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Useful apps, sites for designers. Save this 👇 - - showcase designs in motion - - 3D device mockups in browser - - turn photos into recap video - - lo-fi effects for image & video - - curve-based gradient creator - - infinite unique gradients - - dither,... show more

Tran Mau Tri Tam ✪

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230,380 просмотров • 2 месяцев назад •via X (Twitter)

Искусство Образование Наука и технологии

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THIS FREE BROWSER TOOL LETS YOU BUILD REAL-TIME DITHER ANIMATIONS AND EXPORT THEM AS VIDEO dither is everywhere right now (Spotify, websites, album covers) but every tool for making it is either a Photoshop plugin or some after effects rabbit hole. this one runs in your browser and gives you full control over the motion. what you can do: > choose from Bayer 4x4, 8x8, halftone, blue noise, crosshatch, diamond, spiral, and ASCII patterns > animate with speed, intensity, scale, and FPS controls > add text or 3D rotation with auto-spin and flatten > tune foreground, background, and accent colors or pick from palettes > post-processing effects layered on top > export as PNG, WebM, MP4, or embed HTML to drop on a site > save presets to reuse your favorite looks resolution presets go up to 1920x1080 for landscape and 1080x1920 for portrait, plus custom sizes. most generative art tools online are single-style gimmicks. this is a full-blown animation studio for one specific aesthetic, and it looks like a real product. link in replies 👇

THIS FREE BROWSER TOOL LETS YOU BUILD REAL-TIME DITHER ANIMATIONS AND EXPORT THEM AS VIDEO dither is everywhere right now (Spotify, websites, album covers) but every tool for making it is either a Photoshop plugin or some after effects rabbit hole. this one runs in your browser and gives you full control over the motion. what you can do: > choose from Bayer 4x4, 8x8, halftone, blue noise, crosshatch, diamond, spiral, and ASCII patterns > animate with speed, intensity, scale, and FPS controls > add text or 3D rotation with auto-spin and flatten > tune foreground, background, and accent colors or pick from palettes > post-processing effects layered on top > export as PNG, WebM, MP4, or embed HTML to drop on a site > save presets to reuse your favorite looks resolution presets go up to 1920x1080 for landscape and 1080x1920 for portrait, plus custom sizes. most generative art tools online are single-style gimmicks. this is a full-blown animation studio for one specific aesthetic, and it looks like a real product. link in replies 👇

Creators Toolbox

28,982 просмотров • 4 месяцев назад

Best model of Last Year vs This Year evolution in a year feels like this 🐒 ➔ 🦍 ➔ 🦧 ➔ 🚶‍♂️ ➔ 🏃‍♂️ ➔ 💻 Best Overall AI company is OpenAI > they made codex , my daily driver > one subscription covers image gen , coding , science , i am sad they had to shut down sora > super hyped for upcoming 5.6 > will share it results soon when i get hands on it btw guys i am very sad with what going on with google , should i make a video on it ?

Best model of Last Year vs This Year evolution in a year feels like this 🐒 ➔ 🦍 ➔ 🦧 ➔ 🚶‍♂️ ➔ 🏃‍♂️ ➔ 💻 Best Overall AI company is OpenAI > they made codex , my daily driver > one subscription covers image gen , coding , science , i am sad they had to shut down sora > super hyped for upcoming 5.6 > will share it results soon when i get hands on it btw guys i am very sad with what going on with google , should i make a video on it ?

Chetaslua

11,592 просмотров • 3 месяцев назад

I tried MiniMax Design (H3) to see how it handles real content creation. The workflow is simple. You just write a prompt or drop in an image, and it turns that into a dynamic video with motion, framing, and scene depth. No timeline to manage. No editing setup. No back and forth. What stood out to me: • Text to video and image to video both feel smooth. • It handles motion, camera angles, and flow on its own. • Output is fast, usually within seconds. • Works well for reels, quick ads, storytelling, and idea testing. It removes the hardest part: starting from scratch and turns your ideas into content in minutes. Instead of thinking, “How do I make this video?” You start with, “What do I want to create?” That shift alone makes it worth exploring. Try it here: #Hailuo

I tried MiniMax Design (H3) to see how it handles real content creation. The workflow is simple. You just write a prompt or drop in an image, and it turns that into a dynamic video with motion, framing, and scene depth. No timeline to manage. No editing setup. No back and forth. What stood out to me: • Text to video and image to video both feel smooth. • It handles motion, camera angles, and flow on its own. • Output is fast, usually within seconds. • Works well for reels, quick ads, storytelling, and idea testing. It removes the hardest part: starting from scratch and turns your ideas into content in minutes. Instead of thinking, “How do I make this video?” You start with, “What do I want to create?” That shift alone makes it worth exploring. Try it here: #Hailuo

Manish Kumar Shah

27,680 просмотров • 4 месяцев назад

I think AI Agents are about to completely change how we prompt video models. I gave the MiniMax Design AI Agent one image and one simple instruction: “Act as an expert FPV director and turn this into something viral.” It analyzed the idea, built the camera logic, movement and pacing, then created a ridiculously detailed prompt for MiniMax H3. This is what came out. 🤯 And yes, I’m sharing the exact prompt + workflow in the thread 👇 #MiniMaxH3 on #MiniMaxDesign

I think AI Agents are about to completely change how we prompt video models. I gave the MiniMax Design AI Agent one image and one simple instruction: “Act as an expert FPV director and turn this into something viral.” It analyzed the idea, built the camera logic, movement and pacing, then created a ridiculously detailed prompt for MiniMax H3. This is what came out. 🤯 And yes, I’m sharing the exact prompt + workflow in the thread 👇 #MiniMaxH3 on #MiniMaxDesign

Pierrick Chevallier | IA

136,539 просмотров • 11 дней назад

xAI isn't playing around. They just released the Grok Imagine API, a unified video + image generation toolkit, and it's already sitting at #1 on the Artificial Analysis Video Arena for both Text-to-Video AND Image-to-Video. It's beating: ● Google's Veo 3.1 & Veo 3 ● OpenAI's Sora 2 ● Runway Gen-4.5 ● Kling 2.5 Turbo The Numbers Don't Lie: ● 64.1% win rate against Runway Aleph in blind human evaluations ● 57% win rate against Kling o1 ● Best-in-class latency. Sub-20 second generation for 720p, 8-second videos. (up to 15-second video) ● Native audio generation baked right into video output (dialogue, music, sound effects, all synced) What Makes It Different It's built for real creative workflows: ✅ Text-to-video AND image-to-video in one API ✅ Video editing with prompt-based controls (add/remove objects, restyle scenes) ✅ Camera controls: zoom, pan, timelapse, pull-back ✅ Style transfers: cyberpunk, watercolor, anime, you name it ✅ Performance animation: map your movements onto characters ✅ Native audio-video sync (no post-production needed) Why the focus on speed and cost? The partner feedback that shaped this: "Quality alone isn't enough if latency and cost make iteration painful." So xAI optimized for all three. Speed. Cost. Quality. Already Integrated With: ● fal. ai ● ComfyUI ● InVideo ● Flora ● HeyGen xAI went from underdog to chart-topper. The Grok Imagine API is fast, affordable, and genuinely production-ready. If you're building anything with AI video, this just became the one to beat.

xAI isn't playing around. They just released the Grok Imagine API, a unified video + image generation toolkit, and it's already sitting at #1 on the Artificial Analysis Video Arena for both Text-to-Video AND Image-to-Video. It's beating: ● Google's Veo 3.1 & Veo 3 ● OpenAI's Sora 2 ● Runway Gen-4.5 ● Kling 2.5 Turbo The Numbers Don't Lie: ● 64.1% win rate against Runway Aleph in blind human evaluations ● 57% win rate against Kling o1 ● Best-in-class latency. Sub-20 second generation for 720p, 8-second videos. (up to 15-second video) ● Native audio generation baked right into video output (dialogue, music, sound effects, all synced) What Makes It Different It's built for real creative workflows: ✅ Text-to-video AND image-to-video in one API ✅ Video editing with prompt-based controls (add/remove objects, restyle scenes) ✅ Camera controls: zoom, pan, timelapse, pull-back ✅ Style transfers: cyberpunk, watercolor, anime, you name it ✅ Performance animation: map your movements onto characters ✅ Native audio-video sync (no post-production needed) Why the focus on speed and cost? The partner feedback that shaped this: "Quality alone isn't enough if latency and cost make iteration painful." So xAI optimized for all three. Speed. Cost. Quality. Already Integrated With: ● fal. ai ● ComfyUI ● InVideo ● Flora ● HeyGen xAI went from underdog to chart-topper. The Grok Imagine API is fast, affordable, and genuinely production-ready. If you're building anything with AI video, this just became the one to beat.

tetsuo

18,325 просмотров • 6 месяцев назад

🚨 JUST IN: THIS FREE TOOL JUST REPLACED FOUR AI IMAGE AND VIDEO SUBSCRIPTIONS AT ONCE. Midjourney. Krea. Higgsfield. Openart. One repo. 200+ models. Zero dollars a month. Here is what it actually does. It is a full image and video studio that runs in your browser or as a desktop app. Text to image, image to image, text to video, image to video, lip sync, cinema mode with real camera controls. All of it. 4,500 people already starred this. What you get for free: → 50+ image models including Flux, Midjourney v7, Ideogram, GPT-4o, Seedream → 60+ video models including Kling, Sora, Veo, Runway, Wan, Hailuo → lip sync studio with 9 dedicated models. upload a portrait and audio and it talks → cinema studio with real camera controls. lens, focal length, aperture, film stock → feed up to 14 reference images into one generation → self-hosted. your data never leaves your machine The crazy part is there is also a hosted version that needs zero setup. Just open the link and start generating. Now the math. Midjourney Standard: $30/month Krea AI Pro: $30/month Higgsfield Plus: $49/month Openart AI: $15/month That is $124 a month. $1,488 a year. This repo does everything all four do. With more models than any of them. For free. Forever. No subscription. No vendor lock-in. MIT licensed. Download it in one click on Mac or Windows. Someone should have told me about this sooner. I feel like an idiot. ( save this )

🚨 JUST IN: THIS FREE TOOL JUST REPLACED FOUR AI IMAGE AND VIDEO SUBSCRIPTIONS AT ONCE. Midjourney. Krea. Higgsfield. Openart. One repo. 200+ models. Zero dollars a month. Here is what it actually does. It is a full image and video studio that runs in your browser or as a desktop app. Text to image, image to image, text to video, image to video, lip sync, cinema mode with real camera controls. All of it. 4,500 people already starred this. What you get for free: → 50+ image models including Flux, Midjourney v7, Ideogram, GPT-4o, Seedream → 60+ video models including Kling, Sora, Veo, Runway, Wan, Hailuo → lip sync studio with 9 dedicated models. upload a portrait and audio and it talks → cinema studio with real camera controls. lens, focal length, aperture, film stock → feed up to 14 reference images into one generation → self-hosted. your data never leaves your machine The crazy part is there is also a hosted version that needs zero setup. Just open the link and start generating. Now the math. Midjourney Standard: $30/month Krea AI Pro: $30/month Higgsfield Plus: $49/month Openart AI: $15/month That is $124 a month. $1,488 a year. This repo does everything all four do. With more models than any of them. For free. Forever. No subscription. No vendor lock-in. MIT licensed. Download it in one click on Mac or Windows. Someone should have told me about this sooner. I feel like an idiot. ( save this )

Kanika

14,769 просмотров • 4 месяцев назад

Google dropped a new AI paper called LUMIERE. It's remarkably flexible, supporting video inpainting, image-to-video, AND stylized video generation tasks. Say hello to “space-time diffusion” for video generation! Now what the heck does that mean exactly?! 🌐⏳ → TL;DR it utilizes a “Space-Time UNet” architecture that generates the full duration of the video in one pass, rather than generating distant keyframes and interpolating between them like prior works. Because the computation is done in this “compressed space-time representation” to generate the full clip at once, it's far more temporally consistent. → Another benefit of generating the full video at once is that you can “direct” the video generation, making it easier to hand off to other models/tasks without having to stitch together partial solutions. You can condition generations on additional inputs, meaning you get the full stack of AI video capabilities – from video inpainting to image-to-video and beyond. → New SOTA for AI video generation? User study results in the paper suggest human evaluators preferred Lumiere over Runway Gen-2, Pika Labs, and Stable Video Diffusion in terms of quality, text alignment AND motion. But as always, we need to get hands-on with this tech when Google *actually* decides to ship it. → Could this end up inside YouTube? Y’all know i’m obsessed with blending reality and imagination – so it’s the video inpainting tech I'm most excited about. I really hope this model finds its way into YouTube's Generative AI efforts, and based on their prior announcements and the list of acknowledgments in the paper I think it might! 🤞🏽 Links: 🔗Paper: 🔗Project:

Google dropped a new AI paper called LUMIERE. It's remarkably flexible, supporting video inpainting, image-to-video, AND stylized video generation tasks. Say hello to “space-time diffusion” for video generation! Now what the heck does that mean exactly?! 🌐⏳ → TL;DR it utilizes a “Space-Time UNet” architecture that generates the full duration of the video in one pass, rather than generating distant keyframes and interpolating between them like prior works. Because the computation is done in this “compressed space-time representation” to generate the full clip at once, it's far more temporally consistent. → Another benefit of generating the full video at once is that you can “direct” the video generation, making it easier to hand off to other models/tasks without having to stitch together partial solutions. You can condition generations on additional inputs, meaning you get the full stack of AI video capabilities – from video inpainting to image-to-video and beyond. → New SOTA for AI video generation? User study results in the paper suggest human evaluators preferred Lumiere over Runway Gen-2, Pika Labs, and Stable Video Diffusion in terms of quality, text alignment AND motion. But as always, we need to get hands-on with this tech when Google actually decides to ship it. → Could this end up inside YouTube? Y’all know i’m obsessed with blending reality and imagination – so it’s the video inpainting tech I'm most excited about. I really hope this model finds its way into YouTube's Generative AI efforts, and based on their prior announcements and the list of acknowledgments in the paper I think it might! 🤞🏽 Links: 🔗Paper: 🔗Project:

Bilawal Sidhu

44,822 просмотров • 2 лет назад

next, here is how to animate the video once you generated the base image of your ai model, attach the image of your model and the product image in your ai tool and prompt, "she is holding this product" now to animate this scene, use such a simple prompt; "the girl is speaking in her beautiful voice; "this is the most powerful drink in the world... drink it once, and your whole hair is gone" no background music, no sound effects." adding "no background music" is necessory part when you're prompting to VEO 3 or Kling 2.6 and for the drinking scene, i also gave it a very simple prompt; "the girl is drinking, handheld camera shaking. No background music," then i asked nb pro to remove her hair, and then turn it into the using that simple prompt method. note; simple prompts works better than complicated one when it comes to animating your video that's it, if you need any help setting up your ai influencer to promote your product/app or service just DM me here on 𝕏 or comment "want" i'll dm you myself if you know how to make viral content + setup such a beautiful ai model 2026 will be yours, cheers

next, here is how to animate the video once you generated the base image of your ai model, attach the image of your model and the product image in your ai tool and prompt, "she is holding this product" now to animate this scene, use such a simple prompt; "the girl is speaking in her beautiful voice; "this is the most powerful drink in the world... drink it once, and your whole hair is gone" no background music, no sound effects." adding "no background music" is necessory part when you're prompting to VEO 3 or Kling 2.6 and for the drinking scene, i also gave it a very simple prompt; "the girl is drinking, handheld camera shaking. No background music," then i asked nb pro to remove her hair, and then turn it into the using that simple prompt method. note; simple prompts works better than complicated one when it comes to animating your video that's it, if you need any help setting up your ai influencer to promote your product/app or service just DM me here on 𝕏 or comment "want" i'll dm you myself if you know how to make viral content + setup such a beautiful ai model 2026 will be yours, cheers

ViralOps

21,545 просмотров • 8 месяцев назад

[SBS News] BTS V's self-composed song 'Into the Sun'... appears in G7 Summit welcome video The song "Into the Sun," co-written and composed by BTS V, is garnering attention after being used in a video related to the G7 Summit. On the 16th (local time), French President Emmanuel Macron released a video on his official social media welcoming the leaders attending the G7 Summit held in Evian, France. The video featured the leaders of each country appearing one by one, with music symbolizing their respective national images and cultures used as background music. In particular, BTS's "Into the Sun" played during the scene featuring President Lee Jae-myung, drawing significant attention. The National, a prominent English-language media outlet in the Middle East, reported that President Macron selected music tailored to the nationality, culture, and image of each world leader. According to the report, BTS's "Into the Sun" was used for South Korean President Lee Jae-myung's video; Tom Petty's "Love Is a Long Road" for U.S. President Donald Trump; the James Bond theme song "The World Is Not Enough" for British Prime Minister Keir Starmer; and Celine Dion's "Jueire Ou Tou Ira" for Canadian Prime Minister Mark Carney. "Into the Sun" is a track from BTS's studio album *Arirang*, with V participating in the main songwriting and composition. It is known that V completed the song based on a melody that came to him on his way back from a workout. He previously stated regarding the song, "Although it is a song I created, I thought I needed to make a cold, objective judgment on whether it fit the album," but it was ultimately included due to the active recommendations of the other members. Following the release of 'Arirang,' 'Into the Sun' received favorable reviews from major international media outlets. The U.S. daily newspaper The New York Times described it as "a hypnotic song that puts the mind at ease," while the music magazine Rolling Stone noted that "the falsetto harmonies and sparkling tempo demonstrate BTS's infinite potential." The BBC in the UK also introduced the track as "an experimental yet intriguing song that adds a mysterious atmosphere through digital effects." (Article: #BTSV #INTOTHESUN #ARIRANG

[SBS News] BTS V's self-composed song 'Into the Sun'... appears in G7 Summit welcome video The song "Into the Sun," co-written and composed by BTS V, is garnering attention after being used in a video related to the G7 Summit. On the 16th (local time), French President Emmanuel Macron released a video on his official social media welcoming the leaders attending the G7 Summit held in Evian, France. The video featured the leaders of each country appearing one by one, with music symbolizing their respective national images and cultures used as background music. In particular, BTS's "Into the Sun" played during the scene featuring President Lee Jae-myung, drawing significant attention. The National, a prominent English-language media outlet in the Middle East, reported that President Macron selected music tailored to the nationality, culture, and image of each world leader. According to the report, BTS's "Into the Sun" was used for South Korean President Lee Jae-myung's video; Tom Petty's "Love Is a Long Road" for U.S. President Donald Trump; the James Bond theme song "The World Is Not Enough" for British Prime Minister Keir Starmer; and Celine Dion's "Jueire Ou Tou Ira" for Canadian Prime Minister Mark Carney. "Into the Sun" is a track from BTS's studio album Arirang, with V participating in the main songwriting and composition. It is known that V completed the song based on a melody that came to him on his way back from a workout. He previously stated regarding the song, "Although it is a song I created, I thought I needed to make a cold, objective judgment on whether it fit the album," but it was ultimately included due to the active recommendations of the other members. Following the release of 'Arirang,' 'Into the Sun' received favorable reviews from major international media outlets. The U.S. daily newspaper The New York Times described it as "a hypnotic song that puts the mind at ease," while the music magazine Rolling Stone noted that "the falsetto harmonies and sparkling tempo demonstrate BTS's infinite potential." The BBC in the UK also introduced the track as "an experimental yet intriguing song that adds a mysterious atmosphere through digital effects." (Article: #BTSV #INTOTHESUN #ARIRANG

Taehyung Naver

25,147 просмотров • 2 месяцев назад

Update 1: Visit to hacked by peniche Service Centre for Camera Image Shift issue in #GalaxyS24Ultra 1,3 - Faulty device 2,4 - Showroom device Upon first encountering the issue and providing video evidence, they adamantly denied its existence. Despite demonstrating the issue in person, they insisted it was within normal functioning for the #GalaxyS24Ultra 🤯 I questioned the training provided to Samsung India's service center staff. 🤔 The representative asked for 30 minutes and left the service center. Upon returning, he claimed to have tested another device in the showroom and declared the issue common, refusing a return. Their attempt to normalize the issue was frustrating. 😒 Taking matters into my own hands, I visited the Samsung Mobile Showroom where I purchased my device and tested the demo units. They all functioned flawlessly, with smooth lens transitions from 1x to 10x. I recorded a video for comparison, highlighting the discrepancy with my own device. Furthermore, the photos from my device appeared washed out. I captured photos and videos in front of showroom staff, providing undeniable evidence. Returning to the service center, I presented all evidence. Their response? They insisted on flashing my device, despite my previous factory reset. Their treatment resembled that of a post-14-day return policy scenario. Reluctantly, I agreed. They flashed my device with the same AWM9 build. 😑 Upon testing the camera again, the same image shift issue persisted. Was a return initiated? No. 👎🏻 Despite live proof, they required approval from the Area Manager. 🙄 After forwarding all evidence via WhatsApp, there was no response. Calls to the manager during a supposed 30-minute wait yielded no results. Arriving at the service center at 11 am, I waited until 5 pm for the return process, spending six hours in the center to no avail. They claimed they could only process the return with the manager's approval, yet his silence persisted. They assured me of approval by the end of the day, but as it's now 9:30 pm, there have been no updates or returned calls. What's the standard for Premium Service on Premium Devices, Samsung Electronics Samsung India Samsung Mobile? 🤔 Faced issue with #GalaxyS22Ultra earlier. Still Samsung India Service hasn't changed a bit. Check this out too. Please amplify Ranjit Varun Krishnan Ershad Kaleebullah Pratik Rai Parth Monish Kohli Mukul Sharma Rohit Arora A2D Channel Siva Bharani Udaya Selvan Ice Universe W CID Alpaca Tech😎

Update 1: Visit to hacked by peniche Service Centre for Camera Image Shift issue in #GalaxyS24Ultra 1,3 - Faulty device 2,4 - Showroom device Upon first encountering the issue and providing video evidence, they adamantly denied its existence. Despite demonstrating the issue in person, they insisted it was within normal functioning for the #GalaxyS24Ultra 🤯 I questioned the training provided to Samsung India's service center staff. 🤔 The representative asked for 30 minutes and left the service center. Upon returning, he claimed to have tested another device in the showroom and declared the issue common, refusing a return. Their attempt to normalize the issue was frustrating. 😒 Taking matters into my own hands, I visited the Samsung Mobile Showroom where I purchased my device and tested the demo units. They all functioned flawlessly, with smooth lens transitions from 1x to 10x. I recorded a video for comparison, highlighting the discrepancy with my own device. Furthermore, the photos from my device appeared washed out. I captured photos and videos in front of showroom staff, providing undeniable evidence. Returning to the service center, I presented all evidence. Their response? They insisted on flashing my device, despite my previous factory reset. Their treatment resembled that of a post-14-day return policy scenario. Reluctantly, I agreed. They flashed my device with the same AWM9 build. 😑 Upon testing the camera again, the same image shift issue persisted. Was a return initiated? No. 👎🏻 Despite live proof, they required approval from the Area Manager. 🙄 After forwarding all evidence via WhatsApp, there was no response. Calls to the manager during a supposed 30-minute wait yielded no results. Arriving at the service center at 11 am, I waited until 5 pm for the return process, spending six hours in the center to no avail. They claimed they could only process the return with the manager's approval, yet his silence persisted. They assured me of approval by the end of the day, but as it's now 9:30 pm, there have been no updates or returned calls. What's the standard for Premium Service on Premium Devices, Samsung Electronics Samsung India Samsung Mobile? 🤔 Faced issue with #GalaxyS22Ultra earlier. Still Samsung India Service hasn't changed a bit. Check this out too. Please amplify Ranjit Varun Krishnan Ershad Kaleebullah Pratik Rai Parth Monish Kohli Mukul Sharma Rohit Arora A2D Channel Siva Bharani Udaya Selvan Ice Universe W CID Alpaca Tech😎

S M A Sithick

158,362 просмотров • 2 лет назад

This will be a long read, but I truly hope it inspires someone. I only wish I had kept more memories honestly… Today marks one year since I moved into my own home after squatting with a family friend for two years. That period remains one of the greatest favors I have ever received in my life. They didn’t take me in as a stranger they welcomed me as a daughter, treated me as one, and even now, here in Abuja, they are my family. Today, I live in a solid two-bedroom flat in Abuja, fully furnished to my taste. I’m living a life I once only prayed for, eating well, living well all courtesy of design and Web3. This same skill once earned me ₦2,000… ₦5,000. I can never forget messaging almost every contact on my WhatsApp, begging them to let me design for free. I went from business to business around my school area, offering free designs. I even designed my school handbook for free just to put myself out there. With this same skill, I met people I once admired from afar. I was willing to design for free just to earn a tag, a shout-out, and the visibility I desperately needed. There were times I slept in school just to use the school Wi-Fi to watch YouTube tutorials, especially from Mez Graphics. Sleeping in school became a lifestyle and it came at a cost. My health suffered deeply. I went through serious health crises because I couldn’t afford medication. Home was tough. Really tough. While others slept like humans, for four years in school I averaged two hours of sleep daily, juggling academics and survival. My health paid the price. I developed growths in both eyes that now require surgery, and my eyesight deteriorated so badly that I can’t function without my glasses. Yet today, this same skill has elevated my family. From living in a single room with five kids in a rented apartment, to my mum bring a landlord. A woman who used to fall sick frequently now lives healthier, eats whatever she wants, and glows differently. Poverty truly stinks but grace changed our story. The store she owns today? Courtesy of this skill and Web3. Every property I own my store, my home, everything came through design and Web3. This same skill funds my lifestyle. This same skill, backed by God, has elevated me beyond words. I could go on and on… This is me telling someone inspiring someone not to give up on that skill you have, no matter what it is, especially as a creative. I slept on YouTube for years because I couldn’t afford to pay for a single course. I used that knowledge to design for free sometimes for one, two, even three years just to build visibility. Today, I invest as much as ₦2 million yearly into learning., i invest heavily ngl If all you can afford right now is YouTube, be diligent with it. Mez Graphics and Caesar played huge roles in my journey, and I truly hope they see this. I am 100% grateful to them. In a nutshell: don’t give up on your skill. Keep refining it. Keep studying. Keep aspiring to be part of the top 1%. See you at the top If you read this far, thank you so much for reading 🫂

This will be a long read, but I truly hope it inspires someone. I only wish I had kept more memories honestly… Today marks one year since I moved into my own home after squatting with a family friend for two years. That period remains one of the greatest favors I have ever received in my life. They didn’t take me in as a stranger they welcomed me as a daughter, treated me as one, and even now, here in Abuja, they are my family. Today, I live in a solid two-bedroom flat in Abuja, fully furnished to my taste. I’m living a life I once only prayed for, eating well, living well all courtesy of design and Web3. This same skill once earned me ₦2,000… ₦5,000. I can never forget messaging almost every contact on my WhatsApp, begging them to let me design for free. I went from business to business around my school area, offering free designs. I even designed my school handbook for free just to put myself out there. With this same skill, I met people I once admired from afar. I was willing to design for free just to earn a tag, a shout-out, and the visibility I desperately needed. There were times I slept in school just to use the school Wi-Fi to watch YouTube tutorials, especially from Mez Graphics. Sleeping in school became a lifestyle and it came at a cost. My health suffered deeply. I went through serious health crises because I couldn’t afford medication. Home was tough. Really tough. While others slept like humans, for four years in school I averaged two hours of sleep daily, juggling academics and survival. My health paid the price. I developed growths in both eyes that now require surgery, and my eyesight deteriorated so badly that I can’t function without my glasses. Yet today, this same skill has elevated my family. From living in a single room with five kids in a rented apartment, to my mum bring a landlord. A woman who used to fall sick frequently now lives healthier, eats whatever she wants, and glows differently. Poverty truly stinks but grace changed our story. The store she owns today? Courtesy of this skill and Web3. Every property I own my store, my home, everything came through design and Web3. This same skill funds my lifestyle. This same skill, backed by God, has elevated me beyond words. I could go on and on… This is me telling someone inspiring someone not to give up on that skill you have, no matter what it is, especially as a creative. I slept on YouTube for years because I couldn’t afford to pay for a single course. I used that knowledge to design for free sometimes for one, two, even three years just to build visibility. Today, I invest as much as ₦2 million yearly into learning., i invest heavily ngl If all you can afford right now is YouTube, be diligent with it. Mez Graphics and Caesar played huge roles in my journey, and I truly hope they see this. I am 100% grateful to them. In a nutshell: don’t give up on your skill. Keep refining it. Keep studying. Keep aspiring to be part of the top 1%. See you at the top If you read this far, thank you so much for reading 🫂

OLOBA THE ARTIST🐂🀄️

26,735 просмотров • 6 месяцев назад

I didn’t expect Blitz to become my favorite feature in Fetra AI… but after seeing it generate multiple viral video concepts in seconds, I kept coming back to it. Instead of giving you just one idea and hoping it works, Blitz generates several different concepts based on video formats that have already proven to perform. It makes finding a strong direction so much easier. Then I tried Viral Remix. I uploaded a trending video and a single product photo, within a minute it recreated the entire concept around my brand. It genuinely felt like the video had been made for my product from the start. I also spent some time testing AI Influencers. It’s like having a UGC creator available whenever you need fresh content without organizing a new shoot every time. I haven’t explored everything yet, but Business DNA—which learns about your brand from your website before creating contentand Social Growth Manager, which helps keep your content workflow organized, both look really promising. My biggest takeaway? What stood out wasn’t just how much time it saved. Starting with formats that have already worked gives you a much better chance of creating content people actually want to watch. 👇 Full process in the first reply—all it takes is one product photo to turn a proven video format into your own branded video.

Aryan Rakib

43,338 просмотров • 20 дней назад

You can't 3D reconstruct glass from images... ...WRONG! Thanks for video diffusion, now just about anything is possible! Introducing...Diffusion Knows Transparency (DKT) Transparent and reflective objects usually break robot vision and photogrammetry pipelines because they don't follow the "solid object" rules standard cameras expect. DKT is a new AI model that repurposes the "internal physics engine" found in video generation models to solve this problem. Researchers took a massive video diffusion model (WAN) and fine-tuned it using a custom-built synthetic dataset to turn it into a high-precision depth sensor. To train the AI, they built the first massive synthetic video library of transparent objects, 1.32 million frames of perfectly labeled glass and metal objects in motion. Without ever seeing a "real" labeled video of glass during training, the model (DKT) outperformed all previous specialized systems on real-world benchmarks (ClearPose, DREDS). They created a "lightweight" 1.3B parameter version that runs fast enough (0.17s per frame) to be used on actual robot hardware. Two reasons I find this project important: 1. It further proves that synthetic data will be essential for training the next generation vision models. 2. In real-world robotic tests, using DKT's depth maps nearly doubled the success rate of robot arms trying to pick up objects on tricky reflective or translucent surfaces. At home robots will need to interact with these types of objects on a daily basis. Check out the project page here: Code is LIVE! #Computervision #Robotics #AI

You can't 3D reconstruct glass from images... ...WRONG! Thanks for video diffusion, now just about anything is possible! Introducing...Diffusion Knows Transparency (DKT) Transparent and reflective objects usually break robot vision and photogrammetry pipelines because they don't follow the "solid object" rules standard cameras expect. DKT is a new AI model that repurposes the "internal physics engine" found in video generation models to solve this problem. Researchers took a massive video diffusion model (WAN) and fine-tuned it using a custom-built synthetic dataset to turn it into a high-precision depth sensor. To train the AI, they built the first massive synthetic video library of transparent objects, 1.32 million frames of perfectly labeled glass and metal objects in motion. Without ever seeing a "real" labeled video of glass during training, the model (DKT) outperformed all previous specialized systems on real-world benchmarks (ClearPose, DREDS). They created a "lightweight" 1.3B parameter version that runs fast enough (0.17s per frame) to be used on actual robot hardware. Two reasons I find this project important: 1. It further proves that synthetic data will be essential for training the next generation vision models. 2. In real-world robotic tests, using DKT's depth maps nearly doubled the success rate of robot arms trying to pick up objects on tricky reflective or translucent surfaces. At home robots will need to interact with these types of objects on a daily basis. Check out the project page here: Code is LIVE! #Computervision #Robotics #AI

Jonathan Stephens

17,712 просмотров • 8 месяцев назад

this is more useful than my entire degree Elon Musk's rocket company signed a $60,000,000,000 deal for Cursor in June, and eight days ago the two of them put a worker on sale for $200 a month: it gets its own computer in the cloud, signs into your accounts, clicks through your real apps, and hands back finished work instead of a draft for you to paste i ran one against my receipts folder on sunday and got back 14 filed, 2 it held because they needed a card number, and a saved method i never wrote myself Grok Bot is the one you train by doing your own job in front of it, and the whole handover fits in four messages tonight: 1. write out one job you did today the way you would brief a new hire: what has to be finished, which sites and files to work from, what to hand back, and where it stops and asks you 2. let it run once on something safe to get wrong, then correct the result until it is worth your name 3. say "save what we just did as a skill", and add the one rule about what always needs your approval 4. say "run that skill every weekday at 8 and post the result here. if the source is missing, tell me instead of using yesterday's numbers" xAI wrote that order into its own manual: one real job, then the saved method, then the clock. a schedule sitting on top of a method nobody checked replaces two hours of your clicking with two hours of your mistake turns out you never get to pick the brain, and that is the part i would argue about: the manual says there is no model picker for members or admins, no plan to add one, and the bill follows whichever model answered bookmark this, then open the piece below: which jobs deserve a worker of their own, and which ones quietly burn the seat ↓

this is more useful than my entire degree Elon Musk's rocket company signed a $60,000,000,000 deal for Cursor in June, and eight days ago the two of them put a worker on sale for $200 a month: it gets its own computer in the cloud, signs into your accounts, clicks through your real apps, and hands back finished work instead of a draft for you to paste i ran one against my receipts folder on sunday and got back 14 filed, 2 it held because they needed a card number, and a saved method i never wrote myself Grok Bot is the one you train by doing your own job in front of it, and the whole handover fits in four messages tonight: 1. write out one job you did today the way you would brief a new hire: what has to be finished, which sites and files to work from, what to hand back, and where it stops and asks you 2. let it run once on something safe to get wrong, then correct the result until it is worth your name 3. say "save what we just did as a skill", and add the one rule about what always needs your approval 4. say "run that skill every weekday at 8 and post the result here. if the source is missing, tell me instead of using yesterday's numbers" xAI wrote that order into its own manual: one real job, then the saved method, then the clock. a schedule sitting on top of a method nobody checked replaces two hours of your clicking with two hours of your mistake turns out you never get to pick the brain, and that is the part i would argue about: the manual says there is no model picker for members or admins, no plan to add one, and the bill follows whichever model answered bookmark this, then open the piece below: which jobs deserve a worker of their own, and which ones quietly burn the seat ↓

Argona

21,946 просмотров • 11 дней назад

Dear Everyone, The last few days have been hell. Losing Kiyo has not been easy and I’m not ok. Kiyo gave me the best time of my life. The level of joy you brought into my word and any space he was able to exist in was incomparable. Kiyo was my lover, my best friend, and my truth. He truly saw me for who I was and I saw him for who he was. I didn’t just love him, I believed in him, prayed for his victory. I cared for him. Who would have thought that bringing back a piece of Tupperware would invite me into the world of the purest, kindest soul in the world. Kiyo would do anything for anyone. He was my hero and I was his. We both kept our capes on for each other whenever we needed to save the other person. I am grateful that I got to experience a love like his. I am grateful I got to spend some of the best moments of my life with him. I am grateful that even I grieve I still feel his warmth and care. Kiyo taught me be more patient and understanding and no matter how we came into this world and no matter how bad the world treated us, it doesn’t give us the right to exact that same unkindness to others. He loves animals, anime, a good meal, Steven Universe, a really inappropriate joke, and you never had to guess how he felt about you. As he was goofy he was charming. I still feel his hands interlocked into mine and he was fearless. He loved like no other man I have met in this world could. The first night we reconnected he gave my cat Patrick the middle name Bayard. He gave me first Christmas full of love and laughs. The first man in my life to actually pay attention to me and surprise me with gifts that he knew I would love and were true to who I was as a nerd. Anytime I could get it, I was with him. He had full access to my home and my heart. To Mike and Rico thank you for always being there for him and caring for him, Mike you coming into town in March really lit him up. First time I got to dance with him. Rico thank you for taking him to there museum. He loved every moment of it. All he could do was rave about how much made his day. To Tony, his wife and his gaming community on Destiny 2, thank you for being patient with my baby and giving him space to be man that he was and to his Dad and his brothers. He loved y’all more than you know. All he wanted was for y’all to be ok. And to all his true friends and loved ones know that he always thought of y’all. I will never say goodbye to Kiyoki-D’Andre Marcel Toliver, I will say see you later because no matter where you are I know you are watching me because what we had was Immortal. As I grieve I will try to give any notice on his memorial service which will be in NYC because his grandmother sent him here to find the best version of himself and I know he truly did. I want to share this video I made months ago because I was so proud of the man I had. I want to share also the last video he took of me before we went to Brooklyn Comic-Con. If there are typos forgive me.

Dear Everyone, The last few days have been hell. Losing Kiyo has not been easy and I’m not ok. Kiyo gave me the best time of my life. The level of joy you brought into my word and any space he was able to exist in was incomparable. Kiyo was my lover, my best friend, and my truth. He truly saw me for who I was and I saw him for who he was. I didn’t just love him, I believed in him, prayed for his victory. I cared for him. Who would have thought that bringing back a piece of Tupperware would invite me into the world of the purest, kindest soul in the world. Kiyo would do anything for anyone. He was my hero and I was his. We both kept our capes on for each other whenever we needed to save the other person. I am grateful that I got to experience a love like his. I am grateful I got to spend some of the best moments of my life with him. I am grateful that even I grieve I still feel his warmth and care. Kiyo taught me be more patient and understanding and no matter how we came into this world and no matter how bad the world treated us, it doesn’t give us the right to exact that same unkindness to others. He loves animals, anime, a good meal, Steven Universe, a really inappropriate joke, and you never had to guess how he felt about you. As he was goofy he was charming. I still feel his hands interlocked into mine and he was fearless. He loved like no other man I have met in this world could. The first night we reconnected he gave my cat Patrick the middle name Bayard. He gave me first Christmas full of love and laughs. The first man in my life to actually pay attention to me and surprise me with gifts that he knew I would love and were true to who I was as a nerd. Anytime I could get it, I was with him. He had full access to my home and my heart. To Mike and Rico thank you for always being there for him and caring for him, Mike you coming into town in March really lit him up. First time I got to dance with him. Rico thank you for taking him to there museum. He loved every moment of it. All he could do was rave about how much made his day. To Tony, his wife and his gaming community on Destiny 2, thank you for being patient with my baby and giving him space to be man that he was and to his Dad and his brothers. He loved y’all more than you know. All he wanted was for y’all to be ok. And to all his true friends and loved ones know that he always thought of y’all. I will never say goodbye to Kiyoki-D’Andre Marcel Toliver, I will say see you later because no matter where you are I know you are watching me because what we had was Immortal. As I grieve I will try to give any notice on his memorial service which will be in NYC because his grandmother sent him here to find the best version of himself and I know he truly did. I want to share this video I made months ago because I was so proud of the man I had. I want to share also the last video he took of me before we went to Brooklyn Comic-Con. If there are typos forgive me.

𝔼𝕕𝕚𝕥𝕙 ℙ𝕦𝕥𝕙𝕚𝕖

283,090 просмотров • 2 лет назад

As a graphics engine coder I think when you look at a flickering bug like this one in the video below it’s not immediately obvious what is going on. The key here is observation - to study this flickering/bugged render carefully - what do we see? Firstly for me it was very obvious that nearly all of the scene shadows were flashing on and off - but (but!) there was a secondary issue where some buildings and parts of the sky were also flashing purple. Hmmmm. Interesting. I initially thought then this might be two separate bugs - but because the sky purple element could only based on full screen post fx and not 3D rendering I looked at this first with a few GPU captures to step through all our post processing to find the rendering stage which made these pixels turn purple: When I did this I found the colour 3D texture LUT grading that makes our different biomes have unique colour palettes was going very wrong - colours near 0 or 1 were wrapping and making the purple elements that we see in the said sky and base parts. The only way this could happen was if the texture was corrupt (which it was not) or if the 3D texture sampling was wrapping and not clamped as intended. That was the Eureka moment - because if the post fx had the wrong texture sampler then the disappearing shadows which also require an exact texture sampler for comparing depth might be also wrong because of the same kind of texture sampling issue! So with this idea that the engine was using the wrong texture samplers, but only in very high draw call scenes like the big base here I the looked at some engine limits and found the bug very quickly - a circular dx12 descriptor buffer for samplers running out over multiple frames, reusing the wrong data for new scenes inflight. Hence the flickering, as the GPU randomly got wrong samplers for some post textures or shadow depth. Easy to fix with triple limits for future expansion and also adding an assert/debug spam in case this limit is ever reached again - QA testers would see this message and report if they ever saw a flicker with this style of bug. My bug and my bad from 2017 porting NMS to DX12 without foreseeing how massively complex bases and our game would grow.

As a graphics engine coder I think when you look at a flickering bug like this one in the video below it’s not immediately obvious what is going on. The key here is observation - to study this flickering/bugged render carefully - what do we see? Firstly for me it was very obvious that nearly all of the scene shadows were flashing on and off - but (but!) there was a secondary issue where some buildings and parts of the sky were also flashing purple. Hmmmm. Interesting. I initially thought then this might be two separate bugs - but because the sky purple element could only based on full screen post fx and not 3D rendering I looked at this first with a few GPU captures to step through all our post processing to find the rendering stage which made these pixels turn purple: When I did this I found the colour 3D texture LUT grading that makes our different biomes have unique colour palettes was going very wrong - colours near 0 or 1 were wrapping and making the purple elements that we see in the said sky and base parts. The only way this could happen was if the texture was corrupt (which it was not) or if the 3D texture sampling was wrapping and not clamped as intended. That was the Eureka moment - because if the post fx had the wrong texture sampler then the disappearing shadows which also require an exact texture sampler for comparing depth might be also wrong because of the same kind of texture sampling issue! So with this idea that the engine was using the wrong texture samplers, but only in very high draw call scenes like the big base here I the looked at some engine limits and found the bug very quickly - a circular dx12 descriptor buffer for samplers running out over multiple frames, reusing the wrong data for new scenes inflight. Hence the flickering, as the GPU randomly got wrong samplers for some post textures or shadow depth. Easy to fix with triple limits for future expansion and also adding an assert/debug spam in case this limit is ever reached again - QA testers would see this message and report if they ever saw a flicker with this style of bug. My bug and my bad from 2017 porting NMS to DX12 without foreseeing how massively complex bases and our game would grow.

Martin Griffiths

72,828 просмотров • 1 год назад