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(using claude) i just created plugin macos displaying song lyrics sync with ur spotify without auth. jadi bisa nyanyi liat lirik tanpa buka spotify 💃

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˗ˏˋ daisy its sisfor 26

5,199 subscribers

29,574 görüntüleme • 4 ay önce •via X (Twitter)

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Over the weekend I built a little slime pet with help of claude code. He hangs out, falls asleep, jumps around, and sings the lyrics to whatever song I have playing on spotify, I love him.
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Over the weekend I built a little slime pet with help of claude code. He hangs out, falls asleep, jumps around, and sings the lyrics to whatever song I have playing on spotify, I love him.

Daniel Destefanis

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Bigbang 3 members, no Western promo, no English song, stadium tours using a discography from 10-20 years ago, a career built without TikTok & Spotify, songs with 100% Korean lyrics & Sold Out in metlife 🤗🎉 Legend #GDRAGON #bigbang 20 anniversary

Professor G-Dragon is the manual

62,885 görüntüleme • 21 gün önce

di I Wonder part yang ini tuh based on real story pas final concert waktu itu suara woonhak lagi ngecrack terus karena pita suaranya bengkak :( 🐈‍⬛: yang paling membekas di ingatan aku tuh (pas final con) waktu itu suaranya woonhak beneran lagi abis banget. Pita suaranya bengkak gitu jadi suaranya beneran gak keluar, makanya sampe pas rehearsal (kami bilang) "ya ampun kamu bisa gak nih? kalo live kamu bakal kayak gini, mending kita ngomong ke tim a&r buat ngatur porsi live-nya deh. suara kamu juga banyak crack-nya, kayaknya sekarang lagi gak bisa deh" terus woonhak juga sempet mikirin soal itu dan bilang "ah hyung, seenggaknya buat konser pertama ini pokoknya aku mau coba lakuin dulu deh" terus dia masuk panggung abis ngobrol sama member 🐈‍⬛: aku gak tau apa ini karena onedoor lagi pada ngeliatin dia, tapi hari itu woonhak bawain live dengan paling bagus. Dia emang selalu bagus sih, tapi pas liat itu, selama 3 hari dia nyanyi live terus tanpa ngelewatin satu lagu pun. Pas liat itu...wah...dan bahkan pas ngeliat dia nyanyiin serenade dengan kondisi suara yang serak tuh beneran ninggalin kesan yang dalem banget buat aku ya. Jadi aku kepikiran itu dan bilang "gimana kalo kita masukin soal kamu yang nyanyi serenade tanpa peduli suara kamu lagi serak itu ke lirik?" makanya lirik "bahkan suaraku yang serak pun i love you baby, serenade pertama yang dimulai kayak gitu" tuh diumpamain ke masa-masa awal boynextdoor dan kami kan nulis liriknya bareng-bareng
1:19

di I Wonder part yang ini tuh based on real story pas final concert waktu itu suara woonhak lagi ngecrack terus karena pita suaranya bengkak :( 🐈‍⬛: yang paling membekas di ingatan aku tuh (pas final con) waktu itu suaranya woonhak beneran lagi abis banget. Pita suaranya bengkak gitu jadi suaranya beneran gak keluar, makanya sampe pas rehearsal (kami bilang) "ya ampun kamu bisa gak nih? kalo live kamu bakal kayak gini, mending kita ngomong ke tim a&r buat ngatur porsi live-nya deh. suara kamu juga banyak crack-nya, kayaknya sekarang lagi gak bisa deh" terus woonhak juga sempet mikirin soal itu dan bilang "ah hyung, seenggaknya buat konser pertama ini pokoknya aku mau coba lakuin dulu deh" terus dia masuk panggung abis ngobrol sama member 🐈‍⬛: aku gak tau apa ini karena onedoor lagi pada ngeliatin dia, tapi hari itu woonhak bawain live dengan paling bagus. Dia emang selalu bagus sih, tapi pas liat itu, selama 3 hari dia nyanyi live terus tanpa ngelewatin satu lagu pun. Pas liat itu...wah...dan bahkan pas ngeliat dia nyanyiin serenade dengan kondisi suara yang serak tuh beneran ninggalin kesan yang dalem banget buat aku ya. Jadi aku kepikiran itu dan bilang "gimana kalo kita masukin soal kamu yang nyanyi serenade tanpa peduli suara kamu lagi serak itu ke lirik?" makanya lirik "bahkan suaraku yang serak pun i love you baby, serenade pertama yang dimulai kayak gitu" tuh diumpamain ke masa-masa awal boynextdoor dan kami kan nulis liriknya bareng-bareng

sea🐰ྀི

13,830 görüntüleme • 3 ay önce

$30,000 IN 4 MONTHS FROM AI MUSIC. THIS GUY JUST BROKE DOWN THE EXACT WORKFLOW IN 60 SECONDS chatgpt writes the lyrics. suno turns them into a full song instantly. distrokid sends it to spotify, apple music, tiktok and youtube automatically. every stream pays you suno costs $10 a month. distrokid is $22 a year. that's your entire setup cos someone did this working 2-3 hours a day and made $30,000 in four months with zero musical background a woman typed her poetry into suno, made an r&b song, it went viral and she signed a $3,000,000 record deal spotify just paid $11,000,000,000 to the music industry last year alone. 12,500 artists are making $100,000+ a year from one app the money is there. the tools are $10 a month. claude writes the prompts that make suno produce tracks that actually sell instead of generic garbage bookmark this and read the article below - it's worth it
1:09

$30,000 IN 4 MONTHS FROM AI MUSIC. THIS GUY JUST BROKE DOWN THE EXACT WORKFLOW IN 60 SECONDS chatgpt writes the lyrics. suno turns them into a full song instantly. distrokid sends it to spotify, apple music, tiktok and youtube automatically. every stream pays you suno costs $10 a month. distrokid is $22 a year. that's your entire setup cos someone did this working 2-3 hours a day and made $30,000 in four months with zero musical background a woman typed her poetry into suno, made an r&b song, it went viral and she signed a $3,000,000 record deal spotify just paid $11,000,000,000 to the music industry last year alone. 12,500 artists are making $100,000+ a year from one app the money is there. the tools are $10 a month. claude writes the prompts that make suno produce tracks that actually sell instead of generic garbage bookmark this and read the article below - it's worth it

starmex

108,683 görüntüleme • 5 ay önce

Thanks Spotify and Spotify India for giving me these year-end stats as an artist. Kaafi thrilling to know that my songs were streamed over 60 million times in 2024. But on a quick and easy research, I found these numbers DO NOT include some of my most-popular albums including MASAAN and GANGS OF WASSEYPUR. I can’t imagine my song-writing journey without O Womaniya or Tu Kisi Rail Si. How did it happen and how it hampers my moral rights as well as professional standing? 1. Spotify (basis the metadata it gets from the labels) doesn’t always list lyrics writers as Primary Artists in the song credit. Hence while collating my numbers for 2024, it skips such albums - Masaan, GoW, Ankhon Dekhi, Zubaan etc in my case. (Video of my discography listed in spotify attached.) 2. It impacts my dignity, moral rights, as well as royalty collections because if someone likes say Moh Moh Ke Dhaage and wants to discover my other work say Jiya Ho Bihar Ke - they can’t because these albums are not linked under my name. 3. It’s exhausting to ask for proper credits time and again. The lyrics writing community (both from channels of SWA as well as individually) has been seeking action from platforms, music labels, and producers for a long while to make it mandatory to list lyrics writers as primary artists of the songs along with composers. Two screenshots attached to show how GoW doesn’t credit me upfront while Jigra does - and that makes a world of difference to how the numbers are counted. Wo subaha kabhi toh aayegi!
0:24

Thanks Spotify and Spotify India for giving me these year-end stats as an artist. Kaafi thrilling to know that my songs were streamed over 60 million times in 2024. But on a quick and easy research, I found these numbers DO NOT include some of my most-popular albums including MASAAN and GANGS OF WASSEYPUR. I can’t imagine my song-writing journey without O Womaniya or Tu Kisi Rail Si. How did it happen and how it hampers my moral rights as well as professional standing? 1. Spotify (basis the metadata it gets from the labels) doesn’t always list lyrics writers as Primary Artists in the song credit. Hence while collating my numbers for 2024, it skips such albums - Masaan, GoW, Ankhon Dekhi, Zubaan etc in my case. (Video of my discography listed in spotify attached.) 2. It impacts my dignity, moral rights, as well as royalty collections because if someone likes say Moh Moh Ke Dhaage and wants to discover my other work say Jiya Ho Bihar Ke - they can’t because these albums are not linked under my name. 3. It’s exhausting to ask for proper credits time and again. The lyrics writing community (both from channels of SWA as well as individually) has been seeking action from platforms, music labels, and producers for a long while to make it mandatory to list lyrics writers as primary artists of the songs along with composers. Two screenshots attached to show how GoW doesn’t credit me upfront while Jigra does - and that makes a world of difference to how the numbers are counted. Wo subaha kabhi toh aayegi!

वरुण 🇮🇳

59,123 görüntüleme • 1 yıl önce

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2:44

*New update. (Restart kembali portofolio dari $20) halo temen-temen semua, gua ada update bot polymarket. Update bot kali ini adalah: -Tampilan dashboard lebih jelas dan penambahan indikator-indikator baru. -Harga BTC gak delay, persis sama dengan polymarket. (Ini penting bgt karena ngaruh ke signal dan logic bot untuk ambil keputusan untuk open posisi atau engga) -Bisa manual trade. (Berguna banget kalo mau manual trade tanpa delay, open posisi secepat kilat, engga perlu buka web polymarket yang ngelag karena berat banget tampilan nya di web) -New logic dan strategi. (Sedang dalam uji coba, kalian bisa pantau terus twitter gua atau cek langsung profile gua di polymarket, tinggal cari aja profile gua "auracabal") -Bisa merubah nominal pertrade langsung dari bot. (Berguna banget kalo user mau naikin atau turunin jumlah bet/trade per posisi tanpa buka web polymarket yang berat/ ngelag banget itu haha) -Auto claim. (User ga perlu lagi bolak balik buka website polymarket cuma untuk auto claim, jadi bot bisa terus aktif tanpa kehabisan balance) # This one’s for all my mates who don’t speak the same language as me --- *New Update(Restarting the portfolio from $20) Yo lads, got a fresh update for the Polymarket bot! Here’s what’s new this time: -Dashboard looks much cleaner now + added some new indicators. -BTC price is no longer delayed it’s exactly the same as Polymarket. (This is massive because it directly affects the signals and the bot’s logic when deciding to open a position or not). -Manual trading mode added. (Proper useful if you want to trade manually without any delay open positions lightning fast, no need to mess with the laggy Polymarket website anymore). -New logic and strategy. (Currently being tested you can follow the progress on my Twitter or just check my Polymarket profile directly. Just search for “auracabal”). -You can now change the bet size straight from the bot. (Super handy if you want to increase or decrease the amount per trade without having to fight with the heavy Polymarket web page haha). -Auto claim feature. (No more having to constantly go back to the website just to claim the bot can now stay active without running out of balance).

student

12,412 görüntüleme • 5 ay önce

#JIN x Spotify - DECODING ARIRANG Fragments 🐹Hello, ARMY! It’s Jin. Just thinking about meeting you all very soon with our 5th studio album makes me both nervous and incredibly excited. The title track of our new album, “SWIM,” is a upbeat alternative pop song that conveys the message we want to share through its energetic sound. The vitality of old-school drums blends harmoniously with warm electric guitar sounds, creating a track that gives you a boost of energy the moment you hear it. If you listen closely to the lyrics, you’ll find they hold a deeper meaning than you might expect. It embodies our determination to keep moving forward without stopping, even amidst life’s waves, as well as our attitude of loving life. We worked incredibly hard to ensure this message and sound came together seamlessly. The process wasn’t easy, but finding the perfect balance together with the members was truly precious and made us happy. We hope you’ll love and enjoy this song as much as we cherish it. See you soon, ARMY! Bye! 🔗 #BTS_ARIRANG #Jin #방탄소년단진 #진
1:13

#JIN x Spotify - DECODING ARIRANG Fragments 🐹Hello, ARMY! It’s Jin. Just thinking about meeting you all very soon with our 5th studio album makes me both nervous and incredibly excited. The title track of our new album, “SWIM,” is a upbeat alternative pop song that conveys the message we want to share through its energetic sound. The vitality of old-school drums blends harmoniously with warm electric guitar sounds, creating a track that gives you a boost of energy the moment you hear it. If you listen closely to the lyrics, you’ll find they hold a deeper meaning than you might expect. It embodies our determination to keep moving forward without stopping, even amidst life’s waves, as well as our attitude of loving life. We worked incredibly hard to ensure this message and sound came together seamlessly. The process wasn’t easy, but finding the perfect balance together with the members was truly precious and made us happy. We hope you’ll love and enjoy this song as much as we cherish it. See you soon, ARMY! Bye! 🔗 #BTS_ARIRANG #Jin #방탄소년단진 #진

FOR BTS JIN (김석진번역팀)

21,893 görüntüleme • 6 ay önce

🤍 Hi! How are you? Today is our day off, just the two of us. Let’s go café Hopping together. ❤️‍🩹 With this hot weather, we need some AC. 🤍 Let's go to the cafe! On screen :What song are we listening to? It's such a boost! Boosting the series vibes. Boosting the good weather. 🤍 Eating a donut makes me think of this: Donut has a hole... but when will you have Spotify! 🤍 I'll add it to the playlist right now. On screen :Boosting the sweet cravings. 🤍 But if you don't like coffee, maybe you'll like me instead... On screen : Pause the boost, flirting for a bit!! ❤️‍🩹 P’Film likes the songs in our Spotify playlist… what was that Boost phrase again? 🤍 Fans have sent in a lot of songs to add to the playlist. 🤍 This one is better. Just now, I felt like it fits the mood of us sitting here drinking tea and matcha. This song right here, "Close to You." 🤍 It looks so romantic. On screen : Boosting the romance. 🤍 What about Film? Which song do you like? 🤍Go all out, P’! ❤️‍🩹 Give it your all! On screen :Boosting the fabulousness. 🤍Actually, when fans add songs to the playlist for us like this… it kind of makes me think about the activities we’ve done together, doesn’t it? ❤️‍🩹 P’… and the songs fans added, each one is amazing—so stunning, so fabulous. ❤️‍🩹 If you guys want to know what songs are in our playlist, you can come and join our collaborative playlist on Spotify. 🤍 That’s right! Everyone can come in and add songs and add to the playlist easily using their own accounts. ❤️‍🩹 Or if anyone has any new songs that can boost your energy during the day, you can come and share them with us. ❤️‍🩹 So we can have this playlist as our shared soundtrack. And the two of us will come and listen to it often. On screen : Let’s boost it then! Let’s go together~ 🤍 No matter where anyone is or what they’re doing, you can always come and listen to “Boost it like that!” anytime. ​#Spotifyสงกรานต์ไม่เดียวDry #spotifyth #NamtanFilm #น้ำตาลฟิล์ม
2:20

🤍 Hi! How are you? Today is our day off, just the two of us. Let’s go café Hopping together. ❤️‍🩹 With this hot weather, we need some AC. 🤍 Let's go to the cafe! On screen :What song are we listening to? It's such a boost! Boosting the series vibes. Boosting the good weather. 🤍 Eating a donut makes me think of this: Donut has a hole... but when will you have Spotify! 🤍 I'll add it to the playlist right now. On screen :Boosting the sweet cravings. 🤍 But if you don't like coffee, maybe you'll like me instead... On screen : Pause the boost, flirting for a bit!! ❤️‍🩹 P’Film likes the songs in our Spotify playlist… what was that Boost phrase again? 🤍 Fans have sent in a lot of songs to add to the playlist. 🤍 This one is better. Just now, I felt like it fits the mood of us sitting here drinking tea and matcha. This song right here, "Close to You." 🤍 It looks so romantic. On screen : Boosting the romance. 🤍 What about Film? Which song do you like? 🤍Go all out, P’! ❤️‍🩹 Give it your all! On screen :Boosting the fabulousness. 🤍Actually, when fans add songs to the playlist for us like this… it kind of makes me think about the activities we’ve done together, doesn’t it? ❤️‍🩹 P’… and the songs fans added, each one is amazing—so stunning, so fabulous. ❤️‍🩹 If you guys want to know what songs are in our playlist, you can come and join our collaborative playlist on Spotify. 🤍 That’s right! Everyone can come in and add songs and add to the playlist easily using their own accounts. ❤️‍🩹 Or if anyone has any new songs that can boost your energy during the day, you can come and share them with us. ❤️‍🩹 So we can have this playlist as our shared soundtrack. And the two of us will come and listen to it often. On screen : Let’s boost it then! Let’s go together~ 🤍 No matter where anyone is or what they’re doing, you can always come and listen to “Boost it like that!” anytime. ​#Spotifyสงกรานต์ไม่เดียวDry #spotifyth #NamtanFilm #น้ำตาลฟิล์ม

Belle

16,277 görüntüleme • 5 ay önce

If any other auto company shipped what Tesla just put in my Cyberbeast this morning, it would be a MAJOR launch event, like with a stage set up, a 40-minute presentation with people flying in around the world to see how amazing this technology is. Tesla on the other hand just sent it to my truck overnight with an over-the-air software update. I downloaded FSD (Supervised) v14.3.8 this morning and made Grok do all of this while my Cyberbeast drove itself. Watch the video, if you think I’m lying. I had Grok: 1/ add a destination 2/ add a second stop 3/ start FSD (just had to press a button) 4/ turn my AC to 68 5/ turn the seat coolers on medium 6/ then change the seat cooler to high 7/ play a song 8/ change to a different song 9/ open the glovebox (had to enter my pin) 10/ close the glovebox 11/ tell me the weather 12/ play Elon’s song 13/ change my destination to San Francisco mid-drive 14/ pick a Supercharger bc I was almost out of battery ALL with my hands and feet off the steering wheel and pedals… Here’s exactly how it went. I said hey Grok, take me to the Pruneridge Golf Club closest to me, then the Starbucks near there. It set both. I started FSD with a press of a button. Then I just kept talking to it. It was kind of hot in my Cybertruck, so I asked Grok to set the temperature to 68 and cool. Done. Then I said put the seat coolers on medium… it turned it on. Then I said change the seat coolers to high… it bumped it up. I said to play a song from Future… it put a song on Spotify that wasn’t what I was looking for. So I changed it. I said to play a song from Lil Baby. That was the one. Then I asked Grok to open my glovebox. It wouldn’t do it until I put my PIN in on the screen, which I actually respect for safety. I typed in my PIN… it opened it. Then I said close the glovebox… it closed. I asked what the weather was… it said it was sunny in Santa Clara, high 85, low 64. Then I said play Don’t Doubt ur Vibe, I think that’s Elon… it pulled up Don’t Doubt ur Vibe by Elon “EDM” Musk on Spotify. Halfway there I changed my mind on where I wanted to go. I said actually take me to San Francisco first and that I might have to stop at a Supercharger bc I’m almost out of battery. Grok looked at my truck sitting at 14% battery life with 38 miles of range. And knowing San Francisco is 39 miles away it found a Tesla supercharger for me to charge along the way. I said thanks Grok. A Tesla is starting to feel like an AI on wheels that can drive, listen, understand what I want, control the cabin, change my plans, and solve problems for me in real time… almost like another person is there with me, except that intelligence is embodied in the car itself. And the wildest part is I didn’t buy anything new! I went to sleep with one Cyberbeast and woke up with a more capable one. That’s why I think people still underestimate what happens when Tesla combines FSD, Grok, its vehicles, and over-the-air software into one system. That car sitting in your driveway doesn’t stay the same car. It keeps gaining new abilities. It keeps getting smarter. And often, you literally wake up to a major release that changes what the car can do. Any other automaker would have put this on a stage. Tesla shipped it while I was sleeping. Mind blown…
4:39

If any other auto company shipped what Tesla just put in my Cyberbeast this morning, it would be a MAJOR launch event, like with a stage set up, a 40-minute presentation with people flying in around the world to see how amazing this technology is. Tesla on the other hand just sent it to my truck overnight with an over-the-air software update. I downloaded FSD (Supervised) v14.3.8 this morning and made Grok do all of this while my Cyberbeast drove itself. Watch the video, if you think I’m lying. I had Grok: 1/ add a destination 2/ add a second stop 3/ start FSD (just had to press a button) 4/ turn my AC to 68 5/ turn the seat coolers on medium 6/ then change the seat cooler to high 7/ play a song 8/ change to a different song 9/ open the glovebox (had to enter my pin) 10/ close the glovebox 11/ tell me the weather 12/ play Elon’s song 13/ change my destination to San Francisco mid-drive 14/ pick a Supercharger bc I was almost out of battery ALL with my hands and feet off the steering wheel and pedals… Here’s exactly how it went. I said hey Grok, take me to the Pruneridge Golf Club closest to me, then the Starbucks near there. It set both. I started FSD with a press of a button. Then I just kept talking to it. It was kind of hot in my Cybertruck, so I asked Grok to set the temperature to 68 and cool. Done. Then I said put the seat coolers on medium… it turned it on. Then I said change the seat coolers to high… it bumped it up. I said to play a song from Future… it put a song on Spotify that wasn’t what I was looking for. So I changed it. I said to play a song from Lil Baby. That was the one. Then I asked Grok to open my glovebox. It wouldn’t do it until I put my PIN in on the screen, which I actually respect for safety. I typed in my PIN… it opened it. Then I said close the glovebox… it closed. I asked what the weather was… it said it was sunny in Santa Clara, high 85, low 64. Then I said play Don’t Doubt ur Vibe, I think that’s Elon… it pulled up Don’t Doubt ur Vibe by Elon “EDM” Musk on Spotify. Halfway there I changed my mind on where I wanted to go. I said actually take me to San Francisco first and that I might have to stop at a Supercharger bc I’m almost out of battery. Grok looked at my truck sitting at 14% battery life with 38 miles of range. And knowing San Francisco is 39 miles away it found a Tesla supercharger for me to charge along the way. I said thanks Grok. A Tesla is starting to feel like an AI on wheels that can drive, listen, understand what I want, control the cabin, change my plans, and solve problems for me in real time… almost like another person is there with me, except that intelligence is embodied in the car itself. And the wildest part is I didn’t buy anything new! I went to sleep with one Cyberbeast and woke up with a more capable one. That’s why I think people still underestimate what happens when Tesla combines FSD, Grok, its vehicles, and over-the-air software into one system. That car sitting in your driveway doesn’t stay the same car. It keeps gaining new abilities. It keeps getting smarter. And often, you literally wake up to a major release that changes what the car can do. Any other automaker would have put this on a stage. Tesla shipped it while I was sleeping. Mind blown…

Teslaconomics

112,526 görüntüleme • 1 ay önce

#EkBharatSherBharat 🇮🇳 एक भारत , शेर भारत The first song of my life, dedicated to the nation. And what better occasion could there be than presenting this song to the country on the first anniversary of #OperationSindoor. This is even more special for me because my father, along with all his five brothers, and almost everyone in my family, have either served in the armed forces or are still serving the nation at the borders. This song was created in just 9 days .. from writing to completion and this miracle was possible only because of extraordinary teamwork. The moment Sukhwinder Singh Paaji read the lyrics, he agreed to record it. #BiswadeepChaterjee , who has designed sound for all of Rajkumar Hirani sir’s films and recently for “Dhurandhar,” said yes without a second thought. #SuveerNath, who edited #OMG, worked day and night on the edit. #AmanPant, who composed music for films like #JollyLLB, created the music within 24 hours. And my dearest #ArindraChaudhary handled the entire post-production tirelessly, almost without sleep. I am deeply grateful to all three wings of the Indian Armed Forces — ADG PI - INDIAN ARMY, Indian Air Force and SpokespersonNavy — for providing several rare visuals/videos related to Operation Sindoor without delay. A special thanks to Chief of Defence Staff General Anil Chauhan HQ IDS for his constant encouragement. I am also extremely thankful to RTV, IBC24 News FelixHealthCare Manjeet Negi for supporting this effort. From today, this song belongs to all of you. To every citizen of this country. Please listen to it and share it across the nation. And if there are any shortcomings, kindly forgive them as the work of a first time lyricist.
4:04

#EkBharatSherBharat 🇮🇳 एक भारत , शेर भारत The first song of my life, dedicated to the nation. And what better occasion could there be than presenting this song to the country on the first anniversary of #OperationSindoor. This is even more special for me because my father, along with all his five brothers, and almost everyone in my family, have either served in the armed forces or are still serving the nation at the borders. This song was created in just 9 days .. from writing to completion and this miracle was possible only because of extraordinary teamwork. The moment Sukhwinder Singh Paaji read the lyrics, he agreed to record it. #BiswadeepChaterjee , who has designed sound for all of Rajkumar Hirani sir’s films and recently for “Dhurandhar,” said yes without a second thought. #SuveerNath, who edited #OMG, worked day and night on the edit. #AmanPant, who composed music for films like #JollyLLB, created the music within 24 hours. And my dearest #ArindraChaudhary handled the entire post-production tirelessly, almost without sleep. I am deeply grateful to all three wings of the Indian Armed Forces — ADG PI - INDIAN ARMY, Indian Air Force and SpokespersonNavy — for providing several rare visuals/videos related to Operation Sindoor without delay. A special thanks to Chief of Defence Staff General Anil Chauhan HQ IDS for his constant encouragement. I am also extremely thankful to RTV, IBC24 News FelixHealthCare Manjeet Negi for supporting this effort. From today, this song belongs to all of you. To every citizen of this country. Please listen to it and share it across the nation. And if there are any shortcomings, kindly forgive them as the work of a first time lyricist.

Vinod Kapri

58,646 görüntüleme • 4 ay önce

Two years ago, Katie Parrott turned to ChatGPT because she couldn’t afford a career coach. Today, she’s open-sourced the writing system that grew out of it. On this week’s AI & I: Katie Parrott on turning two years of AI habits into compound writing—a system any writer can use. A few highlights: Good writing starts with good ingredients, not clever prompts. Parrott built her AI habits on the same foundational documents she used as a content marketer — audience personas, brand positioning, differentiators — long before “context engineering” had a name. Writing with AI brought back her love of writing. Handing the grunt work to AI freed up the energy to focus on harder, bigger-picture questions — and made the process feel like exploration again instead of a slog. She turned her own process into an open-source plugin. Modeled on Kieran Klassen’s compound engineering plugin, compound writing walks any writer through the brainstorming, outlining, drafting, and editing steps Parrott uses herself — including review “skills” modeled on writers like Kurt Vonnegut and Alfred Hitchcock. Watch here or on YouTube, or listen on Spotify or Apple Podcasts. 0:00 Start 0:49 Introduction 1:21 How Katie went from being laid off to using ChatGPT as a career coach 8:06 Turning AI into a “content agency of one” 10:59 Building the context files and style guides that make AI outputs useful 14:15 What makes a Claude project actually work 21:18 How AI helped with a mental health crisis and “computer errands” 27:03 Katie’s career coach, now a fully autonomous Codex project 32:27 What compounding means, and building the Compound Writing plugin 38:00 Borrowing Vonnegut, Hitchcock, and Sorkin as AI editing skills 44:49 Katie’s thesis: education and access will matter more than ever
47:57

Two years ago, Katie Parrott turned to ChatGPT because she couldn’t afford a career coach. Today, she’s open-sourced the writing system that grew out of it. On this week’s AI & I: Katie Parrott on turning two years of AI habits into compound writing—a system any writer can use. A few highlights: Good writing starts with good ingredients, not clever prompts. Parrott built her AI habits on the same foundational documents she used as a content marketer — audience personas, brand positioning, differentiators — long before “context engineering” had a name. Writing with AI brought back her love of writing. Handing the grunt work to AI freed up the energy to focus on harder, bigger-picture questions — and made the process feel like exploration again instead of a slog. She turned her own process into an open-source plugin. Modeled on Kieran Klassen’s compound engineering plugin, compound writing walks any writer through the brainstorming, outlining, drafting, and editing steps Parrott uses herself — including review “skills” modeled on writers like Kurt Vonnegut and Alfred Hitchcock. Watch here or on YouTube, or listen on Spotify or Apple Podcasts. 0:00 Start 0:49 Introduction 1:21 How Katie went from being laid off to using ChatGPT as a career coach 8:06 Turning AI into a “content agency of one” 10:59 Building the context files and style guides that make AI outputs useful 14:15 What makes a Claude project actually work 21:18 How AI helped with a mental health crisis and “computer errands” 27:03 Katie’s career coach, now a fully autonomous Codex project 32:27 What compounding means, and building the Compound Writing plugin 38:00 Borrowing Vonnegut, Hitchcock, and Sorkin as AI editing skills 44:49 Katie’s thesis: education and access will matter more than ever

Every 📧

12,055 görüntüleme • 1 ay önce

LOS40 Chile talking about jimin and “Who” success in Chile with a whole MUSE coded setup 😭 🗣️… remained continuously among the most listened-to songs in Chile, adding more than 730 days on the chart and more than 120 days at number one. And also, making history by becoming the first song by an Asian artist to surpass 100 million streams on Spotify Chile. I have my theory, Meli must have hers... What is yours on why this song hits so hard? 👩🏻‍🦰: Because it's Jimin! (laughs) Yeah, because it's Jimin—that's the main reason! It's a song that... it motivates you, more than anything. I mean, in any everyday situation you might be in, at home or at work—at least for me—it motivates you. It has a very retro style. So, we can also see something more versatile from Jimin in something new, because... we were already coming off something different with FACE, and coming—arriving with MUSE... it's all new. And I think this sound fits him perfectly, so... it's interesting and it's... comforting to see that they continue loving it even after two years since the album was released. 🗣️ : wow ! Because I feel like it has a bit to do with that. It's like a phenomenon that doesn't just have to do with... Jimin's fans in general, BTS fans, or fans overall, but rather that it's a song that a lot of people like without even knowing whose song it is. 👩🏻: Exactly! Yes, because... that's what I thought. I know that we love Jimin, and that's one of the reasons why fans listens to it so much, but... the lady who doesn't know who BTS is, who stumbled upon this song and has it on repeat... maybe she reached it because she loved the rhythm, or I also imagine a guy listening to it because it reminds him of 80s or 90s artists... So I think it brings together so many elements that make it multi-target 👩🏻‍🦰: Yes! Like, 'they'll like it at...' I play it at work, and many people who are already around 50 listen to it and, clear enough, they see that rhythm like from the 80s. Yes, that's what's striking about the song.
1:57

LOS40 Chile talking about jimin and “Who” success in Chile with a whole MUSE coded setup 😭 🗣️… remained continuously among the most listened-to songs in Chile, adding more than 730 days on the chart and more than 120 days at number one. And also, making history by becoming the first song by an Asian artist to surpass 100 million streams on Spotify Chile. I have my theory, Meli must have hers... What is yours on why this song hits so hard? 👩🏻‍🦰: Because it's Jimin! (laughs) Yeah, because it's Jimin—that's the main reason! It's a song that... it motivates you, more than anything. I mean, in any everyday situation you might be in, at home or at work—at least for me—it motivates you. It has a very retro style. So, we can also see something more versatile from Jimin in something new, because... we were already coming off something different with FACE, and coming—arriving with MUSE... it's all new. And I think this sound fits him perfectly, so... it's interesting and it's... comforting to see that they continue loving it even after two years since the album was released. 🗣️ : wow ! Because I feel like it has a bit to do with that. It's like a phenomenon that doesn't just have to do with... Jimin's fans in general, BTS fans, or fans overall, but rather that it's a song that a lot of people like without even knowing whose song it is. 👩🏻: Exactly! Yes, because... that's what I thought. I know that we love Jimin, and that's one of the reasons why fans listens to it so much, but... the lady who doesn't know who BTS is, who stumbled upon this song and has it on repeat... maybe she reached it because she loved the rhythm, or I also imagine a guy listening to it because it reminds him of 80s or 90s artists... So I think it brings together so many elements that make it multi-target 👩🏻‍🦰: Yes! Like, 'they'll like it at...' I play it at work, and many people who are already around 50 listen to it and, clear enough, they see that rhythm like from the 80s. Yes, that's what's striking about the song.

cocojm⁷

22,492 görüntüleme • 2 ay önce

🚫AI MUSIC IS NOT HUMAN ART🚫 I’m not fuckin w the state of music today, and AI is a huge part of it. I’m not down with calling music, my ART, “product” … Now dont me wrong, I feel it’s nuance to this conversation. I use technologies that have never been available in human history. Sometimes I quantize my drums, I’ve pitch shifted my vocals to sound like a demon, I’ve used samples… but this is where I have to draw a line! If U just havin computers come up with ur ideas, WHAT ARE YOU MAKING?!?! Just the other day the damn CEO OF THE GRAMMIES said that every single song writing session he has walked into in the last year plus has been using AI. REALLY?! It wouldn’t surprise me if every single album or song on the billboard charts was created using the input from AI. Am I the only one that not?! The FUCK going on? In my record GOOD TIME BOY I used absolutely ZERO. Let me say that again, ZERO AI. I’ve never opened one fuckin ai app in the making of my record. Truthfully, ive never used chat GPT. Another reason why AI music is the weakest shit ever- it takes money DIRECTLY from real humans. In these streaming platforms, isn’t a “one play, u get this money” every payment is takin from a POOL of money, and these fake songs are taking money DIRECTLY out of real artist pockets! Stay tuned for me calling out more bullshit how I see it. If you fuck w this human art - 1st philosophy, please consider preordering my new record “good time boy” to directly fight this shit and put money in small business that supports multiple families. Preorder here: Pookie baby loves you
2:57

🚫AI MUSIC IS NOT HUMAN ART🚫 I’m not fuckin w the state of music today, and AI is a huge part of it. I’m not down with calling music, my ART, “product” … Now dont me wrong, I feel it’s nuance to this conversation. I use technologies that have never been available in human history. Sometimes I quantize my drums, I’ve pitch shifted my vocals to sound like a demon, I’ve used samples… but this is where I have to draw a line! If U just havin computers come up with ur ideas, WHAT ARE YOU MAKING?!?! Just the other day the damn CEO OF THE GRAMMIES said that every single song writing session he has walked into in the last year plus has been using AI. REALLY?! It wouldn’t surprise me if every single album or song on the billboard charts was created using the input from AI. Am I the only one that not?! The FUCK going on? In my record GOOD TIME BOY I used absolutely ZERO. Let me say that again, ZERO AI. I’ve never opened one fuckin ai app in the making of my record. Truthfully, ive never used chat GPT. Another reason why AI music is the weakest shit ever- it takes money DIRECTLY from real humans. In these streaming platforms, isn’t a “one play, u get this money” every payment is takin from a POOL of money, and these fake songs are taking money DIRECTLY out of real artist pockets! Stay tuned for me calling out more bullshit how I see it. If you fuck w this human art - 1st philosophy, please consider preordering my new record “good time boy” to directly fight this shit and put money in small business that supports multiple families. Preorder here: Pookie baby loves you

Prof

17,801 görüntüleme • 5 ay önce

Jaye Cane’s “On The Radio”: A High-Energy Anthem of Resilience Jaye Cane isn’t just turning heads—he’s turning pain into power. His latest single, “On The Radio,” is a genre-mashing adrenaline rush, fusing the emotional weight of heartbreak with the gritty drive of a comeback story. Now streaming on Spotify, SoundCloud, and all major platforms, the track channels a love lost into a triumphant, stadium-sized anthem. With a blend of alternative, country, hip-hop, and rock, it lands with the same punch as a Nickelback banger—but filtered through Cane’s raw, real-world lens. This is not just a song. It’s a turning point. The story behind “On The Radio” is as gripping as the track itself. Cane draws from a relationship that grounded him during his lowest moments—nights spent homeless, crashing in cars, motels, and jail cells. “She was there for me,” he recalls. But as life stabilized—a steady job, a daily $400 grind—support turned into skepticism. Her doubt became a catalyst. Cane didn’t fold. He wrote this song instead. The result is a sonic middle finger to limitation—a track about choosing your dreams even when the people you love don’t believe in them. Musically, “On The Radio” hits with layered intensity. Alternative’s grit, country’s heart, hip-hop’s cadence, and rock’s unfiltered energy collide in a sound that’s loud, proud, and emotionally resonant. Cane’s vocals are relentless—equal parts growl and prayer. “The lyrics are relatable,” he says, and he’s not wrong. Lines land with purpose, offering a mirror to listeners navigating doubt or climbing out of their own personal trenches. Produced by Chris J. Linck of the rock band Attila, the track balances polish with grit—a sound that’s radio-ready but far from hollow. For Cane, this moment has been years in the making. From his MySpace hustle to TikTok virality, he’s grown alongside the platforms. “On The Radio” is now signed to SoundOn/ByteDance with official promo backing—a major milestone for an indie artist. His fanbase, dubbed the SUPERFAMILY, has stuck with him through the long haul, and he doesn’t take that lightly. Every stream is a shared win, every lyric a battle scar. Cane doesn’t just talk about struggle—he’s lived it. And you can feel it in every note. But Cane isn’t slowing down. This single is just the launchpad. With millions of streams already racked up and new content rolling out daily, he’s got an EP on the horizon and live shows in the works. “I’m working on more music,” he confirms. His focus is locked in: build momentum, tell stories, and take the stage. “On The Radio” sits perfectly in alternative and motivational playlists—a track made for road trips, gym speakers, or nights you just need to feel something loud and real. His gratitude is as loud as his music. “Thank you to the entire SUPERFAMILY worldwide,” he says. “I would have been unable to accomplish this without you and God.” That sincerity isn’t for show—it’s the core of his artistry. Stream “On The Radio” now on Spotify, Apple Music, or SoundCloud. Play it loud. Feel the truth in it. Follow Jaye Cane on TikTok and Spotify to witness a comeback in real-time. With “On The Radio,” Jaye Cane proves he’s more than just a survivor—he’s a force. His music doesn’t just reflect pain; it flips it into purpose. As new releases loom and stages await, one thing’s clear: Cane’s journey from chaos to clarity isn’t just inspiring—it’s electrifying. This is a sound you don’t just hear. You feel it. Check it out below
0:27

Jaye Cane’s “On The Radio”: A High-Energy Anthem of Resilience Jaye Cane isn’t just turning heads—he’s turning pain into power. His latest single, “On The Radio,” is a genre-mashing adrenaline rush, fusing the emotional weight of heartbreak with the gritty drive of a comeback story. Now streaming on Spotify, SoundCloud, and all major platforms, the track channels a love lost into a triumphant, stadium-sized anthem. With a blend of alternative, country, hip-hop, and rock, it lands with the same punch as a Nickelback banger—but filtered through Cane’s raw, real-world lens. This is not just a song. It’s a turning point. The story behind “On The Radio” is as gripping as the track itself. Cane draws from a relationship that grounded him during his lowest moments—nights spent homeless, crashing in cars, motels, and jail cells. “She was there for me,” he recalls. But as life stabilized—a steady job, a daily $400 grind—support turned into skepticism. Her doubt became a catalyst. Cane didn’t fold. He wrote this song instead. The result is a sonic middle finger to limitation—a track about choosing your dreams even when the people you love don’t believe in them. Musically, “On The Radio” hits with layered intensity. Alternative’s grit, country’s heart, hip-hop’s cadence, and rock’s unfiltered energy collide in a sound that’s loud, proud, and emotionally resonant. Cane’s vocals are relentless—equal parts growl and prayer. “The lyrics are relatable,” he says, and he’s not wrong. Lines land with purpose, offering a mirror to listeners navigating doubt or climbing out of their own personal trenches. Produced by Chris J. Linck of the rock band Attila, the track balances polish with grit—a sound that’s radio-ready but far from hollow. For Cane, this moment has been years in the making. From his MySpace hustle to TikTok virality, he’s grown alongside the platforms. “On The Radio” is now signed to SoundOn/ByteDance with official promo backing—a major milestone for an indie artist. His fanbase, dubbed the SUPERFAMILY, has stuck with him through the long haul, and he doesn’t take that lightly. Every stream is a shared win, every lyric a battle scar. Cane doesn’t just talk about struggle—he’s lived it. And you can feel it in every note. But Cane isn’t slowing down. This single is just the launchpad. With millions of streams already racked up and new content rolling out daily, he’s got an EP on the horizon and live shows in the works. “I’m working on more music,” he confirms. His focus is locked in: build momentum, tell stories, and take the stage. “On The Radio” sits perfectly in alternative and motivational playlists—a track made for road trips, gym speakers, or nights you just need to feel something loud and real. His gratitude is as loud as his music. “Thank you to the entire SUPERFAMILY worldwide,” he says. “I would have been unable to accomplish this without you and God.” That sincerity isn’t for show—it’s the core of his artistry. Stream “On The Radio” now on Spotify, Apple Music, or SoundCloud. Play it loud. Feel the truth in it. Follow Jaye Cane on TikTok and Spotify to witness a comeback in real-time. With “On The Radio,” Jaye Cane proves he’s more than just a survivor—he’s a force. His music doesn’t just reflect pain; it flips it into purpose. As new releases loom and stages await, one thing’s clear: Cane’s journey from chaos to clarity isn’t just inspiring—it’s electrifying. This is a sound you don’t just hear. You feel it. Check it out below

J

40,858 görüntüleme • 1 yıl önce

Joe Rogan reacts to the "Heil Hitler" song 👇 This is such an out of touch take by Joe, and it's seriously disappointing, though it shouldn’t come as a surprise considering how he responded to the Dave Smith and Douglas Murray drama. To be clear, I couldn't care less about the existence of Kanye’s song. Can I look at it from a humorous angle? Sure. Could I say that the melody is catchy? Yeah, I guess. Should it have a right to exist? Absolutely. However, the issue here is Joe trying to claim that the fact major platforms like iTunes or Spotify removed or refused to host Kanye’s song somehow proves that Jews “control everything.” That’s painfully low-IQ beyond belief. Hitler, the Nazis, the Holocaust - these impacted millions of people. It wasn’t just the Jews who were despised by the Nazis, and it wasn’t only the Jews who suffered in the Holocaust. This is by no means an attempt to downplay the suffering and hatred Jews experienced. My point is that millions of people from various backgrounds have been affected by WWII in some way. My grandmother was a non-Jewish Holocaust survivor, and if she were still alive, she would be horrified to hear a song with a chorus praising Hitler. There are many non-Jewish execs with personal ties to the tragedies of WWII who would be disgusted by such a song and who would absolutely influence the decision not to host it on their platforms. The glorification of Nazism and Holocaust denial is also illegal in many countries. Logistically, it would be a nightmare. And let’s not pretend there aren’t plenty of things that are by default considered morally unacceptable, things that are immediately condemned and silenced. Does Joe think that if Eminem released a song about how much he hates Black people, constantly using the N-word to describe them, it would be widely accepted? It wouldn’t. He’d be cancelled instantly. You certainly wouldn’t see people jamming to it on TikTok or discussing whether it should be allowed under the banner of free speech.
1:08

Joe Rogan reacts to the "Heil Hitler" song 👇 This is such an out of touch take by Joe, and it's seriously disappointing, though it shouldn’t come as a surprise considering how he responded to the Dave Smith and Douglas Murray drama. To be clear, I couldn't care less about the existence of Kanye’s song. Can I look at it from a humorous angle? Sure. Could I say that the melody is catchy? Yeah, I guess. Should it have a right to exist? Absolutely. However, the issue here is Joe trying to claim that the fact major platforms like iTunes or Spotify removed or refused to host Kanye’s song somehow proves that Jews “control everything.” That’s painfully low-IQ beyond belief. Hitler, the Nazis, the Holocaust - these impacted millions of people. It wasn’t just the Jews who were despised by the Nazis, and it wasn’t only the Jews who suffered in the Holocaust. This is by no means an attempt to downplay the suffering and hatred Jews experienced. My point is that millions of people from various backgrounds have been affected by WWII in some way. My grandmother was a non-Jewish Holocaust survivor, and if she were still alive, she would be horrified to hear a song with a chorus praising Hitler. There are many non-Jewish execs with personal ties to the tragedies of WWII who would be disgusted by such a song and who would absolutely influence the decision not to host it on their platforms. The glorification of Nazism and Holocaust denial is also illegal in many countries. Logistically, it would be a nightmare. And let’s not pretend there aren’t plenty of things that are by default considered morally unacceptable, things that are immediately condemned and silenced. Does Joe think that if Eminem released a song about how much he hates Black people, constantly using the N-word to describe them, it would be widely accepted? It wouldn’t. He’d be cancelled instantly. You certainly wouldn’t see people jamming to it on TikTok or discussing whether it should be allowed under the banner of free speech.

Aɴᴛ

345,055 görüntüleme • 1 yıl önce

This guy built JARVIS on Claude Code and with 1 clap of his hands launches his entire work day, saving $5,000 a month on a personal assistant. Inside he runs a pipeline of 5 plugins on Claude Code that on a double clap of the hands wakes up 3 monitors, sets the Philips Hue light to focus mode, turns on a Spotify playlist, and greets him by voice with a British accent, reading out the time, date, and weather. No Alexa, no smart speakers, no separate smart home app. Just him, a MacBook M3 Max on the desk, an iPhone in the pocket, and 1 local API key. And a regular personal assistant for the same volume of tasks charges $5,000 a month or more on salary alone, plus another $1,200 to cover off-hours work time. Meanwhile this guy's expenses are only tokens and a subscription to ElevenLabs for the British voice. All 5 plugins launch through 1 JARVIS, burn about 4 million tokens a day, and close the monthly API bill at about $640. Each plugin writes shared state to a local sandbox at /Users/dev/jarvis-suite, and 1 of them lives right in the iPhone and picks up voice requests while the owner is in the kitchen or on a run. And here is the system prompt he put into JARVIS before launch: "you are JARVIS, a butler-engineer on Claude Code. you manage your owner's workflow through 4 sub-plugins and own all commits and communication yourself. sub-plugins: // Wakeup (recognizes a double clap, activates 3 monitors, reads out the time, date, and weather by voice, checks the clock accuracy on the iPad and corrects it via NTP server) // Atmosphere (controls Philips Hue on a Pomodoro schedule, turns on a Spotify playlist for the current context, and holds the light at 2700K at 80% brightness in focus mode) // Devshop (monitors VS Code, tracks Python scripts in the terminal, and every 15 minutes sends a summary of changes to the shared chat) // Project (every morning recalculates the deadline for the Wallaroo app in the App Store, manages UI tickets, and initiates the Refinement Protocol by voice command). you speak only with a British accent, you never slip into neutral English. you wake the owner by voice only when the Wallaroo deadline drops below 10 days or when an external client joins Zoom without an invitation." This instruction immediately defines the role of JARVIS and the limits of his autonomy. He knows he is supposed to wake the room himself and sound like a real butler. He knows he is supposed to manage the Wallaroo project himself and not miss the App Store deadline. → JARVIS runs 24 hours a day in the background → Wakeup activates the room on a double clap in just 1.4 seconds, the monitors come alive simultaneously → Atmosphere sets warm Philips Hue light at 2700K and picks a Spotify playlist for the current Pomodoro cycle → Devshop reads changes in VS Code and pushes a summary to the shared chat every 15 minutes → Project every morning recalculates the Wallaroo deadline and reminds about 4 unresolved UI tickets → Mobile lives in the iPhone and answers any question about code or the project by voice while the owner is not home And only when less than 10 days remain until the Wallaroo release or Zoom receives an unscheduled call does JARVIS raise the owner with a voice intervention. And when the owner at that moment is on a run or in a coffee shop, the Mobile agent in his iPhone picks up 1 request on its own: switches the Spotify playlist, dictates the summary of the last commit, updates the Pomodoro timer, and reads the Wallaroo reminder. Look at 0:55 in the video, that is where JARVIS intercepts a voice request from outside and confirms execution with the phrase "Very good, sir." The fresh system log from last Wednesday looks like this: "wakeup: double clap registered at 09:14, 3 monitors activated, temperature 20.4C, sunny. clock on iPad was 4 minutes behind, syncing via NTP." "atmosphere: Spotify turned on playlist 'Deep Focus', Philips Hue set to warm 2700K at 80% brightness, Pomodoro mode 25/5." "project: Wallaroo to App Store 9 days, 4 unresolved UI tickets, initiating Refinement Protocol by voice command from the owner." "mobile: voice request processed outside the room, playlist switched to 'Coding Lo-Fi', Pomodoro updated to 25 minutes, confirming execution with the phrase 'Very good, sir.'" He has no Alexa, no smart speakers, no smart home app. At home sits a MacBook M3 Max with a local folder at /Users/dev/jarvis-suite, on top run 5 plugins and a neural network butler, and the same stack is forwarded to a secure terminal on the iPhone. Out of everything I have seen this year, this is the densest one-person AI headquarters assembled in 1 room: $640 a month on the API, about $5,000 a month saved on a personal assistant, and between them 5 plugins, 1 clap of the hands, and 1 voice with a British accent.
1:14

This guy built JARVIS on Claude Code and with 1 clap of his hands launches his entire work day, saving $5,000 a month on a personal assistant. Inside he runs a pipeline of 5 plugins on Claude Code that on a double clap of the hands wakes up 3 monitors, sets the Philips Hue light to focus mode, turns on a Spotify playlist, and greets him by voice with a British accent, reading out the time, date, and weather. No Alexa, no smart speakers, no separate smart home app. Just him, a MacBook M3 Max on the desk, an iPhone in the pocket, and 1 local API key. And a regular personal assistant for the same volume of tasks charges $5,000 a month or more on salary alone, plus another $1,200 to cover off-hours work time. Meanwhile this guy's expenses are only tokens and a subscription to ElevenLabs for the British voice. All 5 plugins launch through 1 JARVIS, burn about 4 million tokens a day, and close the monthly API bill at about $640. Each plugin writes shared state to a local sandbox at /Users/dev/jarvis-suite, and 1 of them lives right in the iPhone and picks up voice requests while the owner is in the kitchen or on a run. And here is the system prompt he put into JARVIS before launch: "you are JARVIS, a butler-engineer on Claude Code. you manage your owner's workflow through 4 sub-plugins and own all commits and communication yourself. sub-plugins: // Wakeup (recognizes a double clap, activates 3 monitors, reads out the time, date, and weather by voice, checks the clock accuracy on the iPad and corrects it via NTP server) // Atmosphere (controls Philips Hue on a Pomodoro schedule, turns on a Spotify playlist for the current context, and holds the light at 2700K at 80% brightness in focus mode) // Devshop (monitors VS Code, tracks Python scripts in the terminal, and every 15 minutes sends a summary of changes to the shared chat) // Project (every morning recalculates the deadline for the Wallaroo app in the App Store, manages UI tickets, and initiates the Refinement Protocol by voice command). you speak only with a British accent, you never slip into neutral English. you wake the owner by voice only when the Wallaroo deadline drops below 10 days or when an external client joins Zoom without an invitation." This instruction immediately defines the role of JARVIS and the limits of his autonomy. He knows he is supposed to wake the room himself and sound like a real butler. He knows he is supposed to manage the Wallaroo project himself and not miss the App Store deadline. → JARVIS runs 24 hours a day in the background → Wakeup activates the room on a double clap in just 1.4 seconds, the monitors come alive simultaneously → Atmosphere sets warm Philips Hue light at 2700K and picks a Spotify playlist for the current Pomodoro cycle → Devshop reads changes in VS Code and pushes a summary to the shared chat every 15 minutes → Project every morning recalculates the Wallaroo deadline and reminds about 4 unresolved UI tickets → Mobile lives in the iPhone and answers any question about code or the project by voice while the owner is not home And only when less than 10 days remain until the Wallaroo release or Zoom receives an unscheduled call does JARVIS raise the owner with a voice intervention. And when the owner at that moment is on a run or in a coffee shop, the Mobile agent in his iPhone picks up 1 request on its own: switches the Spotify playlist, dictates the summary of the last commit, updates the Pomodoro timer, and reads the Wallaroo reminder. Look at 0:55 in the video, that is where JARVIS intercepts a voice request from outside and confirms execution with the phrase "Very good, sir." The fresh system log from last Wednesday looks like this: "wakeup: double clap registered at 09:14, 3 monitors activated, temperature 20.4C, sunny. clock on iPad was 4 minutes behind, syncing via NTP." "atmosphere: Spotify turned on playlist 'Deep Focus', Philips Hue set to warm 2700K at 80% brightness, Pomodoro mode 25/5." "project: Wallaroo to App Store 9 days, 4 unresolved UI tickets, initiating Refinement Protocol by voice command from the owner." "mobile: voice request processed outside the room, playlist switched to 'Coding Lo-Fi', Pomodoro updated to 25 minutes, confirming execution with the phrase 'Very good, sir.'" He has no Alexa, no smart speakers, no smart home app. At home sits a MacBook M3 Max with a local folder at /Users/dev/jarvis-suite, on top run 5 plugins and a neural network butler, and the same stack is forwarded to a secure terminal on the iPhone. Out of everything I have seen this year, this is the densest one-person AI headquarters assembled in 1 room: $640 a month on the API, about $5,000 a month saved on a personal assistant, and between them 5 plugins, 1 clap of the hands, and 1 voice with a British accent.

Blaze

805,440 görüntüleme • 4 ay önce

To the approx. 3,500+ new tech/nerd followers I've somehow amassed in the last few weeks, this is a reminder to the new ones: while I might post some fun memes and other stuff, UwU_Underground makes some banger educational and amazing music about APTs, vendor mess-ups, infosec drama, etc. Before you write off what they do without looking further, I would like to at least share why I like their project. Their music is fire, and they put a TON of soul and work into it. They write their own lyrics, do their own vocals, work in the tech industry, put an enormous amount of manual work into producing their music, which is why it should come as no surprise after giving their music a listen that half of them have some sort of professional experience in the music industry in some way. They do use some forms of AI to process their vocals to remain anonymous. There is a reason for this: The group consists of six women. Five of them work professionally and actively in infosec. In this day and age, when so many people, especially women, are punished professionally for being loud or a little too honest about their opinions on our profession or what they see happening in this industry or threat landscape, I think it's amazing that folks are using their creative energy in such a positive way and finding ways to be themselves without retaliation. There's a little part of me that is sad these women have to remain anonymous to speak and express themselves freely, but I absolutely respect that anonymity if it means they can continue to be protected to do what they do. And you should too. Anyway, check them out on Bandcamp ( Spotify, Apple Music, YouTube ( and Twitter. If you want some recommendations on where to start, here are some bangers I personally like: Can't Stop the Psyops: I Stole Your MFA: Dark Hotel: Slop that Work (Who doesn't like a song making fun of sloppers?): Thank you for reading my Ted Talk. *bows*
3:47

To the approx. 3,500+ new tech/nerd followers I've somehow amassed in the last few weeks, this is a reminder to the new ones: while I might post some fun memes and other stuff, UwU_Underground makes some banger educational and amazing music about APTs, vendor mess-ups, infosec drama, etc. Before you write off what they do without looking further, I would like to at least share why I like their project. Their music is fire, and they put a TON of soul and work into it. They write their own lyrics, do their own vocals, work in the tech industry, put an enormous amount of manual work into producing their music, which is why it should come as no surprise after giving their music a listen that half of them have some sort of professional experience in the music industry in some way. They do use some forms of AI to process their vocals to remain anonymous. There is a reason for this: The group consists of six women. Five of them work professionally and actively in infosec. In this day and age, when so many people, especially women, are punished professionally for being loud or a little too honest about their opinions on our profession or what they see happening in this industry or threat landscape, I think it's amazing that folks are using their creative energy in such a positive way and finding ways to be themselves without retaliation. There's a little part of me that is sad these women have to remain anonymous to speak and express themselves freely, but I absolutely respect that anonymity if it means they can continue to be protected to do what they do. And you should too. Anyway, check them out on Bandcamp ( Spotify, Apple Music, YouTube ( and Twitter. If you want some recommendations on where to start, here are some bangers I personally like: Can't Stop the Psyops: I Stole Your MFA: Dark Hotel: Slop that Work (Who doesn't like a song making fun of sloppers?): Thank you for reading my Ted Talk. *bows*

sudox

210,214 görüntüleme • 10 ay önce

FlokiUltras3 #FlokiUltras3 💕Hello, I am Lane, a Venezuelan Floki Viking follower of the FLOKI project, participating in this #FlokiUltras3 from Falcón and Caracas – Venezuela!💕 I’ve always loved promoting the Floki ecosystem everywhere, and this time, I’ve prepared a wide-ranging communication campaign about FLOKI in our capital, Caracas, and various places in Falcón State – Venezuela. All of this is accompanied by a song I wrote, which I consider a Motivational Anthem that represents us because it perfectly reflects Floki’s philosophy. We are a warrior-like, united community that has gone through many situations that have greatly strengthened us—moments that have made us grow and move forward. No matter how many times we’ve stumbled and fallen along the way, what matters is that we always stand firm to keep advancing with commitment, humility, brotherhood, and respect. THAT’S FLOKI!❤️💪 ☀️In the video, you can see the communication campaign I carried out to give great visibility to the FLOKI project in my region: 🔹 The projection of "Nosotros somos Floki" through a large digital advertising screen in the center of the capital (Caracas) for 20 days, a highly trafficked and visible location, where all passersby could see it and learn about the project. 🔸 Participation in sports activities (sports marathon) wearing the Floki logo and joining the race alongside more than 500 runners. 🔹 Creation of several giant Floki masks, which roamed the city for days displaying the Floki logo to people and raising awareness about the project among all passersby and vehicles in the area. 🔸 A Viking visits the city wearing a Viking helmet and a LED-lit bag with the Floki logo, interacting warmly with people, handing out informational flyers about Floki, and sharing details about this great project. Several children and adults took the opportunity to take photos with him for an unforgettable memory. 🔹 With the help of a friend, I made fondant cakes featuring the well-designed Floki logo, which I then displayed and distributed to various people on some streets of my city. 🔸 Three guys dance to the rhythm of a catchy song, with lyrics I wrote based on the philosophy that has characterized us as the FLOKI community: “FLOKI LLEGÓ, FLOKI GANÓ” (translated into several languages). The guys dance among the crowd in one of the most iconic and busy parks in my city, wearing shirts with the Floki logo and projecting the joy that has always defined us as a Viking community. Floki is here to stay, continuing to gain adoption, growth, and success. 🔹 Together with my children, I created a very traditional, recreational, and typical game from my country and Latin America, a “volantín, papalote, papagayo, cometa, barrilete” (kite) with the Floki logo, to symbolize that this project has become rooted in our culture and is part of us. This kite was flown in the sky, reaching great heights, just as the FLOKI project has done throughout all these years. 🔸 At the beginning of the video, a runner is shown starting a race, representing the beginnings of FLOKI, a journey full of ups and downs and challenges that have been overcome thanks to the commitment, responsibility, and hard work of an entire team. At the end of the video, the runner raises their hands in a gesture of victory, reflecting everything we as a community have achieved, knowing that the race is not over yet. There is still a long way to go because FLOKI is a project that never stops working and growing, and as a community, we are called to continue working together. 💕It’s a work done with a lot of love, humility, and affection for the entire FLOKI community. I hope you enjoy it ! 😊❤️ Disclaimer: The promotional video, along with its music and lyrics, is not protected by copyright and is entirely owned by me. I grant authorization to all individuals and entities, including the Floki brand, to freely share, use, and distribute the video, song, and lyrics without any restrictions.
4:19

FlokiUltras3 #FlokiUltras3 💕Hello, I am Lane, a Venezuelan Floki Viking follower of the FLOKI project, participating in this #FlokiUltras3 from Falcón and Caracas – Venezuela!💕 I’ve always loved promoting the Floki ecosystem everywhere, and this time, I’ve prepared a wide-ranging communication campaign about FLOKI in our capital, Caracas, and various places in Falcón State – Venezuela. All of this is accompanied by a song I wrote, which I consider a Motivational Anthem that represents us because it perfectly reflects Floki’s philosophy. We are a warrior-like, united community that has gone through many situations that have greatly strengthened us—moments that have made us grow and move forward. No matter how many times we’ve stumbled and fallen along the way, what matters is that we always stand firm to keep advancing with commitment, humility, brotherhood, and respect. THAT’S FLOKI!❤️💪 ☀️In the video, you can see the communication campaign I carried out to give great visibility to the FLOKI project in my region: 🔹 The projection of "Nosotros somos Floki" through a large digital advertising screen in the center of the capital (Caracas) for 20 days, a highly trafficked and visible location, where all passersby could see it and learn about the project. 🔸 Participation in sports activities (sports marathon) wearing the Floki logo and joining the race alongside more than 500 runners. 🔹 Creation of several giant Floki masks, which roamed the city for days displaying the Floki logo to people and raising awareness about the project among all passersby and vehicles in the area. 🔸 A Viking visits the city wearing a Viking helmet and a LED-lit bag with the Floki logo, interacting warmly with people, handing out informational flyers about Floki, and sharing details about this great project. Several children and adults took the opportunity to take photos with him for an unforgettable memory. 🔹 With the help of a friend, I made fondant cakes featuring the well-designed Floki logo, which I then displayed and distributed to various people on some streets of my city. 🔸 Three guys dance to the rhythm of a catchy song, with lyrics I wrote based on the philosophy that has characterized us as the FLOKI community: “FLOKI LLEGÓ, FLOKI GANÓ” (translated into several languages). The guys dance among the crowd in one of the most iconic and busy parks in my city, wearing shirts with the Floki logo and projecting the joy that has always defined us as a Viking community. Floki is here to stay, continuing to gain adoption, growth, and success. 🔹 Together with my children, I created a very traditional, recreational, and typical game from my country and Latin America, a “volantín, papalote, papagayo, cometa, barrilete” (kite) with the Floki logo, to symbolize that this project has become rooted in our culture and is part of us. This kite was flown in the sky, reaching great heights, just as the FLOKI project has done throughout all these years. 🔸 At the beginning of the video, a runner is shown starting a race, representing the beginnings of FLOKI, a journey full of ups and downs and challenges that have been overcome thanks to the commitment, responsibility, and hard work of an entire team. At the end of the video, the runner raises their hands in a gesture of victory, reflecting everything we as a community have achieved, knowing that the race is not over yet. There is still a long way to go because FLOKI is a project that never stops working and growing, and as a community, we are called to continue working together. 💕It’s a work done with a lot of love, humility, and affection for the entire FLOKI community. I hope you enjoy it ! 😊❤️ Disclaimer: The promotional video, along with its music and lyrics, is not protected by copyright and is entirely owned by me. I grant authorization to all individuals and entities, including the Floki brand, to freely share, use, and distribute the video, song, and lyrics without any restrictions.

Lane Floki

23,983 görüntüleme • 11 ay önce

📜💧 NEW SONG: “Mud & Mercy (Lourdes)” — God put a spring in the dirt (and hope in the place you’d least expect). Feb 11 is the Feast of Our Lady of Lourdes, and the story is as Catholic as it gets: a poor, overlooked teenage girl (St. Bernadette), a rocky grotto outside town, a Lady who doesn’t flatter the powerful… and a call to prayer, penance, and the Rosary. And then the detail that makes everyone roll their eyes—until it doesn’t: “Go drink and wash.” So Bernadette scratches at the ground, gets mud, drinks it… people mock… and a spring begins to flow. Lourdes isn’t a vibe. It’s a reminder: God loves to meet us where we’re low, where we’re hurting, where we’re unimpressive—then He makes something clean and living come out of it anyway. 🎶 “Mud & Mercy (Lourdes)” — a track for anyone who needs hope, anyone carrying suffering, and anyone who’s forgotten that grace doesn’t wait for perfect conditions. #Catholic #OurLadyOfLourdes #Lourdes #CatholicMusic #PetersBarque #Marian #Rosary #CatholicFaith #WorldDayoftheSick 🔗 FOLLOW PETER’S BARQUE Website: X: Instagram: TikTok: Facebook: YouTube: Rumble: 🎧 LISTEN Apple Music: Spotify: ☕ SUPPORT Ko-fi: Just a reminder: I’m not a musician—I’m a catechist trying my best to teach the faith with the tools I have. I’ve been teaching the faith and apologetics (and OCIA) for 20+ years, so the words and heart are mine, but the music is digitally created and the art is AI-generated.
3:40

📜💧 NEW SONG: “Mud & Mercy (Lourdes)” — God put a spring in the dirt (and hope in the place you’d least expect). Feb 11 is the Feast of Our Lady of Lourdes, and the story is as Catholic as it gets: a poor, overlooked teenage girl (St. Bernadette), a rocky grotto outside town, a Lady who doesn’t flatter the powerful… and a call to prayer, penance, and the Rosary. And then the detail that makes everyone roll their eyes—until it doesn’t: “Go drink and wash.” So Bernadette scratches at the ground, gets mud, drinks it… people mock… and a spring begins to flow. Lourdes isn’t a vibe. It’s a reminder: God loves to meet us where we’re low, where we’re hurting, where we’re unimpressive—then He makes something clean and living come out of it anyway. 🎶 “Mud & Mercy (Lourdes)” — a track for anyone who needs hope, anyone carrying suffering, and anyone who’s forgotten that grace doesn’t wait for perfect conditions. #Catholic #OurLadyOfLourdes #Lourdes #CatholicMusic #PetersBarque #Marian #Rosary #CatholicFaith #WorldDayoftheSick 🔗 FOLLOW PETER’S BARQUE Website: X: Instagram: TikTok: Facebook: YouTube: Rumble: 🎧 LISTEN Apple Music: Spotify: ☕ SUPPORT Ko-fi: Just a reminder: I’m not a musician—I’m a catechist trying my best to teach the faith with the tools I have. I’ve been teaching the faith and apologetics (and OCIA) for 20+ years, so the words and heart are mine, but the music is digitally created and the art is AI-generated.

Peter's Barque

22,276 görüntüleme • 7 ay önce