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Utah commit 4⭐️ Kennan Pula, an elite two-way playmaker with a ridiculous one handed INT today during Lone Peak’s playoff game where they beat Skyridge 13-7 in Rice Eccles Stadium. Kennan pula Kasch Hart | Red Petal Media

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Sam LeSueur

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198,544 views • 9 months ago •via X (Twitter)

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Alright, let’s do a quick review of last night’s game between the Atlanta Dream, and the Minnesota Lynx because I am extremely busy today. What you witnessed last night……(and this is why I hate talking basketball with Caitlin Clark fans because they know jack NOTHING about the game of basketball)……….was the result of team meetings, walk-throughs, film sessions, and an ENTIRE GAME PLAN that was CENTERED around containing ONE player: Angel Reese. ————————————————- The plan was simple: 1. If the ball goes to Angel Reese in the post, immediately double and triple team her. No one player can stop her. 2. If a shot goes up, send FOUR BODIES to surround ANGEL REESE. No one player will keep her off the boards. No TWO players will keep her off the boards. We’ve TRIED that. ————————————————- I’ve attached two video clips from last night’s game: Clip 1: The ball goes to Angel Reese in the post. She is immediately triple-teamed. Why on God’s green EARTH would a WNBA team TRIPLE-TEAM a player who SUCKS?!!! Great question. Clip 2: A shot goes up. FOUR PLAYERS from the Minnesota Lynx ALL crash around Angel Reese, just as the team had discussed during their team planning sessions. She STILL snatches the rebound while SURROUNDED by FOUR PLAYERS! ——————————————— The Minnesota Lynx decided prior to the start of this game that if they were going to lose, they were going to force the OTHER starters from the Atlanta Dream to beat them. They were NOT going to lose to Angel Reese. It was one of those nights, and that is okay. It happens. These VIDEOS will show you the level of RESPECT that an ELITE player COMMANDS! Peace.
0:16

Alright, let’s do a quick review of last night’s game between the Atlanta Dream, and the Minnesota Lynx because I am extremely busy today. What you witnessed last night……(and this is why I hate talking basketball with Caitlin Clark fans because they know jack NOTHING about the game of basketball)……….was the result of team meetings, walk-throughs, film sessions, and an ENTIRE GAME PLAN that was CENTERED around containing ONE player: Angel Reese. ————————————————- The plan was simple: 1. If the ball goes to Angel Reese in the post, immediately double and triple team her. No one player can stop her. 2. If a shot goes up, send FOUR BODIES to surround ANGEL REESE. No one player will keep her off the boards. No TWO players will keep her off the boards. We’ve TRIED that. ————————————————- I’ve attached two video clips from last night’s game: Clip 1: The ball goes to Angel Reese in the post. She is immediately triple-teamed. Why on God’s green EARTH would a WNBA team TRIPLE-TEAM a player who SUCKS?!!! Great question. Clip 2: A shot goes up. FOUR PLAYERS from the Minnesota Lynx ALL crash around Angel Reese, just as the team had discussed during their team planning sessions. She STILL snatches the rebound while SURROUNDED by FOUR PLAYERS! ——————————————— The Minnesota Lynx decided prior to the start of this game that if they were going to lose, they were going to force the OTHER starters from the Atlanta Dream to beat them. They were NOT going to lose to Angel Reese. It was one of those nights, and that is okay. It happens. These VIDEOS will show you the level of RESPECT that an ELITE player COMMANDS! Peace.

Hovah76

664,146 views • 2 months ago

49ers just wrapped up Block 2 of camp with a reminder of how good Brock Purdy is — even without his top 3 WR (Evans/Stribling injuries are NOT serious), Purdy's offense managed some crisp success: 🏈Demarcus Robinson was Purdy's favorite WR, reminiscent of when 49ers beat Philly with a skeleton crew. The deep out was the duo's bread and better 🏈Best play: Excellent one-handed catch from TE Brayden Willis on a corner route from Mac Jones. 🏈Deommodore Lenoir had two more PBUs — including one on a Purdy-Robinson deep out. CB1 been very active this camp and said this morning on KNBR that he's as locked in as ever 🏈6-3 rookie CB Ephesians Prysock notched a nice reaching PBU vs 5-9 Junior Bergen. 🏈Speaking of Bergen, he's making quite a few plays on offense and I wouldn't be quick to discount him in the punt return battle. FWIW, Bergen has made more offensive plays than Jacob Cowing, with whom he may be in a battle for a 53-man spot 🏈49ers did some red-zone work today where safety Ji'Ayir Brown had a nice, athletic PBU in the corner against TE Jake Tonges. Jordan Watkins later caught a TD from Jones in the corner 🏈New RB Khalil Herbert is wearing No. 40. He dished out some real contact on his first run — at 212 but just 5-9, Herbert is not a player defenders enjoy running in to. He'll be in the KR mix alongside Deebo Samuel — "hell yeah, let's go!" was Boyer's reaction to the Deebo signing 🏈LB Nick Martin dropped what should've been an easy INT from Kurtis Rourke, but he was in correct position. Later he made a nice stop on a Kyle Juszczyk catch 🏈Team drills started with a nice CMC run (he's had a handful already). And yes, as I've stated already and will discuss more, rookie Jaden Dugger worked with the thinned-out DE group for the first time. He did notch a would-be sack. A lot to unpack when it comes to his talent and that move as the 49ers navigate the dog days. More soon...
0:16

49ers just wrapped up Block 2 of camp with a reminder of how good Brock Purdy is — even without his top 3 WR (Evans/Stribling injuries are NOT serious), Purdy's offense managed some crisp success: 🏈Demarcus Robinson was Purdy's favorite WR, reminiscent of when 49ers beat Philly with a skeleton crew. The deep out was the duo's bread and better 🏈Best play: Excellent one-handed catch from TE Brayden Willis on a corner route from Mac Jones. 🏈Deommodore Lenoir had two more PBUs — including one on a Purdy-Robinson deep out. CB1 been very active this camp and said this morning on KNBR that he's as locked in as ever 🏈6-3 rookie CB Ephesians Prysock notched a nice reaching PBU vs 5-9 Junior Bergen. 🏈Speaking of Bergen, he's making quite a few plays on offense and I wouldn't be quick to discount him in the punt return battle. FWIW, Bergen has made more offensive plays than Jacob Cowing, with whom he may be in a battle for a 53-man spot 🏈49ers did some red-zone work today where safety Ji'Ayir Brown had a nice, athletic PBU in the corner against TE Jake Tonges. Jordan Watkins later caught a TD from Jones in the corner 🏈New RB Khalil Herbert is wearing No. 40. He dished out some real contact on his first run — at 212 but just 5-9, Herbert is not a player defenders enjoy running in to. He'll be in the KR mix alongside Deebo Samuel — "hell yeah, let's go!" was Boyer's reaction to the Deebo signing 🏈LB Nick Martin dropped what should've been an easy INT from Kurtis Rourke, but he was in correct position. Later he made a nice stop on a Kyle Juszczyk catch 🏈Team drills started with a nice CMC run (he's had a handful already). And yes, as I've stated already and will discuss more, rookie Jaden Dugger worked with the thinned-out DE group for the first time. He did notch a would-be sack. A lot to unpack when it comes to his talent and that move as the 49ers navigate the dog days. More soon...

David Lombardi

46,415 views • 19 days ago

“One of the most complicated hostage rescue missions in history.” The operation to rescue the hostages from Nusayrat was named "Summer Seeds" and is defined by the IDF as one of the most complex ever for hostage rescue. The hostages were held in a heavily civilian populated area, above ground, in buildings of 3-4 stories. The forces stormed the two separate targets where the hostages were held, with Noa held on the first floor and Andrey, Shlomi, and Almog on the third floor of another building, hundreds of meters apart. Hamas moved the four hostages from apartment to apartment, and the concern was that if the forces only stormed one building, the terrorists would escape with the hostages in the second building. The Air Force gathered intelligence from the air in the last few days, and the IDF and Shin Bet created conditions to reach the targets without the terrorists shooting the hostages first, which was key to the operation's success. The models built by the Yamam (Israel's counter-terrorism unit) reminded senior military officials of the models established for the Entebbe operation, with buildings, streets, and small areas for practice. The main problem was in the apartment where Andrey, Almog, and Shlomi were held, and where Yamam fighter Arnon Zamora was killed. The rescue took place under heavy fire, and during the disengagement, dozens of terrorists with RPGs and machine guns ran through the alleys towards the targets. As a result, uninvolved Gazan civilians were also killed in the dense fire exchange. The military said, "The difference between success and failure in such an operation is a hair's breadth, and we relied on exceptional technology from the Intelligence and Shin Bet. Without ground activity and maneuvering in the Gazan area, it would not have been possible to succeed in such operations." The IDF also noted that the rescue was made possible by Commander Zamora's heroism. "Shin Bet and Intelligence Directorate fighters entered the lion's den in the refugee camp and dismantled houses in areas where we hadn't maneuvered," they said. "This is bravery on the level of Judah Maccabee. The operation was planned for weeks with drills, rescue plans, and fires executed, alongside scenarios of cases and responses." The forces simultaneously broke into the two houses with special weapons developed for the operation. Immediately after extracting the hostages, the forces began to withdraw while fighting dozens of terrorists, but a vehicle with the three hostages got stuck and came under heavy fire. Division 98 forces jumped in to assist in the vehicle rescue battle, and rescue helicopters entered deep into the strip in daylight. Three brigades participated in the rescue battle, during which Zamora was also evacuated to the hospital: Brigade 7, Paratroopers, and Kfir with Flotilla 13, along with other special forces. "The fire plan that was executed was focused but extremely powerful," the IDF added. "The cooperation with Shin Bet and Yamam rose to several levels into a single operational system, under the direction of the Shin Bet chief and the Chief of Staff. Four keys to the operation: deception, surprise, determination, and power." To maintain the secrecy of the operation, thousands of soldiers in the brigades that participated in the rescue were unaware of the nature of the operation before it happened to preserve the element of surprise. Only a handful of commanders were exposed to the operation yesterday, at various levels. These forces were positioned at the correct launch points without revealing the secret. During the operation, soldiers were also lightly injured, mainly from shrapnel.
0:19

“One of the most complicated hostage rescue missions in history.” The operation to rescue the hostages from Nusayrat was named "Summer Seeds" and is defined by the IDF as one of the most complex ever for hostage rescue. The hostages were held in a heavily civilian populated area, above ground, in buildings of 3-4 stories. The forces stormed the two separate targets where the hostages were held, with Noa held on the first floor and Andrey, Shlomi, and Almog on the third floor of another building, hundreds of meters apart. Hamas moved the four hostages from apartment to apartment, and the concern was that if the forces only stormed one building, the terrorists would escape with the hostages in the second building. The Air Force gathered intelligence from the air in the last few days, and the IDF and Shin Bet created conditions to reach the targets without the terrorists shooting the hostages first, which was key to the operation's success. The models built by the Yamam (Israel's counter-terrorism unit) reminded senior military officials of the models established for the Entebbe operation, with buildings, streets, and small areas for practice. The main problem was in the apartment where Andrey, Almog, and Shlomi were held, and where Yamam fighter Arnon Zamora was killed. The rescue took place under heavy fire, and during the disengagement, dozens of terrorists with RPGs and machine guns ran through the alleys towards the targets. As a result, uninvolved Gazan civilians were also killed in the dense fire exchange. The military said, "The difference between success and failure in such an operation is a hair's breadth, and we relied on exceptional technology from the Intelligence and Shin Bet. Without ground activity and maneuvering in the Gazan area, it would not have been possible to succeed in such operations." The IDF also noted that the rescue was made possible by Commander Zamora's heroism. "Shin Bet and Intelligence Directorate fighters entered the lion's den in the refugee camp and dismantled houses in areas where we hadn't maneuvered," they said. "This is bravery on the level of Judah Maccabee. The operation was planned for weeks with drills, rescue plans, and fires executed, alongside scenarios of cases and responses." The forces simultaneously broke into the two houses with special weapons developed for the operation. Immediately after extracting the hostages, the forces began to withdraw while fighting dozens of terrorists, but a vehicle with the three hostages got stuck and came under heavy fire. Division 98 forces jumped in to assist in the vehicle rescue battle, and rescue helicopters entered deep into the strip in daylight. Three brigades participated in the rescue battle, during which Zamora was also evacuated to the hospital: Brigade 7, Paratroopers, and Kfir with Flotilla 13, along with other special forces. "The fire plan that was executed was focused but extremely powerful," the IDF added. "The cooperation with Shin Bet and Yamam rose to several levels into a single operational system, under the direction of the Shin Bet chief and the Chief of Staff. Four keys to the operation: deception, surprise, determination, and power." To maintain the secrecy of the operation, thousands of soldiers in the brigades that participated in the rescue were unaware of the nature of the operation before it happened to preserve the element of surprise. Only a handful of commanders were exposed to the operation yesterday, at various levels. These forces were positioned at the correct launch points without revealing the secret. During the operation, soldiers were also lightly injured, mainly from shrapnel.

Hen Mazzig

2,182,605 views • 2 years ago

You spend years training for the World Cup, then lose to a cat. This Cat vs Human Football match rivalry was created using GPT Image 2 + Seedance 2.0 on RoboNeo #Roboneo Prompt Create a 15-second cinematic FIFA World Cup 2026 sports-comedy commercial. Every scene must happen strictly in the exact sequence listed below. Do NOT skip, merge, shorten, combine, or reorder any scene. Maintain perfect character consistency across all shots. MAIN CHARACTER: Athletic western blonde female soccer player, age 24, blue eyes, long blonde ponytail, red soccer jersey #8, red shorts, red socks, professional football boots. ANIMAL HERO: Sleek athletic grey cat with green eyes wearing a matching red soccer jersey. OPPONENTS: Two muscular female football players wearing white uniforms. ENVIRONMENT: FIFA World Cup 2026 atmosphere. Massive packed football stadium during golden hour. Warm sunlight, dramatic lens flares, vibrant green grass, roaring crowd, FIFA World Cup branding, international supporters waving USA, Canada, and Mexico flags. Premium global football-event energy. STYLE: Photorealistic live-action sports commercial, realistic human anatomy, Pixar-quality cat animation, Nike-style energy, dynamic camera movement, cinematic lighting, ultra-detailed textures, realistic football physics except for the cat's comedic athletic abilities. DURATION: 15 seconds total. SCENE 1 (0:00–0:02) — WORLD CUP OPENING High aerial establishing shot of a massive FIFA World Cup 2026 stadium at golden hour. Visible FIFA World Cup 2026 banners around the stadium. Crowd packed with supporters waving USA, Canada, and Mexico flags. A recognizable host-city landmark is visible in the distance. The blonde player in red jersey #8 dribbles confidently across the pitch while the grey cat runs beside her. Camera slowly pushes forward. Warm sunlight washes over the field. Massive crowd roar. On-screen title card appears briefly: "FIFA WORLD CUP 2026". SCENE 2 (0:02–0:03) — GAME ON Medium action shot. Two muscular opponents in white uniforms notice the cat and immediately shift their focus toward stopping it. The cat glances toward the ball with determination. Quick cinematic push-in. Crowd anticipation rises. SCENE 3 (0:03–0:05) — CAT SPEED BURST Ground-level tracking shot. The cat explodes forward between players' legs at impossible speed. Grass, dirt, and turf particles spray upward. Intense acceleration effect and realistic motion blur. Stadium crowd reacts with surprise. SCENE 4 (0:05–0:06) — PLAYER REACTION Extreme close-up of the blonde player. She smiles confidently, then her eyes suddenly widen in genuine surprise as she realizes how unbelievably fast the cat is moving. Lens flare sweeps across frame. SCENE 5 (0:06–0:08) — HERO CAT Low-angle hero close-up. The cat locks eyes on the ball. Golden sunlight creates a glowing halo around its silhouette. Slow-motion moment. Crowd noise softens briefly while heroic music rises. Fur detail and jersey fabric rendered with ultra-realistic quality. SCENE 6 (0:08–0:10) — FIRST DODGE Wide action shot. One defender launches a tackle. The cat instantly sidesteps and slips perfectly between both defenders. The tackle misses completely. The crowd erupts with laughter and excitement. SCENE 7 (0:10–0:12) — SLIDE CHAOS Both opponents commit to aggressive sliding tackles simultaneously. Massive dirt explosion. The cat effortlessly avoids both slides with perfect timing. The defenders collide with each other and tumble dramatically. Realistic physics, comedic timing. Crowd reaction intensifies. SCENE 8 (0:12–0:13) — DRIBBLE MASTER Dynamic tracking shot. The cat skillfully dribbles the ball through the chaos with incredible close control. Opponents tumble helplessly in the background. The blonde player watches in amused disbelief. Stadium energy reaches its peak. SCENE 9 (0:13–0:14) — IMPOSSIBLE SHOT Dramatic low-angle shot. The cat crouches beside the ball and looks upward. Tension builds. Suddenly the cat launches into an impossible move and strikes the ball toward goal. Cinematic speed ramp. Ball rockets through the air toward the net. SCENE 10 (0:14–0:15) — WORLD CUP GOAL & BRAND PAYOFF Ultra-cinematic goal shot. The football smashes into the back of the net at high speed. The net deforms naturally and ripples realistically with detailed cloth physics. Goal frame shakes subtly from impact. Crowd instantly explodes in celebration. Fans wave USA, Canada, and Mexico flags. The blonde player throws her hands up in disbelief and joy. The cat lands heroically and looks toward the roaring stadium. Freeze frame on the celebrating cat. On-screen tagline appears: "IMPOSSIBLE IS JUST KICKOFF." FIFA WORLD CUP 2026 logo appears prominently with premium commercial-grade branding. End on triumphant crowd roar and stadium atmosphere. CINEMATIC NOTES: Strict chronological sequence. No scene skipping, merging, or reordering. Fast-paced sports-commercial editing. Warm golden-hour color grading. Dynamic camera movement throughout. Premium FIFA World Cup 2026 advertising quality. Realistic football and net physics. Massive crowd reactions escalating throughout the film. Consistent character appearance across every shot. Photorealistic visuals with cinematic lens flares and broadcast-quality production values. Final goal must feel epic, emotional, and unmistakably FIFA World Cup 2026.
0:15

You spend years training for the World Cup, then lose to a cat. This Cat vs Human Football match rivalry was created using GPT Image 2 + Seedance 2.0 on RoboNeo #Roboneo Prompt Create a 15-second cinematic FIFA World Cup 2026 sports-comedy commercial. Every scene must happen strictly in the exact sequence listed below. Do NOT skip, merge, shorten, combine, or reorder any scene. Maintain perfect character consistency across all shots. MAIN CHARACTER: Athletic western blonde female soccer player, age 24, blue eyes, long blonde ponytail, red soccer jersey #8, red shorts, red socks, professional football boots. ANIMAL HERO: Sleek athletic grey cat with green eyes wearing a matching red soccer jersey. OPPONENTS: Two muscular female football players wearing white uniforms. ENVIRONMENT: FIFA World Cup 2026 atmosphere. Massive packed football stadium during golden hour. Warm sunlight, dramatic lens flares, vibrant green grass, roaring crowd, FIFA World Cup branding, international supporters waving USA, Canada, and Mexico flags. Premium global football-event energy. STYLE: Photorealistic live-action sports commercial, realistic human anatomy, Pixar-quality cat animation, Nike-style energy, dynamic camera movement, cinematic lighting, ultra-detailed textures, realistic football physics except for the cat's comedic athletic abilities. DURATION: 15 seconds total. SCENE 1 (0:00–0:02) — WORLD CUP OPENING High aerial establishing shot of a massive FIFA World Cup 2026 stadium at golden hour. Visible FIFA World Cup 2026 banners around the stadium. Crowd packed with supporters waving USA, Canada, and Mexico flags. A recognizable host-city landmark is visible in the distance. The blonde player in red jersey #8 dribbles confidently across the pitch while the grey cat runs beside her. Camera slowly pushes forward. Warm sunlight washes over the field. Massive crowd roar. On-screen title card appears briefly: "FIFA WORLD CUP 2026". SCENE 2 (0:02–0:03) — GAME ON Medium action shot. Two muscular opponents in white uniforms notice the cat and immediately shift their focus toward stopping it. The cat glances toward the ball with determination. Quick cinematic push-in. Crowd anticipation rises. SCENE 3 (0:03–0:05) — CAT SPEED BURST Ground-level tracking shot. The cat explodes forward between players' legs at impossible speed. Grass, dirt, and turf particles spray upward. Intense acceleration effect and realistic motion blur. Stadium crowd reacts with surprise. SCENE 4 (0:05–0:06) — PLAYER REACTION Extreme close-up of the blonde player. She smiles confidently, then her eyes suddenly widen in genuine surprise as she realizes how unbelievably fast the cat is moving. Lens flare sweeps across frame. SCENE 5 (0:06–0:08) — HERO CAT Low-angle hero close-up. The cat locks eyes on the ball. Golden sunlight creates a glowing halo around its silhouette. Slow-motion moment. Crowd noise softens briefly while heroic music rises. Fur detail and jersey fabric rendered with ultra-realistic quality. SCENE 6 (0:08–0:10) — FIRST DODGE Wide action shot. One defender launches a tackle. The cat instantly sidesteps and slips perfectly between both defenders. The tackle misses completely. The crowd erupts with laughter and excitement. SCENE 7 (0:10–0:12) — SLIDE CHAOS Both opponents commit to aggressive sliding tackles simultaneously. Massive dirt explosion. The cat effortlessly avoids both slides with perfect timing. The defenders collide with each other and tumble dramatically. Realistic physics, comedic timing. Crowd reaction intensifies. SCENE 8 (0:12–0:13) — DRIBBLE MASTER Dynamic tracking shot. The cat skillfully dribbles the ball through the chaos with incredible close control. Opponents tumble helplessly in the background. The blonde player watches in amused disbelief. Stadium energy reaches its peak. SCENE 9 (0:13–0:14) — IMPOSSIBLE SHOT Dramatic low-angle shot. The cat crouches beside the ball and looks upward. Tension builds. Suddenly the cat launches into an impossible move and strikes the ball toward goal. Cinematic speed ramp. Ball rockets through the air toward the net. SCENE 10 (0:14–0:15) — WORLD CUP GOAL & BRAND PAYOFF Ultra-cinematic goal shot. The football smashes into the back of the net at high speed. The net deforms naturally and ripples realistically with detailed cloth physics. Goal frame shakes subtly from impact. Crowd instantly explodes in celebration. Fans wave USA, Canada, and Mexico flags. The blonde player throws her hands up in disbelief and joy. The cat lands heroically and looks toward the roaring stadium. Freeze frame on the celebrating cat. On-screen tagline appears: "IMPOSSIBLE IS JUST KICKOFF." FIFA WORLD CUP 2026 logo appears prominently with premium commercial-grade branding. End on triumphant crowd roar and stadium atmosphere. CINEMATIC NOTES: Strict chronological sequence. No scene skipping, merging, or reordering. Fast-paced sports-commercial editing. Warm golden-hour color grading. Dynamic camera movement throughout. Premium FIFA World Cup 2026 advertising quality. Realistic football and net physics. Massive crowd reactions escalating throughout the film. Consistent character appearance across every shot. Photorealistic visuals with cinematic lens flares and broadcast-quality production values. Final goal must feel epic, emotional, and unmistakably FIFA World Cup 2026.

Sharon Riley

60,716 views • 2 months ago

Recently did an interview with the lead developer of Knight's Path on the title's future release and the state of the industry. The Western AAA gaming industry has shifted its focus away from its core audience, favoring products for smaller, less engaged demographics. This shift has led to a noticeable disconnect between large publishers and their traditional fan base. This has, however, created an environment for indies to thrive. They can prioritize authenticity and community, crafting games that resonate with their players and that is exactly the case with Knight's Path. In December of 2023, Knights Path: The Tournament was released to Very Positive reviews on Steam. It is a short medieval RPG featuring challenging combat, an immersive progression system, and a nice little story. It served as an announcement, a combat concept demo, and a teaser for the forthcoming open-world RPG Knight's Path, which is currently in active development. I asked what their plans were regarding the scope of the full release. While you might get the impression that Knight's Path is an arena fighting game, that’s not the case with the full release. "Knight's Path will be a proper open-world, story-driven RPG. Of course, as a small indie team, we’re keeping the scope modest. The open world will be compact but dense, featuring one town, one village, castle ruins, forests, valleys, and other areas to explore." Many gamers would agree it is better to have a limited number of fully fleshed-out areas than to present a gigantic, empty world. This has been a major criticism levied towards recent releases like Pokémon Scarlet and Violet and even modern Assassins Creed, which tends to rely on repetitive gameplay loops scattered across an overly large map, which can feel more like busywork than meaningful exploration. I have always believed that quality over quantity is the best way to go. The team has also made this a priority with things such as the story and weapon types. "We plan to include three main weapon types: longsword, sword and shield, and bows. These will feature the full progression system seen in the demo, with skill levels such as Novice, Adept, Expert, and Master. Players will need to learn individual skills from different trainers to progress. In addition, we’re introducing secondary weapons like spears, halberds, and other polearms. These won’t have RPG-style progression but will still offer variety in combat." Regarding the story, they plan to be bold and strive to create a 16-28 hour-long main campaign. "The story will be divided into four chapters, with each chapter offering around 4–7 hours of gameplay. As in the demo, the player character begins as a nobody, slowly learning how to wield a sword and eventually becoming a knight. However, the progression will be much more realistic than in the demo, where the peasant hilariously transformed into a champion in just four days." This is a far cry from many games that are released nowadays. In just 2024 alone at a glance, the AA release Flintlock: The Siege of Dawn provided an average of 8 hours of content, Princess Peach: Showtime at 10 hours, Silent Hill 2 Remake at 15, and even the GOTY winner Astrobot holds an average playtime of 10 hours. A major issue within the industry is the way we are treated by the people who only have jobs because of our favorite hobby. In 2024 the gaming industry is forecasted to generate $208.7 BILLION dollars, up from 5.4% in 2023. Compare that to Hollywood, which is a measly $12.3 billion. The gaming industry employs 727,000 individuals in the United States alone. So, you'd think these people would have a little bit of respect for gamers, though so many who are vocal on social media show nothing but contempt for us. Perhaps this is because of fear if they do not show loyalty to a cause or "fit in" that they may not secure funding or genuinely believe in what they preach, but the team behind Knight's Path isn't worried about that. "We are independent developers, and we plan to stay independent so we can stay true to our vision. Knight's Path is a game made by gamers for gamers. We’re prioritizing fun gameplay above all, and we firmly believe this is exactly what gamers want." I also raised some questions about their big plans moving forward. In the demo, one of the major criticisms I had was with the voice acting. I had guessed it was done via AI, which was confirmed. "You guessed correctly– the voice acting in the demo was done by AI, and it was probably the loudest critique we received, and we totally understand why! Back then, we didn’t have much of a choice, but for the full game, we don’t plan to use any AI voices. Luckily, after the demo release, many voice actors reached out to us, volunteering to lend their voices to the full game. We absolutely plan to answer their call and give them that opportunity." AI can be a useful tool, especially for developers starting out who can't commit a lot of money to voice acting or just want to see a version of the product that's closer to what they envision the full release to be, but going from that to real voice actors will bump the experience to the next level. I myself played the demo in its entirety and really enjoyed my time with it! I thought the game was reminiscent of Gothic 2 and even The Witcher. I was happily surprised when I didn't encounter any bugs or glitches and while some areas have not been fleshed out like the voice acting, I would recommend putting the game on your wishlist to see what this team does in the future when they finally deliver their updated demo and the eventual full release of the game.
2:26

Recently did an interview with the lead developer of Knight's Path on the title's future release and the state of the industry. The Western AAA gaming industry has shifted its focus away from its core audience, favoring products for smaller, less engaged demographics. This shift has led to a noticeable disconnect between large publishers and their traditional fan base. This has, however, created an environment for indies to thrive. They can prioritize authenticity and community, crafting games that resonate with their players and that is exactly the case with Knight's Path. In December of 2023, Knights Path: The Tournament was released to Very Positive reviews on Steam. It is a short medieval RPG featuring challenging combat, an immersive progression system, and a nice little story. It served as an announcement, a combat concept demo, and a teaser for the forthcoming open-world RPG Knight's Path, which is currently in active development. I asked what their plans were regarding the scope of the full release. While you might get the impression that Knight's Path is an arena fighting game, that’s not the case with the full release. "Knight's Path will be a proper open-world, story-driven RPG. Of course, as a small indie team, we’re keeping the scope modest. The open world will be compact but dense, featuring one town, one village, castle ruins, forests, valleys, and other areas to explore." Many gamers would agree it is better to have a limited number of fully fleshed-out areas than to present a gigantic, empty world. This has been a major criticism levied towards recent releases like Pokémon Scarlet and Violet and even modern Assassins Creed, which tends to rely on repetitive gameplay loops scattered across an overly large map, which can feel more like busywork than meaningful exploration. I have always believed that quality over quantity is the best way to go. The team has also made this a priority with things such as the story and weapon types. "We plan to include three main weapon types: longsword, sword and shield, and bows. These will feature the full progression system seen in the demo, with skill levels such as Novice, Adept, Expert, and Master. Players will need to learn individual skills from different trainers to progress. In addition, we’re introducing secondary weapons like spears, halberds, and other polearms. These won’t have RPG-style progression but will still offer variety in combat." Regarding the story, they plan to be bold and strive to create a 16-28 hour-long main campaign. "The story will be divided into four chapters, with each chapter offering around 4–7 hours of gameplay. As in the demo, the player character begins as a nobody, slowly learning how to wield a sword and eventually becoming a knight. However, the progression will be much more realistic than in the demo, where the peasant hilariously transformed into a champion in just four days." This is a far cry from many games that are released nowadays. In just 2024 alone at a glance, the AA release Flintlock: The Siege of Dawn provided an average of 8 hours of content, Princess Peach: Showtime at 10 hours, Silent Hill 2 Remake at 15, and even the GOTY winner Astrobot holds an average playtime of 10 hours. A major issue within the industry is the way we are treated by the people who only have jobs because of our favorite hobby. In 2024 the gaming industry is forecasted to generate $208.7 BILLION dollars, up from 5.4% in 2023. Compare that to Hollywood, which is a measly $12.3 billion. The gaming industry employs 727,000 individuals in the United States alone. So, you'd think these people would have a little bit of respect for gamers, though so many who are vocal on social media show nothing but contempt for us. Perhaps this is because of fear if they do not show loyalty to a cause or "fit in" that they may not secure funding or genuinely believe in what they preach, but the team behind Knight's Path isn't worried about that. "We are independent developers, and we plan to stay independent so we can stay true to our vision. Knight's Path is a game made by gamers for gamers. We’re prioritizing fun gameplay above all, and we firmly believe this is exactly what gamers want." I also raised some questions about their big plans moving forward. In the demo, one of the major criticisms I had was with the voice acting. I had guessed it was done via AI, which was confirmed. "You guessed correctly– the voice acting in the demo was done by AI, and it was probably the loudest critique we received, and we totally understand why! Back then, we didn’t have much of a choice, but for the full game, we don’t plan to use any AI voices. Luckily, after the demo release, many voice actors reached out to us, volunteering to lend their voices to the full game. We absolutely plan to answer their call and give them that opportunity." AI can be a useful tool, especially for developers starting out who can't commit a lot of money to voice acting or just want to see a version of the product that's closer to what they envision the full release to be, but going from that to real voice actors will bump the experience to the next level. I myself played the demo in its entirety and really enjoyed my time with it! I thought the game was reminiscent of Gothic 2 and even The Witcher. I was happily surprised when I didn't encounter any bugs or glitches and while some areas have not been fleshed out like the voice acting, I would recommend putting the game on your wishlist to see what this team does in the future when they finally deliver their updated demo and the eventual full release of the game.

Vara Dark

42,375 views • 1 year ago

Instead of just talking about it, I wanted to go through it and really break it down to figure out the exact reason for the difference in Jalen Duren's play between the regular season and the playoffs. *LONG BREAKDOWN COMING* First, lets list how much the difference was: Iso in RS: 82nd %ile Iso in PS: 21st %ile Post-ups in RS: 88th %ile Post-ups in PS: 59th %ile PPP on drives in RS: 1.18 ppp PPP on drives in PS: 0.80 Layups in RS: 79th %ile Layups in PS: 19th %ile It was a staggering drop off. Shocking to many of us who watched him all season. So, what happened? Well, #1 I think mentally he was letting his struggles get to him and he started to play out of control. Something that suggests this to me is this stat: He started to figure some things out himself in isolation over the last 2 games against the Cavs. He had six isolation possessions in the final two games against the Cavs; he scored on five of those possessions and drew a foul on the other. Game 6 he started to look confident and really made them pay out of isolation. I really think a ton of it was he got hit with a punch early against ORL and really struggled to handle the pressure and struggles after, and just kept stacking and stacking. So, him being in his own head is #1 for me. #2: His handle got exposed quite a bit. In the regular season, he only had a 4.2 TO% in isolation, which is incredible. In the playoffs, though, that spiked to 20 TO%. On drives in the RS, he had a TO% of 4%. In the PS, it jumped to 13.3%. The first clip below shows how the right-to-left cross he loved doing all season was really taken away from him. Too loose of a handle, and he often got his pocket picked trying this exact move over and over. I think having his go-to move taken from him shook him a bit and left him scrambling a bit in his head to find a counter. The second clip shows, imo, him starting to lose trust in his handle. He immediately turns his back to the defender, which is what you do when you're worried about losing the ball. But, even then, he loses control of the handle and it ends up in a turnover. If I'm the Pistons, I'm showing all his turnovers due to his handle and working with him on tightening his handle and also helping him get comfortable with a counter/second move so defenders don't just sit on the right-to-left cross. #3: I think he really struggled to adjust to the playoff whistle. In the regular season, he drew free throws on 21% of his isolations and 31% of his post-ups. In the PS, it dropped to 14% and 11%, respectively. There were many possessions where in the RS he would've got free throws, but did not in the PS and he was frustrated. In the third clip, you'll see how physical he was being played by Mobley (which we all want physicality in the game). But, in the RS, he probably is getting FTA's here. There are many examples of this where it felt like a lot of his value during the RS was being able to draw FTA's on his drives, and in the PS, refs just allowed more physicality, and he struggled to deal with it. #4: Ausar-Duren duo. I believe in this duo, and I do not think this was the main reason Duren struggled. However, I am not blind to the fact that there were obviously some possessions that hurt Duren. In the regular season, Duen actually got less efficient when Ausar wasn't on the floor. However, in the playoffs, Duren went from 51 TS% with Ausar on the floor (302 minutes) to 64 TS% with Ausar off the floor (121 minutes). In the 4th clip, you really see how the lack of spacing caused a tough shot from Duren. He gets a step on WCJ going right, and probably would prefer to then just use his strength to create spearation. However, he sees Suggs sitting in the right gap off of Ausar, which forces him to spin left. Once he spins left, Paolo is completely leaving Tobias open. This is one of the reasons I really think DET needs a spacing 4 because this should be an easy kickout from Duren to a shooter. He still should've made this pass to Tobias, but a legit shooting 4 I think would relocate to the corner and make an easier outlet/easier to see for Duren. But, he still coulda made the pass, tbf. Either way, you see how the lack of spacing from both Ausar and Tobias forced Duren into a really awkward drive where he was forced into an extremely tough shot. I think if the passing returned from Duren, some of these situations wouldn't happen. Hitting Ausar early as he cuts into the space would work, or hitting Tobias (who again shoulda be making himself more available) beyond the arc results in better offense. But, also, having better spacing probably allows Duren to just get to his original move once he beats WCJ off the dribble. and lastly #5: He really just didn't play well. I can't include any more clips (I'll put some in the immediate thread reply to display), but he really just didn't play well. Missed *a lot* of looks we're used to him making. His touch around the rim left him, looked like he really felt rushed in the paint. He was struggling to secure rebounds after dominating the glass all season (during the RS, he averaged 4.3 second chance points a game, in the PS it dropped to 2.3). During RS, he had a 22.0 DREB%, which dropped to 16.0% in the playoffs. So, I think a lot of factors played into why he struggled so much in the playoffs. My takeaway is I don't think these things are unfixable; actually, I think they're very fixable. Experience of dealing with what playoff physicality is I think is going to help moving forward. All young players have to adjust to that--I think Cade really learned that from NY series to this playoff run. Tightening his handle and just having a second move to go to is not something that should be considered impossible. I'd like to believe it's pretty likely with how much he works and the raw skill he already has with his handle. Pistons adding a legit spacer at the four I think solves a lot and will make Duren's life a lot easier. The most concerning part is mental. And we won't know an answer to that until the next playoffs. Did this experience help him on his journey towards becoming mentally strong and prepared enough to move forward? Did this run help him find a routine that helps him lock in mentally, as many players have said they had to discover? Or will the pressure from struggling last postseason get to him this upcoming postseason? Will he let mistakes get into his head, compound them, and start playing rashly? I don't think the second option will be the case, but no one will know until the next postseason. Honestly, I'm more concerned and critical of his defense in the playoffs (which at times was pretty good and at other times was an incredible struggle), but that would require its own thread. My ending thoughts: I still very much believe in Duren. This playoff run showed he has areas he must sharpen up and learn from, but at 22 that shouldn't be a shocker. He is incredibly talented and made a large jump during the RS. The PS posed challenges he didn't quite have answers to yet. But another run of experience, another offseason of training, and another year older should lead him down a good path. I am fully supportive of paying Duren and extending him. I am not at close to 50 million dollars. 35-40 million is where I think they'll settle on, and I'm fine with that. But, he's gotta learn from these playoffs! Every offseason he's gotten better, I don't have a reason to believe Jalen Duren won't learn and improve again this summer. He's only 22.
0:15

Instead of just talking about it, I wanted to go through it and really break it down to figure out the exact reason for the difference in Jalen Duren's play between the regular season and the playoffs. *LONG BREAKDOWN COMING* First, lets list how much the difference was: Iso in RS: 82nd %ile Iso in PS: 21st %ile Post-ups in RS: 88th %ile Post-ups in PS: 59th %ile PPP on drives in RS: 1.18 ppp PPP on drives in PS: 0.80 Layups in RS: 79th %ile Layups in PS: 19th %ile It was a staggering drop off. Shocking to many of us who watched him all season. So, what happened? Well, #1 I think mentally he was letting his struggles get to him and he started to play out of control. Something that suggests this to me is this stat: He started to figure some things out himself in isolation over the last 2 games against the Cavs. He had six isolation possessions in the final two games against the Cavs; he scored on five of those possessions and drew a foul on the other. Game 6 he started to look confident and really made them pay out of isolation. I really think a ton of it was he got hit with a punch early against ORL and really struggled to handle the pressure and struggles after, and just kept stacking and stacking. So, him being in his own head is #1 for me. #2: His handle got exposed quite a bit. In the regular season, he only had a 4.2 TO% in isolation, which is incredible. In the playoffs, though, that spiked to 20 TO%. On drives in the RS, he had a TO% of 4%. In the PS, it jumped to 13.3%. The first clip below shows how the right-to-left cross he loved doing all season was really taken away from him. Too loose of a handle, and he often got his pocket picked trying this exact move over and over. I think having his go-to move taken from him shook him a bit and left him scrambling a bit in his head to find a counter. The second clip shows, imo, him starting to lose trust in his handle. He immediately turns his back to the defender, which is what you do when you're worried about losing the ball. But, even then, he loses control of the handle and it ends up in a turnover. If I'm the Pistons, I'm showing all his turnovers due to his handle and working with him on tightening his handle and also helping him get comfortable with a counter/second move so defenders don't just sit on the right-to-left cross. #3: I think he really struggled to adjust to the playoff whistle. In the regular season, he drew free throws on 21% of his isolations and 31% of his post-ups. In the PS, it dropped to 14% and 11%, respectively. There were many possessions where in the RS he would've got free throws, but did not in the PS and he was frustrated. In the third clip, you'll see how physical he was being played by Mobley (which we all want physicality in the game). But, in the RS, he probably is getting FTA's here. There are many examples of this where it felt like a lot of his value during the RS was being able to draw FTA's on his drives, and in the PS, refs just allowed more physicality, and he struggled to deal with it. #4: Ausar-Duren duo. I believe in this duo, and I do not think this was the main reason Duren struggled. However, I am not blind to the fact that there were obviously some possessions that hurt Duren. In the regular season, Duen actually got less efficient when Ausar wasn't on the floor. However, in the playoffs, Duren went from 51 TS% with Ausar on the floor (302 minutes) to 64 TS% with Ausar off the floor (121 minutes). In the 4th clip, you really see how the lack of spacing caused a tough shot from Duren. He gets a step on WCJ going right, and probably would prefer to then just use his strength to create spearation. However, he sees Suggs sitting in the right gap off of Ausar, which forces him to spin left. Once he spins left, Paolo is completely leaving Tobias open. This is one of the reasons I really think DET needs a spacing 4 because this should be an easy kickout from Duren to a shooter. He still should've made this pass to Tobias, but a legit shooting 4 I think would relocate to the corner and make an easier outlet/easier to see for Duren. But, he still coulda made the pass, tbf. Either way, you see how the lack of spacing from both Ausar and Tobias forced Duren into a really awkward drive where he was forced into an extremely tough shot. I think if the passing returned from Duren, some of these situations wouldn't happen. Hitting Ausar early as he cuts into the space would work, or hitting Tobias (who again shoulda be making himself more available) beyond the arc results in better offense. But, also, having better spacing probably allows Duren to just get to his original move once he beats WCJ off the dribble. and lastly #5: He really just didn't play well. I can't include any more clips (I'll put some in the immediate thread reply to display), but he really just didn't play well. Missed *a lot* of looks we're used to him making. His touch around the rim left him, looked like he really felt rushed in the paint. He was struggling to secure rebounds after dominating the glass all season (during the RS, he averaged 4.3 second chance points a game, in the PS it dropped to 2.3). During RS, he had a 22.0 DREB%, which dropped to 16.0% in the playoffs. So, I think a lot of factors played into why he struggled so much in the playoffs. My takeaway is I don't think these things are unfixable; actually, I think they're very fixable. Experience of dealing with what playoff physicality is I think is going to help moving forward. All young players have to adjust to that--I think Cade really learned that from NY series to this playoff run. Tightening his handle and just having a second move to go to is not something that should be considered impossible. I'd like to believe it's pretty likely with how much he works and the raw skill he already has with his handle. Pistons adding a legit spacer at the four I think solves a lot and will make Duren's life a lot easier. The most concerning part is mental. And we won't know an answer to that until the next playoffs. Did this experience help him on his journey towards becoming mentally strong and prepared enough to move forward? Did this run help him find a routine that helps him lock in mentally, as many players have said they had to discover? Or will the pressure from struggling last postseason get to him this upcoming postseason? Will he let mistakes get into his head, compound them, and start playing rashly? I don't think the second option will be the case, but no one will know until the next postseason. Honestly, I'm more concerned and critical of his defense in the playoffs (which at times was pretty good and at other times was an incredible struggle), but that would require its own thread. My ending thoughts: I still very much believe in Duren. This playoff run showed he has areas he must sharpen up and learn from, but at 22 that shouldn't be a shocker. He is incredibly talented and made a large jump during the RS. The PS posed challenges he didn't quite have answers to yet. But another run of experience, another offseason of training, and another year older should lead him down a good path. I am fully supportive of paying Duren and extending him. I am not at close to 50 million dollars. 35-40 million is where I think they'll settle on, and I'm fine with that. But, he's gotta learn from these playoffs! Every offseason he's gotten better, I don't have a reason to believe Jalen Duren won't learn and improve again this summer. He's only 22.

Ku 🦉

33,635 views • 1 month ago

President Trump NEEDS to hear this dire message from the J6 Hostages: (LIVE FROM MY PRISON CELL) Mr. President, here are Top 10 Reasons why EVERY January 6er deserves a FULL PARDON on DAY ONE (Even the ones with violent charges like myself) 1. Show me even ONE January 6er that received a fair trial with an impartial jury in Washington DC; and I'll concede that not everyone should be pardoned 2. Show me even ONE January 6er that was not a victim of ENTRAPMENT by Federal assets, agents or Capitol officers - and I'll concede not everyone should be pardoned. J6 WAS A SET UP!! They wanted to paint Trump & his supporters as violent extremists, so they created a tinderbox & threw the match in to ignite it!!! 3. Show me ONE January 6er that was not IN FEAR for his or her life when the Capitol Police & MPD started to fire concussion grenades and rubber bullets into a static, peaceful crowd!! They were the aggressors!! We were peacefully protesting and were fired upon by deadly & antagonistic government forces!! We are Americans - not cowards, & we responded to this tyrannical oppression accordingly!! 4. Show me ONE January 6er that was not SELECTIVELY PROSECUTED, and given the extreme leniency that BLM, Antifa & Hamas rioters were treated with kid gloves for far worse actions like fire bombing police vans and causing billions in damage!! These leftist backed domestic terrorists received legal funds to bail them out of jail by Kamala Harris & then their charges were later DROPPED - while the J6 Patriots have rotted away for 4 years without trial or bail!! 5. Show me ONE January 6er that had the law EQUALLY APPLIED to them at their Federal Sentencing - not only were the prosecutors overzealous and practicing Two Tiered Justice - but the corrupt Federal Judges drastically OVER SENTENCED J6ers as well. This is in violation of the 14th Amendment which guarantees each American to Equal Application of the Law!! Federal Judges gave political Anti Trump speeches from the bench during the J6ers sentencing which shows their ill tainted bias. Repugnant!! Peoples lives were destroyed!! 6. Show me ONE January 6 Political Prisoner who was not CRUEL & UNUSUALLY PUNISHED in the GULAG!! I have suffered extreme deprivation of my human & civil rights for YEARS enduring only by the Grace of God. I have done over 900 Days in a SOLITARY CONFINEMENT TORTURE CHAMBER!! We went over 6 months with no direct sunlight in Washington DC Jail Gulag, 18 months with no family visitation rights, haircuts or shaving, or even religious services. Freezing cold, damp moldy cells. Lights that stay on 24/7 making you suffer sleep deprivation. I've been shuffled around like an animal and moved 17 different times to different prisons in 'diesel therapy' harassment & torture. My legal documents have been raided from cell dozens of times & disappeared never to be seen again. They have made it IMPOSSIBLE to build a rigorous defense while being treated like a flea bitten animal. We have been assaulted by prison guards multiple times, and thrown in solitary confinement for reporting these heinous assaults. The level of physical and mental torture all 1561 January 6ers have endured cannot be written in a simple X post - it will take a full Congressional investigation. 7. Show me ONE January 6er who was not publicly vilified in the Democrats sham 'J6 Select Committee' - The one sided Soviet Show Trial that was nationally aired on 13 different cable news networks!! With utter lies and manipulated videos, they irreparably tainted our Jury Pool & tried to character assassinate us calling us "INSURRECTIONISTS" coast to coast!! A mockery of justice!! 8. The punishment doesn't fit the 'crime' - 4 long years of incredible human suffering and devastation of families, lives, businesses, reputations and health should be more than enough. The Soros prosecutors got their pound of flesh. Its time to back off. We can never get back the years of pain they have caused our family & community. 9. The full J6 video archive was withheld from defendants - it took Speaker Johnson to release it - 3 years after the fact where over 1000 defendants were already adjudicated! In the Court of law, hiding exculpatory evidence like that is called a 'Brady violation' and leads to a dismissal of a case!! End this madness now!! 10. America doesn't have room Political Prisoners. Even Vladimir Putin in 2022 criticised Biden for his contemptible & overtly political persecution of the J6ers. Its time for an era of National Healing - to restore faith in our broken Judiciary, FBI & DOJ. America cannot continue to be the Light on the Hill for the rest of the world when more than 50% of the Country has become disenfranchised to her sacred institutions. The first step to making America great again is releasing & fully exonerating every single J6er on Day One. Then & only then can we begin to rebuild all that is broken. We are counting on you Trump & Pam Bondi - stop the witch hunt! Dismiss all current cases & stop all new J6 arrests. Fully Pardon everyone who has been convicted. American needs this. Don't leave a single person behind. - Edward Jacob Lang Political Prisoner #76480054
0:15

President Trump NEEDS to hear this dire message from the J6 Hostages: (LIVE FROM MY PRISON CELL) Mr. President, here are Top 10 Reasons why EVERY January 6er deserves a FULL PARDON on DAY ONE (Even the ones with violent charges like myself) 1. Show me even ONE January 6er that received a fair trial with an impartial jury in Washington DC; and I'll concede that not everyone should be pardoned 2. Show me even ONE January 6er that was not a victim of ENTRAPMENT by Federal assets, agents or Capitol officers - and I'll concede not everyone should be pardoned. J6 WAS A SET UP!! They wanted to paint Trump & his supporters as violent extremists, so they created a tinderbox & threw the match in to ignite it!!! 3. Show me ONE January 6er that was not IN FEAR for his or her life when the Capitol Police & MPD started to fire concussion grenades and rubber bullets into a static, peaceful crowd!! They were the aggressors!! We were peacefully protesting and were fired upon by deadly & antagonistic government forces!! We are Americans - not cowards, & we responded to this tyrannical oppression accordingly!! 4. Show me ONE January 6er that was not SELECTIVELY PROSECUTED, and given the extreme leniency that BLM, Antifa & Hamas rioters were treated with kid gloves for far worse actions like fire bombing police vans and causing billions in damage!! These leftist backed domestic terrorists received legal funds to bail them out of jail by Kamala Harris & then their charges were later DROPPED - while the J6 Patriots have rotted away for 4 years without trial or bail!! 5. Show me ONE January 6er that had the law EQUALLY APPLIED to them at their Federal Sentencing - not only were the prosecutors overzealous and practicing Two Tiered Justice - but the corrupt Federal Judges drastically OVER SENTENCED J6ers as well. This is in violation of the 14th Amendment which guarantees each American to Equal Application of the Law!! Federal Judges gave political Anti Trump speeches from the bench during the J6ers sentencing which shows their ill tainted bias. Repugnant!! Peoples lives were destroyed!! 6. Show me ONE January 6 Political Prisoner who was not CRUEL & UNUSUALLY PUNISHED in the GULAG!! I have suffered extreme deprivation of my human & civil rights for YEARS enduring only by the Grace of God. I have done over 900 Days in a SOLITARY CONFINEMENT TORTURE CHAMBER!! We went over 6 months with no direct sunlight in Washington DC Jail Gulag, 18 months with no family visitation rights, haircuts or shaving, or even religious services. Freezing cold, damp moldy cells. Lights that stay on 24/7 making you suffer sleep deprivation. I've been shuffled around like an animal and moved 17 different times to different prisons in 'diesel therapy' harassment & torture. My legal documents have been raided from cell dozens of times & disappeared never to be seen again. They have made it IMPOSSIBLE to build a rigorous defense while being treated like a flea bitten animal. We have been assaulted by prison guards multiple times, and thrown in solitary confinement for reporting these heinous assaults. The level of physical and mental torture all 1561 January 6ers have endured cannot be written in a simple X post - it will take a full Congressional investigation. 7. Show me ONE January 6er who was not publicly vilified in the Democrats sham 'J6 Select Committee' - The one sided Soviet Show Trial that was nationally aired on 13 different cable news networks!! With utter lies and manipulated videos, they irreparably tainted our Jury Pool & tried to character assassinate us calling us "INSURRECTIONISTS" coast to coast!! A mockery of justice!! 8. The punishment doesn't fit the 'crime' - 4 long years of incredible human suffering and devastation of families, lives, businesses, reputations and health should be more than enough. The Soros prosecutors got their pound of flesh. Its time to back off. We can never get back the years of pain they have caused our family & community. 9. The full J6 video archive was withheld from defendants - it took Speaker Johnson to release it - 3 years after the fact where over 1000 defendants were already adjudicated! In the Court of law, hiding exculpatory evidence like that is called a 'Brady violation' and leads to a dismissal of a case!! End this madness now!! 10. America doesn't have room Political Prisoners. Even Vladimir Putin in 2022 criticised Biden for his contemptible & overtly political persecution of the J6ers. Its time for an era of National Healing - to restore faith in our broken Judiciary, FBI & DOJ. America cannot continue to be the Light on the Hill for the rest of the world when more than 50% of the Country has become disenfranchised to her sacred institutions. The first step to making America great again is releasing & fully exonerating every single J6er on Day One. Then & only then can we begin to rebuild all that is broken. We are counting on you Trump & Pam Bondi - stop the witch hunt! Dismiss all current cases & stop all new J6 arrests. Fully Pardon everyone who has been convicted. American needs this. Don't leave a single person behind. - Edward Jacob Lang Political Prisoner #76480054

Jake Lang - January 6 Political Prisoner 🇺🇸

30,223 views • 1 year ago

Yesterday at 11:47 PM I stumbled upon a broken wallet with strange timing. Every day it makes $97K. Every single day. It enters 73 seconds BEFORE the odds change. Today at 4:34 PM I saw it enter again. Decided to try. Copied its position. $400 at $0.31. Honestly? I did not understand what would happen. 2 minutes later the price jumped to $0.94. Got out. Profit +203%. I just... stood nearby. That is it. I do not know HOW he sees it. I do not know WHY exactly 73 seconds. But the timing works. Every time. I could not sleep. My mind kept racing: "This is a scam. Fake numbers." Opened his profile. Started scrolling through history. Two weeks ago he started trading. Balance today: +$5,57M in pure profit. First reaction? Interface bug. I do not believe it. Because in trading you do not get this kind of win rate. That is the law. I decided to find the catch. Downloaded the CSV file with all his transactions. Loaded it into a spreadsheet. Started verifying hashes on the blockchain. Blockchain cannot lie. You cannot delete a loss or add a zero there. 1207 closed positions. I scrolled through this list for 20 minutes. Trying to find at least one red line. You know what I found? There are losses. About 40. But they cost him $2,800 total. And the wins brought in $4.2M. The ratio is almost laughable to calculate. Professional syndicates in Vegas pray for 57% accuracy. This guy has 96% with an average win of $48K and average loss of $70. I closed the spreadsheet. Cold sweat hit me. This is not trading. Humans do not play like this. Started digging into the markets. What does he bet on? Maybe inside info? NFL, Premier League, La Liga. Hockey. Basketball. Eight leagues. Three continents. A person physically cannot have "fixed matches" in every league in the world simultaneously. Looking at the bet types. It is not just "who wins." These are complex spreads: Bills -3.5. Indiana -7.5. He needs to guess the score gap down to a point. And he bets a million dollars on it. One game. Entry: $1.13M. Exit: $2.45M. Net: $1.32M in three hours while the football game played. And then I noticed something strange about the timing. Here is how you trade: wait for the match, watch the game, get nervous, place your bet. Here is how he trades: entry a day before the match. Price: 35-50 cents. Match starts and the price is already 70-85 cents. He wins before the referee even blows the whistle. This is not betting. Betting implies risk. There is no risk here. He sees something in public data that hundreds of thousands of other eyes do not see. Do not take my word for it. Check it yourself. Blockchain remembers everything: I understood why he does not hide. He has $4.2M in open positions right now. 64,000 people follow him. They are the crowd. Trying to jump on a departing train. Buying when the price is already 80 cents. They are the force that pushes the price up. For him. He uses us as fuel. Two choices. Option 1: Say this is a glitch and close the post. Go back to your strategy where 55% win rate is a celebration. Option 2: Observe. Understand that miracles do not exist but algorithms do. Try to understand WHAT he sees in those 73 seconds before the crowd. I made my choice at 4:34 PM. My wallet got heavier by +203%. The next entry could be in a minute. Will you make it in time?
0:13

Yesterday at 11:47 PM I stumbled upon a broken wallet with strange timing. Every day it makes $97K. Every single day. It enters 73 seconds BEFORE the odds change. Today at 4:34 PM I saw it enter again. Decided to try. Copied its position. $400 at $0.31. Honestly? I did not understand what would happen. 2 minutes later the price jumped to $0.94. Got out. Profit +203%. I just... stood nearby. That is it. I do not know HOW he sees it. I do not know WHY exactly 73 seconds. But the timing works. Every time. I could not sleep. My mind kept racing: "This is a scam. Fake numbers." Opened his profile. Started scrolling through history. Two weeks ago he started trading. Balance today: +$5,57M in pure profit. First reaction? Interface bug. I do not believe it. Because in trading you do not get this kind of win rate. That is the law. I decided to find the catch. Downloaded the CSV file with all his transactions. Loaded it into a spreadsheet. Started verifying hashes on the blockchain. Blockchain cannot lie. You cannot delete a loss or add a zero there. 1207 closed positions. I scrolled through this list for 20 minutes. Trying to find at least one red line. You know what I found? There are losses. About 40. But they cost him $2,800 total. And the wins brought in $4.2M. The ratio is almost laughable to calculate. Professional syndicates in Vegas pray for 57% accuracy. This guy has 96% with an average win of $48K and average loss of $70. I closed the spreadsheet. Cold sweat hit me. This is not trading. Humans do not play like this. Started digging into the markets. What does he bet on? Maybe inside info? NFL, Premier League, La Liga. Hockey. Basketball. Eight leagues. Three continents. A person physically cannot have "fixed matches" in every league in the world simultaneously. Looking at the bet types. It is not just "who wins." These are complex spreads: Bills -3.5. Indiana -7.5. He needs to guess the score gap down to a point. And he bets a million dollars on it. One game. Entry: $1.13M. Exit: $2.45M. Net: $1.32M in three hours while the football game played. And then I noticed something strange about the timing. Here is how you trade: wait for the match, watch the game, get nervous, place your bet. Here is how he trades: entry a day before the match. Price: 35-50 cents. Match starts and the price is already 70-85 cents. He wins before the referee even blows the whistle. This is not betting. Betting implies risk. There is no risk here. He sees something in public data that hundreds of thousands of other eyes do not see. Do not take my word for it. Check it yourself. Blockchain remembers everything: I understood why he does not hide. He has $4.2M in open positions right now. 64,000 people follow him. They are the crowd. Trying to jump on a departing train. Buying when the price is already 80 cents. They are the force that pushes the price up. For him. He uses us as fuel. Two choices. Option 1: Say this is a glitch and close the post. Go back to your strategy where 55% win rate is a celebration. Option 2: Observe. Understand that miracles do not exist but algorithms do. Try to understand WHAT he sees in those 73 seconds before the crowd. I made my choice at 4:34 PM. My wallet got heavier by +203%. The next entry could be in a minute. Will you make it in time?

Blaze

338,065 views • 6 months ago

I was in the Oval Office today for the launch of the Invest America / Trump Accounts initiative. Here are my takeaways: 1. This program may have the most bipartisan support of anything I have ever seen. Everyone, regardless of political party, understands the power of giving young children money to compound over decades. 2. While the government and current administration should get immense credit for the program, there were many private citizens like Brad Gerstner, Michael Dell 🇺🇸 and others that persistently pursued the idea until it became reality. They quite literally changed the course of millions of lives with this idea. 3. It will quickly become a game of status for people to donate to fund the accounts. The Dell Family gave over $6 billion. SpaceX’s Gwynne Shotwell gave more than $300 million today. Brad Gerstner is adopting every child in the state of Indiana to give money to their accounts. The list goes on and on already… 4. Companies will begin making contributions core parts of their perk packages for employees. Corporations like Bank of America, JPMorgan, Robinhood and others have already announced these efforts. 5. The Oval Office is surprisingly small in size, but the historical significance of the room is palpable the second you walk into it. The President called it “the most important room in the world” today and I walked away thinking that was accurate. 6. This idea of Invest America accounts has become a magnet for the world’s most successful people. I saw Larry Fink, David Solomon, Lisa Su, and many other Fortune 500 CEOs in attendance for the Rose Garden lunch. It is hard for an idea to fail when this many people are behind it. 7. The Rose Garden was very nicely done. I had been to the White House before, but never to the Oval Office or the Rose Garden. Both seemed elevated compared to the rest of the White House and surrounding buildings. It sounds like the new ballroom will also be a modern structure that mirrors this elevated approach. 8. The staff and admin team in the White House are generous and genuine. Each person was kind, gracious, and seemed to be at the top of their game. Sometimes you go to places and are disappointed with the let down from your expectations, but this was not the case with the White House team. All professionals doing their job. 9. The media loves Trump way more than they let on publicly. Many of the mainstream hosts and anchors were joking around with him like it is one big club, while simultaneously laughing at his jokes and being much more friendly than I expected. He seems to be good for their business, so it makes sense why the public narrative and private interactions don’t appear to match. 10. I never thought I would see a day where NYSE 🏛 and Nasdaq collaborated on an event like this, including the ringing of both bells by one person at the same time. I guess anything is possible if kids are involved. Overall, this was an awesome experience. I know some people like this administration and some people don’t. I learned from Kevin O'Leary aka Mr. Wonderful to focus on policies, not politicians. And the Invest America accounts are objectively a great idea that will hopefully spread like wildfire in the years to come.
0:18

I was in the Oval Office today for the launch of the Invest America / Trump Accounts initiative. Here are my takeaways: 1. This program may have the most bipartisan support of anything I have ever seen. Everyone, regardless of political party, understands the power of giving young children money to compound over decades. 2. While the government and current administration should get immense credit for the program, there were many private citizens like Brad Gerstner, Michael Dell 🇺🇸 and others that persistently pursued the idea until it became reality. They quite literally changed the course of millions of lives with this idea. 3. It will quickly become a game of status for people to donate to fund the accounts. The Dell Family gave over $6 billion. SpaceX’s Gwynne Shotwell gave more than $300 million today. Brad Gerstner is adopting every child in the state of Indiana to give money to their accounts. The list goes on and on already… 4. Companies will begin making contributions core parts of their perk packages for employees. Corporations like Bank of America, JPMorgan, Robinhood and others have already announced these efforts. 5. The Oval Office is surprisingly small in size, but the historical significance of the room is palpable the second you walk into it. The President called it “the most important room in the world” today and I walked away thinking that was accurate. 6. This idea of Invest America accounts has become a magnet for the world’s most successful people. I saw Larry Fink, David Solomon, Lisa Su, and many other Fortune 500 CEOs in attendance for the Rose Garden lunch. It is hard for an idea to fail when this many people are behind it. 7. The Rose Garden was very nicely done. I had been to the White House before, but never to the Oval Office or the Rose Garden. Both seemed elevated compared to the rest of the White House and surrounding buildings. It sounds like the new ballroom will also be a modern structure that mirrors this elevated approach. 8. The staff and admin team in the White House are generous and genuine. Each person was kind, gracious, and seemed to be at the top of their game. Sometimes you go to places and are disappointed with the let down from your expectations, but this was not the case with the White House team. All professionals doing their job. 9. The media loves Trump way more than they let on publicly. Many of the mainstream hosts and anchors were joking around with him like it is one big club, while simultaneously laughing at his jokes and being much more friendly than I expected. He seems to be good for their business, so it makes sense why the public narrative and private interactions don’t appear to match. 10. I never thought I would see a day where NYSE 🏛 and Nasdaq collaborated on an event like this, including the ringing of both bells by one person at the same time. I guess anything is possible if kids are involved. Overall, this was an awesome experience. I know some people like this administration and some people don’t. I learned from Kevin O'Leary aka Mr. Wonderful to focus on policies, not politicians. And the Invest America accounts are objectively a great idea that will hopefully spread like wildfire in the years to come.

Anthony Pompliano 🌪

278,769 views • 1 month ago

🚨 Beijing Rolled Out the Red Carpet for Trump AND Putin in 6 Days. Its Own Investors Just Rolled Out the Exits — ¥2 Trillion Gone. ¥2 Trillion, that's ¥2,000,000,000,000. Twelve zeros. More than the entire annual GDP of Saudi Arabia. Erased in one trading session. Six days ago President Donald Trump left Beijing on Air Force One. Yesterday (May 20, 2026) Vladimir Putin walked down a red carpet into the Great Hall of the People. Today — May 21, 2026 — Chinese investors did something Beijing's propaganda machine cannot spin: they sold. An estimated ¥2 trillion (≈ US$280 billion) in market value was erased from mainland Chinese equities. The Shanghai Composite slid 2.04% and the Shenzhen Component tumbled 2.07% — both three-week lows. Hong Kong's Hang Seng closed down roughly 1%. The names that bled the hardest are the very ones Xi has been parading as proof of "tech self-reliance": Cambricon -3.19%, Zhongji Innolight -4.21%, Eoptolink -3.74%, Huagong Tech -5.79%. Even CITIC Securities — a mainland brokerage, not a foreign sceptic — noted that the pullback dates from May 14. That is the day Donald Trump landed in Beijing. This is what the market thinks of the past two weeks of choreography. The Trump Summit Beijing Sold as a Triumph The Trump–Xi summit (May 14–15) was a state-visit spectacle: military honor guards, a banquet at the Great Hall, a personal welcome from Xi. The substance was thinner. Atlantic Council's verdict: a big show with little to show for it. CNN's politics desk was more clinical: nebulous agreements on agricultural purchases, tepid commitments on oil, no firm deal to reopen the Strait of Hormuz. Trump himself said tariffs didn't even come up. Al Jazeera noted something rarer — the two sides released readouts that disagreed on what was actually agreed. The morning after the summit, US stock futures sold off across the board. Investors voted before the pundits did. Beijing's framing: historic visit. The tape's framing: priced in, sold off. The Putin Summit Beijing Sold as Strength One day before today's selloff, Xi gave Putin a red-carpet welcome — their second meeting in under a year. The two leaders presided over a sweeping signing ceremony covering trade, technology, nuclear energy and media cooperation. Xi called the relationship the "highest level in history." A joint statement took aim at Trump's planned "Golden Dome" missile shield. Optics: an axis. Reality: Putin came to Beijing with one big ask — locking in the long-stalled Power of Siberia 2 gas pipeline, the project Moscow needs to replace gas sales lost to Europe — and left without it. The Washington Post's headline was blunt: "Putin fails to secure Xi's approval for Power of Siberia 2." Price, financing and timing all remain unresolved, with Beijing reportedly holding out for prices roughly half of what Moscow wanted. Even the marquee deliverable didn't deliver. Why the Tape Doesn't Believe the Narrative Mainland investors aren't watching CCTV. They're watching the data. China just emerged from the longest stretch of producer-price deflation in decades — 41 consecutive months from October 2022 through this past February. The streak only broke in April, and not because demand came back. It broke because the Iran war pushed energy prices higher. That is imported inflation, not organic recovery. Strip out energy and the demand picture remains thin. Goldman Sachs says the property crisis is in its fourth year and not yet at a bottom. Chinese exports to the United States fell nearly 29% year-on-year in November. Youth unemployment officially stood at 16.3% in April; independent analysts argue the real figure is materially higher. Private investment remains weak — Chinese firms aren't short of liquidity, they're cautious on returns, on enforcement consistency, on whether the demand will be there tomorrow. This is the macro that propaganda cannot photoshop. The Neighbourhood: A Quiet Encirclement Look at Asia's tape today against Shanghai's. Tokyo's Nikkei rallied more than 3%, within striking distance of an all-time high set just last week. Seoul's Kospi exploded 8.42% higher — its largest single-session point gain on record, led by Samsung and SK Hynix. In Manila, "Balikatan 2026" just concluded with Japanese combat troops participating in the largest US-Philippines drills for the first time ever. Washington's Indo-Pacific lattice — AUKUS, the Quad, the trilateral US–Japan–Philippines and US–Japan–Korea formats — the architecture Beijing labels an "Asian NATO" — continues to thicken. In Brussels, Commission President Ursula von der Leyen has tied future EU-China relations explicitly to how Beijing handles Russia's war on Ukraine. And Xi is reportedly preparing his first visit to North Korea in seven years — a tell about which axis Beijing is doubling down on. Tokyo up. Seoul at a record. Shanghai down. That is not a coincidence. That is a verdict on which side of the new geopolitical fault line global capital believes will compound. Two Trillion Yuan Do Not Lie You cannot propaganda your way past a price chart. State media can stage the Trump welcome as triumph and the Putin embrace as solidarity, but the people who actually have skin in the game — Chinese savers, Chinese funds, the foreign capital still inside the wall — sold into both stories. ¥2 trillion in a single session is not a technical wobble. It is a referendum. The Trump–Xi–Putin theatre is over. The bill is being presented. And Beijing's available responses — tighter capital controls, more "national team" buying, more margin tightening, or a sharper turn toward Moscow and Pyongyang — none of them rebuild confidence. They only manage the optics of its absence. What gets priced in next? Capital controls? A managed devaluation? Another "national team" rescue? Or does the next leg down arrive before the response does? Original article by me Aric Chen. Views are my own — welcome to discuss!
0:13

🚨 Beijing Rolled Out the Red Carpet for Trump AND Putin in 6 Days. Its Own Investors Just Rolled Out the Exits — ¥2 Trillion Gone. ¥2 Trillion, that's ¥2,000,000,000,000. Twelve zeros. More than the entire annual GDP of Saudi Arabia. Erased in one trading session. Six days ago President Donald Trump left Beijing on Air Force One. Yesterday (May 20, 2026) Vladimir Putin walked down a red carpet into the Great Hall of the People. Today — May 21, 2026 — Chinese investors did something Beijing's propaganda machine cannot spin: they sold. An estimated ¥2 trillion (≈ US$280 billion) in market value was erased from mainland Chinese equities. The Shanghai Composite slid 2.04% and the Shenzhen Component tumbled 2.07% — both three-week lows. Hong Kong's Hang Seng closed down roughly 1%. The names that bled the hardest are the very ones Xi has been parading as proof of "tech self-reliance": Cambricon -3.19%, Zhongji Innolight -4.21%, Eoptolink -3.74%, Huagong Tech -5.79%. Even CITIC Securities — a mainland brokerage, not a foreign sceptic — noted that the pullback dates from May 14. That is the day Donald Trump landed in Beijing. This is what the market thinks of the past two weeks of choreography. The Trump Summit Beijing Sold as a Triumph The Trump–Xi summit (May 14–15) was a state-visit spectacle: military honor guards, a banquet at the Great Hall, a personal welcome from Xi. The substance was thinner. Atlantic Council's verdict: a big show with little to show for it. CNN's politics desk was more clinical: nebulous agreements on agricultural purchases, tepid commitments on oil, no firm deal to reopen the Strait of Hormuz. Trump himself said tariffs didn't even come up. Al Jazeera noted something rarer — the two sides released readouts that disagreed on what was actually agreed. The morning after the summit, US stock futures sold off across the board. Investors voted before the pundits did. Beijing's framing: historic visit. The tape's framing: priced in, sold off. The Putin Summit Beijing Sold as Strength One day before today's selloff, Xi gave Putin a red-carpet welcome — their second meeting in under a year. The two leaders presided over a sweeping signing ceremony covering trade, technology, nuclear energy and media cooperation. Xi called the relationship the "highest level in history." A joint statement took aim at Trump's planned "Golden Dome" missile shield. Optics: an axis. Reality: Putin came to Beijing with one big ask — locking in the long-stalled Power of Siberia 2 gas pipeline, the project Moscow needs to replace gas sales lost to Europe — and left without it. The Washington Post's headline was blunt: "Putin fails to secure Xi's approval for Power of Siberia 2." Price, financing and timing all remain unresolved, with Beijing reportedly holding out for prices roughly half of what Moscow wanted. Even the marquee deliverable didn't deliver. Why the Tape Doesn't Believe the Narrative Mainland investors aren't watching CCTV. They're watching the data. China just emerged from the longest stretch of producer-price deflation in decades — 41 consecutive months from October 2022 through this past February. The streak only broke in April, and not because demand came back. It broke because the Iran war pushed energy prices higher. That is imported inflation, not organic recovery. Strip out energy and the demand picture remains thin. Goldman Sachs says the property crisis is in its fourth year and not yet at a bottom. Chinese exports to the United States fell nearly 29% year-on-year in November. Youth unemployment officially stood at 16.3% in April; independent analysts argue the real figure is materially higher. Private investment remains weak — Chinese firms aren't short of liquidity, they're cautious on returns, on enforcement consistency, on whether the demand will be there tomorrow. This is the macro that propaganda cannot photoshop. The Neighbourhood: A Quiet Encirclement Look at Asia's tape today against Shanghai's. Tokyo's Nikkei rallied more than 3%, within striking distance of an all-time high set just last week. Seoul's Kospi exploded 8.42% higher — its largest single-session point gain on record, led by Samsung and SK Hynix. In Manila, "Balikatan 2026" just concluded with Japanese combat troops participating in the largest US-Philippines drills for the first time ever. Washington's Indo-Pacific lattice — AUKUS, the Quad, the trilateral US–Japan–Philippines and US–Japan–Korea formats — the architecture Beijing labels an "Asian NATO" — continues to thicken. In Brussels, Commission President Ursula von der Leyen has tied future EU-China relations explicitly to how Beijing handles Russia's war on Ukraine. And Xi is reportedly preparing his first visit to North Korea in seven years — a tell about which axis Beijing is doubling down on. Tokyo up. Seoul at a record. Shanghai down. That is not a coincidence. That is a verdict on which side of the new geopolitical fault line global capital believes will compound. Two Trillion Yuan Do Not Lie You cannot propaganda your way past a price chart. State media can stage the Trump welcome as triumph and the Putin embrace as solidarity, but the people who actually have skin in the game — Chinese savers, Chinese funds, the foreign capital still inside the wall — sold into both stories. ¥2 trillion in a single session is not a technical wobble. It is a referendum. The Trump–Xi–Putin theatre is over. The bill is being presented. And Beijing's available responses — tighter capital controls, more "national team" buying, more margin tightening, or a sharper turn toward Moscow and Pyongyang — none of them rebuild confidence. They only manage the optics of its absence. What gets priced in next? Capital controls? A managed devaluation? Another "national team" rescue? Or does the next leg down arrive before the response does? Original article by me Aric Chen. Views are my own — welcome to discuss!

Aric Chen

125,716 views • 3 months ago

Iran war, day 89! Trump keeps breaching the ceasefire! Just how compromised is Oman? -4 American vessels, attempted to cross the SOH without coordinating with IRGC security forces -They were warned, and following their disregard, warning shots were fired at them, forcing them to turn back. -4 drones were fired as warning shots Meanwhile, Kosher media lies as usual and claims: -that IRGC fired 4 one-way drones at a U.S. commercial ship! -The U.S. military shot down all the drones and attacked another Iranian drone launching unit on the ground before it launched in Bandar Abbas, the official added -no mentions of the 4 invader vessels attempting to breach iran’s control of the SOH, and failing miserably! Per Reuters, the U.S. military has executed new strikes on an Iranian military facility that “posed a threat to U.S. forces and commercial vessels in the Strait of Hormuz”. -no mention of the U.S. military invasion of a sovereign territory. However, -U.S. official told CBS News the Iran ceasefire holds following tonight's strikes. -interesting how no accusation was made against Iran breaching the ceasefire despite kosher media’s bs claims. Analysis: The U.S. is testing out Iran’s ability to strike U.S. ships with limited breaches to gauge where Iran is striking from each time. Iran isn’t providing a predictable pattern and is sticking to its protocol of warnings, warning shots, and then on standby to escalate. Ynet Hebrew news on Iran’s demand for compensation: Tehran sets new conditions - the US must pay $300 billion in compensation! -Trump/Israel keep raising the price for a peace deal How is Trump’s bs blockade working out? Per WSJ: Despite the naval blockade, Iran continues to sell its oil! -The ship-to-ship transfer of oil in the middle of the sea reveals Iran's main strength and the main reason for its ability to resist US pressure for a long time. -Per the US-China Economic and Security Review Commission, Tehran earned about $31 billion in oil revenues from China last year. -this is conservative figure as most of sales are unaccounted for -The Chinese government explicitly ordered local companies not to comply with US sanctions against five Chinese refineries. And now Iran is selling its oil and maximum capacity, at higher prices. Pre war oil was at $70/b. It’s around $100/b. Trump did that! Nobody fears Trump’s bs blockade, sanctions and tariffs! Trump keeps barking anyway! Trump reserved the right to now wipe out Oman and finish off Iran! -I thought Iran was already beat according to Trump! As for Oman: Oman can be considered the most staunch supporter of the U.S. presence in the Persian Gulf region. The first military agreement between the two countries was signed in 1980. Currently, 26,000 American air force units are stationed on the territory of this Arab state. In addition, U.S. military aviation units assigned the private security firm DynCorp International to guard various parts of the base, including aircraft hangars, fuel storage, ammunition depots, automobiles, and administrative buildings. Oman hosts multiple US military bases: -the bases of the Navy in Rycote, Sit Lahsa and Muscat. -the U.S. air force bases are in al-Hasib, Siba, Markaz Tamarid, and masir. -the air force base in masir and the port of Matra are permanent bases of the US armed forces. -Oman hosts the command post of the US air force. -From American air bases in Oman, drones (UAVs) are periodically flown over the territories of many countries, up to Afghanistan. Iran for whatever reason trusted Oman as a mediator state at one time. Trump said he is not sure the U.S. should sign a deal to end the war with Iran if Saudi Arabia and other gulf slave states don't agree to join the Abraham Accords! They owe it to us he says! Kosher media calls out Netanyahu’s bs! "Haaretz" quoting an Israeli field officer: Netanyahu's claim of killing 600 Hezbollah fighters in recent weeks is laughable
0:24

Iran war, day 89! Trump keeps breaching the ceasefire! Just how compromised is Oman? -4 American vessels, attempted to cross the SOH without coordinating with IRGC security forces -They were warned, and following their disregard, warning shots were fired at them, forcing them to turn back. -4 drones were fired as warning shots Meanwhile, Kosher media lies as usual and claims: -that IRGC fired 4 one-way drones at a U.S. commercial ship! -The U.S. military shot down all the drones and attacked another Iranian drone launching unit on the ground before it launched in Bandar Abbas, the official added -no mentions of the 4 invader vessels attempting to breach iran’s control of the SOH, and failing miserably! Per Reuters, the U.S. military has executed new strikes on an Iranian military facility that “posed a threat to U.S. forces and commercial vessels in the Strait of Hormuz”. -no mention of the U.S. military invasion of a sovereign territory. However, -U.S. official told CBS News the Iran ceasefire holds following tonight's strikes. -interesting how no accusation was made against Iran breaching the ceasefire despite kosher media’s bs claims. Analysis: The U.S. is testing out Iran’s ability to strike U.S. ships with limited breaches to gauge where Iran is striking from each time. Iran isn’t providing a predictable pattern and is sticking to its protocol of warnings, warning shots, and then on standby to escalate. Ynet Hebrew news on Iran’s demand for compensation: Tehran sets new conditions - the US must pay $300 billion in compensation! -Trump/Israel keep raising the price for a peace deal How is Trump’s bs blockade working out? Per WSJ: Despite the naval blockade, Iran continues to sell its oil! -The ship-to-ship transfer of oil in the middle of the sea reveals Iran's main strength and the main reason for its ability to resist US pressure for a long time. -Per the US-China Economic and Security Review Commission, Tehran earned about $31 billion in oil revenues from China last year. -this is conservative figure as most of sales are unaccounted for -The Chinese government explicitly ordered local companies not to comply with US sanctions against five Chinese refineries. And now Iran is selling its oil and maximum capacity, at higher prices. Pre war oil was at $70/b. It’s around $100/b. Trump did that! Nobody fears Trump’s bs blockade, sanctions and tariffs! Trump keeps barking anyway! Trump reserved the right to now wipe out Oman and finish off Iran! -I thought Iran was already beat according to Trump! As for Oman: Oman can be considered the most staunch supporter of the U.S. presence in the Persian Gulf region. The first military agreement between the two countries was signed in 1980. Currently, 26,000 American air force units are stationed on the territory of this Arab state. In addition, U.S. military aviation units assigned the private security firm DynCorp International to guard various parts of the base, including aircraft hangars, fuel storage, ammunition depots, automobiles, and administrative buildings. Oman hosts multiple US military bases: -the bases of the Navy in Rycote, Sit Lahsa and Muscat. -the U.S. air force bases are in al-Hasib, Siba, Markaz Tamarid, and masir. -the air force base in masir and the port of Matra are permanent bases of the US armed forces. -Oman hosts the command post of the US air force. -From American air bases in Oman, drones (UAVs) are periodically flown over the territories of many countries, up to Afghanistan. Iran for whatever reason trusted Oman as a mediator state at one time. Trump said he is not sure the U.S. should sign a deal to end the war with Iran if Saudi Arabia and other gulf slave states don't agree to join the Abraham Accords! They owe it to us he says! Kosher media calls out Netanyahu’s bs! "Haaretz" quoting an Israeli field officer: Netanyahu's claim of killing 600 Hezbollah fighters in recent weeks is laughable

Truth_teller 🇷🇺

32,618 views • 2 months ago

OFFICIAL: EASTER EGG GUIDE FOR TOTENREICH: Wonder Weapon: 1. Head to The Drydocks and lower The Crane, this will allow you to wall jump and interact with the tip of the ship to pick up the Chain Link 2. Next, Head to Storm Bridge and pick up Chili Chunks behind the truck next to Deadshot 3. Place Chili Chunks on the table in the middle of the Skalen Market 4. Next, Head to Burial Grounds left-side door and interact with the keyhole. 5. Interact with the door again and hold it to open the door and to unlock the underground area. 6. This will spawn a Zursa Bear during a special round (starting the second special round) you need to kill him and he will drop The Lantern 7. Place The Lantern in the center of the Underground Room in Burial Grounds. 8. Constellations will appear around the wall. Interact with them as they’re shown on the table in this order: left, right, back, front. 9. Once completed, Astrid will appear and talk, she will then travel to different areas of the map. She will occasionally stop and you will need to kill frost zombies next to her. 10. Once all the Soulboxes are completed an Obstacle Course will form on the outside of The Lighthouse, climb to the top by Jumping / Wall Jumping up 11. Once you reach the top, Listen to the Astrid talk and pick up The Jotunn Star Wundersignal: 1. After completing Jotun Star Quest Head to The Lighthouse and inside on a shelf there will be a Crowbar 2. There are Multiple Wooden Boxes around the map with red IDs on the bottom right corner of the front of the box in red (for example III-6) use The Crowbar on the Wooden Box that has the Roboterteile ID (the IDs are on the shipping manifest in the War Factory Admin Room), this will give Flak Gun Round War Factory Core Foundry Fjord Road Dry Dock 3. Head to Turret Gun beside The Lighthouse and place Flak Gun Round then melee with Jotunn Star 4. Next, Head to The Robot Head in spawn and interact with it to search broken piece to get The Transmitter 5. Go to Tyr’s Head and place it inside the Wall Machine thingy at the top of the Ladder 6. Next, whilst inside of Tyr’s Head underneath the balcony there are 3 white lights, 2 of these lights will blink, count how many times it blinks -Both lights will remain on, There is the sound of a light turning on to indicate the start of a new light flashing cycle where both lights will flash at the same time to a certain count (for example left 2, right 5). Both lights will be on and then it will flash another set (for example left 6, right 4). (Unsure if these 2 combos have to be put into console in order but correct entry will give two different voicelines.) After entering one correctly you will be kicked out to hear voiceline and can re-enter console to input the 2nd shortly afterwards. 7. Now head to Core Foundry, and use a molotov to burn the ascender to access the consoles. 8. Ascend and interact with the consoles, The next part is timed and has a cooldown if you fail - you need to Calibrate the Amplitude and Frequency using the flashing light code. 9. Once this has been done head to the room Next to the Radio Tower and pick up The Wunderbarrage Controller Atomkraft Core 1. Find three uraniums: Uranium #1 Find the Fishing Rod (Olaf’s Personal Item) locations: - Dry Dock - Storm Bridge - Fishery Island - Beacon island Look for a Glowing Green Fish jumping around the water at each Fishing Location and use the Fishing Rod at that location once you see it Fishing Locations: Eidskallen Landing x2 Beacon Island x2 Eidskallen Square x2 Dry Dock (found one so far) Fishery Island x2 Tyr’s Foot (found one so far) Once the fish is caught it will spawn an Irradiated Ravager (HVT) that will disappear and respawn somewhere else, chase it down and kill it (check your map to see its location, it shows up as an HVT). It will drop a Uranium. Uranium #2 Next, Craft an ARC-XD (there is one for free in Eidskallen Square on top of a box near the flame trap, you can get it by fishing as well) and melee the vent at Core Foundry to the left of the zipline to open the Secret ARC-XD Course. Blow up the boat full of barrels. Once the course is completed the 935 Genetic Lab room will be open and another Uranium x2 will be inside a Prison Cell There are several Jars with Heads inside in this room, all labelled A,B,C,D,E Look down the Hallway inside the Lab and note which numbered rooms have Nuclear Symbols 1 = A, 2 = B, 3 = C, 4 = D and 5 = E Take one Jar at a time that corresponds with the Numbers next to Nuclear Symbols and place them on the machine to the right of the cell door, once the correct jars are placed the Jar on the left side of the machine will glow purple and you can pick up acid There is a Big Chunk of Meat on a desk next to multiple drawings in the same Room, interact with it, then Pick up The Necrospike Once you have The Necrospike, use it on the Prison Cell Door, this will trigger a lockpick mini game. Spin the lockpick until the lock turns white 3x to unlock the cell, then pick up the second Uranium. Uranium #3 Next you need to craft or obtain the Glocke Drop, once you have one call it in, then shoot 20 mid-air zombies it throws up. This will drop the third and final Uranium. 2. At the Dry Dock, you need to call a WunderBarrage (unlocked by completing Wundersignal steps) in on the “02 Building” at Dry Dock (where there’s debris on the stairs), this will open the stairs to the Machine Workshop. 3. Inside The Workshop there is a Claw Machine which you can place all of The Uranium inside of and play a mini-game. -Have a big group of 7 cores and a small group of 2 cores. 4. Once you complete the Mini-game you will be able to pick up The Atomkraft Core (Note: you drop if you zipline, and cant sprint with it) 5. Head to Quick Revive and place The Atomkraft Core on generator next to quick revive. Go into the shed behind quick revive and turn on the generator. You must now defend the The Atomkraft Core until it’s charged. In interrupted you must turn on the generator again to continue. 6. Take the The Atomkraft Core to the barrel on the Storm Bridge and a Mini-Cutscene will play between the Giant and The Robot. Vegvisir 1. After the cutscene finishes, The Dravakar Shard will spawn at Tyr’s Foot, pick it up 2. Pick it up and place the Shard inside the Bloodheim Hall on the bonfire 3. Use WW range attack to light the fire 4. Use Disciple Injection (there should be a free one around the map) and throw zombies into the bonfire (I only had to throw four) 5. A lockdown will start. Kill the boss zombie and pick up the Sunstone from the bonfire 6. Put the Sunstone in the church and do a range WW attack on it. 7. Around the map, there will now be floating rocks and runes. Above the church there will now be a compass with runes and arrows. -Shoot the floating rune rocks with the ranged WW in the order of the arrow lines. If an arrow has 1 line, then that's the first one. If an arrow has 2 lines, that's the second one, etc. 8. Go into Tyr's Head and interact with the console to start the boss fight. Credit to Callum and the ZoneX discord
0:29

OFFICIAL: EASTER EGG GUIDE FOR TOTENREICH: Wonder Weapon: 1. Head to The Drydocks and lower The Crane, this will allow you to wall jump and interact with the tip of the ship to pick up the Chain Link 2. Next, Head to Storm Bridge and pick up Chili Chunks behind the truck next to Deadshot 3. Place Chili Chunks on the table in the middle of the Skalen Market 4. Next, Head to Burial Grounds left-side door and interact with the keyhole. 5. Interact with the door again and hold it to open the door and to unlock the underground area. 6. This will spawn a Zursa Bear during a special round (starting the second special round) you need to kill him and he will drop The Lantern 7. Place The Lantern in the center of the Underground Room in Burial Grounds. 8. Constellations will appear around the wall. Interact with them as they’re shown on the table in this order: left, right, back, front. 9. Once completed, Astrid will appear and talk, she will then travel to different areas of the map. She will occasionally stop and you will need to kill frost zombies next to her. 10. Once all the Soulboxes are completed an Obstacle Course will form on the outside of The Lighthouse, climb to the top by Jumping / Wall Jumping up 11. Once you reach the top, Listen to the Astrid talk and pick up The Jotunn Star Wundersignal: 1. After completing Jotun Star Quest Head to The Lighthouse and inside on a shelf there will be a Crowbar 2. There are Multiple Wooden Boxes around the map with red IDs on the bottom right corner of the front of the box in red (for example III-6) use The Crowbar on the Wooden Box that has the Roboterteile ID (the IDs are on the shipping manifest in the War Factory Admin Room), this will give Flak Gun Round War Factory Core Foundry Fjord Road Dry Dock 3. Head to Turret Gun beside The Lighthouse and place Flak Gun Round then melee with Jotunn Star 4. Next, Head to The Robot Head in spawn and interact with it to search broken piece to get The Transmitter 5. Go to Tyr’s Head and place it inside the Wall Machine thingy at the top of the Ladder 6. Next, whilst inside of Tyr’s Head underneath the balcony there are 3 white lights, 2 of these lights will blink, count how many times it blinks -Both lights will remain on, There is the sound of a light turning on to indicate the start of a new light flashing cycle where both lights will flash at the same time to a certain count (for example left 2, right 5). Both lights will be on and then it will flash another set (for example left 6, right 4). (Unsure if these 2 combos have to be put into console in order but correct entry will give two different voicelines.) After entering one correctly you will be kicked out to hear voiceline and can re-enter console to input the 2nd shortly afterwards. 7. Now head to Core Foundry, and use a molotov to burn the ascender to access the consoles. 8. Ascend and interact with the consoles, The next part is timed and has a cooldown if you fail - you need to Calibrate the Amplitude and Frequency using the flashing light code. 9. Once this has been done head to the room Next to the Radio Tower and pick up The Wunderbarrage Controller Atomkraft Core 1. Find three uraniums: Uranium #1 Find the Fishing Rod (Olaf’s Personal Item) locations: - Dry Dock - Storm Bridge - Fishery Island - Beacon island Look for a Glowing Green Fish jumping around the water at each Fishing Location and use the Fishing Rod at that location once you see it Fishing Locations: Eidskallen Landing x2 Beacon Island x2 Eidskallen Square x2 Dry Dock (found one so far) Fishery Island x2 Tyr’s Foot (found one so far) Once the fish is caught it will spawn an Irradiated Ravager (HVT) that will disappear and respawn somewhere else, chase it down and kill it (check your map to see its location, it shows up as an HVT). It will drop a Uranium. Uranium #2 Next, Craft an ARC-XD (there is one for free in Eidskallen Square on top of a box near the flame trap, you can get it by fishing as well) and melee the vent at Core Foundry to the left of the zipline to open the Secret ARC-XD Course. Blow up the boat full of barrels. Once the course is completed the 935 Genetic Lab room will be open and another Uranium x2 will be inside a Prison Cell There are several Jars with Heads inside in this room, all labelled A,B,C,D,E Look down the Hallway inside the Lab and note which numbered rooms have Nuclear Symbols 1 = A, 2 = B, 3 = C, 4 = D and 5 = E Take one Jar at a time that corresponds with the Numbers next to Nuclear Symbols and place them on the machine to the right of the cell door, once the correct jars are placed the Jar on the left side of the machine will glow purple and you can pick up acid There is a Big Chunk of Meat on a desk next to multiple drawings in the same Room, interact with it, then Pick up The Necrospike Once you have The Necrospike, use it on the Prison Cell Door, this will trigger a lockpick mini game. Spin the lockpick until the lock turns white 3x to unlock the cell, then pick up the second Uranium. Uranium #3 Next you need to craft or obtain the Glocke Drop, once you have one call it in, then shoot 20 mid-air zombies it throws up. This will drop the third and final Uranium. 2. At the Dry Dock, you need to call a WunderBarrage (unlocked by completing Wundersignal steps) in on the “02 Building” at Dry Dock (where there’s debris on the stairs), this will open the stairs to the Machine Workshop. 3. Inside The Workshop there is a Claw Machine which you can place all of The Uranium inside of and play a mini-game. -Have a big group of 7 cores and a small group of 2 cores. 4. Once you complete the Mini-game you will be able to pick up The Atomkraft Core (Note: you drop if you zipline, and cant sprint with it) 5. Head to Quick Revive and place The Atomkraft Core on generator next to quick revive. Go into the shed behind quick revive and turn on the generator. You must now defend the The Atomkraft Core until it’s charged. In interrupted you must turn on the generator again to continue. 6. Take the The Atomkraft Core to the barrel on the Storm Bridge and a Mini-Cutscene will play between the Giant and The Robot. Vegvisir 1. After the cutscene finishes, The Dravakar Shard will spawn at Tyr’s Foot, pick it up 2. Pick it up and place the Shard inside the Bloodheim Hall on the bonfire 3. Use WW range attack to light the fire 4. Use Disciple Injection (there should be a free one around the map) and throw zombies into the bonfire (I only had to throw four) 5. A lockdown will start. Kill the boss zombie and pick up the Sunstone from the bonfire 6. Put the Sunstone in the church and do a range WW attack on it. 7. Around the map, there will now be floating rocks and runes. Above the church there will now be a compass with runes and arrows. -Shoot the floating rune rocks with the ranged WW in the order of the arrow lines. If an arrow has 1 line, then that's the first one. If an arrow has 2 lines, that's the second one, etc. 8. Go into Tyr's Head and interact with the console to start the boss fight. Credit to Callum and the ZoneX discord

COD: Zombies News

81,870 views • 3 months ago

Why is the market selling off today? (Save this). Today's selloff is bigger and messier than what we've seen lately, KOSPI crashed almost 11% overnight, chip stocks are getting hit everywhere and it's not because AI demand suddenly disappeared but rather a bunch of fears piling up at once that I think are getting way overplayed. Start with the AI ROI thing since it's been building since last week's earnings. Tesla and Alphabet both kicked off earnings season with big capex numbers and negative free cash flow and even with strong revenue growth both stocks got hammered. That set the tone of we don't care if capex is growing, show us the cash, and it's carrying into this week with Amazon, Meta, Microsoft and Apple all reporting, which isn't helping the nerves. But look at what actually happened with Alphabet, cloud revenue grew 81%, total sales grew 24%, that's not a company torching cash on nothing, that's a company scaling into demand it can barely keep up with. Negative free cash flow during a capex supercycle is normal, you build the data centers and buy the GPUs before the revenue shows up. Judging a buildout phase like it's a mature business is the wrong lens, and that's basically what happened last week and what's still happening today. Then there's China chip competition, which is honestly the biggest accelerant of today's move. CXMT's IPO shares rose over 466% and combined with headlines about China's homegrown DUV lithography progress, it triggered a brutal rout in Korean chipmakers, Samsung fell as much as 13%, SK Hynix over 14%, Kioxia nearly 18%, dragging the KOSPI down almost 11% and into an eighth circuit breaker this year. That spilled straight into Nvidia, ASML, Sandisk and Seagate here in the US, with Nasdaq 100 futures down over 1% before the bell. But here's the thing, five DUV units this year against ASML's 131 a year, running performance closer to a 2008 design, is not an equipment moat collapsing, it's a headline that's gotten repeated so much this week it's built its own gravity. These tools are aimed at mature nodes like automotive and industrial chips, not the leading edge logic or HBM that actually drives the AI trade, so the read through to Nvidia, ASML or Applied Materials earnings power is basically nothing. The CXMT pop is scarcity, people bidding up the only pure play China memory stock they can get their hands on, not a sign that oversupply is coming. And Korean chipmakers dropping 12 to 14% in one session looks a lot more like leverage unwinding after a parabolic run than a real rethink of Samsung or SK Hynix's HBM backlog, which both companies have already said is basically sold out for the year. Geopolitics is actually the one spot where the news should be helping, not hurting. US and Iran hostilities seem to have paused for now, which should be easing oil driven inflation fears. If this were purely a geopolitical panic you'd expect oil spiking and yields following, but that's not what's happening, this move is chip specific and Asia led, not an oil shock like a week or two ago. Rates and the Fed are still in play, decision lands tomorrow, and people are nervous about higher for longer language even though a hike isn't the base case. On top of that, reports that Nvidia's five year credit default swap costs jumped by a record margin are getting read by some as a credit risk signal tied to all this AI debt spending. But a one day CDS spike during a market wide panic is a fear indicator, not proof of an actual credit problem, spreads on every big name widen fast when volatility spikes, Nvidia's balance sheet hasn't changed in the last 24 hours. Fed futures are pricing in essentially no chance of a surprise hike tomorrow, this is a hold meeting, and I'd bet the hawkish jitters fade fast once Warsh actually talks. Then there's the bigger liquidity and positioning story, which I think explains more of today's violence than any single headline. KOSPI is down nearly 29% for the month now, steeper than 2008, mostly because Korean chipmakers had turned into crypto like gambling tokens, running way too far, too fast on retail leverage and margin debt, and now unwinding just as hard on the way down. That's positioning excess getting flushed, not HBM demand disappearing or hyperscalers pulling back. Nothing in the actual order books, capex guidance or HBM contract pricing has changed, DRAM and NAND prices are still climbing quarter over quarter, nobody's canceled a GPU order or a data center project. What changed is how much leverage was sitting on top of this trade, and that's getting ripped out in one ugly session. This is one of the scariest looking selloffs we've had all year but scary looking and actually broken are two different things. Every headline driving today, the China lithography story, the CXMT IPO, the Nvidia CDS spike, the Fed jitters, looks a lot less scary once you dig into the actual numbers, and none of it touches real AI infrastructure demand or supply. This looks like leverage and sentiment unwinding, not the long term thesis breaking. If you want to see exactly what I'm buying into this, join Milk Road Pro for just $1 using the link below.
0:11

Why is the market selling off today? (Save this). Today's selloff is bigger and messier than what we've seen lately, KOSPI crashed almost 11% overnight, chip stocks are getting hit everywhere and it's not because AI demand suddenly disappeared but rather a bunch of fears piling up at once that I think are getting way overplayed. Start with the AI ROI thing since it's been building since last week's earnings. Tesla and Alphabet both kicked off earnings season with big capex numbers and negative free cash flow and even with strong revenue growth both stocks got hammered. That set the tone of we don't care if capex is growing, show us the cash, and it's carrying into this week with Amazon, Meta, Microsoft and Apple all reporting, which isn't helping the nerves. But look at what actually happened with Alphabet, cloud revenue grew 81%, total sales grew 24%, that's not a company torching cash on nothing, that's a company scaling into demand it can barely keep up with. Negative free cash flow during a capex supercycle is normal, you build the data centers and buy the GPUs before the revenue shows up. Judging a buildout phase like it's a mature business is the wrong lens, and that's basically what happened last week and what's still happening today. Then there's China chip competition, which is honestly the biggest accelerant of today's move. CXMT's IPO shares rose over 466% and combined with headlines about China's homegrown DUV lithography progress, it triggered a brutal rout in Korean chipmakers, Samsung fell as much as 13%, SK Hynix over 14%, Kioxia nearly 18%, dragging the KOSPI down almost 11% and into an eighth circuit breaker this year. That spilled straight into Nvidia, ASML, Sandisk and Seagate here in the US, with Nasdaq 100 futures down over 1% before the bell. But here's the thing, five DUV units this year against ASML's 131 a year, running performance closer to a 2008 design, is not an equipment moat collapsing, it's a headline that's gotten repeated so much this week it's built its own gravity. These tools are aimed at mature nodes like automotive and industrial chips, not the leading edge logic or HBM that actually drives the AI trade, so the read through to Nvidia, ASML or Applied Materials earnings power is basically nothing. The CXMT pop is scarcity, people bidding up the only pure play China memory stock they can get their hands on, not a sign that oversupply is coming. And Korean chipmakers dropping 12 to 14% in one session looks a lot more like leverage unwinding after a parabolic run than a real rethink of Samsung or SK Hynix's HBM backlog, which both companies have already said is basically sold out for the year. Geopolitics is actually the one spot where the news should be helping, not hurting. US and Iran hostilities seem to have paused for now, which should be easing oil driven inflation fears. If this were purely a geopolitical panic you'd expect oil spiking and yields following, but that's not what's happening, this move is chip specific and Asia led, not an oil shock like a week or two ago. Rates and the Fed are still in play, decision lands tomorrow, and people are nervous about higher for longer language even though a hike isn't the base case. On top of that, reports that Nvidia's five year credit default swap costs jumped by a record margin are getting read by some as a credit risk signal tied to all this AI debt spending. But a one day CDS spike during a market wide panic is a fear indicator, not proof of an actual credit problem, spreads on every big name widen fast when volatility spikes, Nvidia's balance sheet hasn't changed in the last 24 hours. Fed futures are pricing in essentially no chance of a surprise hike tomorrow, this is a hold meeting, and I'd bet the hawkish jitters fade fast once Warsh actually talks. Then there's the bigger liquidity and positioning story, which I think explains more of today's violence than any single headline. KOSPI is down nearly 29% for the month now, steeper than 2008, mostly because Korean chipmakers had turned into crypto like gambling tokens, running way too far, too fast on retail leverage and margin debt, and now unwinding just as hard on the way down. That's positioning excess getting flushed, not HBM demand disappearing or hyperscalers pulling back. Nothing in the actual order books, capex guidance or HBM contract pricing has changed, DRAM and NAND prices are still climbing quarter over quarter, nobody's canceled a GPU order or a data center project. What changed is how much leverage was sitting on top of this trade, and that's getting ripped out in one ugly session. This is one of the scariest looking selloffs we've had all year but scary looking and actually broken are two different things. Every headline driving today, the China lithography story, the CXMT IPO, the Nvidia CDS spike, the Fed jitters, looks a lot less scary once you dig into the actual numbers, and none of it touches real AI infrastructure demand or supply. This looks like leverage and sentiment unwinding, not the long term thesis breaking. If you want to see exactly what I'm buying into this, join Milk Road Pro for just $1 using the link below.

Melvin

57,573 views • 25 days ago

Claude CodeにMiniMax H3のプロンプトを丸投げしたら、この動画ができました😃 Claude Codeに投げたプロンプト↓ ------------------- MiniMax H3を使ってモーショングラフィックスをバリバリ使った15秒のCMを作りたい。 どんな内容が良いと思う？ 条件は以下 ・モーショングラフィックスを多用 ・人物も登場させる（実写・アニメーションは問わない） ・アスペクト比は16:9 ------------------- すると、Claude Codeが3つCM案を提案。 そのうちの1つを選んだら↓のプロンプトができました。 MiniMax H3を利用したツールはMiniMax Design。 #MiniMaxH3 on #MiniMaxDesign Claude Codeが作ったMiniMax H3向けのプロンプト↓ ---------------------- integrated_multimodal_description: 2D-animated, a bold graphic-design motion-graphics commercial in 16:9 with exactly 13 distinct cuts at 24fps. This film is 85% kinetic graphic design and 15% character action: giant kinetic Japanese typography, hard-edged flat shapes, split screens, halftone, speed lines, torn-paper reveals and shutter flashes. Palette, strictly four colors: fluorescent orange, deep black, off-white, silver grey. The recurring character is a young anime street dancer with a black chin-length bob and blunt bangs, sharp confident eyes, an oversized off-white track jacket with fluorescent-orange sleeve stripes, black cargo shorts, and chunky white sneakers with fluorescent-orange lines. Preserve her exact face, proportions, hairstyle, outfit, materials and colors throughout; never redesign her. Every graphic element moves fast and snaps hard on the beat. [Shot 1] On a deep black field, a massive off-white circle slams into frame left of center, then two fluorescent-orange bars wipe across the upper and lower thirds, then the Japanese kanji "烈" builds itself stroke by stroke in off-white at the center until it is complete. The camera shakes slightly with small amplitude at fast speed on each impact. [Shot 2] At 00:01.000, the camera cuts to an off-white field where four black squares rotate into the center one at a time. The largest square opens as a porthole revealing an extreme close-up of the dancer's ice-sharp eye glancing up, then a red-and-cyan split flash tears across the edges and the squares shatter into flat shards. The camera pushes in with small amplitude at fast speed. [Shot 3] At 00:02.000, the camera cuts to an off-white field filled by an enormous black kanji "烈". The dancer sprints in from frame left, power-slides along the baseline of the typography, and fluorescent-orange ink splatter trails behind her as speed lines streak past. The camera trucks left with large amplitude at fast speed. The kanji stays fully readable before she crosses in front of it. [Shot 4] At 00:03.100, the camera cuts to a vertical triptych of fluorescent-orange, deep black and off-white panels. Her flat silhouette appears in each panel in stroboscopic freeze, one after another — takeoff, mid-air tuck, landing — while giant vertical silver text "全速" scrolls upward behind the panels. Static shot. [Shot 5] At 00:04.000, the camera cuts to a black field where a giant tilted ring of fluorescent-orange Japanese characters reading "止マルナ" rotates. The dancer leaps through the center of the ring, spins once in mid-air, and the characters break off and scatter outward as flat shards. The camera arcs with large amplitude at fast speed, then snap-zooms onto her confident face. [Shot 6] At 00:05.100, the camera cuts to a clean off-white editorial card holding a huge black kanji "跳" with one orange diagonal slash. She vaults over the word itself, plants her palm on its left radical, the character compresses like a spring under her hand, then rebounds as her legs whip across the frame. Static shot. [Shot 7] At 00:06.000, the camera cuts to a full fluorescent-orange field crossed by one thick black diagonal stripe. She back-flips along the stripe in three stroboscopic ghost frames tinted black, off-white and silver grey, while a large outlined kanji "回" rotates 180 degrees in sync with her rotation. The camera rolls clockwise with small amplitude at fast speed. [Shot 8] At 00:07.000, the camera cuts to an off-white field with a hard black band. Four bold black kanji slam in one at a time at different scales and angles — "速", then "鋭", then "静", then "烈" — each landing with a white shutter flash and an orange impact mark, while she slides on her knees across the foreground, jacket flaring. The camera shakes slightly with small amplitude at fast speed. [Shot 9] At 00:08.000, the camera cuts to a black frame where a white wireframe grid tilts away in 3D. She runs up the grid like a wall, kicks off it, and hangs frozen in mid-air as a fluorescent-orange circle stamps around her pose like a target lock with silver UI brackets and tick marks. The camera tilts up with small amplitude at slow speed. [Shot 10] At 00:09.000, the freeze releases and the camera cuts to layered flat-color panes stacked toward the lens. She dives straight at the camera, the panes tear open one at a time like thick paper, and each tear reveals a larger portion of the black kanji "烈" behind, before her sneaker wipes across the foreground. The camera pulls out with large amplitude at fast speed. [Shot 11] At 00:10.100, the camera cuts to a rapid-fire montage of four full-screen graphic posters of her in different action poses — mid-flip, sliding, landing, hands in pockets — snapping past with hard cuts, each with an oversized silver number 01 to 04, a black barcode strip and thick diagonal slashes. Static shot. [Shot 12] At 00:11.100, the camera cuts to a clean off-white cyclorama for the hero moment. She lands a final backflip dead center in slow motion, straightens with both hands in her pockets, and a shockwave of concentric fluorescent-orange rings blasts outward from her feet carrying shattered fragments of the kanji "烈" with it, then the frame overexposes toward white. The camera pushes in with small amplitude at slow speed. [Shot 13] At 00:13.000, the camera cuts to the final identity card on a pale off-white field. An enormous black kanji "烈" dominates the frame with translucent orange rings and thin technical arcs behind it, the silver-grey word "RETSU" sits directly beneath the kanji, and she stands relaxed at the lower center overlapping the bottom of the strokes with her jacket rippling. One thin orange pulse sweeps horizontally through the typography and holds cleanly until exactly 15.000 seconds. Static shot. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, split flashes and impact shakes. Every cut must feel compositionally different. All Japanese typography is always fully readable before the character overlaps it. No weapons, no combat, no fire, no explosions; all energy comes from motion design, ink, torn paper, wind and her street-dance athleticism. No photorealism, no 3D rendering, no gradients, no browser interface, no player controls, no subtitles, no captions, and no text other than the Japanese characters named above. Exactly 13 cuts. overall_soundscape: Sneaker impacts, knee slides and landings hit hard against a clean room tone. Ink splatters burst, thick paper tears open, and flat panels shatter like glass. Sharp whooshes carry the color wipes and typography slams, with small shutter clicks on each flash. No dialogue. non_diegetic_music: An original 15-second drum-heavy breakbeat with a deep sub bass, hard snare hits, risers and glitch fills locked to every cut. Begin with a single impact, build tightly through the middle, peak at the landing at 00:11.100, and end with a cold electronic logo sting that resolves at 15.000 seconds.
0:15

Claude CodeにMiniMax H3のプロンプトを丸投げしたら、この動画ができました😃 Claude Codeに投げたプロンプト↓ ------------------- MiniMax H3を使ってモーショングラフィックスをバリバリ使った15秒のCMを作りたい。 どんな内容が良いと思う？ 条件は以下 ・モーショングラフィックスを多用 ・人物も登場させる（実写・アニメーションは問わない） ・アスペクト比は16:9 ------------------- すると、Claude Codeが3つCM案を提案。 そのうちの1つを選んだら↓のプロンプトができました。 MiniMax H3を利用したツールはMiniMax Design。 #MiniMaxH3 on #MiniMaxDesign Claude Codeが作ったMiniMax H3向けのプロンプト↓ ---------------------- integrated_multimodal_description: 2D-animated, a bold graphic-design motion-graphics commercial in 16:9 with exactly 13 distinct cuts at 24fps. This film is 85% kinetic graphic design and 15% character action: giant kinetic Japanese typography, hard-edged flat shapes, split screens, halftone, speed lines, torn-paper reveals and shutter flashes. Palette, strictly four colors: fluorescent orange, deep black, off-white, silver grey. The recurring character is a young anime street dancer with a black chin-length bob and blunt bangs, sharp confident eyes, an oversized off-white track jacket with fluorescent-orange sleeve stripes, black cargo shorts, and chunky white sneakers with fluorescent-orange lines. Preserve her exact face, proportions, hairstyle, outfit, materials and colors throughout; never redesign her. Every graphic element moves fast and snaps hard on the beat. [Shot 1] On a deep black field, a massive off-white circle slams into frame left of center, then two fluorescent-orange bars wipe across the upper and lower thirds, then the Japanese kanji "烈" builds itself stroke by stroke in off-white at the center until it is complete. The camera shakes slightly with small amplitude at fast speed on each impact. [Shot 2] At 00:01.000, the camera cuts to an off-white field where four black squares rotate into the center one at a time. The largest square opens as a porthole revealing an extreme close-up of the dancer's ice-sharp eye glancing up, then a red-and-cyan split flash tears across the edges and the squares shatter into flat shards. The camera pushes in with small amplitude at fast speed. [Shot 3] At 00:02.000, the camera cuts to an off-white field filled by an enormous black kanji "烈". The dancer sprints in from frame left, power-slides along the baseline of the typography, and fluorescent-orange ink splatter trails behind her as speed lines streak past. The camera trucks left with large amplitude at fast speed. The kanji stays fully readable before she crosses in front of it. [Shot 4] At 00:03.100, the camera cuts to a vertical triptych of fluorescent-orange, deep black and off-white panels. Her flat silhouette appears in each panel in stroboscopic freeze, one after another — takeoff, mid-air tuck, landing — while giant vertical silver text "全速" scrolls upward behind the panels. Static shot. [Shot 5] At 00:04.000, the camera cuts to a black field where a giant tilted ring of fluorescent-orange Japanese characters reading "止マルナ" rotates. The dancer leaps through the center of the ring, spins once in mid-air, and the characters break off and scatter outward as flat shards. The camera arcs with large amplitude at fast speed, then snap-zooms onto her confident face. [Shot 6] At 00:05.100, the camera cuts to a clean off-white editorial card holding a huge black kanji "跳" with one orange diagonal slash. She vaults over the word itself, plants her palm on its left radical, the character compresses like a spring under her hand, then rebounds as her legs whip across the frame. Static shot. [Shot 7] At 00:06.000, the camera cuts to a full fluorescent-orange field crossed by one thick black diagonal stripe. She back-flips along the stripe in three stroboscopic ghost frames tinted black, off-white and silver grey, while a large outlined kanji "回" rotates 180 degrees in sync with her rotation. The camera rolls clockwise with small amplitude at fast speed. [Shot 8] At 00:07.000, the camera cuts to an off-white field with a hard black band. Four bold black kanji slam in one at a time at different scales and angles — "速", then "鋭", then "静", then "烈" — each landing with a white shutter flash and an orange impact mark, while she slides on her knees across the foreground, jacket flaring. The camera shakes slightly with small amplitude at fast speed. [Shot 9] At 00:08.000, the camera cuts to a black frame where a white wireframe grid tilts away in 3D. She runs up the grid like a wall, kicks off it, and hangs frozen in mid-air as a fluorescent-orange circle stamps around her pose like a target lock with silver UI brackets and tick marks. The camera tilts up with small amplitude at slow speed. [Shot 10] At 00:09.000, the freeze releases and the camera cuts to layered flat-color panes stacked toward the lens. She dives straight at the camera, the panes tear open one at a time like thick paper, and each tear reveals a larger portion of the black kanji "烈" behind, before her sneaker wipes across the foreground. The camera pulls out with large amplitude at fast speed. [Shot 11] At 00:10.100, the camera cuts to a rapid-fire montage of four full-screen graphic posters of her in different action poses — mid-flip, sliding, landing, hands in pockets — snapping past with hard cuts, each with an oversized silver number 01 to 04, a black barcode strip and thick diagonal slashes. Static shot. [Shot 12] At 00:11.100, the camera cuts to a clean off-white cyclorama for the hero moment. She lands a final backflip dead center in slow motion, straightens with both hands in her pockets, and a shockwave of concentric fluorescent-orange rings blasts outward from her feet carrying shattered fragments of the kanji "烈" with it, then the frame overexposes toward white. The camera pushes in with small amplitude at slow speed. [Shot 13] At 00:13.000, the camera cuts to the final identity card on a pale off-white field. An enormous black kanji "烈" dominates the frame with translucent orange rings and thin technical arcs behind it, the silver-grey word "RETSU" sits directly beneath the kanji, and she stands relaxed at the lower center overlapping the bottom of the strokes with her jacket rippling. One thin orange pulse sweeps horizontally through the typography and holds cleanly until exactly 15.000 seconds. Static shot. Editing: extremely aggressive rhythm — hard cuts on every beat, graphic matches, whip pans, snap zooms, stroboscopic freezes, foreground wipes, split flashes and impact shakes. Every cut must feel compositionally different. All Japanese typography is always fully readable before the character overlaps it. No weapons, no combat, no fire, no explosions; all energy comes from motion design, ink, torn paper, wind and her street-dance athleticism. No photorealism, no 3D rendering, no gradients, no browser interface, no player controls, no subtitles, no captions, and no text other than the Japanese characters named above. Exactly 13 cuts. overall_soundscape: Sneaker impacts, knee slides and landings hit hard against a clean room tone. Ink splatters burst, thick paper tears open, and flat panels shatter like glass. Sharp whooshes carry the color wipes and typography slams, with small shutter clicks on each flash. No dialogue. non_diegetic_music: An original 15-second drum-heavy breakbeat with a deep sub bass, hard snare hits, risers and glitch fills locked to every cut. Begin with a single impact, build tightly through the middle, peak at the landing at 00:11.100, and end with a cold electronic logo sting that resolves at 15.000 seconds.

タナベ | AI動画 × マーケティング

48,227 views • 3 days ago

Seedance 2.0 on Higgsfield AI The visual fidelity and scene consistency bring this pirate adventure to life like never before.Every cut feels intentional immersive and ready for the big screen. Full open sourced prompts & assets below: SCENE CONTEXT Bright day at sea aboard a sailing galleon. Captain Eduardo bursts out of the sterncastle door onto the deck; his scarlet macaw lands on his LEFT shoulder mid-stride. He runs up to the quarterdeck where a lookout crewman watches the horizon through a brass spyglass, takes the spyglass and looks himself: a distant island, and a violent optical crash zoom finds a small futuristic hard case on the beach. Then a second crewman runs up, grabs his arm and points the OTHER way, astern — Eduardo turns: a black-sailed pirate ship very far behind them, a speck on the horizon. He does not raise the spyglass — he just stands and stares at the distant black sails, holding the look. ACTIVE REFERENCES >> — lean pirate captain, dark curly hair falling free from under a dusty mustard-yellow cloth bandana, a small white shark tooth pinned to the front of the bandana above his temple, thin moustache, gold hoop earrings, cream linen shirt under a worn brown leather waistcoat, cloth sash and leather belts. 100% matches the reference; studio sheet layout NOT inherited. >> — scarlet macaw, red body, blue-and-yellow wing feathers, small leather shoulder harness. 100% matches the reference; it flies in and rides Eduardo's left shoulder. >> — weathered pirate crewmen from the reference group (bandana, rough shirt, vest). 100% match the reference; TWO of them appear: the lookout at the quarterdeck rail, and a second runner who arrives in CUT 4 pointing astern. >> — collapsible brass spyglass with dark leather-wrapped barrel sections. 100% matches the reference; starts in the lookout's hands, ends at Eduardo's eye. >> — Eduardo's galleon: pale square sails, tall wooden sterncastle, raised quarterdeck. 100% matches the reference; controls hull, deck, masts and rigging only. >> — calm bright sea, glittering sun path, hazy horizon. Controls water and sky atmosphere only. >> — small lone island: dense dark-green jungle cover, a curved white-sand beach on one side, grey rocky cliff edges, turquoise shallows ringing the shore. 100% matches the reference; it is the island seen on the horizon and inside the spyglass view. >> — small futuristic hard case: matte-black armored corners, neon acid-green side panels, brushed-steel top plate with a glowing green star-shaped button. 100% matches the reference; it appears ONLY inside the zoomed spyglass view of CUT 3, lying on the beach. >> — enemy pirate galleon: black sails, acid-green skull-and-crossed-swords on the mainsail, dark carved hull. 100% matches the reference; revealed VERY far astern in CUT 4 as a tiny silhouette on the horizon — never seen closer in this beat. LOCATION MAP >> under sail on >>, open bright sea. The sterncastle door opens onto the main deck; a short wooden stair leads up to the quarterdeck at the stern. The lookout stands at the quarterdeck rail on the forward side, spyglass raised toward the horizon screen-right. Far on that horizon, 2–3 km out: >> — dense green jungle mass, the white-sand beach catching the sun on its near side, turquoise water at its shore. In the OPPOSITE direction, astern of the ship screen-left: open sea where >> rides VERY FAR OFF — 4–5 km out, right on the horizon line, a tiny dark silhouette almost dissolved in the haze — present in the world from the start, revealed to the camera only in CUT 4. Haze visible at the horizon distance. Sun high, sea glitter everywhere. FIRST FRAME / BLOCKING First frame: the sterncastle door already swinging open, >> mid-stride through it onto the deck, body angled toward the quarterdeck stair screen-right. Crew activity in the background of the deck. The lookout is visible up on the quarterdeck at the rail, spyglass already at his eye, pointed screen-right toward the horizon. FORMAT MODE Sequence of cuts, no timecodes — cuts only at the specified points, the camera does not cut on its own. CUT 1 — 63° handheld follow: the door bursts open, Eduardo comes out in a strange hurried scurry — up on TIPTOE, quick tiny mincing steps, both arms half-raised in front of him with elbows out, hands hovering at chest height, shoulders slightly hunched — comically odd, but FAST, covering the deck at 10 km/h. >> sweeps in from off-frame upper-right, wings braking, and lands on his left shoulder without breaking the scurry. He tiptoe-rushes across the deck and up the quarterdeck stair; the camera chases behind-left, half a beat late. CUT 2 — MS, 47°, on the quarterdeck: the lookout at the rail with >> raised. Eduardo arrives frame-left, the scarlet macaw >> sitting clearly visible ON HIS LEFT SHOULDER through the whole cut. With his RIGHT hand he grabs the spyglass out of the lookout's hands in one firm motion and raises it right-handed to his RIGHT eye toward the horizon screen-right, left eye squeezing shut. The lookout yields a step. CUT 3 — SPYGLASS POV, MONOCULAR: one single round image — the view through ONE lens of a telescope, a single circle centered in frame, black around it. This is a one-eyed spyglass view, never the twin overlapping circles of binoculars. Extreme telephoto image swaying with a hand-held tremor, compressed haze layers stacking toward the island. Distant >> sits small in the circle: dark-green jungle, the curved white-sand beach, turquoise shallows, heat haze. Hold 1 second — then a RAPID CRASH ZOOM, one continuous accelerating optical dive down to the waterline of the beach: >> lying on the wet sand, black-and-acid-green case, steel top plate, green star button glinting. The zoom lands and locks on the case filling half the circle. Hold. CUT 4 — MS, 47°: Eduardo lowering the spyglass, macaw on his left shoulder — a second crewman from >> runs into frame from screen-left, grabs Eduardo's arm and jabs his finger the OTHER way, astern, screen-left, shouting over the wind: "CAP'N! BEHIND US!" — and the macaw on Eduardo's shoulder instantly screams it back in a harsh parrot voice: "BEHIND US! BEHIND US!", wings half-flaring. Eduardo whips around following the point; the camera racks past his shoulder — REVEAL deep in the frame: >> VERY far astern, a TINY black silhouette sitting right on the horizon line — smaller in the frame than Eduardo's fist, under 5% of the frame height, barely bigger than a speck, half-swallowed by haze — but the black sails read unmistakably. Vast empty water fills everything between the rail and that distant speck. Eduardo does NOT raise the spyglass — it stays lowered in his right hand. He simply STANDS and STARES at the tiny black sails, motionless, eyes locked on the horizon. The cut ends on his long look toward the enemy ship against the empty sea. OPTICS CUT 1: 63° observational wide, handheld. CUT 2: 47° neutral. CUT 3: monocular spyglass optics — ONE single circular image (a one-lens telescope, never the twin circles of binoculars), tele compression as at 8°, soft edge inside the circle; the crash zoom is purely optical, horizon compressing, haze layers stacking. CUT 4: 47° neutral with a rack to the deep background on the reveal, then holding on Eduardo's profile against the horizon. No drift mid-segment. CAMERA Handheld operator character throughout the real-world cuts: chases the run at deck level in CUT 1 with visible footstep energy, settles to a 1–2 cm breath on the quarterdeck. Camera stays on the shadow side of Eduardo, sun working across from screen-right. The POV cut carries a hand-tremor sway of 1–2 cm that calms when the zoom locks on the case. ACTION Door kicks open from inside. Eduardo's gait in CUT 1 is deliberately odd: he rushes on the balls of his feet, heels never touching the planks, tiny fast tiptoe steps, arms half-raised with hands floating in front of his chest — hurried and urgent, never slow, sash swaying with the quick mincing rhythm, boot toes tapping the deck. The macaw's landing is physical: wings flare to brake, claws grip the leather waistcoat's shoulder, one small balance flap as he keeps scurrying. The spyglass handover is brisk, captain's-right, two hands to one. In the POV the island rises gently with the ship's sway until the crash zoom pins the case. PERFORMANCE Urgency without panic: breath fast through the nose, eyes fixed forward during the run. At the eyepiece his face stills completely — squint tightens, lips part a fraction when the case appears. In CUT 4 the runner's grip snaps him out of it — head whip, eyes refocusing to the far black sails — then he goes still: eyes fixed on the distant ship, a slow exhale, jaw tightening a fraction — the look held long, unreadable, no words at all. Pore-level skin realism, sun catch-lights, spray-damp sheen on the temples. PHYSICS Ship heels gently on a calm swell; rigging sways against the sky. The parrot has real bird mass — landing compresses the shoulder slightly. Cloth reacts to the run wind. In the POV, heat haze wobbles the island image and glitter fires irregularly off the water; the case sits with real weight in the wet sand, a shallow water film sliding around its base. LIGHTING High bright sun, 5600K daylight, hard key from screen-right with sea-bounce fill from below. Deck in full sun, crisp short shadows. Inside the spyglass POV the image is brighter and milkier — long air column, haze density rising toward the horizon; the case's acid-green panels and glowing star button read as the only saturated color on the pale beach. AUDIO Wind over the deck, sails snapping, boots on planks, macaw squawk on landing, gulls distant. On the POV: the world's sound thins to wind and a faint ring of focus. On the crash zoom a low whoosh rising in pitch, landing on near-silence with only the surf of the far beach, thin and distant. CUT 4: deck sound returns — running boots, the crewman's urgent shout over the wind: "CAP'N! BEHIND US!", answered at once by the macaw's harsh screeching echo: "BEHIND US! BEHIND US!" — then only the wind, a slow exhale, and the creak of the deck. No spoken line from Eduardo. STYLE Photoreal live-action, bright maritime daylight, fine film grain, crisp highlights with gentle roll-off, 8K master. POSITIVE LOCKS >> appears only inside the spyglass POV of CUT 3, lying on the beach at the waterline, star button glowing green in every frame it exists. The island always matches >>: green jungle, white-sand beach, turquoise shallows — and stays screen-right, ahead; the enemy ship stays astern, screen-left, in the opposite direction from the island. The spyglass POV (CUT 3) is MONOCULAR: one single round telescope image per frame. Eduardo handles the spyglass with his RIGHT hand at his RIGHT eye in every cut where he uses it. >> keeps black sails and the green skull mainsail in every appearance and stays VERY FAR AWAY the whole beat — naked-eye, she is only a tiny silhouette on the horizon, under 5% of the frame height in CUT 4; she never gets closer than the horizon line. After the reveal Eduardo keeps the spyglass LOWERED — he never raises it at the enemy ship; he speaks no line and makes no gesture — he simply stands looking at the distant ship, and the beat ends on that look; no cannons and no gunfire anywhere in this beat. Eduardo's head: mustard-yellow bandana with the small white shark tooth at the front, hair loose. In CUT 1 Eduardo moves only in the tiptoe scurry: heels off the deck, quick small steps, arms half-raised at chest height — fast and urgent the whole way. The macaw sits on Eduardo's LEFT shoulder continuously from its landing in CUT 1 through the end of the beat, clearly visible in CUTS 2 and 4. The spyglass is in the lookout's hands in CUT 2's first frame and in Eduardo's hands from then on. Same sun direction, same sea state, same wardrobe in every cut. Cuts only at the specified points.
0:15

Seedance 2.0 on Higgsfield AI The visual fidelity and scene consistency bring this pirate adventure to life like never before.Every cut feels intentional immersive and ready for the big screen. Full open sourced prompts & assets below: SCENE CONTEXT Bright day at sea aboard a sailing galleon. Captain Eduardo bursts out of the sterncastle door onto the deck; his scarlet macaw lands on his LEFT shoulder mid-stride. He runs up to the quarterdeck where a lookout crewman watches the horizon through a brass spyglass, takes the spyglass and looks himself: a distant island, and a violent optical crash zoom finds a small futuristic hard case on the beach. Then a second crewman runs up, grabs his arm and points the OTHER way, astern — Eduardo turns: a black-sailed pirate ship very far behind them, a speck on the horizon. He does not raise the spyglass — he just stands and stares at the distant black sails, holding the look. ACTIVE REFERENCES >> — lean pirate captain, dark curly hair falling free from under a dusty mustard-yellow cloth bandana, a small white shark tooth pinned to the front of the bandana above his temple, thin moustache, gold hoop earrings, cream linen shirt under a worn brown leather waistcoat, cloth sash and leather belts. 100% matches the reference; studio sheet layout NOT inherited. >> — scarlet macaw, red body, blue-and-yellow wing feathers, small leather shoulder harness. 100% matches the reference; it flies in and rides Eduardo's left shoulder. >> — weathered pirate crewmen from the reference group (bandana, rough shirt, vest). 100% match the reference; TWO of them appear: the lookout at the quarterdeck rail, and a second runner who arrives in CUT 4 pointing astern. >> — collapsible brass spyglass with dark leather-wrapped barrel sections. 100% matches the reference; starts in the lookout's hands, ends at Eduardo's eye. >> — Eduardo's galleon: pale square sails, tall wooden sterncastle, raised quarterdeck. 100% matches the reference; controls hull, deck, masts and rigging only. >> — calm bright sea, glittering sun path, hazy horizon. Controls water and sky atmosphere only. >> — small lone island: dense dark-green jungle cover, a curved white-sand beach on one side, grey rocky cliff edges, turquoise shallows ringing the shore. 100% matches the reference; it is the island seen on the horizon and inside the spyglass view. >> — small futuristic hard case: matte-black armored corners, neon acid-green side panels, brushed-steel top plate with a glowing green star-shaped button. 100% matches the reference; it appears ONLY inside the zoomed spyglass view of CUT 3, lying on the beach. >> — enemy pirate galleon: black sails, acid-green skull-and-crossed-swords on the mainsail, dark carved hull. 100% matches the reference; revealed VERY far astern in CUT 4 as a tiny silhouette on the horizon — never seen closer in this beat. LOCATION MAP >> under sail on >>, open bright sea. The sterncastle door opens onto the main deck; a short wooden stair leads up to the quarterdeck at the stern. The lookout stands at the quarterdeck rail on the forward side, spyglass raised toward the horizon screen-right. Far on that horizon, 2–3 km out: >> — dense green jungle mass, the white-sand beach catching the sun on its near side, turquoise water at its shore. In the OPPOSITE direction, astern of the ship screen-left: open sea where >> rides VERY FAR OFF — 4–5 km out, right on the horizon line, a tiny dark silhouette almost dissolved in the haze — present in the world from the start, revealed to the camera only in CUT 4. Haze visible at the horizon distance. Sun high, sea glitter everywhere. FIRST FRAME / BLOCKING First frame: the sterncastle door already swinging open, >> mid-stride through it onto the deck, body angled toward the quarterdeck stair screen-right. Crew activity in the background of the deck. The lookout is visible up on the quarterdeck at the rail, spyglass already at his eye, pointed screen-right toward the horizon. FORMAT MODE Sequence of cuts, no timecodes — cuts only at the specified points, the camera does not cut on its own. CUT 1 — 63° handheld follow: the door bursts open, Eduardo comes out in a strange hurried scurry — up on TIPTOE, quick tiny mincing steps, both arms half-raised in front of him with elbows out, hands hovering at chest height, shoulders slightly hunched — comically odd, but FAST, covering the deck at 10 km/h. >> sweeps in from off-frame upper-right, wings braking, and lands on his left shoulder without breaking the scurry. He tiptoe-rushes across the deck and up the quarterdeck stair; the camera chases behind-left, half a beat late. CUT 2 — MS, 47°, on the quarterdeck: the lookout at the rail with >> raised. Eduardo arrives frame-left, the scarlet macaw >> sitting clearly visible ON HIS LEFT SHOULDER through the whole cut. With his RIGHT hand he grabs the spyglass out of the lookout's hands in one firm motion and raises it right-handed to his RIGHT eye toward the horizon screen-right, left eye squeezing shut. The lookout yields a step. CUT 3 — SPYGLASS POV, MONOCULAR: one single round image — the view through ONE lens of a telescope, a single circle centered in frame, black around it. This is a one-eyed spyglass view, never the twin overlapping circles of binoculars. Extreme telephoto image swaying with a hand-held tremor, compressed haze layers stacking toward the island. Distant >> sits small in the circle: dark-green jungle, the curved white-sand beach, turquoise shallows, heat haze. Hold 1 second — then a RAPID CRASH ZOOM, one continuous accelerating optical dive down to the waterline of the beach: >> lying on the wet sand, black-and-acid-green case, steel top plate, green star button glinting. The zoom lands and locks on the case filling half the circle. Hold. CUT 4 — MS, 47°: Eduardo lowering the spyglass, macaw on his left shoulder — a second crewman from >> runs into frame from screen-left, grabs Eduardo's arm and jabs his finger the OTHER way, astern, screen-left, shouting over the wind: "CAP'N! BEHIND US!" — and the macaw on Eduardo's shoulder instantly screams it back in a harsh parrot voice: "BEHIND US! BEHIND US!", wings half-flaring. Eduardo whips around following the point; the camera racks past his shoulder — REVEAL deep in the frame: >> VERY far astern, a TINY black silhouette sitting right on the horizon line — smaller in the frame than Eduardo's fist, under 5% of the frame height, barely bigger than a speck, half-swallowed by haze — but the black sails read unmistakably. Vast empty water fills everything between the rail and that distant speck. Eduardo does NOT raise the spyglass — it stays lowered in his right hand. He simply STANDS and STARES at the tiny black sails, motionless, eyes locked on the horizon. The cut ends on his long look toward the enemy ship against the empty sea. OPTICS CUT 1: 63° observational wide, handheld. CUT 2: 47° neutral. CUT 3: monocular spyglass optics — ONE single circular image (a one-lens telescope, never the twin circles of binoculars), tele compression as at 8°, soft edge inside the circle; the crash zoom is purely optical, horizon compressing, haze layers stacking. CUT 4: 47° neutral with a rack to the deep background on the reveal, then holding on Eduardo's profile against the horizon. No drift mid-segment. CAMERA Handheld operator character throughout the real-world cuts: chases the run at deck level in CUT 1 with visible footstep energy, settles to a 1–2 cm breath on the quarterdeck. Camera stays on the shadow side of Eduardo, sun working across from screen-right. The POV cut carries a hand-tremor sway of 1–2 cm that calms when the zoom locks on the case. ACTION Door kicks open from inside. Eduardo's gait in CUT 1 is deliberately odd: he rushes on the balls of his feet, heels never touching the planks, tiny fast tiptoe steps, arms half-raised with hands floating in front of his chest — hurried and urgent, never slow, sash swaying with the quick mincing rhythm, boot toes tapping the deck. The macaw's landing is physical: wings flare to brake, claws grip the leather waistcoat's shoulder, one small balance flap as he keeps scurrying. The spyglass handover is brisk, captain's-right, two hands to one. In the POV the island rises gently with the ship's sway until the crash zoom pins the case. PERFORMANCE Urgency without panic: breath fast through the nose, eyes fixed forward during the run. At the eyepiece his face stills completely — squint tightens, lips part a fraction when the case appears. In CUT 4 the runner's grip snaps him out of it — head whip, eyes refocusing to the far black sails — then he goes still: eyes fixed on the distant ship, a slow exhale, jaw tightening a fraction — the look held long, unreadable, no words at all. Pore-level skin realism, sun catch-lights, spray-damp sheen on the temples. PHYSICS Ship heels gently on a calm swell; rigging sways against the sky. The parrot has real bird mass — landing compresses the shoulder slightly. Cloth reacts to the run wind. In the POV, heat haze wobbles the island image and glitter fires irregularly off the water; the case sits with real weight in the wet sand, a shallow water film sliding around its base. LIGHTING High bright sun, 5600K daylight, hard key from screen-right with sea-bounce fill from below. Deck in full sun, crisp short shadows. Inside the spyglass POV the image is brighter and milkier — long air column, haze density rising toward the horizon; the case's acid-green panels and glowing star button read as the only saturated color on the pale beach. AUDIO Wind over the deck, sails snapping, boots on planks, macaw squawk on landing, gulls distant. On the POV: the world's sound thins to wind and a faint ring of focus. On the crash zoom a low whoosh rising in pitch, landing on near-silence with only the surf of the far beach, thin and distant. CUT 4: deck sound returns — running boots, the crewman's urgent shout over the wind: "CAP'N! BEHIND US!", answered at once by the macaw's harsh screeching echo: "BEHIND US! BEHIND US!" — then only the wind, a slow exhale, and the creak of the deck. No spoken line from Eduardo. STYLE Photoreal live-action, bright maritime daylight, fine film grain, crisp highlights with gentle roll-off, 8K master. POSITIVE LOCKS >> appears only inside the spyglass POV of CUT 3, lying on the beach at the waterline, star button glowing green in every frame it exists. The island always matches >>: green jungle, white-sand beach, turquoise shallows — and stays screen-right, ahead; the enemy ship stays astern, screen-left, in the opposite direction from the island. The spyglass POV (CUT 3) is MONOCULAR: one single round telescope image per frame. Eduardo handles the spyglass with his RIGHT hand at his RIGHT eye in every cut where he uses it. >> keeps black sails and the green skull mainsail in every appearance and stays VERY FAR AWAY the whole beat — naked-eye, she is only a tiny silhouette on the horizon, under 5% of the frame height in CUT 4; she never gets closer than the horizon line. After the reveal Eduardo keeps the spyglass LOWERED — he never raises it at the enemy ship; he speaks no line and makes no gesture — he simply stands looking at the distant ship, and the beat ends on that look; no cannons and no gunfire anywhere in this beat. Eduardo's head: mustard-yellow bandana with the small white shark tooth at the front, hair loose. In CUT 1 Eduardo moves only in the tiptoe scurry: heels off the deck, quick small steps, arms half-raised at chest height — fast and urgent the whole way. The macaw sits on Eduardo's LEFT shoulder continuously from its landing in CUT 1 through the end of the beat, clearly visible in CUTS 2 and 4. The spyglass is in the lookout's hands in CUT 2's first frame and in Eduardo's hands from then on. Same sun direction, same sea state, same wardrobe in every cut. Cuts only at the specified points.

Nawal

18,336 views • 1 month ago

‡ The Puma in the Sam F. Davis Stakes A three-year-old colt named The Puma made his debut at Gulfstream in a 7f. MSW race on January 10th. He raced up on the pace and held well to finish 2nd behind the Mott-trained first-starter Chief Wallabee, while 9 lengths clear of the 3rd-place finisher. It was a promising performance, and the colt recorded an 86 Beyer figure. He was entered in an 8.5f. MSW at Gulfstream on Saturday, and was listed as the 7/5 favorite. However, his connections chose to scratch the colt, and instead contest the 8.5f. Sam F. Davis Stakes at Tampa, against tougher company, and over a different track surface. Will it prove to have been the correct choice? Well, if providing short-term thrills for the owner(s) is the goal, then perhaps. But in terms of the development of the horse, I would say that the answer is probably not. It is possible that he will surprise me by running well, and improving further in subsequent races, without missing a beat. But I am partial to classical, old-school training methods, typically employed by the very best trainers, which include more gradual step-ups in class, and strong foundations, or "bottoms". To be fair, trainers these days are often under great pressure from their owners, especially with young colts, and they have much more limited options than those who trained back in the '70s and '80s. Charlie Whittingham raced Sunday Silence four times in MSW and Alw. races before placing his future HOF Champion into stakes company. The undefeated HOF filly Personal Ensign, undefeated through 13 starts, competed in just one stakes race through her first four starts for Shug McGaughey. Today, there are fewer options available, and particularly in the form of allowance races beyond sprint distances. This is partly due to the excessive number of restricted stakes races available to two and three-year-old runners, which has had the effect of displacing what were once more natural, less taxing, and ultimately beneficial developmental patterns. Of course there are horses that are able to overcome less than ideal development, but many others, often forgotten, fall by the wayside, either due to physical and/or mental setbacks that result from rushed programs. The breed-to-sell paradigm is a big catalyst, as is the fever that afflicts too many owners, namely KY Derby fever. *** In terms of stamina, The Puma's pedigree is encouraging, at least superficially, as his young sire, Essential Quality, was a Travers winner over 10f., and a Belmont winner over 12f., while his dam, Eve of War, won up to 9f. He is the first foal to race from his dam. But from what I can discern from the replays of of his race, and the available clips and images on the OBS site (he was a $150k purchase through last year's April sale), I'm not confident that he will ultimately stay much beyond a mile, and with just one race under his belt, the Sam F. Davis may prove to be a stiff challenge. My concerns revolve mainly around two characteristics, his action and body type. Though not as extreme as those which I have highlighted in previous posts, The Puma does display distorted action, as can be seen in the attached clip of the finish of his lone race. He is on the right (turquoise cap). There are distortions in both front legs, and such inefficient action can have the effect of limiting distance capabilities, especially with speed horses. The second characteristic is that he appears to be a strongly-made colt. If you watch the second clip, from his OBS walk video, you should be able to see that he appears to have a muscular shoulder, and a fairly wide chest. Taken together, The Puma's action and body type are more likely to be found in sprinters than "two-turn" horses, and as suggested above, I would be surprised if he were ultimately able to stay effectively over Classic distances. In terms of pedigree, The Puma should have no trouble with the 8.5f. distance of the Sam F. Davis. But given all of the above, and an honest pace, I'm of the opinion that he is unlikely to win. It will, in any case, be interesting to see how he fares, and how he develops over the coming months.
0:07

‡ The Puma in the Sam F. Davis Stakes A three-year-old colt named The Puma made his debut at Gulfstream in a 7f. MSW race on January 10th. He raced up on the pace and held well to finish 2nd behind the Mott-trained first-starter Chief Wallabee, while 9 lengths clear of the 3rd-place finisher. It was a promising performance, and the colt recorded an 86 Beyer figure. He was entered in an 8.5f. MSW at Gulfstream on Saturday, and was listed as the 7/5 favorite. However, his connections chose to scratch the colt, and instead contest the 8.5f. Sam F. Davis Stakes at Tampa, against tougher company, and over a different track surface. Will it prove to have been the correct choice? Well, if providing short-term thrills for the owner(s) is the goal, then perhaps. But in terms of the development of the horse, I would say that the answer is probably not. It is possible that he will surprise me by running well, and improving further in subsequent races, without missing a beat. But I am partial to classical, old-school training methods, typically employed by the very best trainers, which include more gradual step-ups in class, and strong foundations, or "bottoms". To be fair, trainers these days are often under great pressure from their owners, especially with young colts, and they have much more limited options than those who trained back in the '70s and '80s. Charlie Whittingham raced Sunday Silence four times in MSW and Alw. races before placing his future HOF Champion into stakes company. The undefeated HOF filly Personal Ensign, undefeated through 13 starts, competed in just one stakes race through her first four starts for Shug McGaughey. Today, there are fewer options available, and particularly in the form of allowance races beyond sprint distances. This is partly due to the excessive number of restricted stakes races available to two and three-year-old runners, which has had the effect of displacing what were once more natural, less taxing, and ultimately beneficial developmental patterns. Of course there are horses that are able to overcome less than ideal development, but many others, often forgotten, fall by the wayside, either due to physical and/or mental setbacks that result from rushed programs. The breed-to-sell paradigm is a big catalyst, as is the fever that afflicts too many owners, namely KY Derby fever. *** In terms of stamina, The Puma's pedigree is encouraging, at least superficially, as his young sire, Essential Quality, was a Travers winner over 10f., and a Belmont winner over 12f., while his dam, Eve of War, won up to 9f. He is the first foal to race from his dam. But from what I can discern from the replays of of his race, and the available clips and images on the OBS site (he was a $150k purchase through last year's April sale), I'm not confident that he will ultimately stay much beyond a mile, and with just one race under his belt, the Sam F. Davis may prove to be a stiff challenge. My concerns revolve mainly around two characteristics, his action and body type. Though not as extreme as those which I have highlighted in previous posts, The Puma does display distorted action, as can be seen in the attached clip of the finish of his lone race. He is on the right (turquoise cap). There are distortions in both front legs, and such inefficient action can have the effect of limiting distance capabilities, especially with speed horses. The second characteristic is that he appears to be a strongly-made colt. If you watch the second clip, from his OBS walk video, you should be able to see that he appears to have a muscular shoulder, and a fairly wide chest. Taken together, The Puma's action and body type are more likely to be found in sprinters than "two-turn" horses, and as suggested above, I would be surprised if he were ultimately able to stay effectively over Classic distances. In terms of pedigree, The Puma should have no trouble with the 8.5f. distance of the Sam F. Davis. But given all of the above, and an honest pace, I'm of the opinion that he is unlikely to win. It will, in any case, be interesting to see how he fares, and how he develops over the coming months.

Tinky

13,182 views • 6 months ago

I watched Elon Musk’s interview with The Economist and heard him claim 250,000 girls were systematically raped by grooming gangs in the UK. It sounded too monstrous to be real, so I did what I always do. I went to check the receipts myself. It is worse than the number. A warning first. If this kind of thing enrages you, if you have children, if you do not have the stomach for it today, stop reading here. You do not have to carry it. The 250,000 figure is not a documented count. It is an extrapolation scaled up from local cases. Here is the hard truth though: it might be accurate, and it might even be low. Nobody can say, because there has never been a full national audit or an investigation of every town. The number is unproven precisely because the country has refused to go looking for it. That refusal is its own answer. Here is what the government’s investigations did find. The 2014 Jay Report: in Rotherham alone, at least 1,400 children sexually exploited over sixteen years, and that was the conservative estimate. Baroness Casey’s 2025 national audit confirmed the same pattern across Rochdale, Oxford, Oldham, Telford. Nearly 19,000 children flagged as exploitation victims in England in a single year. The Met is re-examining 9,000 cases. No one knows the true total, because for decades the people paid to count deliberately did not. Both reports found the convicted offenders in these networks were Pakistani Muslim men. And officials avoided recording that fact out of fear of being called racist. Let that land. They stayed silent about who was doing it because they feared an accusation more than they feared the abuse. Girls as young as eleven were written off as troubled teenagers making lifestyle choices. The system did not fail to see it. It chose not to look. Then the punishment. Some got what Britain calls serious sentences. Shabir Ahmed, the Rochdale ringleader, 22 years for 30 counts of child rape. Others 35. In much of America a single count could mean life. There, 30 counts draws 22 years, and then they let you out early. Ahmed served 14 years and walked free this July, shielded from the deportation his victims were promised by a 1971 immigration loophole. Several offenders held dual British-Pakistani citizenship, which is exactly why removal was promised and exactly why the failure to deliver it is so damning. Qari Abdul Rauf served two and a half years of six and is still in Rochdale, seen shopping in the town where he abused children. Adil Khan, who impregnated a 13-year-old, called his case racist and a laughing matter in court and argued he should stay because his son needs a role model. And the coldest part. For years the trouble was not the abuse. It was talking about it. Britain’s speech laws have only tightened since, with people jailed over social media posts, one woman handed 31 months for a single tweet. A nation that struggled for a decade to jail child rapists moves overnight to jail citizens for the wrong words online. That is the whole sickness. Rape a child and you may serve half a soft sentence and stroll home. Post the wrong thing about it and the state finds its spine. So make the sentences serious and mean it. Deport who can be deported. Protect the people exposing this, not the institutions that buried it. And count them. Every town, every case, no matter what the number turns out to be. Failed by their abusers, the councils, the police, the courts, and a state more offended by a tweet than by their suffering. Every betrayal preventable. These are children. Say it out loud, whatever it costs, because the silence is what let it happen. Thank you, Elon, for the reminder that when something sounds too awful to be true, the only responsible thing is to go check the receipts yourself. The number was unproven. What sat underneath it was worse. - Selene Mariposa
0:10

I watched Elon Musk’s interview with The Economist and heard him claim 250,000 girls were systematically raped by grooming gangs in the UK. It sounded too monstrous to be real, so I did what I always do. I went to check the receipts myself. It is worse than the number. A warning first. If this kind of thing enrages you, if you have children, if you do not have the stomach for it today, stop reading here. You do not have to carry it. The 250,000 figure is not a documented count. It is an extrapolation scaled up from local cases. Here is the hard truth though: it might be accurate, and it might even be low. Nobody can say, because there has never been a full national audit or an investigation of every town. The number is unproven precisely because the country has refused to go looking for it. That refusal is its own answer. Here is what the government’s investigations did find. The 2014 Jay Report: in Rotherham alone, at least 1,400 children sexually exploited over sixteen years, and that was the conservative estimate. Baroness Casey’s 2025 national audit confirmed the same pattern across Rochdale, Oxford, Oldham, Telford. Nearly 19,000 children flagged as exploitation victims in England in a single year. The Met is re-examining 9,000 cases. No one knows the true total, because for decades the people paid to count deliberately did not. Both reports found the convicted offenders in these networks were Pakistani Muslim men. And officials avoided recording that fact out of fear of being called racist. Let that land. They stayed silent about who was doing it because they feared an accusation more than they feared the abuse. Girls as young as eleven were written off as troubled teenagers making lifestyle choices. The system did not fail to see it. It chose not to look. Then the punishment. Some got what Britain calls serious sentences. Shabir Ahmed, the Rochdale ringleader, 22 years for 30 counts of child rape. Others 35. In much of America a single count could mean life. There, 30 counts draws 22 years, and then they let you out early. Ahmed served 14 years and walked free this July, shielded from the deportation his victims were promised by a 1971 immigration loophole. Several offenders held dual British-Pakistani citizenship, which is exactly why removal was promised and exactly why the failure to deliver it is so damning. Qari Abdul Rauf served two and a half years of six and is still in Rochdale, seen shopping in the town where he abused children. Adil Khan, who impregnated a 13-year-old, called his case racist and a laughing matter in court and argued he should stay because his son needs a role model. And the coldest part. For years the trouble was not the abuse. It was talking about it. Britain’s speech laws have only tightened since, with people jailed over social media posts, one woman handed 31 months for a single tweet. A nation that struggled for a decade to jail child rapists moves overnight to jail citizens for the wrong words online. That is the whole sickness. Rape a child and you may serve half a soft sentence and stroll home. Post the wrong thing about it and the state finds its spine. So make the sentences serious and mean it. Deport who can be deported. Protect the people exposing this, not the institutions that buried it. And count them. Every town, every case, no matter what the number turns out to be. Failed by their abusers, the councils, the police, the courts, and a state more offended by a tweet than by their suffering. Every betrayal preventable. These are children. Say it out loud, whatever it costs, because the silence is what let it happen. Thank you, Elon, for the reminder that when something sounds too awful to be true, the only responsible thing is to go check the receipts yourself. The number was unproven. What sat underneath it was worse. - Selene Mariposa

Imtiaz Mahmood

72,874 views • 27 days ago