pundao “We sulked and not understand to each other for many times on those times. Because those times we were offended to each other and also talk this out. It made me feel like “Am I important to her?” and I wonder about it so much. Until we had to shoot this scene. Pure had to have a feeling for Loft very very much. But in the mean time, I use my feeling when I play this scene. This feeling is full of doubtful “Am I important for Shelly?. When I looked at her, I don’t know what to say and portray this scene because of this feeling in my mind. I knew that Loft love pure so much but I don’t know that Shelly love me or not. That’s why I can’t act on that scene. Um, it maybe looks ridiculous but I don’t know why I can’t do it. So there’s a time director let us talk for a minute, I saw many people look at us and it made me feel shy to tell something from my heart and also the microphone that attached. I decided to pull it off and ask Shelly “I ask you. For you, am I important?” Shelly looked at me and said “Yes” and I looked back at her. She said “I love you, why not? I love you” she said so many things. It made me feel like I can unlock something from my heart and that time is the first time Shelly said she loves me. Because she’s always tells me that she’s not the one who likes to say “I love you” easily. And I’ll be like “why I have to wait for that word from you?” At first, I don’t understand why and annoyed. But she was the one who said it first. When she said, it made me understand her more. But as you know, I’m an emotional woman. As you can see from the unpackaged live, crying over the letters. When I was told “I love you” I cried my balls out on that scene. If you can watch this scene on this Wednesday again, you will see it. But the scene got cut until it left a little. The scene where I said like “Pure love Loft” I said why I was crying so hard until the song was coming out. And the scene got cut. That scene is also my memorable moment.”
3:45

#Shellybenda #pundao “We sulked and not understand to each other for many times on those times. Because those times we were offended to each other and also talk this out. It made me feel like “Am I important to her?” and I wonder about it so much. Until we had to shoot this scene. Pure had to have a feeling for Loft very very much. But in the mean time, I use my feeling when I play this scene. This feeling is full of doubtful “Am I important for Shelly?. When I looked at her, I don’t know what to say and portray this scene because of this feeling in my mind. I knew that Loft love pure so much but I don’t know that Shelly love me or not. That’s why I can’t act on that scene. Um, it maybe looks ridiculous but I don’t know why I can’t do it. So there’s a time director let us talk for a minute, I saw many people look at us and it made me feel shy to tell something from my heart and also the microphone that attached. I decided to pull it off and ask Shelly “I ask you. For you, am I important?” Shelly looked at me and said “Yes” and I looked back at her. She said “I love you, why not? I love you” she said so many things. It made me feel like I can unlock something from my heart and that time is the first time Shelly said she loves me. Because she’s always tells me that she’s not the one who likes to say “I love you” easily. And I’ll be like “why I have to wait for that word from you?” At first, I don’t understand why and annoyed. But she was the one who said it first. When she said, it made me understand her more. But as you know, I’m an emotional woman. As you can see from the unpackaged live, crying over the letters. When I was told “I love you” I cried my balls out on that scene. If you can watch this scene on this Wednesday again, you will see it. But the scene got cut until it left a little. The scene where I said like “Pure love Loft” I said why I was crying so hard until the song was coming out. And the scene got cut. That scene is also my memorable moment.”

พรรอก๊ออว์ ติ่งที่เป็นหมอดูและโทรโข่งเดินได้

166,184 просмотров • 10 месяцев назад

🐰 "My dream is to act in movies 🎬 I don’t even know if I’ll get the chance, but if I do, I’ll give it everything I’ve got fr. This year I feel like there might be a fan meeting, maybe even a fan con. It kinda feels like a turning point, because I finally get to do what I really want. And after the fan con, I just hope I’ll get more and more opportunities in the entertainment industry, like keep leveling up nonstop 🚀 If I had to talk about myself one year from now… I think I’d want to believe that I actually made it. Like let me say it first just in case it really happens 5555 If I do make it, I’ll be like “I did it!!” And honestly, I wanna keep telling myself every year that I did amazing and I’m proud of me 🫶" BABY SONYA 27 YRS #Sonya27thCelebration #Sonyasaranphat
0:38

🐰 "My dream is to act in movies 🎬 I don’t even know if I’ll get the chance, but if I do, I’ll give it everything I’ve got fr. This year I feel like there might be a fan meeting, maybe even a fan con. It kinda feels like a turning point, because I finally get to do what I really want. And after the fan con, I just hope I’ll get more and more opportunities in the entertainment industry, like keep leveling up nonstop 🚀 If I had to talk about myself one year from now… I think I’d want to believe that I actually made it. Like let me say it first just in case it really happens 5555 If I do make it, I’ll be like “I did it!!” And honestly, I wanna keep telling myself every year that I did amazing and I’m proud of me 🫶" BABY SONYA 27 YRS #Sonya27thCelebration #Sonyasaranphat

𝓕𝓸𝓷☂︎₉₁₆

26,949 просмотров • 3 месяцев назад

YUNHO'S BDAY MD IS GONNA BE A CAMERA 👀 🐶: Honestly, instead of trying to say it in a roundabout way...I released a camera as my birthday MD this time. 🐶: At one point, I used to carry a camera around, taking photos of people and different scenes. 🐶: And when I looked back at those memories later, it brought back the emotions I felt at that time. 🐶: So I thought, "it would be nice if ATINY could also capture their own happy moments and the feelings they had back then through this camera, just like I did" 🐶: I don’t have that many hobbies, but since that was one I really liked, I decided to make a cute, sentimental-style camera as part of my MD. 🐶: So I hope when ATINY sees it, you’ll take pretty photos, have fun like I do, and enjoy using it. 🐶: You can even take pictures of me with it, I’ll make sure to look good for you. 🐶: At concerts, or if you happen to see ATEEZ, or even just our photocards....capture those moments with it too. 🐶: And if you upload those photos, I’ll look at them and think, “Ah, this is how ATINY thinks of me,” “This is what ATINY might be feeling.” 🐶: For example, if you upload a photo of the ocean, I might think, “Maybe ATINY had a lot on their mind,” 🐶: “How were they feeling then?” 🐶: “Were they happy?” 🐶: I want to feel those emotions too through your photos. 🐶: That’s why I shared things like that before, and since ATINY did the same for me, I also want to experience those feelings from ATINY’s perspective...as if you were photographers. 🐶: So that’s why I released this as my birthday MD. 🐶: What do you think?~
2:28

YUNHO'S BDAY MD IS GONNA BE A CAMERA 👀 🐶: Honestly, instead of trying to say it in a roundabout way...I released a camera as my birthday MD this time. 🐶: At one point, I used to carry a camera around, taking photos of people and different scenes. 🐶: And when I looked back at those memories later, it brought back the emotions I felt at that time. 🐶: So I thought, "it would be nice if ATINY could also capture their own happy moments and the feelings they had back then through this camera, just like I did" 🐶: I don’t have that many hobbies, but since that was one I really liked, I decided to make a cute, sentimental-style camera as part of my MD. 🐶: So I hope when ATINY sees it, you’ll take pretty photos, have fun like I do, and enjoy using it. 🐶: You can even take pictures of me with it, I’ll make sure to look good for you. 🐶: At concerts, or if you happen to see ATEEZ, or even just our photocards....capture those moments with it too. 🐶: And if you upload those photos, I’ll look at them and think, “Ah, this is how ATINY thinks of me,” “This is what ATINY might be feeling.” 🐶: For example, if you upload a photo of the ocean, I might think, “Maybe ATINY had a lot on their mind,” 🐶: “How were they feeling then?” 🐶: “Were they happy?” 🐶: I want to feel those emotions too through your photos. 🐶: That’s why I shared things like that before, and since ATINY did the same for me, I also want to experience those feelings from ATINY’s perspective...as if you were photographers. 🐶: So that’s why I released this as my birthday MD. 🐶: What do you think?~

𝐄𝐕𝐈𝐄 ฅᗢฅ 🤍

44,551 просмотров • 4 месяцев назад

UCLA Coach Cori Close challenges the belief that demanding, championship level leadership requires intimidation or humiliation: “Winning the championship has given some credibility that you can coach in this way.” “I don’t think you have to demean people. I don’t think you have to make it about you. It doesn’t have to be transactional. I really think that it makes you more competitive, not less.” “People are like, ‘Oh, that’s soft. You can’t win that way.’ When you’re really committed to somebody’s long-term development, it makes you want to compete like crazy.” “I’ll dive for every loose ball. I’ll go after every rebound. I’ll sit lower in my stance.” “I’ll do anything because of the way I care about the person on my right and on my left.” “It should make you more of a fierce competitor to be driven by genuine relationships and genuine shared excellence.” “Do your job is going to happen a lot more with people who are committed, who care, and who have a shared commitment to excellence.” “The best lessons are caught, not taught.”
1:23

UCLA Coach Cori Close challenges the belief that demanding, championship level leadership requires intimidation or humiliation: “Winning the championship has given some credibility that you can coach in this way.” “I don’t think you have to demean people. I don’t think you have to make it about you. It doesn’t have to be transactional. I really think that it makes you more competitive, not less.” “People are like, ‘Oh, that’s soft. You can’t win that way.’ When you’re really committed to somebody’s long-term development, it makes you want to compete like crazy.” “I’ll dive for every loose ball. I’ll go after every rebound. I’ll sit lower in my stance.” “I’ll do anything because of the way I care about the person on my right and on my left.” “It should make you more of a fierce competitor to be driven by genuine relationships and genuine shared excellence.” “Do your job is going to happen a lot more with people who are committed, who care, and who have a shared commitment to excellence.” “The best lessons are caught, not taught.”

Josh Chambers

36,190 просмотров • 21 дней назад

Jimmy Stewart's reaction to his “Prayer” scene in “It's a Wonderful Life” (1946) on Michael Parkinson's chat show in 1973. Michael Parkinson: “Of all the movies you made, that's still remembered [the prayer scene in “It's a Wonderful Life”]. Why is that?” Jimmy Stewart: “I don't know. A lot of reasons. I just noticed that scene there. That scene ... I remember when I first read the first draft of the script and that scene, the little prayer, affected me, and when I read it, when I did it in the movie, it did, and it did the same to me right now.” “And this is a theory that I've always had. That creating moments in movies, this I think is the important thing. Nobody knows exactly how it happens. But what you should do is to prepare yourself as best you can to make these moments happen. Because in a movie, it's really not so much the performance, it's really not. But there are moments. They're moments just like there, I think.”
0:42

Jimmy Stewart's reaction to his “Prayer” scene in “It's a Wonderful Life” (1946) on Michael Parkinson's chat show in 1973. Michael Parkinson: “Of all the movies you made, that's still remembered [the prayer scene in “It's a Wonderful Life”]. Why is that?” Jimmy Stewart: “I don't know. A lot of reasons. I just noticed that scene there. That scene ... I remember when I first read the first draft of the script and that scene, the little prayer, affected me, and when I read it, when I did it in the movie, it did, and it did the same to me right now.” “And this is a theory that I've always had. That creating moments in movies, this I think is the important thing. Nobody knows exactly how it happens. But what you should do is to prepare yourself as best you can to make these moments happen. Because in a movie, it's really not so much the performance, it's really not. But there are moments. They're moments just like there, I think.”

Hollywood Golden Age of Cinema

198,315 просмотров • 7 месяцев назад