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Utsubo created a digital installation for JR West, Japan's largest railway company, transforming employee messages into an evolving 3D city. Built with #threejs and #webgpu. Direction: Interbrand Japan Content Direction: Yukiya Okuda (the Guild) Design, 3D & Development: Utsubo

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Utsubo

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10,398 просмотров • 10 месяцев назад •via X (Twitter)

#threejs#webgpu
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We did it again 🙌 We challenge ourselves for the second time to make the 2023 digital edition of ‘365, A year of Cartier’. Our mission was to breathe life into their Yearbook, transforming it into an engaging digital journey that highlight their content. A fusion of ingenuity, 3D elements, Motion design and creative coding. 6 immersive experiences built by a great team of designers and developers. The Result : More than 30 articles across 6 main chapters available in 3 languages (French, English and Chinese). Make sure to dive into the ‘Highlights’ section to not miss the interactive articles.
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We did it again 🙌 We challenge ourselves for the second time to make the 2023 digital edition of ‘365, A year of Cartier’. Our mission was to breathe life into their Yearbook, transforming it into an engaging digital journey that highlight their content. A fusion of ingenuity, 3D elements, Motion design and creative coding. 6 immersive experiences built by a great team of designers and developers. The Result : More than 30 articles across 6 main chapters available in 3 languages (French, English and Chinese). Make sure to dive into the ‘Highlights’ section to not miss the interactive articles.

Hervé Studio

17,432 просмотров • 2 лет назад

Another city. Another full 3D Gaussian Splat reconstruction. This entire neighborhood was captured while walking with an Insta360 X5, then processed with our GPU pipeline and transformed into a high-fidelity, machine-readable 3D environment with Over the Reality. What you’re seeing is not an isolated virtual world. It’s a 3D digital twin of a real-world location, built from structured spatial data where every building, street, and detail can become usable by AI, robotics, and XR. And it’s happening at scale, across cities in more than 180 countries every day. Have an Insta360 X5 and want to become a mapper? Apply here: Want to build a 3D Gaussian Splat from a video you already recorded? Do it for free at powered by Over the Reality.
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Another city. Another full 3D Gaussian Splat reconstruction. This entire neighborhood was captured while walking with an Insta360 X5, then processed with our GPU pipeline and transformed into a high-fidelity, machine-readable 3D environment with Over the Reality. What you’re seeing is not an isolated virtual world. It’s a 3D digital twin of a real-world location, built from structured spatial data where every building, street, and detail can become usable by AI, robotics, and XR. And it’s happening at scale, across cities in more than 180 countries every day. Have an Insta360 X5 and want to become a mapper? Apply here: Want to build a 3D Gaussian Splat from a video you already recorded? Do it for free at powered by Over the Reality.

Over the Reality 🌐

400,269 просмотров • 4 месяцев назад

🚀 I'm launching r3f-webgpu-perf today! "npm i r3f-webgpu-perf" One thing I missed while working with WebGPU in React Three Fiber was a performance monitor similar to r3f-perf. The existing tool is fantastic, but it doesn’t support the WebGPU renderer yet. So I decided to build one. ✅ Supports both WebGL and WebGPU ✅ Modern and customizable UI ✅ Lightweight and easy to integrate ✅ Built specifically for React Three Fiber My goal is to turn r3f-webgpu-perf into more than just a metrics dashboard. I want it to become a learning tool that provides real-time optimization suggestions based on the techniques I’ve developed while building hundreds of interactive 3D projects over the last two decades. A vanilla Three.js version is also planned. If you’re building with Three.js, React Three Fiber, or WebGPU, I’d love for you to try it and share your feedback. ⭐ GitHub: 📦 NPM: Every GitHub star helps make the tool better for the entire community. #threejs #creativecoding #webgpu #r3f
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🚀 I'm launching r3f-webgpu-perf today! "npm i r3f-webgpu-perf" One thing I missed while working with WebGPU in React Three Fiber was a performance monitor similar to r3f-perf. The existing tool is fantastic, but it doesn’t support the WebGPU renderer yet. So I decided to build one. ✅ Supports both WebGL and WebGPU ✅ Modern and customizable UI ✅ Lightweight and easy to integrate ✅ Built specifically for React Three Fiber My goal is to turn r3f-webgpu-perf into more than just a metrics dashboard. I want it to become a learning tool that provides real-time optimization suggestions based on the techniques I’ve developed while building hundreds of interactive 3D projects over the last two decades. A vanilla Three.js version is also planned. If you’re building with Three.js, React Three Fiber, or WebGPU, I’d love for you to try it and share your feedback. ⭐ GitHub: 📦 NPM: Every GitHub star helps make the tool better for the entire community. #threejs #creativecoding #webgpu #r3f

Anderson Mancini

24,267 просмотров • 3 месяцев назад

We're thrilled to release & open-source Hunyuan3D World Model 1.0! This model enables you to generate immersive, explorable, and interactive 3D worlds from just a sentence or an image. It's the industry's first open-source 3D world generation model, compatible with CG pipelines for full editability & simulation. Set to transform game development, VR, digital content creation and so on. Get started now👇🏻 Project Page： Try it now： Github： Hugging Face：
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We're thrilled to release & open-source Hunyuan3D World Model 1.0! This model enables you to generate immersive, explorable, and interactive 3D worlds from just a sentence or an image. It's the industry's first open-source 3D world generation model, compatible with CG pipelines for full editability & simulation. Set to transform game development, VR, digital content creation and so on. Get started now👇🏻 Project Page： Try it now： Github： Hugging Face：

Tencent Hy

1,230,944 просмотров • 1 год назад

🚀✨ A Year of 3D Development! AI Solutions for Fashion ✨🚀 Reflecting on an incredible year of intensive 3D development – a journey where innovation met determination. Back in the day, we navigated the challenges without the aid of AI solutions to craft cutting-edge fashion 3D assets. But guess what? Fast forward to now, and the game has completely changed! 🌐👗 Today, with the power of AI solutions at our fingertips, the process of creating fashion assets has skyrocketed in efficiency, clocking in at a jaw-dropping 10 times faster! 🚀💨 The marriage of creativity and artificial intelligence has truly revolutionized our approach, bringing forth a new era in 3D design. As we celebrate this milestone, we can't help but look ahead to the future. Just like the highly anticipated release of GTA 6 in 2025, Avatly is gearing up to set the pace for what's next. ⚡️🎮 Our commitment to innovation knows no bounds, and we're determined to outpace expectations, ensuring that Avatly stands as a trailblazer in the evolving landscape of 3D development. Join us on this thrilling journey where technology and creativity converge, propelling us into a future where the possibilities are as endless as our imagination! === BUY AVA TOKEN === 💎Bitmart: 💎Pancakeswap:
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🚀✨ A Year of 3D Development! AI Solutions for Fashion ✨🚀 Reflecting on an incredible year of intensive 3D development – a journey where innovation met determination. Back in the day, we navigated the challenges without the aid of AI solutions to craft cutting-edge fashion 3D assets. But guess what? Fast forward to now, and the game has completely changed! 🌐👗 Today, with the power of AI solutions at our fingertips, the process of creating fashion assets has skyrocketed in efficiency, clocking in at a jaw-dropping 10 times faster! 🚀💨 The marriage of creativity and artificial intelligence has truly revolutionized our approach, bringing forth a new era in 3D design. As we celebrate this milestone, we can't help but look ahead to the future. Just like the highly anticipated release of GTA 6 in 2025, Avatly is gearing up to set the pace for what's next. ⚡️🎮 Our commitment to innovation knows no bounds, and we're determined to outpace expectations, ensuring that Avatly stands as a trailblazer in the evolving landscape of 3D development. Join us on this thrilling journey where technology and creativity converge, propelling us into a future where the possibilities are as endless as our imagination! === BUY AVA TOKEN === 💎Bitmart: 💎Pancakeswap:

Avatly 💎

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🚨 AN INFLUENCER WALKED ONTO AN ART BASEL EXHIBIT LIKE IT WAS A PUBLIC POOL - AND NOW THOUSANDS ARE STUCK WITH 24/7 SECURITY, LONG LINES, AND RESTRICTED ACCESS He stepped into the water, crossed the installation, and filmed a staged “returning the book” moment as if the exhibit was his set. That clip forced the Faena Hotel installation to add nonstop security, tighten entry rules, and control crowds - transforming one of Miami Art Basel’s most popular displays into an hours-long wait. An entire city’s experience shifted because one person needed content. Are influencers completely out of control, or is this what happens when everything is built for social media first?
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🚨 AN INFLUENCER WALKED ONTO AN ART BASEL EXHIBIT LIKE IT WAS A PUBLIC POOL - AND NOW THOUSANDS ARE STUCK WITH 24/7 SECURITY, LONG LINES, AND RESTRICTED ACCESS He stepped into the water, crossed the installation, and filmed a staged “returning the book” moment as if the exhibit was his set. That clip forced the Faena Hotel installation to add nonstop security, tighten entry rules, and control crowds - transforming one of Miami Art Basel’s most popular displays into an hours-long wait. An entire city’s experience shifted because one person needed content. Are influencers completely out of control, or is this what happens when everything is built for social media first?

HustleBitch

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A 10-minute walk. That's all it takes to transform a real-world neighborhood into a machine-readable digital twin. Captured with an Insta360 X5 and reconstructed by Over the Reality, this environment is no longer just a place on a map. It's spatial data that can power Visual AI, Robotics localization, VPS, XR experiences, and next-generation world models. Today, the OVER community has already created more than 270,000 machine-readable locations like this, forming one of the world's largest 3D datasets for Physical AI, an increasingly valuable asset as demand for high quality real-world data continues to grow.
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A 10-minute walk. That's all it takes to transform a real-world neighborhood into a machine-readable digital twin. Captured with an Insta360 X5 and reconstructed by Over the Reality, this environment is no longer just a place on a map. It's spatial data that can power Visual AI, Robotics localization, VPS, XR experiences, and next-generation world models. Today, the OVER community has already created more than 270,000 machine-readable locations like this, forming one of the world's largest 3D datasets for Physical AI, an increasingly valuable asset as demand for high quality real-world data continues to grow.

Over the Reality 🌐

16,816 просмотров • 2 месяцев назад

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⚡️ Digital content creation often requires expensive equipment and expertise, making it inaccessible for many. AI Nexus solves this by offering an AI-powered platform that simplifies the process, integrating multiple creative tools in a single mobile app. Creators can design virtual worlds, digital avatars, and 3D objects, while monetizing their work through the A1X token and Web3 features. Ready to bring your ideas to life with ease? What worlds would you create with AI Nexus? [Brought to you by AI Nexus]

Cointelegraph

45,352 просмотров • 1 год назад

AR GenAI by AR Code is transforming the food industry. Creating an AR experience for a dish can now start with a single photo. As shown in the video, a single dessert photo is converted into an AR-ready 3D model with realistic textures and depth. AR Code SaaS then instantly generates an AR QR Code to share the experience anywhere. Customers can launch it immediately with a quick QR Code scan. No app required. Photo → AI 3D generation → AR QR Code → Instant WebAR What once required specialized software, costly workflows, and advanced 3D skills is now becoming accessible in minutes. This is reshaping how restaurants and food brands create, publish, and distribute immersive content at scale. Learn more: Follow AR Code for updates. #ARGenAI #ARCode #FoodTech #RestaurantTech #ImageTo3D #ImageToAR #GenerativeAI #GenAI #AI3D #AI #3DFromImage #WebAR
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AR GenAI by AR Code is transforming the food industry. Creating an AR experience for a dish can now start with a single photo. As shown in the video, a single dessert photo is converted into an AR-ready 3D model with realistic textures and depth. AR Code SaaS then instantly generates an AR QR Code to share the experience anywhere. Customers can launch it immediately with a quick QR Code scan. No app required. Photo → AI 3D generation → AR QR Code → Instant WebAR What once required specialized software, costly workflows, and advanced 3D skills is now becoming accessible in minutes. This is reshaping how restaurants and food brands create, publish, and distribute immersive content at scale. Learn more: Follow AR Code for updates. #ARGenAI #ARCode #FoodTech #RestaurantTech #ImageTo3D #ImageToAR #GenerativeAI #GenAI #AI3D #AI #3DFromImage #WebAR

Maxime Maisonneuve

21,170 просмотров • 7 месяцев назад

Why do we still buy stadium tickets without ever seeing what the view from the seat actually looks like? ☠️ So I prototyped an idea. A 3D seat view experience for a football stadium built with Fable 5 + Three.js, where you can preview exactly what you'll see from your seat before buying. The entire 3D experience was working after the first prompt, and the whole prototype came together in just five prompts. This is the kind of 3D experience I'd love to see more of, tbh. Feels so good. Right now, buying a ticket gives you almost no sense of what the experience will actually feel like. We're still relying on static seat maps, charts, and boring UI layouts, when interactive 3D experiences could make that decision so much easier. If you think, 3D development has the potential to create genuinely useful experiences. This feels like the direction we should be heading. 3D is the future. I can already imagine this for cinemas, cricket stadiums, Wimbledon, concerts, and so many other venues. I'm planning to take this further. What should I build next? More stadium features, or should I try another venue? Let me know :D Code: Live:
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Why do we still buy stadium tickets without ever seeing what the view from the seat actually looks like? ☠️ So I prototyped an idea. A 3D seat view experience for a football stadium built with Fable 5 + Three.js, where you can preview exactly what you'll see from your seat before buying. The entire 3D experience was working after the first prompt, and the whole prototype came together in just five prompts. This is the kind of 3D experience I'd love to see more of, tbh. Feels so good. Right now, buying a ticket gives you almost no sense of what the experience will actually feel like. We're still relying on static seat maps, charts, and boring UI layouts, when interactive 3D experiences could make that decision so much easier. If you think, 3D development has the potential to create genuinely useful experiences. This feels like the direction we should be heading. 3D is the future. I can already imagine this for cinemas, cricket stadiums, Wimbledon, concerts, and so many other venues. I'm planning to take this further. What should I build next? More stadium features, or should I try another venue? Let me know :D Code: Live:

The Bugged Dev

1,806,616 просмотров • 2 месяцев назад

Most people use AI tools separately. Arcads lets you integrate them into a creation system. I created a complete node-based workflow for my short film: What I still control: • writing • character design • art direction What Arcads does: • connects all the elements • structures the pipeline • ensures consistency using the best AI tools and models for generating text, images, and video Here's the difference between: → content generation → creating a production workflow Arcads offers an AI agent to automate a large part of the process. This changes the speed of creation.
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Most people use AI tools separately. Arcads lets you integrate them into a creation system. I created a complete node-based workflow for my short film: What I still control: • writing • character design • art direction What Arcads does: • connects all the elements • structures the pipeline • ensures consistency using the best AI tools and models for generating text, images, and video Here's the difference between: → content generation → creating a production workflow Arcads offers an AI agent to automate a large part of the process. This changes the speed of creation.

Anima

29,450 просмотров • 4 месяцев назад

The time has finally come! After months of hard work, the Three.js Roadmap beta is now LIVE! 🙌🏻 👉🏻 If you're interested in learning 3D web development but are on a tight budget💰, my courses are perfect for you! I've launched the site with four short courses: ✅ Introduction to Three.js (FREE) ✅ 3D Math Fundamentals ✅ Creating a Debug UI ✅ Lighting and Shadows Purchasing a paid course will also gain you access to the Three.js Roadmap Discord server where you can ask questions and chat with other developers. For the next few weeks I'll be focusing on polish and stability for the site, and then I will go into full content-creation mode and start pumping out new courses! Looking forward to seeing what we build together! 🔨 #threejs #webgl #gamedev
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The time has finally come! After months of hard work, the Three.js Roadmap beta is now LIVE! 🙌🏻 👉🏻 If you're interested in learning 3D web development but are on a tight budget💰, my courses are perfect for you! I've launched the site with four short courses: ✅ Introduction to Three.js (FREE) ✅ 3D Math Fundamentals ✅ Creating a Debug UI ✅ Lighting and Shadows Purchasing a paid course will also gain you access to the Three.js Roadmap Discord server where you can ask questions and chat with other developers. For the next few weeks I'll be focusing on polish and stability for the site, and then I will go into full content-creation mode and start pumping out new courses! Looking forward to seeing what we build together! 🔨 #threejs #webgl #gamedev

Dan Greenheck

21,309 просмотров • 1 год назад

I took Karpathy’s experiment and pushed it into Star Wars. I gave Opus 5 Max the opening scene of A New Hope, it formulated and made every single Star Wars SVG, and recreated the entire sequence in Three.js as LEGO. (Including all editing, voices, etc) It worked for 8 hours and actually completed the full opening scene. For me, this represents a far more artful and aesthetically coherent direction for AI filmmaking than end to end diffusion. By 2029, I expect a proliferation of short form fan films created by pairing models like these with Blender and other 3D rendering software.
5:06

I took Karpathy’s experiment and pushed it into Star Wars. I gave Opus 5 Max the opening scene of A New Hope, it formulated and made every single Star Wars SVG, and recreated the entire sequence in Three.js as LEGO. (Including all editing, voices, etc) It worked for 8 hours and actually completed the full opening scene. For me, this represents a far more artful and aesthetically coherent direction for AI filmmaking than end to end diffusion. By 2029, I expect a proliferation of short form fan films created by pairing models like these with Blender and other 3D rendering software.

Chris

89,926 просмотров • 1 месяц назад

Only if education could be this interactive ❤️‍🔥 I've had a looong wish to build something genuinely useful through vibe coding, and I finally did it. A 3D human anatomy application built with Three.js using GPT 5.6 Sol. It all started with a single design image that I created using GPT Image 2.0. I then used it to generate every 3D organ image, one by one. Next, I converted each of those images into 3D models using Tripo (and no, they didn't sponsor this 😄). After that, I opened Codex, wrote a master prompt based on the design, and gave it the prompt, the design image, and all the 3D models. Codex built the first version beautifully, but there was one big problem. Every single 3D model was nearly 120-150 MB. That obviously wasn't practical for the web and was giving a performance of 16fps. After a few iterations, Codex optimized each model down to roughly 2–5.5 MB while preserving the visual quality, reducing the total asset size from ~900 MB to just 28.6 MB. And each model loads on demand. Along the way, Codex also generated those anatomical illustrations showing where each organ sits in the human body, and even created the interactive hotspot markers that explain different parts of every organ. It handled all of that. The process wasn't exactly one shot, but it also wasn't difficult. You just have to do it step by step. It genuinely felt like building something that could make learning anatomy much more engaging. The inspiration came from Dilum Sanjaya's 3D animal plant cell project. I remember seeing it and thinking, "I want to build something like this one day." And I did it :D Live: Code:
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Only if education could be this interactive ❤️‍🔥 I've had a looong wish to build something genuinely useful through vibe coding, and I finally did it. A 3D human anatomy application built with Three.js using GPT 5.6 Sol. It all started with a single design image that I created using GPT Image 2.0. I then used it to generate every 3D organ image, one by one. Next, I converted each of those images into 3D models using Tripo (and no, they didn't sponsor this 😄). After that, I opened Codex, wrote a master prompt based on the design, and gave it the prompt, the design image, and all the 3D models. Codex built the first version beautifully, but there was one big problem. Every single 3D model was nearly 120-150 MB. That obviously wasn't practical for the web and was giving a performance of 16fps. After a few iterations, Codex optimized each model down to roughly 2–5.5 MB while preserving the visual quality, reducing the total asset size from ~900 MB to just 28.6 MB. And each model loads on demand. Along the way, Codex also generated those anatomical illustrations showing where each organ sits in the human body, and even created the interactive hotspot markers that explain different parts of every organ. It handled all of that. The process wasn't exactly one shot, but it also wasn't difficult. You just have to do it step by step. It genuinely felt like building something that could make learning anatomy much more engaging. The inspiration came from Dilum Sanjaya's 3D animal plant cell project. I remember seeing it and thinking, "I want to build something like this one day." And I did it :D Live: Code:

The Bugged Dev

2,100,381 просмотров • 1 месяц назад

great to see more people generating 3d avatars with our new text-to-3d feature in forge. this marks a step in the right direction in putting powerful creation tools directly in the hands of everyone. we built forge entirely from the ground up over the past months as one of the key releases on our roadmap. having full proprietary ownership of the technology gives us complete control to shape its direction without depending on external platforms or third-party licenses. building on this foundation, our upcoming studio feature will let users generate high-quality accessories, clothing, and environments simply by typing natural language prompts. a single description can produce fully textured, production-ready 3d assets in seconds, with options to create multiple variations and refine them through follow-up instructions.every asset created in studio integrates seamlessly with the 3d ai agents made in forge on users can instantly apply clothing and accessories with automatic fitting, layer multiple items, and place their agents inside custom-generated environments. all clothing and accessories come pre-rigged and optimized, while environments include proper lighting and geometry for immediate use in games, animation, virtual worlds, and more. we have spent months thoughtfully designing how can deliver real, sustainable value back to the community. we will continue to share more details on token utility use cases and the economic flywheel we have built. the goal is to create a self-reinforcing system where creators earn through royalties, autonomous agents drive on-chain activity, and platform growth directly benefits active community members and token holders. together, these features enable a complete creative flow. from a simple idea, anyone can quickly build fully realized 3d ai agents standing in rich, custom scenes. we are excited to see what the community builds next.
0:24

great to see more people generating 3d avatars with our new text-to-3d feature in forge. this marks a step in the right direction in putting powerful creation tools directly in the hands of everyone. we built forge entirely from the ground up over the past months as one of the key releases on our roadmap. having full proprietary ownership of the technology gives us complete control to shape its direction without depending on external platforms or third-party licenses. building on this foundation, our upcoming studio feature will let users generate high-quality accessories, clothing, and environments simply by typing natural language prompts. a single description can produce fully textured, production-ready 3d assets in seconds, with options to create multiple variations and refine them through follow-up instructions.every asset created in studio integrates seamlessly with the 3d ai agents made in forge on users can instantly apply clothing and accessories with automatic fitting, layer multiple items, and place their agents inside custom-generated environments. all clothing and accessories come pre-rigged and optimized, while environments include proper lighting and geometry for immediate use in games, animation, virtual worlds, and more. we have spent months thoughtfully designing how can deliver real, sustainable value back to the community. we will continue to share more details on token utility use cases and the economic flywheel we have built. the goal is to create a self-reinforcing system where creators earn through royalties, autonomous agents drive on-chain activity, and platform growth directly benefits active community members and token holders. together, these features enable a complete creative flow. from a simple idea, anyone can quickly build fully realized 3d ai agents standing in rich, custom scenes. we are excited to see what the community builds next.

nich

19,611 просмотров • 3 месяцев назад

The AR GenAI solution available on AR Code SaaS continues to demonstrate how fast immersive AR content can now be created from a single image. In this new demo, a contemporary art statuette is captured with a single photo, then instantly transformed into a fully optimized 3D model ready for augmented reality display. As shown in the video, the generated 3D artwork is automatically published through an AR QR Code, allowing anyone to launch the experience instantly in augmented reality directly from their smartphone. No app required. This example highlights a powerful capability of AR GenAI by AR Code: artworks can now be easily digitized and transformed into interactive AR experiences starting from just one photo. For contemporary art galleries, museums, cultural institutions, artists, and art marketplaces, this opens a new path to quickly create scalable 3D collections and immersive exhibitions. Object Photo → AI 3D generation → AR QR Code → Instant WebAR What previously required complex 3D scanning setups, photogrammetry pipelines, or specialized expertise can now be achieved in minutes. AR GenAI makes it possible to digitize artworks, publish AR experiences, and scale immersive cultural content faster than ever. Learn more: Follow AR Code for updates. #ARGenAI #ARCode #ImageTo3D #ImageToAR #WebAR #AugmentedReality #DigitalArt #Museums #ArtTech
0:32

The AR GenAI solution available on AR Code SaaS continues to demonstrate how fast immersive AR content can now be created from a single image. In this new demo, a contemporary art statuette is captured with a single photo, then instantly transformed into a fully optimized 3D model ready for augmented reality display. As shown in the video, the generated 3D artwork is automatically published through an AR QR Code, allowing anyone to launch the experience instantly in augmented reality directly from their smartphone. No app required. This example highlights a powerful capability of AR GenAI by AR Code: artworks can now be easily digitized and transformed into interactive AR experiences starting from just one photo. For contemporary art galleries, museums, cultural institutions, artists, and art marketplaces, this opens a new path to quickly create scalable 3D collections and immersive exhibitions. Object Photo → AI 3D generation → AR QR Code → Instant WebAR What previously required complex 3D scanning setups, photogrammetry pipelines, or specialized expertise can now be achieved in minutes. AR GenAI makes it possible to digitize artworks, publish AR experiences, and scale immersive cultural content faster than ever. Learn more: Follow AR Code for updates. #ARGenAI #ARCode #ImageTo3D #ImageToAR #WebAR #AugmentedReality #DigitalArt #Museums #ArtTech

Maxime Maisonneuve

19,003 просмотров • 6 месяцев назад

Born in a small town in Belgium. Studied computer graphics. Started in games as a 3D artist intern. Graduated with honors. Taught myself digital painting. Then taught it to others, before YouTube was even a thing. Started as a Flash animator. Moved into web design. Became Creative Director at 24. Became partner in a digital studio. Co-founded a graphic design collective. Won design competitions. Built a second-hand clothing startup that gained traction. Became partner in a new studio in Belgium. Opened an office in Chicago. Then Paris. Then Amsterdam. Helped grow it into one of the most awarded studios in the industry. Designed permanent interactive installations seen by millions every year (including one at Navy Pier in Chicago). Became CEO. Led the studio through acquisition. Spoke about design and culture in Tokyo, New York, Barcelona, and beyond. Exhibited work around the world. Sold AI-assisted art at Sotheby’s. Dove into GenAI. Released Kitsune. Opened a new door. Now working in film. Signed with Google Labs as Filmmaker in Residence. ⸻ I’ve been a Flash animator, a web designer, a developer, a 3D generalist, a character modeler, a digital painter, a teacher, a producer, a business developer, a CEO, a head of design… …and I’m still figuring things out. Don’t let where you’re born dictate what’s possible for your life. And don’t let people who know nothing about you, your path, or your work call you talentless or tell you to “pick up a pencil” because you’re using AI. You know who you are.
0:30

Born in a small town in Belgium. Studied computer graphics. Started in games as a 3D artist intern. Graduated with honors. Taught myself digital painting. Then taught it to others, before YouTube was even a thing. Started as a Flash animator. Moved into web design. Became Creative Director at 24. Became partner in a digital studio. Co-founded a graphic design collective. Won design competitions. Built a second-hand clothing startup that gained traction. Became partner in a new studio in Belgium. Opened an office in Chicago. Then Paris. Then Amsterdam. Helped grow it into one of the most awarded studios in the industry. Designed permanent interactive installations seen by millions every year (including one at Navy Pier in Chicago). Became CEO. Led the studio through acquisition. Spoke about design and culture in Tokyo, New York, Barcelona, and beyond. Exhibited work around the world. Sold AI-assisted art at Sotheby’s. Dove into GenAI. Released Kitsune. Opened a new door. Now working in film. Signed with Google Labs as Filmmaker in Residence. ⸻ I’ve been a Flash animator, a web designer, a developer, a 3D generalist, a character modeler, a digital painter, a teacher, a producer, a business developer, a CEO, a head of design… …and I’m still figuring things out. Don’t let where you’re born dictate what’s possible for your life. And don’t let people who know nothing about you, your path, or your work call you talentless or tell you to “pick up a pencil” because you’re using AI. You know who you are.

Henry Daubrez 🌸💀

13,694 просмотров • 5 месяцев назад

Astra is an incredible world builder and explorer, and can invent its own scientific instruments - crossing a game-changing threshold: it turned a few images of a biological microstructure into a full-blown metamaterials lab, then used its own creation to discover a design with ~2.1x the reference work-to-failure/peak-strength ratio. Metamaterials are some of the most complex materials we can engineer. Their properties come from deep architectural complexity - struts, cells, disorder, and hierarchy arranged across multiple length scales determine how the material deforms, absorbs energy, and fails. Designing them means searching a geometric space far too large for "intuition" alone. In this experiment we handed an AI agent that entire problem end-to-end, from image, to simulating the physics, to fabrication-ready geometry. We started with an image of hierarchical, biological architecture; Astra then built a complete 3D metamaterial studio: editable geometries, multiple levels of hierarchy, disorder, gradients, a complete physics simulator featuring linear and nonlinear material responses, deformation and fracture experiments (with replay), and STL export for 3D printing. Then we asked the agent to use the app it created to search for a high work-to-failure/peak-strength ratio. Among the candidates, the leading design reached approximately 2.1x the reference ratio. The movie follows the structures through deformation and fracture, connects their designs to the property map, and shows the finalist assembled geometrically into a connected multi-scale material. Image ➡️ executable world ➡️ experiments ➡️ design search ➡️ candidate discovery ➡️ geometry for fabrication ➡️ manufacturing
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Astra is an incredible world builder and explorer, and can invent its own scientific instruments - crossing a game-changing threshold: it turned a few images of a biological microstructure into a full-blown metamaterials lab, then used its own creation to discover a design with ~2.1x the reference work-to-failure/peak-strength ratio. Metamaterials are some of the most complex materials we can engineer. Their properties come from deep architectural complexity - struts, cells, disorder, and hierarchy arranged across multiple length scales determine how the material deforms, absorbs energy, and fails. Designing them means searching a geometric space far too large for "intuition" alone. In this experiment we handed an AI agent that entire problem end-to-end, from image, to simulating the physics, to fabrication-ready geometry. We started with an image of hierarchical, biological architecture; Astra then built a complete 3D metamaterial studio: editable geometries, multiple levels of hierarchy, disorder, gradients, a complete physics simulator featuring linear and nonlinear material responses, deformation and fracture experiments (with replay), and STL export for 3D printing. Then we asked the agent to use the app it created to search for a high work-to-failure/peak-strength ratio. Among the candidates, the leading design reached approximately 2.1x the reference ratio. The movie follows the structures through deformation and fracture, connects their designs to the property map, and shows the finalist assembled geometrically into a connected multi-scale material. Image ➡️ executable world ➡️ experiments ➡️ design search ➡️ candidate discovery ➡️ geometry for fabrication ➡️ manufacturing

Markus J. Buehler

21,196 просмотров • 11 дней назад

It was a fun year: 🕹️ Made a ton of prototypes to explore the blend between physical and virtual. 📐 Gave a talk about math for XR at the Design Engineering Nights. Thank you, Tikhon Belousko , for inviting me! 🖌️ Wrote an article based on the talk. 🏁 Had an unforgettable Miata trip around the Lake District. ⭐️ Became a finalist of #XRCC. 🧑‍🎓 Got comfortable with ECS and RealityKit. 🎙️ Had an amazing conversation about XR and all this stuff in the Blueprint of Designer podcast. Thank you, Dean Heasman , for having me! 📸 Designed a camera tablet device and was a part of the development forces of the coolest Camera Experience solution for VR — LIV's LCK. 🔬Delved into designing and programming 3D UI frameworks. Happy New Year 🥳
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It was a fun year: 🕹️ Made a ton of prototypes to explore the blend between physical and virtual. 📐 Gave a talk about math for XR at the Design Engineering Nights. Thank you, Tikhon Belousko , for inviting me! 🖌️ Wrote an article based on the talk. 🏁 Had an unforgettable Miata trip around the Lake District. ⭐️ Became a finalist of #XRCC. 🧑‍🎓 Got comfortable with ECS and RealityKit. 🎙️ Had an amazing conversation about XR and all this stuff in the Blueprint of Designer podcast. Thank you, Dean Heasman , for having me! 📸 Designed a camera tablet device and was a part of the development forces of the coolest Camera Experience solution for VR — LIV's LCK. 🔬Delved into designing and programming 3D UI frameworks. Happy New Year 🥳

Oleg Frolov

29,096 просмотров • 8 месяцев назад