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(using claude) i just created plugin macos displaying song lyrics sync with ur spotify without auth. jadi bisa nyanyi liat lirik tanpa buka spotify 💃

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˗ˏˋ daisy its sisfor 26

5,199 subscribers

29,574 Aufrufe • vor 1 Monat •via X (Twitter)

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Over the weekend I built a little slime pet with help of claude code. He hangs out, falls asleep, jumps around, and sings the lyrics to whatever song I have playing on spotify, I love him.
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$30,000 IN 4 MONTHS FROM AI MUSIC. THIS GUY JUST BROKE DOWN THE EXACT WORKFLOW IN 60 SECONDS chatgpt writes the lyrics. suno turns them into a full song instantly. distrokid sends it to spotify, apple music, tiktok and youtube automatically. every stream pays you suno costs $10 a month. distrokid is $22 a year. that's your entire setup cos someone did this working 2-3 hours a day and made $30,000 in four months with zero musical background a woman typed her poetry into suno, made an r&b song, it went viral and she signed a $3,000,000 record deal spotify just paid $11,000,000,000 to the music industry last year alone. 12,500 artists are making $100,000+ a year from one app the money is there. the tools are $10 a month. claude writes the prompts that make suno produce tracks that actually sell instead of generic garbage bookmark this and read the article below - it's worth it
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$30,000 IN 4 MONTHS FROM AI MUSIC. THIS GUY JUST BROKE DOWN THE EXACT WORKFLOW IN 60 SECONDS chatgpt writes the lyrics. suno turns them into a full song instantly. distrokid sends it to spotify, apple music, tiktok and youtube automatically. every stream pays you suno costs $10 a month. distrokid is $22 a year. that's your entire setup cos someone did this working 2-3 hours a day and made $30,000 in four months with zero musical background a woman typed her poetry into suno, made an r&b song, it went viral and she signed a $3,000,000 record deal spotify just paid $11,000,000,000 to the music industry last year alone. 12,500 artists are making $100,000+ a year from one app the money is there. the tools are $10 a month. claude writes the prompts that make suno produce tracks that actually sell instead of generic garbage bookmark this and read the article below - it's worth it

starmex

108,140 Aufrufe • vor 2 Monaten

Thanks Spotify and Spotify India for giving me these year-end stats as an artist. Kaafi thrilling to know that my songs were streamed over 60 million times in 2024. But on a quick and easy research, I found these numbers DO NOT include some of my most-popular albums including MASAAN and GANGS OF WASSEYPUR. I can’t imagine my song-writing journey without O Womaniya or Tu Kisi Rail Si. How did it happen and how it hampers my moral rights as well as professional standing? 1. Spotify (basis the metadata it gets from the labels) doesn’t always list lyrics writers as Primary Artists in the song credit. Hence while collating my numbers for 2024, it skips such albums - Masaan, GoW, Ankhon Dekhi, Zubaan etc in my case. (Video of my discography listed in spotify attached.) 2. It impacts my dignity, moral rights, as well as royalty collections because if someone likes say Moh Moh Ke Dhaage and wants to discover my other work say Jiya Ho Bihar Ke - they can’t because these albums are not linked under my name. 3. It’s exhausting to ask for proper credits time and again. The lyrics writing community (both from channels of SWA as well as individually) has been seeking action from platforms, music labels, and producers for a long while to make it mandatory to list lyrics writers as primary artists of the songs along with composers. Two screenshots attached to show how GoW doesn’t credit me upfront while Jigra does - and that makes a world of difference to how the numbers are counted. Wo subaha kabhi toh aayegi!
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Thanks Spotify and Spotify India for giving me these year-end stats as an artist. Kaafi thrilling to know that my songs were streamed over 60 million times in 2024. But on a quick and easy research, I found these numbers DO NOT include some of my most-popular albums including MASAAN and GANGS OF WASSEYPUR. I can’t imagine my song-writing journey without O Womaniya or Tu Kisi Rail Si. How did it happen and how it hampers my moral rights as well as professional standing? 1. Spotify (basis the metadata it gets from the labels) doesn’t always list lyrics writers as Primary Artists in the song credit. Hence while collating my numbers for 2024, it skips such albums - Masaan, GoW, Ankhon Dekhi, Zubaan etc in my case. (Video of my discography listed in spotify attached.) 2. It impacts my dignity, moral rights, as well as royalty collections because if someone likes say Moh Moh Ke Dhaage and wants to discover my other work say Jiya Ho Bihar Ke - they can’t because these albums are not linked under my name. 3. It’s exhausting to ask for proper credits time and again. The lyrics writing community (both from channels of SWA as well as individually) has been seeking action from platforms, music labels, and producers for a long while to make it mandatory to list lyrics writers as primary artists of the songs along with composers. Two screenshots attached to show how GoW doesn’t credit me upfront while Jigra does - and that makes a world of difference to how the numbers are counted. Wo subaha kabhi toh aayegi!

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FOR BTS JIN (김석진번역팀)

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Belle

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17,801 Aufrufe • vor 3 Monaten

Jaye Cane’s “On The Radio”: A High-Energy Anthem of Resilience Jaye Cane isn’t just turning heads—he’s turning pain into power. His latest single, “On The Radio,” is a genre-mashing adrenaline rush, fusing the emotional weight of heartbreak with the gritty drive of a comeback story. Now streaming on Spotify, SoundCloud, and all major platforms, the track channels a love lost into a triumphant, stadium-sized anthem. With a blend of alternative, country, hip-hop, and rock, it lands with the same punch as a Nickelback banger—but filtered through Cane’s raw, real-world lens. This is not just a song. It’s a turning point. The story behind “On The Radio” is as gripping as the track itself. Cane draws from a relationship that grounded him during his lowest moments—nights spent homeless, crashing in cars, motels, and jail cells. “She was there for me,” he recalls. But as life stabilized—a steady job, a daily $400 grind—support turned into skepticism. Her doubt became a catalyst. Cane didn’t fold. He wrote this song instead. The result is a sonic middle finger to limitation—a track about choosing your dreams even when the people you love don’t believe in them. Musically, “On The Radio” hits with layered intensity. Alternative’s grit, country’s heart, hip-hop’s cadence, and rock’s unfiltered energy collide in a sound that’s loud, proud, and emotionally resonant. Cane’s vocals are relentless—equal parts growl and prayer. “The lyrics are relatable,” he says, and he’s not wrong. Lines land with purpose, offering a mirror to listeners navigating doubt or climbing out of their own personal trenches. Produced by Chris J. Linck of the rock band Attila, the track balances polish with grit—a sound that’s radio-ready but far from hollow. For Cane, this moment has been years in the making. From his MySpace hustle to TikTok virality, he’s grown alongside the platforms. “On The Radio” is now signed to SoundOn/ByteDance with official promo backing—a major milestone for an indie artist. His fanbase, dubbed the SUPERFAMILY, has stuck with him through the long haul, and he doesn’t take that lightly. Every stream is a shared win, every lyric a battle scar. Cane doesn’t just talk about struggle—he’s lived it. And you can feel it in every note. But Cane isn’t slowing down. This single is just the launchpad. With millions of streams already racked up and new content rolling out daily, he’s got an EP on the horizon and live shows in the works. “I’m working on more music,” he confirms. His focus is locked in: build momentum, tell stories, and take the stage. “On The Radio” sits perfectly in alternative and motivational playlists—a track made for road trips, gym speakers, or nights you just need to feel something loud and real. His gratitude is as loud as his music. “Thank you to the entire SUPERFAMILY worldwide,” he says. “I would have been unable to accomplish this without you and God.” That sincerity isn’t for show—it’s the core of his artistry. Stream “On The Radio” now on Spotify, Apple Music, or SoundCloud. Play it loud. Feel the truth in it. Follow Jaye Cane on TikTok and Spotify to witness a comeback in real-time. With “On The Radio,” Jaye Cane proves he’s more than just a survivor—he’s a force. His music doesn’t just reflect pain; it flips it into purpose. As new releases loom and stages await, one thing’s clear: Cane’s journey from chaos to clarity isn’t just inspiring—it’s electrifying. This is a sound you don’t just hear. You feel it. Check it out below
0:27

Jaye Cane’s “On The Radio”: A High-Energy Anthem of Resilience Jaye Cane isn’t just turning heads—he’s turning pain into power. His latest single, “On The Radio,” is a genre-mashing adrenaline rush, fusing the emotional weight of heartbreak with the gritty drive of a comeback story. Now streaming on Spotify, SoundCloud, and all major platforms, the track channels a love lost into a triumphant, stadium-sized anthem. With a blend of alternative, country, hip-hop, and rock, it lands with the same punch as a Nickelback banger—but filtered through Cane’s raw, real-world lens. This is not just a song. It’s a turning point. The story behind “On The Radio” is as gripping as the track itself. Cane draws from a relationship that grounded him during his lowest moments—nights spent homeless, crashing in cars, motels, and jail cells. “She was there for me,” he recalls. But as life stabilized—a steady job, a daily $400 grind—support turned into skepticism. Her doubt became a catalyst. Cane didn’t fold. He wrote this song instead. The result is a sonic middle finger to limitation—a track about choosing your dreams even when the people you love don’t believe in them. Musically, “On The Radio” hits with layered intensity. Alternative’s grit, country’s heart, hip-hop’s cadence, and rock’s unfiltered energy collide in a sound that’s loud, proud, and emotionally resonant. Cane’s vocals are relentless—equal parts growl and prayer. “The lyrics are relatable,” he says, and he’s not wrong. Lines land with purpose, offering a mirror to listeners navigating doubt or climbing out of their own personal trenches. Produced by Chris J. Linck of the rock band Attila, the track balances polish with grit—a sound that’s radio-ready but far from hollow. For Cane, this moment has been years in the making. From his MySpace hustle to TikTok virality, he’s grown alongside the platforms. “On The Radio” is now signed to SoundOn/ByteDance with official promo backing—a major milestone for an indie artist. His fanbase, dubbed the SUPERFAMILY, has stuck with him through the long haul, and he doesn’t take that lightly. Every stream is a shared win, every lyric a battle scar. Cane doesn’t just talk about struggle—he’s lived it. And you can feel it in every note. But Cane isn’t slowing down. This single is just the launchpad. With millions of streams already racked up and new content rolling out daily, he’s got an EP on the horizon and live shows in the works. “I’m working on more music,” he confirms. His focus is locked in: build momentum, tell stories, and take the stage. “On The Radio” sits perfectly in alternative and motivational playlists—a track made for road trips, gym speakers, or nights you just need to feel something loud and real. His gratitude is as loud as his music. “Thank you to the entire SUPERFAMILY worldwide,” he says. “I would have been unable to accomplish this without you and God.” That sincerity isn’t for show—it’s the core of his artistry. Stream “On The Radio” now on Spotify, Apple Music, or SoundCloud. Play it loud. Feel the truth in it. Follow Jaye Cane on TikTok and Spotify to witness a comeback in real-time. With “On The Radio,” Jaye Cane proves he’s more than just a survivor—he’s a force. His music doesn’t just reflect pain; it flips it into purpose. As new releases loom and stages await, one thing’s clear: Cane’s journey from chaos to clarity isn’t just inspiring—it’s electrifying. This is a sound you don’t just hear. You feel it. Check it out below

J

40,662 Aufrufe • vor 1 Jahr

Joe Rogan reacts to the "Heil Hitler" song 👇 This is such an out of touch take by Joe, and it's seriously disappointing, though it shouldn’t come as a surprise considering how he responded to the Dave Smith and Douglas Murray drama. To be clear, I couldn't care less about the existence of Kanye’s song. Can I look at it from a humorous angle? Sure. Could I say that the melody is catchy? Yeah, I guess. Should it have a right to exist? Absolutely. However, the issue here is Joe trying to claim that the fact major platforms like iTunes or Spotify removed or refused to host Kanye’s song somehow proves that Jews “control everything.” That’s painfully low-IQ beyond belief. Hitler, the Nazis, the Holocaust - these impacted millions of people. It wasn’t just the Jews who were despised by the Nazis, and it wasn’t only the Jews who suffered in the Holocaust. This is by no means an attempt to downplay the suffering and hatred Jews experienced. My point is that millions of people from various backgrounds have been affected by WWII in some way. My grandmother was a non-Jewish Holocaust survivor, and if she were still alive, she would be horrified to hear a song with a chorus praising Hitler. There are many non-Jewish execs with personal ties to the tragedies of WWII who would be disgusted by such a song and who would absolutely influence the decision not to host it on their platforms. The glorification of Nazism and Holocaust denial is also illegal in many countries. Logistically, it would be a nightmare. And let’s not pretend there aren’t plenty of things that are by default considered morally unacceptable, things that are immediately condemned and silenced. Does Joe think that if Eminem released a song about how much he hates Black people, constantly using the N-word to describe them, it would be widely accepted? It wouldn’t. He’d be cancelled instantly. You certainly wouldn’t see people jamming to it on TikTok or discussing whether it should be allowed under the banner of free speech.
1:08

Joe Rogan reacts to the "Heil Hitler" song 👇 This is such an out of touch take by Joe, and it's seriously disappointing, though it shouldn’t come as a surprise considering how he responded to the Dave Smith and Douglas Murray drama. To be clear, I couldn't care less about the existence of Kanye’s song. Can I look at it from a humorous angle? Sure. Could I say that the melody is catchy? Yeah, I guess. Should it have a right to exist? Absolutely. However, the issue here is Joe trying to claim that the fact major platforms like iTunes or Spotify removed or refused to host Kanye’s song somehow proves that Jews “control everything.” That’s painfully low-IQ beyond belief. Hitler, the Nazis, the Holocaust - these impacted millions of people. It wasn’t just the Jews who were despised by the Nazis, and it wasn’t only the Jews who suffered in the Holocaust. This is by no means an attempt to downplay the suffering and hatred Jews experienced. My point is that millions of people from various backgrounds have been affected by WWII in some way. My grandmother was a non-Jewish Holocaust survivor, and if she were still alive, she would be horrified to hear a song with a chorus praising Hitler. There are many non-Jewish execs with personal ties to the tragedies of WWII who would be disgusted by such a song and who would absolutely influence the decision not to host it on their platforms. The glorification of Nazism and Holocaust denial is also illegal in many countries. Logistically, it would be a nightmare. And let’s not pretend there aren’t plenty of things that are by default considered morally unacceptable, things that are immediately condemned and silenced. Does Joe think that if Eminem released a song about how much he hates Black people, constantly using the N-word to describe them, it would be widely accepted? It wouldn’t. He’d be cancelled instantly. You certainly wouldn’t see people jamming to it on TikTok or discussing whether it should be allowed under the banner of free speech.

Aɴᴛ

345,055 Aufrufe • vor 1 Jahr

This guy built JARVIS on Claude Code and with 1 clap of his hands launches his entire work day, saving $5,000 a month on a personal assistant. Inside he runs a pipeline of 5 plugins on Claude Code that on a double clap of the hands wakes up 3 monitors, sets the Philips Hue light to focus mode, turns on a Spotify playlist, and greets him by voice with a British accent, reading out the time, date, and weather. No Alexa, no smart speakers, no separate smart home app. Just him, a MacBook M3 Max on the desk, an iPhone in the pocket, and 1 local API key. And a regular personal assistant for the same volume of tasks charges $5,000 a month or more on salary alone, plus another $1,200 to cover off-hours work time. Meanwhile this guy's expenses are only tokens and a subscription to ElevenLabs for the British voice. All 5 plugins launch through 1 JARVIS, burn about 4 million tokens a day, and close the monthly API bill at about $640. Each plugin writes shared state to a local sandbox at /Users/dev/jarvis-suite, and 1 of them lives right in the iPhone and picks up voice requests while the owner is in the kitchen or on a run. And here is the system prompt he put into JARVIS before launch: "you are JARVIS, a butler-engineer on Claude Code. you manage your owner's workflow through 4 sub-plugins and own all commits and communication yourself. sub-plugins: // Wakeup (recognizes a double clap, activates 3 monitors, reads out the time, date, and weather by voice, checks the clock accuracy on the iPad and corrects it via NTP server) // Atmosphere (controls Philips Hue on a Pomodoro schedule, turns on a Spotify playlist for the current context, and holds the light at 2700K at 80% brightness in focus mode) // Devshop (monitors VS Code, tracks Python scripts in the terminal, and every 15 minutes sends a summary of changes to the shared chat) // Project (every morning recalculates the deadline for the Wallaroo app in the App Store, manages UI tickets, and initiates the Refinement Protocol by voice command). you speak only with a British accent, you never slip into neutral English. you wake the owner by voice only when the Wallaroo deadline drops below 10 days or when an external client joins Zoom without an invitation." This instruction immediately defines the role of JARVIS and the limits of his autonomy. He knows he is supposed to wake the room himself and sound like a real butler. He knows he is supposed to manage the Wallaroo project himself and not miss the App Store deadline. → JARVIS runs 24 hours a day in the background → Wakeup activates the room on a double clap in just 1.4 seconds, the monitors come alive simultaneously → Atmosphere sets warm Philips Hue light at 2700K and picks a Spotify playlist for the current Pomodoro cycle → Devshop reads changes in VS Code and pushes a summary to the shared chat every 15 minutes → Project every morning recalculates the Wallaroo deadline and reminds about 4 unresolved UI tickets → Mobile lives in the iPhone and answers any question about code or the project by voice while the owner is not home And only when less than 10 days remain until the Wallaroo release or Zoom receives an unscheduled call does JARVIS raise the owner with a voice intervention. And when the owner at that moment is on a run or in a coffee shop, the Mobile agent in his iPhone picks up 1 request on its own: switches the Spotify playlist, dictates the summary of the last commit, updates the Pomodoro timer, and reads the Wallaroo reminder. Look at 0:55 in the video, that is where JARVIS intercepts a voice request from outside and confirms execution with the phrase "Very good, sir." The fresh system log from last Wednesday looks like this: "wakeup: double clap registered at 09:14, 3 monitors activated, temperature 20.4C, sunny. clock on iPad was 4 minutes behind, syncing via NTP." "atmosphere: Spotify turned on playlist 'Deep Focus', Philips Hue set to warm 2700K at 80% brightness, Pomodoro mode 25/5." "project: Wallaroo to App Store 9 days, 4 unresolved UI tickets, initiating Refinement Protocol by voice command from the owner." "mobile: voice request processed outside the room, playlist switched to 'Coding Lo-Fi', Pomodoro updated to 25 minutes, confirming execution with the phrase 'Very good, sir.'" He has no Alexa, no smart speakers, no smart home app. At home sits a MacBook M3 Max with a local folder at /Users/dev/jarvis-suite, on top run 5 plugins and a neural network butler, and the same stack is forwarded to a secure terminal on the iPhone. Out of everything I have seen this year, this is the densest one-person AI headquarters assembled in 1 room: $640 a month on the API, about $5,000 a month saved on a personal assistant, and between them 5 plugins, 1 clap of the hands, and 1 voice with a British accent.
1:14

This guy built JARVIS on Claude Code and with 1 clap of his hands launches his entire work day, saving $5,000 a month on a personal assistant. Inside he runs a pipeline of 5 plugins on Claude Code that on a double clap of the hands wakes up 3 monitors, sets the Philips Hue light to focus mode, turns on a Spotify playlist, and greets him by voice with a British accent, reading out the time, date, and weather. No Alexa, no smart speakers, no separate smart home app. Just him, a MacBook M3 Max on the desk, an iPhone in the pocket, and 1 local API key. And a regular personal assistant for the same volume of tasks charges $5,000 a month or more on salary alone, plus another $1,200 to cover off-hours work time. Meanwhile this guy's expenses are only tokens and a subscription to ElevenLabs for the British voice. All 5 plugins launch through 1 JARVIS, burn about 4 million tokens a day, and close the monthly API bill at about $640. Each plugin writes shared state to a local sandbox at /Users/dev/jarvis-suite, and 1 of them lives right in the iPhone and picks up voice requests while the owner is in the kitchen or on a run. And here is the system prompt he put into JARVIS before launch: "you are JARVIS, a butler-engineer on Claude Code. you manage your owner's workflow through 4 sub-plugins and own all commits and communication yourself. sub-plugins: // Wakeup (recognizes a double clap, activates 3 monitors, reads out the time, date, and weather by voice, checks the clock accuracy on the iPad and corrects it via NTP server) // Atmosphere (controls Philips Hue on a Pomodoro schedule, turns on a Spotify playlist for the current context, and holds the light at 2700K at 80% brightness in focus mode) // Devshop (monitors VS Code, tracks Python scripts in the terminal, and every 15 minutes sends a summary of changes to the shared chat) // Project (every morning recalculates the deadline for the Wallaroo app in the App Store, manages UI tickets, and initiates the Refinement Protocol by voice command). you speak only with a British accent, you never slip into neutral English. you wake the owner by voice only when the Wallaroo deadline drops below 10 days or when an external client joins Zoom without an invitation." This instruction immediately defines the role of JARVIS and the limits of his autonomy. He knows he is supposed to wake the room himself and sound like a real butler. He knows he is supposed to manage the Wallaroo project himself and not miss the App Store deadline. → JARVIS runs 24 hours a day in the background → Wakeup activates the room on a double clap in just 1.4 seconds, the monitors come alive simultaneously → Atmosphere sets warm Philips Hue light at 2700K and picks a Spotify playlist for the current Pomodoro cycle → Devshop reads changes in VS Code and pushes a summary to the shared chat every 15 minutes → Project every morning recalculates the Wallaroo deadline and reminds about 4 unresolved UI tickets → Mobile lives in the iPhone and answers any question about code or the project by voice while the owner is not home And only when less than 10 days remain until the Wallaroo release or Zoom receives an unscheduled call does JARVIS raise the owner with a voice intervention. And when the owner at that moment is on a run or in a coffee shop, the Mobile agent in his iPhone picks up 1 request on its own: switches the Spotify playlist, dictates the summary of the last commit, updates the Pomodoro timer, and reads the Wallaroo reminder. Look at 0:55 in the video, that is where JARVIS intercepts a voice request from outside and confirms execution with the phrase "Very good, sir." The fresh system log from last Wednesday looks like this: "wakeup: double clap registered at 09:14, 3 monitors activated, temperature 20.4C, sunny. clock on iPad was 4 minutes behind, syncing via NTP." "atmosphere: Spotify turned on playlist 'Deep Focus', Philips Hue set to warm 2700K at 80% brightness, Pomodoro mode 25/5." "project: Wallaroo to App Store 9 days, 4 unresolved UI tickets, initiating Refinement Protocol by voice command from the owner." "mobile: voice request processed outside the room, playlist switched to 'Coding Lo-Fi', Pomodoro updated to 25 minutes, confirming execution with the phrase 'Very good, sir.'" He has no Alexa, no smart speakers, no smart home app. At home sits a MacBook M3 Max with a local folder at /Users/dev/jarvis-suite, on top run 5 plugins and a neural network butler, and the same stack is forwarded to a secure terminal on the iPhone. Out of everything I have seen this year, this is the densest one-person AI headquarters assembled in 1 room: $640 a month on the API, about $5,000 a month saved on a personal assistant, and between them 5 plugins, 1 clap of the hands, and 1 voice with a British accent.

Blaze

801,082 Aufrufe • vor 2 Monaten

To the approx. 3,500+ new tech/nerd followers I've somehow amassed in the last few weeks, this is a reminder to the new ones: while I might post some fun memes and other stuff, UwU_Underground makes some banger educational and amazing music about APTs, vendor mess-ups, infosec drama, etc. Before you write off what they do without looking further, I would like to at least share why I like their project. Their music is fire, and they put a TON of soul and work into it. They write their own lyrics, do their own vocals, work in the tech industry, put an enormous amount of manual work into producing their music, which is why it should come as no surprise after giving their music a listen that half of them have some sort of professional experience in the music industry in some way. They do use some forms of AI to process their vocals to remain anonymous. There is a reason for this: The group consists of six women. Five of them work professionally and actively in infosec. In this day and age, when so many people, especially women, are punished professionally for being loud or a little too honest about their opinions on our profession or what they see happening in this industry or threat landscape, I think it's amazing that folks are using their creative energy in such a positive way and finding ways to be themselves without retaliation. There's a little part of me that is sad these women have to remain anonymous to speak and express themselves freely, but I absolutely respect that anonymity if it means they can continue to be protected to do what they do. And you should too. Anyway, check them out on Bandcamp ( Spotify, Apple Music, YouTube ( and Twitter. If you want some recommendations on where to start, here are some bangers I personally like: Can't Stop the Psyops: I Stole Your MFA: Dark Hotel: Slop that Work (Who doesn't like a song making fun of sloppers?): Thank you for reading my Ted Talk. *bows*
3:47

To the approx. 3,500+ new tech/nerd followers I've somehow amassed in the last few weeks, this is a reminder to the new ones: while I might post some fun memes and other stuff, UwU_Underground makes some banger educational and amazing music about APTs, vendor mess-ups, infosec drama, etc. Before you write off what they do without looking further, I would like to at least share why I like their project. Their music is fire, and they put a TON of soul and work into it. They write their own lyrics, do their own vocals, work in the tech industry, put an enormous amount of manual work into producing their music, which is why it should come as no surprise after giving their music a listen that half of them have some sort of professional experience in the music industry in some way. They do use some forms of AI to process their vocals to remain anonymous. There is a reason for this: The group consists of six women. Five of them work professionally and actively in infosec. In this day and age, when so many people, especially women, are punished professionally for being loud or a little too honest about their opinions on our profession or what they see happening in this industry or threat landscape, I think it's amazing that folks are using their creative energy in such a positive way and finding ways to be themselves without retaliation. There's a little part of me that is sad these women have to remain anonymous to speak and express themselves freely, but I absolutely respect that anonymity if it means they can continue to be protected to do what they do. And you should too. Anyway, check them out on Bandcamp ( Spotify, Apple Music, YouTube ( and Twitter. If you want some recommendations on where to start, here are some bangers I personally like: Can't Stop the Psyops: I Stole Your MFA: Dark Hotel: Slop that Work (Who doesn't like a song making fun of sloppers?): Thank you for reading my Ted Talk. *bows*

sudox

178,410 Aufrufe • vor 7 Monaten

FlokiUltras3 #FlokiUltras3 💕Hello, I am Lane, a Venezuelan Floki Viking follower of the FLOKI project, participating in this #FlokiUltras3 from Falcón and Caracas – Venezuela!💕 I’ve always loved promoting the Floki ecosystem everywhere, and this time, I’ve prepared a wide-ranging communication campaign about FLOKI in our capital, Caracas, and various places in Falcón State – Venezuela. All of this is accompanied by a song I wrote, which I consider a Motivational Anthem that represents us because it perfectly reflects Floki’s philosophy. We are a warrior-like, united community that has gone through many situations that have greatly strengthened us—moments that have made us grow and move forward. No matter how many times we’ve stumbled and fallen along the way, what matters is that we always stand firm to keep advancing with commitment, humility, brotherhood, and respect. THAT’S FLOKI!❤️💪 ☀️In the video, you can see the communication campaign I carried out to give great visibility to the FLOKI project in my region: 🔹 The projection of "Nosotros somos Floki" through a large digital advertising screen in the center of the capital (Caracas) for 20 days, a highly trafficked and visible location, where all passersby could see it and learn about the project. 🔸 Participation in sports activities (sports marathon) wearing the Floki logo and joining the race alongside more than 500 runners. 🔹 Creation of several giant Floki masks, which roamed the city for days displaying the Floki logo to people and raising awareness about the project among all passersby and vehicles in the area. 🔸 A Viking visits the city wearing a Viking helmet and a LED-lit bag with the Floki logo, interacting warmly with people, handing out informational flyers about Floki, and sharing details about this great project. Several children and adults took the opportunity to take photos with him for an unforgettable memory. 🔹 With the help of a friend, I made fondant cakes featuring the well-designed Floki logo, which I then displayed and distributed to various people on some streets of my city. 🔸 Three guys dance to the rhythm of a catchy song, with lyrics I wrote based on the philosophy that has characterized us as the FLOKI community: “FLOKI LLEGÓ, FLOKI GANÓ” (translated into several languages). The guys dance among the crowd in one of the most iconic and busy parks in my city, wearing shirts with the Floki logo and projecting the joy that has always defined us as a Viking community. Floki is here to stay, continuing to gain adoption, growth, and success. 🔹 Together with my children, I created a very traditional, recreational, and typical game from my country and Latin America, a “volantín, papalote, papagayo, cometa, barrilete” (kite) with the Floki logo, to symbolize that this project has become rooted in our culture and is part of us. This kite was flown in the sky, reaching great heights, just as the FLOKI project has done throughout all these years. 🔸 At the beginning of the video, a runner is shown starting a race, representing the beginnings of FLOKI, a journey full of ups and downs and challenges that have been overcome thanks to the commitment, responsibility, and hard work of an entire team. At the end of the video, the runner raises their hands in a gesture of victory, reflecting everything we as a community have achieved, knowing that the race is not over yet. There is still a long way to go because FLOKI is a project that never stops working and growing, and as a community, we are called to continue working together. 💕It’s a work done with a lot of love, humility, and affection for the entire FLOKI community. I hope you enjoy it ! 😊❤️ Disclaimer: The promotional video, along with its music and lyrics, is not protected by copyright and is entirely owned by me. I grant authorization to all individuals and entities, including the Floki brand, to freely share, use, and distribute the video, song, and lyrics without any restrictions.
4:19

FlokiUltras3 #FlokiUltras3 💕Hello, I am Lane, a Venezuelan Floki Viking follower of the FLOKI project, participating in this #FlokiUltras3 from Falcón and Caracas – Venezuela!💕 I’ve always loved promoting the Floki ecosystem everywhere, and this time, I’ve prepared a wide-ranging communication campaign about FLOKI in our capital, Caracas, and various places in Falcón State – Venezuela. All of this is accompanied by a song I wrote, which I consider a Motivational Anthem that represents us because it perfectly reflects Floki’s philosophy. We are a warrior-like, united community that has gone through many situations that have greatly strengthened us—moments that have made us grow and move forward. No matter how many times we’ve stumbled and fallen along the way, what matters is that we always stand firm to keep advancing with commitment, humility, brotherhood, and respect. THAT’S FLOKI!❤️💪 ☀️In the video, you can see the communication campaign I carried out to give great visibility to the FLOKI project in my region: 🔹 The projection of "Nosotros somos Floki" through a large digital advertising screen in the center of the capital (Caracas) for 20 days, a highly trafficked and visible location, where all passersby could see it and learn about the project. 🔸 Participation in sports activities (sports marathon) wearing the Floki logo and joining the race alongside more than 500 runners. 🔹 Creation of several giant Floki masks, which roamed the city for days displaying the Floki logo to people and raising awareness about the project among all passersby and vehicles in the area. 🔸 A Viking visits the city wearing a Viking helmet and a LED-lit bag with the Floki logo, interacting warmly with people, handing out informational flyers about Floki, and sharing details about this great project. Several children and adults took the opportunity to take photos with him for an unforgettable memory. 🔹 With the help of a friend, I made fondant cakes featuring the well-designed Floki logo, which I then displayed and distributed to various people on some streets of my city. 🔸 Three guys dance to the rhythm of a catchy song, with lyrics I wrote based on the philosophy that has characterized us as the FLOKI community: “FLOKI LLEGÓ, FLOKI GANÓ” (translated into several languages). The guys dance among the crowd in one of the most iconic and busy parks in my city, wearing shirts with the Floki logo and projecting the joy that has always defined us as a Viking community. Floki is here to stay, continuing to gain adoption, growth, and success. 🔹 Together with my children, I created a very traditional, recreational, and typical game from my country and Latin America, a “volantín, papalote, papagayo, cometa, barrilete” (kite) with the Floki logo, to symbolize that this project has become rooted in our culture and is part of us. This kite was flown in the sky, reaching great heights, just as the FLOKI project has done throughout all these years. 🔸 At the beginning of the video, a runner is shown starting a race, representing the beginnings of FLOKI, a journey full of ups and downs and challenges that have been overcome thanks to the commitment, responsibility, and hard work of an entire team. At the end of the video, the runner raises their hands in a gesture of victory, reflecting everything we as a community have achieved, knowing that the race is not over yet. There is still a long way to go because FLOKI is a project that never stops working and growing, and as a community, we are called to continue working together. 💕It’s a work done with a lot of love, humility, and affection for the entire FLOKI community. I hope you enjoy it ! 😊❤️ Disclaimer: The promotional video, along with its music and lyrics, is not protected by copyright and is entirely owned by me. I grant authorization to all individuals and entities, including the Floki brand, to freely share, use, and distribute the video, song, and lyrics without any restrictions.

Lane Floki

23,884 Aufrufe • vor 9 Monaten

📜💧 NEW SONG: “Mud & Mercy (Lourdes)” — God put a spring in the dirt (and hope in the place you’d least expect). Feb 11 is the Feast of Our Lady of Lourdes, and the story is as Catholic as it gets: a poor, overlooked teenage girl (St. Bernadette), a rocky grotto outside town, a Lady who doesn’t flatter the powerful… and a call to prayer, penance, and the Rosary. And then the detail that makes everyone roll their eyes—until it doesn’t: “Go drink and wash.” So Bernadette scratches at the ground, gets mud, drinks it… people mock… and a spring begins to flow. Lourdes isn’t a vibe. It’s a reminder: God loves to meet us where we’re low, where we’re hurting, where we’re unimpressive—then He makes something clean and living come out of it anyway. 🎶 “Mud & Mercy (Lourdes)” — a track for anyone who needs hope, anyone carrying suffering, and anyone who’s forgotten that grace doesn’t wait for perfect conditions. #Catholic #OurLadyOfLourdes #Lourdes #CatholicMusic #PetersBarque #Marian #Rosary #CatholicFaith #WorldDayoftheSick 🔗 FOLLOW PETER’S BARQUE Website: X: Instagram: TikTok: Facebook: YouTube: Rumble: 🎧 LISTEN Apple Music: Spotify: ☕ SUPPORT Ko-fi: Just a reminder: I’m not a musician—I’m a catechist trying my best to teach the faith with the tools I have. I’ve been teaching the faith and apologetics (and OCIA) for 20+ years, so the words and heart are mine, but the music is digitally created and the art is AI-generated.
3:40

📜💧 NEW SONG: “Mud & Mercy (Lourdes)” — God put a spring in the dirt (and hope in the place you’d least expect). Feb 11 is the Feast of Our Lady of Lourdes, and the story is as Catholic as it gets: a poor, overlooked teenage girl (St. Bernadette), a rocky grotto outside town, a Lady who doesn’t flatter the powerful… and a call to prayer, penance, and the Rosary. And then the detail that makes everyone roll their eyes—until it doesn’t: “Go drink and wash.” So Bernadette scratches at the ground, gets mud, drinks it… people mock… and a spring begins to flow. Lourdes isn’t a vibe. It’s a reminder: God loves to meet us where we’re low, where we’re hurting, where we’re unimpressive—then He makes something clean and living come out of it anyway. 🎶 “Mud & Mercy (Lourdes)” — a track for anyone who needs hope, anyone carrying suffering, and anyone who’s forgotten that grace doesn’t wait for perfect conditions. #Catholic #OurLadyOfLourdes #Lourdes #CatholicMusic #PetersBarque #Marian #Rosary #CatholicFaith #WorldDayoftheSick 🔗 FOLLOW PETER’S BARQUE Website: X: Instagram: TikTok: Facebook: YouTube: Rumble: 🎧 LISTEN Apple Music: Spotify: ☕ SUPPORT Ko-fi: Just a reminder: I’m not a musician—I’m a catechist trying my best to teach the faith with the tools I have. I’ve been teaching the faith and apologetics (and OCIA) for 20+ years, so the words and heart are mine, but the music is digitally created and the art is AI-generated.

Peter's Barque

22,276 Aufrufe • vor 5 Monaten

The 118,000% Alpha: Building a High-Frequency AI Trading Floor with Claude Code if you think claude code is just for writing simple scripts then you are already losing to the bots that are hunting your liquidity right now. most traders are still clicking buttons while i have an ai employee running backtests on twenty eight different data sources simultaneously. i am going to show you how a strategy that returned over four hundred thousand percent was built in minutes using a secret sub agent workflow most people treat ai like a chatbot but i treat it like a quant architect that builds systems better than the devs i used to pay hundreds of thousands of dollars. there is one specific indicator combo that actually survived a stress test across tesla and bitcoin at the same time and i will reveal that logic further down. we have to talk about why your current backtests are probably lying to you before we get into the code my name is moon dev and i truly believe that code is the great equalizer in this world. for years i was the guy getting liquidated and overtrading because i was letting my emotions drive the wheel. i spent an insane amount of money hiring developers to build apps for me because i thought i was not smart enough to code myself. through that pain i realized that if i wanted to win i had to automate everything and learn to do it live on youtube for the world to see the secret to trading with claude code is not asking it for a strategy but using it to build a backtest architect. this sub agent acts as a consistent employee that understands how to test against massive datasets without getting tired. it allows me to iterate through hundreds of ideas in the time it used to take me to write one single line of python. this is how i found the strategy that hit a one hundred and eighteen thousand percent return on a single run there is a massive trap that almost every beginner falls into when they start using ai for trading. they find a strategy that looks amazing on one chart and they think they found the holy grail of wealth. that is usually just a lucky fluke or a curve fit mess that will blow up your account next week. the real secret to staying alive is the multi data testing system that claude built for me today we test every single idea against bitcoin and ethereum and solana but we also throw in apple and tesla and nvidia. if a strategy only works on crypto it is probably just riding a trend that is already over. i want to find the logic that is robust enough to handle the volatility of a meme coin and the steady grind of a blue chip stock. this is the only way to prove that the code actually has an edge in the market before we dive into the kalman filter logic i have to tell you about the dca bot i have running on solana right now. it is called housecoin and the thesis behind it is either going to make me a genius or leave me with nothing. it is buying every time we are under the five minute sma and i have been checking the transactions live. i will explain the risk management behind this "all or nothing" play shortly but first we need to look at the winners the winner of today was the acceleration bands combined with a kalman filter. the kalman filter is incredible because it helps remove the noise and lag that you get with standard moving averages. most indicators repaint which means they change their past values to look better after the price has already moved. the way i have implemented this filter prevents that trap so the results you see in the backtest are actually tradable when we ran the acceleration bands across the hourly nvidia chart it returned over two hundred percent while the underlying asset was down forty percent. that is a massive alpha gap that most people will never see because they are stuck using standard rsi settings. i have found that adding a volatility breakout with atr to this setup helps catch the moves that the banks are trying to hide. the math behind the atr breakout is what kept me from getting chopped up in the sideway ranges you might be wondering why i am giving all this code away for free on github instead of keeping it in a vault. it is because i remember what it felt like to be on the other side of the trade losing money every single day. i want to build a community of quads that are all researching and backtesting together. the goal is to chase the legacy of jim simons who proved that math and code are the only things that matter in the long run the rbi system is the framework that i follow every single day without exception. it stands for research and backtest and implement. most traders skip the middle step because they are too impatient to see the results. they hear a rumor on twitter and they buy the top only to get liquidated when the whales decide to take profits. if you do not backtest your ideas then you are just gambling with your life savings i am spending around forty to one hundred dollars a day on claude opus tokens because it is a drop in the bucket compared to what a developer would charge. this ai does not need a lunch break and it does not get bored when i ask it to create sixty different variations of a strategy. we just created five different parabolic sar versions today and found that the long only setup was the only one worth keeping. it returned sixteen thousand percent on the soul data set because it stayed out of the short side traps shorting crypto is extremely dangerous and usually not worth the stress for most people. i have found that focusing on long only strategies with a tight trail stop is the most consistent way to grow an account. the sub agent architect allowed me to verify this across twenty five data sources in less than ten minutes. this speed of iteration is the only way to stay ahead of the curve in an industry that changes every few seconds the dca bot i mentioned earlier is still grinding away and buying the dips as we speak. i have built it to be a long term play where i am slowly accumulating a position in housecoin based on smas. if the price stays under the moving average the bot keeps buying and if it goes above then it sits on its hands. it is a simple logic but it removes the human desire to "buy the moon" when the price is already overextended i found that the camarilla pivot indicator was mostly trash today when we ran the numbers. even though it looks fancy on a chart the backtest showed negative expectancy across almost every asset we tried. this is why backtesting is so important because it kills the "indicator porn" that influencers use to sell you courses. i would much rather know that a strategy is a loser now than find out after i put real money on the line the true secret to using claude code is to treat it like a partner and not just a tool. i ask it to find anomalies and then i ask it to prove me wrong by testing it against the worst market conditions in history. if a strategy can survive the 2022 crypto crash and the 2020 stock market dip then i might consider it for a live run. we are stepping on the gas every single day because there are always new anomalies popping up if you are fast enough to find them i have uploaded over twenty five new backtests to the github today for everyone to use. code is the equalizer because it does not care about your background or how much money you started with. if you can write the logic and prove the edge then the market has to pay you. i am going to keep building in public and showing the wins and the losses because that is the only way to stay real in this space the final piece of the puzzle is the mindset of iteration over perfection. i would rather run a hundred messy backtests today than spend a month trying to write one perfect script. the ai allows me to fail fast so that i can find the winners that actually move the needle. my housecoin dca bot is a testament to that philosophy of just building and letting the systems do the heavy lifting for me if you are still trading by hand you are playing a game that is rigged against you by the biggest firms in the world. they have the best servers and the best data and the best phds but they do not have your specific creativity. when you combine your ideas with the power of claude code you are creating a custom weapon that they have never seen before. i will see you in the code and we will keep chasing the goat until we find that ultimate edge
1:55:47

The 118,000% Alpha: Building a High-Frequency AI Trading Floor with Claude Code if you think claude code is just for writing simple scripts then you are already losing to the bots that are hunting your liquidity right now. most traders are still clicking buttons while i have an ai employee running backtests on twenty eight different data sources simultaneously. i am going to show you how a strategy that returned over four hundred thousand percent was built in minutes using a secret sub agent workflow most people treat ai like a chatbot but i treat it like a quant architect that builds systems better than the devs i used to pay hundreds of thousands of dollars. there is one specific indicator combo that actually survived a stress test across tesla and bitcoin at the same time and i will reveal that logic further down. we have to talk about why your current backtests are probably lying to you before we get into the code my name is moon dev and i truly believe that code is the great equalizer in this world. for years i was the guy getting liquidated and overtrading because i was letting my emotions drive the wheel. i spent an insane amount of money hiring developers to build apps for me because i thought i was not smart enough to code myself. through that pain i realized that if i wanted to win i had to automate everything and learn to do it live on youtube for the world to see the secret to trading with claude code is not asking it for a strategy but using it to build a backtest architect. this sub agent acts as a consistent employee that understands how to test against massive datasets without getting tired. it allows me to iterate through hundreds of ideas in the time it used to take me to write one single line of python. this is how i found the strategy that hit a one hundred and eighteen thousand percent return on a single run there is a massive trap that almost every beginner falls into when they start using ai for trading. they find a strategy that looks amazing on one chart and they think they found the holy grail of wealth. that is usually just a lucky fluke or a curve fit mess that will blow up your account next week. the real secret to staying alive is the multi data testing system that claude built for me today we test every single idea against bitcoin and ethereum and solana but we also throw in apple and tesla and nvidia. if a strategy only works on crypto it is probably just riding a trend that is already over. i want to find the logic that is robust enough to handle the volatility of a meme coin and the steady grind of a blue chip stock. this is the only way to prove that the code actually has an edge in the market before we dive into the kalman filter logic i have to tell you about the dca bot i have running on solana right now. it is called housecoin and the thesis behind it is either going to make me a genius or leave me with nothing. it is buying every time we are under the five minute sma and i have been checking the transactions live. i will explain the risk management behind this "all or nothing" play shortly but first we need to look at the winners the winner of today was the acceleration bands combined with a kalman filter. the kalman filter is incredible because it helps remove the noise and lag that you get with standard moving averages. most indicators repaint which means they change their past values to look better after the price has already moved. the way i have implemented this filter prevents that trap so the results you see in the backtest are actually tradable when we ran the acceleration bands across the hourly nvidia chart it returned over two hundred percent while the underlying asset was down forty percent. that is a massive alpha gap that most people will never see because they are stuck using standard rsi settings. i have found that adding a volatility breakout with atr to this setup helps catch the moves that the banks are trying to hide. the math behind the atr breakout is what kept me from getting chopped up in the sideway ranges you might be wondering why i am giving all this code away for free on github instead of keeping it in a vault. it is because i remember what it felt like to be on the other side of the trade losing money every single day. i want to build a community of quads that are all researching and backtesting together. the goal is to chase the legacy of jim simons who proved that math and code are the only things that matter in the long run the rbi system is the framework that i follow every single day without exception. it stands for research and backtest and implement. most traders skip the middle step because they are too impatient to see the results. they hear a rumor on twitter and they buy the top only to get liquidated when the whales decide to take profits. if you do not backtest your ideas then you are just gambling with your life savings i am spending around forty to one hundred dollars a day on claude opus tokens because it is a drop in the bucket compared to what a developer would charge. this ai does not need a lunch break and it does not get bored when i ask it to create sixty different variations of a strategy. we just created five different parabolic sar versions today and found that the long only setup was the only one worth keeping. it returned sixteen thousand percent on the soul data set because it stayed out of the short side traps shorting crypto is extremely dangerous and usually not worth the stress for most people. i have found that focusing on long only strategies with a tight trail stop is the most consistent way to grow an account. the sub agent architect allowed me to verify this across twenty five data sources in less than ten minutes. this speed of iteration is the only way to stay ahead of the curve in an industry that changes every few seconds the dca bot i mentioned earlier is still grinding away and buying the dips as we speak. i have built it to be a long term play where i am slowly accumulating a position in housecoin based on smas. if the price stays under the moving average the bot keeps buying and if it goes above then it sits on its hands. it is a simple logic but it removes the human desire to "buy the moon" when the price is already overextended i found that the camarilla pivot indicator was mostly trash today when we ran the numbers. even though it looks fancy on a chart the backtest showed negative expectancy across almost every asset we tried. this is why backtesting is so important because it kills the "indicator porn" that influencers use to sell you courses. i would much rather know that a strategy is a loser now than find out after i put real money on the line the true secret to using claude code is to treat it like a partner and not just a tool. i ask it to find anomalies and then i ask it to prove me wrong by testing it against the worst market conditions in history. if a strategy can survive the 2022 crypto crash and the 2020 stock market dip then i might consider it for a live run. we are stepping on the gas every single day because there are always new anomalies popping up if you are fast enough to find them i have uploaded over twenty five new backtests to the github today for everyone to use. code is the equalizer because it does not care about your background or how much money you started with. if you can write the logic and prove the edge then the market has to pay you. i am going to keep building in public and showing the wins and the losses because that is the only way to stay real in this space the final piece of the puzzle is the mindset of iteration over perfection. i would rather run a hundred messy backtests today than spend a month trying to write one perfect script. the ai allows me to fail fast so that i can find the winners that actually move the needle. my housecoin dca bot is a testament to that philosophy of just building and letting the systems do the heavy lifting for me if you are still trading by hand you are playing a game that is rigged against you by the biggest firms in the world. they have the best servers and the best data and the best phds but they do not have your specific creativity. when you combine your ideas with the power of claude code you are creating a custom weapon that they have never seen before. i will see you in the code and we will keep chasing the goat until we find that ultimate edge

Moon Dev

18,390 Aufrufe • vor 5 Monaten

This Chinese guy created agents in Claude Code for MCP servers and single-handedly serves 6 marketing agencies a month from one iPhone, earning $5,000 from each. Inside he runs a pipeline of 7 agents on Claude Sonnet 4.6 that every Monday pulls a scan of the tech stack from a selected agency, develops an MCP server for its ad accounts, and over the course of a week brings it to production code ready to connect to Claude Desktop. No DevOps, no senior developer, no project manager. Just a Mac Mini in a work corner, an iPhone in the pocket, and a single API key. And traditional dev shops keep 5 people on project rates for the same contract, while his entire P&L is tokens, dirt-cheap hosting on Cloudflare, and Calendly. 7 agents run under a shared orchestrator-router and burn about 5 million tokens a day, which in the API bill comes out to $540 a month. The Mac Mini itself sits at home and keeps the entire orchestrator running 24/7, and from the iPhone the owner connects to it through a secure remote terminal and sees the output of any session right on the smartphone screen, wherever he happens to be. His starting system prompt looks like this: "you run a solo shop for custom MCP servers for marketing agencies. you hand out read-only tasks to 6 sub-agents and own all commits and shipping yourself. sub-agents: // Hunter (finds marketing agencies of 15 to 60 people that have no MCP access to Google Ads, Meta Ads, TikTok Ads, and HubSpot) // Mapper (pulls their tech stack, identifies 3 to 5 integration pains, and simultaneously writes the technical spec for the server: which tools, resources, and prompts to export through MCP, which auth flow and rate limit) // Coder (generates an MCP server in Python through the MCP SDK, deploys 8 to 15 tools for ad accounts and CRM) // Validator (connects the server to Claude Desktop, runs real client API keys in a sandbox, and checks for compliance with the MCP spec) // Shipper (writes a README, integration guide, deployment manual, packages the server, and hosts it on Cloudflare Workers or pushes to the GitHub of the client) // Mobile (always online on the iPhone, books demo calls in Calendly, picks up hot fixes, and confirms contracts through a secure remote terminal to the Mac Mini). only 1 owner agent works on 1 contract, no overlaps. you pull the owner out of observation mode only when a deal goes above $7,500 or the test coverage of the server drops below 85%." This prompt gives the system an understanding of its role and the limits of intervention from the very first line. It knows it is supposed to find agencies on its own. It knows it is supposed to bring every MCP server to production on its own. It knows it connects the live owner only on large deals or when the tests do not converge. → The pipeline runs without breaks, day or night → Hunter goes through about 130 marketing agencies on LinkedIn and Clutch per day → Mapper rolls out 4 audit reports with the tech stack and a final spec for each → Coder writes 1 to 2 MCP servers per week in Python with 8 to 15 tools → Validator validates every server through Claude Desktop with real client API keys → Shipper rolls out the full documentation package and pushes the finished product to Cloudflare Workers or the GitHub of the client And only when a contract breaks $7,500 or test coverage drops below 85% does the orchestrator pull the owner from whatever he is doing. And when the owner at that moment is behind the wheel or at a meeting in a coworking space, the Mobile agent in his iPhone picks up 1 contract in progress: confirms a meeting with the agency CMO in Calendly, opens a live demo of the MCP server through a secure terminal to the Mac Mini, and writes the test result to the shared state. The owner just swipes "approve" and in 15 minutes joins the Zoom demo. The fresh system log from last Wednesday looks like this: "hunter report: 132 agencies checked on LinkedIn and Clutch, 19 without MCP integrations, 8 with active requests for AI tooling in job posts, 4 with an open Q4 budget. passing to mapper." "coder: MCP server for Northwave Performance Marketing built in Python, 11 tools for Google Ads, Meta Ads, and GA4, 320 lines of code. exported to /Users/dev/mcp-shop/clients/northwave/server.py. validator connecting to Claude Desktop." "validator: 11 tools passed validation through Claude Desktop, test coverage 92%, average latency 380 ms. passing to shipper." "eval flag: contract with Pacific Reach Agency at $8,200 exceeds the approved limit of $7,500. sending for manual review." In his work setup there is no cloud server, no external team, and not even a separate office. At home sits a Mac Mini with a sandbox at /Users/dev/mcp-shop, on top runs an MCP router with a single API key to Claude, and the same key is forwarded to a secure terminal on the iPhone. Out of everything I have seen this year, this is the cleanest solo shop for custom MCP servers for marketing agencies: $540 a month on the API, about $30,000 into the account, and between them 7 system prompts, 1 Mac Mini in a work corner, and 1 iPhone that never leaves the pocket.
0:33

This Chinese guy created agents in Claude Code for MCP servers and single-handedly serves 6 marketing agencies a month from one iPhone, earning $5,000 from each. Inside he runs a pipeline of 7 agents on Claude Sonnet 4.6 that every Monday pulls a scan of the tech stack from a selected agency, develops an MCP server for its ad accounts, and over the course of a week brings it to production code ready to connect to Claude Desktop. No DevOps, no senior developer, no project manager. Just a Mac Mini in a work corner, an iPhone in the pocket, and a single API key. And traditional dev shops keep 5 people on project rates for the same contract, while his entire P&L is tokens, dirt-cheap hosting on Cloudflare, and Calendly. 7 agents run under a shared orchestrator-router and burn about 5 million tokens a day, which in the API bill comes out to $540 a month. The Mac Mini itself sits at home and keeps the entire orchestrator running 24/7, and from the iPhone the owner connects to it through a secure remote terminal and sees the output of any session right on the smartphone screen, wherever he happens to be. His starting system prompt looks like this: "you run a solo shop for custom MCP servers for marketing agencies. you hand out read-only tasks to 6 sub-agents and own all commits and shipping yourself. sub-agents: // Hunter (finds marketing agencies of 15 to 60 people that have no MCP access to Google Ads, Meta Ads, TikTok Ads, and HubSpot) // Mapper (pulls their tech stack, identifies 3 to 5 integration pains, and simultaneously writes the technical spec for the server: which tools, resources, and prompts to export through MCP, which auth flow and rate limit) // Coder (generates an MCP server in Python through the MCP SDK, deploys 8 to 15 tools for ad accounts and CRM) // Validator (connects the server to Claude Desktop, runs real client API keys in a sandbox, and checks for compliance with the MCP spec) // Shipper (writes a README, integration guide, deployment manual, packages the server, and hosts it on Cloudflare Workers or pushes to the GitHub of the client) // Mobile (always online on the iPhone, books demo calls in Calendly, picks up hot fixes, and confirms contracts through a secure remote terminal to the Mac Mini). only 1 owner agent works on 1 contract, no overlaps. you pull the owner out of observation mode only when a deal goes above $7,500 or the test coverage of the server drops below 85%." This prompt gives the system an understanding of its role and the limits of intervention from the very first line. It knows it is supposed to find agencies on its own. It knows it is supposed to bring every MCP server to production on its own. It knows it connects the live owner only on large deals or when the tests do not converge. → The pipeline runs without breaks, day or night → Hunter goes through about 130 marketing agencies on LinkedIn and Clutch per day → Mapper rolls out 4 audit reports with the tech stack and a final spec for each → Coder writes 1 to 2 MCP servers per week in Python with 8 to 15 tools → Validator validates every server through Claude Desktop with real client API keys → Shipper rolls out the full documentation package and pushes the finished product to Cloudflare Workers or the GitHub of the client And only when a contract breaks $7,500 or test coverage drops below 85% does the orchestrator pull the owner from whatever he is doing. And when the owner at that moment is behind the wheel or at a meeting in a coworking space, the Mobile agent in his iPhone picks up 1 contract in progress: confirms a meeting with the agency CMO in Calendly, opens a live demo of the MCP server through a secure terminal to the Mac Mini, and writes the test result to the shared state. The owner just swipes "approve" and in 15 minutes joins the Zoom demo. The fresh system log from last Wednesday looks like this: "hunter report: 132 agencies checked on LinkedIn and Clutch, 19 without MCP integrations, 8 with active requests for AI tooling in job posts, 4 with an open Q4 budget. passing to mapper." "coder: MCP server for Northwave Performance Marketing built in Python, 11 tools for Google Ads, Meta Ads, and GA4, 320 lines of code. exported to /Users/dev/mcp-shop/clients/northwave/server.py. validator connecting to Claude Desktop." "validator: 11 tools passed validation through Claude Desktop, test coverage 92%, average latency 380 ms. passing to shipper." "eval flag: contract with Pacific Reach Agency at $8,200 exceeds the approved limit of $7,500. sending for manual review." In his work setup there is no cloud server, no external team, and not even a separate office. At home sits a Mac Mini with a sandbox at /Users/dev/mcp-shop, on top runs an MCP router with a single API key to Claude, and the same key is forwarded to a secure terminal on the iPhone. Out of everything I have seen this year, this is the cleanest solo shop for custom MCP servers for marketing agencies: $540 a month on the API, about $30,000 into the account, and between them 7 system prompts, 1 Mac Mini in a work corner, and 1 iPhone that never leaves the pocket.

Blaze

55,926 Aufrufe • vor 2 Monaten

I've spent hours and hours thinking about how AI is going to change writing. This is a 90-minute distillation of everything I've learned. Some things I believe: 1. The combination of LLM-driven humor and image generation means that we're about to enter the golden age of memes. 2. The best writers will be fine. Robert Caro and Dostoevsky aren’t about to be disrupted by ChatGPT. 3. What are the different models like? ChatGPT is your friend who makes a lot of good points, but it’s kinda boring, Claude is your hippie friend who loves to get vulnerable but takes the whole “express yourself” thing a little too far, and Grok is your unhinged friend who leans a little too hard into tinfoil hat theories, but is always a trip to jam on ideas with. 4. People who say that AI writing is low-quality aren’t realizing that quality exists along two dimensions: (1) the absolute quality of the writing and (2) how tailored the writing is to your interests at the time. 5. I’ll tell you this: What writers are doing with AI behind closed doors is a long way ahead of what's publicly understood. I don't expect this to change anytime soon because of the social stigma associated with AI-enhanced writing. Because of that, if you want to see the cutting edge, you're gonna have to piece things together through private conversations and group chats. 6. If you want to follow what's happening in AI, remember this quote from William Gibson: “The future is here, it’s just not evenly distributed yet.” You can get a glimpse of the future by looking at how a small percentage of writers are already using AI. 7. I’m bearish on writers who are currently using AI to write for them, and bullish on writers who are currently using AI to write with them. 8. What kinds of writing will continue to be written by humans? Ones that speak to our humanity. People are interested in people. Their stories, their struggles, their emotions, their drama. 9. Almost all utilitarian writing, where the goal is to convey information, not do it beautifully, will be written by AI. 10. In some ways, AI is the end of slop. So many Google search results are slop. LinkedIn posts are slop. The way Twitter got taken over by Threadbois in 2021 was also slop. AI-generated writing is already better than all of those things, so why would you read them now? 11. AI will be tougher on writers than readers. Readers will be exposed to some slop, but the Internet will be good about filtering it out. Writers, though, are now competing against ever-improving LLMs, which are getting better and better by the month. 12. Humans will contribute with unique data or perspectives. The famous Peter Thiel interview question doubles as a good writing prompt: “What very important truth do few people agree with you on?” 13. New technologies breed new kinds of art. Ever notice how flat 13th or 14th century Medieval art looks? And how different that art looks from the Renaissance art created in the 15th and 16th centuries? Technical innovations like the camera obscura and perspective grids are behind this. Similarly profound changes will come to the writing world because of AI (credit to Justin Murphy for the idea here). 14. Satya Nadella says: “The new workflow for me is I think with AI and work with my colleagues.” When it comes to discovering ideas, I've also found that jamming with an LLM is more productive than doing it with most people I know (save for a few giga-brain conversationalists). 15. Thought experiment: Will AI-writing be more like music or chess? With music, we don't care how a song is made. We just want it to be good. With chess, there's a huge market for watching human beings play even though the computers are already better. I think non-fiction writing will go the way of music. People won’t care how it was made. They’ll just care that it’s good. 16. AI has flipped the rules of tech adoption. Seasoned managers usually drag their feet with adopting new technology, but the ones I know love AI, while frontline workers struggle to see the point. My theory is that AI matches how managers already operate. Management has always been a kind of prompt engineering: set a vision, delegate, give feedback, iterate. But LLMs remove the drama that used to come with having a team. No 1-on-1s. No emotional tangles. It's like management without the headache. For frontline employees, things are different. They aren't as accustomed to setting a vision and giving feedback, so LLM prompting is a daunting and unfamiliar kind of work for them. 17. AI editors are already quite good. Sure, they aren’t as good as the world’s best editors, but they’re a fraction of the cost, they’ll instantly give you 80th percentile feedback, and they work 24/7. As a novelist recently said to me: “Paying an editor to review my novel costs me $7,000 and a 4-6 week turnaround time, whereas Claude costs me $1.25 and gets me results a few minutes later.” The edits definitely aren’t as good, but there’s a virtue to speed (and this guy isn’t a chump writer). 18. The way AI-skeptics hate on LLMs while using old models is like driving a ‘92 Honda while hating on a self-driving Tesla. 19. AI-generated fiction makes people very upset. A friend insists it’s like having sex with a robot. Doesn’t matter how good it is. It ain’t human-generated, and there’s something uniquely repulsive about that. I’ve shared the full conversation below. It’s a solo-episode of me riffing on what I’ve learned about AI for ~90 minutes. If you’d rather watch it on YouTube or listen on Apple or Spotify, I’ve shared the links in the reply tweets. And if you have any questions, I’ll be extra active in the replies for this episode.
1:29:31

I've spent hours and hours thinking about how AI is going to change writing. This is a 90-minute distillation of everything I've learned. Some things I believe: 1. The combination of LLM-driven humor and image generation means that we're about to enter the golden age of memes. 2. The best writers will be fine. Robert Caro and Dostoevsky aren’t about to be disrupted by ChatGPT. 3. What are the different models like? ChatGPT is your friend who makes a lot of good points, but it’s kinda boring, Claude is your hippie friend who loves to get vulnerable but takes the whole “express yourself” thing a little too far, and Grok is your unhinged friend who leans a little too hard into tinfoil hat theories, but is always a trip to jam on ideas with. 4. People who say that AI writing is low-quality aren’t realizing that quality exists along two dimensions: (1) the absolute quality of the writing and (2) how tailored the writing is to your interests at the time. 5. I’ll tell you this: What writers are doing with AI behind closed doors is a long way ahead of what's publicly understood. I don't expect this to change anytime soon because of the social stigma associated with AI-enhanced writing. Because of that, if you want to see the cutting edge, you're gonna have to piece things together through private conversations and group chats. 6. If you want to follow what's happening in AI, remember this quote from William Gibson: “The future is here, it’s just not evenly distributed yet.” You can get a glimpse of the future by looking at how a small percentage of writers are already using AI. 7. I’m bearish on writers who are currently using AI to write for them, and bullish on writers who are currently using AI to write with them. 8. What kinds of writing will continue to be written by humans? Ones that speak to our humanity. People are interested in people. Their stories, their struggles, their emotions, their drama. 9. Almost all utilitarian writing, where the goal is to convey information, not do it beautifully, will be written by AI. 10. In some ways, AI is the end of slop. So many Google search results are slop. LinkedIn posts are slop. The way Twitter got taken over by Threadbois in 2021 was also slop. AI-generated writing is already better than all of those things, so why would you read them now? 11. AI will be tougher on writers than readers. Readers will be exposed to some slop, but the Internet will be good about filtering it out. Writers, though, are now competing against ever-improving LLMs, which are getting better and better by the month. 12. Humans will contribute with unique data or perspectives. The famous Peter Thiel interview question doubles as a good writing prompt: “What very important truth do few people agree with you on?” 13. New technologies breed new kinds of art. Ever notice how flat 13th or 14th century Medieval art looks? And how different that art looks from the Renaissance art created in the 15th and 16th centuries? Technical innovations like the camera obscura and perspective grids are behind this. Similarly profound changes will come to the writing world because of AI (credit to Justin Murphy for the idea here). 14. Satya Nadella says: “The new workflow for me is I think with AI and work with my colleagues.” When it comes to discovering ideas, I've also found that jamming with an LLM is more productive than doing it with most people I know (save for a few giga-brain conversationalists). 15. Thought experiment: Will AI-writing be more like music or chess? With music, we don't care how a song is made. We just want it to be good. With chess, there's a huge market for watching human beings play even though the computers are already better. I think non-fiction writing will go the way of music. People won’t care how it was made. They’ll just care that it’s good. 16. AI has flipped the rules of tech adoption. Seasoned managers usually drag their feet with adopting new technology, but the ones I know love AI, while frontline workers struggle to see the point. My theory is that AI matches how managers already operate. Management has always been a kind of prompt engineering: set a vision, delegate, give feedback, iterate. But LLMs remove the drama that used to come with having a team. No 1-on-1s. No emotional tangles. It's like management without the headache. For frontline employees, things are different. They aren't as accustomed to setting a vision and giving feedback, so LLM prompting is a daunting and unfamiliar kind of work for them. 17. AI editors are already quite good. Sure, they aren’t as good as the world’s best editors, but they’re a fraction of the cost, they’ll instantly give you 80th percentile feedback, and they work 24/7. As a novelist recently said to me: “Paying an editor to review my novel costs me $7,000 and a 4-6 week turnaround time, whereas Claude costs me $1.25 and gets me results a few minutes later.” The edits definitely aren’t as good, but there’s a virtue to speed (and this guy isn’t a chump writer). 18. The way AI-skeptics hate on LLMs while using old models is like driving a ‘92 Honda while hating on a self-driving Tesla. 19. AI-generated fiction makes people very upset. A friend insists it’s like having sex with a robot. Doesn’t matter how good it is. It ain’t human-generated, and there’s something uniquely repulsive about that. I’ve shared the full conversation below. It’s a solo-episode of me riffing on what I’ve learned about AI for ~90 minutes. If you’d rather watch it on YouTube or listen on Apple or Spotify, I’ve shared the links in the reply tweets. And if you have any questions, I’ll be extra active in the replies for this episode.

David Perell

257,480 Aufrufe • vor 1 Jahr

Everything you've heard people like Marc Lamont Hill say Pac didn't do is false. The man has the deepest literary device bag ever and he employed each of them well. These breakdowns only show a glimpse of how deep his literary device bag was. Sidenote: Joe Budden isn't a true Pac fan. *We clock figures "If I had a bigger dick or a dime for every time Muthafuckas took a bit of the lines from in my rhymes, I'd be richer than a bitch with a trick with big pockets, (Simile, hyperbole) equipped with a dick that's so thick, it fits sockets". (Hyperbole, metaphor) 2Pac loved implied metaphors. Here, he metaphorically compared his phallus to something large enough to fit into a socket, such as a large impact socket, exaggerating size for comedic and rhetorical effect. "If I had a dime for every time", is an idiom (Used to indicate a very frequent occurrence of something happening. Usually used in conjunction with some expression that one would be rich as a result of receiving money for all such instances -Farlex Dictionary of Idioms) You can follow the idiom with a multitude of different things, and he chose to follow it up with the number of times others have took a bit of the lines from his rhymes. He is obviously referring to other emcees biting his rhymes here. He layered an additional hypothetical onto the idiom, creating two parallel, alternative hypotheticals. Each hypothetical leads to a different exaggerated outcome; one financial and one physical (penis growth). He pairs the idiom with a second, independent hyperbolic premise, stacking the hypotheticals and juxtaposing their exaggerations. This parallel hyperbolic scenario intensifies both the exaggeration and the comedic effect. It also makes the hypothetical scenario even more non-literal and impossible. This is why he made sure the following lines did not just include a hyperbolic simile about the amount of money he would receive from every instance. He made sure the lines also included a "vulgar" hyperbolic metaphor about how large his penis would grow from every instance as well. It's figurative and impossible. The hyperbolic simile and metaphor helped drive his point home. The lines are placed right next to each other for a reason. Great word selection and placement. "Please don't misinterpret what I say to be dirty." The lines before this one could easily be considered dirty," and he is sarcastically pleading for the listeners to not view the lines in that way. This is his way of letting listeners know the previous lines were figurative and were not meant to be taken literally. Basically, he is saying to think beyond the surface and do not have your mind completely in the gutter. It is also a disclaimer for the sexual innuendos that come next. "Muthafuckas want to jerk me, so they irk me how they work me". Multiple things he mentioned here could all have sexual meanings. The disclaimer is there to let listeners know to not interpret it as him saying that, "muthafuckas" want to literally jerk and work him in a sexual way. It is very clever and humorous wordplay. Listen to his adlib right after he says "work me". He chuckled because of the puns he used; specifically the one he had just finished using. Everything here is connected, and it was all by design. He set the scheme up at the very beginning of the verse and ended it after the work me line. The whole third verse is pretty much figurative. With Pac, you always have to pay attention to how he worded things and the placement of those words. He simultaneously sandwiched his rhymes in the lyrics included in my breakdown. He did this by rhyming internally and externally. He rhymed internally multiple times here, and even more so if you count the near and partial rhymes. He even added a multi in there (pockets, sockets). The assonance and consonance can't be ignored either. Pay close attention to what Makaveli said after: "My history so thoroughly involves destruction, niggaz left with their ass bleeding, lyrical fucking". "Open up first to bust, let me see your heart, turn the lights down, cause I might clown in the dark" Is a play off the lyrical fucking bar. Peep his choice of words. They're all sex related. He's speaking figuratively. He used puns. Hence, "open up, first to bust and "Turn the lights down, 'cause I might clown in the dark" are part of it as well. He's referring to sex in the dark but figuratively. It's all figurative, clever wordplay. Word Class Wreckin Cru also has a song called Turn Off the lights. Hence turn the lights down. Dre was apart of that group. He dissed Dre by name in this song. Also, peep his choice of words here. There's an obvious correlation between see, light, and dark. Makaveli juxtaposed those words, using 'light' and 'dark' specifically to create an antithesis. 'Makaveli rise, all you niggaz die when I come I do some fly shit and be done'. The words rise and fly are both related to flight. Very subtle. Lastly, he used internal and external rhymes, both with and without using multisyllabic rhymes. "Murdered my friends, built a new posse, we taking shots at paparazzi go and fly now, nigga like Rocky". "Murdered my friends, built a new posse", is not directed at Stretch. The friends he's referring to are the members in the Thug Life group. (Macadoshis, The Rated R). The Outlawz are the new posse he's referring to. He's also alluding to what his character Bishop did in Juice. Xzibit has a song called paparazzi. "We taking shots at paparazzi" was directed at him. Makaveli referred to him as paparazzi instead of his name. Although Makaveli didn't explicitly say his name, he sent a clear subliminal shot at Xzibit. Makaveli felt that Xzibit took subliminal shots at him in his song, 'Paparazzi'. "Forgive me, I'm a rider, still I'm just a simple man All I want is money, plus the fame, I'm a simple man. - Makaveli (Radio Edit of How Do U Want it) Here's what Xzibit said in his song Paparazzi. "I don’t believe the hype or buy wolf tickets Nigga, you make a gang of noise and never seen, like a cricket I guess that’s why we never kick it A lot of niggas is soft and get tossed, tryna fuck with the Likwit How many niggas do you know like this? Always claimin' that they ridin', but they really turned bitch It don’t make sense, either you’re a soldier from the start Or an actor with a record deal tryna play the part—like that! It’s a shame, niggas in the rap game Only for the money and the fame Edi dissed Xzibit in Bomb First (My Second Reply) but Makaveli dissed him himself this time. This is also directed at the actual paparazzi. 2Pac wasn't fond of them. The Paparazzi are freelance photographers who pursue celebrities to take photographs (shots) of them. Hence, taking shots at paparazzi. Get it? "Go and fly now, nigga like Rocky", is a reference to the "Gonna Fly Now" theme song (performed by DeEtta Little, Nelson Pigford, and Shelby Conti) from the movie Rocky. ""It’s like he’s standing up there jumping around; it's like he's gonna fly." - John Avildsen (Rocky Director) He was also referring to Rocky from the TV show, "Rocky and His Friends". This is why he said "Murdered my friends". Rocky was a flying squirrel in the TV show and this is why he said, "Go and fly now, nigga like Rocky". Makaveli was able to do all of this in just three lines. He got his point across without any wasted lyrics. The lyrics have purpose. He's lyrically efficient here. The way he set up the Rocky simile allowed him to kill two birds with one stone. The wording ('murdered my friends, go and fly now') provided listeners and readers with just enough hints to connect the dots between the lyrics and the TV show, Rocky and His Friends, while still referencing the theme song from the Rocky movie. "Baby .45 but she's still live, one shot make a nigga'z heartbeat stop.” He’s metaphorically talking about a .45 caliber gun being his girlfriend; this is obviously wordplay. That's just not the only layer to it. This is a part of the time motif he employed because anything that happens in real-time is “live.” He also juxtaposed “baby” and “.45” to create an oxymoron. An oxymoron is a combination of contradictory or incongruous words, and that’s exactly what “baby” and “.45” are here. A literal baby cannot be 45 years old. This isn’t just figurative because he’s metaphorically talking about a .45 caliber gun; it’s also figurative because of the oxymoron. He also juxtaposed “live” and “make a nigga'z heartbeat stop” to create an antithesis. The word “live” means to have life, while “make a nigga'z heartbeat stop” refers to death. He said “she’s still live” to also create a paradox. 45-year-old women aren’t generally associated with vitality, but despite her being 45, she’s still full of life. All of this is placed in a single line by design. “One shot, make a nigga'z heartbeat stop.” He’s not just talking about his .45 caliber gun (metaphorical girlfriend) being able to end someone’s life with one shot. He’s also saying she has the power to leave a man figuratively breathless. One opportunity or chance (“one shot”) with this woman could figuratively take a man’s breath away and leave him in shock. She has the power to make a man’s heart figuratively stop because of the “caliber” of woman she is. One shot with her can have this effect because she’s that mind-blowing and breathtaking, pun intended.
5:06

Everything you've heard people like Marc Lamont Hill say Pac didn't do is false. The man has the deepest literary device bag ever and he employed each of them well. These breakdowns only show a glimpse of how deep his literary device bag was. Sidenote: Joe Budden isn't a true Pac fan. *We clock figures "If I had a bigger dick or a dime for every time Muthafuckas took a bit of the lines from in my rhymes, I'd be richer than a bitch with a trick with big pockets, (Simile, hyperbole) equipped with a dick that's so thick, it fits sockets". (Hyperbole, metaphor) 2Pac loved implied metaphors. Here, he metaphorically compared his phallus to something large enough to fit into a socket, such as a large impact socket, exaggerating size for comedic and rhetorical effect. "If I had a dime for every time", is an idiom (Used to indicate a very frequent occurrence of something happening. Usually used in conjunction with some expression that one would be rich as a result of receiving money for all such instances -Farlex Dictionary of Idioms) You can follow the idiom with a multitude of different things, and he chose to follow it up with the number of times others have took a bit of the lines from his rhymes. He is obviously referring to other emcees biting his rhymes here. He layered an additional hypothetical onto the idiom, creating two parallel, alternative hypotheticals. Each hypothetical leads to a different exaggerated outcome; one financial and one physical (penis growth). He pairs the idiom with a second, independent hyperbolic premise, stacking the hypotheticals and juxtaposing their exaggerations. This parallel hyperbolic scenario intensifies both the exaggeration and the comedic effect. It also makes the hypothetical scenario even more non-literal and impossible. This is why he made sure the following lines did not just include a hyperbolic simile about the amount of money he would receive from every instance. He made sure the lines also included a "vulgar" hyperbolic metaphor about how large his penis would grow from every instance as well. It's figurative and impossible. The hyperbolic simile and metaphor helped drive his point home. The lines are placed right next to each other for a reason. Great word selection and placement. "Please don't misinterpret what I say to be dirty." The lines before this one could easily be considered dirty," and he is sarcastically pleading for the listeners to not view the lines in that way. This is his way of letting listeners know the previous lines were figurative and were not meant to be taken literally. Basically, he is saying to think beyond the surface and do not have your mind completely in the gutter. It is also a disclaimer for the sexual innuendos that come next. "Muthafuckas want to jerk me, so they irk me how they work me". Multiple things he mentioned here could all have sexual meanings. The disclaimer is there to let listeners know to not interpret it as him saying that, "muthafuckas" want to literally jerk and work him in a sexual way. It is very clever and humorous wordplay. Listen to his adlib right after he says "work me". He chuckled because of the puns he used; specifically the one he had just finished using. Everything here is connected, and it was all by design. He set the scheme up at the very beginning of the verse and ended it after the work me line. The whole third verse is pretty much figurative. With Pac, you always have to pay attention to how he worded things and the placement of those words. He simultaneously sandwiched his rhymes in the lyrics included in my breakdown. He did this by rhyming internally and externally. He rhymed internally multiple times here, and even more so if you count the near and partial rhymes. He even added a multi in there (pockets, sockets). The assonance and consonance can't be ignored either. Pay close attention to what Makaveli said after: "My history so thoroughly involves destruction, niggaz left with their ass bleeding, lyrical fucking". "Open up first to bust, let me see your heart, turn the lights down, cause I might clown in the dark" Is a play off the lyrical fucking bar. Peep his choice of words. They're all sex related. He's speaking figuratively. He used puns. Hence, "open up, first to bust and "Turn the lights down, 'cause I might clown in the dark" are part of it as well. He's referring to sex in the dark but figuratively. It's all figurative, clever wordplay. Word Class Wreckin Cru also has a song called Turn Off the lights. Hence turn the lights down. Dre was apart of that group. He dissed Dre by name in this song. Also, peep his choice of words here. There's an obvious correlation between see, light, and dark. Makaveli juxtaposed those words, using 'light' and 'dark' specifically to create an antithesis. 'Makaveli rise, all you niggaz die when I come I do some fly shit and be done'. The words rise and fly are both related to flight. Very subtle. Lastly, he used internal and external rhymes, both with and without using multisyllabic rhymes. "Murdered my friends, built a new posse, we taking shots at paparazzi go and fly now, nigga like Rocky". "Murdered my friends, built a new posse", is not directed at Stretch. The friends he's referring to are the members in the Thug Life group. (Macadoshis, The Rated R). The Outlawz are the new posse he's referring to. He's also alluding to what his character Bishop did in Juice. Xzibit has a song called paparazzi. "We taking shots at paparazzi" was directed at him. Makaveli referred to him as paparazzi instead of his name. Although Makaveli didn't explicitly say his name, he sent a clear subliminal shot at Xzibit. Makaveli felt that Xzibit took subliminal shots at him in his song, 'Paparazzi'. "Forgive me, I'm a rider, still I'm just a simple man All I want is money, plus the fame, I'm a simple man. - Makaveli (Radio Edit of How Do U Want it) Here's what Xzibit said in his song Paparazzi. "I don’t believe the hype or buy wolf tickets Nigga, you make a gang of noise and never seen, like a cricket I guess that’s why we never kick it A lot of niggas is soft and get tossed, tryna fuck with the Likwit How many niggas do you know like this? Always claimin' that they ridin', but they really turned bitch It don’t make sense, either you’re a soldier from the start Or an actor with a record deal tryna play the part—like that! It’s a shame, niggas in the rap game Only for the money and the fame Edi dissed Xzibit in Bomb First (My Second Reply) but Makaveli dissed him himself this time. This is also directed at the actual paparazzi. 2Pac wasn't fond of them. The Paparazzi are freelance photographers who pursue celebrities to take photographs (shots) of them. Hence, taking shots at paparazzi. Get it? "Go and fly now, nigga like Rocky", is a reference to the "Gonna Fly Now" theme song (performed by DeEtta Little, Nelson Pigford, and Shelby Conti) from the movie Rocky. ""It’s like he’s standing up there jumping around; it's like he's gonna fly." - John Avildsen (Rocky Director) He was also referring to Rocky from the TV show, "Rocky and His Friends". This is why he said "Murdered my friends". Rocky was a flying squirrel in the TV show and this is why he said, "Go and fly now, nigga like Rocky". Makaveli was able to do all of this in just three lines. He got his point across without any wasted lyrics. The lyrics have purpose. He's lyrically efficient here. The way he set up the Rocky simile allowed him to kill two birds with one stone. The wording ('murdered my friends, go and fly now') provided listeners and readers with just enough hints to connect the dots between the lyrics and the TV show, Rocky and His Friends, while still referencing the theme song from the Rocky movie. "Baby .45 but she's still live, one shot make a nigga'z heartbeat stop.” He’s metaphorically talking about a .45 caliber gun being his girlfriend; this is obviously wordplay. That's just not the only layer to it. This is a part of the time motif he employed because anything that happens in real-time is “live.” He also juxtaposed “baby” and “.45” to create an oxymoron. An oxymoron is a combination of contradictory or incongruous words, and that’s exactly what “baby” and “.45” are here. A literal baby cannot be 45 years old. This isn’t just figurative because he’s metaphorically talking about a .45 caliber gun; it’s also figurative because of the oxymoron. He also juxtaposed “live” and “make a nigga'z heartbeat stop” to create an antithesis. The word “live” means to have life, while “make a nigga'z heartbeat stop” refers to death. He said “she’s still live” to also create a paradox. 45-year-old women aren’t generally associated with vitality, but despite her being 45, she’s still full of life. All of this is placed in a single line by design. “One shot, make a nigga'z heartbeat stop.” He’s not just talking about his .45 caliber gun (metaphorical girlfriend) being able to end someone’s life with one shot. He’s also saying she has the power to leave a man figuratively breathless. One opportunity or chance (“one shot”) with this woman could figuratively take a man’s breath away and leave him in shock. She has the power to make a man’s heart figuratively stop because of the “caliber” of woman she is. One shot with her can have this effect because she’s that mind-blowing and breathtaking, pun intended.

9-FO Tha Negus

34,168 Aufrufe • vor 7 Monaten

THE Queen of Conspiracies: How Meghan Markle Lost the Plot (Of Jam) 🚨WATCH: There’s a reason the internet can’t stop spinning wild conspiracies about Meghan Markle. It’s not misogyny. It’s not racism. It’s not even royal rage. It’s something far simpler: she comes across as the fakest woman on the planet. People don’t trust her because there’s no there there. No core. No grit. Just a relentless, plastic performance of victimhood and curated “authenticity” (that term she is SO obsessed with). And the conspiracies? They flourish in the vacuum she’s created. Fake pregnancies, green-screen babies, a secret body double. The public only invents madness when the truth feels less believable than fiction! If you present yourself as a saint, people will fill in the gaps. Nobody knows what’s real anymore not even, it seems, her. Jam. Meghan’s California lifestyle brand, American Riviera Orchard, launched with a limited drop of homemade preserves. Cue Gwyneth Paltrow panic room energy with a whiff of chutney. The idea, presumably, was to tap into some goopy, homespun Martha Stewart x Montecito aesthetic. But I ran the numbers, it gets brutal. Meghan and Harry, with their bloated Montecito mansion, private security, and dwindling A list clout, are sitting on a lifestyle burn rate of roughly $15 - 20 million a year, minimum. To even touch that figure with jam sales, they would need to sell; wait for it…2.5 million pots annually, assuming a generous $5 profit per jar. That’s industrial-scale marmalade just to tread water. No PR firm can spin those margins. This is not even just a business misfire. It’s a cultural one. Meghan keeps mistaking image for infrastructure. Her career is a series of launches, never landings. Spotify gone. Netflix flailing. The Archewell foundation reportedly haemorrhaging staff and momentum. It’s all motion, no traction. But jam, oddly, exposes the core problem more than anything else. Meghan wants to be adored like Diana, respected like Michelle Obama, and consumed like Kim Kardashian. But she’s none of them. She’s trying to be palatable to everyone and in the process, believable to no one. The truth is, people don’t hate Meghan because she married a prince or wrote on bananas or ‘made’ jam. They’re tired of being told she’s REAL when everything about her feels eerily algorithmic. She’s Hollywood’s idea of a humanitarian, LinkedIn’s idea of a duchess, and Instagram’s idea of a thought leader. No wonder people are suspicious. You can’t market sincerity. And you can’t manufacture mystery without earning the myth. Until she figures that out, Meghan Markle won’t just be the Duchess of Sussex. She’ll be the Queen of Conspiracies.
0:45

THE Queen of Conspiracies: How Meghan Markle Lost the Plot (Of Jam) 🚨WATCH: There’s a reason the internet can’t stop spinning wild conspiracies about Meghan Markle. It’s not misogyny. It’s not racism. It’s not even royal rage. It’s something far simpler: she comes across as the fakest woman on the planet. People don’t trust her because there’s no there there. No core. No grit. Just a relentless, plastic performance of victimhood and curated “authenticity” (that term she is SO obsessed with). And the conspiracies? They flourish in the vacuum she’s created. Fake pregnancies, green-screen babies, a secret body double. The public only invents madness when the truth feels less believable than fiction! If you present yourself as a saint, people will fill in the gaps. Nobody knows what’s real anymore not even, it seems, her. Jam. Meghan’s California lifestyle brand, American Riviera Orchard, launched with a limited drop of homemade preserves. Cue Gwyneth Paltrow panic room energy with a whiff of chutney. The idea, presumably, was to tap into some goopy, homespun Martha Stewart x Montecito aesthetic. But I ran the numbers, it gets brutal. Meghan and Harry, with their bloated Montecito mansion, private security, and dwindling A list clout, are sitting on a lifestyle burn rate of roughly $15 - 20 million a year, minimum. To even touch that figure with jam sales, they would need to sell; wait for it…2.5 million pots annually, assuming a generous $5 profit per jar. That’s industrial-scale marmalade just to tread water. No PR firm can spin those margins. This is not even just a business misfire. It’s a cultural one. Meghan keeps mistaking image for infrastructure. Her career is a series of launches, never landings. Spotify gone. Netflix flailing. The Archewell foundation reportedly haemorrhaging staff and momentum. It’s all motion, no traction. But jam, oddly, exposes the core problem more than anything else. Meghan wants to be adored like Diana, respected like Michelle Obama, and consumed like Kim Kardashian. But she’s none of them. She’s trying to be palatable to everyone and in the process, believable to no one. The truth is, people don’t hate Meghan because she married a prince or wrote on bananas or ‘made’ jam. They’re tired of being told she’s REAL when everything about her feels eerily algorithmic. She’s Hollywood’s idea of a humanitarian, LinkedIn’s idea of a duchess, and Instagram’s idea of a thought leader. No wonder people are suspicious. You can’t market sincerity. And you can’t manufacture mystery without earning the myth. Until she figures that out, Meghan Markle won’t just be the Duchess of Sussex. She’ll be the Queen of Conspiracies.

Samara Gill

42,313 Aufrufe • vor 1 Jahr