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🔞 Dongeng Malam: Dede Naik Meja, Kakak Naik Dede (a Story by Yaya) Siapa yang suka dengar aku mendongeng? 😚🤏🏽 - tag: moan, desahan cewe, handjob, nsfw audio, mommy’s voice, deep woman voice, erotica, erotic story - #orgasm #desahancewe #roleplay #joi #femdom #nsfwaudio #nsfw #nsfwtwtً #moancewe #moan #asmr #asmrmoan #deepthroat #horny #erotica
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![I'm starting to get a little excited about this... "Everyone in the room gasped. Even the staffers just gasped when they saw that video. There's not a single aerial thing that can do something like that." ~Burlison 🛸 Disclosure Soon? Plus: Burlison Complained to the White House About Not Getting Recognition. Does He Have a Point? 🛸 (I appreciate the honesty from Rep. Eric Burlison but I still have some questions and comments, which are in ( ) ). Burlison: "I know that there's more to come because the White House called me and said, 'Hey, can you talk nice about this release of videos?' And I said, 'I don't even know what's in it. You guys have not engaged with us, at all.'" (Whomever is in charge of communicating with Congress on this issue needs to step up their game. I mean, Burlison has been one of the most vocal Reps. and they're not giving him a heads up on such an important, initial release? That's political, and common-sense, malpractice.) Burlison: "And I'm probably spilling the tea here a little bit, but... And they said, 'You're right, and we're now at a point where we need you, because we don't really...you've kind of done the recon on this, we don't really know where to go...take the investigation from here. Like, we kind of know where to ask and we have videos that we're still declassifying, we have content that we're still declassifying. But as far as like, where to take the investigation, who do you think we should talk to?' "And I'm like, 'You're really asking me? Of all... You're asking me who to go talk to? So I gave them a (audio cut out so I'll try my best) list of people that I've always wanted (to talk to) but they never really talked to me because they're all protected under their non-disclosure agreements and, you know, all of that kind of stuff." (If the White House wants any of those folks to talk to them, involve Trump, and/or Vance and Hegseth. That may convince them to risk it and start talking. And members of Congress need to do whatever they can to get protection, amnesty and anything else whistleblowers need to feel comfortable enough to come forward. Make it happen!) Burlison: "And so, I said, 'But I wanna...I wanna be, you gotta bring me in because I've been doing all of this work with no recognition, and so, if now, things are going to start getting real and real disclosure is gonna happen, I deserve to be a part of this.' And so, that's kind of where things are." (People may get on Burlison's case for being worried about recognition but can you blame him? He should be getting lots of praise, directly from Trump, IN PUBLIC (which will help his re-election efforts), and be given as much information as Rubio has in the National-Security-Advisor position. Maybe make Burlison and Grusch the co-UAP Czars?) Burlison: "And last night, we had about an hour and a half briefing with AARO, where we saw about 30 UAP videos. Some of them are incredible." (This is really encouraging but, as always, I wanna see some of these videos with my own eyes and see if any of them get the masses and media talking about this 24/7. That's when we'll know we're getting closer to more and more disclosure. But what about Disclosure, capital D? Meaning, will we learn about any alleged crashes, bodies, craft or analysis about intent and origin? I don't know.) Burlison: "And I'll describe the two of [the videos I saw]. One of them is of an object that is flying at a very aggressive speed, I don't know how fast. And then suddenly just instantaneously goes from whatever speed is flying... And my guess is it's flying with the wind, probably 80 miles an hour in the atmosphere, and then suddenly just goes like, Mach speed. I mean, it just instantly takes off." (Mach 1 = 767 mph. Again, we need to see this video to figure out if it's actually going as fast as Burlison claims. And if it's released, it would be nice to have data from more than one sensor.) Burlison: "It was one of those moments where everyone in the room gasped. Everyone. Even the staffers who are like, the most skeptical people in the room just gasped when they saw that video. Because there's not a single aerial thing that can do something like that, that can pull that off. (This gives me hope that future videos will contain better footage. Just how much better? Stay tuned, I guess. I've heard things hyped privately in the past and they usually fall flat and don't get the attention of the masses when made public.) Burlison: "The other video was one of a submarine, I think it's a Russian sub that we're filming. And there are about three objects that are buzzing around this Russian sub that the camera operator - who's supposed to be watching the Russian sub - suddenly starts realizing, I've gotta be watching these objects." Kim St. Onge: "I love how passionate you are about UFOs, by the way, which is why we trust you with all our UFO updates." (They then proceeded to cut off his UFO talk and changed the subject. SMDFH!!! Hope we get to see lots more videos!)](https://image.24vids.com/tw-2056135523002142818/amplify_video_thumb/2055747267202867200/img/uzrt0rWN-miyvaem.jpg)
![[KimSungSooTV] Misunderstandings and Truths About K-pop Demon Hunters!! What Should We Invest In Under the Changing Environment? Kim Sung-soo (current affairs and culture critic) and Kim Heon-sik (popular culture critic.) Praising K-DNA is just nationalistic hype (국뽕)? – An important case study analyzing the current state of industries related to K-DNA. Kim Heon-sik: No, that’s not it. Yes, so let me explain why the concept of “nationalistic pop” (국봉) came about. It was during the military regime that this idea was artificially pushed—basically to promote their own authority and propaganda. For example, under Park Chung-hee’s rule, there were forced attempts to instill pride in Korea through cultural support. But the truth is, there were also misunderstandings about Hallyu (the Korean Wave). For instance, I know someone who mistakenly presented this idea together with American scholars, and those papers are still circulating today. They argue that Hallyu was created by government support. And this keeps spreading overseas. So, people who study these things in an elite, academic context think they’re playing a decisive role—but the reality is, K-pop and K-content came about naturally as part of the market, in the private sector. To put it simply: it was made by fans. Fans created it. Fans are the most important part. As long as fans remain at the center, artists can keep creating content that fits the global environment. I’ve been asked the same question for 25 years: “How long will Hallyu last?” My answer is always that it’s not something forced or controlled from the top. It’s a cultural product born out of cultural democracy, with fans at the center. That’s why it has naturally earned respect. So to call it 국봉 (nationalistic pop)? That’s just not right. Then by that logic, is Britpop “nationalistic pop”? Honestly, what frustrates me is that people keep asking me questions like that… Kim Sung-soo: There were people who kept throwing questions at me and leaving nasty comments like that. Since I’ve been consistently defending NewJeans on broadcasts, they’d say things like, “Well, once NewJeans fades from memory, that’s it. That’s how pop culture works. Once they’re out of sight, they’re gone.” And they were saying that right in front of a cultural critic. Unbelievable. But look at reality now. Has NewJeans disappeared? No. The thirst for them has only grown stronger. Can a single capitalist suppress the massive yearning of so many fans? They can’t. It’s impossible. People still love The Beatles even now. Kim Heon-sik: Of course—that’s cultural DNA carrying on. Kim Sung-soo: If those people were right, The Beatles should have been forgotten long ago. Kim Heon-sik: But that’s just talking about the physical body. Cultural and artistic DNA endures, and NewJeans’ DNA is no different. Kim Sung-soo: NewJeans is a group that has completely changed the paradigm of Korean girl groups. If there are cultural critics who refuse to acknowledge that, you can just ignore them. Because before NewJeans, K-pop’s peak was defined by groups like KDH (K-pop Demon Hunters) and BLACKPINK, and even aespa can be counted at that summit. Idols used to be constructed as characters, tied to a fixed worldview and narrative, constantly producing music to match those characters. But NewJeans isn’t like that. They don’t come with a pre-packaged storyline. Instead, they build their stories out of everyday life. They’re lively, witty, talented teenagers you could easily find around you. So how can they be idols? Because in a prosumer society, if people around them think, “They’re cool,” society elevates them into idols. And that’s why those kinds of idols actually last longer—they were created by us, they resemble us, and they share our era. That’s why we can stay connected to them for longer. If idols are constructed as aliens or supernatural beings, eventually that feels unnatural. Kim Heon-sik: Ah, that connects back to what we could call the original SM model of K-pop. Idols who looked almost inhuman, like beings from the East, like gods, or like aespa—giving the feeling of aliens, even physically. That model still has its place, but it no longer dominates. New generations—especially Gen Alpha and Gen Z—align much more closely with the NewJeans paradigm. Now, if we connect this to the whole nationalistic hype (국뽕) debate: the funny thing is that there are actually more people overseas than in Korea who show respect (respec) for this culture. If it were just “nationalistic hype,” why would foreigners, who have no stake in Korean nationalism, be showing it? That would be contradictory, right? Kim Sung-soo: So, to put it simply, KDH (K-pop Demon Hunters) is an incredibly important case. It re-illuminates the cultural value we’re enjoying right now and proves just how many industries are possible under “K-DNA.” At the core of this, again, are the consumers — the fans. For example, from what I know, KDH was practically the only Netflix title that hit it big with almost no marketing. Kim Heon-sik: I’ll be honest: when they first announced it back in 2021 as a theatrical anime called K-pop Demon Hunters, and then no news followed, I thought it would be a flop. They barely promoted it, so I figured it wasn’t worth watching. But then, when it suddenly dropped in June, my phone was blowing up with messages, and I thought, “Fine, I’ll check it out.” And after watching — wow. It was a revolution. It was so well-made, completely unexpected. After that, a lot of things happened. Kim Sung-soo: In my case, I really felt how cut off from reality I’d become because of being blacklisted. Journalists only ever called me to talk about Korean dramas, never about K-pop or popular culture. It’s like the mainstream had erased my name. Nobody reached out to me about KDH (K-pop Demon Hunters). Then one day, my son just came out for dinner, turned on the TV, and started watching it. I knew the series had been released, but honestly, I thought, “That’s going to be a flop.” Still, since my son was watching, I sat with him. Eventually, he went back to his room to play games, but I stayed behind and watched until the end — then I even rewatched it by myself. I got choked up. That’s the kind of emotional impact it had. Kim Heon-sik: Even among my friends, I hear the same thing. Their kids enjoyed it so much, but when they themselves watched, they found it deeply moving too. That doesn’t mean the show itself is childish — it’s just that if you’re not usually paying attention, you won’t catch its layers. There’s a certain depth to it. Once you understand the broader context, it really clicks. Kim Sung-soo: K-pop, in fact, is a unique global genre. Yes, it was initially planned by producers, but it quickly grew beyond their control — maybe the first genre ever to do so. Kim Heon-sik: Today, it’s almost a living organism, self-sustaining. That’s why it’s dangerous to analyze it only from a producer’s perspective. When people say, “K-pop has problems,” yes, but the real issue lies with the capitalists — the management — not the artists or the content. That’s why now, more than ever, it’s important to support groups like NewJeans and works like KDH — they represent the healthier, fan-centered side of the culture. And KDH has something that speaks to all ages. Take Golden, sung by Huntrix — it reflects modern psychology precisely. Look at BTS’s message of “Love Yourself.” That’s not just a slogan; it’s rooted in psychology. Since the Renaissance, humans have emphasized the importance of selfhood. If you can’t love yourself, you can’t love others. If you love yourself, then you can love others, and from there you can love community, society, even humanity. Golden carries that exact same message. That’s why people who feel powerless or invisible in real life find healing through this work. Content like this isn’t just entertainment; it’s therapeutic. That’s why I don’t want people to see K-pop simply as “ours” or as nationalistic pride. At its core, cultural content is about healing, and that’s the perspective we need to adopt. Kim Sung-soo: For example — yes, spoiler here — Jinu could sacrifice himself in place of Rumi because he had already answered her question. Someone who doesn’t love themselves cannot sacrifice for another. Only someone who has achieved self-love can give themselves up. That’s why that scene hits so hard, especially for Western audiences. Sacrifice alone doesn’t move people; sacrifice rooted in self-understanding and love does. I even cried when Bada covered Golden ( At the end of her cover video, she says, “The person who wrote this really knows what despair is.” That’s why she cried too. And it’s the same for so many artists — S.E.S, Fin.K.L, and others — who endured hardships and pain yet remained. We shouldn’t objectify them just because they’re celebrities. Instead, we should recognize how the culture we share operates and heals us through those mechanisms. Kim Heon-sik: If I were to sum up K-pop’s worldview and identity: it’s centered on youth. It reflects their struggles and anxieties. Everyone was young once, and those feelings never completely disappear. Growth is key — growth through pain, through shortcomings, through personal and social struggles. Overcoming them and offering hope — that’s what K-pop tries to do. It doesn’t pretend the world is perfect; it says, “We can endure, and we can move forward together.” That’s why values like “we” and “togetherness” are always emphasized. So when music and content are created with that worldview — youth, growth, struggle, shared hope — that’s what makes it K-content, K-pop. It transcends nationality or ownership. It’s about establishing the identity of our content for what it is. Kim Sung-soo: Honestly, I hope these perspectives even reach our president. Kim Heon-sik: I was surprised when President Lee Jae-myung, unlike President Yoon’s administration which rushed to meet Netflix executives, instead chose to meet artists. The result of the meeting isn’t what matters — the signal it sends is. That’s the kind of precedent I hope continues. Kim Sung-soo: Our president must invest in people. Investments elsewhere are meaningless if not centered on people. Yet right now, there’s so little support for artists. So I’ll end with this: KDH is not “국뽕” (cheap nationalism). KDH is the culture itself — the culture we’re living and enjoying today. Watch the full video:](https://image.24vids.com/tw-1959263295426416869/amplify_video_thumb/1959262545061330944/img/qgOXFqyUyu97SeH3.jpg)
![I asked Grok to summarize the overview I provided of the ongoing war between Karen Read and Aidan Kearney, in particular the section wherein I deploy the Manhattan Project to explain why Karen used better compartmentalization than Aidan (thus setting herself up for victory). The Manhattan Project Analogy: Ah, the Manhattan Project—Grant drops this as the "archetypal example" of compartmentalization, using it to explain why no one (not even insiders) sees the full picture in ops like Karen's or Aidan's. It's not just history; it's a blueprint for why leaks like this recording hit so hard. Here's Grant's breakdown, paraphrased and expanded for context: Historical Setup: During WWII, the U.S. raced to build the atomic bomb. Led by J. Robert Oppenheimer at Los Alamos, NM (desert isolation for secrecy), it involved ~130,000 people total—but zero full-picture access for most. Goal: Win the war without leaks (or Japanese spies spotting it). Core Mechanic: Siloed Knowledge: Los Alamos: Elite scientists (e.g., Oppenheimer) handled core R&D. Even here, info was need-to-know—e.g., Operation Paperclip Nazis like Wernher von Braun (V-2 rocket guy) worked alongside possible communist sympathizers, but no one knew the endgame. Oak Ridge, Tennessee: The "production" hub—a secret 20,000-person "government town" (still exists today). To hide from aerial recon, they draped canopies over the entire site to mimic forest. Workers (engineers, laborers) toiled in ignorance: Example: A guy feeds a single punch card (1940s code line) into a massive green computer. He doesn't know what it codes, why, or even the machine's purpose. Just: Insert, output, repeat. Multiply by thousands—boom, uranium enrichment without risk. Why It Worked: "You do that with all the people working on a project that's very top secret (except for a select few high up)." Weak links? Minimal. One leak doesn't topple it. Ties to the Drama: Grant flips this to modern players. Aidan's Version: Rudimentary—paralegals like Olivia/Tina handle PR/logins but don't see the "full picture" (e.g., his flip risks). Meredith O'Neill becomes the leak about the recording played for her at lunch because she is smart and she does eventually see too much (just like Lindsey Gaetani before her). Karen's Mastery: Pro-level. Her finance/academia fam (Bentley University ties) screams gov recruitment pipeline—academia as "front" for talent scouting (e.g., intel via international money flows). She "understands the apparatus" (DNI hierarchy), so she deploys limited hangouts/double agents like Natalie. Result: Aidan’s recording "signal flare" to Alan Jackson and David Yannetti (his flip threat) gets mirrored by Karen's public nuke after the recordings and Read's messages to Flipperhead are released—eroding Kearney's base without directly exposing Karen's crushing blow. Grant's Point: Kate Peter/Tully are "children" at this; Karen's moves (e.g., burning Aidan now) only make sense through this lens. It's not emotion—it's chess: "If you show Karen Read anything less than respect, she's gonna fucking own you." Grant wraps by noting Karen's parasocial "complex" (stronger than Aidan's "brand") gives her leverage. He admits partiality ("I think she's responsible for John's death") but respects her ops savvy—possibly from her dad or self-taught intel. **Transcript: Grant's Analysis on Karen Read's Tactical Maneuvering and Compartmentalization** [Warning against crossing Karen Read] Grant: Listen—I would have told you this. I probably said it on stream before. You are out of your mind if you fuck with Karen Read. Like—it's one thing if you are like on her level and matching wits with her—like she's gonna grudgingly show you respect. I'm telling you—I've seen it in her eyes—but you can't fuck with her, and you certainly can't threaten her. I would not do that. I don't know who the fuck her parents know. I don't know who she knows, but bro—like it's politics. She's smarter than you. Don't threaten her. What the fuck? And that is something—like if you show her anything less than respect, she's gonna fucking own you. And that's what she did. Because the respectful way to do it would have been like a diplomatic meeting. And they must have been at a point where Aidan couldn't get that. So he did the most disrespectful thing possible where he tried to like corner her through like extortion almost. That's what it sounds like—although Aidan denies it. That—listen—forget about like how a normal person would react. When you're talking about a very influential operator like Karen Read—who has this very savvy understanding of the public mind—you're fucked. Because she's gonna know immediately what you just did. And she's gonna counter it with the thing that's gonna hurt you the most. What's gonna hurt Aidan Kearney the most? His support being dwindled down to only his core loyalists. And if he's right—and you'll hear it in the conversation—if Aidan Kearney is right, that most of who he is is because Karen Read and her support—oh my goodness, folks—like that—that means that Karen controls whether Aidan can continue this fight. If Karen—when she—that's why I want to listen to this whole conversation—there's no doubt in my mind she's pulling his support and pulling the rug under him because she's afraid that either he cooperated or he's going to cooperate. If she pulls the rug from him—okay, listen—he might be able to escape the criminal charges, but do you think Aidan Kearney—a man who thrives, in my opinion, on attention, numbers—from knowing that your words are impacting someone or the platform is reaching people—do you think he's going to enjoy being in a position where he—the very people who made him—and it wasn't just Karen; it was her supporters—now loathe his existence? And he—not just that—they are like tactical operators. Clearly Karen knows how to do counter intel—especially if she sent Natalie as a double agent to get information from the state police using Kearney as leverage all the way back in 2023. She understands the world of intel. I don't know how—I think it's her dad. I'm pretty sure because—and it could be her too—because like you don't get involved in the world of international finance on a fucking—like—what is it—the sort of leisurely level. It's not a pastime. You either do it because like—you're really fucking good at making money from the stock market—or—and these two weren't; they're not that wealthy—or you're giving information to the government. Why do I say that? Because the world of international finance is the most valuable intel sector you could possibly imagine. You can commit or try to commit any number of international crimes if you're threatening the United States of America. But I guarantee you're moving money around to do it. So who's the best possible sources for that? High-level financial people. So I don't know if either they were a Jason—and they were also academics. Okay. And a lot—what folks have to understand is when I—when people say like academia—it does not mean that you are just smart. Anyone who—who's good at studying could become a professor and be in academia. What a lot of folks should understand is that academia is a front for the government. It has always been a front for the government. Where do you think they headhunt from? Academia—well like—at the higher you get up the academic ladder—all you're really doing is getting more and more involved in the government. I'm not saying anything that anyone involved with this does not know. Like high-level academics are involved with the government. That's like the backbone of our system. Now a lot of the actual education—I think it's gotten a little out of hand with some of these majors, some of these colleges and universities who are offering [them]. That's not the point. The point is to create a—curate a talent pool to make the United States stronger. And a lot of it is government recruitment. Okay. And so Karen Read being all the way up at the top at Bentley—which is a very interconnected university with the government, trust me—that just makes me think she understands this—whether she was a Jason. Listen—you can understand what the intelligence community does without being in it. I'm not in the intelligence community—I just report on the government. So I kind of see how it all works. You can understand it without being in it. But if you're in it—let me just tell you right now—if anyone Karen Read knew professionally—through family or otherwise—is in the government—and I'm not talking about a special agent like in the FBI or, you know, a case officer—I'm talking about in the apparatus of control. Okay. In the directorate of national intelligence somewhere—there's a hierarchy. All right. If she knows anyone who understands all that—that's why she was able to pull this off. Because it's not—that's why I'm not fawning or being gratuitous. I don't necessarily—I'm not partial to Karen Read. I think she has liability for John's death. What I am is cognizant of what she's capable of—so I can understand what's going on. A mind like that, okay—doesn't just do PR. PR was not going to help Karen Read here. Natalie and her PR and all that stuff—none of that was going to work. What Karen Read needed was counter intel and intel knowledge. [Explanation of compartmentalization via the Manhattan Project] When I say compartmentalization—what you all have to realize is I'm talking about how the Manhattan Project—that's like the archetypal example of compartmentalization—how the Manhattan Project to develop the bomb that won the war for the United States in World War II—how that worked. The way that that worked is you had Los Alamos, okay, in New Mexico with Oppenheimer and whatever the hell—some of the Operation Paperclip people—which I'm not very happy with. We took Otto von Braun—who developed the V2 rocket for the Nazis. We brought him over via Operation Paperclip. We implanted him at Los Alamos with fucking Oppenheimer. I'm pretty sure it was like a communist sympathizer. Anyway—we sent them down to Los Alamos—the actual research scientists working on the core of the bomb. But to develop a nuclear bomb—you need 20,000 people at the time working simultaneously on production. You're not going to do that at Los Alamos. One: why would you ever expose them to the inner workings of the tech? It's nuclear material. You are not going to have 20,000 people around it. That's why it was in the middle of a desert. Third of all—they would know too much. So what did they do? Okay—look up Oak Ridge, Tennessee. Oak Ridge, Tennessee is a town—it's a government town still to this day. It's one of the most—it's not as top secret as it used to be. But back in the day—like during World War II—they put fucking canopies over the whole thing—20,000-person town—canopies over all of it. So it would just look like trees from the air in case the Japanese managed to come and bomb us. They never did—thank God. But anyway—at least on the mainland—obviously they got Pearl Harbor, and we're still upset about that. But the point is Oak Ridge, Tennessee, okay—it had people employed across a number of disciplines, all right—and they would go into—I'm giving you an example—one guy would go into a room, all right, and he would walk up to a giant computer. It was an old computer—we're talking the '40s here—it was a big computer, like a big green box. He would take a punch card. Okay—this is how you used to code—write computer code—he would put—take one punch card with one line of code—put it in the machine—take it out—put it down. He had no idea what he was doing. He didn't know what the punch card had on it. He didn't even understand what the machine did. That's compartmentalization. He's like—you do that with all of the people working on a project that's very top secret. So if you're thinking as Karen Read—Aidan Kearney does like a rudimentary version of it—even Tully does a rudimentary version of it—and Kate Peter—compared to Karen Read—Karen Read, Alan Jackson—whatever—understand the intelligence community. I don't fucking know how, but they do. So they compartmentalize. That's how they have pulled this whole thing off. They compartmentalize—no one ever really saw the full picture. When you—if you are a schematic mind like that—when you do something like reveal that Aidan Kearney has sent you a recording of conversations between you because you want the public to know that Aidan is doing this to you—you are tactically sabotaging him. Why you do that at this moment—when you are an expert in counter intel—thus requires that level of understanding. You cannot just say, "Oh, I don't like Karen Read; she must be a moron." No—if you want to understand why she's acting—you have to think about her tactical intelligence—because then you can reconstruct what the goal of this move is. It can only be designed to kneecap his support. I mean—when I say kneecap—I'm not talking Tonya Harding beating the woman at the ice rink. I'm talking—you can make it so this man's numbers are lower than Kate Peter talking about Cyraxx—like 2,000 views of video, if that, all right. That's what it will come down to. And she wants him to feel that. I think that it's a little bit like—it's 97% tactical. It seems to be that this is the moment where she feels he needs to lose all his support—like right now. Second—it feels a little like a little personal—like it's not just that she's causing him to lose all his support. There are ways to do that without doing this. I believe what Karen's really done here is she's taken the one thing from Aidan that gives him the strength to keep going day to day—which is his public persona and image—his support—her support. And so he can go around saying all he wants—"I owe it to Karen; she made me"—do you think that's how he really feels? Or do you think he feels that he's the only reason she's where she is? Now—if that's how they each feel—you're at a stalemate. Aidan thinks he's the reason Karen got to where she is. Karen thinks that she's the reason Aidan has support and is known in the region. Who's right? Who's right? That's what this conversation is going to be about. And I'm telling you—Karen's right. Karen has more support than Aidan Kearney. Okay—it's just a basic—you can look at the numbers. Karen has more support than Aidan Kearney. Karen has more loyalists. Karen—I don't even understand the complex, okay—but her parasocial complex that she's created is stronger. You might call it a brand—I think that degrades the insidious nature of it. I call it a parasocial complex. That is stronger than Aidan Kearney's. [Transition to the conversation with greetings] So what we're going to listen to right now is—oh, hello, Francesca Towel. Oh—a lot of folks are coming in. Hello, Rose Water. Hello, Maureen. It's great to see you all. Hello, J.I.5. We're going to listen to this conversation. I'm going to explicate it for you. I think you have enough background to get it now—but just be aware—without this background—that would have made no sense whatsoever. I promise you. **Aidan:** Am I on? **Host/Other:** You're on. **Aidan:** So who are you? Who is this? **Chris:** Don't worry about it. It doesn't matter who I am. **Aidan:** Well, it does. You're some fucking kangaroo court motherfucker talking about her. What the fuck do you know about anything? **Chris:** Well, I know exactly what you've been doing. **Aidan:** So—well, what the fuck are the sites you're talking about? No—no—recites—what you talk about? No—receipts. I've got to shit up. Let's see him. Let's fucking see your receipts. **Lily:** Hang on, Aidan—you know me. I'm the host. I'm Lily. **Aidan:** Yes, Lily. Hi, Lily. How are you? I'm sorry. I'm just wondering... **Lily:** I know you may not know Chris, but you know me. And so I just wanted to say hello. **Aidan:** Yeah, no, but... Grant: Oh, I also want to let you know this comes with a warning. They use very vulgar language. Some of them are from Commonwealth realms countries. So the language they're using is not as offensive as it would be if you used it in America. Aidan uses some very offensive language. This is for the purposes of analysis and commentary. I do not condone, endorse, promote, or otherwise suggest anyone engage in the use of this language. I personally don't like it. I use the F word from time to time, okay? And maybe like the S word—but I do not say some of the terms they're going to use—especially because one of them is very offensive, okay, to women. And I'm sorry ahead of time that he uses it—but you should hear Aidan's true colors. **Aidan:** This koala motherfucker is up here making shit up, running his... [Recap of text messages and setup for listening] Grant: So what you have to realize is these texts you're seeing on the screen got released because of this conversation. You're going to hear Joe Flipperhead talking about them. Now in the text messages, you can see Joe reaches out to Karen—Joe Flipperhead. And Karen's going to say she's trying to bounce back, but life is not quite happening. "Had a falling out with Aidan as everyone eventually does. Found out Aidan's been taping our phone conversations and sharing them with people and then telling everyone he doesn't understand how I blew him off for Howie Carr. Some anonymous person sent David and Alan a 33-minute phone call I had with Aidan that was all recorded without my knowledge. That was my final straw. He's done a lot of sneaky stuff with me, but this is above and beyond." And then Joe Flipperhead's like, "Do you want your side out there? If yes, I'm with you. If not, all good—just let me know. Have a good weekend." Karen says, "Sure. I told many people my side. This is the last straw. Would never and have never betrayed him. Meanwhile, he has put me in harm's way in a huge way multiple times." Okay, so we're going to listen. "Okay, okay, all right, all right—no trolling. We should—we should be banning people like that. You have been banned. You have been banned. No trolling. Absolutely no trolling. Now gaslighting and manipulative subversion is the hallmark of a lot of the forces in the orbit of this case. So none of that. We have a lot of Blue Wall of Towel friends here. Don't stand for that. Hello, Christy Mack. Great to see you. Hello. Stay tuned, Wendy. Hello, Bunny. Hello, F.B.I.—my friend, F.B.I. DOJ corruption survivor. And hello, Meredith—which is not Meredith O'Neill. This is Meredith the Towel friend. It's great to see you all. And as I said, if you see anybody trolling in the chat—now is not the day for it. Towel's health is not well. And I think there are a lot of people who want to undermine the agency of the unheard and the vulnerable in this situation. There are a lot of people who want to gaslight right now because where this is going is explosive. And furthermore, we're about to listen to the conversation. So what you're going to hear in this conversation is it's going to be Aidan Kearney and Joe Flipperhead—who's named Nick—and a guy named Chris who Aidan Kearney calls a koala. They're going to be talking about what we just talked about. But remember—these text messages haven't been released. So Aidan doesn't actually know they're coming. He's being told of this and going on an X Space and reacting in real time. Now I'm going to pause from time to time, and I'll try to flesh out some of the less clear parts. But as we read through the transcript and as you see this all, I think it will be clear to you—clear to you—the implications. So let's listen."](https://image.24vids.com/tw-1972993638146670728/amplify_video_thumb/1972991333062090752/img/HvGNy_3gMvcvFhAY.jpg)
![[NINE HEART PICKS] Hyein's First Impression of Minji_ 😳 From pre-debut practice room memories to her current performances on stage, Hyein shares nine personally selected memories 🖤 🐹: Hello Dazed! This is Hyein from NewJeans. I just finished a Dazed photoshoot, and I can’t wait for you to see the collaboration between Louis Vuitton, Dazed, and myself. Please look forward to it! Today, I’ll be sharing my 9 Heart Picks—nine unforgettable memories, moments, or scenes from before my debut to my current activities. This has been such a meaningful day for me because when we released the Supernatural album, I had the amazing opportunity to collaborate with Takashi Murakami, which was such a happy experience. Now, with another incredible chance to collaborate with Louis Vuitton for this photoshoot, I feel truly happy and deeply honored. 💬 You attended the Louis Vuitton show yesterday—was there a moment that stood out to you? 🐹: I took pictures with Bae Doona-nim. I was so happy. And when she told me how much she supports us, it was such a heartwarming moment. 💬 What standard did you use to prepare today’s 9 memories? 🐹: I prepared this without a fixed standard, more like following a personal timeline. So, I’ll present it that way. First, I chose ‘trainee.’ I was the last one to join and become part of the team as a trainee. What still leaves the strongest impression on me is when I first saw the older members—how could there be such beautiful and angelic people? They were so kind, pure, and innocent. And, of course, they were incredibly beautiful, as expected. Back then, everyone had such youthful and delicate energy compared to now. They were all so cute, and it was really meaningful to live together, train together, and prepare for one goal as a group. 💬 Who made the strongest first impression on you? 🐹: Minji-unnie! During the trainee period, there was a particularly tough time for us called the ‘monthly evaluation’ period. It’s a time when we have to perform what we’ve prepared in front of an audience. It was just before one of those evaluations, and I remember Minji-unnie wearing a black hoodie, sitting in a spinning chair in front of her computer, and looking so serious and a bit intimidating. I actually mentioned this to her later, and she said that she was really stressed out during that time and might have seemed scary because of it. That moment left such a strong impression on me. The second memory I’ll choose is summer. The reason it’s summer is that we debuted on July 22. When we debuted, the members and I all gathered in the dorm to watch the “Attention” music video together. We didn’t release any teasers or previews beforehand, so we were just waiting for the music video to come out, and we all watched it together in the living room. There are moments in life where you don’t realize how precious they are at the time, right? But that particular moment really hit me. I felt, Ah, this is such a special time. It was one of those moments where you could truly feel its significance. That’s why I chose it. Since the first one was summer, I’ll go with winter for the second. When I think of winter, the first thing that comes to mind is “Ditto.” Despite being a winter activity, it felt incredibly warm. It was our second comeback, and the music video had a rich storyline featuring a character named Ban Hee-soo. That character represents Bunnies, our fans. It was our first comeback with a music video that directly included Bunnies, and the whole preparation process felt like we were doing it together with them, making it a meaningful activity. Also, the song “Ditto” itself is so special. Every time I listen to it, it has this way of making my heart feel full and warm. It’s a song that turns winter into something cozy, so I chose our “Ditto” and “OMG” promotions as a special winter memory. 💬 What song do you listen to the most? 🐹: As for the songs I frequently listen to, I mostly play tracks from our recent album. But aside from those, I listen to "Ditto" quite often. For the fourth one… I’ll choose Louis Vuitton. Louis Vuitton… Oh, I see our team giving me a look, ㅋㅋㅋ. But it’s not just because this is a Louis Vuitton shoot. There are just so many precious memories I’ve made with Louis Vuitton. From the very first moment I got involved with Louis Vuitton, I’ve had the opportunity to experience things I would never have dreamed of if not for this partnership. For example, I got to visit Paris to attend their fashion show and witness the incredible presentations of a brand with such a long and rich history. Those experiences were truly invaluable. Even the photoshoots were such exciting and happy moments for me. So, I’m incredibly grateful to Louis Vuitton for everything. For the fifth one… Ah, what should I choose for the fifth? I’ll go with people. Why? Well, looking back, I’ve realized just how many amazing adults and wonderful people I’ve had around me. Especially recently, I’ve really felt grateful for the good people in my life. And of course, that includes Bunnies. The relationship we have with Bunnies feels so unique to me. I’d love to meet them more often, have more conversations, and connect with them on a deeper level. But there are so many reasons and times when that’s not possible. Even so, it’s truly amazing how much they continue to support and love us. I’m so thankful for that. Thank you! So, I chose people. The sixth is the stage. We had our second fan meeting at Tokyo Dome, and what really struck me at that time was how much the five of us were genuinely enjoying the stage. Seeing so many people who came to watch the performance enjoying themselves and sharing in the effort we poured into preparing the stage made me feel so proud. It gave me the feeling of, "Wow, something I love and worked hard on is being loved by so many people." That’s why each moment on stage is etched deeply in my memory. The seventh is preciousness. During "How Sweet" and "Supernatural" promotions, we really gave it our all. The choreography was made incredibly challenging, and the songs were amazing as well. While preparing so hard, I ended up getting injured, maybe because I pushed myself too much. After the injury, I found myself spending a lot of time alone, which gave me a chance to look after the members more closely. They’re such a team that just watching them makes me smile. I didn’t realize it before, but watching them made me laugh, and I found myself wanting to see their performances in person. So, in a way, the time I spent injured and observing from a different perspective turned out to be a necessary moment for me. When you’re just running forward, you don’t always realize what you’re doing. But after the injury, I had time to reflect and remind myself why we’re doing all of this. The eighth is something very obvious: Bunnies. That’s because ever since our debut, Bunnies have been with us in every single moment. That’s why I chose Bunnies. Among the times I’ve shared with Bunnies, there have been so many moments filled with happiness, sadness, excitement, and a range of emotions, which is why I picked Bunnies. Lastly, Dazed! This was my first time working with Dazed, and wow! Today’s photoshoot was so much fun, and the Dazed team was so warm and kind. Thank you so much for treating me so well—it was such a happy time. Please look forward to the Dazed photoshoot featuring Louis Vuitton collections by Takashi Murakami. I hope you love it and check it out a lot. Thank you! Today, I shared 9 memorable moments from my time with NewJeans. What are your favorite Hyein moments? #jeanzforfree #혜인 #Hyein #ヘイン #HyeinxLouisVuitton #LVxMurakami](https://image.24vids.com/tw-1879805401472074225/amplify_video_thumb/1879803889358401536/img/m36Kp-NVqxMXc9xV.jpg)
![🛸 Vegas UFOs 🛸 Wanna support my efforts? Info. is at the end. And, as always, my comments are in ( ). "Jim Dolan (owns Sphere) and Jane Rosenthal made me an offer: 'Could you build an observatory on top of the Sphere?' Dolan is interested in finding whether there is some alien intelligence out there." ~Avi (Since I live here, this is pretty cool! It also doesn't hurt that the owner (Dolan) of my favorite basketball team (NEW YORK KNICKS), and 2nd-fav hockey team (New York Rangers) is one of the folks who helped get this started. Learn something new every day!) Dr. Avi Loeb: "This one is about Sphere in Las Vegas. As you know, it's the most impressive venue for entertainment in the world. Not only have I been [there], I've been to the top of the Sphere, which is like 120 meters high. Here you see me from inside the Sphere. This is the exosphere, by the way, it's covered with LED displays. We went all the way to the top. Why? "Because a year ago, two very distinguished visitors came to the front door of my home. By the way, lots of interesting people show up at my front door. This was Jim Dolan, who owns the Madison Square Garden, as you know, and also the Sphere, and jane rosenthal, the CEO of Tribeca Enterprises, and they made me an offer that I cannot refuse. I'm leading the Galileo Project to look for unusual objects around the Earth. And they said, 'Could you build an observatory on top of the Sphere?' "Because, you know, Jim Dolan really is interested in science, and especially in finding, you know, whether there is some alien intelligence out there. And I said, 'Of course! I will be delighted.' So that was September 2024, one year after the Sphere was opened with a concert, as you may know. I don't know if you've been there." Joe Rogan: "Yeah, I've been there for the UFC." Avi: "Yeah. UFC, exactly. So anyway, I was there just a few months ago with my research team. We went all the way to the top and installed, as you can see here, an array of infrared cameras that monitors the entire sky above Vegas, at all times. So you can see some of these images show the landscape of Vegas in the background. It's like a freckle, you know, on top of the Sphere, the exosphere, which is the biggest display on Earth. But we measured that there is not much light pollution, actually, and we can operate this observatory." (I'm surprised they measured "not much light pollution" since we all know that one nickname for Vegas is The City of Lights due to the millions of lights from the casinos on The Strip and surrounding area.) Avi: "We also put an array of visible-light cameras there, and it's operating, okay? And we hope to see a few million objects over the sky of Vegas and decide whether any of them has performance that deviates from the envelope of human-made technologies." (Absolutely nothing wrong with that. And if anybody craps on it, ask them if they're even interested in this subject.) Avi: "How do we do that? We have the Sphere as one point, but then we put two copies of that observatory ten kilometers away on a triangle. And that allows us to look at objects in the sky from different directions, just like we have two eyes so we can gage the distance. So here we have three eyes looking at the sky above Vegas, and we can tell the distance, the velocity, the acceleration of objects, and ask whether they are lying within the performance envelopes of human-made objects. And that would be amazing, it's very exciting." (It would be nice if there were people who could (allegedly) summon UAP to the Vegas area by meditating or using technology. Oh, wait... 👽 ) Avi: "I see that also as an opportunity to communicate to the public the excitement about science. That's what Jim Dolan and Jane Rosenthal really wanted to deliver. And I'm hoping that we will find something really anomalous. You know, because, as we know, the intelligence agencies are reporting to the U.S. Congress about objects they cannot identify. And, you know, that could be two things." (It can be more than two things. A few possibilities: Foreign adversaries. A human, non-state actor that has acquired a technological breakthrough. A previous human civilization that had a technological breakthrough, survived a cataclysm, and remains hidden on this planet in smaller numbers. A non-human intelligence that's based here and has always been here. A non-human intelligence from another planet. Time-traveling humans. Non-humans who exist in other dimensions that humans can't perceive with their normal senses. Aka Interdimensional or a shadow biome. Nod to Dr. Eric Davis for the latter.) ~ Avi: "They're getting, you know, the defense budget for 2026 is a trillion dollars, okay? If they tell us that with a trillion dollars, there are still objects they cannot identify above the U.S., they're not doing their job. They're not doing their job, and we should be worried." (100%. But there may be some folks in government who CAN identify some of these objects and they're keeping that information hidden for various reasons.) Avi: "Who sent these objects? Could it be adversarial nations? Okay? That's one possibility, which has to do with national security. The second possibility is that it's maybe something from outside of this Earth which would be even more significant." (Again, there are plenty of other possibilities.) Avi: "So either way, we need to figure this out. And I don't think I'm wasting my time leading the Galileo Project to figure out whether there are anomalies, you know, that go beyond human-made technologies. Because if it turns out that all the objects are human made, I will be happy to deliver the set of sensors we developed with the machine-learning software that we developed, to the Department of War 🇺🇸 so that they can employ it for national-security purposes. So my time was not wasted, as a scientist. I'm doing something useful to society." Rogan: "Of course." Avi: "The Department of War can use it. I have no problem. Everything made by humans, by the way, is boring, as far as I'm concerned. I want to see something from outside the solar system, which is not what the government should be about. The government should worry about national security, not about what lies outside the solar system. That's my job definition as an astrophysicist, okay?" (Not to sound like a broken record, but...some of what we're seeing that appears to be anomalous may be from within this solar system or, potentially, Earth-based.) Avi: "And so, I feel that this is worthy [of] pursuing, but the Galileo Project is really the first organized project that constructed a reliable set of sensors in an observatory configuration that does systematic study of the sky to collect millions of objects in the sky per year. We have three observatories, one in Las Vegas, as I mentioned. And by the way, this is the first time it's mentioned publicly, so..." Rogan: "That's amazing." Avi: "And another one in Massachusetts, and a third one in Pennsylvania. They were all funded by people who approached me and said, 'Here is the money.'" Rogan: "Let me ask you this: If it wasn't for those, how many observatories are looking for objects that are not from this Earth? Like, is that very rare?" Avi: "None." Rogan: "None?" Avi: "Well, there are some teams that are, you know, doing it, making a trip to collect some data." Rogan: "There is not constant observation?" Avi: "Of scientific-quality data? No." Rogan: "That's crazy." Avi: "That's crazy! That's what I'm saying." ~ (One of the groups that collected data was the AAWSAP/BAASS team headed up by Dr. James Lacatski. This is from my March 2024 post... Here's an excerpt from "Initial Revelations" by Lacatski, Kelleher and George Knapp. Chapter 18 Integrated Sensor Package to Detect UAP An autonomous sensor package to detect UAP for AAWSAP BAASS was developed by an engineering team located at Bigelow Aerospace. The following is a short summary of the specifications by which the BAASS engineering team began designing an autonomous sensor package. The project started at the conceptual stage with a meeting in late January 2009 and a complete operational prototype was built by August 2009. Design Goals: Device will operate unattended Autonomous data collection Survivability: weather, vandalism, critters Portable: “Two men and a truck.” Limited power No reliance on AC power Must be sized for full nighttime operations Sufficient communications May use WiFi, satellite phone, and cellular phone transmis- sions as the situation warrants Internet appliance for remote connection Short-range sensing (<20ft.) Long-range sensing (up to 5-mile planar radius, indeterminate altitude) Internal clock: GPS or network time-based COTS (Commercial Off-The_Shelf ~Joe) or very near COTS components only Reduce on-site maintenance to the minimum possible Camouflage based on geographic location Sensor Suite Visual, IR, near-IR, and UV spectra cameras Microwave band detection Radio band detection EMI detection in the electronics emission band RADAR LIDAR (Light Detection and Ranging) Audio Radiation (gamma, beta, alpha) Gravimeter See equipment details and illustrations in Tweets 2 and 3. ~End "IR" Excerpt~ ~ Avi: "And, by the way, I gave a briefing to the U.S. congress on May 1, 2025 and Congresswoman Rep. Anna Paulina Luna was there and she was very excited about the work we are doing. But the day before that, I visited an office in the Pentagon that is called the All-domain Anomaly Resolution Office - AARO - All-domain Anomaly Resolution Office. And I asked them, 'You looked into all these unidentified objects reported in the past by military personnel. Did anything trigger your attention as something truly anonymous?' And they said, 'Not really. There are some reports by FBI agents that's really crazy stuff, but we don't have any data from instruments.'" (Here's a tweet from me about the director of AARO, Jon Kosloski, describing three, potentially, anomalous cases AARO is analyzing. ) ~ Avi: "And this is an office within the Pentagon which is funded to figure out things. And so, obviously, what they might want to do is imitate the Galileo Project that I'm leading. But you would think that it would be sort of the vested interest of government, you know, to invest in research related to that, which is what the Galileo Project is doing." Rogan: "Well, here's the thing. I would have thought it was already done." Avi: "I don't know." Rogan: "Until we're having this conversation, I can't believe that they're not monitoring the sky constantly for anomalous objects." Avi: "Well, you remember the Chinese spy balloon that was missed, right? And shot down?" Rogan: "Yes. Yeah, but that was silly." Avi: "So the thing to keep in mind, they're getting data on things in the sky, but if you don't have the right software now, with AI. If you don't have high-quality scientists, the way that the Manhattan Project employed, you might not figure out things. There is a reason why the Manhattan Project recruited the very best scientists. "So I say, put a billion dollars on this or more, bring in the best scientists in the world to figure it out. I'm funded at the level of millions of dollars through the Galileo Project. The government can do a billion... What is a billion dollars? It's a drop in the bucket for the Pentagon. But, if, you know, you should think about the potential risk from drones that are used by adversarial nations and..." (1000%. Put a billion dollars into that and also an AAWSAP-like program that is run by a PUBLIC company, and make all of their data available to us as soon as they receive it.) ~ If you appreciate what I do on Twitter/X (and my Blog and, occasional, YT), and wanna support my efforts, you can subscribe on here. Or.... Patreon - PayPal - ufojoe11@aol.com Venmo - My Patreon is simple. No hidden content and no tiers. If you DO support me, it will be much appreciated. If you can't afford it, don't think twice. I've been there and I get it. If you don't think my content is worth supporting, I still appreciate you reading and commenting on tweets, articles and videos.](https://image.24vids.com/tw-1983635340494803377/amplify_video_thumb/1983584911736070144/img/_2338jo98pR7iciz.jpg)
