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USC WR commit Quentin Hale is unstoppable. Two first-half touchdowns and a 38-yard one-handed grab. Corona Centennial 21, Anaheim Servite 0

Adam Gorney

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28,408 views • 21 hours ago •via X (Twitter)

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USC COMMIT QUENTIN HALE WITH ONE HAND 🤯 Hale (Quentin Hale 5⭐️) mosses the defender for an unreal grab for Centennial (CA) 🔥 Live on the NFHS Network Corona Centennial Football

USC COMMIT QUENTIN HALE WITH ONE HAND 🤯 Hale (Quentin Hale 5⭐️) mosses the defender for an unreal grab for Centennial (CA) 🔥 Live on the NFHS Network Corona Centennial Football

MaxPreps

71,463 views • 21 hours ago

Hey, ESPNAssignmentDesk, you may need to take a look at this for #SCtop10 – give peewee football some love. Outstanding one-handed grab by 11-year-old JJ Giles of the Corona Chargers. JJ is the son of Corona Centennial basketball coach, Josh Giles. WR loading for Corona Centennial Football?

Hey, ESPNAssignmentDesk, you may need to take a look at this for #SCtop10 – give peewee football some love. Outstanding one-handed grab by 11-year-old JJ Giles of the Corona Chargers. JJ is the son of Corona Centennial basketball coach, Josh Giles. WR loading for Corona Centennial Football?

Tarek Fattal

242,157 views • 2 years ago

Second half is on deck, and don't miss our first treat back at The Yard with a series-long Hawaiian Shirt giveaway! 👐 Grab your tix now! 🎟️

Second half is on deck, and don't miss our first treat back at The Yard with a series-long Hawaiian Shirt giveaway! 👐 Grab your tix now! 🎟️

Baltimore Orioles

46,899 views • 1 month ago

4-star #GoDawgs WR commit Jamir Dean creates an explosive on 3rd-and-long. Dean catches a short one and surges upfield for a 44-yard gain. The No. 98 player in America is the fourth-highest-rated Dawg in the 2027 class.

4-star #GoDawgs WR commit Jamir Dean creates an explosive on 3rd-and-long. Dean catches a short one and surges upfield for a 44-yard gain. The No. 98 player in America is the fourth-highest-rated Dawg in the 2027 class.

Jeff Sentell

20,684 views • 21 days ago

Auburn LB commit Jaquez Wilkes with a big 39-yard run on just the second Wadley offensive play of the game… which came with two minutes left in the first quarter Wadley marches down and scores to cut the Fayetteville lead to 21-8

Auburn LB commit Jaquez Wilkes with a big 39-yard run on just the second Wadley offensive play of the game… which came with two minutes left in the first quarter Wadley marches down and scores to cut the Fayetteville lead to 21-8

Christian Clemente

19,645 views • 11 months ago

BEARS HAVE HAD EVERY REASON TO BE RIGHT. THIS IS THE FIRST ONE THAT ISN'T. Two sweeps marked the top above $126K. Two sweeps have now marked the low near $60K. Same liquidity grab, mirrored. I'm not calling a bottom on symmetry alone. But lose $60K and I'll drop this idea. Hold it, and bears have a problem.

BEARS HAVE HAD EVERY REASON TO BE RIGHT. THIS IS THE FIRST ONE THAT ISN'T. Two sweeps marked the top above $126K. Two sweeps have now marked the low near $60K. Same liquidity grab, mirrored. I'm not calling a bottom on symmetry alone. But lose $60K and I'll drop this idea. Hold it, and bears have a problem.

Merlijn The Trader

43,269 views • 28 days ago

🚨UPDATE: Washburn standout wide receiver Peter Afful has met with the Denver #Broncos, Kansas City #Chiefs, Dallas #Cowboys, Washington #Commanders, and New York #Jets, source says. Afful is a 2x all-conference WR: Who had 1220 yards, 16 touchdowns, on 63 rec, and averaged 19.4 yards per catch which was 3rd in program history. Really impressive at the Kansas Pro Day: 39-inch Vertical 10’7” Broad jump 13 reps on the bench 4.42, 40-yard dash Speaking to league sources, multiple #NFL General Managers and teams have compared Peter Afful to former #Ravens speedy first-round WR and current #Cardinals standout Marquise Brown (Hollywood Brown). 👀👀👀 Afful CAN FLY🤯🤯🤯

🚨UPDATE: Washburn standout wide receiver Peter Afful has met with the Denver #Broncos, Kansas City #Chiefs, Dallas #Cowboys, Washington #Commanders, and New York #Jets, source says. Afful is a 2x all-conference WR: Who had 1220 yards, 16 touchdowns, on 63 rec, and averaged 19.4 yards per catch which was 3rd in program history. Really impressive at the Kansas Pro Day: 39-inch Vertical 10’7” Broad jump 13 reps on the bench 4.42, 40-yard dash Speaking to league sources, multiple #NFL General Managers and teams have compared Peter Afful to former #Ravens speedy first-round WR and current #Cardinals standout Marquise Brown (Hollywood Brown). 👀👀👀 Afful CAN FLY🤯🤯🤯

MLFootball

328,506 views • 3 years ago

Today, five men have been sentenced to a total of 12 and a half years in prison for large-scale ticket fraud, following an extensive Merseyside Police investigation. The men were sentenced at Liverpool Crown Court today, after pleading guilty to the charges. They are: - Joseph Johnson, 42, of Chelford Road, Eccleston, St Helens: sentenced to four years and six months for Conspiracy to Commit Fraud by Abuse of Position; Conspiracy to Commit Fraud by False Representation; and Conspiracy to Sell Tickets Fraudulently - Louis James, 37, of Lapford Crescent, Kirkby: sentenced to two years and four months for Conspiracy to Commit Fraud by Abuse of Position; Conspiracy to Commit Fraud by False Representation; and Conspiracy to Sell Tickets Fraudulently - Liam Rice, 35, of Mount Crescent, Kirkby: sentenced to two years and 10 months for Conspiracy to Sell Tickets Fraudulently - Lee Smith, 38 of Moss Lane, Bickerstaff, Ormskirk: sentenced to two years and 10 months for Conspiracy to Commit Fraud by Abuse of Position; and Conspiracy to Sell Tickets Fraudulently - James Johnson, 34, of Westcombe Road, Anfield: sentenced to 21 months (suspended), for Conspiracy to Commit Fraud by Abuse of Position; and Conspiracy to Sell Tickets Fraudulently The group dishonestly obtained and resold tickets mainly for Liverpool FC matches at inflated prices through unofficial channels, creating over 1,000 fake memberships and even setting up a website to advertise tickets. Their scam, which grew into an international operation, has now been dismantled thanks to close work between Merseyside Police and LFC. Detective Chief Inspector Lynsay Armbruster said: "This was a complex, long-running investigation. These sentences send a clear message: ticket fraud will not be tolerated. Buying from unofficial sources risks losing money and being denied entry." LFC added: "We have zero tolerance for ticket misuse. Fans should only buy through official channels." ✅ For genuine tickets, visit LFC’s official site. ❌ Don’t risk buying from unofficial sellers.

Today, five men have been sentenced to a total of 12 and a half years in prison for large-scale ticket fraud, following an extensive Merseyside Police investigation. The men were sentenced at Liverpool Crown Court today, after pleading guilty to the charges. They are: - Joseph Johnson, 42, of Chelford Road, Eccleston, St Helens: sentenced to four years and six months for Conspiracy to Commit Fraud by Abuse of Position; Conspiracy to Commit Fraud by False Representation; and Conspiracy to Sell Tickets Fraudulently - Louis James, 37, of Lapford Crescent, Kirkby: sentenced to two years and four months for Conspiracy to Commit Fraud by Abuse of Position; Conspiracy to Commit Fraud by False Representation; and Conspiracy to Sell Tickets Fraudulently - Liam Rice, 35, of Mount Crescent, Kirkby: sentenced to two years and 10 months for Conspiracy to Sell Tickets Fraudulently - Lee Smith, 38 of Moss Lane, Bickerstaff, Ormskirk: sentenced to two years and 10 months for Conspiracy to Commit Fraud by Abuse of Position; and Conspiracy to Sell Tickets Fraudulently - James Johnson, 34, of Westcombe Road, Anfield: sentenced to 21 months (suspended), for Conspiracy to Commit Fraud by Abuse of Position; and Conspiracy to Sell Tickets Fraudulently The group dishonestly obtained and resold tickets mainly for Liverpool FC matches at inflated prices through unofficial channels, creating over 1,000 fake memberships and even setting up a website to advertise tickets. Their scam, which grew into an international operation, has now been dismantled thanks to close work between Merseyside Police and LFC. Detective Chief Inspector Lynsay Armbruster said: "This was a complex, long-running investigation. These sentences send a clear message: ticket fraud will not be tolerated. Buying from unofficial sources risks losing money and being denied entry." LFC added: "We have zero tolerance for ticket misuse. Fans should only buy through official channels." ✅ For genuine tickets, visit LFC’s official site. ❌ Don’t risk buying from unofficial sellers.

Merseyside Police

427,525 views • 8 months ago

From sofa to stadium in a single leap. From living room to world-class stadium in seconds. Argentina vs Brazil, one magical run, one unstoppable strike, and a celebration heard around the world. Create your World Cup moment with SeaArt, earn free Credits and win an iPhone 17. #SeaArtWorldCup Made with Seedance Credit: SeaArt.Ai🐋 SeaArt Creator Lab Prompt: First-person POV from a comfortable reclining armchair in a cozy modern living room. From the very first frame, a large television mounted on the wall directly ahead is already showing a live Argentina vs Brazil football match in full swing. Soft afternoon sunlight streams through the windows, creating a relaxed match-day atmosphere. The viewer's legs are stretched out comfortably while wearing casual shorts, enjoying the game from a resting position. Authentic British football commentary and crowd noise play naturally from the television. At 0:02, a young woman wearing an appealing lavender-purple casual shorts outfit and a stylish half-French braid hairstyle enters from the right side of frame. She is a neutral football fan, not supporting either team. Drawn into the excitement of the match, she glances at the television, smiles, then accelerates into a sprint across the living room. At 0:04, she runs directly toward the television. The camera remains first-person and perfectly stable. At 0:05, she leaps into the TV screen in one continuous motion. No cuts, no scene jumps, no transitions breaking continuity. As she reaches the screen, the living room seamlessly dissolves away and transforms into a massive international football stadium hosting Argentina vs Brazil. Television audio smoothly expands into a deafening live stadium atmosphere. The transformation happens organically around the camera while preserving one uninterrupted shot. At 0:06, she lands smoothly on the pitch, still wearing the exact same lavender outfit and half-French braid. A single football rolls naturally toward her. IMPORTANT: Only one football exists throughout the entire video. The football must maintain perfect object permanence. The same ball remains continuously visible and physically consistent from first touch to goal. No duplication, replacement, morphing, teleportation, flickering, frame-to-frame jumps, texture changes, scaling changes, disappearing ball, floating ball, or AI artefacts. Realistic football physics only. At 0:07, she controls the football with a clean first touch. At 0:08–0:11, she dribbles continuously between Argentina and Brazil players. Every touch follows realistic momentum, spacing, and foot-to-ball contact. Defenders react naturally. No clipping, collision errors, or unnatural movements. At 0:11, she approaches the edge of the penalty area. At 0:12, she unleashes a powerful strike using the same football. The camera clearly tracks the football's entire flight path from her foot to the goal in one uninterrupted motion. Realistic spin, realistic speed, realistic trajectory. At 0:13, the football smashes into the top corner of the net. The net deforms naturally and ripples realistically. The crowd explodes with excitement. Authentic British football commentator shouts: "What a strike! Absolutely sensational!" At 0:14, she turns and sprints toward the corner flag as the camera follows closely. For the final second, she leaps high into the air and performs the iconic Siuuu celebration, rotating and landing with feet apart and arms extended downward while facing the roaring crowd. Her half-French braid swings dramatically behind her. Stadium lights illuminate the scene as thousands of fans celebrate. One continuous unbroken shot, no cuts, no scene resets, seamless living-room-to-stadium transformation, cinematic football commercial quality, authentic British football commentary, realistic player movement, physically accurate football physics, strict ball continuity, stable camera motion, premium sports broadcast visuals, dramatic stadium atmosphere, crowd chants, sprinting footsteps, grass impact sounds, powerful strike, realistic net ripple, ultra-realistic visuals, 15-second duration, 16:9 horizontal format, no logos, no text overlays, no subtitles, no watermark, no flickering objects, no AI artefacts, no visual glitches.

From sofa to stadium in a single leap. From living room to world-class stadium in seconds. Argentina vs Brazil, one magical run, one unstoppable strike, and a celebration heard around the world. Create your World Cup moment with SeaArt, earn free Credits and win an iPhone 17. #SeaArtWorldCup Made with Seedance Credit: SeaArt.Ai🐋 SeaArt Creator Lab Prompt: First-person POV from a comfortable reclining armchair in a cozy modern living room. From the very first frame, a large television mounted on the wall directly ahead is already showing a live Argentina vs Brazil football match in full swing. Soft afternoon sunlight streams through the windows, creating a relaxed match-day atmosphere. The viewer's legs are stretched out comfortably while wearing casual shorts, enjoying the game from a resting position. Authentic British football commentary and crowd noise play naturally from the television. At 0:02, a young woman wearing an appealing lavender-purple casual shorts outfit and a stylish half-French braid hairstyle enters from the right side of frame. She is a neutral football fan, not supporting either team. Drawn into the excitement of the match, she glances at the television, smiles, then accelerates into a sprint across the living room. At 0:04, she runs directly toward the television. The camera remains first-person and perfectly stable. At 0:05, she leaps into the TV screen in one continuous motion. No cuts, no scene jumps, no transitions breaking continuity. As she reaches the screen, the living room seamlessly dissolves away and transforms into a massive international football stadium hosting Argentina vs Brazil. Television audio smoothly expands into a deafening live stadium atmosphere. The transformation happens organically around the camera while preserving one uninterrupted shot. At 0:06, she lands smoothly on the pitch, still wearing the exact same lavender outfit and half-French braid. A single football rolls naturally toward her. IMPORTANT: Only one football exists throughout the entire video. The football must maintain perfect object permanence. The same ball remains continuously visible and physically consistent from first touch to goal. No duplication, replacement, morphing, teleportation, flickering, frame-to-frame jumps, texture changes, scaling changes, disappearing ball, floating ball, or AI artefacts. Realistic football physics only. At 0:07, she controls the football with a clean first touch. At 0:08–0:11, she dribbles continuously between Argentina and Brazil players. Every touch follows realistic momentum, spacing, and foot-to-ball contact. Defenders react naturally. No clipping, collision errors, or unnatural movements. At 0:11, she approaches the edge of the penalty area. At 0:12, she unleashes a powerful strike using the same football. The camera clearly tracks the football's entire flight path from her foot to the goal in one uninterrupted motion. Realistic spin, realistic speed, realistic trajectory. At 0:13, the football smashes into the top corner of the net. The net deforms naturally and ripples realistically. The crowd explodes with excitement. Authentic British football commentator shouts: "What a strike! Absolutely sensational!" At 0:14, she turns and sprints toward the corner flag as the camera follows closely. For the final second, she leaps high into the air and performs the iconic Siuuu celebration, rotating and landing with feet apart and arms extended downward while facing the roaring crowd. Her half-French braid swings dramatically behind her. Stadium lights illuminate the scene as thousands of fans celebrate. One continuous unbroken shot, no cuts, no scene resets, seamless living-room-to-stadium transformation, cinematic football commercial quality, authentic British football commentary, realistic player movement, physically accurate football physics, strict ball continuity, stable camera motion, premium sports broadcast visuals, dramatic stadium atmosphere, crowd chants, sprinting footsteps, grass impact sounds, powerful strike, realistic net ripple, ultra-realistic visuals, 15-second duration, 16:9 horizontal format, no logos, no text overlays, no subtitles, no watermark, no flickering objects, no AI artefacts, no visual glitches.

Jessica Collins

32,264 views • 2 months ago

Month 1: $0 Month 2: $0 Month 3: $205 Month 4: 50,532 This is what actually happens when you stop overthinking and start a faceless YouTube channel the right way. Most people quit in the first 60 days because they see zero results and assume it doesn’t work. But the ones who push through the first two months with consistency usually see their first real payout in month 3. Here’s the simple system that makes this possible: Step 1: Pick one proven niche (history, facts, motivation, or luxury) and stick to it. Step 2: Use AI to generate 30 video ideas in one sitting so you never run out of content. Step 3: Outsource or use AI to create the videos (script + voice + editing) so you can upload consistently without burning out. Step 4: Upload 3–5 videos per week and stay consistent for 90 days without checking analytics every day. The first two months are almost always quiet. The third month is where most people either quit or finally get paid. If you’re willing to be patient for 90 days, this model still works extremely well in 2026. Watch the full breakdown in the video.

Month 1: $0 Month 2: $0 Month 3: $205 Month 4: 50,532 This is what actually happens when you stop overthinking and start a faceless YouTube channel the right way. Most people quit in the first 60 days because they see zero results and assume it doesn’t work. But the ones who push through the first two months with consistency usually see their first real payout in month 3. Here’s the simple system that makes this possible: Step 1: Pick one proven niche (history, facts, motivation, or luxury) and stick to it. Step 2: Use AI to generate 30 video ideas in one sitting so you never run out of content. Step 3: Outsource or use AI to create the videos (script + voice + editing) so you can upload consistently without burning out. Step 4: Upload 3–5 videos per week and stay consistent for 90 days without checking analytics every day. The first two months are almost always quiet. The third month is where most people either quit or finally get paid. If you’re willing to be patient for 90 days, this model still works extremely well in 2026. Watch the full breakdown in the video.

Frogify

45,734 views • 1 month ago

She wasn't dancing for anyone until the whole street joined in. One girl. One beat. And suddenly everyone's in. Made with GPT Image 2 and Seedance 2.0 on BudgetPixel AI Prompt: Video Prompt — 15 seconds, 16:9, Solo female street dancer Jessy (described above) dancing continuously and energetically from the very first frame to a viral trending upbeat pop/afrobeat-style track (130 BPM, catchy hook-driven viral sound), full choreography visible throughout — no static feet-only opening, no frozen ending. Sunlit outdoor market street, colorful stalls, soft crowd blur, photorealistic, 8K detail, consistent facial identity, cinematic natural daylight, fluid motion blur, perfect temporal consistency. 0:00–0:03 — Low-angle tracking shot rising into a full-body view; Jessy is already mid-move, doing a bouncy shuffle-step with sharp arm swings and a hip pop on the beat drop, ponytail whipping, face clearly visible and expressive. 0:03–0:06 — Whip-pan into a Dutch-angle mid-shot; Jessy spins into a body-roll combo, arms cutting sharply through the air, handheld camera pulsing with the beat. 0:06–0:09 — Crash-zoom to a high-angle crane shot; Jessy drops into a low groove-step with a floor-touch and pop back up, dust kicking softly at her sneakers, still mid-motion. 0:09–0:12 — Snap-cut to eye-level tracking shot circling her; nearby onlookers — two women and one man, each with distinct clearly-visible faces, different hairstyles, and different outfits from Jessy and each other — start mirroring her moves and join in, forming a loose group dance, all faces on camera (face cards visible, no obstruction). 0:12–0:15 — Wide dynamic shot pulling back as the whole group dances together in sync, Jessy in the center still moving with sharp bounce and a playful spin, camera continuing to move (slow pull-back with slight handheld shake) right up to the final frame — no freeze, motion carries through to the last moment, energetic smile toward camera.

She wasn't dancing for anyone until the whole street joined in. One girl. One beat. And suddenly everyone's in. Made with GPT Image 2 and Seedance 2.0 on BudgetPixel AI Prompt: Video Prompt — 15 seconds, 16:9, Solo female street dancer Jessy (described above) dancing continuously and energetically from the very first frame to a viral trending upbeat pop/afrobeat-style track (130 BPM, catchy hook-driven viral sound), full choreography visible throughout — no static feet-only opening, no frozen ending. Sunlit outdoor market street, colorful stalls, soft crowd blur, photorealistic, 8K detail, consistent facial identity, cinematic natural daylight, fluid motion blur, perfect temporal consistency. 0:00–0:03 — Low-angle tracking shot rising into a full-body view; Jessy is already mid-move, doing a bouncy shuffle-step with sharp arm swings and a hip pop on the beat drop, ponytail whipping, face clearly visible and expressive. 0:03–0:06 — Whip-pan into a Dutch-angle mid-shot; Jessy spins into a body-roll combo, arms cutting sharply through the air, handheld camera pulsing with the beat. 0:06–0:09 — Crash-zoom to a high-angle crane shot; Jessy drops into a low groove-step with a floor-touch and pop back up, dust kicking softly at her sneakers, still mid-motion. 0:09–0:12 — Snap-cut to eye-level tracking shot circling her; nearby onlookers — two women and one man, each with distinct clearly-visible faces, different hairstyles, and different outfits from Jessy and each other — start mirroring her moves and join in, forming a loose group dance, all faces on camera (face cards visible, no obstruction). 0:12–0:15 — Wide dynamic shot pulling back as the whole group dances together in sync, Jessy in the center still moving with sharp bounce and a playful spin, camera continuing to move (slow pull-back with slight handheld shake) right up to the final frame — no freeze, motion carries through to the last moment, energetic smile toward camera.

Jessica Collins

31,799 views • 1 month ago

Leg curls go first in the session. Not last, not as a finisher, not squeezed in if there is time. The knee is held together by an argument between two muscles. The quads pull the shin forwards, the hamstrings pull it back, and when those two are anywhere near matched the joint tracks properly and the load goes where it should. Now look at how the average leg day is arranged. Squats, presses and extensions while you are fresh, hammering the quads. Then curls at the end, two half-hearted sets, done in a state where you could not produce real force if you tried. Run that for a few years and it stops being an argument. One side has been training. The other has been turning up late. Put the curls at the front and you fix both halves at once. The hamstrings arrive at your heavy squats already switched on, which is the cheapest knee insurance in the building. And they finally get trained fresh, so they actually progress instead of living off the scraps. Four to six reps, heavy, two sets, then go and squat. If your knees already complain, start here. If they don't, this is how they stay that way.

Leg curls go first in the session. Not last, not as a finisher, not squeezed in if there is time. The knee is held together by an argument between two muscles. The quads pull the shin forwards, the hamstrings pull it back, and when those two are anywhere near matched the joint tracks properly and the load goes where it should. Now look at how the average leg day is arranged. Squats, presses and extensions while you are fresh, hammering the quads. Then curls at the end, two half-hearted sets, done in a state where you could not produce real force if you tried. Run that for a few years and it stops being an argument. One side has been training. The other has been turning up late. Put the curls at the front and you fix both halves at once. The hamstrings arrive at your heavy squats already switched on, which is the cheapest knee insurance in the building. And they finally get trained fresh, so they actually progress instead of living off the scraps. Four to six reps, heavy, two sets, then go and squat. If your knees already complain, start here. If they don't, this is how they stay that way.

Sama Hoole

30,931 views • 18 days ago

Sohan, a 12th-grade student, was dragged off a bus by police near Malhargarh in Madhya Pradesh without any reason, warrant or case against him, just on suspicion of drugs, though he had NONE. When they found nothing, the cops planted 2.7 kg of opium on him, filed a false report, claimed a big drug bust, and jailed him. Bus CCTV footage showed he was empty-handed and when it went viral, the police first denied involvement but later admitted the mistake in court. SP apologized, started an inquiry and freed Sohan after TWO MONTHS IN JAIL. Ironically, this "best" awarded police station shows how easily cops can destroy innocent lives without proof like video. Without that CCTV in the bus, Sohan would have spent half of his life in Jail. The case is still ongoing. A hearing is scheduled for today, January 12th.

Sohan, a 12th-grade student, was dragged off a bus by police near Malhargarh in Madhya Pradesh without any reason, warrant or case against him, just on suspicion of drugs, though he had NONE. When they found nothing, the cops planted 2.7 kg of opium on him, filed a false report, claimed a big drug bust, and jailed him. Bus CCTV footage showed he was empty-handed and when it went viral, the police first denied involvement but later admitted the mistake in court. SP apologized, started an inquiry and freed Sohan after TWO MONTHS IN JAIL. Ironically, this "best" awarded police station shows how easily cops can destroy innocent lives without proof like video. Without that CCTV in the bus, Sohan would have spent half of his life in Jail. The case is still ongoing. A hearing is scheduled for today, January 12th.

Dr Ranjan

14,336 views • 7 months ago

#Patriots Voluntary OTA Notes [Non-Padded] (6/2): 𝗢𝗳𝗳𝗲𝗻𝘀𝗲 • QB Drake Maye connected with WR Kayshon Boutte for the play of the day — Maye perfectly placed the ball deep along the left side of the field and Boutte made a fingertip catch. • QB Drake Maye had no turnovers today and he had his best day of open OTAs by far — Maye completed 9 straight passes at one point. • Full QB Stats: Maye 14/16 Dobbs 11/13 Wooldridge 4/8, INT • WRs DeMario Douglas, Kayshon Boutte, Kyle Williams and Efton Chism spent the most time working with QB Drake Maye today. • WR Efton Chism III had 7 receptions on 7 targets and looked to always be open — the undrafted rookie took several snaps with QB Drake Maye and the top offensive unit. • RB Rhamondre Stevenson made an extremely impressive finger-tip grab for a 25-yard gain on a dot from QB Drake Maye. • OL Cole Strange and Wes Schweitzer were the two primary left guards today — that spot on the offensive line is truly a competition. • TE Jaheim Bell had a rough day — the former seventh-round pick had 2 bad drops. • It was a bit of a quiet day for rookie WR Kyle Williams who caught 1 of his 2 targets. • WR Stefon Diggs was limited today working with WR Ja’Lynn Polk off to the side at times — Diggs closely observed the offense towards the end of practice as they practiced plays. • Rookie TE CJ Dippre caught a nice pass thrown by QB Ben Wooldridge up the seam. • Veteran OT Morgan Moses once again stayed after practice to help and give advice to the young offensive lineman. • RG Mike Onwenu says he feels good getting back to an offense he is familiar with — Onwenu adds that he is rehabbing from a hand injury. • RB Rhamondre Stevenson says RBs coach Tony Dews flew to visit him in Las Vegas while Stevenson was dealing with his father’s passing. • Limited: WR Stefon Diggs WR Ja'Lynn Polk OL Mike Onwenu OL Jared Wilson OT Vederian Lowe TE Austin Hooper • Absent: WR Mack Hollins (Present But DNP) WR Kendrick Bourne (Unknown) RB Trayveon Williams (Unknown) OL Tyrese Robinson (Unknown) 𝗗𝗲𝗳𝗲𝗻𝘀𝗲 • DE Keion White was disruptive today — White sacked both QB Drake Maye and QB Josh Dobbs during team drills. • Rookie S Josh Minkins intercepted QB Ben Wooldridge during 11-on—11s • CB Christian Gonzalez, S Jaylinn Hawkins, and LB Monty Rice each had a pass break up. • DT Joshua Farmer batted another pass down during team drills — Farmer has been able to bat passes down consistently during OTAs. • CB Christian Gonzalez gave up a catch to WR Efton Chism — Chism got open after running an impressive dig route. • LB Jahlani Tavai went down during team period and was grabbing his left knee — the veteran had to be helped off the field after staying down for a couple minutes. • CBs Alex Austin and Marcellas Dial spent time in the slot — Austin has consistently taken reps in the slot since the start of OTAs. • The defensive line continues to disrupt the offense. • Limited: DL Jaquelin Roy DL Wilfried Pene • Absent: CB Carlton Davis (Unknown) CB Marcus Jones (Unknown) ED Anfernee Jennings (Unknown) 𝗦𝗽𝗲𝗰𝗶𝗮𝗹 𝗧𝗲𝗮𝗺𝘀 • Field Goals (33-50 Yards) Andy Borregales: 4/4 John Parker Romo: 2/4, missed wide right Borregales has yet to miss during open OTAs. #NEPats

#Patriots Voluntary OTA Notes [Non-Padded] (6/2): 𝗢𝗳𝗳𝗲𝗻𝘀𝗲 • QB Drake Maye connected with WR Kayshon Boutte for the play of the day — Maye perfectly placed the ball deep along the left side of the field and Boutte made a fingertip catch. • QB Drake Maye had no turnovers today and he had his best day of open OTAs by far — Maye completed 9 straight passes at one point. • Full QB Stats: Maye 14/16 Dobbs 11/13 Wooldridge 4/8, INT • WRs DeMario Douglas, Kayshon Boutte, Kyle Williams and Efton Chism spent the most time working with QB Drake Maye today. • WR Efton Chism III had 7 receptions on 7 targets and looked to always be open — the undrafted rookie took several snaps with QB Drake Maye and the top offensive unit. • RB Rhamondre Stevenson made an extremely impressive finger-tip grab for a 25-yard gain on a dot from QB Drake Maye. • OL Cole Strange and Wes Schweitzer were the two primary left guards today — that spot on the offensive line is truly a competition. • TE Jaheim Bell had a rough day — the former seventh-round pick had 2 bad drops. • It was a bit of a quiet day for rookie WR Kyle Williams who caught 1 of his 2 targets. • WR Stefon Diggs was limited today working with WR Ja’Lynn Polk off to the side at times — Diggs closely observed the offense towards the end of practice as they practiced plays. • Rookie TE CJ Dippre caught a nice pass thrown by QB Ben Wooldridge up the seam. • Veteran OT Morgan Moses once again stayed after practice to help and give advice to the young offensive lineman. • RG Mike Onwenu says he feels good getting back to an offense he is familiar with — Onwenu adds that he is rehabbing from a hand injury. • RB Rhamondre Stevenson says RBs coach Tony Dews flew to visit him in Las Vegas while Stevenson was dealing with his father’s passing. • Limited: WR Stefon Diggs WR Ja'Lynn Polk OL Mike Onwenu OL Jared Wilson OT Vederian Lowe TE Austin Hooper • Absent: WR Mack Hollins (Present But DNP) WR Kendrick Bourne (Unknown) RB Trayveon Williams (Unknown) OL Tyrese Robinson (Unknown) 𝗗𝗲𝗳𝗲𝗻𝘀𝗲 • DE Keion White was disruptive today — White sacked both QB Drake Maye and QB Josh Dobbs during team drills. • Rookie S Josh Minkins intercepted QB Ben Wooldridge during 11-on—11s • CB Christian Gonzalez, S Jaylinn Hawkins, and LB Monty Rice each had a pass break up. • DT Joshua Farmer batted another pass down during team drills — Farmer has been able to bat passes down consistently during OTAs. • CB Christian Gonzalez gave up a catch to WR Efton Chism — Chism got open after running an impressive dig route. • LB Jahlani Tavai went down during team period and was grabbing his left knee — the veteran had to be helped off the field after staying down for a couple minutes. • CBs Alex Austin and Marcellas Dial spent time in the slot — Austin has consistently taken reps in the slot since the start of OTAs. • The defensive line continues to disrupt the offense. • Limited: DL Jaquelin Roy DL Wilfried Pene • Absent: CB Carlton Davis (Unknown) CB Marcus Jones (Unknown) ED Anfernee Jennings (Unknown) 𝗦𝗽𝗲𝗰𝗶𝗮𝗹 𝗧𝗲𝗮𝗺𝘀 • Field Goals (33-50 Yards) Andy Borregales: 4/4 John Parker Romo: 2/4, missed wide right Borregales has yet to miss during open OTAs. #NEPats

Carlos A. Lopez

60,241 views • 1 year ago

A lot has been said about my Mum. Allow me say this. Frame one; That’s my home back in the village. Frame two; It’s the new home I built for my mum after I graduated in 2021 at the age of 21. In my whole generation no one has ever built a permanent house EVER!! Frame Three; Is my happy mum when I took her home and handed over the house to her. Frame four; This is her small business I opened for her in Mukuru slums to sell fruits as she does tailoring and repairing clothes for customers. Remember she has been a house girl for all these years to provide for all of us. So kabla nipate kazi nimtoe apo. The little I got nilimuekea biashara. You can see how happy she is. All said and done. Now you know why it’s a big deal Kupewa affordable house na my DAD William Samoei Ruto, PhD I’ll forever sing the TUTAM gospel Juu me ndio najua what he has done for us. Mambo ni TUTAM!!

A lot has been said about my Mum. Allow me say this. Frame one; That’s my home back in the village. Frame two; It’s the new home I built for my mum after I graduated in 2021 at the age of 21. In my whole generation no one has ever built a permanent house EVER!! Frame Three; Is my happy mum when I took her home and handed over the house to her. Frame four; This is her small business I opened for her in Mukuru slums to sell fruits as she does tailoring and repairing clothes for customers. Remember she has been a house girl for all these years to provide for all of us. So kabla nipate kazi nimtoe apo. The little I got nilimuekea biashara. You can see how happy she is. All said and done. Now you know why it’s a big deal Kupewa affordable house na my DAD William Samoei Ruto, PhD I’ll forever sing the TUTAM gospel Juu me ndio najua what he has done for us. Mambo ni TUTAM!!

Kijana Ya Ruto

57,147 views • 1 month ago

Ever wanted to enter the TV during a match? Made this video using Seedance 2.0 on Picsart Try here: prompt First-person POV from a comfortable reclining armchair in a cozy modern living room decorated with elegant baby-pink accents. Soft baby-pink cushions, a pastel pink knitted blanket, subtle blush décor, and warm neutral furniture create a stylish modern aesthetic. From the very first frame, a large wall-mounted television directly ahead is already broadcasting a live Argentina vs Spain football match in full swing. Soft golden afternoon sunlight pours through the windows, filling the room with a warm, inviting match-day atmosphere. The viewer's legs are stretched out comfortably while wearing casual shorts, enjoying the game from a relaxed position. Authentic British football commentary and realistic crowd ambience naturally play from the television. At 0:02, a beautiful young woman wearing a fashionable baby-pink casual shorts outfit with white sneakers enters from the right side of the frame. Her hair is styled in a neat half-French braid that moves naturally with every step. She is a neutral football fan, supporting neither team. She notices the intensity of the Argentina vs Spain match, smiles with excitement, then suddenly accelerates into a sprint across the living room. At 0:04, she runs directly toward the television. The camera remains perfectly stable in a first-person perspective without shaking or zooming. At 0:05, she leaps directly into the television screen in one continuous motion. No cuts, no edits, no transitions. As she reaches the display, the entire living room organically dissolves into a gigantic international football stadium hosting Argentina vs Spain. The television audio naturally expands into an overwhelming live stadium atmosphere while maintaining one uninterrupted continuous shot. At 0:06, she lands smoothly on the football pitch still wearing the exact same baby-pink outfit and identical half-French braid. A single football rolls naturally toward her. STRICT OBJECT PERMANENCE: Only one football exists during the entire video. The same football remains continuously visible from first touch until the goal. No duplication, replacement, teleportation, morphing, flickering, disappearing, texture changes, scaling inconsistencies, floating ball, clipping, frame jumps, or AI artefacts. Realistic football physics only. At 0:07, she cushions the ball perfectly with a controlled first touch. From 0:08–0:11, she dribbles continuously through both Argentina and Spain defenders using realistic footwork, believable acceleration, proper spacing, authentic body balance, and natural player reactions. Every touch follows realistic momentum with accurate football physics. No clipping, collision issues, or unnatural animation. At 0:11, she reaches the edge of the penalty area. At 0:12, she unleashes a powerful long-range strike using the same football. The camera smoothly tracks the ball's entire flight from her foot to the goal in one uninterrupted motion. Realistic spin, natural speed, believable trajectory, premium broadcast-quality tracking. At 0:13, the football rockets into the top corner of the net. The goal net stretches and ripples realistically as the stadium erupts. Authentic British football commentator shouts: "What a strike! Absolutely sensational!" Crowd chants become deafening. At 0:14, she turns and sprints toward the corner flag as the camera follows closely behind. For the final second, she leaps high into the air and performs the iconic Siuuu celebration, rotating before landing confidently with feet apart and arms extended downward while facing the roaring crowd. Her half-French braid swings dramatically through the air. Brilliant stadium floodlights illuminate the scene as tens of thousands of fans celebrate around her. **Ultra-realistic cinematic football commercial, premium sports broadcast quality, seamless living-room-to-stadium transformation, one continuous unbroken shot, authentic British football commentary, realistic player movement, physically accurate football physics, strict single-ball continuity, stable first-person camera, cinematic lighting, dramatic atmosphere, crowd chants, sprinting footsteps, grass impact sounds, realistic ball contact, powerful strike, natural net deformation, HDR, ultra-detailed textures, premium realism, 15-second duration, portrait 9:16, baby-pink aesthetic, no logos, no text overlays, no subtitles, no watermark, no flickering objects, no AI artefacts, no visual glitches.

Ever wanted to enter the TV during a match? Made this video using Seedance 2.0 on Picsart Try here: prompt First-person POV from a comfortable reclining armchair in a cozy modern living room decorated with elegant baby-pink accents. Soft baby-pink cushions, a pastel pink knitted blanket, subtle blush décor, and warm neutral furniture create a stylish modern aesthetic. From the very first frame, a large wall-mounted television directly ahead is already broadcasting a live Argentina vs Spain football match in full swing. Soft golden afternoon sunlight pours through the windows, filling the room with a warm, inviting match-day atmosphere. The viewer's legs are stretched out comfortably while wearing casual shorts, enjoying the game from a relaxed position. Authentic British football commentary and realistic crowd ambience naturally play from the television. At 0:02, a beautiful young woman wearing a fashionable baby-pink casual shorts outfit with white sneakers enters from the right side of the frame. Her hair is styled in a neat half-French braid that moves naturally with every step. She is a neutral football fan, supporting neither team. She notices the intensity of the Argentina vs Spain match, smiles with excitement, then suddenly accelerates into a sprint across the living room. At 0:04, she runs directly toward the television. The camera remains perfectly stable in a first-person perspective without shaking or zooming. At 0:05, she leaps directly into the television screen in one continuous motion. No cuts, no edits, no transitions. As she reaches the display, the entire living room organically dissolves into a gigantic international football stadium hosting Argentina vs Spain. The television audio naturally expands into an overwhelming live stadium atmosphere while maintaining one uninterrupted continuous shot. At 0:06, she lands smoothly on the football pitch still wearing the exact same baby-pink outfit and identical half-French braid. A single football rolls naturally toward her. STRICT OBJECT PERMANENCE: Only one football exists during the entire video. The same football remains continuously visible from first touch until the goal. No duplication, replacement, teleportation, morphing, flickering, disappearing, texture changes, scaling inconsistencies, floating ball, clipping, frame jumps, or AI artefacts. Realistic football physics only. At 0:07, she cushions the ball perfectly with a controlled first touch. From 0:08–0:11, she dribbles continuously through both Argentina and Spain defenders using realistic footwork, believable acceleration, proper spacing, authentic body balance, and natural player reactions. Every touch follows realistic momentum with accurate football physics. No clipping, collision issues, or unnatural animation. At 0:11, she reaches the edge of the penalty area. At 0:12, she unleashes a powerful long-range strike using the same football. The camera smoothly tracks the ball's entire flight from her foot to the goal in one uninterrupted motion. Realistic spin, natural speed, believable trajectory, premium broadcast-quality tracking. At 0:13, the football rockets into the top corner of the net. The goal net stretches and ripples realistically as the stadium erupts. Authentic British football commentator shouts: "What a strike! Absolutely sensational!" Crowd chants become deafening. At 0:14, she turns and sprints toward the corner flag as the camera follows closely behind. For the final second, she leaps high into the air and performs the iconic Siuuu celebration, rotating before landing confidently with feet apart and arms extended downward while facing the roaring crowd. Her half-French braid swings dramatically through the air. Brilliant stadium floodlights illuminate the scene as tens of thousands of fans celebrate around her. **Ultra-realistic cinematic football commercial, premium sports broadcast quality, seamless living-room-to-stadium transformation, one continuous unbroken shot, authentic British football commentary, realistic player movement, physically accurate football physics, strict single-ball continuity, stable first-person camera, cinematic lighting, dramatic atmosphere, crowd chants, sprinting footsteps, grass impact sounds, realistic ball contact, powerful strike, natural net deformation, HDR, ultra-detailed textures, premium realism, 15-second duration, portrait 9:16, baby-pink aesthetic, no logos, no text overlays, no subtitles, no watermark, no flickering objects, no AI artefacts, no visual glitches.

Sharon Riley

52,132 views • 1 month ago

From International Space Station, we have a unique vantage point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.

From International Space Station, we have a unique vantage point to observe lightning storms from directly above them. Much like from the ground, they appear as rapid, intense flashes that are over as quickly as they started. But, with the help of handheld cameras and a bit of practice (and, admittedly, some luck), we can capture these intense flashes with a very high frame rate then slow them down to see how the lightning propagates. It's lightning, in slow motion. This is one that occurred over Indonesia on 6/28. I shot it for a half second at 1/120 frame rate, so, 60 separate frames. I then compiled those frames into two videos: the first, in real-time, and the second, slowed down so that each frame is a half second to highlight the progression of the flash. Note the incredible burst of light in one frame, which includes what is likely a TLE on the upper left. A TLE, or Transient Luminous Event, is an electrical discharge that happens in the upper atmosphere above lightning storms (if you haven’t seen Ferry Farhan TLE photo from last week, head over to her page). As their name implies, these are transient, or short lived, phenomena – it appeared in only one frame of the sequence, lasting for no more than 1/120th of a second. The last photo is that single frame. Absolutely incredible.

COL Anne McClain

82,113 views • 1 year ago

🎨 SUNDAY VIDEO CHALLENGE #21 🎨 VERY IMPORTANT : First, be sure to follow ALL the rules described below. The VIDEO with more likes AND following ALL rules after 48 H will decide THEME next week. * RULES * : Share only ONE VIDEO 10 seconds max , use ANY TOOL you want . NO QUOTE because this will be diluted and impossible de catch up. - The theme is : "Sleeping Giants Awaken! 🔥 " They’re everywhere, rising with unstoppable might! Unleash your AI artistry on X and create a 10-second animation or breathtaking image of a colossal giant in one of these epic scenes: •👽 Sleeping Giants are everywhere • 🏙️ Storming through a towering city! • 🌊 Surging from the ocean’s abyss! • 🌋 Roaring to life within an erupting volcano! Theme by BLOCK RADIO VIDEO COVER DESIGN BY: BLOCK RADIO I won't ask to tag people , do as it please you , I just want people to be free , no pressure no obligation

🎨 SUNDAY VIDEO CHALLENGE #21 🎨 VERY IMPORTANT : First, be sure to follow ALL the rules described below. The VIDEO with more likes AND following ALL rules after 48 H will decide THEME next week. * RULES * : Share only ONE VIDEO 10 seconds max , use ANY TOOL you want . NO QUOTE because this will be diluted and impossible de catch up. - The theme is : "Sleeping Giants Awaken! 🔥 " They’re everywhere, rising with unstoppable might! Unleash your AI artistry on X and create a 10-second animation or breathtaking image of a colossal giant in one of these epic scenes: •👽 Sleeping Giants are everywhere • 🏙️ Storming through a towering city! • 🌊 Surging from the ocean’s abyss! • 🌋 Roaring to life within an erupting volcano! Theme by BLOCK RADIO VIDEO COVER DESIGN BY: BLOCK RADIO I won't ask to tag people , do as it please you , I just want people to be free , no pressure no obligation

LudovicCreator

18,017 views • 1 year ago

She's 21. She makes $22,000 a month doing nothing, but filming her own life - the gym, the surf, the climbing, the run and letting AI do the rest. She's not a model. She doesn't sell a course. She just lives a full life on camera and every single hobby is a brand category that's desperate for content. The surf clip is a wakeboard brand's ad. The climbing gym wants the bouldering footage. The track session is an activewear drop. The smoothie after is a supplement post. She'd be doing all of it anyway. The only thing she changed was pointing the phone the right way and letting AI turn one week of her actual life into a month of content for the brands behind it. Here's the mechanism. She films her week - no script, no shoot day, just her life. AI cuts it into 20+ reels, writes every caption in each brand's voice, builds the calendar, sends the report that renews the deal. The part that used to need an editor, a writer, a strategist, and a manager is now one chat window. She kept the only thing AI can't do: actually being there, living it. Seven brands across her hobbies. ~$3,200 each. $22,000 a month - at 21, from a phone and a $40 stack of AI. Her cost doesn't move whether she has one brand or ten. That's the whole business. Everyone her age is filming the exact same life and posting it for free, calling it a personal brand. She pointed hers at the brands that pay and let the system carry the 90% that used to cost a five-person agency. This is the part that should sting: the footage was never the hard part, she'd have shot it regardless. The team around it was. And that team just collapsed into a subscription. The full playbook - niches, how to find brands, how to close them is right below. Save it before someone half your motivation reads it first👇

Rich

32,535 views • 1 month ago