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Ricky Retouch

13,774 subscribers

12,141 次观看 • 5 个月前 •via X (Twitter)

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This happened last Thursday at Oakridge Correctional Facility. The man is James Martinez, 34 years old. Serving the final year of a six-year sentence. The dog is Axel, a 7-year-old German Shepherd. James had Axel for eight months before his incarceration. His mother took Axel. But she passed away two years ago. Axel went into foster care. Then to a shelter. Prison chaplain discovered Axel was still in the shelter system. Arranged this reunion through a special visitation program. Security footage shows James sitting at the metal table. Hands clasped. Shaking. Visitation door opens. Volunteer Sarah enters with Axel on leash. Axel sees James. Freezes. Stares. James drops to his knees on the floor. Says one word: "Axel." Axel yanks the leash from Sarah's hand. Runs. Crashes into James. Both go down on the floor. James is sobbing. Deep, body-shaking sobs. Wraps his arms around Axel. Buries his face in Axel's fur. Crying so hard he can't breathe. Axel frantically licking James's face. Checking every inch of him with his nose. Making crying whimpering sounds. The guard standing in the corner turns away wiping his eyes. Prison chaplain Father Michael told us: "James has been a model inmate for six years. Never caused problems. When ! found out his dog was in a shelter and still available, I had to make this happen. James thought Axel had been adopted years ago. Finding out Axel was still waiting destroyed him and gave him hope at the same time." James told us through tears: "Six years. I thought I'd never see Axel again. Thought he'd forgotten me. But the second he saw me, it was like no time had passed. remembered. He still loves me." The shelter is holding Axel until James's release in four months. James's sister has agreed to foster Axel until then. James said: "Axel waited six years in the shelter system. Now he just has to wait four more months. Then we're never separating again." Sometimes forgiveness has four legs and never stopped waiting.

This happened last Thursday at Oakridge Correctional Facility. The man is James Martinez, 34 years old. Serving the final year of a six-year sentence. The dog is Axel, a 7-year-old German Shepherd. James had Axel for eight months before his incarceration. His mother took Axel. But she passed away two years ago. Axel went into foster care. Then to a shelter. Prison chaplain discovered Axel was still in the shelter system. Arranged this reunion through a special visitation program. Security footage shows James sitting at the metal table. Hands clasped. Shaking. Visitation door opens. Volunteer Sarah enters with Axel on leash. Axel sees James. Freezes. Stares. James drops to his knees on the floor. Says one word: "Axel." Axel yanks the leash from Sarah's hand. Runs. Crashes into James. Both go down on the floor. James is sobbing. Deep, body-shaking sobs. Wraps his arms around Axel. Buries his face in Axel's fur. Crying so hard he can't breathe. Axel frantically licking James's face. Checking every inch of him with his nose. Making crying whimpering sounds. The guard standing in the corner turns away wiping his eyes. Prison chaplain Father Michael told us: "James has been a model inmate for six years. Never caused problems. When ! found out his dog was in a shelter and still available, I had to make this happen. James thought Axel had been adopted years ago. Finding out Axel was still waiting destroyed him and gave him hope at the same time." James told us through tears: "Six years. I thought I'd never see Axel again. Thought he'd forgotten me. But the second he saw me, it was like no time had passed. remembered. He still loves me." The shelter is holding Axel until James's release in four months. James's sister has agreed to foster Axel until then. James said: "Axel waited six years in the shelter system. Now he just has to wait four more months. Then we're never separating again." Sometimes forgiveness has four legs and never stopped waiting.

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104,959 次观看 • 1 个月前

Filmed three week ago at Oregon State Penitentiary. The man is James Baxter. Serving the last eight months of a six-year sentence. The dog is Rocky, an eight-year-old German Shepherd. James got Rocky as a puppy. Had him for nine months before his incarceration. James's mother took Rocky. Promised to care for him until James got out. But she passed away suddenly two years ago. Health emergency. Rocky went to James's brother. Brother kept him for six months. Then brother lost his job. Couldn't afford to keep Rocky. Surrendered him to a shelter. James found out three months ago. Devastated. Thought Rocky had been adopted years ago. Prison chaplain Father Michael discovered Rocky was still at a local shelter. No one had adopted him. Father Michael arranged this reunion through a special visitation program. This was the visit. Security footage shows James sitting at the metal table. Hands clasped. Shaking. Visitation door opens. Volunteer Sarah enters with Rocky on leash. Rocky sees James. Freezes. Just stares. Six years. James drops to his knees on the floor. Says one word: "Rocky." Rocky yanks the leash from Sarah's hand. Runs. Crashes into James. Both go down on the floor. James is sobbing. Deep, body-shaking sobs. Wraps his arms around Rocky. Buries his face in Rocky's fur. Can't breathe. Rocky frantically licking James's face. Checking every inch of him with his nose. Making crying whimpering sounds. Both of them shaking. The guard standing in the corner turns away. Wipes his eyes. Father Michael watching from the doorway. Also crying. James told us through tears: "Six years. I thought Rocky had forgotten me. Thought he'd been adopted by a family. Finding out he was in a shelter this whole time destroyed me." The shelter is holding Axel until James's release in eight months. James's sister agreed to foster Rocky until then. James said: "Rocky waited six years in the shelter system. Now he just has to wait eight more months. Then we're never separating again." Father Michael told us: "James has been a model inmate for six years. Never caused problems. When I found out his dog was still waiting, I had to make this happen. Redemption isn't just about paying your debt. It's about coming home to what you love." Sometimes forgiveness has four legs and waits six years.

Filmed three week ago at Oregon State Penitentiary. The man is James Baxter. Serving the last eight months of a six-year sentence. The dog is Rocky, an eight-year-old German Shepherd. James got Rocky as a puppy. Had him for nine months before his incarceration. James's mother took Rocky. Promised to care for him until James got out. But she passed away suddenly two years ago. Health emergency. Rocky went to James's brother. Brother kept him for six months. Then brother lost his job. Couldn't afford to keep Rocky. Surrendered him to a shelter. James found out three months ago. Devastated. Thought Rocky had been adopted years ago. Prison chaplain Father Michael discovered Rocky was still at a local shelter. No one had adopted him. Father Michael arranged this reunion through a special visitation program. This was the visit. Security footage shows James sitting at the metal table. Hands clasped. Shaking. Visitation door opens. Volunteer Sarah enters with Rocky on leash. Rocky sees James. Freezes. Just stares. Six years. James drops to his knees on the floor. Says one word: "Rocky." Rocky yanks the leash from Sarah's hand. Runs. Crashes into James. Both go down on the floor. James is sobbing. Deep, body-shaking sobs. Wraps his arms around Rocky. Buries his face in Rocky's fur. Can't breathe. Rocky frantically licking James's face. Checking every inch of him with his nose. Making crying whimpering sounds. Both of them shaking. The guard standing in the corner turns away. Wipes his eyes. Father Michael watching from the doorway. Also crying. James told us through tears: "Six years. I thought Rocky had forgotten me. Thought he'd been adopted by a family. Finding out he was in a shelter this whole time destroyed me." The shelter is holding Axel until James's release in eight months. James's sister agreed to foster Rocky until then. James said: "Rocky waited six years in the shelter system. Now he just has to wait eight more months. Then we're never separating again." Father Michael told us: "James has been a model inmate for six years. Never caused problems. When I found out his dog was still waiting, I had to make this happen. Redemption isn't just about paying your debt. It's about coming home to what you love." Sometimes forgiveness has four legs and waits six years.

Gabriele Corno

50,705 次观看 • 1 个月前

Created with Seedance 2.0 on BudgetPixel AI Prompt:Create a highly detailed, cinematic 15-second animated video set in a lively modern city completely operated by anthropomorphic animals. Use polished feature-film-quality 3D animation, expressive but natural animal movements, realistic fur simulation, vibrant environments, smooth camera motion, and consistent character design throughout. 0–3 seconds — Bear Police Officers Open with a wide establishing shot of a busy downtown intersection during a bright morning. Two large brown bears wear neat navy police uniforms with badges and caps. One bear confidently directs traffic with clear hand signals while the other stands beside a police car with flashing lights. Animal pedestrians cross the street naturally in the background. 3–6 seconds — Penguin Ice Cream Shop Use a smooth whip-pan transition to a colorful vintage ice cream truck. Two cheerful penguins wearing small aprons and bow ties serve ice cream cones through the window. A rabbit customer receives a tall strawberry cone while other animals wait in line. Include playful expressions, realistic melting ice cream, and small natural movements. 6–10 seconds — Monkey Bus Driver Transition as the ice cream truck passes in front of the camera, revealing a city bus. A friendly monkey in a professional driver’s uniform drives confidently through the busy street. Rabbits, deer, foxes, and pandas sit inside as passengers. Show the monkey checking the mirror, turning the steering wheel, and stopping smoothly at a bus stop. 10–13 seconds — Busy Animal City The camera follows the bus through the city, revealing raccoons cleaning the sidewalks, squirrels selling fruit at a street market, giraffes working near tall buildings, and birds delivering letters between rooftops. The city should feel organized, energetic, and full of believable activity. 13–15 seconds — Grand Final Shot End with a fast cinematic crane shot rising above the central city square, showing hundreds of animals working, shopping, driving, and socializing together. A fountain sits in the center while the animal city stretches into the distance under warm golden sunlight. Style: premium cinematic 3D animation, playful family-friendly comedy, highly detailed fur and clothing, expressive faces, natural body movement, realistic lighting and shadows, colorful urban production design, smooth transitions, dynamic tracking shots, shallow depth of field, 4K, 24fps, widescreen composition. Avoid: character duplication, changing uniforms, distorted paws, extra limbs, floating objects, unreadable signs, unnatural walking, chaotic traffic, stiff animation, low-detail backgrounds, sudden scene changes, text overlays, logos, subtitles, or watermarks.

Created with Seedance 2.0 on BudgetPixel AI Prompt:Create a highly detailed, cinematic 15-second animated video set in a lively modern city completely operated by anthropomorphic animals. Use polished feature-film-quality 3D animation, expressive but natural animal movements, realistic fur simulation, vibrant environments, smooth camera motion, and consistent character design throughout. 0–3 seconds — Bear Police Officers Open with a wide establishing shot of a busy downtown intersection during a bright morning. Two large brown bears wear neat navy police uniforms with badges and caps. One bear confidently directs traffic with clear hand signals while the other stands beside a police car with flashing lights. Animal pedestrians cross the street naturally in the background. 3–6 seconds — Penguin Ice Cream Shop Use a smooth whip-pan transition to a colorful vintage ice cream truck. Two cheerful penguins wearing small aprons and bow ties serve ice cream cones through the window. A rabbit customer receives a tall strawberry cone while other animals wait in line. Include playful expressions, realistic melting ice cream, and small natural movements. 6–10 seconds — Monkey Bus Driver Transition as the ice cream truck passes in front of the camera, revealing a city bus. A friendly monkey in a professional driver’s uniform drives confidently through the busy street. Rabbits, deer, foxes, and pandas sit inside as passengers. Show the monkey checking the mirror, turning the steering wheel, and stopping smoothly at a bus stop. 10–13 seconds — Busy Animal City The camera follows the bus through the city, revealing raccoons cleaning the sidewalks, squirrels selling fruit at a street market, giraffes working near tall buildings, and birds delivering letters between rooftops. The city should feel organized, energetic, and full of believable activity. 13–15 seconds — Grand Final Shot End with a fast cinematic crane shot rising above the central city square, showing hundreds of animals working, shopping, driving, and socializing together. A fountain sits in the center while the animal city stretches into the distance under warm golden sunlight. Style: premium cinematic 3D animation, playful family-friendly comedy, highly detailed fur and clothing, expressive faces, natural body movement, realistic lighting and shadows, colorful urban production design, smooth transitions, dynamic tracking shots, shallow depth of field, 4K, 24fps, widescreen composition. Avoid: character duplication, changing uniforms, distorted paws, extra limbs, floating objects, unreadable signs, unnatural walking, chaotic traffic, stiff animation, low-detail backgrounds, sudden scene changes, text overlays, logos, subtitles, or watermarks.

Sarah Parker

58,693 次观看 • 2 个月前

Seednace 2 on OpenArt Prompt: CAMERA: DV 16mm tape camcorder handheld footage feel. Point of view of CHASE holding the camera directly in hand. Maintain hand shake, misaligned framing, delayed focus pull, clumsy zoom in/out, occasional self-cam framing where the face gets cut off, and imperfect shots that lose the subject. Every shot is CHASE holding the camcorder herself, filming in selfie-cam or first-person style. The camcorder itself never appears on screen. LOOK: DV 16mm tape camcorder footage look. Soft, slightly blurry digital tape quality, faint tape noise, highlights that bloom slightly in natural light, auto-exposure that flickers subtly, muted color contrast, realistic skin tones. STYLE: Bright, bubbly idol energy — genuine smiles, playful expressions, eye contact with the lens, small laughs. Handheld from start to finish, quick and lively, alternating between selfie and mirrorless shots. Backstage buzz and pre-show excitement underneath the casual, candid tone. Character CHASE — a Korean idol in her 20s. Long straight black hair past her chest, elegant yet lovely Korean features, dewy glass skin, coral pink lips, big eyes. Slim yet curvy build (33C-26-34). Wearing a stage-ready outfit (fitted top, statement skirt or trousers, bold but tasteful) with subtle stage makeup and sparkly earrings. Bright, energetic, faces the lens throughout. Setting A backstage hallway at a music show broadcast studio — narrow corridor with dressing room doors, her name printed on a small tag on one door, a snack/craft table further down the hall, a speaker mounted near the ceiling for PA announcements. Staff and other crew occasionally blur past in the background. Storyboard 1. *(~2s, front-facing selfie, arm's length)* She peeks around a corner into the hallway, leans into the lens with a bright smile. CHASE: "Hey guys, we're backstage right now!" 2. *(~2s, quick whip pan, handheld POV)* Camera swings down the corridor, passing dressing room doors, catching a blur of a staff member walking by. CHASE (off-screen, playful): "Look how long this hallway is!" 3. *(~2s, medium handheld, stopping at a door)* She pauses in front of a door with her name tag on it, points at it excitedly, does a little happy bounce. CHASE: "That's me! That's my name!" 4. *(~1.5s, macro insert, shallow DOF)* Close-up on the name tag, tape blur softening the edges, her fingers tapping it lightly. No dialogue — soft ambient hallway noise only. 5. *(~2s, medium handheld, quick outfit check)* She steps back, does a quick spin to show off her outfit, tugging at the hem, checking her look in a nearby mirror or reflective surface. CHASE: "Okay, outfit check — how do I look?" 6. *(~2s, snappy cut, at the snack table)* She wanders to the snack table, picks up a small snack, holds it up to the camera with a grin. CHASE: "Ooh, snack table! Don't mind if I do." 7. *(~1.5s, quick punch-in, tight selfie)* Mid-bite, she suddenly reacts — eyes widening — as the PA speaker crackles to life overhead. CHASE (mouth half full, laughing): "Wait, wait—" 8. *(~2s, arm's-length selfie finish)* The countdown announcement echoes over the PA. Her face shifts to excited urgency, quick wave, hand-heart, then she dashes off down the hallway — camera swings and blurs as she moves, ending on a shaky glimpse of the corridor. CHASE (calling back, excited): "That's my cue — see you guys after the stage!"

Seednace 2 on OpenArt Prompt: CAMERA: DV 16mm tape camcorder handheld footage feel. Point of view of CHASE holding the camera directly in hand. Maintain hand shake, misaligned framing, delayed focus pull, clumsy zoom in/out, occasional self-cam framing where the face gets cut off, and imperfect shots that lose the subject. Every shot is CHASE holding the camcorder herself, filming in selfie-cam or first-person style. The camcorder itself never appears on screen. LOOK: DV 16mm tape camcorder footage look. Soft, slightly blurry digital tape quality, faint tape noise, highlights that bloom slightly in natural light, auto-exposure that flickers subtly, muted color contrast, realistic skin tones. STYLE: Bright, bubbly idol energy — genuine smiles, playful expressions, eye contact with the lens, small laughs. Handheld from start to finish, quick and lively, alternating between selfie and mirrorless shots. Backstage buzz and pre-show excitement underneath the casual, candid tone. Character CHASE — a Korean idol in her 20s. Long straight black hair past her chest, elegant yet lovely Korean features, dewy glass skin, coral pink lips, big eyes. Slim yet curvy build (33C-26-34). Wearing a stage-ready outfit (fitted top, statement skirt or trousers, bold but tasteful) with subtle stage makeup and sparkly earrings. Bright, energetic, faces the lens throughout. Setting A backstage hallway at a music show broadcast studio — narrow corridor with dressing room doors, her name printed on a small tag on one door, a snack/craft table further down the hall, a speaker mounted near the ceiling for PA announcements. Staff and other crew occasionally blur past in the background. Storyboard 1. (~2s, front-facing selfie, arm's length) She peeks around a corner into the hallway, leans into the lens with a bright smile. CHASE: "Hey guys, we're backstage right now!" 2. (~2s, quick whip pan, handheld POV) Camera swings down the corridor, passing dressing room doors, catching a blur of a staff member walking by. CHASE (off-screen, playful): "Look how long this hallway is!" 3. (~2s, medium handheld, stopping at a door) She pauses in front of a door with her name tag on it, points at it excitedly, does a little happy bounce. CHASE: "That's me! That's my name!" 4. (~1.5s, macro insert, shallow DOF) Close-up on the name tag, tape blur softening the edges, her fingers tapping it lightly. No dialogue — soft ambient hallway noise only. 5. (~2s, medium handheld, quick outfit check) She steps back, does a quick spin to show off her outfit, tugging at the hem, checking her look in a nearby mirror or reflective surface. CHASE: "Okay, outfit check — how do I look?" 6. (~2s, snappy cut, at the snack table) She wanders to the snack table, picks up a small snack, holds it up to the camera with a grin. CHASE: "Ooh, snack table! Don't mind if I do." 7. (~1.5s, quick punch-in, tight selfie) Mid-bite, she suddenly reacts — eyes widening — as the PA speaker crackles to life overhead. CHASE (mouth half full, laughing): "Wait, wait—" 8. (~2s, arm's-length selfie finish) The countdown announcement echoes over the PA. Her face shifts to excited urgency, quick wave, hand-heart, then she dashes off down the hallway — camera swings and blurs as she moves, ending on a shaky glimpse of the corridor. CHASE (calling back, excited): "That's my cue — see you guys after the stage!"

WasifAI

33,901 次观看 • 2 个月前