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Video camera enthusiast mr_ekan has showcased a neat Python script that lets one simulate realistic camera movement in Blender. Coming to GitHub by the end of the week:

80 LEVEL

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239,135 次观看 • 1 年前 •via X (Twitter)

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Using Blender camera animation with Seedance 2.0 gives you a lot more control over your shots. By keyframing the camera in Blender, you can precisely define movement, rotation, and framing, then bring that motion into Seedance. It's a great workflow for previs-style blockouts or any shot where intentional camera movement matters. To try this workflow, link below 👇

Using Blender camera animation with Seedance 2.0 gives you a lot more control over your shots. By keyframing the camera in Blender, you can precisely define movement, rotation, and framing, then bring that motion into Seedance. It's a great workflow for previs-style blockouts or any shot where intentional camera movement matters. To try this workflow, link below 👇

ComfyUI

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Asked o3-mini to make a quick water sim with an orbiting camera in Blender 4.3 using a python script. This took a few tries and some tweaking so it’s not a one shot. I’m optimistic this will improve down the road. Prompt below.

Asked o3-mini to make a quick water sim with an orbiting camera in Blender 4.3 using a python script. This took a few tries and some tweaking so it’s not a one shot. I’m optimistic this will improve down the road. Prompt below.

CoffeeVectors

314,300 次观看 • 1 年前

Camera control in AI video is solved. Move your phone → the camera moves in Blender → Higgsfield renders the shot. Your phone is now a virtual camera.

Camera control in AI video is solved. Move your phone → the camera moves in Blender → Higgsfield renders the shot. Your phone is now a virtual camera.

Adil Alimzhanov

20,074 次观看 • 10 天前

Created in Veo 3. Late-night tests inside Google Flow. The camera movement has been the most exciting part for me. Let me know in the comments if you are interested in my prompt structure to achieve this type of camera movement. This was text-to-video.

Created in Veo 3. Late-night tests inside Google Flow. The camera movement has been the most exciting part for me. Let me know in the comments if you are interested in my prompt structure to achieve this type of camera movement. This was text-to-video.

Dave Clark

120,641 次观看 • 1 年前

#RiverOfGiants – Progress Update #13 – July 20, 2026. We’ve now exported 25 of the film’s 53 shots into Blender, and we expect to finish the remaining shots by the end of the month. Bringing our short film from SFM to Blender means rebuilding camera movements that became misaligned during export. Some shots also require camera rotoscoping based on the original SFM previs. 👇Full update on Kickstarter:

#RiverOfGiants – Progress Update #13 – July 20, 2026. We’ve now exported 25 of the film’s 53 shots into Blender, and we expect to finish the remaining shots by the end of the month. Bringing our short film from SFM to Blender means rebuilding camera movements that became misaligned during export. Some shots also require camera rotoscoping based on the original SFM previs. 👇Full update on Kickstarter:

Blayken

14,173 次观看 • 1 个月前

Chantal Hébert on Liberals moving to go in camera in four committees: "Of all of the things you can think that were smart to do this week, getting a majority and using it to do this is probably one of the dumbest moves that one has seen in a long long time."

Chantal Hébert on Liberals moving to go in camera in four committees: "Of all of the things you can think that were smart to do this week, getting a majority and using it to do this is probably one of the dumbest moves that one has seen in a long long time."

Scott Robertson

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Reimagining the elegance of a luxury haircare commercial with Seedance 2.0 This “Tresemmé”hair commercial explores realistic curls, natural water movement, detailed product shots, soft lighting, and cinematic camera movement to create a premium commercial experience. Prompt in the comments

Reimagining the elegance of a luxury haircare commercial with Seedance 2.0 This “Tresemmé”hair commercial explores realistic curls, natural water movement, detailed product shots, soft lighting, and cinematic camera movement to create a premium commercial experience. Prompt in the comments

Isabella

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In one of my recent creative experiments with MiniMax H3, I created a beauty-style UGC commercial. The lifelike camera movement, natural lighting, realistic expressions, and attention to product details made the final result feel clean, cinematic, and incredibly realistic. Looking forward to creating more with Hailuo AI (MiniMax) #MiniMaxH3

In one of my recent creative experiments with MiniMax H3, I created a beauty-style UGC commercial. The lifelike camera movement, natural lighting, realistic expressions, and attention to product details made the final result feel clean, cinematic, and incredibly realistic. Looking forward to creating more with Hailuo AI (MiniMax) #MiniMaxH3

Noor

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One of the Super Meat Boy 3D prototype levels. Our first test with a fixed camera angle. No 45° angles and weird camera movement. Super motion-sickness inducing, hard to control…but it led us to the final camera setup.

One of the Super Meat Boy 3D prototype levels. Our first test with a fixed camera angle. No 45° angles and weird camera movement. Super motion-sickness inducing, hard to control…but it led us to the final camera setup.

Sluggerfly

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THAT GIRL video DARKOO ft MR M$NEY directed by me. Visual storytelling is something I’ll never get tired of exploring. The colors. The performances. The camera movement. . Every choice I make has the power to change how a video is experienced. This is what I did with “That Girl” And it was a joy to create.

THAT GIRL video DARKOO ft MR M$NEY directed by me. Visual storytelling is something I’ll never get tired of exploring. The colors. The performances. The camera movement. . Every choice I make has the power to change how a video is experienced. This is what I did with “That Girl” And it was a joy to create.

Perliks

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What makes this funnier is that Taehyung is an Idol by profession so he has to look in the camera and talk while Seojoon is an actor and has to avoid the camera in scenes 😭

What makes this funnier is that Taehyung is an Idol by profession so he has to look in the camera and talk while Seojoon is an actor and has to avoid the camera in scenes 😭

TG

503,198 次观看 • 3 年前

Finally broke out the chucks! Camera guy was mouth-breathing by the end of this one! 🤣🤣🤣🤣

Finally broke out the chucks! Camera guy was mouth-breathing by the end of this one! 🤣🤣🤣🤣

Spreadi_Pedi

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Spielberg is a true master of camera movement — no one guides the lens with more purpose or precision.

Spielberg is a true master of camera movement — no one guides the lens with more purpose or precision.

cinesthetic.

437,640 次观看 • 1 年前

Blender just became a prompt box. With Kimi K3 connected through Blender MCP, you can describe a scene like this in plain English and let the model handle the ugly part: terrain, buildings, lighting, materials, camera movement, animation, and the Python scripts holding everything together. The interesting part is not the first render. Kimi can inspect the result, notice that the camera clips through a tree or the city looks suspiciously like plastic, then edit the actual Blender scene and render it again instead of restarting from zero. You still need taste, because “make it cinematic” remains one of humanity’s least useful instructions. But the distance between an empty Blender file and a fully editable 3D world just got embarrassingly small. A few years ago, creating this meant weeks of modeling, scripting, lighting, and animation. Now you can describe the world, watch Kimi build it, and spend your time fixing the final 10% instead of manually constructing the first 90%. Kimi K3 + Blender MCP is basically text-to-3D without trapping the result inside a useless generated video. Every object, material, light, camera, and keyframe stays editable.

Blender just became a prompt box. With Kimi K3 connected through Blender MCP, you can describe a scene like this in plain English and let the model handle the ugly part: terrain, buildings, lighting, materials, camera movement, animation, and the Python scripts holding everything together. The interesting part is not the first render. Kimi can inspect the result, notice that the camera clips through a tree or the city looks suspiciously like plastic, then edit the actual Blender scene and render it again instead of restarting from zero. You still need taste, because “make it cinematic” remains one of humanity’s least useful instructions. But the distance between an empty Blender file and a fully editable 3D world just got embarrassingly small. A few years ago, creating this meant weeks of modeling, scripting, lighting, and animation. Now you can describe the world, watch Kimi build it, and spend your time fixing the final 10% instead of manually constructing the first 90%. Kimi K3 + Blender MCP is basically text-to-3D without trapping the result inside a useless generated video. Every object, material, light, camera, and keyframe stays editable.

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3D Artist and Animator Joshua Schwarz has showcased a realistic forest creek simulation made in Blender with the FLIP Fluids add-on and Quixel assets. More demos and info: #3dart #techart #technicalart #environmentart #blender #blender3d #b3d #quixel

3D Artist and Animator Joshua Schwarz has showcased a realistic forest creek simulation made in Blender with the FLIP Fluids add-on and Quixel assets. More demos and info: #3dart #techart #technicalart #environmentart #blender #blender3d #b3d #quixel

80 LEVEL

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Neat detail in the raid cinematic, the theme that plays when Sylvanas faces off with Xal'atath is the same one that plays at the end of the Shadowlands cinematic. Nice little way of emphasizing that it's the connection she has to Death that Xal'atath is afraid of in that moment.

Neat detail in the raid cinematic, the theme that plays when Sylvanas faces off with Xal'atath is the same one that plays at the end of the Shadowlands cinematic. Nice little way of emphasizing that it's the connection she has to Death that Xal'atath is afraid of in that moment.

Portergauge 🏳️‍🌈

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This video captured by a home security camera reveals the intensity of the first major tremor that shook Turkey on February 6. While the vibrations of the camera are considerable, cars give an idea of the magnitude [source:

This video captured by a home security camera reveals the intensity of the first major tremor that shook Turkey on February 6. While the vibrations of the camera are considerable, cars give an idea of the magnitude [source:

Massimo

3,871,699 次观看 • 3 年前

The camera movement in the quoted tweet was just so incredible that I couldn't help but get inspired! ❤❤ I went ahead and completely rewrote UCZ3S's camera system because of it. Here's a little preview

The camera movement in the quoted tweet was just so incredible that I couldn't help but get inspired! ❤❤ I went ahead and completely rewrote UCZ3S's camera system because of it. Here's a little preview

Super Epic Doki Doki Danbi 2 Electric Boogaloo

42,239 次观看 • 2 个月前