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> Virat Kohli - chasing Sachin's 100 international centuries. > Joe Root - chasing Sachin's 15.9K Test runs. > Rohit Sharma - chasing Sachin's 49 ODI centuries. Nasser Hussain:- "Three modern-day greats, all chasing records held by the same man, in different formats and in their own spaces. We...

116,472 görüntüleme • 6 gün önce •via X (Twitter)

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🚨 THE BIGGEST LIE IN MODERN HITTING. We’ve become a game of clones. Everyone wants the same launch angle, the same hand path, and the same “aesthetic” finish. But here is the reality: If you’re coaching every kid to move the same way, you aren’t coaching—you’re just copying and pasting. 🧩 Feel vs. Real The truth is found in who can decipher the feel vs. real for every individual player. • What a coach sees on camera (Real) is almost never what the athlete is experiencing (Feel). • If you tell a hitter to “get on plane” and they start dumping their barrels, your “correct” advice just broke their swing. 🧬 Different Bodies, Different Movements Everyone is built differently. One hitter has long levers and tight hips; another is short, explosive, and hyper-mobile. Everyone moves differently. So why on earth are we buying into ONE rigid swing philosophy? Unless that philosophy is the one that allows you to get the only intended result that matters: CONSISTENT BARRELS. 🎯 The Bottom Line Stop trying to win the “Best Looking Swing” award on Instagram. If your swing is “ugly” but you’re a barrel machine, you’re a better hitter than the kid with the “perfect” mechanics who can’t touch a high-spin heater. We need to stop chasing positions and start chasing intent. If the “feel” creates the “result,” keep it. Everything else is just noise. Stop cloning. Start competing. If you want to build a swing that is for for you, sign up for a 1:1 coaching call. DM us here.

Tyler Osik

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Existing blissfully as a trader is one of the GREATEST life hacks. The BIGGEST LOSERS are the ones who are CHASING, CHASING, CHASING and CHASING. They tell you, "You need to be locked in, grinding hard, 100 hour weeks crafting your edge!" I don't think there has been a bigger lie told. MAYBE for the little guys who are trying to DESPERATELY find a way out of poverty [and even then, there are much better options out there in these conditions], But for the rest, the ones who are remain here, The MORE you RUSH and envision a specific lifestyle or material items to be in your possession because of social media programming, The more you're FORCED TO ACT and PANIC. Time is not running out. If it was, you'd ALREADY be cooked right now. What's 6 more months? Even a year? You've already been here X amount of years anyway. Opportunities COME to you but you MUST ACT when the time is right. In the fight game, when you LOOK for shots, you sometimes put yourself in unfavourable positions JUST to land. But if you're EXISTING and wait, The mistakes of your opponent COME TO YOU and you CAPITALIZE on it. Let the retards capitulate whether it's price or time based because they need the "fastest horse" in the moment. Look at the best trades made as of recent: ZEC and HYPE. Do you think "those guys" sat there overtrading? They SAW the trade, let it come to them and then blocked out all the noise. They had REASSURANCE AMONGST each other. A team on the same path. You have the same thing too. The "privacy supercycle" has already been identified and now ALL it takes is to exercise patience with additional plays in the same category. Do you agree that BTC will set a new ATH? You do, of course you do, otherwise you wouldn't be here. And if it's the case, you already know how to profit from that occurrence when institutions or big players look for "the next" catchup to ZEC or HYPE after BTC goes mainstream again. Perhaps mid or late into the bull cycle, but it'll happen. It's a tale as old as time, human nature doesn't change. The stage is set, you have to merely EXIST. ~ Dr. Axius.

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When ATEEZ first stepped onto the stage in October 2018, they were eight boys with a dream that seemed far too big for their small beginnings. No one could have guessed that these wide-eyed rookies from a relatively unknown company, KQ Entertainment, would grow into one of K-pop’s most inspiring success stories. From the very beginning, ATEEZ weren’t chasing fame; they were chasing meaning, and the chance to make their voices heard. Before they were performing on global stages, they were just trainees practicing until sunrise, sharing late-night meals, and holding onto faith that someday, someone would notice them. They weren’t born into luxury or fame; they built everything with their own hands. Their journey was far from perfect. It was filled with exhaustion, moments of doubt, and nights when giving up must have felt easier than pushing forward. Yet, they kept going. They turned pain into passion and uncertainty into performance. Every stage became their proof that dreams can be real if you fight for them hard enough. Their message has always been deeply human: to keep chasing your dream, even when it feels impossible. They call themselves “the youth who move forward,” but they have become something even greater. They are living proof that ordinary people with extraordinary determination can change their fate. 7 years after that debut, ATEEZ stand on some of the biggest stages in the world, performing for thousands who sing their songs back to them. Despite all the fame, they remain grounded, still those same boys who once practiced in small rooms and endless hope. Happy 7 years ATEEZ 💗 7 YEARS WITH ATEEZ #에이티즈_7주년_항해는_계속된다 #7_years_with_ATEEZ #A_TO_Z ATEEZ(에이티즈)

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I will never forget the first time I walked into St Peter's Basilica... None of it is painted. Everything overhead that appears to be a fresco is a mosaic: millions of small glass tiles, cut and set into place by hand. Michelangelo pierced the drum with sixteen windows, and beneath them runs a band of text, black on gold: TU ES PETRUS ET SUPER HANC PETRAM AEDIFICABO ECCLESIAM MEAM. "You are Peter, and upon this rock I will build my church." From the floor it reads like an ordinary inscription but each of those letters is two metres tall... Above the windows the dome divides into sixteen segments, and within them six tiers of figures rise in rings: the popes buried in the basilica, then Christ, the Virgin Mary, St John the Baptist and the Apostles, then angels carrying the instruments of the Passion, then the faces of cherubim and seraphim. Above all of them, a blue sky scattered with gold stars, and at the summit, in the lantern, God the Father. The man who designed it, Giuseppe Cesari, was a painter. Between 1603 and 1612 he produced sixty-five life-size cartoons setting out the whole scheme, and every one of them was then translated into glass by mosaicists. The reason is actually pretty unglamorous. The basilica was damp, and candle smoke and incense from centuries of liturgy were eating the pictures alive. So the Vatican began converting the building into glass, dome by dome, and from the end of the 1600s the painted altarpieces too, one at a time. By the basilica's own reckoning, around ten thousand square metres of mosaic. The workshop that did all of this is still open: twelve artists work in the Vatican Mosaic Studio today, cutting tesserae by hand in nearly 28,000 shades and fixing them with a linseed-oil stucco whose recipe has been in use for four centuries. Earlier this year its director, Paolo Di Buono, described the work: "We have the idea that we are working for something that is almost eternal."

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